When Night Is Falling
|
00:02:01 |
-Reverend. |
00:02:04 |
-Aren't you cold? |
00:02:06 |
-Sharpens the mind. |
00:02:11 |
-Even if contemporary people |
00:02:13 |
even if they ridicule |
00:02:17 |
modern culture was built |
00:02:21 |
And our hunger for |
00:02:24 |
for a spiritual anchor, |
00:02:26 |
for an immutable, eternal truth |
00:02:33 |
Especially now, |
00:02:35 |
after a few decades of |
00:02:38 |
our society is tired |
00:02:41 |
And as we approach |
00:02:43 |
-Transformations are |
00:02:48 |
Transformations from human form |
00:02:53 |
of gods into humans |
00:02:57 |
of wind into blood, |
00:03:02 |
flesh into water, |
00:03:05 |
ugliness into beauty. |
00:03:07 |
The human need for change, |
00:03:11 |
is reflected |
00:03:14 |
which are told over and over |
00:03:19 |
[ bell ringing ] |
00:03:21 |
Okay, uh, Chapter 12 |
00:03:30 |
-Professor Baker. |
00:03:31 |
l was wondering if you could |
00:03:33 |
-Of course, Professor Bergin. |
00:03:36 |
-Uh, well, I have to prepare |
00:03:39 |
-What speech? |
00:03:41 |
-Well, it's just |
00:03:43 |
to the lnternational |
00:03:46 |
in Chicago. |
00:03:48 |
-Professor Bergin... |
00:03:50 |
That's wonderful! |
00:03:52 |
-Yeah, it is! |
00:03:54 |
So... |
00:03:57 |
Let's do something exciting |
00:04:00 |
-Yeah, something really crazy. |
00:04:04 |
-Okay... |
00:04:06 |
Calvinists are not supposed |
00:04:09 |
-I know. 'Cause it might lead |
00:04:13 |
-Camille. Martin. |
00:04:15 |
-If you have time, I'd like |
00:04:17 |
Four o'clock in my office? |
00:04:21 |
-And don't book anything |
00:04:23 |
I'd like for us |
00:04:33 |
-Hugh really is brilliant, |
00:04:37 |
Bob? |
00:04:41 |
Bob? |
00:04:44 |
Ah no... |
00:04:50 |
Oh no! |
00:04:53 |
Bob, come! |
00:04:57 |
Bob? We went over this, |
00:05:00 |
"Come" means "come here". |
00:05:01 |
Oh, Tillie. |
00:05:03 |
-I'm 47. |
00:05:06 |
-Yeah, that's great. |
00:05:09 |
-Ah yes, he walked by here |
00:05:12 |
I remember because |
00:05:14 |
I'd seen him without you. |
00:05:16 |
He was charging along like he |
00:05:19 |
Thatta way. |
00:05:20 |
-Don't you love it the way dogs |
00:05:23 |
like they got a hectic schedule |
00:05:34 |
-Bob... |
00:07:48 |
-Are you all right? |
00:07:52 |
-My dog just died. |
00:07:54 |
-Oh. I'm sorry. |
00:07:56 |
-I loved him so much. |
00:07:58 |
It's pathetic, really. |
00:08:00 |
-No. No, it's not pathetic. |
00:08:04 |
It's, uh... Animals love you |
00:08:12 |
So uncomplicated, |
00:08:18 |
Whether you're successful |
00:08:23 |
they don't care. |
00:08:25 |
-Yeah. Thanks. |
00:08:29 |
-Oh... It's okay, it's okay. |
00:08:32 |
How did he die? |
00:08:34 |
-I don't know. |
00:08:36 |
I don't get it. |
00:08:39 |
He... he wasn't that old... |
00:08:44 |
He just snuck away and... |
00:08:47 |
I found him in an alley. |
00:08:50 |
And you know what? |
00:08:53 |
I loved him more than anything, |
00:09:07 |
Oh, dear... |
00:09:09 |
What a blubbering idiot! |
00:09:15 |
Il think everything good |
00:09:18 |
eventually. |
00:09:19 |
-Yeah. |
00:09:39 |
[ washing machine beeping ] |
00:09:41 |
I'll get yours. |
00:09:44 |
Yeah. |
00:09:47 |
-Thanks. |
00:09:49 |
-Yeah. Just relax. |
00:10:08 |
You know, |
00:10:09 |
I really didn't expect |
00:10:14 |
-Oh. l'm sorry. |
00:10:28 |
-Uh... sorry about your dog. |
00:10:31 |
-It's okay. Thanks. |
00:11:28 |
[ door opening ] |
00:11:30 |
-Hello! |
00:11:32 |
-Hi! |
00:11:35 |
-Hi. |
00:11:37 |
Hi. |
00:11:39 |
-Ah... Where'd you get that? |
00:11:43 |
-Do you like it? |
00:11:45 |
It's wild. Where'd you get it? |
00:11:49 |
I think it has a certain... |
00:11:52 |
reckless charm, don't you? |
00:11:55 |
-Yeah... Yeah... |
00:11:57 |
It's fun. |
00:12:00 |
-Okay, we should get going, |
