When In Rome
|
00:00:01 |
[Jason Mraz: Kicking With You] |
00:01:08 |
[3OH!3 featuring Katy Perry: |
00:01:28 |
Great job, you guys. |
00:01:31 |
Has anyone seen Stacy? |
00:01:35 |
Stacy? Stacy, where are you guys? |
00:01:38 |
Hey boss. |
00:01:40 |
Hey, did you check out |
00:01:42 |
The one breathing on the Monet? |
00:01:44 |
I called security. |
00:01:45 |
I think it's best to steer clear of him, |
00:01:49 |
Is that for me? |
00:01:50 |
- No, no, that's my... |
00:01:51 |
The show is going great. To Beth! |
00:01:54 |
- Our fearless leader. |
00:01:56 |
Thank you, guys. |
00:01:58 |
My God. Is that Brady Sacks? |
00:02:01 |
Beth's ex? Where? |
00:02:02 |
Not a funny joke. |
00:02:04 |
Because if Brady |
00:02:07 |
I mean at my event, no less, after he... |
00:02:09 |
- Dumped you like yesterday's trash? |
00:02:12 |
and fed it to the Central Park pigeons? |
00:02:13 |
Come on, I'm not even |
00:02:15 |
Well, I am, OK? |
00:02:19 |
Who cares?! That's what I say. |
00:02:25 |
He's right behind me, isn't he? |
00:02:30 |
- Brady... |
00:02:35 |
- Great show. |
00:02:44 |
What are you... |
00:02:47 |
Look, I know you're crazy busy, |
00:02:48 |
but there's something |
00:02:51 |
Something I think'll make up |
00:02:57 |
OK. |
00:02:59 |
I've got 3 words for you, |
00:03:03 |
- I was wrong. |
00:03:07 |
A year ago, when I broke up |
00:03:09 |
you cared more about your work |
00:03:12 |
Yeah, I remember, Brady, really clearly, |
00:03:14 |
when you broke up with me |
00:03:17 |
I'm sorry about that, |
00:03:21 |
- I get it. |
00:03:23 |
Barely. I think he said he gets it. |
00:03:26 |
He gets it! |
00:03:27 |
I'm ready to jump in again, |
00:03:32 |
You want to jump in again? |
00:03:36 |
Yeah. |
00:03:40 |
Yeah. I mean, maybe. If it's slow. |
00:03:43 |
You made me realize |
00:03:46 |
how hard someone works, |
00:03:51 |
Yes. I can't believe |
00:03:54 |
I'm just a little overwhelmed. |
00:03:55 |
I met someone who works |
00:03:59 |
only now I can accept her for that. |
00:04:02 |
- We're getting engaged! |
00:04:05 |
Did I just hear that right? |
00:04:07 |
Our host and curator, Beth Martin, |
00:04:11 |
[Patrice Irving, Richard Wagner: |
00:04:27 |
No, I'm not. I'm not getting engaged! |
00:04:30 |
Not tonight, not to him. |
00:04:40 |
Man. |
00:04:42 |
But maybe. |
00:04:45 |
I don't know. With someone else. |
00:04:48 |
Got to see how it pans out. OK? |
00:05:05 |
Well, at least it wasn't |
00:05:16 |
Worst day ever. |
00:05:30 |
- Joan? |
00:05:34 |
I'm getting married! |
00:05:37 |
Yay. |
00:05:42 |
His name is Umberto. |
00:05:46 |
We met on a flight to Italy |
00:05:48 |
and now we're getting married. In Rome. |
00:05:53 |
That... Joan. |
00:05:56 |
He's the one, Beth. I know it. |
00:06:00 |
And when I do, I will have known him |
00:06:04 |
You know what? |
00:06:06 |
when it comes to relationships. |
00:06:09 |
OK, maybe not, but that is because |
00:06:12 |
I have a relationship with my job. |
00:06:14 |
I love my job. And when I find a guy |
00:06:18 |
that's how I'll know he's the one. |
00:06:20 |
OK, so basically what you need |
00:06:22 |
Well, he doesn't have to be blonde. |
00:06:26 |
You know that I mean this |
00:06:28 |
but 2 weeks, Joan? |
00:06:30 |
That's not long enough. |
00:06:32 |
That's not even enough time |
00:06:33 |
When you know, you don't need proof. |
00:06:39 |
- Be happy for me, B. |
00:06:45 |
I am. |
00:06:46 |
She's doomed. I mean, come on, |
00:06:48 |
you meet some Italian guy |
00:06:51 |
- You don't marry him. |
00:06:53 |
Just imagine working in a place |
00:06:58 |
What? I'm just saying. |
00:07:00 |
My baby sister is about to make |
00:07:03 |
and there's nothing I can do about it. |
00:07:05 |
She got swept away. It happens. |
00:07:07 |
No, it doesn't. |
00:07:09 |
Instead of chasing a fairy tale, |
00:07:11 |
you could focus on work. |
00:07:13 |
And you know what? |
00:07:17 |
Well, you must be ecstatic. |
00:07:20 |
And still single, I understand. |
00:07:26 |
It appears we can begin. |
00:07:30 |
the single most important event |
00:07:33 |
The Board of Trustees' |
00:07:36 |
This year, the special installation |
00:07:39 |
is the brainchild of our youngest |
00:07:41 |
and therefore least-experienced curator. |
00:07:44 |
An exhibition centered |
00:07:50 |
14 of our pieces |
00:07:52 |
and 3 of the remaining 4 |
00:07:54 |
- And the remaining piece? |
00:07:57 |
Yes, the centerpiece |
00:08:00 |
We're resolving some |
00:08:02 |
Last-minute? I can't say |
00:08:05 |
It'll be here. I'll make sure of it. |
00:08:08 |
Moving on... |
00:08:10 |
There is one small little detail. |
00:08:12 |
The day after tomorrow, |
00:08:15 |
In Rome. Italy. |
00:08:25 |
Well, that simply won't do. |
00:08:27 |
Well, it's my baby sister's wedding. |
00:08:30 |
Well, we all have sisters, Beth. |
00:08:33 |
I will stay on top of this from Rome. |
00:08:36 |
I'll be in and out in 48 hours, |
00:08:39 |
The Circle of Gold Gala |
00:08:42 |
It better. You may be talented, Beth, |
00:08:44 |
but you're not irreplaceable. |
00:08:47 |
Have a nice trip. |
00:08:50 |
So... |
00:08:51 |
[Paolo Nutini: Pencil Full of Lead] |
00:09:01 |
How long you stay Rome? |
00:09:04 |
48 hours and counting. |
00:09:07 |
Is not so much time. But lucky for you, |
00:09:10 |
it only takes a moment |
00:09:14 |
The Eternal City is |
00:09:17 |
You never lived until you loved in Rome. |
00:09:20 |
Not a lot of reception around here? |
00:09:22 |
Put down your phone and look, |
00:09:26 |
Did I mention I'm late |
00:09:29 |
Many times. |
00:09:37 |
And, finally, |
00:09:45 |
A place where romantics |
00:09:48 |
come to wish for love. |
00:09:50 |
Old people, young people, ugly people. |
00:09:53 |
They get so lost in love. It's nice! |
00:09:55 |
Yes, nice, thank you. |
00:10:03 |
And good luck! |
00:10:08 |
