|
When Will I Be Loved
|
| 00:01:27 |
It isn't lucrative. |
| 00:01:30 |
Yeah, you got to always consider |
| 00:01:35 |
Hold on a second. |
| 00:01:38 |
Hello? What's up? |
| 00:01:57 |
I'm good. I had a great meeting today. |
| 00:02:00 |
Damon Dash. Great meeting. |
| 00:02:04 |
Yeah. Hold on a second. |
| 00:02:07 |
Let me take this, man. |
| 00:02:24 |
Yes, Damon is definitely... Hello? |
| 00:02:28 |
I'm definitely producing, |
| 00:02:58 |
Listen to me very carefully. |
| 00:03:01 |
I have two guaranteed shots |
| 00:03:04 |
Damon Dash is buying a movie studio |
| 00:03:09 |
And number two: if by some freak |
| 00:03:13 |
then Count Tommaso Lupo, |
| 00:03:17 |
is desperate to hire me |
| 00:04:33 |
Yeah. Check out Belize. |
| 00:04:35 |
It's off the coast of Mexico. |
| 00:04:38 |
It seems to me |
| 00:04:41 |
- Ford! |
| 00:04:44 |
- Where have you been? |
| 00:04:46 |
- It's been two years! |
| 00:04:48 |
No! Where have you been? |
| 00:04:51 |
You remember $9,300, what I gave |
| 00:04:54 |
Are you still a bum? |
| 00:04:57 |
- You seriously hitting me for $9,300? |
| 00:05:00 |
You haven't returned |
| 00:05:03 |
- This is incredible. |
| 00:05:05 |
- I was talking about you... |
| 00:05:08 |
...with Damon Dash. Are you finished? |
| 00:05:10 |
I don't care about Damon Dash. |
| 00:05:12 |
- Go ahead, finish. |
| 00:05:15 |
- I gave it to you when I didn't have it. |
| 00:05:18 |
- And I felt sorry for you! |
| 00:05:21 |
- I want $9,300. I don't care about him! |
| 00:05:25 |
- I don't care! |
| 00:05:28 |
- I don't care about being a star! |
| 00:05:31 |
- I want $9,300. |
| 00:05:34 |
- I don't care. I want my money. |
| 00:05:37 |
- Get away from me. I want my money. |
| 00:05:41 |
- I don't want it. |
| 00:05:43 |
- We'll talk, after you show up with it. |
| 00:05:47 |
- I'm wrong! You've got a psychosis! |
| 00:05:51 |
It's like a self-destructive disease! |
| 00:05:53 |
- You're crazy! |
| 00:05:55 |
- I want my money. $9,300. |
| 00:05:58 |
- I am not looking around. |
| 00:06:02 |
- I want my money now! |
| 00:06:06 |
You want it? I'm going to a meeting. |
| 00:06:09 |
- Hand it over! I want it right now! |
| 00:06:12 |
- Give it! Don't look at me like that! |
| 00:06:15 |
- I want my money! Now! |
| 00:06:18 |
- The ship is sailing away. |
| 00:06:21 |
- You're killing the golden goose. Fine! |
| 00:06:24 |
You're pissing me off so much, |
| 00:06:27 |
You don't have it. Liar! |
| 00:06:28 |
- I'm not gonna 'cause you're a moron! |
| 00:06:33 |
- You're sick, destructive. Won't give it. |
| 00:06:37 |
Goodbye, moron! |
| 00:06:40 |
Oh, my God! |
| 00:06:43 |
Excuse me, |
| 00:06:46 |
Yes. You must be Vera. Great to meet |
| 00:06:51 |
Thank you. |
| 00:06:54 |
- What's up? |
| 00:06:57 |
I had a meeting in the park. |
| 00:06:59 |
- This is not a meeting? |
| 00:07:01 |
Listen. 1-900 phone calls. |
| 00:07:04 |
- I'm sure you made a couple. |
| 00:07:06 |
We could set up an account, |
| 00:07:09 |
Let me ask, as I'm interested |
| 00:07:13 |
as an assistant, because it's a job |
| 00:07:16 |
What do you want from this job, |
| 00:07:21 |
Where are you in your life now? |
| 00:07:22 |
Wow, that's a big question. |
| 00:07:24 |
You'll need bribe money |
| 00:07:26 |
It's not a lot of money. |
| 00:07:29 |
You got to check out |
| 00:07:31 |
It's a safe common thing because |
| 00:07:35 |
I read the book you just published. |
| 00:07:37 |
- Horror of Horrors, yes. |
| 00:07:39 |
- Prof. Rabs. |
| 00:07:41 |
- Hey, how you doing? |
| 00:07:45 |
- This is, I hope, my new assistant. |
| 00:07:48 |
- This is my guy I was telling you about. |
| 00:07:50 |
Ready to do the damn thing. |
| 00:07:52 |
Good. What I'm doing is these guys |
| 00:07:55 |
- It's open season. Trying to mix races. |
| 00:07:59 |
I'm going to try to. |
| 00:08:01 |
Carol! |
| 00:08:04 |
Gas, gasoline prices are going up |
| 00:08:08 |
bringing in... He owns |
| 00:08:10 |
What we do is |
| 00:08:13 |
They're gonna come in thinking they're |
| 00:08:17 |
and instead I'm going to step back |
| 00:08:20 |
and just say to them, |
| 00:08:23 |
Hey, Carol! |
| 00:08:26 |
Not enough |
| 00:08:28 |
but just enough to make it worthwhile, |
| 00:08:32 |
No, you get a layover on... Listen. |
| 00:08:37 |
What are we, the consultants? |
| 00:08:39 |
The fucking thing adds up. We go in. |
| 00:08:43 |
We set up the guy. |
| 00:08:47 |
It's remarkable how one book |
| 00:08:51 |
can serve to bring out |
| 00:08:55 |
and connect and erase |
| 00:09:00 |
- People are plagued by sexual- |
| 00:09:03 |
Hey, Carol! I don't believe this shit. |
| 00:09:09 |
Excuse me. Mike Tyson. |
| 00:09:13 |
I'm Hassan Al-Ibrahim Ben Rabinowitz. |
| 00:09:18 |
at the university here. And I would |
| 00:09:22 |
to talk to my students because I think |
| 00:09:27 |
Listen, brother, I'm not who you |
| 00:09:31 |
I'm Buck from Minnesota. |
| 00:09:34 |
Take the finance pages. There were |
| 00:09:38 |
One was on NASDAQ. One was |
| 00:09:42 |
One was worth 50¢ a stock |
| 00:09:46 |
- You're not Mike Tyson? |
| 00:09:49 |
- I thought you were Mike Tyson. |
| 00:09:52 |
- Fucking Christ! Hold on a second. |
| 00:09:59 |
Shit. I'm sorry, Ford. |
| 00:10:01 |
It's Buck, nigger. |
| 00:10:05 |
If you knew better, you'd do better. |
| 00:10:08 |
All right. Okay. |
| 00:10:09 |
You know, bin Laden, Sharon, |
| 00:10:14 |
Good luck, Buck. |
| 00:10:17 |
I don't believe this bitch. |
| 00:10:18 |