00:12:02 |
-Yes. |
00:12:04 |
-Uh... |
00:12:08 |
-What? |
00:12:10 |
-We are going to a meeting |
00:12:13 |
-Yes. |
00:12:17 |
-Very funny. |
00:12:21 |
-Camille, you can't wear that. |
00:12:23 |
He's gonna think you've lost |
00:12:26 |
-So? |
00:12:31 |
-Martin, this is the era |
00:12:36 |
You've got to stop worrying |
00:12:38 |
about other people's opinion |
00:12:40 |
Okay? Let's go. |
00:12:53 |
-But if I do take their offer, |
00:12:56 |
we'll need someone else |
00:12:59 |
of chaplain. |
00:13:01 |
An appropriate successor |
00:13:06 |
-Well, chaplain certainly is |
00:13:08 |
especially in these times. |
00:13:10 |
I'm sure you'll have |
00:13:12 |
-It's not takers we need, |
00:13:14 |
-It was just a manner |
00:13:21 |
-And of course, whoever took |
00:13:23 |
to be beyond reproach, for |
00:13:26 |
of our college constituancy. |
00:13:28 |
We have to remember |
00:13:30 |
we were still debating |
00:13:31 |
Christians could use |
00:13:33 |
to convey a godly message. |
00:13:39 |
-Remember when old Mrs. Lindow |
00:13:42 |
all rock 'n' roll led |
00:13:45 |
because the music... |
00:13:47 |
no, it was the rhythm |
00:13:50 |
the rhythm of the contractions |
00:14:11 |
-lt's easy to laugh, |
00:14:13 |
but we have to remember that |
00:14:16 |
of God's flock as anyone else. |
00:14:19 |
-Yeah. |
00:14:28 |
-All I'm trying to say is |
00:14:31 |
the chaplainship of the college |
00:14:33 |
and woman, together. |
00:14:36 |
And as one of our star |
00:14:39 |
you're more than qualified. |
00:14:42 |
And Camille, your book |
00:14:44 |
your student counselling |
00:14:45 |
and your general behaviour |
00:14:48 |
make you a credit to the college |
00:14:52 |
if we were to hire |
00:14:56 |
they could not be suspected |
00:14:58 |
to be indulging in the physical |
00:15:03 |
without actually being |
00:15:08 |
even if their sexual relations |
00:15:10 |
were very much in the closet, |
00:15:16 |
-Well, we're both... |
00:15:18 |
very committed to each other. |
00:15:24 |
Well, you want to skip |
00:15:28 |
-Well, in fact, |
00:15:31 |
-Yeah. I don't really know |
00:15:33 |
what I'm going to speak about |
00:15:36 |
-No? |
00:15:38 |
-You sure you're going |
00:15:40 |
-Sure. |
00:15:42 |
-Okay. |
00:15:44 |
Bye, then. |
00:15:49 |
-Bye. |
00:17:09 |
-Easy, easy. What is this?! |
00:17:14 |
[ background chatter] |
00:18:07 |
-Excuse me. |
00:18:11 |
[ a woman ]: Okay, next! |
00:18:15 |
-I'm sorry, |
00:18:24 |
-What do you do? |
00:18:25 |
-Uh, I teach mythology. |
00:18:29 |
-That's new. And? |
00:18:30 |
-And I'm just looking |
00:18:32 |
-And what happens? |
00:18:36 |
-This is funny. |
00:18:38 |
I'm not an acting person. |
00:18:44 |
I have her laundry, you see? |
00:18:47 |
-Oh, I see, |
00:18:52 |
Uh... she's right over there. |
00:18:55 |
-Thanks. |
00:18:56 |
-Timothy? |
00:18:58 |
Are you gonna look at these? |
00:19:00 |
We don't wanna have |
00:19:02 |
-Honey, I'll be with you |
00:19:05 |
Right now, however, |
00:19:10 |
-Right. You're occupied... |
00:19:16 |
Okay, next! |
00:20:08 |
-Okay, Tim, can we bring in |
00:20:12 |
-Unfortunately, I only have |
00:20:16 |
-Does that mean "no"? |
00:20:18 |
-Excuse me... |
00:20:20 |
Can I talk to you for a moment? |
00:20:21 |
-Oh, yeah. Uh... Tim, |
00:20:25 |
-Uh, Petra, |
00:20:27 |
I have an idea I'd like to try, |
00:20:29 |
and my idea is... |
00:20:32 |
Uh... Okay, it's a night. |
00:20:37 |
-Hello. |
00:20:39 |
-Uh... A funny thing happened. |
00:20:42 |
l don't know if you've checked |
00:20:44 |
but I think we did a switcheroo |
00:20:46 |
by mistake. |
00:20:49 |
I did realize that. How are you? |
00:20:53 |
Are you feeling better? |
00:20:58 |
I... I wanted to thank you... |
00:21:00 |
