Where The Sidewalk Ends
|
00:00:39 |
'13th Precinct. |
00:00:43 |
'Cars 1235, 1236 and 78.' |
00:00:48 |
'Signal, 30. Authority, CB. |
00:00:53 |
'Dispatcher number 79. |
00:00:59 |
'88, 394. Dispatcher 88.' |
00:01:03 |
'73rd Precinct. |
00:01:08 |
'Cars 1634, 1635 and 89.' |
00:01:13 |
'Signal, 32. |
00:01:18 |
'Operator entered basement |
00:01:22 |
'Authority, CB. Time, 9.05pm.' |
00:01:25 |
'Stations 88, 394. |
00:01:48 |
- Hello, Murphy. |
00:01:50 |
- Still up in the squad room? |
00:01:54 |
Lieutenant Thomas will be in charge |
00:02:01 |
and no-one else. |
00:02:03 |
So far as you are concerned, |
00:02:07 |
You'll give him your co-operation... |
00:02:11 |
and your obedience, |
00:02:13 |
and I expect this precinct |
00:02:16 |
to maintain its high record with the |
00:02:21 |
Do you wish to make any remarks, |
00:02:24 |
I'll talk to the men individually. |
00:02:26 |
Good idea. |
00:02:28 |
Dixon, I want to talk to you. |
00:02:30 |
- I'll use your office, Thomas. |
00:02:33 |
- That's all, boys. |
00:02:36 |
Good luck, Lieutenant. |
00:02:39 |
Sit down, Dixon. |
00:02:42 |
We've had 12 more legitimate citizen |
00:02:47 |
for assault and battery. |
00:02:50 |
From who? Hoods, dusters, mugs. |
00:02:53 |
You're a big disappointment to me, |
00:02:57 |
You've just seen a man who |
00:03:00 |
take a big step up in the department, |
00:03:02 |
which you'll never do |
00:03:05 |
I know what to get hold of, sir: |
00:03:07 |
Sit still! |
00:03:09 |
You've got to learn what's expected |
00:03:14 |
Yes, sir. I'll try to learn |
00:03:17 |
You don't hate hoodlums, you like to |
00:03:21 |
You like to read about yourself |
00:03:24 |
as the tough cop |
00:03:27 |
Your job is to detect criminals, |
00:03:34 |
Is that all, sir? |
00:03:37 |
I'm reducing your rank, Dixon. |
00:03:41 |
Any more complaints against you |
00:03:45 |
and you'll be back in uniform |
00:03:48 |
It's no fun telling you this. |
00:03:51 |
You're a good man with a good brain, |
00:03:53 |
but you're no good to the department |
00:03:59 |
All right, you can go now. |
00:04:01 |
Thank you, sir, for the advice |
00:04:23 |
Hey, Willie. Willie! |
00:04:28 |
How you feelin', Willie? |
00:04:30 |
Feelin' fine, thanks. |
00:04:32 |
Don't you think |
00:04:34 |
Parole rules allow me to 12 o'clock. |
00:04:38 |
How's Mr Scalise, Willie? |
00:04:40 |
What you tryin' to do, trap me? |
00:04:42 |
I ain't consortin' with questionable |
00:04:46 |
That's a nice boy. You better |
00:04:50 |
Sure. |
00:05:25 |
- Who is it? |
00:05:34 |
My point. Come on, |
00:05:38 |
- Seven the loser. |
00:05:41 |
The little lady brought me luck. |
00:05:44 |
- Your dice, Mr Paine. |
00:05:47 |
- Your dice, Mr Morrison. |
00:05:51 |
- I'll take one. |
00:05:53 |
I'll take the rest. You're covered. |
00:05:56 |
- Hello. |
00:05:59 |
- Sure, sure. |
00:06:02 |
Oh, fine. |
00:06:03 |
Bumped into a couple of |
00:06:08 |
They asked about you, but I think |
00:06:11 |
Too bad. |
00:06:14 |
All right, come on, dice! |
00:06:17 |
Here we go, six! |
00:06:19 |
- Ten. |
00:06:20 |
Mr Morrison is from Texas, |
00:06:24 |
Here, you breathe on 'em. |
00:06:26 |
Now you got Lady Luck ridin' |
00:06:30 |
Give it to me! |
00:06:31 |
There it is, a six! |
00:06:33 |
- And getting richer. |
00:06:37 |
I'll shoot the whole 6,000. |
00:06:40 |
- Are you taking any, gentlemen? |
00:06:43 |
Same here. |
00:06:45 |
Four open. |
00:06:47 |
You're covered, Mr Morrison. |
00:06:49 |
I like your friends, Mr Paine. |
00:06:53 |
All right, dice, |
00:06:56 |
Come on! |
00:06:58 |
What do you know? A seven! |
00:07:00 |
If you don't mind, |
00:07:02 |
- Morgan. |
00:07:05 |
That's right, you can't keep |
00:07:08 |
- Then I'll take you home, Morgan. |
00:07:12 |
There y'are. |
00:07:14 |
- Mr Morrison. |
00:07:17 |
You're 19 grand into it. |
00:07:21 |
Oh, well, that's all right, |
00:07:25 |
I ain't leavin' town for a week. |
00:07:28 |
Tell him you changed your mind, |
00:07:31 |
No, Ken, I told you |
00:07:34 |
- You can't do this to me! |
00:07:38 |
I brought him here. |
00:07:44 |
Oh... |
00:07:46 |
- So that's it. |
00:07:48 |
And you're foulin' me up again. |
00:07:51 |
You're telling him to stay. |
00:07:53 |
- No, I'm not. |
00:07:59 |
Morgan! |
00:08:01 |
You heel! |
00:08:24 |
'16th Precinct. Address, 43rd Street |
00:08:29 |
'Cars 618, 619 and 12,' |
00:08:34 |
That's us. |
00:08:46 |
- Hello, Sergeant. |
00:08:48 |
- Foley. |
00:08:53 |
- Dice joint, huh? |
00:08:56 |
- Get his name? |
00:08:59 |
He was DOA. |
00:09:01 |
Nobody did it, nobody saw it. |
00:09:03 |
There's a cut on his hand. |
00:09:06 |
He hit somebody hard. |
00:09:08 |
Tommy Scalise. He's in there. |
00:09:11 |
So dream boy finally |
00:09:13 |
I've been waiting quite a while. |
00:09:21 |
You should've gone home to bed, |
00:09:24 |
You'd be asleep now, |
00:09:26 |
I live in this hotel. |
00:09:31 |
How do you do, Mr Scalise? |
00:09:35 |
Where did you hide the knife, |
00:09:37 |
Go easy, Dixon. |
00:09:40 |
- Talk. |
00:09:42 |
You made a monkey of yourself before, |
00:09:46 |
Who killed him, |
00:09:48 |
You find a corpse |
00:09:50 |
You've been a killer for a long time. |
00:09:52 |
Have I? As I remember it, |
00:09:56 |
and they weren't out |
00:09:58 |
You're still a killer. |
00:10:00 |
Why do you always try to push me |
00:10:02 |
I got as much right |
00:10:04 |
Don't talk to me about rights. |
00:10:07 |
You're a pretty smart rat, Scalise, |
00:10:10 |
Why are you always jumpin' after me? |
00:10:13 |
Four years jumpin' after me |
00:10:16 |
That's right, getting you |
00:10:19 |
I can't figure you out. |
00:10:22 |
- Shut up! |
00:10:23 |
- Hello, Lieutenant. |
00:10:26 |
I've been waiting to tell you |
00:10:29 |
Take them outside. |
00:10:33 |
Congratulations on your promotion, |
