|
White Noise 2 The Light
|
| 00:00:52 |
(man) You'll like this. I guarantee it. |
| 00:00:54 |
(woman) Yes! |
| 00:00:56 |
Oh, Abe, I love this. |
| 00:00:58 |
(Abe) Well, you loved it |
| 00:01:01 |
- (woman) OK, open yours. |
| 00:01:22 |
- Did you know? |
| 00:01:24 |
- He didn't tell you? |
| 00:01:27 |
Like father, like son. |
| 00:01:36 |
Happy anniversary. |
| 00:01:38 |
Happy anniversary. |
| 00:01:44 |
Are you OK? |
| 00:01:46 |
- You were tossing and turning all night. |
| 00:01:53 |
Come on. Let's go get some breakfast. |
| 00:01:57 |
- Danny, are you hungry? |
| 00:02:00 |
Come on. Let's get something to eat. |
| 00:02:39 |
Danny, if you're gonna |
| 00:02:43 |
at least you've gotta have fun doing it. |
| 00:02:48 |
There. How's that? |
| 00:02:55 |
- Are you OK, buddy? |
| 00:03:07 |
Honey, are you all right? |
| 00:03:17 |
Come on, let's get out of here. |
| 00:03:21 |
(stammers unintelligibly) |
| 00:03:32 |
Can I get some help over here? |
| 00:03:35 |
Here, let me help. |
| 00:04:26 |
I'm so sorry. |
| 00:05:59 |
It's the whys that are killing me. |
| 00:06:01 |
Why were we in that restaurant |
| 00:06:07 |
Why did that lunatic get it into his head |
| 00:06:13 |
Why not kill me, too? |
| 00:06:18 |
Why? |
| 00:06:25 |
It's just so... |
| 00:06:27 |
random. |
| 00:06:48 |
(Abe laughs) Nice job. |
| 00:06:51 |
I'm the king. |
| 00:06:55 |
- Here, Dad's gonna catch you. |
| 00:06:58 |
- You better throw far. |
| 00:07:01 |
(Abe) What could go wrong? |
| 00:07:03 |
(woman) Careful. |
| 00:07:06 |
(Danny) I see you. |
| 00:07:10 |
My dad taught me to swim. |
| 00:07:11 |
(woman) Would you consider Dad |
| 00:07:15 |
(Abe) We short people have thick skin cos |
| 00:07:23 |
The reason my wife and son |
| 00:07:28 |
was because of me. |
| 00:07:33 |
Because I wasnt able to help them |
| 00:07:40 |
(woman) Happy anniversary. |
| 00:07:43 |
I should've saved them. |
| 00:07:47 |
I should've saved them. |
| 00:07:49 |
(woman) Slow motion. |
| 00:07:52 |
(Danny) Yes! |
| 00:07:55 |
(woman) The winner. The winner! |
| 00:08:15 |
(phone rings) |
| 00:08:27 |
(Abe on answering machine) |
| 00:08:30 |
but I have to be with my wife and son. |
| 00:08:33 |
Goodbye. |
| 00:08:35 |
(machine beeps) |
| 00:08:37 |
(man) Christ, Abe, don't do anything |
| 00:08:45 |
- Is this our OD? |
| 00:08:48 |
- You know how many of these he took? |
| 00:08:51 |
(man) Get him on an IV. |
| 00:08:54 |
(woman) Pulse rate 47 and dropping. |
| 00:08:57 |
- Putting a line in. |
| 00:08:59 |
Give him atropine. Saline wide open. |
| 00:09:02 |
- Give him the full amp. |
| 00:09:05 |
- Asystole. |
| 00:09:07 |
Starting CPR. Come on. |
| 00:09:10 |
- (woman #1) He's dying. |
| 00:09:13 |
- He's still in V-fib. |
| 00:09:19 |
- (man) Did you give him the full amp? |
| 00:10:12 |
Come back to us. Continue compressions. |
| 00:10:14 |
No response. Do you wanna call it? |
| 00:10:16 |
Could be fine V-fib. Give me the paddles. |
| 00:10:21 |
Charge to 200. |
| 00:10:23 |
Charged to 200. |
| 00:10:25 |
(man) Clear. |
| 00:10:38 |
- 300. |
| 00:10:41 |
Clear. |
| 00:10:50 |
360. Clear. |
| 00:11:01 |
- 360. |
| 00:11:04 |
Clear. |
| 00:11:24 |
- (woman #1) We've got a sinus rhythm. |