[ all ]: Ah... |
00:21:02 |
[ Timothy ]: Shit! |
00:21:04 |
[ Timothy ]: Marcus! |
00:21:06 |
Perhaps the electricity is |
00:21:09 |
[ Timothy ]: Why do I have |
00:21:12 |
-Come back to my trailer. |
00:21:18 |
-Don't worry, honey, |
00:21:20 |
-''Don't worry, honey''... |
00:21:21 |
That's what you said just before |
00:21:24 |
-One small fire and |
00:21:26 |
some little problem... |
00:21:28 |
Just keep your hair |
00:21:31 |
-Thanks, I will. |
00:21:34 |
-So my name's Petra, by the way. |
00:21:38 |
And mine is Camille Bak... |
00:21:41 |
-Camille. That's nice. |
00:21:44 |
It's like 'come here'. |
00:21:47 |
[ loud growling ] |
00:21:58 |
-Hey, Petra! |
00:22:00 |
-Shut up, Jim. |
00:22:01 |
So your accent, |
00:22:03 |
-Yeah, originally from Quebec. |
00:22:05 |
But my father was a minister, |
00:22:12 |
-Well, this is my house. |
00:22:26 |
-Oh, well... |
00:22:29 |
This is really... nifty. |
00:22:32 |
-Yeah, I like it. |
00:22:34 |
I wanna do that wall in some |
00:22:37 |
or something, |
00:22:40 |
-Yeah. Well... |
00:22:42 |
here's your laundry. |
00:22:44 |
-Oh, right. |
00:22:49 |
So, uh, can you join me |
00:22:52 |
-Oh, l'm not much of a drinker, |
00:22:58 |
-And some music. |
00:23:03 |
life would be a mistake. |
00:23:10 |
-So, I have a confession |
00:23:14 |
I wore one of your tops. |
00:23:16 |
You know, the one |
00:23:18 |
-Really? |
00:23:20 |
-A school teacher |
00:23:22 |
has to get her kicks somehow. |
00:23:25 |
It did make me feel a little... |
00:23:28 |
racy, for a while. |
00:23:33 |
-I'm sure it looked great |
00:23:38 |
Your man must've liked it. |
00:23:40 |
-What man? |
00:23:44 |
-Oh... I just thought, you know, |
00:23:48 |
someone as beautiful as you are |
00:23:51 |
-Oh, well... |
00:24:02 |
-You have an exquisite mouth, |
00:24:04 |
-I do? |
00:24:19 |
-I have a confession |
00:24:21 |
I did the, uh, switcheroo |
00:24:28 |
-Why? |
00:24:30 |
-I wanted to see you again. |
00:24:35 |
-Why? |
00:24:38 |
-I don't know. You moved me. |
00:24:44 |
-Because I was so pathetic, |
00:24:47 |
-No. No, I can't explain. |
00:24:51 |
Um... I'm sorry if |
00:24:54 |
-No. No, I mean, I... |
00:24:58 |
I think you were... really... |
00:25:02 |
at the Laundromat. |
00:25:05 |
You touched me. |
00:25:11 |
-I wanted to. |
00:25:19 |
Camille, I'd love to see you |
00:25:21 |
with your head thrown back |
00:25:27 |
-Okay. |
00:25:31 |
That was uncalled for. |
00:25:33 |
-True. But if you wait |
00:25:36 |
usually nothing happens, so... |
00:25:39 |
a bit out of my element here. |
00:25:41 |
Can I have my... my laundry? |
00:25:44 |
-No. No, I'm sorry, I'm sorry. |
00:25:46 |
Sit down. I was just... |
00:25:48 |
-I must be fun to shock |
00:25:50 |
-It's true, you are, but I... |
00:25:53 |
-Well, I'm nobody's fool. |
00:25:55 |
No, no, no. Of course you're |
00:26:00 |
I... |
00:26:01 |
-So you're a school teacher, |
00:26:03 |
-My laundry. Please. |
00:26:13 |
Thank you. |
00:26:22 |
[ Tory ]: lf the foundation |
00:26:24 |
we might be all right. |
00:26:27 |
But what do you mean, |
00:26:29 |
Did you talk to the foundation |
00:26:31 |
'Cause if the money doesn't come |
00:26:34 |
Timothy... |
00:26:37 |
-I swear to God, |
00:26:39 |
If I'd known it was gonna be |
00:26:43 |
-What? What, gone back |
00:26:45 |
-Don't start that. |
00:26:48 |
-Yeah, racoons. |
00:26:50 |
-How was I suppose to know |
00:26:55 |
-You know, I think maybe |
00:29:03 |
-How did you find me? |
00:29:05 |
-There aren't 20 Christian |
00:29:08 |
with someone named Camille |
00:29:12 |
Listen, I wanted to, uh... |
00:29:14 |
apologize for being |
00:29:17 |
last night. |
00:29:17 |
l don't know anyone here, |
00:29:20 |
and I just... |
00:29:28 |
-Come. |
00:31:38 |
