White Noise
|
00:02:19 |
'More rain tomorrow |
00:02:58 |
Mikey, quit playing, |
00:03:01 |
Come on, start eating. |
00:03:07 |
- Hey, were you messing with this? |
00:03:09 |
No! Bet you were. |
00:03:12 |
I bet you were fooling around. |
00:03:14 |
- I'll get it. |
00:03:18 |
Hello. |
00:03:20 |
Hi, Jane. |
00:03:21 |
- Mikey, you want more juice? |
00:03:23 |
- Here you go. |
00:03:27 |
OK. See ya. |
00:03:30 |
- Jane can't make it. |
00:03:32 |
- She didn't say. |
00:03:35 |
- Your mom can't pick you up. |
00:03:39 |
No! It means I take you instead. |
00:03:43 |
Nice try, tiger. |
00:03:47 |
It was a nice try, though. |
00:03:59 |
- Where you going, baby? |
00:04:01 |
They're gonna show me the cover. |
00:04:05 |
Wow. You look great. |
00:04:09 |
You look really great. |
00:04:12 |
You look really, really great. |
00:04:17 |
No, John, we're late already. |
00:04:21 |
And you have toothpaste on your mouth. |
00:04:35 |
- You OK? |
00:04:42 |
- You sure? |
00:04:45 |
more than OK. |
00:04:50 |
Oh, my God in heaven. |
00:04:52 |
Yes! Yes, yes! |
00:04:59 |
This could be wrong. I'll do another one. |
00:05:01 |
- Let's tell Mike he's getting a brother. |
00:05:03 |
I'll do another test and then see the doctor. |
00:05:06 |
Congratulations, honey. |
00:05:16 |
Lunch bag. |
00:05:18 |
Suit bag. |
00:05:20 |
Kiss. |
00:05:23 |
All right. See you in a couple of days. |
00:05:28 |
And you, take it easy. |
00:05:32 |
I know. |
00:05:39 |
Hey! |
00:05:46 |
Bye. I love you. |
00:05:49 |
See you later. Don't worry. |
00:06:15 |
- Hi, Kelvin. |
00:06:20 |
- Mr. Rivers. |
00:06:21 |
Frank asked if you'd call |
00:06:24 |
Oh. Sure. |
00:06:26 |
Wow. |
00:06:28 |
- Wow what? |
00:06:31 |
Is that a big deal that I'm smiling? |
00:06:33 |
- It is on a Monday morning, yeah. |
00:06:35 |
- Really. |
00:06:37 |
- Yeah. |
00:06:39 |
order me a bouquet of flowers |
00:06:43 |
And champa... No, not champagne, |
00:06:47 |
Those Belgian kind. |
00:06:50 |
You know? What are you looking at? |
00:06:53 |
Something's up. |
00:06:57 |
- Something's really up. |
00:06:59 |
- I'm going. |
00:07:02 |
- But I know something's up. |
00:07:09 |
Hey, babe, are you home? |
00:07:25 |
'You have one message. |
00:07:26 |
'Message received Monday 16th, 6:07 pm. ' |
00:07:32 |
'Hey, honey, it's me. |
00:07:37 |
- What's new? |
00:07:40 |
'Don't worry, I'll stick to water, |
00:07:44 |
'Did you see the demo cover? |
00:07:48 |
'I was kind of thinking... ' |
00:07:55 |
'No messages. ' |
00:08:30 |
'Hi, it's Anna. Leave a message |
00:08:35 |
Hi, it's me, it's a little before midnight. |
00:08:37 |
I guess you're still with Julie. |
00:08:40 |
Give me a call, let me know. |
00:08:44 |
'Hi, it's Julie. Leave a message. ' |
00:08:46 |
Julie, hi, it's John. Do me a favor. |
00:08:49 |
When you get this message, |
00:08:53 |
I guess you guys are having a good time. |
00:10:16 |
'... victim of a tragic accident. |
00:10:18 |
'Police have discovered |
00:10:21 |
'close to her abandoned car |
00:10:24 |
'She may have slipped into the river |
00:10:29 |
'Although divers are still searching the area, |
00:10:31 |
'reported sightings of the best-selling author |
00:10:34 |
'continue to reach police |
00:10:38 |