00:10:35 |
OK, OK. Let's have it. |
00:10:38 |
Mr Morrison was brought here |
00:10:43 |
sort of an acquaintance of mine. |
00:10:45 |
There was a girl with him, |
00:10:49 |
A Morgan something. |
00:10:51 |
Mr Morrison wanted |
00:10:54 |
- How much did he win? |
00:10:57 |
- You're lying, Scalise. |
00:11:01 |
He lost a grand or so, |
00:11:04 |
He was makin' a play for this girl, |
00:11:08 |
He hit the girl first, smacked her |
00:11:13 |
Then Morrison tackled Paine. |
00:11:15 |
Morrison pulled a gun, but Paine |
00:11:19 |
and they wrestled into the bedroom. |
00:11:22 |
Before I could call the cops, |
00:11:24 |
He didn't say anything, just left. |
00:11:26 |
Then Morrison came out |
00:11:29 |
- He was dead when I got to him. |
00:11:32 |
There wasn't any weapon. |
00:11:34 |
- Paine must have taken it along. |
00:11:37 |
- Let me handle him, Lieutenant. |
00:11:40 |
I don't know. |
00:11:52 |
"K Paine, 58 Pike Street, |
00:11:55 |
Another telephone number: |
00:11:59 |
A pool room on Third Avenue. |
00:12:01 |
You won't have any trouble |
00:12:05 |
All neat and ready with the fall guy, |
00:12:08 |
Go after Paine, Dixon. |
00:12:13 |
Come on, Paul. |
00:12:30 |
Keep the change. |
00:13:09 |
...I- S-O-N. Yeah, Ted Morrison. |
00:13:12 |
Kenneth Paine calling. |
00:13:14 |
Don't answer? Maybe he's |
00:13:18 |
But I gotta talk to him, |
00:13:21 |
Trying to get Ted Morrison |
00:13:25 |
Who are you? |
00:13:30 |
Detective Dixon, 16th Squad. |
00:13:33 |
Get out. |
00:13:35 |
Maybe he's trying |
00:13:37 |
Don't give me that. |
00:13:40 |
How much? |
00:13:41 |
And he's gotta cut me in. |
00:13:44 |
After what you did to him? |
00:13:46 |
He started it! |
00:13:48 |
All among friends. |
00:13:51 |
Hello. |
00:13:53 |
He isn't? Look, Kenneth Paine wants |
00:13:59 |
That's right. |
00:14:06 |
I said get out. I don't like cops. |
00:14:10 |
Ted Morrison is not gonna |
00:14:14 |
Nobody asked you. |
00:14:15 |
Somebody sunk a knife |
00:14:19 |
Dead? |
00:14:21 |
You're lyin'. |
00:14:23 |
Scalise is trying to frame you, |
00:14:28 |
Go home. |
00:14:29 |
I'm trying to help you. Scalise and |
00:14:32 |
They knocked him off to get |
00:14:36 |
- Come on. |
00:14:39 |
Stand up alone, then. |
00:14:41 |
I'll stand up when I wanna. |
00:14:45 |
Get outta here. |
00:14:49 |
Get out! |
00:15:09 |
OK, buddy. Come on, let's go. |
00:15:21 |
Come on. |
00:16:20 |
- Hello? |
00:16:23 |
- Oh, hello, Paul. |
00:16:26 |
'Mark? Mark? ' |
00:16:29 |
Hello? |
00:16:31 |
Hello? Operator, there's a bad |
00:16:35 |
'Mark, can you hear me? ' |
00:16:37 |
Yeah. |
00:16:39 |
I picked up some stuff on him |
00:16:41 |
Go easy on him, he's a war hero. |
00:16:43 |
'Got a hatful of medals |
00:16:46 |
'When he got out of the service |
00:16:49 |
'I thought I'd tell you so you don't |
00:16:52 |
'Going to wait there for him? ' |
00:16:56 |
Yeah, I'll stick around |
00:16:59 |
- 'So long.' |
00:17:35 |
Will you send a cab |
00:18:56 |
- You call a cab? |
00:19:05 |
- Pennsylvania Station, please. |
00:19:26 |
Give me a ticket to Pittsburgh, |
00:19:33 |
17 dollars and 8 cents. |
00:20:37 |
Hello, Paul. I covered a few bars |
00:20:40 |
I just got here. See this? |
00:20:44 |
Slipped in and out after I was here. |
00:20:47 |
Probably watching you. |
00:20:49 |
Nice piece of luck for me. |
00:20:51 |
You can't be everywhere. |
00:20:53 |
He took all his stuff |
00:20:57 |
Just his uniform and one shoe. |
00:21:00 |
There's another closet. |
00:21:07 |
- Nothing in there. It's empty. |
00:21:10 |
There's an old lady |
00:21:34 |
Police. We'd like to talk to you. |
00:21:41 |
What do you want? |
00:21:43 |
How long have you been sitting here? |
00:21:45 |
Since after dinner. |
00:21:48 |
- You know Kenneth Paine? |
00:21:51 |
- Have you seen him tonight? |
00:21:54 |
- When? |
00:21:57 |
When you get old like me, |
00:22:00 |
- Approximately how long ago? |
00:22:04 |
The taxi man woke me up. |
00:22:07 |
Everybody wakes me up tonight. |
00:22:11 |
I always sleep here |
00:22:15 |
It seems less lonely. Music helps me. |
00:22:18 |
Thank you, madam. Come on, Paul. |
00:22:20 |
That's all, thank you. |
00:22:28 |
- He's running for it, huh? |
00:22:36 |
You cover the Yellow Cab stand, |
00:22:40 |
- I'll cover the independent garages. |
00:23:54 |
Hey! Open up! I know you're in there! |
00:23:58 |
Open up, you dirty rat! Open... |
00:26:06 |
- Where's the lieutenant? |
00:26:15 |
Lieutenant, we got a break on this. |
00:26:18 |
One of the porters saw Paine |
00:26:20 |
Oh, good. |
00:26:23 |
Here's the cab driver's statement. |
00:26:28 |
"Picked up a fare at 58 Pike Street |
00:26:31 |
That's right. |
00:26:35 |
You recognise this bag? |
00:26:37 |
Yeah, the guy was carryin' it |
00:26:41 |
I noticed the name: |
00:26:45 |
Yeah, Kenneth Paine. |
00:26:48 |
He had a bandage under one eye. |
00:26:50 |
Yeah, piece of tape. |
00:26:52 |
- Which eye? |
00:26:56 |
left eye, like this. |
00:26:58 |
Under the left eye. Thanks, |
00:27:05 |
Looks like we have a definite line |
00:27:08 |
The ticket agent at Penn station |
00:27:12 |
Evidently trying to throw us off. |
00:27:15 |
- No line on the girl, Lieutenant. |
00:27:19 |
Scalise thinks she was either |
00:27:22 |
Call the agencies on both, |
00:27:25 |
Call CB and have them teletype |
00:27:29 |
Dixon, take yourself a rest. You too, |
00:27:34 |
- Communication, please. |
00:27:38 |
Knock off, Casey, |
00:27:42 |
Good night, boys. |
00:27:44 |
Teletype the following description |
00:27:47 |
Give me Communications. |
00:27:49 |
...height, six feet one; weight, |
00:27:55 |
You look beat, Mark. |
00:28:55 |
- Hey, Mark, you awake? |
00:28:58 |
We've got a line on the girl. |
00:29:07 |
Her name is Morgan Taylor, from |
00:29:10 |
- What is it? |
00:29:14 |
Wentworth 35098. |
00:29:36 |