| 00:11:30 |
We're getting a response. |
| 00:11:34 |
It's OK. We brought you back. |
| 00:11:38 |
Check his oxygen saturation. |
| 00:11:41 |
(woman) Oxygen saturation is good. |
| 00:11:45 |
Blood pressure is 140 over 60. |
| 00:12:04 |
Hi. You're awake. |
| 00:12:09 |
I'm Sherry Clarke. |
| 00:12:13 |
- Are you my doctor? |
| 00:12:20 |
The light hurts my eyes. |
| 00:12:31 |
- How long have I been here? |
| 00:12:34 |
Dr. Karras has been keeping an eye |
| 00:12:41 |
Do you wanna watch some TV? |
| 00:12:46 |
- Anything in particular? |
| 00:12:50 |
Oh, dude, you lucked out. |
| 00:13:04 |
We belong dead. |
| 00:13:14 |
(static buzzes) |
| 00:13:47 |
Hello, Abe. Im Dr. Karras. |
| 00:13:53 |
- Are you OK? |
| 00:13:55 |
Remember why you're here? |
| 00:13:58 |
You were legally dead, but, lucky for you, |
| 00:14:02 |
- I died? |
| 00:14:07 |
- I don't know what that is. |
| 00:14:10 |
It's my field of expertise. I fought to make |
| 00:14:16 |
You saw a white light that engulfed you, |
| 00:14:21 |
Yeah, that's exact... |
| 00:14:24 |
As many as eight out of ten people who've |
| 00:14:30 |
- Freaky, huh? |
| 00:14:33 |
- It's probably an aura, a type of residue. |
| 00:14:38 |
I'd say we're well beyond |
| 00:14:42 |
You'll see 'em less frequently as time |
| 00:15:10 |
(static buzzes) |
| 00:15:45 |
(crash) |
| 00:15:52 |
(clown music plays) |
| 00:16:04 |
(clown music) |
| 00:16:08 |
(music echoes and distorts) |
| 00:16:16 |
(static buzzes and crackles) |
| 00:16:27 |
(distorted electronic voices) |
| 00:16:33 |
(growling) |
| 00:16:41 |
(distorted electronic voices) |
| 00:16:44 |
(echoing voice) She's with us. |
| 00:16:47 |
She's with us. |
| 00:16:50 |
She's with us. |
| 00:16:58 |
So everything looks fine. |
| 00:17:02 |
No masses, no deviations |
| 00:17:05 |
But I've seen it three times |
| 00:17:08 |
- Seen what? |
| 00:17:11 |
And there's something else. |
| 00:17:17 |
I'm seeing and hearing |
| 00:17:23 |
EVP stands for |
| 00:17:26 |
Precognition, the light you're seeing, |
| 00:17:31 |
- I've got a grant to study these things. |
| 00:17:35 |
It's the recording of the deceased using |
| 00:17:41 |
Some people believe that EVP |
| 00:17:45 |
Others think it's a charge |
| 00:17:48 |
still others that it's a means through |
| 00:17:53 |
Frankly, who knows? As long as |
| 00:17:57 |
they'll keep funding my grant. |
| 00:18:10 |
What are you doing down here? |
| 00:18:14 |
This... is my EVP room. |
| 00:18:18 |
These have been detuned and I record 'em |
| 00:18:24 |
I suppose that's an important part |
| 00:18:28 |
That? Oh. |
| 00:18:31 |
That's Change of Habit. |
| 00:18:36 |
I thought I might learn something |
| 00:18:41 |
- You're not a fan of this one? |
| 00:18:44 |
I just saw one of those things |
| 00:18:49 |
Transmissions are only visible |
| 00:18:52 |
On the last close-up of Elvis, |
| 00:18:55 |
I saw a blast of static with |
| 00:19:07 |
- So what are you doing now? |
| 00:19:12 |
Let's see if you really saw something. |
| 00:19:24 |
There. There, that's it. That's it. |
| 00:19:27 |
That was it. That's what I saw. |
| 00:19:34 |
(shrieking) |
| 00:19:36 |
- I'll be damned. |
| 00:19:39 |