You should look into this other thing. |
| 00:10:22 |
Look over here. Listen to me, |
| 00:10:25 |
What do you got? |
| 00:10:26 |
Distribution of porn. Bringing in these |
| 00:10:31 |
Moscow, Saint Petersburg. |
| 00:10:35 |
- What do you do? |
| 00:10:39 |
- You do. Where do you work out? |
| 00:10:41 |
- Really? Me, too. Yes. |
| 00:10:44 |
Your name is? |
| 00:10:45 |
- Vera Barrie. And yours? |
| 00:10:48 |
- Michael, right. Of course, yes. |
| 00:10:54 |
I didn't want to interrupt anything, |
| 00:10:58 |
- At least he says he's not. |
| 00:11:01 |
I don't know. |
| 00:11:02 |
- He looks a lot like him. |
| 00:11:05 |
- Hi. How are you doing? |
| 00:11:08 |
- That's an amazing bracelet. |
| 00:11:11 |
- Would you like something like that? |
| 00:11:15 |
- So, uptown or downtown? |
| 00:11:18 |
Okay. Maybe I'll see you there. |
| 00:11:20 |
- That would be great. |
| 00:11:22 |
Nice to meet you. |
| 00:11:25 |
That's a friend of yours? |
| 00:11:27 |
Yes. It's a friend, Michael, |
| 00:11:32 |
So, anyways I was saying |
| 00:11:36 |
Prof. Rabinowitz. |
| 00:11:44 |
I'm jammed, overwhelmed. Maybe the |
| 00:11:51 |
Could you set up, |
| 00:11:53 |
- You know? |
| 00:11:55 |
These girls are working for free, |
| 00:11:57 |
Then you gotta redistribute all over |
| 00:12:00 |
There's a lot of competition for that. |
| 00:12:03 |
I will absolutely try to. |
| 00:12:07 |
Okay? Sorry, I should have called. |
| 00:12:12 |
- I don't know what to say. |
| 00:12:15 |
You don't have to know. What are you |
| 00:12:19 |
Just hanging around. |
| 00:12:21 |
Really? |
| 00:12:24 |
- You. |
| 00:12:26 |
Do you think I can get |
| 00:12:29 |
- Yeah. |
| 00:12:30 |
I got it. |
| 00:12:37 |
Ended up being a beautiful day, huh? |
| 00:12:39 |
Yes. |
| 00:12:41 |
Beautiful weather, 80 degrees, |
| 00:12:46 |
You stay here in the country. |
| 00:12:48 |
- You put a little suit on. |
| 00:12:50 |
Exactly. You go into a big business, |
| 00:12:55 |
Hotel's good. |
| 00:12:56 |
You doing anything tonight? |
| 00:12:58 |
I'm not sure yet. But I'll let you know. |
| 00:13:00 |
- All right. |
| 00:13:02 |
Nice meeting you. |
| 00:13:06 |
Sorry about that. |
| 00:13:08 |
Are those students of yours? |
| 00:13:11 |
- No, those are actually teachers. |
| 00:13:14 |
Yeah. |
| 00:13:16 |
And I assume |
| 00:13:20 |
From about five years ago. |
| 00:13:22 |
Like the other guy, too? |
| 00:13:24 |
- Actually, it's weird I saw both of them. |
| 00:13:28 |
I'm the mouthpiece. So I'm taking |
| 00:13:34 |
When did you become a negotiator? |
| 00:13:35 |
I'm taking the risk. |
| 00:13:38 |
- If shit goes- |
| 00:13:40 |
If shit goes down, |
| 00:13:42 |
- I'm the one outside dealing with shit. |
| 00:13:45 |
That raises an interesting question. |
| 00:13:47 |
Did you actually know |
| 00:13:50 |
you strangely enough approached? |
| 00:13:53 |
Or were they new? |
| 00:13:57 |
No. Like I said, one of them, this |
| 00:14:02 |
It was a shock to see him. The other |
| 00:14:06 |
Now, if we're going to work together... |
| 00:14:08 |
the only way to make it worthwhile |
| 00:14:14 |
So I am going to say something abrupt |
| 00:14:17 |
I think you took the occasion... |
| 00:14:20 |
of my odd sudden encounters... |
| 00:14:23 |
to, in effect, explore the possibility... |
| 00:14:26 |
of knowing two men on one street |
| 00:14:30 |
and there's no reason you shouldn't be |
| 00:14:35 |
Okay, you're right. |
| 00:14:38 |
No, I hadn't met them before. |
| 00:14:41 |
Forget it. Listen, mail-order brides, |
| 00:14:45 |
Nothing judgmental. In fact, |
| 00:14:48 |
And I believe that you're... |
| 00:14:51 |
obviously in your early-middle 20s. |
| 00:14:54 |
You're on a journey, as we all are. |
| 00:14:56 |
And that journey is just beginning. |
| 00:14:58 |
I'm at a different stage of my life. |
| 00:15:00 |
I feel it necessary now to have |
| 00:15:04 |
to feel I'm doing good in bringing |
| 00:15:08 |
You're finding out who you are, |
| 00:15:15 |
What are you thinking right now? |
| 00:15:21 |
I think that this... |
| 00:15:23 |
extremely wonderful sales pitch |
| 00:15:26 |
about how you might be able to help |
| 00:15:30 |
might possibly, I don't want |
| 00:15:34 |
an intelligent ruse to see |
| 00:15:37 |
You are absolutely and completely |
| 00:15:42 |
- Really? |
| 00:15:44 |
I don't believe it. |
| 00:15:45 |
You're right. |
| 00:15:47 |
If you're making me admit something, |
| 00:15:50 |
And you did. You're partially right. |
| 00:15:53 |
The thing is, |
| 00:15:57 |
What I'm really interested in is... |
| 00:15:58 |
can I be of use |
| 00:16:02 |
to somebody who is on a journey? |
| 00:16:05 |
I like to feel connected to people |
| 00:16:09 |
And it fascinates me to take someone |
| 00:16:14 |
and just starting out in life |
| 00:16:18 |
That's lovely, if that's the intention. |
| 00:16:22 |
because I'm looking for that in my life. |
| 00:16:26 |
I'm not looking for mentors who are |
| 00:16:30 |
Okay. |
| 00:16:32 |
Great working relationship, yeah. |
| 00:16:34 |
- We'll start next week? |
| 00:16:38 |
I cannot believe I allowed... |
| 00:16:41 |
you three to talk me into this. |
| 00:16:45 |
You should be home |
| 00:16:49 |
Instead you're getting all messed up |
| 00:16:54 |
Can we talk about this later? |
| 00:16:56 |
Okay, but I'm not introducing you |
| 00:17:00 |
if you're not crisp and neat and clean. |
| 00:17:41 |
I'm not going. Okay? |
| 00:17:47 |
Are you okay? |
| 00:17:50 |
- You're Lori Singer, right? |