-Let's go. |
00:31:43 |
You look great. |
00:31:45 |
[ laughing ] |
00:31:47 |
-That's good! Most impressive! |
00:31:50 |
So, we've covered abortion, |
00:31:53 |
predestination, drug abuse, |
00:31:56 |
Ah yes, homosexuality. |
00:31:59 |
How do approach |
00:32:01 |
Camille? |
00:32:05 |
-Well, uh... I'm not really sure |
00:32:12 |
-Honey, what you said at Tom's. |
00:32:14 |
it's important to love |
00:32:17 |
so that, uh... you're allowed |
00:32:21 |
but not act on that desire. |
00:32:24 |
-Well, in heteros... |
00:32:27 |
I've come to think that there's |
00:32:32 |
in God's creation. |
00:32:36 |
-You are aware that |
00:32:38 |
in this matter? |
00:32:40 |
-God... God cannot be so cruel |
00:32:42 |
as to decree that people |
00:32:47 |
can never, ever be contented. |
00:32:50 |
I mean, one's devotions |
00:32:54 |
are not entirely chosen. |
00:32:55 |
-But the Bible. I mean, there |
00:32:59 |
in the entire Bible. |
00:33:01 |
that every other holy book |
00:33:03 |
opposes homosexuality. |
00:33:05 |
-I know, yes. |
00:33:07 |
-As a chaplain, |
00:33:10 |
a young Christian |
00:33:12 |
and said that he was struggling |
00:33:14 |
with his desires |
00:33:16 |
-Well, I... |
00:33:19 |
I would try to determine |
00:33:21 |
he is reacting out of, uh... |
00:33:27 |
Uh, it's a very controversial |
00:33:31 |
and I don't claim to have it |
00:33:34 |
I don't know. |
00:33:36 |
-But you do acknowledge |
00:33:40 |
and the book upon which |
00:33:42 |
characterize homosexual acts |
00:33:48 |
And as chaplain, you'd have |
00:33:50 |
-Of course. |
00:33:51 |
-Camille? |
00:33:56 |
-Yes. |
00:34:08 |
-Are you okay? |
00:34:09 |
-Yeah. Yes, l'm fine. |
00:34:14 |
-The reverend wants to see you |
00:34:17 |
-I don't really want to talk |
00:34:21 |
-I know what's going on, |
00:34:23 |
-You do? |
00:34:28 |
-It's okay. I understand... |
00:34:32 |
-You do? |
00:34:33 |
-Camille, you've been saying |
00:34:36 |
about a million different ways. |
00:34:37 |
The buying of the top, |
00:34:42 |
talking about orgasms |
00:34:44 |
and now this almost-sabotage |
00:34:48 |
-What am I saying? |
00:34:52 |
-That this pressure for us |
00:34:54 |
just forthe sake of a job |
00:34:57 |
You don't want to be |
00:35:00 |
who just does what she's told. |
00:35:04 |
-What? |
00:35:06 |
-Maybe it's a blessing |
00:35:11 |
We've been together |
00:35:17 |
Maybe we're just being cowards. |
00:35:21 |
-You think so? |
00:35:23 |
-Yes. |
00:35:27 |
I love you, Camille Baker. |
00:35:30 |
Oh, I love you more |
00:35:34 |
Any job, anything. |
00:35:37 |
And maybe you can... |
00:35:39 |
imagine more intoxicating |
00:35:43 |
but it's okay. |
00:35:45 |
It's what imaginations are for. |
00:35:48 |
-Oh, Martin... |
00:36:00 |
-Let's not wait any longer. |
00:36:02 |
Just marry me, whether we take |
00:36:06 |
I-I still have to think, Martin. |
00:38:17 |
-All right, take five everyone! |
00:38:20 |
-I'll be back in a second. |
00:38:30 |
-What were you doing |
00:38:32 |
Are you stalking me |
00:38:34 |
-I'm sorry if I threw you |
00:38:38 |
I mean, to interrupt |
00:38:43 |
-That's what I came |
00:38:46 |
Petra, uh... |
00:38:48 |
What happened this morning... |
00:38:52 |
-Of course. |
00:38:55 |
-So, don't think that I'm a... |
00:38:59 |
-Oh, I won't, I won't. |
00:39:01 |
-I'm sorry I lied. |
00:39:03 |
I think I was just flattered |
00:39:06 |
I'm not really like that. |
00:39:10 |
-Okay. |
00:39:12 |
Well... it was nice meeting you. |
00:39:16 |
-Well, I mean, we could, |
00:39:19 |
-What? We could... could what? |
00:39:22 |
-Well, don't people like you |
00:39:25 |
sometimes? |
00:39:27 |
-Yes, people like me do. |
00:39:30 |
-And... |
00:39:32 |
why couldn't I be one? |
00:39:36 |