Joan, the Amsale dress looks gorgeous. |
00:10:10 |
- Hi! Hi. |
00:10:14 |
Look at you. |
00:10:17 |
- Thanks, Mom. |
00:10:20 |
- You look beautiful. |
00:10:22 |
What happened to "don't see the bride |
00:10:25 |
- Isn't this bad luck? |
00:10:28 |
Your father's current tramp of the month |
00:10:31 |
I heard that. And she's not a tramp. |
00:10:35 |
She's a pro beach volleyball player. |
00:10:38 |
Hi, Daddy. |
00:10:40 |
- How are you? |
00:10:41 |
Beth, this is Umberto, my fiancé. |
00:10:45 |
So, you're my sister too, now. |
00:10:50 |
- Yeah. |
00:10:52 |
You have to meet his family. |
00:10:54 |
See if he has a brother. |
00:10:55 |
- Dad! |
00:10:57 |
[Canon and Gigue in D Major: Gigue] |
00:11:10 |
[Jani Lane: Cherry Pie playing] |
00:11:17 |
Slippery little... Come on. |
00:11:19 |
How does he get service? |
00:11:26 |
- You're late, Nick. |
00:11:28 |
Where's your tie? |
00:11:33 |
There we go. |
00:11:56 |
I know, but I can't get |
00:11:58 |
I need to know that you're on top |
00:12:04 |
Hey! |
00:12:06 |
You're breaking up. |
00:12:13 |
- Stacy? |
00:12:16 |
Taking care of business. |
00:12:17 |
- Always. |
00:12:19 |
Yeah. You know me, |
00:12:23 |
If you're gonna be a bear, |
00:12:26 |
I don't know what that means. |
00:12:29 |
- So, what do you think of Tina? |
00:12:33 |
That's all you can say? |
00:12:35 |
Tan and odds-on favorite |
00:12:39 |
You're a very lucky man. |
00:12:41 |
I only wish for you the feeling I have |
00:12:45 |
Come on, Beth. Get going here. |
00:12:48 |
You will. You're due |
00:12:53 |
I'm sorry, that was a low blow. |
00:12:55 |
Quite a pair. |
00:12:56 |
You refuse to fall in love, |
00:13:00 |
Promise me one thing. |
00:13:01 |
When it comes, you'll be open to it. |
00:13:04 |
- I will try, Daddy. |
00:13:07 |
- It's vase-breaking time. |
00:13:09 |
It's a tradition. |
00:13:12 |
and the number of pieces symbolizes |
00:13:14 |
the years of happiness |
00:13:17 |
That's a lot of pressure. |
00:13:18 |
Right? So smash it hard. |
00:13:20 |
- OK. |
00:13:53 |
I'm so sorry. |
00:13:55 |
I was not aiming for that, |
00:14:06 |
She wishes them a life |
00:14:08 |
- of great tragedy! |
00:14:11 |
I just... I'm trying to break it. |
00:14:13 |
I cracked it! |
00:14:16 |
OK. We're almost there. Excuse me. |
00:14:23 |
Die! Man! |
00:14:26 |
Let's just go ahead |
00:14:37 |
You are... you're... |
00:14:39 |
You're quite the determined |
00:14:42 |
Yeah, well, I cracked it |
00:14:44 |
I know. Yeah, I know. |
00:14:46 |
- I'm Nick, by the way. |
00:14:48 |
Nice to meet you. |
00:14:50 |
but I was running a little late. |
00:14:51 |
Yeah, I noticed. |
00:14:52 |
I was in the hills doing an interview, |
00:14:54 |
and on my way back |
00:14:56 |
- My God! You hit a goat? |
00:14:59 |
It wasn't my fault, and the goat's fine. |
00:15:05 |
- What are they saying? |
00:15:07 |
I think you're up again. There you go. |
00:15:10 |
Hello again. |
00:15:13 |
I'm Beth, sister of the bride. |
00:15:22 |
Umberto, though I haven't |
00:15:31 |
I'm sorry. I don't speak any Italian. |
00:15:34 |
Umberto, although I haven't |
00:15:44 |
I'm a little rusty, so if you stay away |
00:15:45 |
from any obscure idioms, |
00:15:47 |
Yeah. Sure. |
00:15:51 |
When I look at you, Joan, |
00:15:52 |
I remember a little girl |
00:15:57 |
As I look at you right now... |
00:16:00 |
I see a grown woman |
00:16:02 |
who has seen all the magic in the world |
00:16:13 |
Joan... |
00:16:15 |
Joan likes magic... |
00:16:23 |
This is harder than I thought. |
00:16:26 |
Maybe if we all clap loudly... |
00:16:29 |
she'll wrap it up. |
00:16:37 |
Because you and Umberto |
00:16:41 |
Well, it was worth a try... |
00:16:45 |
And I know that, if you could, |
00:16:52 |
And I know that you'll... |
00:16:54 |
share him with me. |
00:17:07 |
OK. It appears our best man |
00:17:11 |
so cheers. |
00:17:15 |
I liked your toast. |
00:17:18 |
Thank you. Umberto's brother |
00:17:22 |
and most of his family |
00:17:29 |
They do that for good luck. |
00:17:31 |
So where did you learn |
00:17:35 |
Syracuse. |
00:17:38 |
He taught me |
00:17:42 |
and I taught him American football. |
00:17:45 |
I wanted to ask you before... |
00:17:49 |
- Who is your service provider? |
00:17:52 |
I saw you e-mailing earlier, |
00:17:55 |
Give me your phone. I need |
00:17:57 |
- If I don't... |
00:17:59 |
- Why not? |
00:18:01 |
- I'm not gonna take your number. |
00:18:04 |
and call your phone with it |
00:18:06 |
and I can't have you booty-calling me |
00:18:07 |
- at 2:30 in the morning. |
00:18:09 |
Wait! You know what? I do. I need it. |
00:18:11 |
Because I need to block it |
00:18:13 |
I can't give it to you, because |
00:18:16 |
- So it's on vibrate? |
00:18:19 |
- Like "off" off? |
00:18:20 |
- Nicholas! |
00:18:23 |
- Nicholas! |
00:18:25 |
- All right. |
00:18:26 |
Maybe some cards again tonight? |
00:18:29 |
I don't think so. You cleaned me out |
00:18:32 |
No more cards for me, pal. |
00:18:33 |
I take my vows only 6 months ago. |
00:18:36 |
They say it's a work in the progress. |
00:18:37 |
- Sure. |
00:18:40 |
Come on, Father. It's OK. |
00:18:42 |
It's just a card game. It's OK. |
00:18:43 |
It's OK. No more cards. |
00:18:45 |
- It's OK. |
00:18:52 |
- Look at those 2. |
00:18:55 |
- He's a saint. Her? |
00:18:59 |
A saint and an angel. |
00:19:01 |
I would not even give it 6 months. |
00:19:03 |
This marriage has the shelf life |
00:19:05 |
They've known each other 2 weeks. |
00:19:07 |
That's not even enough time |
00:19:10 |
- What? |
00:19:17 |
Hey! |
00:19:19 |
No, wait! I don't want to... No, wait! |
00:19:53 |
It's my bad. |
00:20:02 |
Sorry about that. |
00:20:06 |
Go ahead. |
00:20:13 |
What are you...? |
00:20:16 |
- I'm sorry. |
00:20:19 |
Just put that back in there. Thank you. |
00:20:34 |
Hey! |
00:20:36 |
Hey. |