| 00:17:54 |
- I thought I knew you from somewhere. |
| 00:17:58 |
Thank you. |
| 00:17:59 |
I've enjoyed it. |
| 00:18:01 |
Thank you. |
| 00:18:03 |
Was that your boyfriend? |
| 00:18:05 |
He's a friend of mine. |
| 00:18:09 |
This is unbelievable. |
| 00:18:15 |
Look, there's no way... |
| 00:18:19 |
you're meeting Damon today. |
| 00:18:23 |
Your feet and your knees... |
| 00:18:28 |
are muddy. |
| 00:18:33 |
Your clothes are wet. |
| 00:18:36 |
I love the right cheek... |
| 00:18:40 |
of your ass. |
| 00:18:42 |
What about the left one? |
| 00:18:51 |
It's good with your right cheek. |
| 00:18:56 |
It's perfect. |
| 00:19:01 |
So what do you do? |
| 00:19:03 |
I'm just searching, |
| 00:19:07 |
- Really? |
| 00:19:08 |
I haven't quite figured it out yet. |
| 00:19:12 |
Actually, I'm going to work |
| 00:19:16 |
- You are? |
| 00:19:17 |
- He's great. |
| 00:19:18 |
That's cool. |
| 00:19:21 |
Just spoken with him about a number |
| 00:19:25 |
- Nice. |
| 00:19:26 |
Fun, fun. So you're still doing films? |
| 00:19:30 |
Yes. And I've got a couple of concerts |
| 00:19:33 |
- Concerts? |
| 00:19:35 |
What kind of concerts? |
| 00:19:36 |
- I play cello. |
| 00:19:37 |
- Come on, let's go. |
| 00:19:39 |
- I'm sorry. |
| 00:19:40 |
- Nice to meet you. |
| 00:19:43 |
Thank you. |
| 00:20:50 |
What are you looking at? |
| 00:20:52 |
What? |
| 00:20:53 |
What are you looking at? |
| 00:20:55 |
What am I looking at? |
| 00:20:57 |
You were looking at that girl. |
| 00:20:59 |
I'm not. I'm looking at |
| 00:21:01 |
There are no squirrels. |
| 00:21:33 |
Why can't you let us come |
| 00:21:36 |
'Cause you're sweaty |
| 00:21:38 |
I'll make it tomorrow. |
| 00:21:40 |
I think we look great. |
| 00:21:58 |
Yeah, Ford Welles. |
| 00:22:02 |
Damon and Biggs were going to meet me |
| 00:22:06 |
I left three messages in the last hour. |
| 00:22:12 |
Ford. F-O-R-D. Hold on. |
| 00:22:25 |
This Damon's car? |
| 00:22:38 |
- What's going on, fellows? |
| 00:22:42 |
Nice ride. |
| 00:22:43 |
- You were gonna let him get in? |
| 00:22:46 |
- Ford Welles. How's it going? |
| 00:22:49 |
Can I call you right back? |
| 00:22:50 |
- Ford Welles. Nice to meet you. |
| 00:22:53 |
I was worried |
| 00:22:56 |
What are you talking about? You want |
| 00:22:59 |
- No, 11:00. Ford Welles. |
| 00:23:02 |
Ashley set up a meeting with me |
| 00:23:05 |
I got a meeting here, |
| 00:23:07 |
She told me we would meet here |
| 00:23:31 |
Hello. |
| 00:23:34 |
- Hello. |
| 00:23:36 |
Hey, Mom. |
| 00:23:37 |
Did all the furniture arrive yet? |
| 00:23:39 |
No, but they delivered the bed. |
| 00:23:42 |
I hope it's a firm, hard mattress. |
| 00:23:44 |
- It's great. |
| 00:23:48 |
Yeah, really hard and really firm. |
| 00:23:51 |
A firm, hard mattress |
| 00:23:54 |
- Hang on. |
| 00:23:56 |
Hello. |
| 00:23:57 |
- Hey, Vera. What's up? |
| 00:24:00 |
I'm actually in your neighborhood. |
| 00:24:02 |
- Are you? |
| 00:24:03 |
What are you doing? |
| 00:24:04 |
- I'm done with class. Can I come up? |
| 00:24:08 |
- Okay, I'll see you in five. |
| 00:24:11 |
- Bye. |
| 00:24:14 |
Sorry, Mom. How's Dad? |
| 00:24:17 |
- I got a stable full of beautiful girls. |
| 00:24:20 |
- I'm not a pimp. I'm a friend of theirs. |
| 00:24:27 |
You got a show going on? |
| 00:24:29 |
Seriously though, you have not seen |
| 00:24:32 |
I'm talking about models |
| 00:24:34 |
One of them was in Vanity Fair. |
| 00:24:38 |
I'm involved. |
| 00:24:41 |
I'm just gonna explain something |
| 00:24:43 |
These other people that do that. |
| 00:24:46 |
One of them raps. |
| 00:24:49 |
Hey, mama. |
| 00:24:52 |
What are you doing? |
| 00:24:54 |
Capturing your radiance. |
| 00:24:56 |
Great. Is this a new hobby? |
| 00:24:59 |
I'll make it one. |
| 00:25:03 |
- You're hot. |
| 00:25:06 |
You're hot! |
| 00:25:09 |
- Stop. |
| 00:25:11 |
- You're making me feel uncomfortable. |
| 00:25:17 |
So, we can have some lunch? |
| 00:25:19 |
Yes, we're going to have some lunch. |
| 00:25:21 |
Okay, put the camera down. |
| 00:25:24 |
You're hot. Say it. |
| 00:25:26 |
- Stop, Vera. |
| 00:25:28 |
- Yes. |
| 00:25:30 |
I don't want to be filmed. |
| 00:25:32 |
Don't hide from me. |
| 00:25:38 |
- Stop. |
| 00:25:43 |
Yes. |
| 00:25:45 |
Good. |
| 00:27:09 |
Listen, if you want to stop by, |
| 00:27:13 |
You meet these girls. You could help. |
| 00:27:15 |
Honestly, to be quite honest with you, |
| 00:27:18 |
I'm talking about rappers, singers, |
| 00:27:22 |
He wants to know what you're selling. |
| 00:27:26 |
How's it going? Great to meet you. |
| 00:27:27 |
Weren't you talking |
| 00:27:30 |
These girls are beautiful. I met |
| 00:27:33 |
Hangs out at that club on Avenue C. |
| 00:27:35 |
Have a good time. Good luck. |
| 00:27:38 |
I'm just talking about 20 minutes. |
| 00:27:41 |
You'd be blown away. |
| 00:27:45 |
I'm talking about |
| 00:27:48 |
I could produce films for you. |
| 00:28:48 |
Did I tell you you were hot? |
| 00:29:00 |
This window is hot. |
| 00:29:06 |
It's time to try that bed. |
| 00:29:14 |
Excuse me, Count, I know |
| 00:29:17 |
but the place seems a bit high, |
| 00:29:19 |
I'm not worried about the money. |
| 00:29:20 |
I'm not so sure I want to be on display |
| 00:29:26 |
The Coleman deal is heating up. |
| 00:29:30 |
I'm sure the stock will be able to |
| 00:29:32 |
It'll clear ten. |
| 00:29:34 |
The word is the jackal is |
| 00:29:37 |
Let him try. |
| 00:29:38 |
I've got the preliminary agreement |