-I'm attracted to you, Camille. |
00:39:38 |
-It's okay, but... |
00:39:41 |
It's okay. |
00:39:42 |
We're not animals. |
00:39:44 |
We don't always have to act |
00:39:51 |
-What would we do... as friends? |
00:39:56 |
-Have fun. |
00:39:59 |
Sounds like a buddy movie. |
00:40:02 |
Like Thelma and Louise. |
00:40:06 |
But without the guns. |
00:40:09 |
-Oh, well, no guns... |
00:40:11 |
I don't know, I don't know. |
00:40:18 |
-Well... I don't have |
00:40:22 |
this afternoon. |
00:40:23 |
-Oh. |
00:40:25 |
I had something planned. |
00:40:29 |
Uh... I suppose you could |
00:40:32 |
-What? |
00:40:35 |
-Will you accept |
00:41:06 |
-Hey, Petra! |
00:41:12 |
-You must be kidding. |
00:41:15 |
You'll love it, Camille! |
00:41:16 |
It's fucking mind-blowing, |
00:41:18 |
I've done it like |
00:41:20 |
You have to try it. |
00:41:23 |
-Oh, yeah. Here. |
00:41:27 |
-Okay. I'll need a number, |
00:41:30 |
-What kind of problem? |
00:41:32 |
-Don't worry, it's just |
00:41:35 |
-Thanks. |
00:41:37 |
-You have to try it, Camille. |
00:41:39 |
How will you know |
00:41:41 |
-Well, I haven't tried shooting |
00:41:49 |
Just one question, Petra... |
00:41:51 |
Why? |
00:41:53 |
-Why? |
00:41:55 |
Because fear is what you pay |
00:41:58 |
-Petra... |
00:42:01 |
If you wanna do this, like, |
00:42:04 |
But night's falling, |
00:42:06 |
-Exactly. You hear him? |
00:42:08 |
You think I should kill myself |
00:42:11 |
-Don't be such a wuss. |
00:42:15 |
-Okay. |
00:42:18 |
Okay, Petra, this is all very |
00:42:23 |
no, really, I'll watch. |
00:42:46 |
-Woooo-hoo-hoo-hoo! |
00:43:23 |
You have to ride with the wind, |
00:43:27 |
-l feel it and I hate it! |
00:43:39 |
-Look at that! |
00:43:47 |
-Oh, dear... |
00:43:49 |
-Sorry. Whoa! |
00:43:52 |
Hang on. |
00:44:01 |
Shit! |
00:44:04 |
Camille, you're really |
00:44:09 |
Wake up, Camille! |
00:44:14 |
Wake up! |
00:44:35 |
Oh, gosh... |
00:44:38 |
Oh, God, are you okay? |
00:44:41 |
-What? |
00:44:43 |
-What, your knee, is it fucked? |
00:44:45 |
-Oh, shit! Where's the guy? |
00:44:47 |
We should get you |
00:44:49 |
-No, no, no, it's okay. |
00:44:51 |
-Oh, I shouldn't have |
00:44:53 |
I'm such a fucking |
00:44:55 |
I haven't done it that many |
00:44:57 |
I'm sorry. |
00:45:00 |
lt's okay. lt's okay. |
00:45:09 |
But I did it, didn't l? |
00:45:12 |
[ They laugh. ] |
00:45:19 |
How does it feel? |
00:45:22 |
-It helps to swear. |
00:45:28 |
-It hurts like a fuck. |
00:45:33 |
-You know, you probably strained |
00:45:36 |
Here, roll over. |
00:45:48 |
Good. |
00:45:55 |
-Hmm, it's very, uh... |
00:45:59 |
healing. |
00:46:07 |
-So, what do you teach? |
00:46:09 |
-Mythology. |
00:46:12 |
-What, like Zeus |
00:46:15 |
-And stuff, yes. |
00:46:17 |
They're beautiful |
00:46:20 |
-So tell me a story. |
00:46:24 |
-Cupid, for instance, |
00:46:29 |
with a beautiful mortal, Psyche. |
00:46:35 |
Now, this was a big taboo, |
00:46:37 |
you see, because, uh... |
00:46:41 |
were not allowed to mix. |
00:46:46 |
So, uh, |
00:46:47 |
Cupid stole her away |
00:46:53 |
-Where they made fabulous love. |
00:46:55 |
-Mm-hm. |
00:47:00 |
But Cupid wouldn't let Psyche |
00:47:03 |
They only made love in the dark. |
00:47:09 |
Until, uh... |
00:47:14 |
until... |
00:47:21 |
This makes me nervous. |
00:47:24 |
-Me too. |
00:47:26 |
I think it's supposed to. |
00:47:30 |
So then what happens? |
00:47:34 |
-Then, uh... |
00:47:37 |
[ doorbell ringing ] |
00:47:39 |
Shit! God... Sorry. |
00:47:41 |
-The boyfriend. |
00:47:45 |
[ Camille ]: Hello? |
00:47:47 |
-Hello. Camille, it's Reverend |
00:47:50 |
-Uh... Okay... |
00:47:57 |
Oh, you-you're gonna have to, |
00:48:00 |
-I am not gonna climb out |
00:48:03 |
What's the problem? |
00:48:05 |