00:20:40 |
- What did he just yell at you? |
00:20:42 |
- What? |
00:20:44 |
It means "the hit." |
00:20:47 |
I played some football in college and... |
00:20:51 |
I took kind of a big hit. |
00:20:55 |
Football. Goats. You get hit a lot. |
00:20:59 |
It's kind of a famous hit. |
00:21:01 |
It's not exactly what you want |
00:21:04 |
But it's football. Doesn't everyone |
00:21:07 |
I got hit by lightning. OK? |
00:21:10 |
On the field. In a game. |
00:21:15 |
Yeah. See, I get that look a lot. |
00:21:18 |
It's OK. It's OK. |
00:21:21 |
Aside from a slight |
00:21:26 |
Yeah? |
00:21:32 |
You smell like lavender. |
00:21:36 |
You smell like livestock. |
00:21:41 |
You're not so tough. |
00:21:51 |
Beth! It's time to cut the cake. |
00:21:57 |
All right. |
00:22:01 |
He looks nice. |
00:22:03 |
But so did your father. |
00:22:19 |
- You seen her? |
00:22:26 |
Be open to it, Beth. |
00:22:28 |
Trust in love, Beth. |
00:22:31 |
Believe in magic, Beth. |
00:22:36 |
What the hell. |
00:23:05 |
Come on. There you go. |
00:23:08 |
OK... |
00:23:13 |
Of course. |
00:23:33 |
What an idiot. |
00:24:06 |
What are you looking at? |
00:24:12 |
What a crock. |
00:24:17 |
for some perfect guy to come in |
00:24:22 |
Well, guess what. He's not coming. |
00:24:46 |
Each one of you |
00:24:51 |
that is never gonna come true. |
00:25:06 |
So I'm saving you. |
00:25:18 |
And... |
00:25:22 |
saving you. |
00:25:30 |
You, I don't give a damn about. |
00:25:37 |
But I am saving you. |
00:25:42 |
Magic. |
00:25:47 |
- And you... |
00:25:50 |
Thank you. |
00:26:03 |
And I'm saving you. |
00:26:09 |
- Hey, Father Dino. |
00:26:28 |
The love police. |
00:27:02 |
- Hello. |
00:27:06 |
Nick who? |
00:27:07 |
- Beamon. From the wedding. |
00:27:10 |
- Joan gave me your number. |
00:27:13 |
I wasn't really |
00:27:15 |
You want me to hang up |
00:27:17 |
- No. This is good. |
00:27:20 |
Did you get lost? |
00:27:22 |
I'm looking for the bottle opener. |
00:27:24 |
It's on the fridge. See it from here. |
00:27:26 |
Dude, you gave me the instruction card. |
00:27:28 |
- That's a helpful card. |
00:27:30 |
- I put it in a glass of water. |
00:27:32 |
- I don't know. |
00:27:34 |
I was thinking maybe |
00:27:36 |
I'm already having dinner. |
00:27:39 |
Maybe a drink? Some coffee? |
00:27:41 |
- Nope. |
00:27:44 |
- The drink or the coffee? |
00:27:47 |
It's just sort of a blanket nope. |
00:27:49 |
Nick, how long you gonna take? |
00:27:50 |
We watched Roots while you were gone! |
00:27:53 |
Maybe I'm a little off base here, |
00:27:55 |
but I thought that we hit it off |
00:27:57 |
Yeah, Nick, you're a little off base. |
00:28:02 |
Who would win in a fight? |
00:28:06 |
Definitely a whale. |
00:28:07 |
It also depends |
00:28:09 |
What about, like, |
00:28:11 |
If they're in water, they'll lose. |
00:28:13 |
Don't think they swim good? |
00:28:14 |
I think they swim well. |
00:28:16 |
Let's be an English major, |
00:28:18 |
Dude, what took you so long? |
00:28:20 |
I didn't have a beard |
00:28:22 |
Nice. What's this? |
00:28:24 |
- What's it look like? |
00:28:26 |
Use that to open beer bottles? |
00:28:29 |
That would've been nice. |
00:28:31 |
Whoa! You didn't call some chick |
00:28:33 |
- during our game, did you? |
00:28:35 |
You don't mind if I hit redial? |
00:28:38 |
- No, no, no, no. Give me that! |
00:28:40 |
- So touchy all of a sudden. |
00:28:43 |
You're sensitive all of a sudden. |
00:28:44 |
I'm not... I'm not sensitive. |
00:28:48 |
That's what a sensitive person |
00:28:50 |
Yeah, whatever. |
00:28:51 |
Methinks some girl |
00:29:09 |
[Tina Parol: Hold Onto Your Heart] |
00:29:36 |
No! |
00:29:41 |
Wait! I just need to see your feet! |
00:29:44 |
OK, I chase. No problem. |
00:29:47 |
This is a great view from behind. |
00:29:51 |
Wait! |
00:29:53 |
Now the game is on! |
00:29:54 |
In Italia, when a woman run away, |
00:29:58 |
You must love me so much! |
00:30:03 |
How can I prove my love to you, |
00:30:06 |
Mi amore, I just need |
00:30:11 |
I'm coming! |
00:30:18 |
You out of your frigging mind, dude? |
00:30:19 |
Are you OK? |
00:30:22 |
I don't know what you're saying. |
00:30:24 |
I don't know. I don't speak idiot. |
00:30:28 |
Please, allow me... |
00:30:29 |
to see your magnifico feet. |
00:30:34 |
What? No! |
00:30:36 |
Hey, this is you. |
00:30:37 |
- And this one, too. |
00:30:41 |
My name is Antonio Guiseppe Donatello. |
00:30:44 |
I'm from the village of Nunzio |
00:30:46 |
I... My spleen. It's OK. |
00:30:50 |
Two days ago, I have a vision. |
00:30:53 |
I see the face of love, your face. |
00:30:56 |
Then I see your neck, |
00:30:59 |
Got it. I get it. |
00:31:01 |
But... I could not paint your feet. |
00:31:05 |
You came from Italy to paint my feet? |
00:31:07 |
No, also to earn your love. |
00:31:11 |
I think you have me confused |
00:31:13 |
Put some ice on it and be careful. |
00:31:16 |
OK! I will paint your face |
00:31:20 |
until you recognize my love! |
00:31:27 |
Hi. I'm kind of in a hurry, so... |
00:31:29 |
No problem. |
00:31:31 |
Isn't this place the greatest? |
00:31:33 |
You can get your work done, |
00:31:36 |
Food's great. Low carb, high protein. |
00:31:39 |
The only way to go when |
00:31:42 |
shredded and dieseled out. |
00:31:45 |
Yeah, here, don't crane your neck. |
00:31:47 |
Go ahead. Feast your eyes. |
00:31:52 |
You're intimidated |
00:31:54 |
But I don't want you to be scared, |
00:31:58 |
This is my portfolio. |
00:32:01 |
These are mostly non-paying jobs, |
00:32:04 |
I think that's a real dog. |
00:32:07 |
And here's the crown jewel. |
00:32:13 |
I'm Gale. |
00:32:15 |
Like a gale-force wind. |
00:32:16 |
I took on that name because |
00:32:18 |
it's the most powerful force |
00:32:20 |
For shaping and |
00:32:23 |
You can feel it. |
00:32:24 |
Actually, I think that's water, |
00:32:27 |