All right, all right. |
00:29:42 |
Hello. |
00:29:43 |
Does Morgan Taylor live there? |
00:29:47 |
Yeah, she lives here. |
00:29:49 |
No, she ain't here now. |
00:29:53 |
Never mind, I'll call her later. |
00:29:56 |
She's gone to work. |
00:29:58 |
Here it is. |
00:30:02 |
Friedman and Lyon, 525 Eighth Avenue. |
00:30:06 |
Very nice. But too high-style |
00:30:10 |
- Maybe we could make a bolero, Oleg. |
00:30:14 |
Mmm, I'm not sure. I'll let you know |
00:30:19 |
Thank you, Morgan. |
00:30:20 |
It's OK with me. We have more orders |
00:30:25 |
- Did they notice it? |
00:30:28 |
Come here, |
00:30:31 |
Still shows a little. |
00:30:33 |
I'll put some more pancake on it. |
00:30:35 |
You know, Morgan, |
00:30:38 |
You keep thinking of him |
00:30:41 |
You won't see him for what he is, |
00:30:45 |
So he won the war |
00:30:48 |
Does that entitle him to spend |
00:30:52 |
and punching girls on the nose? |
00:30:55 |
Don't worry. |
00:30:59 |
You said that before. |
00:31:02 |
and you set yourself up |
00:31:05 |
You can't help him, Morgan. |
00:31:07 |
- I guess you're right. |
00:31:10 |
- Who? |
00:31:13 |
It's important, Mr Friedman said |
00:31:26 |
Miss Taylor, |
00:31:28 |
They are police detectives. |
00:31:31 |
- How do you do? |
00:31:33 |
Sit down, please, Miss Taylor. |
00:31:36 |
We'd like to ask you a few questions. |
00:31:39 |
What would you like to know? |
00:31:41 |
You were with Kenneth Paine |
00:31:43 |
Yes. |
00:31:44 |
You were at a so-called |
00:31:47 |
in the apartment |
00:31:50 |
at the 43rd Street Hotel. Correct? |
00:31:52 |
Yes. |
00:31:53 |
Have you been in touch |
00:31:56 |
No. |
00:31:57 |
Have you any idea where he might be? |
00:31:59 |
No, I haven't. |
00:32:01 |
From what we hear, you're |
00:32:03 |
- Yes. |
00:32:06 |
- I'm his wife. |
00:32:09 |
But you're living with your father, |
00:32:12 |
Ken and I separated three months ago. |
00:32:14 |
What happened at Scalise's |
00:32:20 |
May I know why you're asking me |
00:32:22 |
We'd rather tell you afterward, |
00:32:26 |
Well, Kenneth was drinking |
00:32:29 |
we had a quarrel. |
00:32:31 |
I understand he hit you. |
00:32:35 |
Yes. |
00:32:37 |
- Did you see him hit Morrison? |
00:32:40 |
- Where'd you go? |
00:32:43 |
Take a taxi? |
00:32:45 |
No, I met my father at his stand |
00:32:48 |
He's a taxi driver. |
00:32:51 |
Did you hear from Paine |
00:32:53 |
Yes, he telephoned. |
00:32:54 |
- What'd he say? |
00:32:57 |
- What time was that? |
00:32:59 |
Did he call from his house? |
00:33:02 |
- No. |
00:33:04 |
Because my father went down |
00:33:07 |
- What for? |
00:33:11 |
We think so, Miss Taylor. |
00:33:13 |
I didn't want to tell him anything, |
00:33:15 |
but I was crying, |
00:33:18 |
- What'd he say? |
00:33:20 |
- He told me before that... |
00:33:24 |
Well, that if Ken ever hit me again |
00:33:27 |
Morrison was killed last night. |
00:33:31 |
No! |
00:33:32 |
At Scalise's place, |
00:33:36 |
He was killed with a knife. |
00:33:41 |
And you're looking for Ken |
00:33:44 |
When did your husband start |
00:33:47 |
Jealous? That's silly. |
00:33:50 |
Mr Morrison was somebody |
00:33:52 |
- But you went out with him. |
00:33:55 |
You just said you were separated |
00:33:57 |
Yes, but he kept insisting, |
00:34:01 |
When I got to the restaurant, |
00:34:03 |
Then after dinner |
00:34:06 |
Then I realised |
00:34:09 |
was to use me as a sort of decoy |
00:34:15 |
I was sinking pretty low, I thought. |
00:34:18 |
Poor Ken. |
00:34:21 |
Why did Paine hit you? |
00:34:23 |
Because I wanted to go home. |
00:34:27 |
Because Morrison was winning. |
00:34:29 |
- Yes. |
00:34:31 |
A great deal. |
00:34:35 |
Thank you for the information. |
00:34:48 |
- Hi! |
00:34:51 |
Hello, Jack. |
00:34:52 |
- Hello, Morgan. |
00:34:55 |
Night. |
00:34:58 |
Oh, Miss Taylor. |
00:35:00 |
- Hello. |
00:35:02 |
- I'd like to talk to you. |
00:35:05 |
No. |
00:35:07 |
You think I know where he's hiding |
00:35:09 |
Where are you going now? |
00:35:11 |
- Home. |
00:35:14 |
A nice way to put it when you're |
00:35:17 |
This is no third degree, |
00:35:20 |
Have you come to nab me |
00:35:22 |
I'm not really. I've never been |
00:35:26 |
Are you... are you having dinner |
00:35:29 |
- You inviting me? |
00:35:32 |
I take that subway, there. It'll |
00:35:35 |
That's good enough. |
00:35:38 |
- Hey, Dad, you home? |
00:35:41 |
- There's company. |
00:35:43 |
No. |
00:35:47 |
This is my father. Mr Dixon. |
00:35:51 |
- Mark Dixon! |
00:35:54 |
You don't remember me. |
00:35:57 |
I'm Jiggs Taylor. |
00:35:59 |
- I'm sorry, I don't recall. |
00:36:03 |
Well, sit down, |
00:36:08 |
It's 2am. |
00:36:13 |
There's a blizzard goin' on. |
00:36:15 |
A detective jumps in my cab and says |
00:36:18 |
"Follow that black sedan, |
00:36:21 |
So I give her the gas. |
00:36:24 |
Here, here's the diploma |
00:36:29 |
"For aiding Detective Mark Dixon |
00:36:32 |
Oh, yes. Six years ago. |
00:36:35 |
Say, Dad, let's hear about |
00:36:38 |
and riddled your cab with bullets. |
00:36:40 |
Mark can tell you himself. |
00:36:43 |
Yes, there were a few shots fired. |
00:36:46 |
A few shots? Dad always said it was |
00:36:49 |
That's the trouble with |
00:36:53 |
How about a drink, Mark? |
00:36:55 |
- No, thanks. |
00:36:58 |
I suppose you're workin' |
00:37:00 |
- That's right. |
00:37:04 |
Thanks. |
00:37:06 |
Any other suspects besides Ken? |
00:37:10 |
That fella Scalise, huh? |
00:37:14 |
The department thinks he's clean on |
00:37:18 |
- He's on a gambling charge only. |
00:37:22 |
He lied about Morrison being |
00:37:26 |
Your daughter |
00:37:29 |
It looks like a cinch he's the guy. |
00:37:31 |
I wouldn't tell a lot of people |
00:37:33 |
about going up to Paine's place |
00:37:36 |
I don't care how many people hear it. |
00:37:39 |
