Win a Date with Tad Hamilton
|
00:02:25 |
And now for all you romantics |
00:02:34 |
Hello, Betty. |
00:02:37 |
Shouldn't you be at the hospital, |
00:02:42 |
Is there any way you can find it |
00:02:48 |
I wonder if these two get together. |
00:02:54 |
I'll forgive you on one condition. |
00:02:57 |
- What's that? |
00:03:28 |
Explain one thing to me. |
00:03:31 |
What kind of desperate and pathetic |
00:03:38 |
would actually buy that as an ending? |
00:03:47 |
Rosie, do you think that in real life |
00:03:50 |
Tad Hamilton is the man |
00:03:53 |
Absolutely. I mean, |
00:04:00 |
What do you think Tad Hamilton |
00:04:05 |
I'll bet he's in church. |
00:04:13 |
Watch this. |
00:04:17 |
Yeah! Whoo! |
00:04:25 |
- Told you that was him, right? |
00:04:28 |
Tad Hamilton. |
00:04:29 |
You don't make it easy on us, Tad. |
00:04:31 |
What do you mean? |
00:04:33 |
This is the shot the paparazzi got. |
00:04:37 |
Congratulations. You're actually |
00:04:41 |
leering and groping at the same time. |
00:04:43 |
Which, on the one hand, is just about |
00:04:48 |
Richard. |
00:04:49 |
But, on the other hand, it can be argued |
00:04:55 |
You play characters who have heart. |
00:04:57 |
This is a person |
00:05:00 |
I can't believe you guys are blaming |
00:05:04 |
You are not unemployed. |
00:05:08 |
You are simply between |
00:05:12 |
As are we, since we both get |
00:05:19 |
But this isn't about us. |
00:05:21 |
Whatever happened to that part in the |
00:05:26 |
Well, he's taking a breath. |
00:05:30 |
- He's what? |
00:05:33 |
He's pausing before deciding. |
00:05:35 |
He's hemming and hawing |
00:05:38 |
And this is only going |
00:05:41 |
- What do we do? |
00:05:45 |
- We generate a little positive PR. |
00:05:48 |
I'm saying we just need |
00:05:53 |
to remind Jimmy lng and America |
00:05:58 |
I am the boy next door, |
00:05:59 |
if you happen to live |
00:06:43 |
Congratulations. You've eaten |
00:06:48 |
What's your favorite Pringle? |
00:06:50 |
Sour cream and onion or original? |
00:06:53 |
Well, the sour cream and onion |
00:06:57 |
So if you're eating a small amount, |
00:07:01 |
But if you're eating more, you want |
00:07:05 |
Wait until you discover barbecue flavor. |
00:07:10 |
How's Modern Grocer |
00:07:14 |
This is the swimsuit issue. |
00:07:22 |
- Oh, my God. |
00:07:25 |
- Win a date with Tad Hamilton. |
00:07:28 |
lt's to benefit Save the Children. |
00:07:30 |
- That is so like him. |
00:07:34 |
Ohhh! |
00:07:37 |
- Should I enter? |
00:07:41 |
Sure. Heaven is just a mouse click away. |
00:07:46 |
A mouse click and 100-buck donation. |
00:07:47 |
We can raise 100 bucks. |
00:07:55 |
- With your permission, Petey. |
00:08:01 |
- Paper or plastic? |
00:08:03 |
Would you help Rosalee win a date with |
00:08:09 |
I certainly would. |
00:08:15 |
- Aren't these great? |
00:08:18 |
Along with a $125 check |
00:08:21 |
in recognition of yet another Piggly |
00:08:26 |
- Congratulations. |
00:08:29 |
So, Pete, when do we |
00:08:31 |
Because you're running |
00:08:35 |
Well, I got my acceptance letter |
00:08:39 |
- That's good. |
00:08:42 |
So, there's just one more thing. |
00:08:46 |
- What? |
00:08:52 |
I need to have a discussion with |
00:08:54 |
about the going |
00:09:01 |
Jars are full. |
00:09:05 |
I love everybody in this store so much. |
00:09:07 |
Sorry for interrupting. Sorry. |
00:09:28 |
It was nice to meet you. |
00:09:30 |
It was nice to meet you, too. |
00:09:32 |
- Good night. |
00:09:39 |
- Are you taking off? |