Don't think it's water. |
00:32:28 |
- Like the Grand Canyon. |
00:32:32 |
This is crazy. I don't know |
00:32:34 |
whether to look at |
00:32:36 |
- that's how beautiful you are. |
00:32:39 |
OK, you asked for it. |
00:32:42 |
- Yeah, she's back. Hi. |
00:32:46 |
I don't hear any complaints |
00:32:50 |
- Put your shirt back on, creep. |
00:32:55 |
I know this looks nuts, all right? |
00:32:57 |
And maybe I am a little nuts |
00:32:59 |
tried to share my beauty |
00:33:01 |
And I think it's because |
00:33:06 |
Great first date, Beth! |
00:33:08 |
Let's get another one on the books soon. |
00:33:11 |
Come on, man, put your shirt on. |
00:33:13 |
Honestly though, |
00:33:14 |
because there's some kind |
00:33:17 |
Yeah, that can't be normal, can it? |
00:33:20 |
Jeez, Louise, dessert's served. |
00:33:22 |
Sit down, Gas guy. |
00:33:36 |
- Sorry. |
00:33:38 |
I believe you dropped this. |
00:33:42 |
My... Yeah, thank you. |
00:33:45 |
I don't know how that fell off. Thanks. |
00:33:48 |
Miss? |
00:33:55 |
How did you...? |
00:33:56 |
Time flies, but magic flies faster. |
00:34:00 |
You're a street magician. |
00:34:02 |
I really appreciate it, |
00:34:05 |
You have all the time in the world. |
00:34:09 |
Damn it. All right, |
00:34:12 |
because you must have just |
00:34:15 |
Pick a card, and I'll show you my heart. |
00:34:19 |
- Come on, do it! |
00:34:21 |
If I pick a card, |
00:34:25 |
- Probably. |
00:34:28 |
Take a good look. |
00:34:30 |
- Wasn't gonna. |
00:34:32 |
Ready, everyone? |
00:34:45 |
That's not my card. |
00:34:46 |
I know... because the joker is me. |
00:34:50 |
A fool for love. |
00:35:02 |
Is this your card? |
00:35:05 |
Get over here. |
00:35:10 |
Hey, little girl, could you please |
00:35:19 |
Is it me, or is New York |
00:35:21 |
- Your sister's on line 2. |
00:35:23 |
- She says it's kind of important. |
00:35:26 |
Hi, Joan. |
00:35:28 |
What were you doing |
00:35:30 |
- during my wedding? |
00:35:33 |
I'm looking at a picture of you. |
00:35:35 |
It's front-page news over here, sis. |
00:35:38 |
I don't know. |
00:35:41 |
little bit of champagne, |
00:35:43 |
And the next thing I'm sitting |
00:35:46 |
She took coins from the fontana? |
00:35:49 |
- Why not so good? |
00:35:51 |
if you take someone's coin |
00:35:53 |
they will fall in love with you. |
00:35:55 |
- Except that is ridiculous. |
00:36:01 |
I totally believe in magic coins. |
00:36:05 |
- Were you on that call? |
00:36:09 |
So have any men come on to you |
00:36:12 |
- Well... |
00:36:14 |
Yeah, a couple of weirdos |
00:36:17 |
There are some magical forces |
00:36:19 |
I don't believe in magic. |
00:36:21 |
Art. Where's my Slater Bradley? |
00:36:23 |
Told you I was on top of it. |
00:36:25 |
The insurance company |
00:36:27 |
so in an effort to be more assertive, |
00:36:32 |
You told Hillman and Craft to shove it? |
00:36:35 |
- Yeah. |
00:36:36 |
from a collector in Australia. |
00:36:38 |
Even if we got it on a jet today, |
00:36:39 |
it would never clear customs |
00:36:41 |
That means I have no centerpiece |
00:36:44 |
I'll get Hillman and Craft on the phone. |
00:36:46 |
- I don't think I burned that bridge. |
00:36:51 |
I have to tell Celeste. |
00:36:57 |
Hello? |
00:36:58 |
Hey. Did I mention Joan |
00:37:00 |
- Little busy now. What do you want? |
00:37:04 |
What is it going to take for me |
00:37:06 |
- that I'm not interested in you? |
00:37:09 |
It's going to take you looking me |
00:37:12 |
That'd require seeing you, |
00:37:15 |
- Hi. |
00:37:18 |
No, I'm just running into you |
00:37:21 |
I have a big problem |
00:37:23 |
I just lost the centerpiece to my show. |
00:37:25 |
- Beth? |
00:37:28 |
This is Mr. Al Russo, our newest patron. |
00:37:30 |
He asked specifically to see you. |
00:37:32 |
Of course. Hi. |
00:37:36 |
- I'm sorry. Have we met before? |
00:37:44 |
Beth has secured a rare Slater Bradley |
00:37:48 |
Actually, Celeste... |
00:37:49 |
- Nick Beamon? Are you Nick Beamon? |
00:37:53 |
Nick the Hit! You want to talk |
00:38:00 |
- A million volts in the neck. |
00:38:03 |
Beth, you do have |
00:38:06 |
- Celeste, it's... |
00:38:09 |
and I was meaning to tell you... |
00:38:10 |
Actually, she has access |
00:38:12 |
- This is really not the time. |
00:38:15 |
The title of the photograph is Anguish. |
00:38:17 |
It too has never been viewed in public. |
00:38:19 |
A Petrocelli that's never been viewed? |
00:38:22 |
That's right. Damian Petrocelli |
00:38:25 |
- and burn the negative. |
00:38:27 |
Because I happen to be |
00:38:31 |
And I'm willing to relive |
00:38:33 |
because I know that |
00:38:35 |
it will be in good hands. |
00:38:41 |
How about that private tour |
00:38:44 |
Follow me. |
00:38:46 |
including Cézanne, Degas, |
00:38:49 |
Manet, Picasso and Van Gogh... |
00:38:52 |
They're just really nicely spaced. |
00:38:55 |
You did such a great job. |
00:38:57 |
Let me... I have something for you. |
00:39:03 |
My. |
00:39:05 |
It's not from Tiffany. |
00:39:10 |
- Sausage. That's your face. |
00:39:15 |
This may sound a little odd to you, |
00:39:18 |
but encased meat is my life's work. |
00:39:21 |
I am like a curator, just like you. |
00:39:25 |
- Well, passion is passion. |
00:39:29 |
There is not an emotion on Earth |
00:39:32 |
that can't be expressed |
00:39:36 |
And that bratwurst is saying, |
00:39:39 |
"Hello, and thank you |
00:39:45 |
Who knew bratwurst |
00:39:48 |
- Beth. |
00:39:50 |
because you have |
00:39:52 |
I have a deep appreciation, |
00:39:56 |
That's it. Tour's over. |
00:39:58 |
I know it seems crazy. |
00:40:02 |
Want to play cat and mouse? |
00:40:08 |
You forgot your sausages! |
00:40:43 |
No. |
00:40:45 |
- I'm so sorry. |
00:40:47 |
I'm so sorry. I didn't know |
00:40:50 |
I'm really sorry. |
00:40:52 |
It hurts so bad, but tastes so good. |
00:40:54 |