Oh, Dad, please! Mr Dixon isn't |
00:37:43 |
I ask you, what would you do |
00:37:47 |
You know, it is a lucky thing |
00:37:51 |
I'd've... |
00:37:52 |
I forgot to ask you, I've been |
00:37:56 |
How about some chow? |
00:37:59 |
- No, Dad, we're going out. |
00:38:03 |
I'll be seeing you, Mr Taylor. |
00:38:06 |
Well, least I'm glad |
00:38:09 |
who ain't gonna land her |
00:38:12 |
You're horrible, Dad! |
00:38:15 |
- Good night. |
00:38:24 |
Good evening, Mr Detective. |
00:38:27 |
- Hello, Martha. |
00:38:29 |
How do you do? |
00:38:32 |
You know, I like places like this |
00:38:34 |
that specialise in good food |
00:38:38 |
It's the worst food in town. |
00:38:40 |
But don't worry, they usually serve |
00:38:43 |
Who invited you to come to |
00:38:46 |
Martha's the head |
00:38:49 |
My presence makes her nervous. |
00:38:50 |
Last night we got a whole basketful |
00:38:54 |
Bring us two of |
00:38:56 |
D'you know how much I've been offered |
00:38:59 |
- 10 dollars. |
00:39:02 |
- Two dinners. You want wine? |
00:39:05 |
Huh! Same old cheapskate! |
00:39:07 |
She adores you, doesn't she? |
00:39:09 |
- Ought to, I sent her husband up. |
00:39:12 |
- Wife-beater. |
00:39:15 |
She's under wraps on account of you. |
00:39:19 |
Oh, I mean... |
00:39:20 |
Dame's all right. |
00:39:23 |
- There's no such animal. |
00:39:26 |
Your dad is not a reliable source |
00:39:29 |
You're quite right. I never knew |
00:39:32 |
He does it for fun, though. |
00:39:36 |
or movie stars, and overhearing |
00:39:40 |
- Like your dad, huh? |
00:39:42 |
I hope you come here often, |
00:39:45 |
For years he sits in my restaurant |
00:39:47 |
A detective in the window: You can |
00:39:50 |
But now with a beautiful lady he |
00:39:54 |
- Horrible. |
00:39:56 |
Thanks. Eat all you want. |
00:39:59 |
Have you been trying to get in touch |
00:40:03 |
No. I don't quite know what to do. |
00:40:07 |
- When were you married? |
00:40:10 |
But we knew each other before that. |
00:40:13 |
You said this morning |
00:40:15 |
- Three months ago. |
00:40:18 |
It's hard to say why you leave |
00:40:22 |
I always blamed Ken, |
00:40:25 |
not understanding what made him seem |
00:40:29 |
I guess the chief thing |
00:40:32 |
and lots of pride. |
00:40:34 |
Too much pride. |
00:40:36 |
A man can usually find work |
00:40:40 |
You're worried about me feeling badly |
00:40:42 |
because he's going to be arrested, |
00:40:45 |
- Something like that. |
00:40:51 |
He'll need me. I owe it to him. |
00:40:55 |
You still love him, huh? |
00:40:58 |
No. It isn't love any more. |
00:41:01 |
Mr Detective! Telephone! |
00:41:04 |
Excuse me. That must be my partner. |
00:41:07 |
Probably wants to know |
00:41:13 |
Dixon speaking. |
00:41:15 |
Been trying to get you for an hour, |
00:41:20 |
Where did you find him? |
00:41:21 |
River watchman reported |
00:41:24 |
that somebody slugged him last night. |
00:41:28 |
'Sent two men over, but they couldn't |
00:41:31 |
Nothing stolen, nothing missing.' |
00:41:32 |
'Until the watchman remembered |
00:41:35 |
They started draggin' the river |
00:41:38 |
- Who's that? |
00:41:41 |
Mark? Thomas. We found Paine |
00:41:44 |
We'll meet you at his apartment |
00:41:46 |
OK, Lieutenant. |
00:41:52 |
- What's the matter? You look sick. |
00:41:55 |
You got to leave the beautiful girl |
00:41:58 |
That's what you get |
00:42:01 |
No fun, always chasin' |
00:42:09 |
- Has something happened? |
00:42:13 |
Please, finish your dinner. |
00:42:14 |
It's really the best |
00:42:17 |
- I'm sorry you have to leave. |
00:42:19 |
- So long. |
00:42:21 |
Good night. |
00:42:26 |
- You like him, huh? |
00:42:30 |
I'm glad. You know what |
00:42:35 |
He's got nobody. All he thinks of |
00:42:39 |
He grabs himself a dizzy blonde |
00:42:44 |
Fella like him oughta be married, |
00:42:46 |
- have a home, kids, and... |
00:42:50 |
- I'm married. |
00:42:55 |
Wait till I see that dope again. |
00:43:02 |
- You got it? |
00:43:05 |
I'd say not more than 24 hours. |
00:43:07 |
Get it to the lab right away. |
00:43:09 |
That clinches it. |
00:43:12 |
Somebody came in and slugged him. |
00:43:16 |
He had a silver plate in his head |
00:43:18 |
as a result of a shrapnel wound in |
00:43:21 |
I buy that, Lieutenant. |
00:43:23 |
The killer tried to get the body out, |
00:43:27 |
probably Dixon when he came |
00:43:31 |
He ducked behind |
00:43:33 |
That's the reason |
00:43:36 |
- If it is Paine's blood. |
00:43:40 |
Now, we can establish |
00:43:43 |
as between 12.30, |
00:43:47 |
and, uh, 3am, when the killer |
00:43:53 |
Hello, Dixon. You know Mr Gilroy |
00:43:57 |
- Sure. How are you? |
00:43:59 |
A lot of fancy footwork you did |
00:44:02 |
It couldn't be helped, Lieutenant. |
00:44:05 |
I can't understand |
00:44:08 |
You came in here at 12.50, |
00:44:11 |
That's right. |
00:44:12 |
Paine came, packed and left at 1.10. |
00:44:16 |
You must've practically |
00:44:19 |
Well, he wasn't here, |
00:44:21 |
I had a look in a couple of bars. |
00:44:23 |
It's queer to figure a guy on the lam |
00:44:27 |
- What time did Dixon come back? |
00:44:29 |
- And you left right after that? |
00:44:33 |
It's obvious. He lays a fake trail. |
00:44:37 |
and then he decides to come back |
00:44:40 |
He figures the police have been there |
00:44:44 |
What time did Jiggs Taylor |
00:44:46 |
- About 2.15. |
00:44:50 |
Yeah, and he came down crazy angry, |
00:44:52 |
- ready to knock Paine's block off. |
00:44:56 |
How's that? It looks completely |
00:44:59 |
- Scalise did it. |
00:45:02 |
I'm telling you, |
00:45:05 |
He was afraid Paine |
00:45:08 |
so he sent someone to finish him off. |
00:45:10 |
That doesn't stand up. |
00:45:11 |
Whoever killed Paine killed him by |
00:45:15 |
A Scalise hood would've taken |
00:45:18 |
he'd've knifed or shot him. |