00:09:41 |
Muchas gracias. |
00:09:43 |
Hasta el proximo miercoles. |
00:09:46 |
I am the Albanian one, Mr. Hamilton. |
00:09:50 |
I'm sorry. |
00:09:53 |
"Muchas gracias" and |
00:09:56 |
- Will do. |
00:11:15 |
OK, what do I need to beat you? |
00:11:18 |
Double 14, or it's all over. |
00:11:22 |
That's not going to be a problem. |
00:11:26 |
Don't miss. Don't miss, don't miss, |
00:11:30 |
Um, are you actually doing that? Yeah. |
00:11:44 |
And now Pete will get |
00:11:49 |
- She's waiting for you. |
00:11:54 |
Fine. |
00:11:58 |
Angelica. |
00:12:06 |
Yes, Pete? |
00:12:13 |
We need another round. |
00:12:17 |
One day, Pete, one day, |
00:12:21 |
I know that the answer to that question |
00:12:24 |
"You are the object of my desire." |
00:12:29 |
OK. But for now |
00:12:42 |
Oh, Pete. |
00:12:45 |
Enough. Thank you, ladies. |
00:12:47 |
You don't like her |
00:12:49 |
What? Rosie... |
00:12:52 |
No, she's not my type, OK? |
00:12:54 |
You are so particular. |
00:12:57 |
Who the heck are they? |
00:13:00 |
If that fire alarm went off again... |
00:13:03 |
Why would they send |
00:13:06 |
Wait a second. |
00:13:15 |
Right here, please. |
00:13:22 |
In first class you get a DVD player |
00:13:27 |
I'd like to touch intimately |
00:13:30 |
We would like to begin |
00:13:33 |
- That's you. |
00:13:36 |
Guys. Just take it easy, OK? |
00:13:38 |
Just give me a hug and tell me |
00:13:42 |
OK. |
00:13:47 |
Just be careful, OK? |
00:13:51 |
- What do you mean? |
00:13:55 |
In his life, he's probably |
00:14:00 |
No way. That's not even |
00:14:04 |
Besides, like he's going |
00:14:07 |
If he claims he doesn't like watching |
00:14:12 |
Got it. |
00:14:14 |
If he claims to love animals, |
00:14:17 |
- OK. |
00:14:20 |
Famous or grocers. |
00:14:23 |
- Right. |
00:14:28 |
- Guard your carnal treasure. |
00:14:31 |
- Just guard your carnal treasure. |
00:14:34 |
- Remember everything. |
00:14:36 |
- Remember how he smells. |
00:14:39 |
But not just vaguely. |
00:14:42 |
he smells like a forest |
00:14:47 |
OK, Cathy. |
00:14:51 |
- I will bring you similes. |
00:14:55 |
I almost forgot. I got you something. |
00:14:58 |
lt's regular flavor. |
00:15:02 |
In case you don't like |
00:15:06 |
Thank you, Pete. |
00:15:12 |
Right this way. |
00:15:17 |
- Just guard your carnal treasure. |
00:15:56 |
- That's me. |
00:16:40 |
e |
00:17:05 |
Oh! |
00:17:07 |
- Can I have these? |
00:17:10 |
Do you want to think about it? |
00:17:12 |
Gee, what... |
00:17:16 |
Tell me why you're making me |
00:17:17 |
Because she's wholesome |
00:17:21 |
And she's not an Okie. |
00:17:26 |
So sorry. |
00:17:27 |
You never wear them. |
00:17:31 |
- So what's her name anyway? |
00:17:35 |
Sounds insanely hot. |
00:17:37 |
lt's very nice to meet you, Tad. |
00:17:41 |
lt's so nice to meet you, Tad. |
00:17:46 |
lt's great to meet you. |
00:17:48 |
Please, just follow the rules. |
00:17:50 |
"Smile for the cameras. |
00:17:53 |
- Fine. |
00:17:55 |
What about Jimmy lng? |
00:17:57 |
No. Still breathing. |
00:17:59 |
I passed Ashton Kutcher in my car |
00:18:02 |
He's happy for other reasons. I´m sorry. |
00:18:06 |
Hey, guys, how's this in the shoulders? |
00:18:10 |
Seriously. |
00:18:16 |
Your films will stand the test of time. |
00:18:23 |
Your films will stand the test of time. |
00:18:37 |
Hi. I´m Tad. |
00:18:43 |
Your standing films will time |
00:18:49 |
Thank you. You're pretty. |
00:18:53 |
lt's Roseanne, right? |
00:18:58 |
Ricky? |
00:19:01 |
- lt's Rosalee. |