- What is that, mint? |
00:40:57 |
You startled me, I didn't have |
00:40:59 |
Can I see it? Take your hands away. |
00:41:01 |
- You're gonna make it worse. |
00:41:03 |
Don't be such a baby. |
00:41:06 |
I did not know |
00:41:10 |
It doesn't hurt that bad. |
00:41:15 |
You think you're real charming, |
00:41:17 |
- Little bit. |
00:41:21 |
- What? |
00:41:22 |
Where are you going? |
00:41:23 |
I know your type of guy, Nick. |
00:41:25 |
And what type is that? |
00:41:27 |
Come on. The girl in the red dress |
00:41:31 |
- You saw that? |
00:41:33 |
That's why you've been cold |
00:41:35 |
Is that so hard to believe? |
00:41:37 |
That was Umberto's crazy cousin, OK? |
00:41:39 |
You know the blood runs hot |
00:41:41 |
Yeah, you seemed so sick about it. |
00:41:43 |
I was a little sick about it. |
00:41:49 |
Wait! |
00:41:50 |
No. Let's go this way. |
00:41:53 |
- Hey, Beth! It's me, Al Russo! |
00:42:00 |
Wait one second. |
00:42:03 |
- One second! |
00:42:05 |
- Just... |
00:42:07 |
Hold on! Beth! Beth, wait. |
00:42:21 |
I did not see that one coming! |
00:42:25 |
OK, Lance, you can do this. |
00:42:29 |
I will do the Great Mummy Escape, |
00:42:33 |
This worked for Houdini, |
00:42:36 |
OK, here she comes. |
00:42:38 |
Well, |
00:42:40 |
I don't know, Joan. OK? |
00:42:43 |
All I know is that this is crazy, |
00:42:47 |
We told you this would happen. |
00:42:49 |
OK, then what is it gonna take |
00:42:53 |
You have to return the coins |
00:42:56 |
Wait, that's it? |
00:42:58 |
And spell broken, |
00:43:00 |
I'm overnighting you |
00:43:02 |
That's no good. She needs |
00:43:05 |
I cannot just fly back to Italy to put |
00:43:09 |
There's got to be another way |
00:43:12 |
- Try and enjoy the attention? |
00:43:15 |
Beth! It's me, Lance. |
00:43:19 |
I'm setting a record for you. |
00:43:21 |
I know this looks scary and dangerous, |
00:43:23 |
but if I can do this, |
00:43:26 |
Stop! Stop! |
00:43:32 |
What are you doing in my apartment? |
00:43:35 |
Blowing your mind! |
00:43:38 |
No one's ever done the Mummy Escape |
00:43:42 |
- Juan, what's my time? |
00:43:46 |
I don't know. That felt pretty tight. |
00:43:48 |
Are you sure you timed that right? |
00:43:50 |
You know, you want to find the rabbit, |
00:43:54 |
You're just not putting in |
00:43:56 |
- Not in front of my girlfriend. |
00:43:59 |
That's Juan, my assistant. |
00:44:00 |
He's just been video chronicling |
00:44:03 |
Both of you, out of my apartment, now. |
00:44:05 |
No, wait. Now listen up. |
00:44:07 |
My goodness. |
00:44:09 |
and your hair smells like cinnamon! |
00:44:19 |
Get out! |
00:44:21 |
Hey, Nick... Douche. |
00:44:26 |
You get those old Giant photos |
00:44:28 |
I am a professional photographer. |
00:44:30 |
I'm not your girl Friday, OK? |
00:44:31 |
I would appreciate some respect, |
00:44:34 |
Or, in lieu of respect, I'd appreciate |
00:44:39 |
and leaving the one that knows more |
00:44:43 |
I'm not gonna be able |
00:44:45 |
What? No, Saturday night |
00:44:47 |
That's a work and play event, dude. |
00:44:52 |
- The museum girl, isn't it? I knew it. |
00:44:55 |
You should see this girl. |
00:44:57 |
She's smart. |
00:44:58 |
She's beautiful. She's funny. |
00:45:01 |
My God, no. |
00:45:04 |
Do not go any further until I can do |
00:45:07 |
Recon? What are you, black ops? |
00:45:10 |
What do you really know about her? |
00:45:12 |
I'm not going to let my boy |
00:45:13 |
- Puck! No! |
00:45:15 |
- No! |
00:45:16 |
- No. |
00:45:18 |
OK, go. |
00:45:20 |
[Katy Perry: If You Can Afford Me] |
00:45:27 |
Hey! Look at you! |
00:45:29 |
Look at me, we look great! |
00:45:31 |
I can't jog. I have a weak hamstring. |
00:45:44 |
It's OK. I nearly die. But I... |
00:45:50 |
Robert Longo, |
00:46:37 |
That looks great! |
00:46:40 |
Let's be beautiful together. |
00:46:43 |
It's gonna come back around |
00:46:44 |
It's gonna be great! |
00:46:49 |
I can explain. |
00:46:50 |
There's a nude mural of you |
00:46:55 |
I know. That is actually a funny... |
00:47:01 |
- Could we start somewhere else? |
00:47:04 |
A sudden, unexplained change in |
00:47:09 |
I need to have confidence |
00:47:11 |
You wouldn't believe if... |
00:47:16 |
You're right. |
00:47:19 |
- I'm sorry. |
00:47:21 |
- would go off without a hitch. |
00:47:25 |
Let me be perfectly clear. |
00:47:29 |
that the only artwork |
00:47:31 |
are the velvet Elvis paintings |
00:47:34 |
- Got it? |
00:47:37 |
This is gonna be |
00:47:40 |
Maybe you should sit down. |
00:47:42 |
Remember that girl? The one |
00:47:45 |
The one you wanted to be |
00:47:47 |
Well, guess what. Mama's |
00:47:50 |
Shazam! Check it out. |
00:47:52 |
Foreign guys, old dudes, |
00:47:57 |
This girl sees more action |
00:47:59 |
than you saw |
00:48:02 |
Look, I'm sorry, man, |
00:48:06 |
It's pretty clear what I have to do. |
00:48:10 |
Yeah. |
00:48:16 |
I got to pick up my game. |
00:48:25 |
- I was just thinking about you. |
00:48:29 |
I'm sorry I ran off the other day. |
00:48:31 |
I've just been having |
00:48:34 |
Yeah, so it would seem. |
00:48:37 |
Yeah. There's a lot |
00:48:39 |
Unfortunately, I need to cut |
00:48:42 |
My fundraiser at the museum, |
00:48:46 |
- and I need to get my hands on that... |
00:48:49 |
I'm kind of wavering on that now. |
00:48:51 |
But that's the centerpiece |
00:48:54 |
Yeah, but have you thought at all |
00:48:57 |
- What? |
00:48:59 |
if we could sit down, talk about it, |
00:49:02 |
I know this place |
00:49:03 |
- I was thinking 8:00? |
00:49:06 |
- Actually, it's extortion. |
00:49:09 |
- can I have my Petrocelli? |
00:49:17 |
- You have a date? |
00:49:21 |
So, what are you gonna wear? |
00:49:23 |
My navy blouse, a pencil skirt, |
00:49:26 |
[Jason Damato: Floating Down a River] |
00:49:35 |
- Hey. |
00:49:37 |
You look great. |
00:49:39 |
I didn't really have time |