'Police are keeping an open mind |
00:10:41 |
'Anna Rivers' latest novel The Eternal Wait |
00:10:46 |
'and her husband, |
00:10:48 |
'is said to be taking time out |
00:10:53 |
- We're gonna get going. |
00:10:55 |
Come on, Michael. |
00:10:58 |
- Mark'll be home in a minute, so... |
00:11:01 |
- Come on, pal, say goodbye to your dad. |
00:11:04 |
Be a good boy. |
00:11:10 |
Hey, there's a bed at our place if you want it. |
00:11:13 |
Oh, thanks. Jane, |
00:11:20 |
I know I wasn't a very good... |
00:11:27 |
OK. |
00:11:34 |
'It's ten days now since international |
00:11:40 |
'Although police still suspect |
00:11:44 |
'they are not ruling out |
00:11:47 |
'Architect husband Jonathan Rivers |
00:11:53 |
'Three weeks since |
00:11:57 |
'Police say they are constructing |
00:12:03 |
'Distraught husband, Jonathan Rivers... ' |
00:12:06 |
'... had this message for anyone |
00:12:11 |
'It's, er, difficult. |
00:12:15 |
'But you never give up hope, ever. |
00:12:18 |
'Lt's the only way to get by. ' |
00:13:25 |
I got 50 guys and thousands of dollars' |
00:13:29 |
so if you want to tell them |
00:14:23 |
- My goodness. |
00:14:26 |
- I'm sorry. |
00:14:28 |
and now you're outside my office. |
00:14:31 |
Don't insult my intelligence |
00:14:34 |
No, it's no coincidence. |
00:14:38 |
Do I know you? |
00:14:40 |
My name is Raymond Price. |
00:14:43 |
- Are you following me? |
00:14:47 |
I've been receiving messages from her, |
00:14:53 |
From what other side? |
00:14:56 |
Jonathan... |
00:14:57 |
your wife is dead. |
00:15:07 |
I have proof. She's been trying to communicate |
00:15:12 |
Look, Mr. Rivers, |
00:15:16 |
- For years I've been suicidal. |
00:15:20 |
But then someone told me |
00:15:24 |
That my son, my dead son, |
00:15:27 |
And he had, Mr. Rivers, it was true. |
00:15:31 |
And he was happy. Happy. |
00:15:33 |
Please. Yes. And also at ease. |
00:15:37 |
And it changed my life, Mr. Rivers, |
00:15:40 |
because then, then I knew. |
00:15:43 |
So please, please, Mr. Rivers, |
00:15:45 |
put this in a drawer, hide it, forget about it, |
00:15:48 |
but please don't throw it away. |
00:15:51 |
Because, one day... |
00:15:54 |
you will want to know. |
00:15:59 |
My thoughts are with you both. |
00:16:15 |
'It's Anna Rivers. |
00:16:17 |
'The fabulous Anna Rivers |
00:16:20 |
- 'Stop it. ' |
00:16:23 |
- 'Turn it off. ' |
00:16:25 |
- 'There's one of her best features. ' |
00:16:28 |
'That's a beautiful thing, |
00:17:38 |
'The body of internationally renowned |
00:17:41 |
'was discovered last night |
00:17:46 |
'... to the disused pier 16, |
00:17:49 |
'from where her car was found abandoned |
00:17:52 |
'five weeks ago on Argyle Avenue. |
00:17:54 |
'The discovery brings to an end... ' |
00:17:56 |
'Before she drowned, |
00:17:58 |
'your wife sustained injuries consistent |
00:18:04 |
'The damage to the head, |
00:18:10 |
'When the tide came in, she would have been |
00:18:14 |
'She would have been swept upstream |
00:18:18 |
'I'm so sorry for your loss. ' |
00:18:28 |
'Divers recovered |
00:18:32 |
'Her cell phone was in her car, |
00:18:35 |
...giving her to us, her family and friends, |
00:18:38 |
to know and to love as a companion |
00:18:42 |