00:45:21 |
We've got Jiggs Taylor |
00:45:23 |
Bring them in, Harrington. |
00:45:26 |
A mile a minute. |
00:45:29 |
I think we can |
00:45:31 |
Get statements from both of them. |
00:45:37 |
- I'm Lieutenant Thomas. |
00:45:39 |
How d'ya do, Lieutenant? |
00:45:45 |
I was expectin' this. |
00:45:48 |
the minute I heard Ken was murdered, |
00:45:50 |
I knew I was in for a going-over, |
00:45:53 |
having been |
00:45:56 |
You were all ready for us |
00:45:58 |
Won't take long. |
00:46:01 |
give it to you |
00:46:04 |
everything that happened. |
00:46:06 |
Came down here last night around 2.15 |
00:46:11 |
You were pretty worked up, huh? |
00:46:14 |
I'll say. I told him last month |
00:46:18 |
I'd slap him silly. |
00:46:20 |
Go on. |
00:46:25 |
Well, that's all there was. |
00:46:27 |
The door was unlocked, |
00:46:31 |
nobody home, so I walk out. |
00:46:34 |
With his body. |
00:46:36 |
- Whose body? |
00:46:39 |
That's sure smart figurin', |
00:46:42 |
- I tell you... |
00:46:45 |
We've got every one of your moves. |
00:46:47 |
You took the body to the river, |
00:46:49 |
knocked out the watchman on the pier |
00:46:53 |
Oh, so I knocked out |
00:46:56 |
OK, now let me tell you something. |
00:46:59 |
I didn't see Paine. If I had seen him |
00:47:02 |
I ain't denyin' that. He deserved it. |
00:47:05 |
But I left this place |
00:47:07 |
Then I picked up a fare |
00:47:10 |
Congressman Reynolds. |
00:47:12 |
Took him up to the Astor Hotel. |
00:47:15 |
- Told me... |
00:47:17 |
- Yes, sir. |
00:47:20 |
Check all you want. |
00:47:22 |
And what time do you claim |
00:47:25 |
About 2.40. |
00:47:27 |
Anybody see you around there? |
00:47:29 |
Yeah. Uh... Pat Rafferty |
00:47:35 |
The congressman doesn't answer |
00:47:38 |
No. No, we'll check later. |
00:47:40 |
The pier watchman was slugged at 3am |
00:47:45 |
Mm-hm. Yes. |
00:47:46 |
That gives Jiggs Taylor 20 minutes |
00:47:50 |
to come back here from |
00:47:53 |
He couldn't have come back here |
00:47:56 |
lugged the body out to the car, |
00:47:59 |
and slugged the night watchman |
00:48:02 |
Seems we're on the wrong man, |
00:48:04 |
especially if the congressman |
00:48:07 |
It's not the wrong man. |
00:48:10 |
and Taylor got the body at that time, |
00:48:14 |
Well, that's screwy! |
00:48:16 |
I told you I picked up |
00:48:18 |
Sure you did. But you were on the way |
00:48:21 |
when Reynolds hailed you. |
00:48:23 |
He took him to the hotel. 20 minutes |
00:48:28 |
slug the watchman at 3am |
00:48:31 |
Paine was out of here at 1.10 |
00:48:33 |
We're wasting time, Lieutenant. |
00:48:35 |
I don't think so, Dixon. |
00:48:43 |
Bring them along. |
00:48:54 |
Did you see anybody |
00:48:57 |
carrying something over |
00:48:59 |
- I didn't see anything like that. |
00:49:02 |
- Says she didn't notice anyone... |
00:49:06 |
I'm going to ask you a very important |
00:49:10 |
Are you sure it was Kenneth Paine |
00:49:14 |
Of course I'm sure. I never heard |
00:49:18 |
I'm going to try a little experiment, |
00:49:21 |
Taylor! I want you to put on |
00:49:25 |
What for? |
00:49:27 |
Put tape under his eye, somebody, |
00:49:30 |
Oh, no, wait a second. |
00:49:33 |
Now, don't act dumb, Taylor, |
00:49:36 |
Last night you put on |
00:49:39 |
and carried his bag out of here |
00:49:41 |
after you'd killed him |
00:49:44 |
You wanna come clean now, Jiggs? |
00:49:46 |
- Oh, I told you the truth. |
00:49:50 |
Don't do it, Dad. They have no right |
00:49:54 |
No, I won't. I ain't goin' in |
00:49:57 |
All right. Dixon, you're about |
00:50:02 |
That's comic-strip stuff, Lieutenant. |
00:50:04 |
The lady said she saw Paine |
00:50:07 |
Sure I did. |
00:50:11 |
No, you saw a raincoat, |
00:50:17 |
- Anybody got some adhesive tape? |
00:50:23 |
Under the left eye. |
00:50:25 |
Mrs Tribaum, did he walk straight to |
00:50:30 |
- He looked down. |
00:50:32 |
Just walk to the car |
00:50:35 |
Is this where you were sitting? |
00:50:37 |
No. I was standing here |
00:50:40 |
A taxi driver had asked me |
00:50:43 |
Are you sure you could recognise |
00:50:50 |
I can tell that fellow |
00:50:53 |
Can you distinguish his face |
00:50:56 |
No, but I can tell by something else |
00:51:00 |
By what? |
00:51:02 |
He didn't wave at me. |
00:51:04 |
- Did Mr Paine always wave at you? |
00:51:07 |
He went like this. |
00:51:09 |
What about last night. |
00:51:14 |
Do you remember? |
00:51:17 |
Yes, I remember. |
00:51:18 |
He didn't wave last night. |
00:51:20 |
You're right, it wasn't Mr Paine. |
00:51:23 |
No, never. |
00:51:25 |
He would have waved. |
00:51:27 |
Thank you, Mrs Tribaum. |
00:51:30 |
That's it, boys, take him |
00:51:33 |
- Well, you're kidding. |
00:51:36 |
You thought you were pretty fancy |
00:51:40 |
You got the body at 2.15, |
00:51:42 |
dropped Congressman Reynolds |
00:51:45 |
and hurried it back to the pier. |
00:51:46 |
- Well, that's screwy! I... |
00:51:49 |
- I'd like to talk to my father. |
00:51:52 |
- May I talk to him alone? |
00:52:00 |
Dad, |
00:52:01 |
please, |
00:52:03 |
did you see Ken last night? |
00:52:06 |
So help me, |
00:52:08 |
I swear by your ma, |
00:52:10 |
I never saw him |
00:52:14 |
I believe you. |
00:52:19 |
You take Miss Taylor home, Casey. |
00:52:22 |
I'd rather go alone, if I may. |
00:52:43 |
I've been lookin' for you for an |
00:52:48 |
You got to hand it to Thomas: |
00:52:51 |
His first job, too. |
00:52:53 |
Stop talking like an idiot. |
00:52:56 |
Wait a minute, Mark, that ain't fair. |
00:52:59 |
Don't tell me what's fair, I know. |
00:53:02 |
Scalise did both jobs: |
00:53:06 |
You can't go against the facts. |
00:53:08 |
I bet Jiggs Taylor will confess |
00:53:11 |
- See you later. |
00:53:13 |
I'm going to get it out of Scalise. |
00:53:16 |
Wait a minute, Mark. |
00:53:18 |
You know the boss's orders, |