| 00:29:42 |
Want to initial it? |
| 00:29:43 |
Not until I read it. Pronto. |
| 00:29:48 |
Just say in honor |
| 00:29:53 |
What Forbes article? |
| 00:29:55 |
The 400 richest Americans. You're not |
| 00:29:59 |
But they make reference |
| 00:30:02 |
- What kind of references? |
| 00:30:06 |
- Et cetera? |
| 00:30:09 |
Well, get it for me today. |
| 00:30:12 |
I got Bach, the Beethoven Emperor |
| 00:30:16 |
All played by Glenn Gould? |
| 00:30:18 |
Mostly. They didn't have |
| 00:30:21 |
If I asked you for a Mercedes, would |
| 00:30:26 |
Of course not. |
| 00:30:27 |
If I ask you to get a Gould recording, |
| 00:30:32 |
Give the others to a musical illiterate |
| 00:30:36 |
and find me the Gould. |
| 00:30:38 |
Yes, sir. |
| 00:30:39 |
Pronto. |
| 00:30:42 |
Tell him if he wants to fly in |
| 00:30:44 |
I can discuss it with him at breakfast |
| 00:30:48 |
You have the mayor at 9:15. |
| 00:30:50 |
8:30 to 8:45. |
| 00:30:59 |
Count, Richard Turley... |
| 00:31:00 |
an influential journalist wants to do |
| 00:31:04 |
What kind of magazine? |
| 00:31:05 |
I don't know. He's a freelance writer, |
| 00:31:10 |
What's his angle? |
| 00:31:11 |
He's a respectful admirer |
| 00:31:15 |
Does he? What are my politics? |
| 00:31:20 |
What do you want me to tell him? |
| 00:31:21 |
Meet him. Make him understand I want |
| 00:31:27 |
Count. Forgive my rushing in, |
| 00:31:32 |
- and I was afraid I'd miss my chance- |
| 00:31:35 |
The deal I was mentioning to you |
| 00:31:38 |
the entertainment company I'm putting |
| 00:31:42 |
I have these three |
| 00:31:45 |
Very highbrow. All beautiful. |
| 00:31:47 |
Unbelievably talented. Global appeal. |
| 00:31:51 |
Like a higher breed, |
| 00:31:54 |
- Not the kind of thing you usually- |
| 00:31:57 |
Sorry. Kendria, |
| 00:31:59 |
You told me to meet you. |
| 00:32:00 |
I said I have a meeting. You're |
| 00:32:04 |
- Gentlemen. How are you? |
| 00:32:06 |
- Good to see you. |
| 00:32:07 |
The Count's running behind. He's only |
| 00:32:11 |
Wait in the restaurant. The Count |
| 00:32:15 |
A count! For real! Oh, my God! |
| 00:32:18 |
- This is not the time or place. |
| 00:32:20 |
- This is an important meeting. |
| 00:32:22 |
Different style from what I was talking |
| 00:32:27 |
Get you naked, can't wait to taste it |
| 00:32:30 |
This is not... The others are... |
| 00:32:32 |
Don't talk about blowjob rap in front of |
| 00:32:39 |
Sorry. |
| 00:32:42 |
- He has my number. |
| 00:32:45 |
I'll meet you at the restaurant. |
| 00:32:52 |
I'm very pressed for time. I thought |
| 00:32:56 |
I operate in secret, so I won't be |
| 00:33:00 |
until we resolve the matter that we |
| 00:33:04 |
which, frankly, is the reason |
| 00:33:07 |
I understand fully. |
| 00:33:09 |
So are you going to introduce me |
| 00:33:13 |
- I am. I absolutely am. |
| 00:33:16 |
As soon as I... |
| 00:33:17 |
You haven't even mentioned it? |
| 00:33:19 |
I have. We've discussed it extensively. |
| 00:33:22 |
She read all the articles I gave her. |
| 00:33:25 |
She said you were elegant and stylish |
| 00:33:30 |
Did he speak to the senator? |
| 00:33:31 |
He had me speak to the senator. |
| 00:33:35 |
economically and politically |
| 00:33:37 |
Did you get anything on paper? |
| 00:33:39 |
Nothing on paper in a real way. |
| 00:33:42 |
Are you happy with that? |
| 00:33:45 |
Well, if I can't count on the Count, |
| 00:33:48 |
My sentiments exactly. |
| 00:33:49 |
You showed her the spread in GQ? |
| 00:33:52 |
She flipped. She went nuts. |
| 00:33:54 |
She said you wear clothes as if |
| 00:33:57 |
So what's the delay? Is there |
| 00:34:01 |
Or a personal resistance? |
| 00:34:03 |
No. None at all. No way. |
| 00:34:06 |
If it were, I would understand. |
| 00:34:09 |
Absolutely. |
| 00:34:11 |
When will you do this? I'll be in Rome |
| 00:34:16 |
I won't be back for two weeks. |
| 00:34:18 |
I am with you fully and completely. |
| 00:34:20 |
When? |
| 00:34:23 |
Now. |
| 00:34:24 |
Now? Meaning? |
| 00:34:27 |
Now. |
| 00:34:37 |
It's open. |
| 00:34:40 |
- Hey, angel. |
| 00:34:45 |
Shit. |
| 00:34:47 |
This place is shaping up. |
| 00:34:50 |
You rich little daddy's girl. |
| 00:34:52 |
What the fuck are you doing? |
| 00:34:55 |
How dare you provoke me like this. |
| 00:35:05 |
- How are you? |
| 00:35:07 |
Nice bed. |
| 00:35:11 |
Firm and hard, just like you like it. |
| 00:35:14 |
- That's what I said to my mother. |
| 00:35:17 |
My place is good, huh? |
| 00:35:19 |
Once everything's unpacked and the |
| 00:35:24 |
I am sure it is. |
| 00:35:29 |
I am going to whack you. |
| 00:35:31 |
Where is your sense of humor? |
| 00:35:32 |
Bend over and I'll look for it. |
| 00:35:35 |
- Bend over? |
| 00:35:37 |
Bend over? |
| 00:35:46 |
I saw this really interesting film |
| 00:35:50 |
Did you? What was it called? |
| 00:35:52 |
I don't remember the name. |
| 00:35:56 |
It was about this billionaire... |
| 00:35:58 |
who pays $1 million |
| 00:36:01 |
and the husband actually facilitates |
| 00:36:06 |
How is that interesting? |
| 00:36:09 |
It leads to some intriguing questions. |
| 00:36:14 |
the fundamental existential question... |
| 00:36:16 |
we all have to face |
| 00:36:19 |
Namely, what am I capable of doing? |
| 00:36:22 |
Are you speaking sexually? |
| 00:36:24 |
Sexually and every other respect. |
| 00:36:27 |
Let's stick with sexually for now. |
| 00:36:31 |
who I am, I need to find out whether |
| 00:36:36 |