Give us faith to see in death |
00:18:46 |
so that in quiet confidence |
00:18:50 |
until, by Your call, we are reunited |
00:18:55 |
- Amen. |
00:19:26 |
- So, what do you think? |
00:19:28 |
- Yeah? |
00:19:30 |
- All right. |
00:19:33 |
I guess. |
00:19:37 |
Could you... |
00:19:39 |
Could you take Mikey for the weekend? |
00:19:42 |
Yeah, of course. |
00:19:47 |
Maybe... maybe a little longer. |
00:19:50 |
As long as you want, John. |
00:20:43 |
We're gonna go lay the floor now. |
00:20:49 |
- When are you gonna bring them? |
00:20:53 |
Sure. Fine, it shouldn't be any problem. |
00:20:59 |
Whoops. |
00:21:01 |
You brought me here |
00:21:06 |
No, I didn't. |
00:21:10 |
This is where you tell me |
00:21:19 |
Shit. Keep doing that! |
00:21:23 |
I'm sorry, I didn't... |
00:21:35 |
Ask them if they have a light. |
00:21:45 |
- You guys OK? |
00:21:47 |
Yeah. |
00:21:49 |
I trust you'll fix this |
00:22:43 |
Anna? |
00:23:29 |
'Jonathan. ' |
00:23:51 |
'You have one message. |
00:23:53 |
'Message received Wednesday 23rd, |
00:23:57 |
'2:30am. ' |
00:24:04 |
'Jonathan. ' |
00:24:07 |
'End of message. You have no messages. ' |
00:24:14 |
'You have no messages. |
00:24:19 |
'You have no messages. ' |
00:25:00 |
Oh! Please, come. How nice. |
00:25:05 |
- Hello. |
00:25:07 |
- Look, er... |
00:25:10 |
- I can come back. |
00:25:13 |
I'm really glad to see you. |
00:25:16 |
- Thank you. |
00:25:19 |
Let me introduce you to Mr. Rivers. |
00:25:22 |
Sorry, I'm a little... |
00:25:25 |
We've had a breakthrough today. |
00:25:27 |
It's incredible. |
00:25:29 |
It truly is. |
00:25:34 |
- This is ridiculous. |
00:25:36 |
I should get these boxes back to the store. |
00:25:38 |
Sarah, there's no need to hurry. |
00:25:41 |
Make yourself a cup of tea. |
00:25:43 |
I suppose. Thank you. |
00:25:46 |
Would you like one? |
00:25:48 |
Yeah, that'd be great. Thank you. |
00:25:50 |
Thank you. |
00:25:52 |
Mr. Rivers, please. |
00:25:58 |
Oh, er... Excuse me. Please, sit here. Sit. |
00:26:06 |
So, have you heard of E.V.P., Mr. Rivers? |
00:26:10 |
No. |
00:26:12 |
I'm not surprised. |
00:26:15 |
E.V.P. Stands for |
00:26:21 |
- I'm listening. |
00:26:23 |
I'm not a clairvoyant, I'm not a medium, |
00:26:26 |
I don't contact the dead, |
00:26:28 |
the dead contact me. |
00:26:30 |
And, with E.V.P., |
00:26:33 |
I can hear them, |
00:26:35 |
I can see them, and... |
00:26:39 |
I can record them. |
00:27:01 |
'... I understand... ' |
00:27:08 |
'... you shouldn't be... ' |
00:27:24 |
- And they are... |
00:27:28 |
People that have passed over. |
00:27:46 |
Is this your job, or a hobby, or what? |
00:27:49 |
I think obsession |
00:27:54 |
Now, I wonder where... Ah! |
00:27:56 |
Here we are. They don't always appear visually |
00:28:01 |
We tend only to pick up their voices |
00:28:05 |
But when it works, |
00:28:07 |
and you see the faces of the people |
00:28:12 |
nothing, believe me, nothing comes close. |
00:28:19 |
Mr. Rivers, do you want to hear your wife? |
00:28:34 |
Yes. |
00:28:47 |
'Jonathan. |
00:28:55 |
'Jonathan. |
00:28:58 |
'Find him. |
00:29:02 |
'Jonathan Rivers. |
00:29:05 |
'Find him. |
00:29:09 |
'Jonathan... Jonathan... |
00:29:11 |
'Rivers... |
00:29:13 |
'Find him, please. ' |