Maybe when you had your NDE, |
| 00:19:44 |
You see white-noise transmissions, EVP, |
| 00:19:51 |
without any of this. |
| 00:19:54 |
You're in uncharted territory. |
| 00:19:57 |
There's a very good chance you're |
| 00:20:04 |
I've got to go. |
| 00:20:06 |
Sure. Take all the time you need. |
| 00:20:11 |
and articles about the shooting and stuff. |
| 00:20:13 |
I don't want to hear about the day my wife |
| 00:20:18 |
I just can't handle that right now. I... |
| 00:20:22 |
I refuse. |
| 00:20:28 |
Hi. Dr. Karras asked... |
| 00:20:31 |
What's wrong? |
| 00:20:33 |
Dr. Karras is dead. |
| 00:20:37 |
- What? |
| 00:20:48 |
I'm sorry. |
| 00:21:10 |
- (man) OK, so this... |
| 00:21:13 |
EVP. |
| 00:21:15 |
It draws your attention to the white light. |
| 00:21:18 |
When you see the light, you think |
| 00:21:22 |
That somebody's gonna die. Like with |
| 00:21:27 |
With the woman, it could be hours, |
| 00:21:33 |
I don't know, but I'm seeing it more and |
| 00:21:38 |
- I'm worried about you, Abe. |
| 00:21:42 |
How about, "I don't know"? |
| 00:21:45 |
In a city, we probably cross paths with |
| 00:21:50 |
- We just don't know it. |
| 00:21:52 |
What if I do know |
| 00:21:55 |
- And now you've got this superpower? |
| 00:22:00 |
Call it what you want, but that sure as hell |
| 00:22:06 |
Stop talking all this nonsense. |
| 00:22:12 |
(static crackles) |
| 00:22:48 |
(car horn blares) |
| 00:22:56 |
(echoing whispers) |
| 00:23:00 |
(lights buzz) |
| 00:23:49 |
(clattering) |
| 00:23:51 |
Come on, you stupid thing. |
| 00:23:55 |
Get over the track. |
| 00:24:03 |
- Oh, you've got to be kidding me. |
| 00:24:07 |
Hey! |
| 00:24:09 |
You've gotta move! |
| 00:24:12 |
(train whistle) |
| 00:24:14 |
Come on! |
| 00:24:16 |
Get out of there! |
| 00:24:27 |
Move! |
| 00:24:33 |
Hey! |
| 00:24:36 |
- Get outta there! |
| 00:24:42 |
Help me! |
| 00:24:44 |
Get off the track! |
| 00:24:51 |
Move! |
| 00:25:31 |
(echoing) I'm so sorry. |
| 00:26:00 |
(distorted voice echoes) |
| 00:26:24 |
(voice continues) |
| 00:27:08 |
(clattering) |
| 00:27:31 |
(rattling) |
| 00:27:46 |
(faint voices) |
| 00:28:17 |
(echoing voices whisper) |
| 00:28:23 |
(voices fade) |
| 00:28:45 |
- (Marty) Yeah? |
| 00:28:50 |
Abe, uh... |
| 00:28:53 |
How does right freaking now grab you? |
| 00:28:56 |
Thanks. |
| 00:29:03 |
(static crackles) |
| 00:29:06 |
What the...? |
| 00:29:10 |
No way. |
| 00:29:16 |
(man) Son of a bitch. |
| 00:29:33 |
Excuse me, sir |
| 00:29:36 |
- dammit. |
| 00:29:38 |
Beat it, kid. I've dropped a couple |
| 00:29:47 |
I don't think that bumper is gonna hold. |
| 00:29:50 |
Look, I don't need some dipshit kid |
| 00:29:54 |
So you can take your metrosexual ass |
| 00:30:01 |
- Whoa! |
| 00:30:03 |
- The bumper was gonna... |
| 00:30:25 |
I owe you my life. |
| 00:30:44 |
No, Marty, I swear to God, I am fine. |
| 00:30:47 |
All right. All right, but maybe you should... |
| 00:30:50 |
I don't know, take a little time off |
| 00:30:54 |
- I don't want you overdoing it. |
| 00:31:21 |
You saved somebody's life tonight. |
| 00:31:38 |
- (woman) Would you consider Dad tall? |
| 00:31:42 |
(woman) Very short? |
| 00:31:44 |
- (Danny) No offence. |
| 00:31:47 |