That's not what I'm saying. |
| 00:36:40 |
That's the last thing on my mind. |
| 00:36:42 |
Yeah, the last. The absolute last. |
| 00:36:44 |
That's a figure of speech. |
| 00:36:48 |
- Indecent or otherwise. |
| 00:36:51 |
Conscious or unconscious. |
| 00:36:52 |
- That's right. |
| 00:36:55 |
Bring what up? |
| 00:36:56 |
The movie. Stop toying with me. |
| 00:36:59 |
- I'm not toying with you. |
| 00:37:02 |
Now that you mention it. |
| 00:37:04 |
Now that I mention it? |
| 00:37:06 |
Now that you mention it... |
| 00:37:09 |
I did happen to have, coincidentally... |
| 00:37:12 |
a conversation totally unrelated |
| 00:37:16 |
with Count Tommaso Lupo. |
| 00:37:18 |
Count Tommaso Lupo? |
| 00:37:20 |
The Italian media mogul. Yes. |
| 00:37:22 |
Yes, I know who he is. So? |
| 00:37:24 |
What do you mean, so? |
| 00:37:26 |
So where is this going? |
| 00:37:29 |
I've been working for him recently. |
| 00:37:33 |
Of what, women? |
| 00:37:34 |
Antique cars, rare manuscripts, |
| 00:37:37 |
Drugs? |
| 00:37:39 |
He's one of the most legitimate men |
| 00:37:43 |
Coincidentally. |
| 00:37:44 |
- Coincidentally? |
| 00:37:46 |
Right. So the Count saw me |
| 00:37:50 |
of the Metropolitan Museum after |
| 00:37:53 |
What's so coincidental about that? |
| 00:37:55 |
Because he'd seen you before |
| 00:38:00 |
a year ago, when you were returning |
| 00:38:03 |
And here you were again, |
| 00:38:06 |
How coincidental. |
| 00:38:07 |
- Smitten. |
| 00:38:09 |
That's the word he used. |
| 00:38:12 |
Fascinating. |
| 00:38:13 |
- That's my point. |
| 00:38:17 |
Leading up to |
| 00:38:20 |
I didn't make any proposal. |
| 00:38:21 |
No, but you discussed me with him. |
| 00:38:23 |
Yes. |
| 00:38:25 |
And money came up |
| 00:38:27 |
Money always comes up in discussions |
| 00:38:29 |
- Did he say he wanted to meet me? |
| 00:38:32 |
And what did you say? |
| 00:38:33 |
I said I was sure you'd be fascinated |
| 00:38:37 |
And you'd enjoy exposing yourself |
| 00:38:42 |
Is that the phrase you used, |
| 00:38:44 |
That's not the point. |
| 00:38:48 |
he said he would like to give you, |
| 00:38:53 |
for your loveliness, $100,000. |
| 00:38:56 |
Which I assume you assume |
| 00:39:01 |
- I hadn't thought that far ahead. |
| 00:39:05 |
Well, if you force me to think about it... |
| 00:39:07 |
I'd probably say since you're |
| 00:39:11 |
and I'm just getting started, |
| 00:39:14 |
That's not the point. Anybody can get |
| 00:39:18 |
That's not what I'm about here. |
| 00:39:23 |
I'm a conduit. I'm a circuit. |
| 00:39:28 |
My whole mission |
| 00:39:30 |
in relation to you, |
| 00:39:32 |
You know that. |
| 00:39:36 |
You have major erotic power. |
| 00:39:38 |
The easiest thing, |
| 00:39:41 |
would be to convince you |
| 00:39:45 |
That'd suffocate you and be ignoble |
| 00:39:50 |
I refuse to hustle. I want to lead you |
| 00:39:55 |
D.H. Lawrence. |
| 00:39:58 |
To say nothing of |
| 00:40:01 |
It's the path of the Bible. "Seek, |
| 00:40:06 |
You are so ready right now |
| 00:40:08 |
to discover your capacity |
| 00:40:11 |
Multiple in the sense of at least a few, |
| 00:40:16 |
but sequentially. |
| 00:40:17 |
I'm getting ahead of myself here, |
| 00:40:20 |
since you're |
| 00:40:22 |
but at some point, you're gonna |
| 00:40:25 |
and enjoy them. |
| 00:40:29 |
You're just oblivious to it. |
| 00:40:30 |
But that's down the road. |
| 00:40:33 |
- All I ask is that you meet the Count. |
| 00:40:39 |
Really? |
| 00:40:40 |
It's what you want, isn't it? |
| 00:40:44 |
Yeah. |
| 00:40:48 |
I thought |
| 00:40:51 |
I did. I do. |
| 00:40:54 |
Who's stopping you? |
| 00:43:35 |
You know what I love about |
| 00:43:38 |
24-hour concierge, surveillance |
| 00:43:43 |
Know what I also love? |
| 00:43:46 |
No one designs buildings like this |
| 00:43:49 |
Of course no one designs buildings |
| 00:43:53 |
I.M. Pei is not Stanford White, |
| 00:43:57 |
You're saying with a straight face any |
| 00:44:02 |
- No one even comes close. |
| 00:44:04 |
Of course art is a competition. |
| 00:44:07 |
I can't believe I'm married to |
| 00:44:10 |
Having high standards makes me |
| 00:44:15 |
You can drop that stuff |
| 00:44:18 |
- I'm starved. I've got to get something. |
| 00:44:21 |
That's fine. I don't know |
| 00:44:23 |
Hey, you got the curtains up. |
| 00:44:26 |
Yes, I did. |
| 00:44:32 |
What are we on this planet for? |
| 00:44:36 |
She's not a little girl, she's grown. |
| 00:44:40 |
Thank you, Mom. |
| 00:44:43 |
Hey, great mattress, pumpkin. |
| 00:44:48 |
I thought we'd have a nice lunch. |
| 00:44:51 |
I can't. The man I am trying to get |
| 00:44:56 |
The professor from Columbia? |
| 00:44:59 |
He's black, right? |
| 00:45:01 |
No. What makes you think that? |
| 00:45:06 |
Your mother said something |
| 00:45:10 |
That's not what I said. |
| 00:45:11 |
That's his book, Daddy, |
| 00:45:13 |
Horror of Horrors. |
| 00:45:15 |
I don't care. You know me. |
| 00:45:19 |
I love black people. |
| 00:45:22 |
Why don't we have lunch with him? |
| 00:45:25 |
Dad, it's an interview. He's not going |
| 00:45:31 |
Then your mother and I will wait here |
| 00:45:36 |
No! |
| 00:45:37 |
For Christ's sake, Victor! |
| 00:45:39 |
She is trying to land a fucking job. |
| 00:45:45 |
At least, honey, I'd like you to take this |
| 00:45:50 |
and everything that we are trying |
| 00:45:55 |
- Very funny, Daddy. |
| 00:46:03 |
I'm going down to the car. I get sick |
| 00:46:24 |
Come in. |
| 00:46:26 |