00:53:21 |
Let me go. |
00:53:23 |
Look, Mark, I'm gonna give it to you |
00:53:26 |
I don't like to see you made a monkey |
00:53:31 |
You're as dumb as Thomas. |
00:53:36 |
- Come on, I'll drive you home. |
00:53:39 |
You stick with your boss |
00:53:43 |
You let me go or I'll paste you. |
00:54:08 |
We're closed for the night. |
00:54:10 |
- Scalise in here? |
00:54:12 |
Don't bother. |
00:54:25 |
Get your clothes on, Scalise. |
00:54:28 |
When I'm ready, Mr Dixon. |
00:54:30 |
- Hey, cut that out! |
00:54:35 |
I warn you not to touch me. |
00:54:37 |
Why? You don't seem to be |
00:54:41 |
We found the one |
00:54:43 |
- That's a lie. |
00:54:46 |
It's always a pleasure |
00:54:48 |
to watch a cop four-flush. |
00:54:52 |
I don't like rats to grin at me. |
00:54:54 |
That's too bad. |
00:54:56 |
Maybe I'd better show you my hand, |
00:55:03 |
Tonight I'm not kidding, Scalise. |
00:55:07 |
We found out Morrison had you for |
00:55:12 |
So you knifed him. |
00:55:15 |
about Kenneth Paine sobering up |
00:55:19 |
so you sent one of your mugs |
00:55:22 |
You tryin' to frame me for Paine? |
00:55:25 |
You killed Morrison |
00:55:27 |
and I'm going to get a statement |
00:55:30 |
Outside, you lugs. He's gonna talk, |
00:55:35 |
Come on, I said outside! |
00:55:38 |
OK, Steve. |
00:56:02 |
Joe, Ernie! |
00:56:29 |
- Have a look out front, Kramer. |
00:56:45 |
Get your coats. |
00:56:47 |
I oughta finish the job. |
00:56:50 |
Wouldn't be smart: They'd put on |
00:56:54 |
- They still out there? |
00:56:56 |
- Both of them? |
00:56:58 |
- Oh, I can't make up my mind. |
00:57:01 |
All right, have it your way. |
00:57:06 |
Get the key, Steve. |
00:57:37 |
- Yes? |
00:57:45 |
If you don't mind, I'd like |
00:57:48 |
What's the matter? |
00:57:50 |
You're hurt. |
00:57:56 |
I could use a drink. |
00:58:04 |
Where the devil am I? |
00:58:06 |
I keep coming and going. |
00:58:20 |
I don't know why l came here. |
00:58:25 |
I'll go now. |
00:58:27 |
You can't leave like this. |
00:58:33 |
Why did I come here? I must have |
00:58:38 |
What happened to you? |
00:58:41 |
A run-in with Scalise and his pals. |
00:58:44 |
Shouldn't l call the police? |
00:58:47 |
Let's leave the police out of this. |
00:58:49 |
I made a big idiot |
00:58:54 |
Bigger than usual. |
00:58:57 |
I'll fix your head. Come with me. |
00:58:59 |
I suggest you use an axe. |
00:59:15 |
Here, come and sit down. |
00:59:21 |
What did they hit you with? |
00:59:23 |
Various objects. |
00:59:26 |
Why did you fight with Scalise? |
00:59:29 |
Did it have anything |
00:59:32 |
In a way, yes. |
00:59:35 |
You don't think Dad did it. |
00:59:40 |
What I think doesn't matter |
00:59:44 |
Most important thing |
00:59:47 |
That's what I came here for. |
00:59:50 |
Here, hold this. |
00:59:52 |
One that can't lose. |
00:59:55 |
- But if Dad's innocent, I don't... |
00:59:58 |
Innocent people |
01:00:04 |
One false move |
01:00:08 |
How much money have you got, |
01:00:11 |
None. |
01:00:13 |
No savings? |
01:00:15 |
No. |
01:00:17 |
Paine got 'em, huh? |
01:00:20 |
Yes. |
01:00:25 |
Thanks for the facial. |
01:00:28 |
I feel a lot better now. |
01:00:35 |
You go on back to bed. I'll be back |
01:00:39 |
You wait here for me. |
01:00:41 |
You're not fooling me. |
01:00:43 |
You do believe Dad didn't kill him. |
01:00:46 |
Your dad never touched him. |
01:00:50 |
Good night. |
01:01:23 |
I'm sorry to wake you up, Paul. |
01:01:29 |
I need some dough. |
01:01:31 |
Who stuck his finger in your eye? |
01:01:34 |
I've got 700 in the bank. |
01:01:40 |
It's for a lawyer. Thought |
01:01:45 |
I want to get Norman Ackerman |
01:01:49 |
He never lost a murder verdict |
01:01:52 |
but you gotta slap down |
01:01:59 |
Be right with you. |
01:02:03 |
Who is it, Paul? |
01:02:05 |
Mark. He wants 300 bucks. |
01:02:08 |
- For what? |
01:02:12 |
Since when |
01:02:14 |
Shh! |
01:02:17 |
Please, Shirley, don't argue. |
01:02:19 |
After the way he treated you, |
01:02:22 |
I told you: No arguments, please. |
01:02:24 |
You told me you were never |
01:02:31 |
I don't know, Shirley. |
01:02:33 |
Sometimes you really get me sore |
01:02:37 |
$300 for a man you were gonna punch |
01:02:42 |
I... |
01:03:12 |
Take them to the Acme Loan |
01:03:18 |
Who knows? I might even |
01:03:27 |
Yes? |
01:03:28 |
'Detective Dixon is here |
01:03:30 |
Have him come in. |
01:03:32 |
Send off that cable, Mary, |
01:03:37 |
- Hello, Mark. |
01:03:41 |
Well, what happened to you? |
01:03:44 |
I'm just fine. |
01:03:46 |
- How do you do? |
01:03:49 |
- Sit down. |
01:03:50 |
I understand Ackerman's out of town. |
01:03:53 |
He's in Washington, he's due back |
01:03:56 |
I'd like to make an appointment |
01:03:58 |
Her father's involved |
01:04:01 |
I read about it. |
01:04:03 |
I am. That's why I'm here. |
01:04:08 |
Here's your retainer for |
01:04:11 |
I'll hold it. Come in around 5.30. |
01:04:14 |
Mr Ackerman will see you, |
01:04:18 |
Thank you. Thank you very much. |
01:04:22 |
I never heard of anything |
01:04:27 |
Oh, my partner kicked in too. |
01:04:31 |
You're an amazing man. |
01:04:34 |
I could kiss you, right here. |
01:04:38 |
I'll take a rain check on that. |
01:04:41 |
Tell him you're late |
01:04:45 |
Mr Friedman has dispensed |
01:04:48 |
I'm the notorious |
01:04:51 |
Might take their minds |
01:04:54 |
That mug! I'll run him in. |
01:04:56 |
I bet you would. |
01:04:59 |
All right. Goodbye. |
01:05:02 |
Phone call for you, Mr Detective. |
01:05:05 |
- No. I'm busy. |
01:05:07 |
I told him you weren't here. |
01:05:09 |
It's wonderful how he looks at you. |
01:05:12 |
he just eats you up with his eyes, |
01:05:15 |
- Cut it out! |
01:05:17 |
You don't know how to make love, |
01:05:21 |
- Bye-bye, Martha. |
01:05:28 |
It's a wonderful day. |
01:05:32 |