We're just buddies, right? |
00:48:14 |
-Sorry, Reverend. |
00:48:20 |
Okay, uh... Sorry. |
00:48:26 |
I met you at the Laundromat |
00:48:28 |
and we just switched laundry. |
00:48:30 |
-Yeah, yeah, yeah. |
00:48:32 |
-Coming! |
00:48:34 |
Oh... Hi, Reverend. |
00:48:36 |
-Good evening. |
00:48:40 |
This is Petra. |
00:48:45 |
quite... randomly, |
00:48:47 |
and we switched |
00:48:50 |
laundry by mistake. |
00:48:53 |
you know? And she just came back |
00:48:57 |
And this is Reverend DeBoer, |
00:49:00 |
the chaplain at the college... |
00:49:03 |
where l teach. |
00:49:06 |
-Enchanted. |
00:49:09 |
-How do you do? |
00:49:11 |
-Um... |
00:49:14 |
Well, Petra, |
00:49:17 |
thank you for returning |
00:49:19 |
it was nice meeting you. |
00:49:36 |
-Well, I hope that you can make |
00:49:40 |
-Yes, uh... |
00:49:44 |
Reverend? |
00:49:48 |
Reverend... |
00:49:50 |
Reverend, I'm sorry. |
00:49:53 |
I'm sorry. |
00:49:55 |
She's just a street kid, |
00:49:57 |
quite disturbed, really. |
00:50:00 |
And I can't seem |
00:50:06 |
I flattered myself to think |
00:50:09 |
that I could teach her |
00:50:11 |
-Well, you do what you have to, |
00:50:14 |
-Sure. I'll come around |
00:50:21 |
Petra? |
00:51:39 |
I love you. |
00:52:37 |
Why don't you just tell them |
00:52:40 |
-I'm not, |
00:52:44 |
-I like this new, uh... you, |
00:52:51 |
See you Monday. |
01:00:47 |
[ knocking ] |
01:00:48 |
-Ahem! |
01:00:52 |
Ahem... Petra, uh... |
01:00:55 |
I think I should tell you |
01:00:57 |
we may have to |
01:01:00 |
-Why? |
01:01:03 |
I think they are going |
01:01:05 |
and then they will want to take |
01:01:07 |
the trucks and the equipment |
01:01:11 |
I will make very sure |
01:01:19 |
Maybe very soon. I don't know. |
01:01:30 |
Petra... |
01:01:33 |
you're not thinking |
01:01:35 |
Because, uh... |
01:01:37 |
Well, because, uh... |
01:01:40 |
-No, No. |
01:01:43 |
Of course not. |
01:01:45 |
-Are you very serious |
01:01:51 |
-Oh, I don't know. |
01:01:55 |
I think she might, you know, |
01:01:58 |
I don't know. |
01:02:01 |
You know, all good things go |
01:02:05 |
-Yes, but, uh... |
01:02:09 |
but for you, Petra, |
01:02:12 |
what does it mean for you? |
01:02:22 |
Oh... |
01:02:27 |
Come here. |
01:02:35 |
It's okay. |
01:02:50 |
-You knew we didn't get it. |
01:02:54 |
I've been counting on |
01:02:56 |
-I didn't want you to worry. |
01:02:58 |
-All this change, |
01:03:00 |
I'm not cut out for it! |
01:03:01 |
A little house in the suburbs |
01:03:04 |
-Is that a fact? |
01:03:08 |
-You know, Timothy, sometimes |
01:03:12 |
picking up and running away |
01:03:20 |
-Oh, grow up, Tory. |
01:03:37 |
-I couldn't help it. |
01:03:39 |
It's like something that is... |
01:03:42 |
stronger than I am and... |
01:03:46 |
I... |
01:03:54 |
-It helps to put names |
01:04:04 |
Naming things gives us power |
01:04:06 |
-Yeah. |
01:04:09 |
Maybe it gives others |
01:04:13 |
-You have nothing to fear |
01:04:20 |
-It's not that I've been unhappy |
01:04:24 |
It's just that I'm... |
01:04:26 |
I'm happier with... |
01:04:29 |
Oh, God... |
01:04:31 |
Why did I get into this? Why? |
01:04:40 |
-Our community has been remiss |
01:04:42 |
for many years. |
01:04:46 |
It takes long to change. |
01:04:52 |
But yes, I think |
01:04:54 |
of homophobic cruelty |
01:04:56 |
and excluded people like you |
01:04:59 |
in the past. |
01:05:04 |
-People like me. |
01:05:06 |
-But what I'd really like to do |
01:05:09 |
right now... |
01:05:11 |
is to pray. |
01:05:15 |
-I'm not here to pray. |
01:05:20 |
-You do still believe? |
01:05:27 |
Please. |
01:05:38 |
Camille! |
01:05:46 |
[ loud music playing ] |
01:06:29 |
-What's going on? |
01:06:30 |
-We have been invited |
01:06:33 |
-Circumstance? |
01:06:36 |
