|
When Nietzsche Wept
|
| 00:00:34 |
(Lou, Russian accent) |
| 00:00:36 |
I must see |
| 00:00:40 |
of life or death. |
| 00:00:42 |
Meet me at nine |
| 00:00:44 |
at the Cafe Rousse. |
| 00:00:45 |
[violin music] |
| 00:00:48 |
(Breuer) |
| 00:00:50 |
or death! Hmpf! |
| 00:01:03 |
[exchange of greetings] |
| 00:01:18 |
Doctor Breuer? |
| 00:01:23 |
Lou Salome. |
| 00:01:24 |
How do you do? |
| 00:01:26 |
May I? |
| 00:01:29 |
Would you like |
| 00:01:31 |
Yes, café latte. |
| 00:01:33 |
Waiter, café |
| 00:01:40 |
My friend |
| 00:01:41 |
to kill himself, |
| 00:01:42 |
This man's |
| 00:01:43 |
momentous consequences |
| 00:01:45 |
for me, for you, |
| 00:01:47 |
Who is |
| 00:01:49 |
The philosopher |
| 00:01:52 |
Nietzsche? |
| 00:01:54 |
know of him? |
| 00:01:55 |
Not yet, but in time |
| 00:01:57 |
know of him. |
| 00:01:58 |
(Nietzsche) |
| 00:01:59 |
we confirm |
| 00:02:00 |
a truth that has arrived |
| 00:02:03 |
and skepticism |
| 00:02:04 |
and not through some |
| 00:02:06 |
something were so. |
| 00:02:07 |
It is hard to be |
| 00:02:09 |
It's not truth. |
| 00:02:10 |
It is a child's wish |
| 00:02:13 |
blow to the nipple. |
| 00:02:14 |
We have |
| 00:02:16 |
Evolutionary theory |
| 00:02:20 |
God's redundancy. |
| 00:02:21 |
So Darwin himself |
| 00:02:25 |
to follow |
| 00:02:28 |
to its true |
| 00:02:30 |
where are we? |
| 00:02:32 |
Surely you must |
| 00:02:34 |
have created God-- |
| 00:02:35 |
and all |
| 00:02:37 |
have killed him. |
| 00:02:39 |
God-- |
| 00:02:41 |
is dead. |
| 00:02:42 |
My friend is sick. |
| 00:02:44 |
What is the nature |
| 00:02:45 |
Headaches. |
| 00:02:48 |
My dear lady, |
| 00:02:49 |
your friend. |
| 00:02:50 |
I'm a physician. |
| 00:02:51 |
I know you can cure |
| 00:02:54 |
That is not |
| 00:02:55 |
Nietzsche suffers |
| 00:02:59 |
That is what |
| 00:03:01 |
I cannot |
| 00:03:04 |
Ah, but you |
| 00:03:07 |
I have a spy. |
| 00:03:08 |
My brother, |
| 00:03:11 |
attended the class in |
| 00:03:13 |
a new technique. |
| 00:03:14 |
The talking cure. |
| 00:03:15 |
Now I can arrange |
| 00:03:17 |
to your office |
| 00:03:18 |
but he must believe |
| 00:03:20 |
his headaches. |
| 00:03:21 |
Tell me, is yours |
| 00:03:23 |
It is. |
| 00:03:25 |
Well, perhaps |
| 00:03:26 |
believe in sorcerers |
| 00:03:28 |
but sorry, fraulein, |
| 00:03:30 |
I have no magic |
| 00:03:34 |
(Lou) |
| 00:03:35 |
back to your hotel? |
| 00:03:36 |
I would enjoy |
| 00:03:38 |
my wife will be watching |
| 00:03:41 |
I have a duty. |
| 00:03:42 |
A duty? |
| 00:03:43 |
It is my duty |
| 00:03:45 |
of duty. |
| 00:03:46 |
Doctor, save Nietzsche. |
| 00:04:12 |
(Breuer) |
| 00:04:14 |
I had hoped |
| 00:04:16 |
(patient) |
| 00:04:18 |
do I have? |
| 00:04:21 |
It is best |
| 00:04:23 |
affairs in order. |
| 00:04:30 |
Please, doctor. |
| 00:04:32 |
How long? |
| 00:04:34 |
(woman) |
| 00:04:36 |
Tell us. |
| 00:04:39 |
Three to |
| 00:04:46 |
(frau Becker) |
| 00:04:47 |
alright, doctor? |
| 00:04:48 |
Make sure the Pfeiffers |
| 00:04:51 |
Of course. |
| 00:04:52 |
Cancel all |
| 00:04:53 |
debts to me. |
| 00:04:54 |
Of course. |
| 00:04:55 |
A Fraulein Salome |
| 00:04:58 |
A very grand |
| 00:05:00 |
Show her in. |
| 00:05:02 |
But Frau Reinhardt |
| 00:05:04 |
for hours. |
| 00:05:04 |
Frau Becker! |
| 00:05:18 |
Fraulein Salome! |
| 00:05:20 |
Doctor Breuer. |
| 00:05:22 |
I see you like |
| 00:05:24 |
for yourself, |
| 00:05:25 |
Doesn't that deprive |
| 00:05:27 |
of serving you? |
| 00:05:28 |
We both know that |
| 00:05:30 |
men provide are |
| 00:05:32 |
good for women. |
| 00:05:33 |
The habits |
| 00:05:34 |
are not easily |
| 00:05:37 |
Your future |
| 00:05:39 |
extensive retraining. |
| 00:05:40 |
No husband |
| 00:05:43 |
I would not |
| 00:05:45 |
a man. |
| 00:06:03 |
If then or ever |
| 00:06:05 |
new technique, |
| 00:06:06 |
do not attempt to use |
| 00:06:09 |
with Nietzsche. |
| 00:06:10 |
Our patient would |
| 00:06:12 |
in any process |
| 00:06:13 |
he perceives |
| 00:06:14 |
his power to another. |
| 00:06:15 |
And are you |
| 00:06:17 |
"our" patient's despair? |
| 00:06:19 |
He believes |
| 00:06:21 |
Where has |
| 00:06:22 |
I shall tell you. |
| 00:06:23 |
God is dead. |
| 00:06:25 |
We all have |
| 00:06:27 |
You, you, |
| 00:06:30 |
(priest) |
| 00:06:31 |
you in hell! |
| 00:06:31 |
After the death |
| 00:06:33 |
his shadow was shown |
| 00:06:36 |
A gruesome, |
| 00:06:38 |
God will |
| 00:06:39 |
You are Satan! |
| 00:06:39 |
Given the way |
| 00:06:41 |
[slam] |
| 00:06:41 |
in the caves, |
| 00:06:43 |
for thousands of years, |
| 00:06:45 |
will still be shown. |
| 00:06:45 |
Vanquish the shadow |
| 00:06:48 |
(man) |
| 00:06:50 |
Meet Lou Salome. |
| 00:06:51 |
A brilliant poet |
| 00:06:55 |
Fascinating lecture |
| 00:06:58 |
few ears. |
| 00:06:59 |
Why are people |
| 00:07:01 |
you, professor? |
| 00:07:02 |
Oh, truth is |
| 00:07:05 |
Why do you say |
| 00:07:08 |
And not that |
| 00:07:10 |
What you think? |
| 00:07:11 |
That God has ceased |
| 00:07:13 |
in people's lives. |
| 00:07:14 |
An interesting |
| 00:07:17 |
But if God |
| 00:07:19 |
then everything |
| 00:07:21 |
No morals, |
| 00:07:24 |
Without God, who |
| 00:07:28 |
our society? |
| 00:07:29 |
What is the |
| 00:07:31 |
godless proposition? |
| 00:07:32 |
From what stars |
| 00:07:35 |
to each other here? |
| 00:07:36 |
auf Wiedersehen. |
| 00:07:38 |
(Lou) |
| 00:07:40 |
attracted to him. |
| 00:07:42 |
Seduced by |
| 00:07:45 |
We could say so much |
| 00:07:48 |
half sentences. |
| 00:07:50 |
Mere gestures, |
| 00:07:52 |
He became obsessed, |
| 00:07:54 |
proposing marriage |
| 00:07:57 |
I was attracted |
| 00:07:59 |
But not romantically. |
| 00:08:02 |
I wanted to learn. |
| 00:08:05 |
Not to submit. |
| 00:08:07 |
Stop it! |
| 00:08:08 |
My refusal |
| 00:08:10 |
into hatred. |
| 00:08:11 |
He wrote me |
| 00:08:13 |
insulting letters. |
| 00:08:14 |
Then he wrote about |
| 00:08:19 |
So if I understand |
| 00:08:22 |
you want me |
| 00:08:24 |
that his life |
| 00:08:25 |
But I must accomplish |
| 00:08:29 |
knowing it. |
| 00:08:29 |
You are the |
| 00:08:32 |
for this |
| 00:08:36 |
frau Reinhardt |
| 00:08:39 |
And still suffering. |
| 00:08:43 |
(Lou) |
| 00:08:44 |
You must read |
| 00:09:03 |
I shall do |
| 00:09:05 |
to help your friend. |
| 00:09:48 |
Good night, |
| 00:09:49 |
(Breuer) |
| 00:09:50 |
Straight home, |
| 00:09:59 |
[gasping and sobbing] |
| 00:10:16 |
(Breuer) |
| 00:10:18 |
Siegmund? |
| 00:10:21 |
Where are you |
| 00:10:22 |
The most charming woman |
| 00:10:23 |
me for dinner. |
| 00:10:24 |
Her more charming |
| 00:10:26 |
on his way home |
| 00:10:29 |
Jump in, Siggy. |
| 00:10:30 |
I diagnosed a liver |
| 00:10:35 |
I never get used |
| 00:10:40 |
Well, get used |
| 00:10:43 |
Dr. Freud. |
| 00:10:58 |
The children |