No job, everybody against me, |
01:05:36 |
and it's a wonderful day. |
01:05:39 |
- Hey, Mark! |
01:05:41 |
Excuse me a minute. |
01:05:44 |
- Hello, Mike. |
01:05:47 |
- What's up? |
01:05:49 |
Come on! |
01:05:52 |
Do you mind going up to see Ackerman |
01:05:55 |
And wait for me at my hotel, |
01:05:58 |
I'll be there, Mark. |
01:06:05 |
Let's go. |
01:06:17 |
- You wanted to see me, Inspector? |
01:06:22 |
Is this one of the men |
01:06:26 |
That was just a personal affair, sir. |
01:06:29 |
Your personal affairs |
01:06:31 |
seem to be getting in the way |
01:06:33 |
Take this man out |
01:06:41 |
You had no business |
01:06:43 |
You were asked not to. You were told |
01:06:48 |
I thought I could get a statement |
01:06:50 |
Well, you didn't, and now you've |
01:06:53 |
with your bull-headed tactics. |
01:06:56 |
- I'll find him. |
01:07:00 |
I'm not throwing you |
01:07:04 |
but I'm inviting you to take one week |
01:07:07 |
beginning as of now. |
01:07:09 |
I don't want to see or hear of you |
01:07:12 |
I want you go someplace |
01:07:15 |
- Yes, sir. |
01:07:18 |
All bunged up like a barrelhouse vag. |
01:07:21 |
First thing you'd better do is get |
01:07:26 |
That's all. |
01:07:28 |
Yes, sir. |
01:07:32 |
He's got a point. |
01:07:35 |
until the Morrison job |
01:07:38 |
It looked certain |
01:07:40 |
Get on this fella Steve. I got a |
01:07:45 |
And try talking to him |
01:07:47 |
Yes, sir. |
01:08:04 |
Sit down! |
01:08:06 |
You are going to talk. |
01:08:08 |
You were in that crap game |
01:08:11 |
- Yeah, but I didn't see nothin'. |
01:08:14 |
I want straight answers, |
01:08:16 |
and I want them now. |
01:08:21 |
Hello. Did you see Ackerman? |
01:08:24 |
Yes. |
01:08:33 |
You've been crying. What happened? |
01:08:35 |
Mr Ackerman doesn't want |
01:08:40 |
There are other lawyers. |
01:08:45 |
I'll get in touch with Bill Cantwell. |
01:08:50 |
He's as good as Ackerman. |
01:08:52 |
It won't help. |
01:08:55 |
It's no different than it was. |
01:08:58 |
You felt all right this afternoon. |
01:09:00 |
I didn't realise how serious it was, |
01:09:03 |
but now I know. |
01:09:05 |
I thought because Dad was innocent |
01:09:09 |
- but it will. |
01:09:12 |
It's already happened. He's in jail. |
01:09:14 |
They'll try him, |
01:09:19 |
Somebody else did it, |
01:09:22 |
- He won't be tried. |
01:09:26 |
Ackerman didn't take the case |
01:09:30 |
That means |
01:09:32 |
I'm not fooling you. Nothing |
01:09:38 |
Why? |
01:09:40 |
You didn't sound so certain before. |
01:09:43 |
Now you're certain. |
01:09:45 |
Because he didn't kill Paine. |
01:09:48 |
But can you prove it? |
01:09:50 |
- Yes. |
01:09:54 |
Mark, you know something |
01:09:57 |
That's right. |
01:09:59 |
What? |
01:10:01 |
What is it? |
01:10:04 |
I'll tell you. |
01:10:11 |
Please. |
01:10:15 |
Oh, that's not fair, |
01:10:19 |
even if you have to break |
01:10:23 |
If you know something, Mark... |
01:10:26 |
I can't stand thinking how he feels. |
01:10:31 |
He's never done anything wrong. |
01:10:36 |
He's always felt |
01:10:39 |
Now he's in jail, like a criminal. |
01:10:44 |
You don't know what it is |
01:10:48 |
My father was a thief. |
01:10:51 |
Wh... |
01:10:54 |
He's dead now. He died when I was 17 |
01:10:59 |
I worked all my life |
01:11:06 |
Mark... |
01:11:08 |
Darling. |
01:11:23 |
- You better go home. |
01:11:26 |
Because you're a sucker |
01:11:30 |
You're not wrong. |
01:11:33 |
I trust you with my whole heart. |
01:11:36 |
I'm glad you told me |
01:11:39 |
You're not like him. |
01:11:42 |
I know it. |
01:11:45 |
Thanks. I've figured out what to do. |
01:11:48 |
About your dad. |
01:11:51 |
What? |
01:11:53 |
Don't ask any questions. |
01:11:59 |
- You look tired. Get some sleep. |
01:12:02 |
I'm not afraid any more. |
01:12:04 |
Everything's going to be all right, |
01:12:07 |
Sure. It'll turn out all right. |
01:12:13 |
- So long. |
01:12:29 |
- OK, Mac. |
01:12:32 |
I almost hit my head on the door. |
01:12:34 |
That's OK, Willie, the cab's insured. |
01:12:36 |
I wasn't doing nothin', Mr Dixon, |
01:12:40 |
I'm not interested in that. You're |
01:12:44 |
- I know. |
01:12:46 |
- That's right. |
01:12:49 |
You can't do nothin', Mr Dixon. |
01:12:52 |
I can say I sent you up to Scalise's |
01:12:56 |
Yeah? |
01:12:57 |
Particularly if you prove it. |
01:13:01 |
Like how? |
01:13:02 |
- Don't play dumb! |
01:13:05 |
No, by telling me where Scalise is. |
01:13:09 |
and save yourself three years |
01:13:13 |
- Come on. |
01:13:16 |
You're asking for it, |
01:13:17 |
- and you're gonna get it. |
01:13:20 |
- They'll kill me, Mr Dixon. |
01:13:22 |
I gotta find out first. A telephone, |
01:13:26 |
OK. |
01:13:28 |
- Hey, Mac, pull up at that bar. |
01:13:34 |
- Keep the change, Mac. |
01:13:41 |
Don't push me, they'll catch on. |
01:13:48 |
Get in that booth. I won't listen. |
01:14:06 |
Hello? |
01:14:07 |
Hello, this is Willie Bender. |
01:14:11 |
Listen, Kramer, |
01:14:14 |
What do you mean what do I mean? |
01:14:17 |
He's right outside the booth. |
01:14:19 |
No, no, he can't hear nothin'. |
01:14:23 |
What's the idea calling here? Ain't |
01:14:26 |
That copper'll grab this number. |
01:14:28 |
- Who is it? |
01:14:32 |
This is Scalise. Is Dixon alone? |
01:14:36 |
It's OK, Willie. |
01:14:39 |
Now, get this straight. |
01:14:41 |
I'd like to see Mr Dixon, |
01:14:46 |
Here's the way I want you to work it. |
01:14:48 |
Write this down, so if he's watching |
01:14:54 |
Hold it just a second. |
01:14:57 |
Go ahead. |
01:14:58 |
Tell him I'll meet him |
01:15:05 |
Yeah. |
01:15:07 |
Yeah, yeah. |
01:15:10 |
Yeah. |
01:15:12 |
OK, I got it. |
01:15:13 |
Yeah, yeah. |
01:15:17 |
What did Scalise say? |
01:15:19 |
I wasn't conversin' with Scalise, |
01:15:22 |
He says he'll contact Scalise |
01:15:24 |