00:19:03 |
Rosalee. Nice to meet you. |
00:19:08 |
- So, you ready? OK, let's... |
00:19:17 |
Yikes-a-bee. |
00:19:21 |
So, how was your flight? |
00:19:24 |
Your films will stand the test of time. |
00:19:28 |
Thank you. |
00:19:31 |
- So, you ready? |
00:19:33 |
Right this way. |
00:19:52 |
Rosalee Futch. |
00:20:05 |
lt'll take a few minutes for the spots |
00:20:09 |
- OK. |
00:20:14 |
Is it always like that? |
00:20:18 |
Well, pretty much. |
00:20:23 |
- Shake-a-doo. |
00:20:27 |
It just means "Wow." |
00:20:33 |
Shake-a-doo. |
00:20:35 |
So... |
00:20:39 |
- You excited? |
00:20:41 |
- This is like a fairy tale. |
00:20:50 |
- You OK? |
00:20:53 |
I'm just not used to sitting |
00:20:58 |
We don't have sideways seating |
00:21:02 |
And I think the cigarette smoke |
00:21:05 |
You can come sit back here if you like. |
00:21:09 |
I can't really move right now. |
00:21:12 |
Boy, I don't feel well. "ve always been |
00:21:16 |
Once, this carnival |
00:21:18 |
and they had that ride |
00:21:21 |
and you have to stand against the side |
00:21:27 |
- And l... |
00:21:31 |
- Pardon me. |
00:21:33 |
Ahh! |
00:21:38 |
This is just so far from the way |
00:21:46 |
lt's perfectly all right. |
00:21:48 |
- Perfectly all right. |
00:21:50 |
Have a nice dinner. |
00:21:54 |
Hey, Steve. |
00:21:55 |
- Good to see you, Mr. Hamilton. |
00:21:59 |
- Hey, man, how are you? |
00:22:15 |
Hey. |
00:22:17 |
This way. |
00:22:23 |
Doesn't it hurt, |
00:22:28 |
You get used to it. |
00:22:31 |
- Should I do it? |
00:22:33 |
You might not be able |
00:22:36 |
Sure I will. |
00:22:43 |
See that? |
00:22:47 |
- That's horrible. |
00:22:51 |
- You sure do have a lot of stuff. |
00:22:55 |
I'm never out of touch |
00:22:58 |
Who are they? |
00:23:00 |
Agents, managers, people like that. |
00:23:04 |
This man, Jimmy lng, who's |
00:23:07 |
but, for whatever reason, |
00:23:10 |
- A what? |
00:23:14 |
lt's just all very competitive, |
00:23:18 |
Everybody seems to be |
00:23:21 |
The same parts in the same movies, |
00:23:27 |
Well, I´m sure you have too much common |
00:23:33 |
I mean, it's just a recipe |
00:23:40 |
Obviously you have |
00:23:44 |
- So, Rosalee, what do you do? |
00:23:49 |
- I´m sorry? |
00:23:52 |
- I bag and check. |
00:23:54 |
Yeah. lt's a real dream come true. |
00:23:58 |
But it's fun. |
00:24:04 |
So, what do you do, Tad? |
00:24:09 |
Oops. |
00:24:13 |
What I mean is, what do you do |
00:24:19 |
Not a lot, you know. |
00:24:22 |
There's not a lot of time |
00:24:26 |
And I don't really like watching sports, |
00:24:31 |
Play with my dog, |
00:24:36 |
l... I love animals, you know? |
00:24:45 |
What do you think |
00:24:48 |
I bet they're in her hotel room, |
00:24:53 |
His manhood yearning to be free. |
00:24:56 |
Her hands running over |
00:25:00 |
Her perfect bosom crying out in ecstasy. |
00:25:08 |
Great. |
00:25:10 |
All righty. |
00:25:26 |
- I had one of those. |
00:25:30 |
Yeah, on the lowers |
00:25:34 |
I had really bad teeth as a kid. |
00:25:36 |
Yeah, I´m sure |
00:25:38 |
I was like anybody else. |
00:25:43 |
Combination skin. |
00:25:47 |
- Well, you came together nicely. |
00:25:52 |
So did you. |
00:25:59 |
- Bon appetit! |
00:26:19 |
Thanks, Mickey. |
00:26:26 |
Oh, wow. This is beautiful. |
00:26:30 |
These people sure leave |
00:26:34 |
lt's beautiful. |
00:26:37 |
It is. |
00:26:42 |
And you, if I may say so, |
00:26:50 |
How would you like to come back |
00:27:04 |
Sure. For a little bit. |
00:27:33 |
- Shake-a-doo? |