| 00:11:00 |
Say hello to them. |
| 00:11:05 |
Daddy! |
| 00:11:08 |
My little chickens. |
| 00:11:10 |
See what I |
| 00:11:11 |
He hardly |
| 00:11:13 |
[soft piano music] |
| 00:11:23 |
Oh, by the way |
| 00:11:26 |
a new patient. |
| 00:11:27 |
I haven't |
| 00:11:29 |
Suicidal tendencies, |
| 00:11:30 |
As always, |
| 00:11:33 |
with a woman. |
| 00:11:34 |
But Josef, |
| 00:11:37 |
a medical condition. |
| 00:11:40 |
The story gets |
| 00:11:42 |
Because the woman |
| 00:11:44 |
she wants me to sneak |
| 00:11:46 |
psychological distress. |
| 00:11:48 |
While at the same |
| 00:11:50 |
physical ailments, |
| 00:11:52 |
Surely, you're not |
| 00:11:54 |
[sigh] |
| 00:11:59 |
I have |
| 00:12:01 |
Why? |
| 00:12:02 |
I don't even |
| 00:12:07 |
Perhaps I need |
| 00:12:10 |
You cannot say |
| 00:12:12 |
She could persuade |
| 00:12:17 |
(Lou) |
| 00:12:18 |
is working. |
| 00:12:19 |
Dr. Oberbach |
| 00:12:21 |
Nietzsche to consult you, |
| 00:12:23 |
Neither I |
| 00:12:26 |
shall ever forget |
| 00:12:30 |
The professor |
| 00:12:32 |
(Breuer) |
| 00:12:39 |
Good day, |
| 00:12:41 |
Please. Please, |
| 00:13:00 |
Tell me about |
| 00:13:05 |
Would it be |
| 00:13:07 |
to review my |
| 00:13:11 |
I'm sure they're |
| 00:13:13 |
thank you. |
| 00:13:14 |
But I make |
| 00:13:15 |
before reviewing |
| 00:13:17 |
Just as I prefer |
| 00:13:21 |
reading the reviews, |
| 00:13:43 |
Tell me, professor, |
| 00:13:48 |
has melancholia |
| 00:13:50 |
migraine attacks? |
| 00:13:52 |
I have my black |
| 00:13:54 |
does not? |
| 00:13:54 |
Speak not of me |
| 00:13:56 |
tell me of |
| 00:13:57 |
What it |
| 00:13:59 |
A life dominated |
| 00:14:01 |
is a breeding |
| 00:14:02 |
Despair? |
| 00:14:04 |
Perhaps once |
| 00:14:06 |
No. |
| 00:14:07 |
I'm just pregnant. |
| 00:14:11 |
Here. |
| 00:14:13 |
My headaches are |
| 00:14:16 |
my new book. |
| 00:14:17 |
What book? |
| 00:14:18 |
[sings loud] |
| 00:14:20 |
(Nietzsche3 |
| 00:14:24 |
A young prophet, |
| 00:14:26 |
and courage |
| 00:14:27 |
decides to |
| 00:14:28 |
enlighten the people, |
| 00:14:29 |
I teach you |
| 00:14:31 |
Man is something |
| 00:14:34 |
What have you done |
| 00:14:37 |
What is |
| 00:14:38 |
to man? |
| 00:14:39 |
[laughter] |
| 00:14:40 |
A laughingstock, |
| 00:14:42 |
no shame. |
| 00:14:43 |
lust that, |
| 00:14:45 |
to the Ubermensch! |
| 00:14:46 |
People refused |
| 00:14:48 |
those words. |
| 00:14:49 |
The prophet, |
| 00:14:51 |
come too soon |
| 00:14:53 |
returns to |
| 00:14:55 |
So--like-- |
| 00:15:01 |
I come |
| 00:15:06 |
I must ask you |
| 00:15:11 |
Physical wellbeing |
| 00:15:13 |
from social and |
| 00:15:16 |
Is there someone |
| 00:15:22 |
You referring |
| 00:15:24 |
Well-- |
| 00:15:26 |
I have found |
| 00:15:28 |
of bestial pleasure |
| 00:15:29 |
is followed by hours |
| 00:15:34 |
such herd pleasures |
| 00:15:36 |
But is there |
| 00:15:38 |
in your life? |
| 00:15:39 |
Every time I have |
| 00:15:42 |
a footbridge to others, |
| 00:15:45 |
first, there was |
| 00:15:48 |
Richard Wagner, |
| 00:15:50 |
I have suffered |
| 00:15:53 |
and later, |
| 00:15:55 |
with that--woman. |
| 00:16:01 |
Tell me more |
| 00:16:04 |
And why? |
| 00:16:05 |
It's connected |
| 00:16:09 |
Trust me |
| 00:16:11 |
I cannot afford |
| 00:16:16 |
Then I believe, |
| 00:16:19 |
that we can proceed |
| 00:16:21 |
(Breuer) |
| 00:16:23 |
home, Herr Professor. |
| 00:16:25 |
[horse neighs] |
| 00:16:27 |
(driver) |
| 00:16:30 |
(Nietzsche) |
| 00:16:32 |
the horse alone! |
| 00:16:33 |
Leave it! |
| 00:16:34 |
I tell you! |
| 00:16:35 |
[thud and gasp] |
| 00:16:37 |
(Breuer) |
| 00:16:38 |
[neigh and shh] |
| 00:16:44 |
[heavy breathing] |
| 00:16:52 |
Can we meet--again? |
| 00:16:56 |
Friday afternoon, |
| 00:17:03 |
Good night. |
| 00:17:12 |
(Breuer) |
| 00:17:14 |
Bertha. |
| 00:17:14 |
Did you have |
| 00:17:16 |
last night? |
| 00:17:17 |
Yes. I dreamt |
| 00:17:21 |
love to me. |
| 00:17:22 |
Really? |
| 00:17:23 |
Yes. |
| 00:17:25 |
I'm just going |
| 00:17:26 |
don't worry. |
| 00:17:27 |
It's perfectly normal, |
| 00:17:28 |
What are you |
| 00:17:30 |
I want you! |
| 00:17:33 |
You are mine! |
| 00:17:35 |
[laughter] |
| 00:17:38 |
(female voice) |
| 00:17:41 |
No, Josef! |
| 00:17:42 |
How could you?! |
| 00:17:43 |
(Breuer) |
| 00:17:44 |
What are |
| 00:17:46 |
That is horrible! |
| 00:17:48 |
Dr. Breuer! |
| 00:17:51 |
a free man. |
| 00:17:53 |
Go back, |
| 00:17:55 |
whore! He's mine! |
| 00:17:56 |
No! |
| 00:17:57 |
Mine! |
| 00:17:58 |
He is mine! |
| 00:17:59 |
He's mine! |
| 00:18:00 |
No! |
| 00:18:02 |
[shouts |
| 00:18:06 |
[music plays] |
| 00:18:21 |
[gasp] |
| 00:19:28 |
(Breuer) |
| 00:19:29 |
in our lives |
| 00:19:30 |
"when we were |
| 00:19:31 |
"that nothing |
| 00:19:33 |
our friendship. |
| 00:19:34 |
"When only |
| 00:19:35 |
separated us. |
| 00:19:36 |
"I asked you, 'Do |
| 00:19:38 |
the footbridge to me?' |
| 00:19:40 |
But you did |
| 00:19:42 |
What do you make |
| 00:19:44 |
I'm not sure. |
| 00:19:46 |
Let's reason it out. |
| 00:19:50 |
longer cross because |
| 00:19:51 |
he feels he is |
| 00:19:54 |
to the other person. |
| 00:19:55 |
Yes. Yes. |
| 00:19:57 |
He interprets |
| 00:19:59 |
of positive sentiment |
| 00:20:00 |
as a bid |
| 00:20:02 |
It makes it |
| 00:20:03 |
to get close to him! |
| 00:20:04 |
It's all here. |
| 00:20:05 |
May I see it? |
| 00:20:06 |
And reveal |
| 00:20:08 |
And why not? |
| 00:20:10 |
Perhaps if you lend |
| 00:20:12 |
you won't hide |
| 00:20:13 |
night reading it. |
| 00:20:14 |
Mathilde, stop. |
| 00:20:15 |
What am I to do |
| 00:20:17 |
withdraw more and |
| 00:20:19 |
and the children? |
| 00:20:20 |
First that woman! |
| 00:20:22 |
Now this Nietzsche! |
| 00:20:25 |
Friedrich Nietzsche? |
| 00:20:27 |
To this day I |
| 00:20:29 |
to you. |
| 00:20:30 |
The transfer |
| 00:20:31 |
another doctor |
| 00:20:32 |
remains one of |
| 00:20:35 |
of my life! |
| 00:20:41 |
Excellent books. |
| 00:20:44 |
Very few copies |
| 00:20:47 |
Then your |
| 00:20:48 |
a fool |
| 00:20:49 |
for not championing |
| 00:20:52 |
life's blood. |
| 00:20:53 |
You're writing |
| 00:20:54 |
brief sentences. |
| 00:20:55 |
It is my ambition |
| 00:20:57 |
ten sentences |
| 00:20:58 |
what others |
| 00:21:00 |
Hm. |
| 00:21:04 |
As to |
| 00:21:05 |
I believe their |
| 00:21:08 |
lies in stress, |
| 00:21:09 |
Due to upsetting |
| 00:21:11 |
your family, |
| 00:21:12 |
your personal |
| 00:21:15 |
I've given |
| 00:21:18 |
I have no home |
| 00:21:19 |
no wife to |
| 00:21:20 |
no children |
| 00:21:22 |
I have |
| 00:21:23 |
to anyone. |
| 00:21:24 |
I have no stress. |
| 00:21:26 |
Your extreme isolation |
| 00:21:29 |
Great thinkers choose |
| 00:21:31 |
Undisturbed by |
| 00:21:34 |
Consider Thoreau, |
| 00:21:36 |
Professor. |
| 00:21:38 |
Stress is |