-Circumstance is a festival |
01:06:37 |
for the Modern Circus |
01:06:40 |
and it is very prestigious. |
01:06:42 |
And it is all expenses paid. |
01:06:45 |
And to me, this is... okay. |
01:06:49 |
Yeah? |
01:07:07 |
-Hi! |
01:07:09 |
-We have to talk. |
01:07:11 |
-Camille, we have to dance! |
01:07:13 |
-No, Petra, I'm not much |
01:07:16 |
-Oh! Oh, I can fix that. |
01:07:36 |
You're so lovely |
01:07:47 |
[ a man ]: Hey, Petra! |
01:07:50 |
[ Petra laughs. ] |
01:07:54 |
-Why don't you show us your |
01:07:57 |
-Petra... |
01:08:04 |
Petra, stop! |
01:08:06 |
-What? |
01:08:08 |
[ a man ]: |
01:08:14 |
-Camille, I'm sorry. |
01:08:17 |
-That was vulgar! |
01:08:20 |
-It was not, Camille. |
01:08:24 |
-It was tasteless and... |
01:08:32 |
-Yeah, well... you're... |
01:08:34 |
Are you ashamed of me? |
01:08:36 |
What, I'm your dirty |
01:08:38 |
-Petra... I just don't like |
01:08:45 |
-Oh, really. |
01:08:47 |
Well, aren't you cute! |
01:08:50 |
Hey! Good luck, then, |
01:08:52 |
'cause these are some |
01:08:54 |
in the world, Camille. |
01:08:59 |
when the really mean fuckers |
01:09:01 |
start making fun of you? Huh? |
01:09:03 |
Cause they will, you know. |
01:09:05 |
They'll use it against you |
01:09:07 |
and they'll be laughing up |
01:09:10 |
-Not if you show |
01:09:15 |
-Dignity? |
01:09:17 |
Wha... |
01:09:20 |
What could be more dignified |
01:09:23 |
than dancing with the person |
01:09:46 |
[ Martin ]: Camille, it's me. |
01:09:48 |
I'm at the island airport, |
01:09:50 |
I got them to switch around |
01:09:52 |
so I could get back sooner. |
01:09:54 |
Huh... You must be out |
01:09:56 |
Anyway. |
01:09:59 |
I'm sorry. |
01:10:00 |
I'm sorry. |
01:10:03 |
Huh... I'm gonna come over |
01:10:09 |
I've missed you, sweetheart. |
01:10:13 |
I'll be right over. |
01:10:33 |
Hello! |
01:11:20 |
-I love your sex. |
01:11:22 |
I love your wisdom and the... |
01:11:24 |
way you say ''switcheroo''. |
01:11:27 |
I love that sadness that you get |
01:11:33 |
And other stuff. |
01:11:38 |
-But? |
01:11:42 |
-But... |
01:11:44 |
we might be leaving tomorrow |
01:11:47 |
and I can't stay |
01:12:10 |
[ answering machine ]: Your |
01:12:14 |
If you would like |
01:12:24 |
-Why are you so defeatist? |
01:12:31 |
-'Cause I've loved before, see? |
01:12:33 |
And lost. |
01:12:37 |
-I know what my obligations |
01:12:39 |
[ people arguing ] |
01:12:45 |
-Pardon me. |
01:12:47 |
-She's over there, |
01:12:49 |
-Okay, thank you. |
01:12:51 |
-Listen... |
01:13:02 |
I love to look at you. |
01:13:04 |
I love to talk to you. |
01:13:07 |
I love your openness, |
01:13:10 |
I love... |
01:13:13 |
I love you. |
01:13:21 |
-Everything gets ordinary |
01:13:24 |
-Ordinary with you |
01:13:26 |
would be... wild. |
01:13:37 |
-What would you do in a circus? |
01:13:41 |
-Well, I have a few ideas. |
01:13:46 |
-I smoke pot. |
01:13:48 |
-I drink. Cherry brandy. |
01:13:54 |
-I don't know. |
01:14:07 |
Make your own decisions. |
01:14:20 |
-But do you want me? |
01:14:34 |
-Something awful! |
01:15:30 |
-What's your name? |
01:15:32 |
-Petra. |
01:15:38 |
-l'm Martin. |
01:16:26 |
-Excuse-me. |
01:16:30 |
Would you like a drink of cider? |
01:16:34 |
-No. Thanks. |
01:16:39 |
-Can I do anything? |
01:16:43 |
-No. But thank you. |
01:16:51 |
-She answers a kind of... |
01:16:55 |
wordless question in me. |
01:16:58 |
Yeah, that's good, that's good. |
01:17:00 |
A wordless question. |
01:17:02 |
A wordless question. |
01:17:18 |
I can explain. |
01:17:21 |
I... |
01:17:28 |
No, in fact, I can't. |
01:17:30 |
-It's okay. |
01:17:32 |
I know he meant a lot to you. |
01:17:39 |
-Huh... yeah. |
01:17:41 |
Well... |
01:17:44 |
Don't bother telling me |
01:17:49 |
-It's probably hard to talk |