You have to excuse the mess. |
| 00:46:29 |
I'm supposed to be a man of the world, |
| 00:46:32 |
I must confess |
| 00:46:35 |
Well, relax. Make yourself at home... |
| 00:46:37 |
as much as you can, considering... |
| 00:46:40 |
What do you have? |
| 00:46:42 |
I have wine, champagne, |
| 00:46:46 |
I'm a thirsty girl. |
| 00:46:48 |
- A glass of champagne sounds lovely. |
| 00:47:16 |
Al nostro futuro. |
| 00:47:25 |
I hope |
| 00:47:29 |
of this first encounter... |
| 00:47:31 |
don't make you feel too awkward. |
| 00:47:34 |
No. Why? Do I seem awkward? |
| 00:47:36 |
Quite the opposite. I was just... |
| 00:47:40 |
It doesn't matter. |
| 00:47:43 |
Tell me, did you have anything |
| 00:47:47 |
About what? |
| 00:47:48 |
Where to go. What to do. |
| 00:47:51 |
a boat docked at the 79th Street Basin |
| 00:47:55 |
and my plane and my pilot on hold |
| 00:47:58 |
You overwhelm me. |
| 00:48:00 |
You don't seem too overwhelmed. |
| 00:48:02 |
You're right, I'm not. I'm impressed. |
| 00:48:06 |
Actually, I'm not really impressed |
| 00:48:11 |
Maybe I better quit while I am ahead. |
| 00:48:12 |
No, I don't want you to quit. |
| 00:48:18 |
So what should I call you? |
| 00:48:23 |
How about Tommy? |
| 00:48:25 |
Okay, Tommy. |
| 00:48:27 |
Did any of those options |
| 00:48:30 |
Boats, planes, cars? |
| 00:48:33 |
Not really. You want to know why? |
| 00:48:37 |
Rushing off with you right now, |
| 00:48:41 |
although it might be a ball, to me |
| 00:48:44 |
Evasion? Evasion of what? |
| 00:48:49 |
- Of what's going on. |
| 00:48:52 |
Between us. |
| 00:48:54 |
What do you want with me, |
| 00:48:56 |
You mean for you. |
| 00:48:59 |
Okay, what would you like for me? |
| 00:49:01 |
Novelty. Pleasure. Enrichment. |
| 00:49:03 |
And where do you think |
| 00:49:06 |
Running around or right here? |
| 00:49:07 |
I see your point. Apart from being |
| 00:49:11 |
Not girl. Grown woman. |
| 00:49:12 |
My mother just straightened |
| 00:49:15 |
- Oh, yes? |
| 00:49:17 |
What does your father do? |
| 00:49:18 |
He makes money. |
| 00:49:21 |
- There's nothing wrong with that. |
| 00:49:23 |
How, may I ask? |
| 00:49:26 |
How does he make money? |
| 00:49:28 |
A little of this, a little of that. |
| 00:49:31 |
Communications. |
| 00:49:33 |
Communications? |
| 00:49:36 |
Yes. Why? |
| 00:49:38 |
We're communicating right now. |
| 00:49:41 |
That's okay. I make enough money |
| 00:49:46 |
I'm curious. Ford told me |
| 00:49:53 |
Passion? |
| 00:49:55 |
Passion. My, my. |
| 00:49:59 |
I hope you won't make light of it. |
| 00:50:01 |
Not at all. I'm flattered and curious. |
| 00:50:03 |
Can you tell me how you found |
| 00:50:05 |
I mean, we haven't even spoken. |
| 00:50:08 |
You know the story |
| 00:50:10 |
the greatest poet in Italian history? |
| 00:50:14 |
He was seized by her, riveted. |
| 00:50:18 |
and romantically fixated from nothing |
| 00:50:23 |
I have always been |
| 00:50:25 |
When something or someone |
| 00:50:30 |
What happened with you, |
| 00:50:34 |
So in that sense it's not like Dante, |
| 00:50:38 |
But there was, |
| 00:50:44 |
Knowing me in the Biblical sense? |
| 00:50:46 |
That's up to you. |
| 00:50:50 |
Santa Claus, St. Francis, |
| 00:50:54 |
You say that with a touch of sarcasm. |
| 00:50:56 |
What else do you think |
| 00:50:58 |
Want me to take a wild guess? |
| 00:51:00 |
The wilder, the better. |
| 00:51:02 |
Love. Sex. Romance. |
| 00:51:06 |
Someone to make you feel young. |
| 00:51:10 |
Are you married? |
| 00:51:11 |
I've been married for 42 years. |
| 00:51:13 |
42 years. Holy shit. How old are you? |
| 00:51:16 |
Sixty-nine, |
| 00:51:19 |
You look pretty good for 69. |
| 00:51:21 |
Not the greatest compliment |
| 00:51:25 |
I didn't mean to offend you. |
| 00:51:28 |
You're saying that to be kind. |
| 00:51:29 |
No, not really. |
| 00:51:32 |
I once saw Picasso on film, |
| 00:51:35 |
But then, Picasso was Picasso. |
| 00:51:43 |
How much money do you have? |
| 00:51:44 |
I'm not sure I follow that transition. |
| 00:51:47 |
I tend to skip transitions. |
| 00:51:50 |
I have no idea |
| 00:51:52 |
$1 billion? |
| 00:51:54 |
Depends on the day. It fluctuates. |
| 00:51:56 |
Do you have a mistress? |
| 00:51:57 |
As a matter of fact, I do. A cellist. |
| 00:52:01 |
A lovely and gifted woman. |
| 00:52:03 |
And how old is she? |
| 00:52:05 |
Forty. Ancient. |
| 00:52:07 |
My mother is 44. |
| 00:52:10 |
May I ask you a question? |
| 00:52:11 |
Why do you need my permission |
| 00:52:14 |
I will only ask it, if you'll answer |
| 00:52:20 |
Do I seem fearful |
| 00:52:23 |
Are you glad that I'm here... |
| 00:52:24 |
or would you prefer that I leave and |
| 00:52:32 |
I'm still curious. |
| 00:52:34 |
What if I had no money? What if |
| 00:52:38 |
Aren't you too old to be |
| 00:52:40 |
Let's say |
| 00:52:42 |
You wouldn't be you |
| 00:52:44 |
You'd be you, minus $1 billion. |
| 00:52:48 |
Is it important to you to have |
| 00:52:50 |
No, not really. |
| 00:52:52 |
I'm more interested in the idea |
| 00:52:55 |
What they'll do to get it. |
| 00:52:59 |
Ford, for example, |
| 00:53:01 |
He's a desperate, ambitious, |
| 00:53:05 |
Why are you with him? |
| 00:53:07 |
Why do you ask? |
| 00:53:08 |
That he's too young? |
| 00:53:11 |
That I need to find myself a good |
| 00:53:17 |
I'm sorry, that wasn't nice. |
| 00:53:21 |
All you're trying to do is please me. |
| 00:53:24 |
What an ingrate. |
| 00:53:26 |
You're not giving me a hard time, |