| 00:21:40 |
My task is to help you |
| 00:21:43 |
your life. |
| 00:21:44 |
I propose that |
| 00:21:46 |
Lauzon clinic |
| 00:21:47 |
for one month |
| 00:21:49 |
and treatment. |
| 00:21:49 |
We have |
| 00:21:51 |
for migraine. |
| 00:21:52 |
I will visit |
| 00:21:53 |
I'm unable to pay-- |
| 00:21:58 |
Money doesn't |
| 00:22:01 |
It will be free. |
| 00:22:02 |
And why |
| 00:22:04 |
doing this? |
| 00:22:05 |
You came to |
| 00:22:07 |
I offer it. |
| 00:22:08 |
Far too simple. |
| 00:22:11 |
Human motivation |
| 00:22:13 |
What is |
| 00:22:14 |
Why are |
| 00:22:16 |
Because of pressure |
| 00:22:17 |
my headaches, |
| 00:22:18 |
I ask again. |
| 00:22:19 |
your motive |
| 00:22:20 |
if you don't |
| 00:22:21 |
for such services. |
| 00:22:22 |
One practices |
| 00:22:25 |
A cobbler cobbles. |
| 00:22:26 |
A baker bakes. |
| 00:22:28 |
Why do you write? |
| 00:22:31 |
You want nothing |
| 00:22:32 |
I do not claim |
| 00:22:34 |
for you. |
| 00:22:35 |
Whereas you, doctor, |
| 00:22:37 |
that your motive |
| 00:22:39 |
Such claims have |
| 00:22:41 |
human motivation. |
| 00:22:42 |
Now what |
| 00:22:44 |
My motives? |
| 00:22:45 |
Yes! |
| 00:22:46 |
My motives?! |
| 00:22:48 |
Who can answer |
| 00:22:52 |
I believe you |
| 00:22:53 |
to become |
| 00:22:55 |
My mission is to aid |
| 00:22:57 |
who you are. |
| 00:22:58 |
So you as my savior |
| 00:22:59 |
even greater? |
| 00:23:00 |
I did not |
| 00:23:01 |
Do you know |
| 00:23:03 |
are the leading |
| 00:23:04 |
musicians in Vienna? |
| 00:23:05 |
Yes, and at this moment |
| 00:23:07 |
to enhance your |
| 00:23:08 |
I will never |
| 00:23:09 |
I will still |
| 00:23:11 |
by you! |
| 00:23:11 |
Nonsense! |
| 00:23:13 |
Your charity, |
| 00:23:14 |
to help me? |
| 00:23:15 |
To manage me! |
| 00:23:17 |
All of these |
| 00:23:19 |
at my expense! |
| 00:23:19 |
This is a perfect |
| 00:23:21 |
you cannot dissect |
| 00:23:23 |
Your vision is |
| 00:23:26 |
You need help! |
| 00:23:28 |
You are |
| 00:23:30 |
a mistake! |
| 00:23:32 |
Then go |
| 00:23:38 |
You crazed |
| 00:24:06 |
Shabbat Shalom. |
| 00:24:07 |
[all repeat softly] |
| 00:24:11 |
[cheerful piano music] |
| 00:24:19 |
[screaming] |
| 00:24:56 |
Come here! |
| 00:25:15 |
[banging] |
| 00:25:26 |
The old Bishop, |
| 00:25:28 |
he's dying |
| 00:25:31 |
[driver coaxing horse] |
| 00:25:55 |
Get me |
| 00:26:00 |
Dear God! |
| 00:26:01 |
Bring me |
| 00:26:05 |
[moan] |
| 00:26:07 |
Herr Professor. |
| 00:26:08 |
[gasp] |
| 00:26:10 |
Professor Nietzsche. |
| 00:26:11 |
[gasp] |
| 00:26:12 |
Take the pain. |
| 00:26:14 |
You will |
| 00:26:16 |
[gasping] |
| 00:26:22 |
[gasp] |
| 00:26:43 |
That much chlorine |
| 00:26:46 |
in the sleeping juice |
| 00:26:48 |
have died. |
| 00:26:48 |
Oh, living, dying, |
| 00:26:52 |
I shall be in |
| 00:26:54 |
with what I owe. |
| 00:26:55 |
Before my train |
| 00:26:58 |
Basel? |
| 00:26:59 |
Yes. |
| 00:27:00 |
Not until |
| 00:27:01 |
is over. |
| 00:27:01 |
I'm leaving tomorrow. |
| 00:27:04 |
[waltz music] |
| 00:27:24 |
You know, |
| 00:27:26 |
holds some-- |
| 00:27:28 |
strange hope that |
| 00:27:30 |
bizarre creature |
| 00:27:31 |
overcome his |
| 00:27:33 |
I might |
| 00:27:35 |
Defeat your suffering? |
| 00:27:38 |
You're the envy |
| 00:27:39 |
in Vienna. |
| 00:27:40 |
One feels |
| 00:27:42 |
that one cannot |
| 00:27:44 |
at 25. |
| 00:27:45 |
I must stop him |
| 00:27:47 |
There must |
| 00:27:52 |
Perhaps if you'd |
| 00:27:54 |
yourself to Nietzsche, |
| 00:27:55 |
you might have |
| 00:27:58 |
Once you |
| 00:28:00 |
he might |
| 00:28:02 |
a steamed clam. |
| 00:28:06 |
I think I know |
| 00:28:12 |
I think |
| 00:28:14 |
a way. |
| 00:28:15 |
Your documents |
| 00:28:17 |
Herr Professor. |
| 00:28:18 |
Auf Wiedersehen. |
| 00:28:21 |
Auf Wiedersehen. |
| 00:28:25 |
[door opens] |
| 00:28:26 |
Professor Nietzsche. |
| 00:28:29 |
May I have a word |
| 00:28:42 |
I have a proposition |
| 00:28:45 |
Perhaps never before |
| 00:28:48 |
to his patient. |
| 00:28:54 |
I propose a |
| 00:28:57 |
for one month, |
| 00:29:00 |
physician to your body, |
| 00:29:03 |
if you will act |
| 00:29:05 |
to my mind. |
| 00:29:06 |
What do |
| 00:29:07 |
That you doctor me |
| 00:29:10 |
you philosophy? |
| 00:29:11 |
No, no, no. |
| 00:29:13 |
Not teach me. |
| 00:29:16 |
Heal me. |
| 00:29:17 |
Of what? |
| 00:29:18 |
Despair. |
| 00:29:37 |
I see |
| 00:29:39 |
Not on |
| 00:29:41 |
But underneath, |
| 00:29:43 |
my mind is invaded |
| 00:29:46 |
I've lost sight |
| 00:29:48 |
I'm terrified |
| 00:29:51 |
I often think |
| 00:29:54 |
I cannot help |
| 00:29:58 |
I've no training. |
| 00:29:59 |
Who is trained? |
| 00:30:01 |
Such healing |
| 00:30:03 |
the medical discipline. |
| 00:30:05 |
What do |
| 00:30:05 |
of this? |
| 00:30:06 |
You know more |
| 00:30:08 |
Aren't your books |
| 00:30:10 |
on despair? |
| 00:30:11 |
I can't cure despair. |
| 00:30:14 |
to tolerate it. |
| 00:30:15 |
Then teach me |
| 00:30:18 |
a life |
| 00:30:19 |
You were right that |
| 00:30:21 |
to save humankind |
| 00:30:25 |
and aimlessness. |
| 00:30:28 |
To create |
| 00:30:29 |
of behavior. |
| 00:30:30 |
A new morality |
| 00:30:32 |
It's all there. |
| 00:30:35 |
This is my offer. |
| 00:30:37 |
You enter |
| 00:30:40 |
for 30 days. |
| 00:30:41 |
I will observe and treat |
| 00:30:45 |
In return, |
| 00:30:47 |
my physician, |
| 00:30:48 |
and help |
| 00:30:51 |
my life's concerns. |
| 00:30:53 |
Look. |
| 00:30:55 |
I'm indebted |
| 00:30:59 |
more than |
| 00:31:05 |
You saved |
| 00:31:10 |
I'm just |
| 00:31:15 |
I'm not |
| 00:31:20 |
You can pay |
| 00:31:22 |
saving my life. |
| 00:31:23 |
The way I |
| 00:31:31 |
So what? |
| 00:31:32 |
I do this |
| 00:31:36 |
relieve my debt? |
| 00:31:39 |
My motivation-- |
| 00:31:42 |
is entirely |
| 00:31:47 |
I want |
| 00:31:50 |
my life, |
| 00:31:52 |
but are you |
| 00:31:54 |
to do this? |
| 00:32:07 |
(Breuer) |
| 00:32:09 |
that he is |
| 00:32:11 |
who can help me. |
| 00:32:13 |
And then what? |
| 00:32:15 |
Then I will |
| 00:32:18 |
He will once again |
| 00:32:19 |
and I will be |
| 00:32:22 |
And what happens |
| 00:32:24 |
turns to you |
| 00:32:26 |
Siggy, I'm convinced |
| 00:32:28 |
healing in unburdening. |
| 00:32:29 |
Look at |
| 00:32:31 |
Their priests have been |
| 00:32:34 |
for centuries. |
| 00:32:35 |
Nietzsche is |
| 00:32:38 |
Yet a few |
| 00:32:41 |
he opened up |
| 00:32:44 |
A real plea |
| 00:32:46 |
Help me. |
| 00:32:47 |
What you saw were |
| 00:32:51 |
Those that if they |
| 00:32:53 |
could scream |
| 00:32:54 |
for help |
| 00:32:56 |
The goal of |
| 00:32:58 |
is to liberate those |
| 00:33:00 |
to allow the patient |
| 00:33:04 |
help--openly. |
| 00:33:06 |
(Sigmund) |
| 00:33:08 |
the right term? |
| 00:33:09 |
Isn't it "integration" |
| 00:33:16 |