01:17:51 |
foolish? |
01:17:55 |
-Well... it is foolish. |
01:17:59 |
I... |
01:18:02 |
I distracted myself. |
01:18:04 |
-I could've been |
01:18:07 |
I mean, the pressure of |
01:18:13 |
It probably shook you |
01:18:20 |
-Well... |
01:18:21 |
-You probably hardly recognized |
01:18:28 |
-I... |
01:18:34 |
Martin, I... |
01:18:36 |
I wanted to talk to you |
01:18:39 |
-I'll help you bury him. |
01:18:41 |
-Thank you. |
01:18:43 |
I have something to say-- |
01:18:46 |
-Are you not gonna ask me |
01:18:48 |
-I'm trying to say something-- |
01:18:51 |
They're gonna publish |
01:18:53 |
in the bi-annual review. |
01:18:55 |
-That's great. |
01:18:56 |
-And there was a... |
01:18:58 |
a beautiful talk by... |
01:19:01 |
by some guy from Sweden, |
01:19:06 |
And he said this contemporary |
01:19:10 |
sometimes does more damage |
01:19:13 |
and that the only real dialogue |
01:19:17 |
And it felt... true. |
01:19:25 |
-But... I rememberyou saying |
01:19:30 |
that when you hide one thing, |
01:19:35 |
-He was saying that sometimes, |
01:19:37 |
it's selfish to give yourself |
01:19:39 |
when the consequences |
01:19:47 |
See? |
01:19:56 |
Anyway, I'll help you |
01:20:00 |
-You said that. |
01:20:09 |
Martin, listen... |
01:20:10 |
-No. No, you listen. |
01:20:14 |
This is what I know. |
01:20:16 |
I love you. |
01:20:19 |
For we have something, |
01:20:26 |
-Of course we do. Yes. |
01:20:28 |
-I can understand everything. |
01:20:31 |
I mean, I'm not such a bad deal. |
01:20:33 |
-No, you're not a bad deal. |
01:20:35 |
-These things pass. |
01:20:41 |
-What things? |
01:20:42 |
-These... passing things. |
01:20:46 |
Just think, please. |
01:20:49 |
Please, just think |
01:20:53 |
Okay? |
01:21:02 |
You are what you say you are, |
01:21:07 |
Just be careful when you say it. |
01:21:19 |
-I'm sorry. |
01:24:16 |
[ Petra ]: Camille, it's me. |
01:24:18 |
I hope you're okay. |
01:24:22 |
I thought maybe you wanted to... |
01:24:27 |
Oh God, I don't know |
01:24:30 |
Just call me. Please. |
01:24:35 |
-Coffee? |
01:25:25 |
-We're off, gentlemen. |
01:25:39 |
-...I said, ''Why don't |
01:25:41 |
Give me one good reason why |
01:25:44 |
And he had nothing to say. |
01:25:46 |
The guy dropped right down |
01:25:52 |
-Oh, shit! Hang on, |
01:26:01 |
Oh, shit... Hey, guys? |
01:26:04 |
Come here! |
01:26:05 |
-What? |
01:26:08 |
There's a body. |
01:26:11 |
-Oh, Jesus! |
01:26:12 |
Hey... |
01:26:14 |
This is the woman that was |
01:26:17 |
the other day. |
01:26:19 |
-I can't tell |
01:26:20 |
-We should call an ambulance. |
01:26:49 |
-I'll go back and get the stuff |
01:26:51 |
-Yeah. |
01:26:53 |
[ phone ringing ] |
01:26:55 |
-Hello?... |
01:27:01 |
Well... |
01:27:02 |
Where? |
01:27:07 |
[ tires screeching ] |
01:27:22 |
[ siren wailing ] |
01:27:27 |
Where is she? |
01:27:28 |
-What happened? |
01:27:30 |
We just found her. |
01:27:32 |
-How is she? |
01:27:34 |
-She... hypothermia. |
01:27:36 |
-Well, can't we get her |
01:27:38 |
-The ambulance is supposed |
01:27:40 |
-Can we at least put her |
01:27:43 |
-No. They said, "Don't move her. |
01:27:46 |
-The best thing to do |
01:27:48 |
for a hypothermia victim... |
01:27:50 |
[ The voice becomes an echo. ] |
01:28:47 |
[ whispering ]: |
01:28:51 |
God, Zeus... |
01:28:53 |
Science... |
01:28:55 |
Anybody... |
01:28:57 |
Okay... |
01:29:02 |
I promise to love her |
01:29:06 |
and I promise to cherish her... |
01:29:13 |
And to follow her |
01:29:15 |
and to lead her anywhere... |
01:29:22 |
-Yes... |
01:29:25 |
-Oh! |
01:30:55 |
"Hallelujah" |
01:31:00 |
"Hallelujah" |
01:31:04 |
"Hallelujah" |
01:31:08 |
"Hallelujah" |
01:31:34 |
"Hallelujah" |
01:31:39 |
"Hallelujah" |
01:31:43 |
"Hallelujah" |
01:31:47 |
"Hallelujah" |