00:29:37 |
The frustrating thing about E.V.P. |
00:29:41 |
You need to make the recording |
00:29:42 |
and you'll only know |
00:29:46 |
Here. It has milk. |
00:29:49 |
- Perfect. Thank you. |
00:29:55 |
It's an amazing feeling, isn't it? |
00:29:58 |
Er... |
00:30:01 |
It's indescribable. |
00:30:03 |
It took me a few visits to get used to it |
00:30:06 |
I'm here all the time. He's really helped me. |
00:30:11 |
I try to help him when I can, |
00:30:15 |
- What store? |
00:30:22 |
Your wife was a wonderful writer, Mr. Rivers. |
00:30:28 |
Yeah. |
00:30:33 |
- So what made you come here? |
00:30:36 |
He died eight months ago. We've had trouble |
00:30:41 |
but this afternoon we cracked it. |
00:30:44 |
Only two words - "Sarah, yes. " |
00:30:48 |
Because, before he died, he promised me |
00:30:52 |
that he would find a way of getting to me |
00:30:54 |
and letting me know that he's happy. |
00:30:59 |
So, "Sarah, yes. " |
00:31:03 |
Oh. |
00:31:08 |
Raymond thinks we probably won't |
00:31:14 |
And I've heard what I wanted to hear. |
00:31:56 |
Anna... |
00:32:01 |
this is John. |
00:32:05 |
If there's any way you can hear me... |
00:32:11 |
will you please let me know? |
00:32:15 |
Please. |
00:32:17 |
Just any kind of... Just any kind of sign. |
00:32:21 |
Please. |
00:33:21 |
'Susie. ' |
00:33:27 |
'Susie. ' |
00:33:36 |
'Susie, I... ' |
00:33:56 |
I recorded this a few hours ago. |
00:33:59 |
It's quite faint, so I had to save it as a sound |
00:34:05 |
So, um... |
00:34:08 |
- she knows that I visited? |
00:34:11 |
- So will I get to see her this time? |
00:34:13 |
This will just be sound. I'm sorry, John, |
00:34:16 |
we have to be a little patient. |
00:34:19 |
Trust me, John, |
00:34:24 |
Now... |
00:34:27 |
If you want to hear it again, |
00:34:30 |
I'll be back in a moment. |
00:34:44 |
'Tell him... because I love him. ' |
00:34:53 |
'Tell him... because I love him. ' |
00:35:23 |
'Bastard. Bastard. ' |
00:35:28 |
'Bastard. ' |
00:35:37 |
What was that? |
00:35:39 |
It's OK, it's OK. |
00:35:41 |
We do have some very bad people out there. |
00:35:44 |
You just have to press that... |
00:35:47 |
and they're all gone. |
00:35:49 |
We've had a step towards visual contact |
00:35:53 |
Here. |
00:35:57 |
They can't all be nice, |
00:36:28 |
'Susie Tomlinson... smile. ' |
00:36:34 |
'Susie Tomlinson... sm... ' |
00:36:47 |
Hello. |
00:36:48 |
- 'Lt's Raymond. Something's happening. ' |
00:36:52 |
- 'Get over here. ' |
00:37:38 |
Hello? |
00:37:45 |
Raymond? |
00:38:53 |
So you'll tell me whatever you find out? |
00:38:56 |
I can't tell you any more |
00:39:04 |
Yeah, thanks. |
00:39:25 |
Thank you for coming to the service. |
00:39:29 |
Oh. Thank you for doing this for me. |
00:39:33 |
I'm not sure where to start. |
00:39:37 |
Maybe Anna's original tapes |
00:39:40 |
You all right? |
00:39:43 |
I still can't believe he's gone. |
00:39:47 |
Well... |
00:39:50 |
- Maybe he'll be in touch. |
00:39:52 |
Said he'd made enough of a nuisance |
00:39:58 |
Just doesn't make any sense. |
00:40:01 |
Wow. |
00:40:03 |
- These go back years. |
00:40:07 |
"Carol should know. " |
00:40:09 |
"Tell Thomas he should. " |
00:40:13 |
"Men in the room. " |
00:40:15 |