Integration of |
| 00:33:19 |
with the conscious. |
| 00:33:20 |
Yes! |
| 00:33:26 |
Yes, Sigmund! |
| 00:33:40 |
Very good. |
| 00:33:51 |
Take a seat. |
| 00:33:58 |
Remove your stethoscope. |
| 00:34:03 |
And your coat. |
| 00:34:05 |
As well. |
| 00:34:19 |
I made a list |
| 00:34:21 |
One, you have a |
| 00:34:24 |
Two, you're besieged |
| 00:34:28 |
Three, self-hatred. |
| 00:34:30 |
four, fear of aging, |
| 00:34:34 |
Six, urges |
| 00:34:38 |
Anything else? |
| 00:34:39 |
I feel-- |
| 00:34:44 |
completely-- |
| 00:34:46 |
remote and distant |
| 00:34:48 |
Trapped in a world |
| 00:34:50 |
own choosing, |
| 00:34:51 |
And is that |
| 00:34:54 |
problem or two? |
| 00:34:57 |
You make me |
| 00:34:59 |
It is my task |
| 00:35:00 |
feel comfortless. |
| 00:35:02 |
No, no, no. |
| 00:35:02 |
is all wrong. |
| 00:35:03 |
Mr. Breuer, |
| 00:35:05 |
an agreement. |
| 00:35:08 |
"Mr." Breuer? |
| 00:35:13 |
Do you want |
| 00:35:16 |
Mr. Breuer? |
| 00:35:30 |
You've mentioned |
| 00:35:32 |
Which tells me |
| 00:35:34 |
What initiated |
| 00:35:37 |
in your feelings |
| 00:35:39 |
[gentle thunder] |
| 00:35:42 |
[clears throat] |
| 00:35:44 |
Two years ago |
| 00:35:45 |
of a young woman. |
| 00:35:46 |
This patient |
| 00:35:49 |
pseudonym Anna O. -- |
| 00:35:51 |
suffers from what |
| 00:35:53 |
hysterical behavior, |
| 00:35:55 |
[screams] |
| 00:35:57 |
Try to stay calm! |
| 00:35:59 |
(Breuer) |
| 00:36:01 |
meetings, she-- |
| 00:36:02 |
opened up to me, |
| 00:36:04 |
of every disturbing event |
| 00:36:05 |
of the last 24 hours. |
| 00:36:08 |
She called |
| 00:36:10 |
"chimney-sweeping." |
| 00:36:13 |
[clears throat] |
| 00:36:15 |
I prefer to call it-- |
| 00:36:19 |
Unfortunately, |
| 00:36:21 |
the course |
| 00:36:23 |
was terminated |
| 00:36:24 |
by its insane ending, |
| 00:36:25 |
How? |
| 00:36:27 |
I fell in love |
| 00:36:30 |
She and her mother |
| 00:36:33 |
with my wife. |
| 00:36:35 |
[heavy breathing] |
| 00:36:40 |
Bertha. |
| 00:36:42 |
What's wrong? |
| 00:36:45 |
Stop it, Bertha! |
| 00:36:49 |
What's wrong? |
| 00:36:51 |
I'm pregnant! |
| 00:36:55 |
I'm pregnant with |
| 00:36:59 |
(mother) |
| 00:37:01 |
(Bertha) |
| 00:37:04 |
little baby! |
| 00:37:05 |
Bertha! |
| 00:37:08 |
Stop it! |
| 00:37:09 |
Stop it! |
| 00:37:13 |
It was her delirium |
| 00:37:16 |
her illness. |
| 00:37:17 |
But my wife |
| 00:37:18 |
to see her again, |
| 00:37:19 |
What did |
| 00:37:21 |
I'm sorry, my dear. |
| 00:37:24 |
doctor anymore, |
| 00:37:26 |
But I've done |
| 00:37:27 |
Of course |
| 00:37:30 |
I will refer you |
| 00:37:31 |
of mine. |
| 00:37:32 |
He will take |
| 00:37:34 |
of you. |
| 00:37:35 |
Please don't |
| 00:37:37 |
I have no choice. |
| 00:37:48 |
You will always be |
| 00:37:50 |
my life. Always. |
| 00:37:52 |
Can you imagine |
| 00:37:54 |
to hear those words? |
| 00:37:56 |
They were evidence |
| 00:38:00 |
I had done. |
| 00:38:01 |
I left her weakened. |
| 00:38:06 |
Crippled. |
| 00:38:07 |
You are responsible |
| 00:38:12 |
and deeds. |
| 00:38:14 |
But she, by virtue |
| 00:38:19 |
she is exonerated. |
| 00:38:20 |
from everything. |
| 00:38:22 |
Who has |
| 00:38:26 |
Who has |
| 00:38:30 |
Doesn't this cripple |
| 00:38:33 |
call her-- |
| 00:38:35 |
have greater power |
| 00:38:39 |
An excellent beginning. |
| 00:38:42 |
He even developed |
| 00:38:46 |
Breuer is |
| 00:38:48 |
Intelligent yet blind. |
| 00:38:50 |
Sincere but devious, |
| 00:38:52 |
Let him continue |
| 00:38:54 |
is what we are doing, |
| 00:38:55 |
He's possessed |
| 00:38:58 |
shreds him to pieces, |
| 00:38:59 |
[chuckles] |
| 00:39:01 |
her bloody fangs, |
| 00:39:03 |
[Nietzsche, |
| 00:39:06 |
I love it, Josef. |
| 00:39:08 |
What do you love? |
| 00:39:09 |
Tchaikovsky! |
| 00:39:10 |
Why? |
| 00:39:11 |
Swan Lake! |
| 00:39:19 |
[bells ringing] |
| 00:39:21 |
[Breuer screams |
| 00:39:23 |
Josef, look! |
| 00:39:25 |
out of time! |
| 00:39:26 |
[thunder] |
| 00:39:31 |
Backwards! |
| 00:39:35 |
Faster, Josef! |
| 00:39:37 |
[Swan Lake ballet, playing] |
| 00:39:41 |
Take me, Josef. |
| 00:39:45 |
Throw away |
| 00:39:48 |
Sticks and stones |
| 00:39:50 |
but death will |
| 00:39:53 |
[Swan Lake, playing |
| 00:40:06 |
[gasping |
| 00:40:10 |
(Breuer) |
| 00:40:12 |
yesterday's confessions, |
| 00:40:15 |
you would |
| 00:40:16 |
Do not worry |
| 00:40:19 |
think of you. |
| 00:40:20 |
I suspect you find |
| 00:40:23 |
I do |
| 00:40:24 |
to sex. |
| 00:40:25 |
What I hate |
| 00:40:26 |
who begs for it. |
| 00:40:27 |
He surrenders himself |
| 00:40:30 |
who turns his lust |
| 00:40:33 |
Lust is part |
| 00:40:34 |
And nothing must |
| 00:40:36 |
the development |
| 00:40:37 |
of the hero |
| 00:40:38 |
inside you! |
| 00:40:39 |
And if lust stands |
| 00:40:41 |
must be overcome! |
| 00:40:43 |
(Breuer) |
| 00:40:44 |
All you give me |
| 00:40:46 |
your books! |
| 00:40:47 |
first time I've attempted |
| 00:40:50 |
to practical use, |
| 00:40:51 |
Choose between comfort |
| 00:40:56 |
Are they |
| 00:40:58 |
If you want to choose |
| 00:41:00 |
prepare yourself |
| 00:41:02 |
Less pain, shrink. |
| 00:41:04 |
of the herd. |
| 00:41:04 |
[soft playing] |
| 00:41:07 |
[abrupt loud notes] |
| 00:41:10 |
Look at |
| 00:41:11 |
It requires |
| 00:41:13 |
if it is to attain |
| 00:41:16 |
Learn, creativity |
| 00:41:20 |
But they |
| 00:41:23 |
(Breuer) |
| 00:41:25 |
simple things. |
| 00:41:26 |
To sleep |
| 00:41:30 |
[sigh] |
| 00:41:31 |
to live |
| 00:41:37 |
Lie down. |
| 00:41:40 |
Why? |
| 00:41:41 |
It's the |
| 00:41:44 |
for recalling memories. |
| 00:41:56 |
Close your eyes, |
| 00:42:01 |
Let us |
| 00:42:05 |
An icy |
| 00:42:08 |
And we see |
| 00:42:10 |
trudging to the top. |
| 00:42:11 |
He's looking |
| 00:42:13 |
of his existence. |
| 00:42:14 |
He is encountering |
| 00:42:17 |
[thunder] |
| 00:42:18 |
But he sees |
| 00:42:20 |
This insignificance, |
| 00:42:24 |
little speck |
| 00:42:26 |
that he is. |
| 00:42:28 |
[loud thunder] |
| 00:42:29 |
And now his fear |
| 00:42:33 |
that he welcomes |
| 00:42:37 |
And he starts looking |
| 00:42:40 |
He begins to spend |
| 00:42:42 |
these miracles, |
| 00:42:43 |
How his little |
| 00:42:46 |
moves her legs, |
| 00:42:49 |
Her lips. |
| 00:42:52 |
And her arms. |
| 00:42:55 |
And her breasts. |
| 00:42:58 |
And his mind |
| 00:43:00 |
which was filled |
| 00:43:03 |
of ideas |
| 00:43:04 |
becomes clogged |
| 00:43:10 |
And that is how |
| 00:43:12 |
He's just rummaging |
| 00:43:16 |
Of Bertha. |
| 00:43:18 |
As if it contained |
| 00:43:21 |
to his prayers, |
| 00:43:25 |
Well, what do |
| 00:43:27 |
of this man? |
| 00:43:29 |
Josef, open |
| 00:43:35 |
Open your eyes, |
| 00:43:47 |
Talk to me, |
| 00:43:53 |
This is |
| 00:43:56 |
Where is yours? |
| 00:44:03 |
[cheerful piano music] |
| 00:44:08 |
He asked you to lie |