00:27:37 |
Good. |
00:27:44 |
Miss Ramirez. |
00:27:47 |
Sonja. |
00:27:50 |
Anybody in the casa? |
00:27:58 |
I think we're all alone. |
00:28:00 |
Oh! |
00:28:06 |
Do you want to come in a little further? |
00:28:12 |
Um, you know what, Tad, thank you, but |
00:28:16 |
Wow. |
00:28:19 |
OK. |
00:28:21 |
I don't want the concierge |
00:28:25 |
Good for you. Good for you. |
00:28:31 |
You don't have to do that. |
00:28:33 |
No, it would be my pleasure. |
00:28:36 |
OK, thanks. |
00:28:43 |
Rosalee, it's been |
00:28:45 |
I wish you only good things in life. |
00:28:49 |
And to me, wonderfulness, too. |
00:28:52 |
And to you, |
00:28:58 |
- You know what I´m saying? |
00:29:00 |
- Thanks for the best night of my life. |
00:29:08 |
May I give you a kiss goodbye? |
00:29:12 |
I think you might maybe may. |
00:29:31 |
- Good evening. |
00:29:36 |
Good night, Rosalee. |
00:29:43 |
Sweet dreams. |
00:30:02 |
God! |
00:30:19 |
The limo door swung open. |
00:30:24 |
My foot hit the ground |
00:30:26 |
and I turned to take |
00:30:30 |
At those eyes, at that smile. |
00:30:33 |
And then, regretfully, |
00:30:38 |
- Please tell me we're done now. |
00:30:42 |
Wow. I cannot remember a time |
00:30:47 |
Peter, I was asked to provide |
00:30:51 |
And you did. |
00:30:54 |
I felt like I was there. |
00:30:56 |
Sort of against my will, but I did. |
00:30:59 |
OK, guys, with your permission, |
00:31:01 |
I think we should all now |
00:31:08 |
OK. |
00:31:10 |
Actually... |
00:31:13 |
Rosie, I kind of had something |
00:31:24 |
Rosie. |
00:31:29 |
Whatever. |
00:31:32 |
lt's something that |
00:31:36 |
I hope you're going to like. |
00:31:39 |
Something I really hope |
00:31:44 |
lt's been a long time coming, |
00:31:47 |
Or not, or maybe not. I don't know. |
00:31:50 |
I'm like... |
00:31:54 |
Look, OK, |
00:32:00 |
l... |
00:32:03 |
Hey. |
00:32:12 |
Let me ask you, what would be |
00:32:15 |
that could happen to me right now? |
00:32:31 |
- Hi. |
00:32:35 |
I'm Tad. |
00:32:39 |
This is my Cathy friend. |
00:32:44 |
- And my Pete friend. |
00:32:47 |
lt's quite pleased and pleasant to... |
00:32:51 |
I've heard a lot about you both. |
00:32:53 |
- Have you? |
00:32:58 |
- So what are you doing here? |
00:33:02 |
- No way. You're just... That's just... |
00:33:05 |
- You can't... Here? |
00:33:07 |
You mean your normal business itinerary |
00:33:12 |
No. |
00:33:15 |
OK, Cathy. |
00:33:17 |
- Am I too late to take you to lunch? |
00:33:21 |
- Great. Shall we? |
00:33:25 |
- If that's OK, Pete. |
00:33:27 |
- If that's OK. |
00:33:29 |
If you're going back |
00:33:32 |
By the route 73 cloverleaf, |
00:33:36 |
in ways you have only |
00:33:41 |
- It was great to meet you. |
00:33:47 |
Was there something |
00:33:51 |
It was nothing. |
00:33:53 |
OK. |
00:34:10 |
- Wow. Nice car. |
00:34:12 |
I asked the manager for a rental convertible |
00:34:18 |
Really? |
00:34:19 |
And that was the last time |
00:34:24 |
Cathy, he's not her type. |
00:34:27 |
No. Rich, famous, handsome, |
00:34:33 |
You are absolutely right. |
00:34:40 |
- Move these cheeseburgers. |
00:34:45 |
Oh, my gosh. |
00:34:47 |
- Here you go, Rosie. |
00:34:50 |
Thank you. |
00:34:59 |
- Thank you. |
00:35:02 |
I still can't believe you're here. |
00:35:05 |
It was something I had to do. |
00:35:07 |
Sure. Fly clear across the country to |
00:35:12 |
I couldn't let that night |
00:35:15 |
Can I just stop you |
00:35:17 |
- What's that? |
00:35:20 |
Rosalee, nobody is nobody. |
00:35:24 |
- Fine. |