| 00:53:29 |
Why am I with Ford? |
| 00:53:32 |
I don't know. |
| 00:53:36 |
You answer |
| 00:53:38 |
it never sounds true, |
| 00:53:40 |
You knew that. You've been around |
| 00:53:43 |
He is incredibly beautiful... |
| 00:53:46 |
and he's a great lover. |
| 00:53:48 |
And he's funny and smart. |
| 00:53:52 |
And he would kill for me |
| 00:53:54 |
Who would you want killed? |
| 00:53:59 |
You never know. When I get angry, |
| 00:54:05 |
How much money do you have |
| 00:54:07 |
About $10,000. |
| 00:54:11 |
Apart from this. |
| 00:54:15 |
What's that? |
| 00:54:16 |
$100,000. |
| 00:54:18 |
- What for? |
| 00:54:21 |
To do what with? |
| 00:54:22 |
Whatever you like. It's yours. |
| 00:54:24 |
I get that part. |
| 00:54:26 |
The purpose? |
| 00:54:30 |
I thought Ford had spoken to you. |
| 00:54:34 |
Embarrassing me? |
| 00:54:35 |
If I were you, I'd be worried |
| 00:54:38 |
It's not enough? |
| 00:54:40 |
How would I know if it's enough |
| 00:54:44 |
For a really nice dinner, absolutely. |
| 00:54:47 |
Maybe even 10 dinners, 20. |
| 00:54:49 |
Twenty maybe even, |
| 00:54:53 |
But for something else, I don't know. |
| 00:54:56 |
I told you, to make you happy. |
| 00:55:00 |
Yeah, so you say. |
| 00:55:04 |
Unfortunately, you'd come up a bit |
| 00:55:10 |
How much more might I need to... |
| 00:55:13 |
come up... |
| 00:55:14 |
aumentare... |
| 00:55:17 |
long enough for your satisfaction? |
| 00:55:19 |
I don't know. |
| 00:55:22 |
Why don't you run out for a while |
| 00:55:27 |
- Are we talking all cash? |
| 00:56:42 |
Would $1 million interest you? |
| 00:57:00 |
What's your rush? |
| 00:59:58 |
There's no way to verify |
| 01:00:00 |
I'm asking is there any way to verify |
| 01:00:04 |
Well, find out. I'll talk to you later. |
| 01:00:18 |
Vera. |
| 01:00:20 |
Hey, what's going on? Vera! |
| 01:00:25 |
Hey! |
| 01:00:27 |
What's the matter? |
| 01:00:30 |
Don't touch me! |
| 01:00:32 |
- I never want to see you again. |
| 01:00:35 |
- Fucking prick! |
| 01:00:37 |
I can fix it, but I can't do anything |
| 01:00:40 |
The only thing gone wrong |
| 01:00:42 |
the only way you could fix it |
| 01:00:45 |
What happened? Did he hurt you? |
| 01:00:46 |
No, he didn't hurt me. |
| 01:00:49 |
He did something to you, |
| 01:00:52 |
Get away from me |
| 01:00:54 |
I will, just tell me one thing. |
| 01:00:56 |
Yeah, he did |
| 01:00:59 |
Okay. So where's the money? |
| 01:01:01 |
- What money? |
| 01:01:03 |
The $100,000? |
| 01:01:05 |
How about the $1,000? |
| 01:01:07 |
I don't follow. |
| 01:01:09 |
No, of course you don't. |
| 01:01:10 |
That's why we're having |
| 01:01:12 |
you are who you are, you'll always be. |
| 01:01:14 |
The richest man in Italy. |
| 01:01:17 |
That's what he is. |
| 01:01:18 |
That's not what he is. |
| 01:01:20 |
A fraud, how? What did he do? |
| 01:01:22 |
It's not what he did. |
| 01:01:25 |
- He fucked you and didn't pay you? |
| 01:01:28 |
I'm trying to get away from you! |
| 01:01:30 |
Why didn't you get the money |
| 01:01:33 |
Don't you dare blame me for this! |
| 01:01:36 |
You promoted him |
| 01:01:39 |
What am I supposed to be... |
| 01:01:40 |
some streetwalker, |
| 01:01:43 |
Listen, this is a serious problem. |
| 01:01:45 |
Go back to the apartment, |
| 01:01:47 |
I'm going to drag this cocksucker |
| 01:01:50 |
and make him personally beg you |
| 01:01:57 |
The Count excuses himself for being |
| 01:02:01 |
He's just been delayed. |
| 01:02:03 |
There has been an emergency |
| 01:02:07 |
The Count is now busy meeting |
| 01:02:11 |
It's very important. |
| 01:02:15 |
Perhaps we can take the chance |
| 01:02:19 |
about the Count |
| 01:02:21 |
Absolutely. |
| 01:02:24 |
This is Ford Welles. |
| 01:02:26 |
The Count asked for a favor, |
| 01:02:28 |
Do you know where I could reach him? |
| 01:02:30 |
Which marina? |
| 01:03:04 |
The Count will be absolutely delighted |
| 01:03:07 |
Americans are very curious |
| 01:03:09 |
He is the most mysterious man in Italy, |
| 01:03:12 |
Nobody knows anything. |
| 01:03:15 |
He's mysterious |
| 01:03:17 |
He never gives interviews. |
| 01:03:21 |
Our readers want to know |
| 01:03:25 |
Why is he going to the White House? |
| 01:03:31 |
He doesn't really know anything. |
| 01:03:32 |
But what is he doing in China |
| 01:03:35 |
He's amplifying his horizons. |
| 01:03:40 |
Of course the Count will need |
| 01:03:43 |
I always give that assurance |
| 01:03:49 |
Is it true that he's actually |
| 01:04:24 |
He's very busy. He comes very quickly. |
| 01:04:29 |
He apologizes for the Count. |
| 01:04:33 |
This is an emergency. |
| 01:04:34 |
How long will he be |
| 01:04:36 |
We're going to need a lot of time |
| 01:04:40 |
and the corporation |
| 01:04:53 |
He said we should be able to do |
| 01:04:57 |
Doesn't he own |
| 01:05:35 |
Is he an intermediary for the Vatican? |
| 01:05:41 |
He would rather not answer questions |
| 01:05:44 |
He's not authorized, |
| 01:05:47 |
- The Count. |
| 01:06:02 |
Michael Burke, the tax lieutenant. |
| 01:06:04 |
Nice to meet you, sir. |
| 01:06:15 |
- I notice you're looking at the boat. |
| 01:06:18 |
- You like it? Here. |
| 01:06:19 |
- This is yours. |
| 01:06:21 |
For all the good work you've done. |
| 01:06:23 |
The Count is a very generous man. |
| 01:06:26 |
Lupo! |
| 01:06:29 |
Where's my $100,000? |
| 01:06:32 |
Take it easy! Take it easy! |
| 01:06:35 |
Hold it! You want to talk? |
| 01:06:36 |
Where's my $100,000? |