| 00:44:11 |
He said it |
| 00:44:14 |
for recalling memories. |
| 00:44:16 |
Interesting. |
| 00:44:18 |
He is honoring |
| 00:44:20 |
but offers |
| 00:44:21 |
My confessions |
| 00:44:23 |
to produce |
| 00:44:23 |
even the slightest |
| 00:44:25 |
own obsession. |
| 00:44:26 |
Is your frustration rooted |
| 00:44:28 |
with him? |
| 00:44:28 |
Not at all. |
| 00:44:31 |
I'm a physician, |
| 00:44:34 |
I do not meet with |
| 00:44:36 |
my pleasure. |
| 00:44:37 |
But Josef, |
| 00:44:39 |
his books. |
| 00:44:39 |
He has more |
| 00:44:41 |
of mankind |
| 00:44:42 |
than any other person. |
| 00:44:45 |
be, perhaps |
| 00:44:45 |
the greatest psychologist |
| 00:44:48 |
You can best |
| 00:44:51 |
him help you. |
| 00:44:54 |
[soft piano music] |
| 00:45:07 |
[woman sings |
| 00:46:00 |
[heavy rain |
| 00:46:07 |
Josef? |
| 00:46:08 |
[pigeons cooing] |
| 00:46:10 |
[crashing thunder] |
| 00:46:17 |
Josef? It's |
| 00:46:21 |
Are you coming |
| 00:46:24 |
Soon. |
| 00:46:44 |
(distant female voice) |
| 00:46:47 |
Dr. Breuer! |
| 00:46:47 |
Dr. Breuer! |
| 00:46:49 |
Where is |
| 00:46:51 |
Your wife-- |
| 00:46:53 |
Mathilde! |
| 00:47:06 |
Mathilde! |
| 00:47:08 |
(Bertha) |
| 00:47:10 |
the only man in my life. |
| 00:47:11 |
Always, |
| 00:47:13 |
(Bertha) |
| 00:47:16 |
it, Josef. Never. |
| 00:47:22 |
You will never |
| 00:47:25 |
Never. |
| 00:47:26 |
[ship siren] |
| 00:47:29 |
[crashing thunder] |
| 00:47:40 |
I feel healthy. |
| 00:47:42 |
I wish to waste |
| 00:47:43 |
precious time |
| 00:47:44 |
on these physical |
| 00:47:48 |
Uh, before |
| 00:47:50 |
the last time we met |
| 00:47:55 |
I like that. |
| 00:47:58 |
first names? |
| 00:48:06 |
Friedrich or--? |
| 00:48:07 |
Fritz. |
| 00:48:13 |
Friedrich. |
| 00:48:15 |
My best friend |
| 00:48:17 |
called Friedrich. |
| 00:48:18 |
He used |
| 00:48:20 |
of infinite promise. |
| 00:48:22 |
What happened |
| 00:48:25 |
He became |
| 00:48:27 |
And respected, |
| 00:48:30 |
Then you have |
| 00:48:35 |
You are satisfied? |
| 00:48:37 |
I have fulfilled |
| 00:48:41 |
Am I satisfied? |
| 00:48:45 |
No. |
| 00:48:46 |
How did you |
| 00:48:50 |
No, don't-- |
| 00:48:52 |
lust chimney-sweep, |
| 00:48:54 |
Hm. |
| 00:48:57 |
Goals are |
| 00:49:00 |
They're in the air. |
| 00:49:03 |
them in. |
| 00:49:04 |
Like every |
| 00:49:06 |
I wanted to climb |
| 00:49:09 |
to succeed. |
| 00:49:10 |
My father was |
| 00:49:12 |
of my life. |
| 00:49:15 |
No, Papa. |
| 00:49:17 |
No, Josef. |
| 00:49:19 |
bad habits. |
| 00:49:26 |
But I never |
| 00:49:29 |
They were |
| 00:49:32 |
like an accident. |
| 00:49:33 |
And yet not |
| 00:49:35 |
of your goals |
| 00:49:35 |
is just that, |
| 00:49:38 |
be an accident. |
| 00:49:51 |
What is |
| 00:49:53 |
I've had a sudden |
| 00:49:56 |
of the obvious. |
| 00:49:57 |
Time is irreversible, |
| 00:49:59 |
The sands of my life |
| 00:50:02 |
I'm in lockstep |
| 00:50:05 |
marching towards my death. |
| 00:50:07 |
So you see clear |
| 00:50:10 |
Knowing that as |
| 00:50:12 |
I'm impotent and |
| 00:50:15 |
That does not mean |
| 00:50:17 |
no purpose. |
| 00:50:17 |
On the contrary, |
| 00:50:19 |
creeps closer, |
| 00:50:20 |
the value |
| 00:50:21 |
You must learn |
| 00:50:23 |
But say "yes" |
| 00:50:25 |
of life. |
| 00:50:26 |
Be passionate. |
| 00:50:28 |
thinking spirit. |
| 00:50:29 |
Rise above |
| 00:50:31 |
Be the Ubermensch. |
| 00:50:40 |
Please, Fraulein. |
| 00:50:42 |
a seat? |
| 00:50:44 |
The Russian |
| 00:50:49 |
Let her wait. |
| 00:50:55 |
[chiming] |
| 00:51:03 |
Good afternoon, |
| 00:51:05 |
take a seat. |
| 00:51:06 |
Herr Schubert, |
| 00:51:09 |
Take a seat. The doctor |
| 00:51:11 |
Please, understand, |
| 00:51:13 |
Please, the doctor |
| 00:51:23 |
frau Pettik, |
| 00:51:25 |
can see you now. |
| 00:51:39 |
What a pleasure. |
| 00:51:40 |
I had forgotten, |
| 00:51:42 |
Then look |
| 00:51:44 |
this time. |
| 00:51:44 |
I'm distressed |
| 00:51:47 |
time to offer you. |
| 00:51:48 |
The price |
| 00:51:50 |
Dr. Breuer. |
| 00:52:03 |
You like to |
| 00:52:05 |
Tell me, why |
| 00:52:07 |
so that I could |
| 00:52:09 |
time for you? |
| 00:52:10 |
I am concerned |
| 00:52:13 |
Our patient? |
| 00:52:15 |
Have you graduated |
| 00:52:17 |
since our |
| 00:52:18 |
You must read |
| 00:52:20 |
Nietzsche sent me. |
| 00:52:21 |
He writes |
| 00:52:23 |
"You are a woman |
| 00:52:26 |
or spirit, |
| 00:52:27 |
incapable of love, |
| 00:52:30 |
as a house cat." |
| 00:52:31 |
Why does he |
| 00:52:33 |
such a monster? |
| 00:52:37 |
I deserve to know |
| 00:52:39 |
of my efforts. |
| 00:52:40 |
The outcome |
| 00:52:43 |
It's been lovely |
| 00:52:47 |
but I must |
| 00:52:48 |
my work. |
| 00:52:49 |
Where is he? |
| 00:52:50 |
I cannot tell you. |
| 00:52:51 |
Or the state |
| 00:52:53 |
You turn |
| 00:52:54 |
to me. |
| 00:52:55 |
I cannot violate |
| 00:53:05 |
[slam] |
| 00:53:13 |
(Sigmund) |
| 00:53:15 |
not capable |
| 00:53:15 |
of being hypnotized. |
| 00:53:17 |
Perhaps, |
| 00:53:19 |
I didn't tell you she |
| 00:53:22 |
letters with me. |
| 00:53:22 |
Hm. And? |
| 00:53:24 |
He berates me |
| 00:53:26 |
the trough of lust, |
| 00:53:27 |
and all the while, |
| 00:53:30 |
just like me, |
| 00:53:31 |
is rummaging |
| 00:53:35 |
of his own mind. |
| 00:53:37 |
You think he |
| 00:53:38 |
for his falsifications, |
| 00:53:40 |
may I remind you |
| 00:53:42 |
Of the deceptive premise |
| 00:53:45 |
with him. |
| 00:53:49 |
Of the two patients |
| 00:53:51 |
I have become |
| 00:53:58 |
(male voice) |
| 00:54:07 |
What are you |
| 00:54:09 |
Trying to kill |
| 00:54:10 |
Carry on, soldier. |
| 00:54:12 |
Yes, sir. |
| 00:54:14 |
[gun cocks] |
| 00:54:17 |
[cocks again] |
| 00:54:19 |
me please! |
| 00:54:28 |
The interesting thing |
| 00:54:30 |
the general |
| 00:54:34 |
And why me? |
| 00:54:37 |
A symbol of |
| 00:54:39 |
to join me |
| 00:54:40 |
in a down-to-earth |
| 00:54:43 |
Be open |
| 00:54:46 |
I presume that, |
| 00:54:48 |
you've suffered |
| 00:54:53 |
Have you ever tasted |
| 00:54:58 |
Yes. |
| 00:55:01 |
And? |
| 00:55:04 |
I must know. |
| 00:55:05 |
Let me remind you |
| 00:55:09 |
"Be a man. |
| 00:55:13 |
but yourself, " |
| 00:55:14 |
Teaching philosophy |
| 00:55:16 |
in the real world |
| 00:55:18 |
are Very |
| 00:55:20 |
You wish for something |
| 00:55:23 |
Then go, suckle |
| 00:55:25 |
of superstition, |
| 00:55:26 |
Whatever you do, |
| 00:55:29 |
Unfortunately, the |
| 00:55:31 |
of my mind, |
| 00:55:31 |
the one who stages |
| 00:55:33 |
with Bertha |
| 00:55:34 |
is unaffected |
| 00:55:36 |
Of course not. |
| 00:55:37 |
will a man |
| 00:55:38 |
could love |
| 00:55:39 |
Oh, stop it! |
| 00:55:41 |
Bertha is intelligent, |
| 00:55:44 |
Loving? |
| 00:55:45 |
She tried |
| 00:55:46 |
into adultery. |
| 00:55:47 |
She almost |
| 00:55:49 |