cos it doesn't get stretched |
| 00:31:50 |
Yeah. True. |
| 00:31:52 |
There's the Austrian coach. Looks like |
| 00:32:12 |
(static buzzes) |
| 00:32:44 |
Shit! |
| 00:32:51 |
- Two weeks? That's so far. |
| 00:32:55 |
- I'll have to come. |
| 00:33:01 |
Ugh! OK. Three-martini lunches, |
| 00:33:06 |
I'll be right there |
| 00:33:11 |
- Jesus Christ! |
| 00:33:18 |
- Don't worry. You can make it up to me. |
| 00:33:22 |
I might even let you pick up overtime |
| 00:33:27 |
- Hey, come on. |
| 00:33:29 |
All right, that's enough. |
| 00:33:33 |
- Stop it! |
| 00:33:35 |
Stop it, you're hurting him! |
| 00:33:47 |
Hey! Hey! |
| 00:33:49 |
- Hey! |
| 00:33:53 |
Hey! |
| 00:33:59 |
- Help! Help! |
| 00:34:03 |
I'm slipping! |
| 00:34:05 |
Please, pull me up. |
| 00:34:07 |
Pull me up! |
| 00:34:19 |
Are you OK? |
| 00:34:28 |
Yeah, he's gonna be fine. |
| 00:34:31 |
Me, I'm not so sure about. |
| 00:34:49 |
(Marty) Abe, I missed you at work today. |
| 00:34:53 |
Give me a call when you get a chance, |
| 00:34:57 |
Playing God for another day. |
| 00:35:13 |
- Hello? |
| 00:35:15 |
I'm on my way to the hospital |
| 00:35:19 |
- Would you meet me there? |
| 00:35:22 |
Great. And... |
| 00:35:25 |
that stuff you're holding for me, |
| 00:35:28 |
will you bring it? |
| 00:35:31 |
I'm ready. |
| 00:35:33 |
- OK, sure. |
| 00:35:37 |
(elevator door pings) |
| 00:35:42 |
Hey. |
| 00:35:45 |
(Marty) Hey. |
| 00:35:46 |
- Thank you very much for meeting me. |
| 00:35:51 |
There are things in here |
| 00:35:54 |
- Are you sure you're ready? |
| 00:35:56 |
- OK. |
| 00:35:59 |
- Hey, call me if you need anything. |
| 00:36:09 |
Hey there. |
| 00:36:11 |
- Oh, hey. Mr. Dale. |
| 00:36:15 |
Needed stitches, a few scrapes, bruises, |
| 00:36:17 |
and we're doing a keep overnight |
| 00:36:22 |
- (voices echo) |
| 00:36:25 |
(echoing voices continue) |
| 00:36:27 |
Thanks. |
| 00:36:45 |
(echoing voices continue) |
| 00:37:18 |
(voices get louder) |
| 00:37:23 |
(voices whisper) |
| 00:37:38 |
Oh, come on. |
| 00:37:43 |
(elevator door pings) |
| 00:38:47 |
Not a word. |
| 00:39:10 |
You bitch! |
| 00:39:52 |
Hey. Hey, are you OK? |
| 00:39:55 |
Yeah. |
| 00:39:57 |
Yeah. |
| 00:39:59 |
I think you just saved my life. |
| 00:40:05 |
Well, it's beginning to be a fucking habit. |
| 00:40:10 |
- Dude, it was my life. |
| 00:40:16 |
It's you. |
| 00:40:19 |
Yeah. Yeah, you were my nurse. |
| 00:40:33 |
It's busted. |
| 00:40:38 |
I'm so sorry. |
| 00:40:43 |
That's OK. |
| 00:40:45 |
- You're hurt. Let me look. |
| 00:40:47 |
Hey. |
| 00:40:51 |
Let me fix you up. |
| 00:40:56 |
It's a superficial laceration. Nothing a few |
| 00:41:02 |
You are either staring at my ring |
| 00:41:07 |
- The ring. I was... |
| 00:41:12 |
It's my old wedding ring. |
| 00:41:16 |
so I like to keep it close to my heart. |
| 00:41:20 |
You must have loved him very much. |
| 00:41:24 |
Yeah. |
| 00:41:26 |
He was a music teacher |
| 00:41:31 |
and those kids adored him. |
| 00:41:34 |
He had a unique approach. No doh-ray-mi |
| 00:41:39 |
have the kids sing Bowie, Pink Floyd, |
| 00:41:43 |
- You name it. |
| 00:41:47 |
Yeah. It was incredible. |
| 00:41:51 |
But the end just... It came so quick. |