00:49:42 |
So this is it? |
00:49:44 |
Yeah. It's supposed to get |
00:49:47 |
- OK. |
00:49:51 |
Actually, we got off on the right foot, |
00:49:52 |
and Umberto's cousin |
00:49:55 |
I don't even want to talk about that |
00:49:57 |
I just wanted to tell you |
00:50:00 |
Hi! My name is Ilona, |
00:50:02 |
and I'll be your sensory guide |
00:50:06 |
Tonight you will enjoy |
00:50:10 |
without your primary sense of sight. |
00:50:13 |
In this way your other senses |
00:50:18 |
to bring you an exciting, |
00:50:22 |
Is she serious? |
00:50:23 |
Yeah. Our last great moment |
00:50:24 |
was the night the lights went out |
00:50:26 |
so I figured we'd pick up |
00:50:30 |
That's beautiful. |
00:50:32 |
and I will lead you to your table. |
00:50:35 |
Let's make a train. |
00:50:39 |
Here we are. Now, |
00:50:44 |
Just let your eyes take a back seat |
00:50:46 |
while your senses do the driving. |
00:50:50 |
It's furniture. |
00:50:51 |
That's a chair. |
00:50:54 |
You wouldn't have gotten |
00:50:56 |
My! |
00:50:59 |
- I'm so sorry. I am so sorry. |
00:51:02 |
All right. That's a head. |
00:51:06 |
- There are so many people! |
00:51:07 |
Just keep coming forward. |
00:51:10 |
- Sorry. |
00:51:12 |
Here's your table. |
00:51:15 |
- Follow my voice to the chair. |
00:51:17 |
Where's my voice? |
00:51:21 |
I know you can't see this, |
00:51:25 |
Let me help you with your jacket. |
00:51:27 |
It's a struggle because |
00:51:30 |
- Yeah. |
00:51:35 |
Are you smelling me? |
00:51:37 |
OK. So, in just a few minutes, |
00:51:41 |
If you need anything at all, |
00:51:44 |
and one of our attendants |
00:51:47 |
Remember, you can't see us, |
00:51:53 |
This is... This is kind of... |
00:51:56 |
- Kind of cool. |
00:51:58 |
- It's awesome! |
00:52:01 |
Your wine is being poured |
00:52:07 |
There you go. |
00:52:08 |
I hope you didn't order |
00:52:10 |
She could have switched it |
00:52:12 |
and we'd have no way of knowing. |
00:52:14 |
Still here. |
00:52:19 |
You going to be there |
00:52:21 |
No. I'm going to let the 2 of you |
00:52:22 |
get to know each other |
00:52:25 |
and I'm going to go touch |
00:52:28 |
- OK, then. Thank you. |
00:52:32 |
I think she's finally gone. |
00:52:35 |
I'll tell you this. |
00:52:38 |
This is actually kind of nice. |
00:52:40 |
This is the best I've felt since Rome. |
00:52:41 |
Beth, it's me! Al Russo. |
00:52:43 |
- I've been looking all over for you. |
00:52:45 |
- Your liverwurst nightmare, pal. |
00:52:50 |
The feet... |
00:52:52 |
Look who it is, principessa. |
00:52:55 |
- Meatball! |
00:52:56 |
Does anyone have... the time? |
00:52:58 |
- God. |
00:53:00 |
Try being gorgeous, |
00:53:03 |
- Who is that? |
00:53:04 |
Feel like I'm driving a Lamborghini |
00:53:07 |
Ordered an 8-pack? Please enjoy. |
00:53:09 |
I had a great time, but I got to go! |
00:53:13 |
"Great time?" We just got here! |
00:53:17 |
- Ma'am! |
00:53:19 |
People really drop |
00:53:24 |
Are you dark dining and dashing? |
00:53:26 |
I had her, and you blew it. |
00:53:27 |
He make her disappear with magic. |
00:53:29 |
Bring her back, warlock! |
00:53:31 |
Taxi! |
00:53:34 |
- Beth! |
00:53:36 |
Do you mind telling me |
00:53:40 |
- How many guys are you seeing? |
00:53:43 |
You don't... |
00:53:45 |
They're just under a... spell. |
00:53:48 |
Beth! Beth, hi! |
00:53:50 |
Why don't you leave me alone! |
00:53:52 |
Beth, it's me. |
00:53:59 |
- Sorry, Dr. Moscowitz. Hi. |
00:54:04 |
God, yeah. |
00:54:05 |
- And I'm flossing twice a day. |
00:54:07 |
- I don't want to talk about it. |
00:54:12 |
I just want to get out of here. |
00:54:18 |
OK. |
00:54:20 |
- Where do you want to go? |
00:54:22 |
Where would you feel safe? |
00:54:31 |
I used to come here with my parents |
00:54:36 |
I thought this place was magic. |
00:54:42 |
And my father told me |
00:54:46 |
so that God could see the paintings |
00:54:57 |
I know. |
00:55:01 |
Her name was Marie-Thérèse Walter. |
00:55:03 |
She was 17 when Picasso |
00:55:07 |
Picasso was already married, |
00:55:11 |
so they kept their affair a secret. |
00:55:14 |
But he documented his passion |
00:55:16 |
by hiding her initials |
00:55:20 |
Of course, |
00:55:22 |
Picasso wasn't completely |
00:55:25 |
and he left Marie-Therese for Dora Maar |
00:55:28 |
just like he left his wife Olga |
00:55:34 |
But Marie-Therese |
00:55:40 |
And she hung herself after his death. |
00:55:48 |
Hey... |
00:55:52 |
You OK? |
00:55:55 |
She just loved him so much, |
00:55:56 |
and in the end, |
00:56:02 |
It's just sad. |
00:56:05 |
You know, it doesn't always |
00:56:08 |
Every time I've ever put myself |
00:56:12 |
Every time. |
00:56:16 |
It's like I meet a guy, |
00:56:19 |
And anyone else |
00:56:22 |
how much greater it's going to get. |
00:56:25 |
And I'm constantly waiting |
00:56:32 |
You know, lightning does strike |
00:56:35 |
Trust me. I know. |
00:56:41 |
I wish I could believe that. |
00:56:42 |
You can. |
00:56:45 |
No other shoes |
00:56:48 |
This is real. |
00:56:54 |
I'm real. |
00:57:12 |
- Damn it! |
00:57:15 |
- It's OK. |
00:57:21 |
6 beers enter, no beers leave! |
00:57:25 |
What are you doing? Come on. |
00:57:27 |
Is she here? What's her name? Betsy? |
00:57:30 |
I hate you. You're ruining my life. |
00:57:41 |
- You found it. |
00:57:46 |
- And so sad. |
00:57:56 |
You know, every time I look at that, |
00:58:01 |
everything football |
00:58:05 |
and especially my old man. |
00:58:08 |
All the dreams... |
00:58:12 |
gone in an instant. |
00:58:17 |
That was the real hit. |
00:58:45 |
No. |
00:58:53 |
- What? |
00:58:54 |
What's wrong? We can slow down. |
00:58:56 |
- I just have to go. |
00:58:59 |
Hold on. Hey! |
00:59:03 |
- I don't get it. |
00:59:06 |
And you probably never will. |
00:59:09 |
But it's not real. |
00:59:15 |
What about the photograph? |
00:59:19 |