Oh, here's one - "500 dollars still there. " |
00:40:19 |
- That's the kind of message I like. |
00:41:08 |
There we go. |
00:41:10 |
Why do we got so many? |
00:41:12 |
So you can watch your favorite show |
00:41:19 |
Yeah. |
00:43:01 |
OK... Um... |
00:43:03 |
They're showing me something. |
00:43:05 |
It's... |
00:43:10 |
It's, uh... |
00:43:13 |
Willow Avenue. |
00:43:19 |
No. No. No. |
00:43:22 |
Oh. OK. |
00:43:24 |
It's no problem. Sometimes it happens. |
00:43:35 |
Your wife, she passed over recently. |
00:43:41 |
Yeah. |
00:43:44 |
Her passing was difficult. |
00:43:49 |
Yeah. |
00:43:50 |
She was, um... |
00:43:53 |
She's a writer. She was a writer. |
00:43:57 |
Yeah, her words are important. |
00:44:02 |
Oh... |
00:44:05 |
I'm sorry, the light is way too bright. |
00:44:08 |
It's... it's like these tiny, noisy, little pinpoints. |
00:44:14 |
It's making it hard to see anything at all. |
00:44:30 |
- It's electronic voice... |
00:44:35 |
- I've been making tapes... |
00:44:37 |
You shouldn't try this by yourself, |
00:44:40 |
It's like homemade Ouija boards |
00:44:45 |
E.V.P. Is not good. |
00:44:47 |
We spend years developing |
00:44:51 |
so that we can protect you. |
00:44:55 |
- From what? |
00:44:59 |
Cos they are out there and they will find you. |
00:45:02 |
If you're gonna |
00:45:05 |
Anna, my wife, she sent me a sign. |
00:45:07 |
No. No. Not Anna. |
00:45:11 |
Listen, it is one thing to contact the dead, |
00:45:15 |
and you are meddling. |
00:45:23 |
- I just came cos I wanted some help. |
00:45:28 |
It's just that they are urging me |
00:45:32 |
Right. Thank you. |
00:45:35 |
Mr. Rivers... |
00:45:38 |
Willow Avenue. Are you sure? |
00:45:43 |
No. |
00:45:44 |
No Willow Avenue, |
00:45:52 |
Mr. Rivers. She was pregnant. Yes? |
00:46:46 |
'We play every day. ' |
00:47:19 |
'He says you are happier now. ' |
00:47:22 |
'Did I die? ' |
00:47:27 |
'Susie. |
00:47:30 |
'Susie Tomlinson... |
00:47:35 |
'smile. |
00:47:39 |
'Susie Tomlinson. |
00:47:44 |
'Smile' |
00:48:21 |
Excuse me. Are you Susie Tomlinson? |
00:48:23 |
- Yeah. |
00:48:25 |
- Hi. |
00:48:39 |
My mother died giving birth to me. |
00:48:43 |
And my grandmother, she tried for years |
00:48:47 |
You know, with candles, |
00:48:51 |
- Séances? |
00:48:53 |
All of that, she tried everything. |
00:48:59 |
She used to tell me... |
00:49:03 |
that when she died she'd let me know |
00:49:08 |
if she found my mother. |
00:49:13 |
Whenever I was sad, |
00:49:16 |
She would say, "Susie Tomlinson, |
00:49:22 |
"Susie Tomlinson, lighten up. " |
00:49:25 |
"Susie Tomlinson, smile. " |
00:49:33 |
They've found each other. |
00:49:36 |
Haven't they? |
00:49:42 |
That's what she wanted me to know. |
00:50:05 |
It's like she didn't really die. |
00:50:07 |
I get the call from my father and then, what, |
00:50:12 |
It's like she just carried straight on. |
00:50:17 |
Susie, I don't understand. |
00:50:19 |
I've been getting messages |
00:50:23 |
No, that can't be. |
00:50:46 |
'They are ruling nothing out in the case |
00:50:51 |
'Lt's been nine days since |
00:51:18 |
- Where are we gonna eat now? |
00:51:36 |
There you go. It works. |
00:51:38 |
What's that, Dad? |
00:51:40 |
That means it's time for us |