You are too |
| 00:55:51 |
Well, next time |
| 00:55:52 |
don't forget |
| 00:55:55 |
Yes. I think to love |
| 00:55:57 |
is to hate life. |
| 00:55:58 |
Bertha is |
| 00:56:01 |
May I remind you |
| 00:56:02 |
because of her |
| 00:56:04 |
And may I remind |
| 00:56:06 |
I think the time |
| 00:56:17 |
[happy laughter] |
| 00:56:22 |
(Bertha) |
| 00:56:23 |
the only man in my life. |
| 00:56:25 |
(Breuer) |
| 00:56:26 |
your help. |
| 00:56:26 |
Attack my obsession, |
| 00:56:29 |
Do you want war? |
| 00:56:31 |
Yes! |
| 00:56:33 |
You will follow |
| 00:56:34 |
without question. |
| 00:56:35 |
Absolutely. |
| 00:56:36 |
Sit. |
| 00:56:40 |
Please. |
| 00:56:43 |
Close your eyes. |
| 00:56:45 |
[sigh] |
| 00:56:47 |
Imagine--your life-- |
| 00:56:52 |
But I don't |
| 00:56:53 |
Please, Josef. |
| 00:57:01 |
Now, you're |
| 00:57:05 |
You're having |
| 00:57:08 |
with Anna O. |
| 00:57:09 |
I want you to compose |
| 00:57:15 |
and I want you |
| 00:57:17 |
at her. |
| 00:57:17 |
To her face?! |
| 00:57:19 |
Yes. |
| 00:57:20 |
What? |
| 00:57:24 |
Precisely. |
| 00:57:25 |
Ugly, yes. |
| 00:57:30 |
Ugly. |
| 00:57:32 |
Scream it out! |
| 00:57:35 |
Ugly! |
| 00:57:36 |
Stupid! |
| 00:57:39 |
Whore! |
| 00:57:41 |
Cross-eyed! |
| 00:57:44 |
Cripple! |
| 00:57:45 |
That's nine. |
| 00:57:48 |
Idiot!! |
| 00:57:51 |
Good. How is |
| 00:57:54 |
I love you. |
| 00:57:57 |
Banish the tranquil idea |
| 00:57:59 |
See Bertha as she |
| 00:58:01 |
each morning, |
| 00:58:03 |
Spasms, her arms |
| 00:58:06 |
Cross-eyed, |
| 00:58:08 |
Hallucinating. |
| 00:58:09 |
Suffering! |
| 00:58:11 |
[screaming] |
| 00:58:24 |
See her as the infant |
| 00:58:27 |
[rattle and giggling] |
| 00:58:36 |
See her as an adult, |
| 00:58:38 |
as she does |
| 00:58:41 |
Ooh. |
| 00:58:44 |
[farts] |
| 00:58:46 |
If you are alone |
| 00:58:47 |
to think of her, |
| 00:58:49 |
tell her "Go away, |
| 00:58:50 |
loud as you can. |
| 00:58:51 |
You pinch yourself |
| 00:58:54 |
Say it! |
| 00:58:54 |
Go away! |
| 00:58:56 |
Pinch yourself! |
| 00:58:58 |
Pinch yourself |
| 00:59:00 |
you can! |
| 00:59:00 |
Go away! |
| 00:59:02 |
Listen. If you're |
| 00:59:03 |
and you begin to think |
| 00:59:05 |
"Go away, I hate you" |
| 00:59:07 |
Say it. I hate you. |
| 00:59:09 |
I hate you!! |
| 00:59:10 |
I hate you! |
| 00:59:10 |
I hate you!! |
| 00:59:11 |
I hate you! |
| 00:59:12 |
I hate you!! |
| 00:59:13 |
Louder! |
| 00:59:15 |
I hate you, |
| 00:59:16 |
Say it! Josef, if you are |
| 00:59:19 |
to think of her, |
| 00:59:20 |
you shout "Go away, |
| 00:59:22 |
as you can. Say it. |
| 00:59:23 |
As loud as you can. |
| 00:59:25 |
Go--away!! |
| 00:59:28 |
I love you, |
| 00:59:30 |
(Breuer) |
| 00:59:31 |
I hate you! |
| 00:59:44 |
What are |
| 00:59:45 |
for, Fishman? |
| 00:59:46 |
(fishman) |
| 01:00:22 |
Hm. |
| 01:00:25 |
Your heart |
| 01:00:29 |
But mine |
| 01:00:30 |
to bursting. |
| 01:00:34 |
After yesterday, |
| 01:00:36 |
being trained to dance, |
| 01:00:37 |
It's true. |
| 01:00:41 |
And myself. |
| 01:00:43 |
And a teacher |
| 01:00:45 |
a raiser of men. |
| 01:00:46 |
We are |
| 01:00:48 |
Yes, we've neglected |
| 01:00:51 |
the meaning |
| 01:00:52 |
behind your obsession. |
| 01:00:55 |
How can we |
| 01:00:56 |
meaning of something |
| 01:00:57 |
that I myself |
| 01:00:59 |
By talking |
| 01:01:02 |
What would your |
| 01:01:05 |
was no Bertha? |
| 01:01:06 |
Life without Bertha-- |
| 01:01:10 |
would be |
| 01:01:12 |
Everything would |
| 01:01:14 |
This medical bag, |
| 01:01:18 |
I'm a scientist. |
| 01:01:21 |
no color. |
| 01:01:22 |
I need passion! |
| 01:01:25 |
I need magic! |
| 01:01:30 |
That's what |
| 01:01:32 |
Life without passion, |
| 01:01:36 |
Who can live |
| 01:01:43 |
But he is |
| 01:01:48 |
You're lured to mystery. |
| 01:01:52 |
But I hate danger. |
| 01:01:54 |
I live my |
| 01:01:57 |
Living safely |
| 01:01:59 |
Living safely |
| 01:02:03 |
Nietzsche, there is |
| 01:02:05 |
Nietzsche here. |
| 01:02:06 |
Check again. |
| 01:02:07 |
There is |
| 01:02:09 |
Nietzsche here. |
| 01:02:24 |
Perhaps Bertha |
| 01:02:26 |
desire to escape |
| 01:02:28 |
my deadly safe life, |
| 01:02:31 |
Time is our |
| 01:02:33 |
The greatest challenge |
| 01:02:36 |
spite of it. |
| 01:02:53 |
I hate women |
| 01:02:55 |
Why do you |
| 01:02:57 |
Because she has |
| 01:02:59 |
of lips, |
| 01:03:00 |
eyes and breasts-- |
| 01:03:04 |
that give her almost |
| 01:03:08 |
Powers to |
| 01:03:11 |
When I'm |
| 01:03:13 |
I feel that |
| 01:03:17 |
of an orderly, |
| 01:03:18 |
tranquil universe. |
| 01:03:23 |
An intensely |
| 01:03:26 |
where there |
| 01:03:29 |
about life or purpose. |
| 01:03:31 |
Like walking |
| 01:03:37 |
Where do your |
| 01:03:50 |
Her eyes-- |
| 01:03:54 |
She doesn't speak, |
| 01:03:56 |
yet she talks |
| 01:03:57 |
And what does |
| 01:03:59 |
She says-- |
| 01:04:02 |
"Josef, |
| 01:04:04 |
you are adorable." |
| 01:04:11 |
And in |
| 01:04:14 |
I am. |
| 01:04:20 |
When she told me |
| 01:04:22 |
dreamed of us |
| 01:04:25 |
I was ecstatic. |
| 01:04:26 |
What a victory, |
| 01:04:30 |
To enter a place |
| 01:04:34 |
has ever been. |
| 01:04:45 |
Have you ever known |
| 01:04:51 |
friedrich, |
| 01:04:57 |
I once knew |
| 01:05:00 |
not be denied. Yes. |
| 01:05:04 |
Tell me more |
| 01:05:18 |
What was |
| 01:05:23 |
Do you still |
| 01:05:30 |
We are more |
| 01:05:33 |
than the desired. |
| 01:05:36 |
[opera music] |
| 01:06:38 |
(Breuer) |
| 01:06:41 |
These sessions |
| 01:06:43 |
have become |
| 01:06:44 |
of my day. |
| 01:06:47 |
Why? |
| 01:06:50 |
The relief |
| 01:06:53 |
Perhaps in 5O years |
| 01:06:55 |
might develop into |
| 01:07:01 |
I thought |
| 01:07:03 |
help him. |
| 01:07:04 |
No longer. |
| 01:07:05 |
He has everything |
| 01:07:09 |
I'm wondering |
| 01:07:11 |
talking cure |
| 01:07:11 |
involves learning with |
| 01:07:15 |
to his doctor. |
| 01:07:16 |
Shh. |
| 01:07:19 |
What would it |
| 01:07:21 |
Nietzsche lives? |
| 01:07:25 |
No house. |
| 01:07:26 |
No obligations, |
| 01:07:29 |
No wife. |
| 01:08:07 |
(Lou) |
| 01:08:10 |
dear Lou. |
| 01:08:12 |
" I won't see |
| 01:08:15 |
"You've caused damage. |
| 01:08:19 |
And not only to me, |
| 01:08:21 |
who loved me." |
| 01:08:22 |
(Nietzsche3 |
| 01:08:24 |
hangs over you, |
| 01:08:25 |
But I hope |
| 01:08:27 |
good to Henry, |
| 01:08:28 |
what you couldn't |
| 01:08:32 |
(Nietzsche) |
| 01:08:37 |
You make music sick. |
| 01:08:41 |
You are sick! |
| 01:08:44 |
[taps rhythmically with foot] |
| 01:08:48 |
[orchestra begins to play] |
| 01:09:04 |
Wagner. |
| 01:09:07 |
The first requiems. |
| 01:09:29 |
You make music sick! |
| 01:09:32 |
You tyrant! |
| 01:09:36 |
You antisemite! |
| 01:09:39 |
I hate you! |
| 01:09:42 |
I hate you! |
| 01:09:44 |
[loud music] |
| 01:10:02 |
[Nietzsche, |