Keep it. |
00:59:22 |
I don't want to see you in pain. |
00:59:24 |
[Adele: Make You Feel My Love] |
00:59:55 |
Is this all the programs? |
01:00:00 |
Everything's gonna be OK, Beth. |
01:00:05 |
No, it's not. |
01:00:09 |
It's his chip. He's just under a spell. |
01:00:19 |
- Hello. |
01:00:21 |
Umberto talked to his nana. |
01:00:23 |
She said there's another way |
01:00:26 |
- There is? |
01:00:27 |
All you have to do is return the coins |
01:00:30 |
It doesn't have to be the fountain. |
01:00:31 |
Return the coin, return the love. |
01:00:34 |
If I return the coins, |
01:00:36 |
Yeah. |
01:00:38 |
That'll break the spell? |
01:00:39 |
And that'll get me |
01:00:41 |
Yeah! It'll be all over. |
01:00:45 |
- Yeah. It's great. |
01:00:49 |
This is for your own good, boss. |
01:00:52 |
It's exactly what I wanted. |
01:00:54 |
Yeah! I got to go. |
01:00:56 |
I'll call you later. |
01:00:57 |
I love you, OK? Bye! |
01:01:00 |
OK. |
01:01:02 |
Hey, boss, I'm gonna start setting up. |
01:01:47 |
Come on in. |
01:01:55 |
OK. |
01:01:56 |
It's nice here. Very nice. |
01:01:58 |
I like what you do. It's sort of modern. |
01:02:01 |
- Very nice place. |
01:02:02 |
Really nice. You look great. |
01:02:09 |
You OK? You seem sad. |
01:02:16 |
This is going to be |
01:02:22 |
I'm actually glad that you're all here. |
01:02:26 |
Just because I need |
01:02:29 |
Come here. |
01:02:40 |
The couch. You can sit on the couch. |
01:02:43 |
- You're gonna tell us on the couch? |
01:02:48 |
I think she's gonna pick one of us. |
01:02:50 |
Like The Bachelor. |
01:02:52 |
- I like my odds. |
01:02:59 |
I don't know any other way |
01:03:03 |
You don't love me. |
01:03:04 |
- Trust me, I love you. |
01:03:07 |
- They don't, but I do. |
01:03:10 |
Well, I was drunk, but I took |
01:03:14 |
- I do love you. |
01:03:18 |
- As much as I can love someone. |
01:03:20 |
We're not in love with each other. I'm |
01:03:28 |
I love Nick. |
01:03:36 |
I love Nick more than I love my job, |
01:03:40 |
which is big for me. |
01:03:43 |
And it's not your fault, |
01:03:46 |
I love him even if |
01:03:52 |
You know? |
01:03:55 |
I understand loving somebody and... |
01:03:59 |
them not loving you back. |
01:04:01 |
We all do. |
01:04:05 |
- It's a bummer. |
01:04:10 |
I'm sorry, guys. |
01:04:15 |
OK... |
01:04:17 |
The whole point of love |
01:04:19 |
is to put someone else's needs |
01:04:23 |
Maybe that's why I'm here. |
01:04:27 |
Maybe for you. |
01:04:30 |
- He may be on to something. |
01:04:33 |
- How can we help? |
01:04:37 |
And this will all be a little clearer |
01:04:46 |
No. |
01:04:49 |
Stacy. |
01:04:55 |
- What the heck is...? |
01:04:58 |
- That was weird. |
01:05:01 |
It was just... |
01:05:05 |
freak electrical storm has caused |
01:05:08 |
throughout the city. Traffic lights |
01:05:12 |
New York City is at a standstill. |
01:05:15 |
- We got to stay in. |
01:05:18 |
No, no, no. We're not staying here. |
01:05:21 |
I need to be at the Guggenheim. |
01:05:26 |
After we eat. |
01:05:28 |
Hold it, hold it. |
01:05:30 |
If we love her, we'll get her to the |
01:05:37 |
Let's do this. |
01:05:40 |
I'll do it. And I'm going to do it |
01:05:43 |
We take my car. |
01:05:46 |
- You have a car? |
01:05:48 |
For 1, 2... No, it be fine. |
01:05:53 |
Come on! Move it! |
01:05:55 |
- Comfortable up there? |
01:05:57 |
I had the keys in your apartment. |
01:05:59 |
- Have the key. |
01:06:04 |
- I am what I am. |
01:06:06 |
Who makes this car, Fisher-Price? |
01:06:08 |
In Italia this is a midsize car. |
01:06:11 |
In America it's a clown car. |
01:06:20 |
Careful. |
01:06:21 |
It's Stacy. Leave a message. |
01:06:23 |
Stacey. |
01:06:24 |
And don't do anything |
01:06:27 |
- I was expecting a little bit bigger. |
01:06:30 |
Hit the horn. Thread the needle. |
01:06:34 |
- Just drive like you're in Rome. |
01:06:38 |
[MB20: How Far We've Come] |
01:06:43 |
Hey, coming through! |
01:06:51 |
I'm OK. |
01:06:54 |
If you can't reach the dashboard, |
01:06:55 |
and you wanna hold onto |
01:07:00 |
There's a fat guy on a bike. |
01:07:08 |
Sorry about that. |
01:07:10 |
I'll give you a thousand bucks |
01:07:17 |
- OK, that hurt. |
01:07:19 |
Come on up. |
01:07:25 |
There's the Gugg! |
01:07:35 |
Coming through! |
01:07:37 |
- You can just let me out here. |
01:07:39 |
I take you right upstairs. |
01:07:49 |
- No, Antonio. The doors! |
01:07:53 |
- I don't believe! |
01:07:55 |
I believe! |
01:07:58 |
Open! |
01:08:05 |
I did it! |
01:08:17 |
Could you push 5? |
01:08:46 |
Stacy. |
01:08:59 |
Beth. There you are. |
01:09:03 |
The Petrocelli is... How? |
01:09:05 |
Nick sent it over late this afternoon. |
01:09:08 |
- And Celeste is... |
01:09:10 |
We've already received a record number |
01:09:14 |
I'm very proud of you. |
01:09:20 |
Anyone who would care to join me in |
01:09:26 |
Stacy... I need the coins. |
01:09:30 |
But look at what's happened, Beth. |
01:09:34 |
- He loves you. |
01:09:36 |
But if I take his love against his will, |
01:09:43 |
Please, Stacy. The coins. |
01:09:48 |
You are not going |
01:09:49 |
This isn't my scene. |
01:09:50 |
What are you talking about? |
01:09:53 |
LT is here. What up, son? |
01:09:56 |
- LT! |
01:09:59 |
He knows his name. |
01:10:01 |
Hey, how's it going? |
01:10:03 |
Good to see you. We're big fans. |
01:10:06 |
Thank you. |
01:10:07 |
Somebody we wanted |
01:10:10 |
- How you doing? Read your article. |
01:10:12 |
- Spelled my name wrong. |
01:10:16 |
- This guy right here? |
01:10:19 |
Excuse me, I've got |
01:10:21 |
- You don't know how to spell? |
01:10:24 |
Beth. Hey, how are you? |
01:10:26 |
Nick, there's something |
01:10:29 |
Even though it won't matter |
01:10:32 |
I want to thank you... |
01:10:34 |
for making me believe in love again. |
01:10:37 |
Even if it wasn't real for you, |
01:10:42 |