00:51:44 |
One, two, three... Hoi! |
00:51:46 |
That's it. |
00:51:49 |
Next week, can I watch a video |
00:51:53 |
Yep, but only if you're good, and ready |
00:51:57 |
OK. |
00:52:01 |
- Daddy. |
00:52:04 |
Are you gonna be OK? |
00:52:16 |
Yeah. |
00:52:23 |
I promise. |
00:53:06 |
'John. |
00:53:12 |
'John. |
00:53:18 |
'John, my love. |
00:53:28 |
'John. John. ' |
00:53:40 |
Anna. |
00:53:43 |
Anna, baby. |
00:53:45 |
'John, my love. ' |
00:54:11 |
'Please, get my... |
00:54:14 |
'Please... ' |
00:54:45 |
'John. |
00:54:48 |
'John. |
00:54:53 |
'Go. ' |
00:54:56 |
- 'Please! ' |
00:55:21 |
'John, my love. ' |
00:55:26 |
'Go. ' |
00:55:34 |
'John, my love. ' |
00:55:36 |
'Willow Avenue. ' |
00:55:40 |
'Go. Go. |
00:55:46 |
'Go now. |
00:55:49 |
- 'Please, John. ' |
00:55:53 |
'Please, John. ' |
00:55:55 |
'Willow Avenue. ' |
00:57:49 |
Please! Please, get my baby! |
00:57:52 |
Please. |
00:57:53 |
Get my baby. Please. |
00:58:00 |
Please. |
00:59:25 |
- Hi. |
00:59:29 |
- Thank you for coming. |
00:59:31 |
How's he doing? |
00:59:34 |
He's good. Gets a little better every day. |
00:59:38 |
How are you? |
00:59:46 |
I should... |
00:59:48 |
- Sorry. Thanks again. |
00:59:53 |
- Mr. Black. |
00:59:57 |
Mr. Black. |
00:59:58 |
Uh... |
01:00:00 |
This is gonna sound strange |
01:00:05 |
because she reached out to me, |
01:00:09 |
That's the thing. She wanted help. |
01:00:14 |
I am grateful for what you did, Mr. Rivers. |
01:00:17 |
My son wouldn't be here |
01:00:21 |
- But now I'd like you to leave us alone. |
01:00:24 |
Carol may have believed |
01:00:28 |
So you and your sick friends, |
01:00:30 |
you stay the fuck away |
01:00:34 |
You stay away. |
01:00:49 |
Number one, they're not dead. |
01:00:52 |
When I see them, they're not dead. |
01:00:56 |
- Things that haven't happened? |
01:00:58 |
Number two, she's showing me things |
01:01:01 |
not somewhere else where I can't do anything. |
01:01:03 |
She doesn't show me an earthquake in India |
01:01:08 |
they're here in this city |
01:01:12 |
I've seen things that haven't happened yet. |
01:01:15 |
I can see how you're putting it together. |
01:01:19 |
Putting it...? Putting it together? |
01:01:24 |
She wants me to help. |
01:01:48 |
I couldn't help Carol Black. |
01:01:54 |
But I can help them. |
01:02:15 |
- 'Jonathan Rivers' office. ' |
01:02:19 |
- for the next few days. |
01:02:21 |
I need a few days. |
01:02:24 |
- 'Take care of yourself. ' |
01:02:36 |
'It hurts. ' |
01:03:41 |
'Stop. |
01:03:43 |
'She's ours. ' |
01:03:57 |
'She's ours. ' |
01:04:12 |
'John, my love. ' |
01:04:15 |
'Willow Avenue. ' |
01:04:22 |
'Stop, you pig. Willow Avenue. ' |
01:04:27 |
It's the same voice. |
01:04:33 |
When I was at Raymond's, |
01:04:37 |
angry, violent messages. |
01:04:39 |
Now I'm getting the same thing, Sarah. |
01:04:41 |
- But from whom? |
01:04:52 |
Sarah. |
01:04:54 |
Edith Tomlinson, 207. |
01:05:00 |
I was getting messages |
01:05:04 |
She was trying to reach her dead daughter, |
01:05:11 |
"Edith Tomlinson. Daughter died |
01:05:15 |
Susie's grandmother. |
01:05:19 |
Probably just a coincidence. |
01:05:23 |
Look for Carol Black, the woman in the car. |
01:05:30 |
Remember what her husband said? |