| 00:41:57 |
One day we're just living, you know? |
| 00:42:01 |
Then, boom, he's dead. |
| 00:42:06 |
That's terrible. |
| 00:42:08 |
Yeah. |
| 00:42:11 |
But... |
| 00:42:14 |
I wake up |
| 00:42:16 |
and it just hit me. |
| 00:42:18 |
I had to let Tommy go. |
| 00:42:23 |
I'll see him again someday. Until then, |
| 00:42:27 |
you have to accept |
| 00:42:35 |
- Did you two have any kids? |
| 00:42:38 |
No. But I still put on the recital |
| 00:42:42 |
The next one's in a couple of days. |
| 00:42:46 |
- And you should totally come. |
| 00:42:53 |
Here. |
| 00:42:57 |
Take this. Think it over. |
| 00:43:00 |
Call me if you're interested. |
| 00:43:03 |
Hey, the cops are here. |
| 00:43:06 |
Yeah. Tell them their timing sucks. |
| 00:43:32 |
(Danny) Is this the present you got Dad |
| 00:43:37 |
I don't suppose your dad |
| 00:43:40 |
(Danny) No way. Just wondering is all. |
| 00:43:44 |
You tell your dad |
| 00:43:47 |
Besides, it's just a few days away. |
| 00:43:52 |
(bus horn blares) |
| 00:43:55 |
- Are you all right? |
| 00:44:00 |
Thank you! |
| 00:44:02 |
That's all right. |
| 00:44:21 |
That's all right. |
| 00:45:09 |
Henry Caine. |
| 00:45:11 |
(electronic whine) |
| 00:45:17 |
(electronic screech) |
| 00:45:58 |
(echoing electronic voice) Should not |
| 00:46:03 |
Should not have saved. |
| 00:46:07 |
(woman whispers) Should not... |
| 00:46:11 |
have saved. |
| 00:47:01 |
- Julia Caine? My name is Abraham... |
| 00:47:05 |
I always knew you'd come. |
| 00:47:09 |
Excuse the mess. We're moving. |
| 00:47:34 |
I am so sorry for what my husband did |
| 00:47:38 |
Henry was the most down-to-earth, don't - |
| 00:47:44 |
So, uh... |
| 00:47:48 |
so what happened, then? |
| 00:47:50 |
He, uh... |
| 00:47:53 |
he had a near-death experience. |
| 00:47:57 |
He was hit by a drunk driver head-on. |
| 00:47:59 |
He must have died three times that night. |
| 00:48:04 |
and then we brought him home |
| 00:48:08 |
That's when it all began - |
| 00:48:10 |
the strange behaviour, |
| 00:48:15 |
He just got so obsessed |
| 00:48:18 |
EVP, the white light, |
| 00:48:24 |
He even thought he could save people. |
| 00:48:28 |
At first I thought it was understandable. |
| 00:48:32 |
But then it just got to be too much. |
| 00:48:36 |
What do you mean by too much? |
| 00:48:42 |
I'll show you. |
| 00:49:08 |
You see? I'll leave you to it. |
| 00:52:11 |
Oh, shit! |
| 00:52:21 |
(screeching) |
| 00:52:27 |
(echoing voices) |
| 00:52:41 |
Henry was always blowing fuses in here. |
| 00:52:44 |
Really? Hm. |
| 00:52:47 |
Um... |
| 00:52:51 |
do you have any idea |
| 00:52:54 |
No. |
| 00:52:57 |
Would you mind if I took |
| 00:53:00 |
Sure. I don't want any of it. |
| 00:53:04 |
Look, I am sorry again |
| 00:53:08 |
I can't believe how far gone he is. |
| 00:53:11 |
- "Is"? What are you talking about? |
| 00:53:15 |
- You said "is". |
| 00:53:18 |
Don't you mean "was"? |
| 00:53:22 |
You don't know? |
| 00:53:28 |
- (Julia) Henry's still alive. |
| 00:53:33 |
(Julia) He survived. |
| 00:53:36 |
(Abe) The asylum. |
| 00:53:49 |
We keep him up here. |
| 00:53:52 |
since he slipped out of coma land. |
| 00:53:55 |
If you ask me, |
| 00:53:58 |