and you should be in the East River |
01:15:28 |
If everything's OK, he'll pick you up |
01:15:33 |
- What else? |
01:15:35 |
- Thanks. |
01:15:38 |
I done everything I could. |
01:16:25 |
Hello, Blue Star Service? |
01:16:27 |
Send a messenger to the Greystone |
01:16:31 |
Have him wait in the lobby. |
01:16:35 |
Right away. |
01:17:13 |
Inspector Nicholas Foley. |
01:17:15 |
Dear Sir, |
01:17:17 |
I didn't have the guts |
01:17:22 |
because I didn't want to end up |
01:17:24 |
like Sandy Dixon's kid. |
01:17:30 |
That's what every hood in New York |
01:17:35 |
and even in the department |
01:17:41 |
I wanted to end up as a cop |
01:17:48 |
I killed Kenneth Paine. |
01:17:59 |
I went in to pinch him. |
01:18:01 |
He slugged me, I hit back. |
01:18:06 |
How was I to know |
01:18:16 |
But I covered it up like a mobster, |
01:18:21 |
because I couldn't shake loose |
01:18:27 |
Now I'm shaking loose. |
01:18:31 |
I'm going to get Scalise for you. |
01:18:37 |
He's a hood, like my old man was. |
01:18:43 |
You won't have to worry about |
01:18:49 |
You can pull him in for mine, |
01:18:53 |
and that will square things |
01:18:56 |
Sincerely, Mark Dixon. |
01:22:13 |
Where's Scalise? |
01:22:15 |
Scalise ain't here. |
01:22:20 |
What is the message? |
01:22:22 |
He's willing to see you |
01:22:24 |
What conditions? |
01:22:26 |
You gotta park your gun. |
01:22:31 |
- Where is he? |
01:22:34 |
It's no go with a rod. |
01:22:40 |
Put it down here. |
01:22:44 |
Anything else? |
01:22:46 |
- We gotta frisk you. |
01:22:56 |
- He's clean. |
01:23:00 |
It's OK. |
01:23:12 |
Sit down, Mr Dixon. |
01:23:16 |
I told the boys you'd come alone. |
01:23:18 |
That's because I understand you, |
01:23:21 |
What I don't understand |
01:23:23 |
is your reason for calling on me |
01:23:26 |
I said sit down. |
01:23:28 |
I never saw a man |
01:23:32 |
I consider it almost humorous |
01:23:34 |
the way you came hot-footing it |
01:23:36 |
I'm in the clear on the Morrison job. |
01:23:39 |
The police are satisfied |
01:23:41 |
but you're still hot on my neck |
01:23:44 |
Sit down, Dixon. |
01:23:46 |
I'm not kiddin'. |
01:23:52 |
It don't add up, Dixon, |
01:23:55 |
Maybe you thought you could start me |
01:23:59 |
Well, we're not running, Dixon. We're |
01:24:04 |
passports in order and everything. |
01:24:06 |
And I'm leavin' you locked in here. |
01:24:09 |
It'll give us something |
01:24:11 |
You sitting here for a couple of days |
01:24:14 |
trying desperately |
01:24:16 |
It'll maybe give the department |
01:24:20 |
Well, go ahead, Mr Dixon. |
01:24:22 |
You came out here for something. |
01:24:25 |
You've got something on your mind, |
01:24:28 |
I'm gonna give you some advice, |
01:24:31 |
and you'd better listen carefully. |
01:24:33 |
You start mussin' me up |
01:24:36 |
You'll only throw one punch |
01:24:40 |
I've given them instructions. |
01:24:44 |
- Hold it. No more shootin'. |
01:24:46 |
Sure. Sure, he asked for it. |
01:24:48 |
That's what he came here for: |
01:24:52 |
He's crazy. |
01:24:55 |
Kramer, get your stuff, fix him up. |
01:24:58 |
That's a fancy way |
01:25:01 |
gettin' yourself knocked off. |
01:25:03 |
A guy's gotta be out of his head |
01:25:07 |
I didn't know a guy could hate |
01:25:12 |
And all because your old man |
01:25:15 |
I got it added up now, Dixon. |
01:25:18 |
I should've figured it last night, |
01:25:20 |
when you tried to hang |
01:25:22 |
You were the first cop |
01:25:25 |
You found Paine, slugged him, killed |
01:25:28 |
You had to slug a night watchman. |
01:25:31 |
And you've been walkin' around |
01:25:34 |
The man who hates crooks. |
01:25:36 |
The law that works by itself. |
01:25:39 |
The cop who can't stand |
01:25:42 |
So what is he? A hood and a mobster |
01:25:51 |
It's interesting how blood will tell. |
01:25:54 |
Your old man |
01:25:56 |
to see how you finally followed |
01:25:59 |
You and me oughta get friendly when |
01:26:02 |
There are a lot of things |
01:26:05 |
They got Steve, beat it out of him. |
01:26:08 |
- Come on! |
01:26:11 |
Let him bleed. Come on! |
01:26:30 |
Get the elevator. |
01:27:10 |
- Open the door! It's stuck. |
01:27:13 |
- Press the emergency button. |
01:27:15 |
- We're stuck! |
01:27:21 |
That dirty cop. |
01:27:28 |
Can't change, can you? |
01:27:30 |
Always have to break orders, |
01:27:33 |
This time I've got to hand it to you. |
01:27:36 |
Thanks, Inspector. |
01:27:40 |
Mark. |
01:27:43 |
They're letting Dad out. |
01:27:46 |
I don't know what to say, but thanks. |
01:27:49 |
He didn't do it single-handed, |
01:27:52 |
The department contributed towards |
01:27:56 |
Not that I'm not proud of you, Mark. |
01:27:58 |
I'm putting you back where you were |
01:28:02 |
- Oh, that's wonderful. |
01:28:04 |
Since there was no report |
01:28:10 |
You expected to die! |
01:28:12 |
I don't think Mr Dixon knows |
01:28:14 |
He was pretty sore at me |
01:28:17 |
I think he's in a different mood now. |
01:28:21 |
And take a rest, till your arm heals. |
01:28:25 |
Dad's waiting, Mark. |
01:28:29 |
Sounds like a nice holiday |
01:28:32 |
Go on, you've earned it. |
01:28:46 |
I'd like you to open the letter, |
01:28:49 |
You're sure? |
01:28:51 |
Yes, sir. Open it. |
01:29:10 |
What is it? |
01:29:18 |
Mark! |
01:29:25 |
That clears up both cases. |
01:29:27 |
You're under arrest, Mark. |
01:29:30 |
No! What is it? |
01:29:32 |
Please tell me, Mark! |
01:29:34 |
Would you mind |
01:29:45 |
Report to Lieutenant Thomas. |
01:29:49 |
Yes, sir. |
01:30:01 |
Mark! |
01:30:04 |
Goodbye, Morgan. |
01:30:07 |
No, Mark. They'll believe you. |
01:30:11 |
It was an accident, a mistake. |
01:30:14 |
Anybody can make a mistake. |
01:30:18 |
You mean you'll give |
01:30:21 |
Every chance in the world. |
01:30:26 |
That's enough to live for. |
01:30:30 |
So long, darling. |