01:05:32 |
"My wife might have been |
01:05:41 |
"Carol Black. |
01:05:43 |
"General interest, tape number 231." |
01:05:50 |
Raymond had lists of clients. |
01:05:53 |
I've seen hundreds of faces. |
01:05:57 |
I'm in there, you're in there, |
01:06:01 |
- There's too much else. |
01:06:12 |
Mary Freeman. The missing woman. |
01:06:18 |
She's on my tapes. |
01:06:21 |
I've seen her. |
01:06:24 |
She's on my tapes. |
01:06:32 |
First they visit Raymond. |
01:06:36 |
Then I see them. |
01:06:39 |
Then they die. |
01:06:48 |
- What are you doing? |
01:06:52 |
We don't know |
01:06:54 |
Susie's grandmother, Carol Black. |
01:06:57 |
- What about Anna? |
01:06:59 |
She's helping me. |
01:07:01 |
- We don't know what's happening here. |
01:07:03 |
If Mary Freeman's on these tapes, she might |
01:07:35 |
Sarah! Sarah, come here! |
01:07:39 |
Look at this. Come here. |
01:07:45 |
Come here. Look at this. |
01:07:52 |
Hear that? |
01:07:54 |
That's her. |
01:07:58 |
Oh, my God. |
01:08:01 |
She's alive. |
01:08:05 |
'Go. Go now. ' |
01:08:08 |
- Go where, baby? |
01:08:10 |
Anna, go where? |
01:08:12 |
'Please, John. Go! ' |
01:08:15 |
Go... go where, baby? |
01:08:18 |
- 'Go now! ' |
01:08:29 |
Go where? |
01:08:36 |
Damn it! She's gonna die. |
01:08:39 |
- You don't know that. |
01:08:43 |
She's on the tape. She's gonna die. |
01:08:52 |
'John. |
01:08:57 |
'John. |
01:09:12 |
'Lt hurts. ' |
01:09:18 |
Oh, my God. |
01:09:30 |
Oh, my God. |
01:10:10 |
- What if I don't wake up? |
01:10:14 |
I promise you will. |
01:10:38 |
You will stay with me? |
01:10:40 |
Sure. |
01:10:43 |
Sure. |
01:10:46 |
- Promise? |
01:10:51 |
Thank you. |
01:13:30 |
Sarah? |
01:13:46 |
God. |
01:14:49 |
It's as much as we can say. |
01:14:52 |
There's a 30, 40% chance |
01:14:55 |
Let's hope she's OK. |
01:14:59 |
Mr. Rivers. |
01:15:00 |
Neighbors say they saw you on the balcony |
01:15:05 |
I was trying to stop her. |
01:15:07 |
From falling? |
01:15:08 |
Well, she was on the balcony. |
01:15:11 |
Any idea why she was on the balcony? |
01:15:14 |
I don't know. I don't know. |
01:15:16 |
All right. I'll give you some time |
01:15:22 |
Are you heading home soon? |
01:15:26 |
I'm not leaving town, |
01:15:30 |
OK. I may come by later then. |
01:15:48 |
John. |
01:15:50 |
Hey. |
01:15:52 |
You're gonna be OK. |
01:15:55 |
You're gonna be fine. |
01:16:01 |
It hurts. |
01:16:09 |
It hurts. |
01:17:30 |
'John. |
01:17:36 |
'Go. |
01:17:38 |
'Go now, John. |
01:17:45 |
'Go. |
01:17:47 |
'Go now. |
01:17:52 |
'Please, John. ' |
01:17:59 |
No. |
01:19:12 |
Mr. Rivers? |
01:21:03 |
- Hello. |
01:21:05 |
- 'I think I've found Mary Freeman. ' |
01:21:09 |
I'm at pier 16. Can you hear me, Smits? |
01:21:13 |
Damn it. |
01:24:24 |
Oh, my God! |
01:24:29 |
'John. |
01:24:32 |
'John, my love. |
01:24:34 |
'John. ' |
01:24:47 |
Anna. |
01:24:56 |
Anna, you have to help me, please. |
01:24:59 |
- 'Go. ' |
01:25:04 |
'Please, John. |
01:25:07 |
'Please, John. |
01:25:11 |
'Go now. |
01:25:16 |
'Go now. |
01:25:27 |
'Please, John. ' |
01:25:32 |
'Go now. |
01:27:21 |
They talk to me, John. |
01:27:25 |
This was their idea. |
01:27:29 |
All their idea. |
01:27:45 |
She was beautiful, John. |
01:27:50 |