Why? |
| 00:53:59 |
Old Henry... |
| 00:54:02 |
he sees dead people. |
| 00:54:15 |
Don't mind me. I'm just gonna stick |
| 00:54:26 |
My wife and my son. |
| 00:54:31 |
Why did you do it? |
| 00:54:34 |
Why did you kill them? |
| 00:54:39 |
If save, must kill. |
| 00:54:43 |
Jesus, you're even crazier |
| 00:54:46 |
If save, |
| 00:54:50 |
responsible. |
| 00:54:52 |
Responsible for what? |
| 00:54:56 |
Consequences. |
| 00:54:59 |
Horrific consequences. |
| 00:55:02 |
What consequences? |
| 00:55:26 |
It will never end if you let him in. |
| 00:55:33 |
You cannot shut the dead out. |
| 00:55:37 |
The dead will haunt you |
| 00:55:42 |
If you save, you must... |
| 00:55:45 |
you must kill. |
| 00:55:48 |
Tria Mera. |
| 00:55:53 |
Tria Mera. |
| 00:55:56 |
- Trio what? |
| 00:56:10 |
(alarm bell) |
| 00:56:14 |
If save, must kill. |
| 00:56:35 |
If save, must kill. |
| 00:56:38 |
If save, must kill. If save, must kill! |
| 00:57:48 |
It's a three. |
| 00:57:51 |
What does a three |
| 00:57:55 |
(knock at door) |
| 00:58:06 |
- Hi, Abe. |
| 00:58:09 |
So I just finished the rehearsals for |
| 00:58:14 |
so I was basically in the neighborhood, |
| 00:58:17 |
and, uh... |
| 00:58:19 |
Hi. |
| 00:58:21 |
- I hope you don't mind that I stopped by. |
| 00:58:25 |
I don't mind. Um... |
| 00:58:28 |
But why? |
| 00:58:31 |
When... |
| 00:58:34 |
is the last time you drank |
| 00:58:37 |
That's very kind, |
| 00:58:40 |
I know I don't have to. |
| 00:58:43 |
I want to. |
| 00:58:45 |
I'm married. |
| 00:58:49 |
But thank you. |
| 00:58:53 |
Abe, I read your file. |
| 00:58:57 |
I know why you were in the ICU |
| 00:58:59 |
I know what happened |
| 00:59:04 |
You saved my life the other night. |
| 00:59:08 |
I'd love to return the favor. |
| 00:59:20 |
(echoing voices whisper) |
| 00:59:55 |
- (Abe) I like the hair color. |
| 00:59:59 |
- (Abe) It goes with the wine. |
| 01:00:02 |
This is great. It really is. |
| 01:00:05 |
Thank you very much. |
| 01:00:08 |
- To bad wine and good company. |
| 01:00:16 |
You gotta get out |
| 01:00:19 |
It's the only way you'll make it through. |
| 01:00:27 |
Danny and Rebecca were my everything. |
| 01:00:32 |
And Tommy was mine. |
| 01:00:35 |
But you can't just throw in the towel, Abe. |
| 01:00:50 |
- Come on. |
| 01:00:53 |
O'Malley's. |
| 01:00:55 |
I gotta kick your ass in a game of pool |
| 01:00:59 |
2.50? |
| 01:01:03 |
You got ripped off. |
| 01:01:08 |
Eight ball, corner pocket. |
| 01:01:16 |
OK. |
| 01:01:18 |
How about double or nothing? |
| 01:01:21 |
All right. |
| 01:01:26 |
Rack 'em up, big boy. |
| 01:01:50 |
- Sorry. |
| 01:01:52 |
No, I, uh... I shouldn't have done that. |
| 01:01:55 |
- Not tonight, anyway. |
| 01:02:02 |
(newsreader) Breaking news. |
| 01:02:05 |
has left six people dead |
| 01:02:08 |
An elderly man driving an orange van... |
| 01:02:14 |
...crashed into a crowded |
| 01:02:19 |
Are you OK, Abe? |
| 01:02:20 |
Witnesses say the van appeared to |
| 01:02:25 |
Yeah. Um... |
| 01:02:27 |
Sherry, I gotta go. |
| 01:02:29 |
- Is it someone you know? |
| 01:02:32 |
I'll call you, OK? |
| 01:02:37 |
(echoing voices) If save, must kill. |
| 01:02:57 |
"The third day"? |