| 01:06:37 |
Come with me, calm down, we'll talk. |
| 01:06:40 |
- You understand? |
| 01:06:42 |
Just a minor misunderstanding. |
| 01:06:46 |
I want my $100,000. |
| 01:06:48 |
That's between you and Vera. |
| 01:06:49 |
Don't play dumb, you prick. |
| 01:06:52 |
You didn't give her a dime. |
| 01:06:54 |
I gave Vera $1 million in cash. |
| 01:06:58 |
You gave Vera $1 million? |
| 01:07:03 |
I want you to come right now |
| 01:07:05 |
and tell me in front of her |
| 01:07:31 |
- Hello. |
| 01:07:33 |
Hey, Dad. |
| 01:07:34 |
How about dinner tonight |
| 01:07:37 |
No, I don't think I can tonight. |
| 01:07:39 |
How about tomorrow? |
| 01:07:41 |
- Can you hang on a second? |
| 01:07:44 |
Hello. |
| 01:07:46 |
I'm downstairs. |
| 01:07:48 |
I'll leave it open. |
| 01:07:50 |
Dad, that was my new boss. |
| 01:07:52 |
Oh, yeah, you found a boss. |
| 01:07:55 |
What're you banking? |
| 01:07:56 |
We'll talk about it tomorrow. |
| 01:07:58 |
- Okay. |
| 01:08:56 |
I don't feel like kissing you right now. |
| 01:09:02 |
Are you sure that there are no details |
| 01:09:06 |
about what happened |
| 01:09:08 |
Nothing you want to add or subtract? |
| 01:09:11 |
There is nothing I want to add |
| 01:09:24 |
Now you say that this guy... |
| 01:09:27 |
after you allow him |
| 01:09:30 |
refused to show |
| 01:09:33 |
And you say you gave my girlfriend... |
| 01:09:37 |
$1 million in cash. |
| 01:09:38 |
Am I right so far? |
| 01:09:41 |
You are right in saying |
| 01:09:44 |
As I made clear to her... |
| 01:09:45 |
it had nothing to do with anything else |
| 01:09:49 |
It was a gift. |
| 01:09:51 |
Purely by an act |
| 01:09:57 |
- Well? |
| 01:10:00 |
What do you have to say |
| 01:10:05 |
He's lying. |
| 01:10:07 |
- Why are you doing this? |
| 01:10:10 |
Standing up for my rights? |
| 01:10:14 |
I think the best thing for everybody, |
| 01:10:18 |
is for you to pay her $100,000, |
| 01:10:20 |
to pay me as her designated agent... |
| 01:10:22 |
the $100,000 you owe her, |
| 01:10:25 |
I gave Vera $1 million. |
| 01:10:26 |
I'm not giving her another cent, which |
| 01:10:30 |
You told me you felt certain things |
| 01:10:33 |
That we had an understanding |
| 01:10:36 |
and that we would give each other |
| 01:10:42 |
That sounds just like me, doesn't it? |
| 01:10:46 |
"The sexual pleasure we gave to one |
| 01:10:50 |
I'd love to hear that in a court of law. |
| 01:10:54 |
I might as well just stand next to you |
| 01:10:58 |
You can say anything you like now. |
| 01:11:01 |
But nothing can change |
| 01:11:05 |
I think this little escapade |
| 01:11:09 |
I am sorry that it had to come to this. |
| 01:11:10 |
I was ready to look to you |
| 01:11:13 |
I was ready to do jobs for you, |
| 01:11:17 |
to bring a little youth and fun and light |
| 01:11:20 |
in exchange for few simple favors... |
| 01:11:22 |
and some cash |
| 01:11:24 |
But you turned out to be |
| 01:11:27 |
And I have no respect |
| 01:11:29 |
and I want |
| 01:11:50 |
Lupo! |
| 01:11:53 |
Lupo, can you hear me? |
| 01:11:56 |
Fuck! |
| 01:12:00 |
Lupo, wake up! |
| 01:12:05 |
Shit! |
| 01:12:13 |
Yes, I'm calling |
| 01:12:17 |
I need to report a homicide. |
| 01:12:18 |
Homicide? |
| 01:12:20 |
- It was an accident. |
| 01:12:22 |
It wasn't a homicide! |
| 01:12:24 |
Hello. |
| 01:12:38 |
The Count is a major figure in Italy. |
| 01:12:40 |
This is fucking crazy. |
| 01:12:42 |
Why am I in handcuffs right now? |
| 01:12:45 |
An old guy fell down. That's it. |
| 01:12:53 |
Ask Vera. Ask her. It was an accident. |
| 01:12:58 |
Death by a blunt trauma to the head. |
| 01:13:01 |
It was an accident. He fell. |
| 01:13:04 |
You got anything else? |
| 01:13:05 |
I got a witness, girlfriend. |
| 01:13:08 |
Saw me do it? It was an accident. |
| 01:13:11 |
I'm innocent. This is crazy. |
| 01:13:14 |
She doesn't know what she's saying. |
| 01:13:15 |
Looks like you got it under control. |
| 01:13:17 |
- I do. |
| 01:13:18 |
This is crazy. He fell and hit his head. |
| 01:13:22 |
Why am I arrested? |
| 01:13:24 |
If I were a killer, |
| 01:13:26 |
I stayed to clear my name. |
| 01:13:28 |
That's not what she said. |
| 01:13:29 |
Anything she says otherwise |
| 01:13:32 |
Look at her. |
| 01:13:34 |
He tripped. He fell. He hit his head. |
| 01:13:37 |
It was a totally natural, |
| 01:13:40 |
Detective, look, |
| 01:13:43 |
that you know your job, |
| 01:13:45 |
Do I look like a killer to you? |
| 01:13:47 |
Nothing you say can help you now. |
| 01:13:49 |
We're going to take you downtown. |
| 01:13:50 |
Get an attorney, you talk to him. |
| 01:13:52 |
This is crazy, I'm in handcuffs. |
| 01:13:54 |
You're taking me downtown. |
| 01:13:56 |
I was here when she dialed 911. |
| 01:13:57 |
If I had killed him, |
| 01:13:59 |
I stayed so I could clear my name. |
| 01:14:01 |
I could be on my way |
| 01:14:04 |
I've never hurt anybody in my life. |
| 01:14:07 |
- Let's go. |
| 01:14:09 |
I've never been arrested in my life. |
| 01:14:11 |
You have now, pal. |
| 01:14:12 |
This is crazy! Vera, tell them! Don't let |
| 01:14:16 |
I'm innocent! Vera! I'm innocent! |
| 01:14:19 |
I didn't do anything! |
| 01:14:20 |
Vera, tell them! |
| 01:14:46 |
Hi, Mom. |
| 01:14:51 |
Not good, actually. |
| 01:14:55 |
Yeah. Is Dad there? |
| 01:15:01 |
I am going to come over |
| 01:15:06 |
No. |
| 01:15:08 |
No, I'm going to take a shower |
| 01:15:11 |
I would rather tell you |
| 01:15:16 |
Okay. |
| 01:15:18 |
I love you, too. |