| 01:10:06 |
no music] |
| 01:10:08 |
Wagner, |
| 01:10:11 |
music sick, |
| 01:10:14 |
[music] |
| 01:10:15 |
Hate. |
| 01:10:17 |
Hate. |
| 01:10:19 |
Fritz. |
| 01:10:20 |
Fritz. |
| 01:10:22 |
[music] |
| 01:10:25 |
late. |
| 01:10:26 |
Fritz! |
| 01:10:27 |
Hate! |
| 01:10:28 |
Look at me! |
| 01:10:30 |
Talk to my animals. |
| 01:10:31 |
Fritz! |
| 01:10:43 |
late. |
| 01:11:12 |
(Breuer) |
| 01:11:14 |
grave once a month, |
| 01:11:15 |
Would you like |
| 01:11:17 |
me today? |
| 01:11:18 |
It's less than |
| 01:11:21 |
from the city, |
| 01:11:25 |
Why didn't you tell |
| 01:11:28 |
name was Bertha? |
| 01:11:37 |
She died |
| 01:11:38 |
was three. |
| 01:11:41 |
I have very few |
| 01:11:43 |
No conscious memories. |
| 01:11:49 |
Are you suggesting |
| 01:11:50 |
because she and |
| 01:11:52 |
the same name? |
| 01:11:52 |
[thunder] |
| 01:11:58 |
My mother |
| 01:12:00 |
real to me. |
| 01:12:02 |
Bertha Pappenheim |
| 01:12:04 |
thing in my life. |
| 01:12:05 |
I think |
| 01:12:06 |
with Bertha |
| 01:12:07 |
has never been |
| 01:12:10 |
A year after |
| 01:12:12 |
I had a dream. |
| 01:12:13 |
This grave opens, |
| 01:12:15 |
and my father |
| 01:12:18 |
and he runs |
| 01:12:20 |
It's where |
| 01:12:22 |
And he grabbed |
| 01:12:27 |
and he climbed back-- |
| 01:12:30 |
into the grave, |
| 01:12:32 |
I always believed |
| 01:12:34 |
predicted my |
| 01:12:36 |
I suspect it |
| 01:12:38 |
it was my |
| 01:12:43 |
I was |
| 01:12:45 |
[thunder] |
| 01:12:47 |
In my |
| 01:12:49 |
And fear is expressed |
| 01:12:52 |
where you-- |
| 01:12:53 |
plunge towards |
| 01:12:57 |
Who is inside |
| 01:13:02 |
I don't remember. |
| 01:13:03 |
Who is the one |
| 01:13:06 |
from falling |
| 01:13:07 |
to your death? |
| 01:13:10 |
Your crippled Bertha? |
| 01:13:14 |
Or perhaps |
| 01:13:19 |
The real Bertha. |
| 01:13:22 |
Who, Josef? |
| 01:13:26 |
Who is inside |
| 01:13:36 |
I can still |
| 01:13:41 |
She's smiling |
| 01:13:44 |
Hm. |
| 01:13:47 |
Your mother? |
| 01:13:58 |
How could she |
| 01:14:05 |
[trembling breaths] |
| 01:14:11 |
I never really |
| 01:14:17 |
Perhaps adult figures |
| 01:14:21 |
and refuse to leave. |
| 01:14:29 |
But you must be |
| 01:14:32 |
I am of death-- |
| 01:14:33 |
and godlessness. |
| 01:14:38 |
We must die. |
| 01:14:41 |
right time. |
| 01:14:42 |
Death only loses |
| 01:14:45 |
one has |
| 01:14:45 |
consummated one's life. |
| 01:14:48 |
Have you |
| 01:14:50 |
your life? |
| 01:14:51 |
I have achieved |
| 01:14:54 |
But have you |
| 01:14:55 |
Or have you |
| 01:14:58 |
by it? |
| 01:14:58 |
You stand outside |
| 01:15:03 |
for some life |
| 01:15:07 |
you never lived. |
| 01:15:08 |
I cannot change |
| 01:15:11 |
I have my family, |
| 01:15:15 |
Students. |
| 01:15:18 |
It's too late. |
| 01:15:19 |
I cannot tell |
| 01:15:21 |
live differently. |
| 01:15:22 |
If I did, |
| 01:15:24 |
by some other's design, |
| 01:15:25 |
but perhaps |
| 01:15:27 |
a gift, Josef. |
| 01:15:28 |
Maybe I could give |
| 01:15:31 |
What if some demon |
| 01:15:34 |
that this life, |
| 01:15:37 |
have lived it |
| 01:15:40 |
you would have to live |
| 01:15:44 |
innumerable times more. |
| 01:15:46 |
There will |
| 01:15:49 |
new in it. |
| 01:15:51 |
Every pain, every joy, |
| 01:15:54 |
or great thing |
| 01:15:55 |
in your life would |
| 01:15:59 |
The same succession, |
| 01:16:02 |
again and again, |
| 01:16:03 |
like an hourglass |
| 01:16:06 |
Imagine infinity. |
| 01:16:09 |
Consider the possibility |
| 01:16:13 |
you choose, Josef, |
| 01:16:15 |
you choose |
| 01:16:20 |
Then all--unlived life |
| 01:16:25 |
would remain-- |
| 01:16:32 |
Unlived, |
| 01:16:38 |
You like |
| 01:16:40 |
Do you |
| 01:16:41 |
Which? |
| 01:16:42 |
I hate it! |
| 01:16:44 |
Why? |
| 01:16:45 |
The only thing |
| 01:16:51 |
is the thought |
| 01:16:56 |
that I have fulfilled |
| 01:16:59 |
and children. |
| 01:17:00 |
Duty? |
| 01:17:04 |
Your duty |
| 01:17:06 |
It's the curtain |
| 01:17:09 |
To truly build |
| 01:17:12 |
you build |
| 01:17:16 |
And as for your wife, |
| 01:17:18 |
this prison you share. |
| 01:17:20 |
And be |
| 01:17:21 |
Hm? |
| 01:17:25 |
(Sigmund) |
| 01:17:26 |
about this? |
| 01:17:27 |
To continue |
| 01:17:30 |
that I have not lived. |
| 01:17:32 |
That I have not |
| 01:17:38 |
The idea fills |
| 01:17:50 |
Help me, Siggy. |
| 01:18:11 |
Fly! Fly! |
| 01:18:15 |
Fly! |
| 01:18:17 |
You're free! |
| 01:18:21 |
And you too |
| 01:18:31 |
(Mathilde) |
| 01:18:32 |
This is madness, |
| 01:18:34 |
Suddenly I find |
| 01:18:37 |
I am facing death |
| 01:18:39 |
lived my life! |
| 01:18:40 |
Since when is there |
| 01:18:42 |
my life? |
| 01:18:43 |
We made a covenant |
| 01:18:49 |
Leave if you want! |
| 01:18:51 |
But not until I tell |
| 01:18:54 |
joke of freedom. |
| 01:18:55 |
I wish I had |
| 01:18:57 |
Freedom of a man |
| 01:18:59 |
an education. |
| 01:19:00 |
To choose |
| 01:19:02 |
I wish I had |
| 01:19:03 |
the logic |
| 01:19:04 |
to express |
| 01:19:06 |
you sound! |
| 01:19:07 |
Mathilde, if I |
| 01:19:09 |
find my life |
| 01:19:10 |
we will both |
| 01:19:12 |
Perhaps I will |
| 01:19:13 |
to this life. |
| 01:19:14 |
But it must be |
| 01:19:16 |
Have you forgotten |
| 01:19:18 |
made in marrying me? |
| 01:19:19 |
What choices |
| 01:19:21 |
wife have? |
| 01:19:22 |
You are young, |
| 01:19:25 |
You will be |
| 01:19:26 |
as I am! |
| 01:19:27 |
We have |
| 01:19:28 |
Mathilde, I should |
| 01:19:32 |
I became we! |
| 01:19:34 |
Words! Words! |
| 01:19:36 |
in words! |
| 01:19:37 |
I choose |
| 01:19:41 |
And I choose |
| 01:19:42 |
you cannot return |
| 01:19:45 |
because it will |
| 01:19:48 |
your home! |
| 01:19:48 |
Once you leave, |
| 01:19:52 |
be your wife! |
| 01:19:54 |
Mama! |
| 01:20:00 |
Say goodbye |
| 01:20:01 |
children. |
| 01:20:02 |
Forever. |
| 01:20:04 |
Please, Papa, |
| 01:20:07 |
[weeping] |
| 01:20:16 |
Get out there. |
| 01:20:18 |
what you want. |
| 01:20:19 |
Robert, I'm still |
| 01:20:22 |
No, you're not |
| 01:20:29 |
Robert. |
| 01:20:48 |
Goodbye, my |
| 01:21:13 |
I only have |
| 01:22:11 |
(Breuer) |
| 01:22:12 |
My freedom has been here |
| 01:22:17 |
Now is my last chance, |
| 01:22:20 |
This is my one |
| 01:22:25 |
I'm looking for |
| 01:22:27 |
She's in the garden |
| 01:22:29 |
Should I inform her |
| 01:22:31 |
No, thank you, |
| 01:22:34 |
Please, wait for |
| 01:22:36 |
Thank you. |
| 01:23:35 |
I love you. |
| 01:23:42 |
You will always be |
| 01:23:45 |
my life. |
| 01:23:56 |
Josef! |
| 01:24:22 |
Papa, don't leave, |
| 01:24:26 |
(Nietzsche) |
| 01:24:28 |
How could I |
| 01:24:29 |
up everything? |
| 01:24:30 |
You'd given up |
| 01:24:32 |
before you met me. |
| 01:24:33 |
Yes, but now |
| 01:24:35 |
And nothing |
| 01:24:37 |
In order to grow |
| 01:24:39 |
must first |
| 01:24:40 |