| 01:03:06 |
Authorities found George Sutter in his |
| 01:03:11 |
The bodies of his wife and children were |
| 01:03:17 |
that dental records |
| 01:03:20 |
Sutter has no history of domestic violence |
| 01:03:22 |
and, when pressed, |
| 01:03:25 |
(newsreader #2) Beverly Ann Cloy, |
| 01:03:30 |
smothered 14 of her patients this morning. |
| 01:03:35 |
(newsreader #3) There's no explanation |
| 01:03:39 |
- (newsreader #2)... absolutely no reason... |
| 01:03:45 |
Always on the third day... |
| 01:03:48 |
after Caine saved them. |
| 01:04:02 |
(newsreader) Authorities are confounded |
| 01:04:08 |
and we are told |
| 01:04:12 |
(Henry) "On the third day, |
| 01:04:19 |
But what about the devil? |
| 01:04:22 |
What about the devil? |
| 01:04:28 |
What's the thing with the third day? |
| 01:04:36 |
"Revelation 13:18." |
| 01:04:42 |
(repeats) "Let him that hath understanding |
| 01:04:49 |
"Let him that hath understanding |
| 01:04:53 |
For it is the number of a man; and his |
| 01:05:04 |
"The Bible written in Roman times |
| 01:05:11 |
"All Greek and Ancient Greek..." |
| 01:05:14 |
"...letters have numerical counterparts." |
| 01:05:18 |
Always on the third day. |
| 01:05:22 |
(Henry) But what about the devil? |
| 01:05:25 |
What about the devil? |
| 01:05:28 |
(Abe) Third day... |
| 01:05:31 |
after Caine saved them. |
| 01:05:34 |
"The Bible written in Roman times |
| 01:05:39 |
"All Greek and Ancient Greek letters |
| 01:06:15 |
Tria Mera. |
| 01:06:26 |
T-t-tria... |
| 01:06:29 |
M-m-m-m-mer... |
| 01:07:39 |
"Lucifer - from the Latin |
| 01:07:43 |
"The archangel |
| 01:07:46 |
for trying to usurp God's power |
| 01:07:50 |
"The one once named Lucifer in heaven |
| 01:07:54 |
is now known as the devil |
| 01:07:59 |
on Earth." |
| 01:08:13 |
The third day is the devil's signature. |
| 01:08:17 |
That kid I saved on the bridge. |
| 01:08:21 |
Today's the third day. |
| 01:09:12 |
I brought him into the hospital |
| 01:09:17 |
I really shouldn't be doing this, Abe. |
| 01:09:20 |
Seems to be par for the course |
| 01:09:22 |
Yeah. |
| 01:09:27 |
OK, Kurt Green. |
| 01:09:29 |
- Sir Alfred Hotel. |
| 01:09:33 |
- Abe. |
| 01:09:35 |
Are we OK? |
| 01:09:38 |
I hope so. |
| 01:09:41 |
- Bye. |
| 01:09:46 |
(pianist plays cheerful background music) |
| 01:10:16 |
(music becomes sad and intense) |
| 01:10:20 |
(music becomes jarring) |
| 01:10:30 |
(phone rings) |
| 01:10:33 |
- Yeah. |
| 01:10:35 |
Marty, listen, |
| 01:10:38 |
He thought he had to. He did it |
| 01:10:42 |
- Did what? |
| 01:10:45 |
I saved that kid. |
| 01:10:48 |
Terrible things happen on the third day |
| 01:10:53 |
- Are you listening to yourself, man? |
| 01:10:56 |
Maybe it's Lucifer |
| 01:10:59 |
Whatever it is, I know I can stop it, Marty, |
| 01:11:02 |
before anyone else gets hurt. |
| 01:11:05 |
You know you're my boy, right? |
| 01:11:08 |
I'm not gonna stand by and watch you |
| 01:11:14 |
We've got a business. I can't do this |
| 01:11:18 |
This is the bus stop. |
| 01:11:24 |
Marty. Marty, I... |
| 01:11:26 |
- Say that again. I can't hear you. |
| 01:11:29 |
(feedback screeches) |
| 01:11:35 |
(echoing voices) If save, must kill. |
| 01:11:37 |