I brought her to them. |
01:27:52 |
They were very pleased with me. |
01:27:57 |
'... Argyle Avenue, |
01:28:00 |
'Damage to the head, the break to the arm... ' |
01:28:04 |
Anna! |
01:28:06 |
This was their idea. |
01:28:10 |
You guys OK? |
01:28:17 |
No! |
01:28:22 |
She's ours! |
01:28:27 |
Men in the room. |
01:29:48 |
Sir? |
01:30:35 |
O God of grace and glory, |
01:30:38 |
we remember before You this day |
01:30:43 |
Give us faith to see in death |
01:30:47 |
so that in quiet confidence... |
01:32:06 |
'I'm sorry. |
01:32:10 |
'I'm sorry. |
01:32:17 |
'I'm sorry. |
01:32:21 |
'I'm sorry, Mikey. ' |
01:32:27 |
Let's go. |
01:33:08 |
We commit the body to the ground. |
01:33:11 |
From earth to earth, ashes to ashes, |
01:33:15 |
dust to dust. |
01:33:54 |
# Last time I talked to you |
01:33:57 |
# You were lonely and out of place |
01:34:00 |
# You were looking down on me |
01:34:03 |
# Lost out in space |
01:34:06 |
# Laid underneath the stars |
01:34:09 |
# Strung-out and feeling brave |
01:34:12 |
# Watch the riddles glow |
01:34:15 |
# Watch them float away |
01:34:25 |
# Down here in the atmosphere |
01:34:27 |
# Garbage and city lights |
01:34:30 |
# You gonna save your tired soul |
01:34:34 |
# You're gonna save our lives |
01:34:37 |
# Turned on the radio |
01:34:39 |
# To find you on satellite |
01:34:43 |
# I'm waiting for the sky to fall |
01:34:45 |
# I'm waiting for a sign |
01:34:48 |
# And all we are |
01:34:51 |
# Is all so far |
01:34:56 |
# You're falling back to me |
01:34:59 |
# The star that I can't see |
01:35:03 |
# I know you're out there |
01:35:05 |
# Somewhere out there |
01:35:08 |
# You're falling out of reach |
01:35:11 |
# Defying gravity |
01:35:15 |
# I know you're out there |
01:35:17 |
# Somewhere out there |
01:35:31 |
# Hope you remember me |
01:35:33 |
# When you're homesick and need a change |
01:35:37 |
# I miss your purple hair |
01:35:40 |
# I miss the way you taste |
01:35:43 |
# I know you'll come back some day |
01:35:45 |
# On a bed of nails I wait |
01:35:49 |
# I'm praying that you don't burn out |
01:35:52 |
# Or fade away |
01:35:54 |
# And all we are |
01:35:57 |
# Is all so far |
01:36:02 |
# You're falling back to me |
01:36:05 |
# The star that I can't see |
01:36:09 |
# I know you're out there |
01:36:11 |
# Somewhere out there |
01:36:14 |
# You're falling out of reach |
01:36:17 |
# Defying gravity |
01:36:21 |
# I know you're out there |
01:36:23 |
# Somewhere out there |
01:36:32 |
# You're falling back to me |
01:36:35 |
# The star that I can't see |
01:36:39 |
# I know you're out there |
01:36:42 |
# Oh |
01:36:44 |
# You're falling out of reach |
01:36:47 |
# Defying gravity |
01:36:51 |
# I know you're out there |
01:36:53 |
# Somewhere out there |
01:36:56 |
# You're falling back to me |
01:36:59 |
# The star that I can't see |
01:37:03 |
# I know you're out there |
01:37:05 |
# Somewhere out there |
01:37:08 |
# You're falling out of reach |
01:37:11 |
# Defying gravity |
01:37:15 |
# I know you're out there |
01:37:17 |
# Somewhere out there |
01:37:23 |
# You're falling back to me |
01:37:27 |
# I know, I know |
01:37:33 |
# Oh |
01:37:35 |
# You're falling out of reach |
01:37:39 |
# I know # |