sink your roots deep |
| 01:24:43 |
But learn to |
| 01:24:46 |
loneliest loneliness, |
| 01:24:48 |
[weeping] |
| 01:24:51 |
My children. |
| 01:24:52 |
How could I |
| 01:24:55 |
You must be ready |
| 01:24:57 |
in your own flame, |
| 01:24:59 |
How could you |
| 01:25:01 |
if you would not |
| 01:26:24 |
Waiter. |
| 01:26:28 |
Josef? |
| 01:26:31 |
Dr. Breuer? |
| 01:26:35 |
Josef! |
| 01:26:38 |
Where are |
| 01:26:39 |
What a ridiculous man. |
| 01:26:41 |
(Sigmund) |
| 01:26:58 |
Josef! |
| 01:27:04 |
Josef! |
| 01:27:11 |
Josef! |
| 01:27:13 |
Josef! |
| 01:27:19 |
Josef! |
| 01:27:21 |
Josef! |
| 01:27:35 |
Josef, listen |
| 01:27:38 |
[choking] |
| 01:27:39 |
Eight, |
| 01:27:41 |
Seven, |
| 01:27:43 |
Six, |
| 01:27:44 |
five, |
| 01:27:45 |
four, |
| 01:27:47 |
three, |
| 01:27:51 |
One, |
| 01:27:52 |
[gasping] |
| 01:27:53 |
You're wide |
| 01:27:55 |
Where am I? |
| 01:27:57 |
Where am I? |
| 01:27:58 |
Everything's alright, |
| 01:28:01 |
Siggy-- |
| 01:28:04 |
what's happening |
| 01:28:07 |
You are in |
| 01:28:10 |
It'll all come |
| 01:28:12 |
I did exactly |
| 01:28:15 |
I hypnotized you |
| 01:28:17 |
as a pendulum. |
| 01:28:17 |
Here it is, Josef, |
| 01:28:30 |
Yes. |
| 01:28:38 |
Yes, I remember. |
| 01:28:43 |
How long |
| 01:28:45 |
Nearly an hour. |
| 01:28:48 |
You wept, |
| 01:28:52 |
I asked you |
| 01:28:53 |
to stop, |
| 01:28:54 |
[gasps] |
| 01:29:00 |
Now I know |
| 01:29:02 |
be like-- |
| 01:29:03 |
to live differently. |
| 01:29:11 |
Max and Rachel |
| 01:29:13 |
for dinner. |
| 01:29:15 |
Mathilde. |
| 01:29:19 |
You complain |
| 01:29:21 |
enough of me. |
| 01:29:22 |
Yet, when |
| 01:29:25 |
you want |
| 01:29:37 |
I've been |
| 01:29:41 |
But now |
| 01:29:45 |
I'm glad |
| 01:29:49 |
Dr. Freud, |
| 01:29:50 |
needs a doctor. |
| 01:29:58 |
To your health, |
| 01:29:59 |
And to you, Max. |
| 01:30:01 |
(Max) |
| 01:30:02 |
you, Josef. |
| 01:30:03 |
Cheers. |
| 01:30:18 |
Oh! |
| 01:30:19 |
[whistle and chuckle] |
| 01:30:23 |
Mmm. |
| 01:30:25 |
My boy, my boy. |
| 01:30:35 |
Excuse me. |
| 01:30:41 |
[trembling breaths] |
| 01:30:54 |
[breathes in |
| 01:31:08 |
Have I made |
| 01:31:11 |
It's a good cry. |
| 01:31:15 |
When I think |
| 01:31:19 |
Marry me, Mathilde. |
| 01:31:22 |
I think we did this |
| 01:31:27 |
And I choose |
| 01:31:30 |
Today. |
| 01:31:33 |
And every day |
| 01:31:35 |
of our lives. |
| 01:31:43 |
(Nietzsche) |
| 01:31:45 |
did you cast her out? |
| 01:31:47 |
Well, I was terrified |
| 01:31:51 |
I fought back |
| 01:31:53 |
In desperation, |
| 01:31:56 |
and sought rescue |
| 01:31:58 |
who had |
| 01:31:59 |
to give! |
| 01:32:02 |
In a certain sense, |
| 01:32:05 |
I have been |
| 01:32:07 |
with you. |
| 01:32:08 |
Completely. |
| 01:32:11 |
I was |
| 01:32:13 |
with a woman. |
| 01:32:14 |
A few months ago. |
| 01:32:18 |
Her name |
| 01:32:19 |
Not so unlike |
| 01:32:22 |
Beautiful girl. |
| 01:32:26 |
I fell in love. |
| 01:32:30 |
She just appeared |
| 01:32:34 |
My soul's mate, |
| 01:32:37 |
And she led me |
| 01:32:39 |
that I was the man |
| 01:32:42 |
destined and-- |
| 01:32:44 |
I believed her, |
| 01:32:45 |
And when I offered |
| 01:32:49 |
she spurned me-- |
| 01:32:51 |
in favor of |
| 01:32:56 |
in the world. |
| 01:32:57 |
[thunder] |
| 01:32:59 |
I must tell you |
| 01:33:03 |
is not-- |
| 01:33:04 |
not one day |
| 01:33:08 |
not even an hour, |
| 01:33:11 |
where I do |
| 01:33:14 |
of that woman. |
| 01:33:16 |
She is your Bertha. |
| 01:33:18 |
But you see? |
| 01:33:20 |
double work here. |
| 01:33:21 |
Yours and mine. |
| 01:33:23 |
I'm like the most |
| 01:33:25 |
And I crouch behind |
| 01:33:28 |
letting you face |
| 01:33:31 |
all alone. |
| 01:33:32 |
You have courage. |
| 01:33:35 |
Friedrich, there is |
| 01:33:39 |
tell you. |
| 01:33:40 |
Dr. Breuer? |
| 01:33:40 |
How do you do? |
| 01:33:42 |
You must read these |
| 01:33:44 |
has sent me. |
| 01:33:45 |
These are |
| 01:33:47 |
You did see |
| 01:33:49 |
Yes, but I |
| 01:33:50 |
So all of this |
| 01:33:52 |
a pretense. |
| 01:33:52 |
I made a promise |
| 01:33:55 |
I never betrayed |
| 01:33:56 |
What did she do? |
| 01:33:59 |
by the arm? |
| 01:34:00 |
Told you she had |
| 01:34:03 |
time with you? |
| 01:34:08 |
I shared one, |
| 01:34:10 |
with her, |
| 01:34:11 |
it's the only |
| 01:34:13 |
I've ever known. |
| 01:34:14 |
No one fell |
| 01:34:15 |
me, ever. Ever. |
| 01:34:17 |
Friedrich, it may |
| 01:34:20 |
moment for you, |
| 01:34:22 |
but not for her. |
| 01:34:25 |
What are |
| 01:34:26 |
She never mentioned |
| 01:34:30 |
No. |
| 01:34:41 |
I feel such |
| 01:34:43 |
Hm. |
| 01:34:56 |
I don't know. |
| 01:34:58 |
I think I've |
| 01:35:03 |
And you. |
| 01:35:07 |
Everything, I lose. |
| 01:35:10 |
I could have |
| 01:35:11 |
from your mind. |
| 01:35:12 |
And you |
| 01:35:14 |
You have your family |
| 01:35:17 |
my pretenses. |
| 01:35:18 |
My secret little |
| 01:35:21 |
my aloneness. |
| 01:35:22 |
But I glorify it, |
| 01:35:26 |
And I just don't |
| 01:35:30 |
I don't want my body |
| 01:35:35 |
By its stench. |
| 01:35:38 |
Lou softened that fear |
| 01:35:44 |
But you're right. |
| 01:35:49 |
It's just |
| 01:35:51 |
Friedrich. |
| 01:35:54 |
It's such |
| 01:35:57 |
friedrich, |
| 01:35:59 |
about you, |
| 01:36:02 |
She went |
| 01:36:04 |
to help you. |
| 01:36:08 |
If your tears |
| 01:36:11 |
what would they say? |
| 01:36:15 |
I feel so ashamed. |
| 01:36:17 |
Tell me. |
| 01:36:20 |
My tears |
| 01:36:22 |
we're free. |
| 01:36:22 |
You never |
| 01:36:24 |
until Dr. Breuer |
| 01:36:35 |
And what about |
| 01:36:36 |
behind those tears? |
| 01:36:37 |
It's not sadness. |
| 01:36:42 |
It's such |
| 01:36:47 |
It's the first time |
| 01:36:49 |
my loneliness. |
| 01:36:50 |
It's melting. |
| 01:36:53 |
It's a paradox, |
| 01:36:56 |
only in isolation. |
| 01:37:00 |
Once shared, |
| 01:37:03 |
My dear friend. |
| 01:37:11 |
We are friends. |
| 01:37:17 |
I like saying that. |
| 01:37:23 |
No one ever said |
| 01:37:32 |
I like it. |
| 01:37:37 |
I like it. |
| 01:37:38 |
We are friends. |
| 01:37:43 |
Friedrich. |
| 01:37:44 |
It's good. |
| 01:37:45 |
Stay with us tonight. |
| 01:37:47 |
Have supper |
| 01:37:49 |
my family. |
| 01:37:50 |
No, it would mean |
| 01:37:53 |
my mission. |
| 01:37:55 |
It's time |
| 01:37:56 |
our ways. |
| 01:38:12 |
"We'll have friends, |
| 01:38:15 |
strangers to each other, |
| 01:38:16 |
"This is as |
| 01:38:19 |
"We do not want either |
| 01:38:21 |
the fact |
| 01:38:21 |
"as if we had |
| 01:38:24 |
of it. |
| 01:38:24 |
We are two ships, |
| 01:38:27 |
its goal and its course." |
| 01:38:29 |
And finally, Dr. Breuer, |
| 01:38:33 |
"We have to become |
| 01:38:36 |
because it's the law |
| 01:38:38 |
are subject." |
| 01:38:39 |
Have a safe journey. |
| 01:38:42 |
My dear friend. |