Must kill. Must kill. Must kill. |
| 01:11:49 |
(car horn) |
| 01:11:57 |
(aggressive, discordant music) |
| 01:12:12 |
Kurt. Kurt. |
| 01:12:14 |
Kurt! |
| 01:12:31 |
I' terribly sorry. |
| 01:12:36 |
I sincerely apologize. |
| 01:12:50 |
I'm sorry. I apologize. |
| 01:12:58 |
(woman screams) |
| 01:13:00 |
- (man #1) Whoa, whoa, whoa, whoa. |
| 01:13:05 |
(man #3) He's got a gun! |
| 01:13:08 |
- (man #4) Let's go! |
| 01:13:13 |
- (man #1) Just put the gun down. |
| 01:13:18 |
- Easy. |
| 01:13:27 |
(fire alarm blares) |
| 01:13:30 |
Go, go, go! Now! |
| 01:13:35 |
- Keep calm. Slowly exit the building. |
| 01:13:47 |
Hold on. Kurt! |
| 01:13:50 |
Kurt, what's wrong? Kurt! |
| 01:13:54 |
Kurt! |
| 01:14:08 |
Tria Mera. |
| 01:14:47 |
I need you to go downstairs |
| 01:15:19 |
Why? |
| 01:15:23 |
I don't think you should've saved me. |
| 01:15:59 |
(yells) |
| 01:16:33 |
7:30. |
| 01:16:45 |
Sherry. |
| 01:17:33 |
(choir singing) |
| 01:18:08 |
(static and feedback) |
| 01:18:40 |
(static hums) |
| 01:18:46 |
(echoing voices) Must kill. |
| 01:18:49 |
- If save, must kill. If save, must kill. |
| 01:19:49 |
You made it. |
| 01:19:54 |
- I've been worried sick about you. |
| 01:19:58 |
I heard what happened at the hotel. |
| 01:20:01 |
First you save that kid's life, and... |
| 01:20:04 |
You must feel awful, Abe. |
| 01:20:07 |
Sherry, I need to talk to you. |
| 01:20:11 |
About what? |
| 01:20:14 |
- Outside. I'll tell you outside. |
| 01:20:18 |
- I can't explain in front of all these people. |
| 01:20:23 |
(echoing voices) If save, must kill. |
| 01:20:30 |
- What is it, Abe? |
| 01:20:34 |
- You have to come with me. |
| 01:20:38 |
- I have to do this. |
| 01:20:41 |
Sherry, I shouldn't have saved you. |
| 01:20:45 |
- Calm down. |
| 01:20:47 |
- Calm down. |
| 01:20:50 |
- Get away from her. |
| 01:20:53 |
Listen to me. Sherry! |
| 01:20:57 |
Sherry! |
| 01:21:14 |
(static and feedback) |
| 01:21:22 |
(echoing voices) Many will die. |
| 01:21:34 |
Many will die. Many will die. |
| 01:22:33 |
No, no, no. Not here. Anywhere but here. |
| 01:23:50 |
Here's the menu. |
| 01:24:56 |
The old man who killed all those people, |
| 01:25:01 |
And the kid from the hotel, |
| 01:25:12 |
And then you saved me. |
| 01:25:17 |
I'm so sorry, Sherry. |
| 01:25:28 |
Don't be. |
| 01:25:50 |
That man, he has a gun. |
| 01:25:53 |
Police. Put the gun down. |
| 01:25:56 |
Listen to him, sir. |
| 01:26:02 |
Put it down. |
| 01:26:48 |
Please, just make it stop. |
| 01:26:52 |
You... |
| 01:26:55 |
you have to die. |
| 01:27:40 |
Ma'am. |
| 01:27:43 |
Please, leave him. |
| 01:28:08 |
(echoing voices) If save, must kill. |
| 01:28:10 |
Kill. Kill. Kill. |
| 01:28:16 |
I got her. |
| 01:28:20 |
(echoing voices) Kill. Kill. Kill. |
| 01:28:24 |
She's going into shock. |
| 01:28:27 |
(echoing voices) Kill. Kill. |
| 01:28:29 |
Come on. |
| 01:28:39 |
(siren) |
| 01:29:11 |
(distorted voices echo) |
| 01:29:31 |
(driver) Shit! |
| 01:29:38 |
- I've never seen this before. |
| 01:29:41 |
7:29pm. |
| 01:29:46 |
- 2ccs Versed. |
| 01:29:51 |
What the hell? |
| 01:29:55 |
Tria Mera. |
| 01:30:00 |
(screams) |
| 01:30:59 |
Tommy. |
| 01:31:55 |
Are you all right? Come here. |