What does that mean? |
01:10:45 |
Beth. Beth! |
01:10:57 |
Hey! |
01:11:10 |
I'm guessing this belongs to you? |
01:11:14 |
Does it? |
01:11:18 |
Check your purse. |
01:11:22 |
OK, stop it. I need you to take this. |
01:11:25 |
Come on. Close your hand. |
01:11:26 |
- Wait, I have another trick. |
01:11:36 |
Now I remember. |
01:11:40 |
I never had the guts |
01:11:42 |
until I wanted to do it for you. |
01:11:46 |
What am I going to do without you? |
01:11:49 |
You'll find your muse. Your true muse. |
01:11:52 |
Trust me, you won't be sorry. |
01:12:01 |
Are you a coin collector? |
01:12:11 |
When I threw this coin in the fountain |
01:12:13 |
I wasn't wishing |
01:12:17 |
I knew that wouldn't happen. |
01:12:19 |
I was just wishing to get a chance to |
01:12:25 |
And... |
01:12:29 |
my wish came true. You gave me that. |
01:12:34 |
Thank you. |
01:12:40 |
Hey! |
01:12:50 |
Come on! |
01:12:52 |
Is this your euro? |
01:13:03 |
- That's weird. |
01:13:06 |
- It's Anthony, actually. |
01:13:10 |
No. Newark. New Jersey. |
01:13:14 |
Are you really a tortured artist? |
01:13:16 |
Tortured. Been in retail shoe sales |
01:13:20 |
As far as being an artist, I guess |
01:13:25 |
I think you're an artist. |
01:13:28 |
I do. And I'm not just saying that |
01:13:32 |
- It's my professional opinion. |
01:13:44 |
I think I'll miss you least of all. |
01:13:52 |
Honestly, I don't think |
01:13:57 |
- No? |
01:14:01 |
You're welcome. |
01:14:06 |
Good luck. It's all right. |
01:14:12 |
- What's going on? |
01:14:14 |
Some kind of freak electrical storm. |
01:14:16 |
I wouldn't cross there if I were you! |
01:14:21 |
Crap, not again. |
01:14:28 |
I didn't see that one coming. |
01:14:32 |
- That was both our faults, really. |
01:14:35 |
Didn't think I was going to let |
01:14:38 |
- I feel safer. Thank you. |
01:14:42 |
- She's married. |
01:14:45 |
Come on. Get in. |
01:14:47 |
You're buying me a new windshield. |
01:14:49 |
- Don't kick my car. I'll hit you again! |
01:14:52 |
- I'm fine. Don't worry about me. |
01:14:57 |
And I guess there's one more. |
01:15:01 |
Looking for something? |
01:15:03 |
I need that. |
01:15:07 |
Oopsie-daisy, where'd it go? |
01:15:11 |
There they are. |
01:15:13 |
Now, there's 2. |
01:15:15 |
- Back to 1. |
01:16:06 |
So, I guess it's over now. |
01:16:10 |
- Is that really what you want? |
01:16:17 |
You've got your will back. |
01:16:21 |
Ever since I saw you |
01:16:25 |
something changed in me. |
01:16:28 |
I can't do anything |
01:16:31 |
I don't know what is going on with me, |
01:16:33 |
but I want to know |
01:16:35 |
You seem to think that all these guys |
01:16:38 |
and that I'm one of them, but I'm not. |
01:16:42 |
And I ran all the way up 5th Avenue |
01:16:45 |
- because I wanted to tell you... |
01:16:48 |
- I never said I loved you. |
01:16:51 |
I just never said it. You said it, |
01:16:55 |
OK, you go. You say it. |
01:16:58 |
Look... |
01:17:01 |
The only spell that I'm under... |
01:17:05 |
is yours. |
01:17:11 |
I'm in love with you, Beth. |
01:17:34 |
- Did she invite you, too? |
01:17:36 |
- Gale. |
01:17:38 |
- Nice to see you. |
01:17:40 |
You look great. |
01:17:41 |
You look terrific. |
01:17:43 |
Beautiful silhouette. |
01:17:45 |
- You can hold a suit. Yeah. |
01:17:48 |
- You're an artist. |
01:17:50 |
I would love to do a nude with you. |
01:17:53 |
I'd like that. |
01:17:55 |
Great. |
01:17:57 |
I'd really like that. |
01:17:59 |
I am really sorry about this, |
01:18:03 |
I found that in my bag of tricks. |
01:18:10 |
- It's not mine, so... |
01:18:13 |
I guess I accidentally gave you |
01:18:16 |
He's still under the spell. |
01:18:18 |
- OK, thank you. Time to go. |
01:18:22 |
- Would you like to see an illusion? |
01:18:24 |
Don't you want to be dazzled? |
01:18:28 |
- My God, Beth. I'm so sorry. |
01:18:32 |
Showtime. |
01:18:35 |
Dad. |
01:18:37 |
When you married Mom, did you |
01:18:44 |
Elizabeth Ann. |
01:18:47 |
Honey, you cannot learn |
01:18:51 |
You're going to have to go out there |
01:18:54 |
Now, you could get your heart broken or |
01:18:58 |
you could have the greatest |
01:19:02 |
but you're not going to know |
01:19:07 |
But what if there was a guarantee |
01:19:11 |
Baby... the passion is in the risk. |
01:19:18 |
It's like I always say, |
01:19:21 |
- "Be a grizzly." |
01:20:34 |
A marriage is like all contracts |
01:20:36 |
that the 2 enter under the eyes |
01:20:41 |
If there's anybody here |
01:20:47 |
and Nicholas should not |
01:20:51 |
speak now or forever |
01:20:56 |
Anybody? |
01:20:59 |
Anybody? |
01:21:02 |
Anybody? |
01:21:05 |
It could be anybody. You don't |
01:21:08 |
OK, padre, it seems nobody's objecting, |
01:21:14 |
Do you, Nicholas, take Beth |
01:21:19 |
"Lawful." Yes. Yes, I do. |
01:21:31 |
What is with him? |
01:21:32 |
And do you, Beth, take Nicholas to be |
01:21:36 |
To love, amore, to honor |
01:21:40 |
until morte, death, do you part? |
01:21:46 |
Think, bella. |
01:21:49 |
It's a very big responsibility, no? |
01:21:58 |
No. |
01:22:02 |
I can't do this to you, Nick. I'm sorry. |
01:22:37 |
You think you're pretty funny, |
01:22:43 |
Did you enjoy watching me go crazy? |
01:22:46 |
Did you have fun watching my life |
01:22:53 |
Because I did. |
01:22:55 |
Beth! |
01:22:58 |
Beth! |
01:23:06 |
I've got a question. |
01:23:08 |
Why do you keep giving me |
01:23:11 |
Because you deserve to have it back. |
01:23:14 |
You threw it in the fountain |
01:23:17 |
and I don't want to keep it anymore. |
01:23:20 |
- No, I didn't. |
01:23:23 |
- No. |
01:23:26 |
I have no idea. |
01:23:29 |
Then this is all real? |
01:23:39 |
How's this for real? |
01:23:46 |
Free of temptation! |
01:23:54 |
Didn't you say |
01:23:57 |
The padre cleaned me out |
01:24:04 |
Subtitles: Arigon |
01:24:36 |
[Paolo Nutini: Pencil Full of Lead] |