00:35:28 |
Sometimes you have to do that, |
00:35:33 |
Because in the gap between |
00:35:38 |
and what our heart tells us we must do, |
00:35:48 |
That's from The Road to El Dorado. |
00:35:53 |
You really are a big fan, aren't you? |
00:35:57 |
Is that how you get women? |
00:36:01 |
Not anymore. Wow. |
00:36:03 |
I hope not. That would |
00:36:06 |
Rosie, the truth is |
00:36:12 |
you said something |
00:36:14 |
You said you were sure |
00:36:18 |
But here's the thing. |
00:36:24 |
My entire life has been about |
00:36:28 |
becoming this thing that I am. |
00:36:31 |
And you were right, |
00:36:34 |
I need a positive influence, somebody |
00:36:38 |
somebody who seems to understand life |
00:36:41 |
and how to live it |
00:36:45 |
I just want to be around you. |
00:36:46 |
I want some of that goodness |
00:36:53 |
Do you mean goodness |
00:36:54 |
No, a platonic goodness. |
00:36:58 |
No funny business here. |
00:37:01 |
- Did I say something wrong? |
00:37:08 |
So, are you going to be |
00:37:12 |
I think I have to. If I´m going to reset |
00:37:17 |
I got to get out of that fishbowl. |
00:37:27 |
So, what do you say? |
00:37:31 |
I say, yikes-a-bee. |
00:37:35 |
What does that mean? |
00:37:38 |
lt's just something my dad and I say |
00:37:41 |
and there's nowhere to go but forward. |
00:37:45 |
- Is that like "yes"? |
00:37:48 |
Yes. |
00:37:55 |
Thanks for lunch. |
00:38:00 |
- I'll see you at seven, then. |
00:38:02 |
- OK. |
00:38:26 |
Stop. Seriously. |
00:38:29 |
You go, girl. You get your man. |
00:38:58 |
lt's room eight. |
00:39:01 |
Just go down |
00:39:03 |
- All right. |
00:39:05 |
If you hit nine, you've gone too far. |
00:39:09 |
- Got you. No phone calls, please. |
00:39:11 |
- Thank you. |
00:39:14 |
- You, too. |
00:39:17 |
- Very good. |
00:39:20 |
OK. |
00:40:07 |
He wants your goodness |
00:40:13 |
- I know, right? |
00:40:16 |
And you actually believe this? |
00:40:20 |
- Why wouldn't l? |
00:40:23 |
There's innocent, there's childlike, |
00:40:27 |
He wants your goodness |
00:40:29 |
He wants your ass |
00:40:32 |
- Oh, my God. |
00:40:34 |
- You can't go out with him tonight. |
00:40:38 |
I mean that I need you |
00:40:42 |
Janine's sick. |
00:40:46 |
- She does not. |
00:40:51 |
She's definitely coming down |
00:40:55 |
No, she's not. |
00:40:57 |
Janine, cough for me. Cough for me. |
00:41:00 |
- See? God, it's all in your lungs. |
00:41:03 |
- Nothing. You're fine. |
00:41:05 |
Do not tell my employees |
00:41:08 |
She's fine. |
00:41:10 |
Even if she weren't, |
00:41:13 |
because I am going out |
00:41:20 |
- Stop that. |
00:41:23 |
You're not getting off tonight, Janine. |
00:41:30 |
- Everywhere Inn. |
00:41:33 |
Do you guys have any other rooms? |
00:41:37 |
Well, yeah, we got sweets. |
00:41:40 |
if you want to come on by |
00:41:45 |
No, I mean maybe something |
00:41:48 |
- Bigger and newer? |
00:41:51 |
And no, we don't have suites like that. |
00:41:55 |
OK, I guess that's cool. |
00:41:59 |
- Can you hold on a second? |
00:42:04 |
- Hello. |
00:42:08 |
I'm at a motel in Fraziers Bottom, |
00:42:11 |
OK. Words I never heard anyone utter. |
00:42:14 |
- She's special, Richard. |
00:42:16 |
- The girl from the charity thing. |
00:42:20 |
You flew to a place actually called |
00:42:24 |
and are staying in a motel |
00:42:29 |
Whoa, whoa, whoa. |
00:42:30 |
I don't want to nail her. |
00:42:33 |
Oh, forgive me, Lord Byron. |
00:42:35 |
I want to be around her, you know? |
00:42:39 |
She has a goodness. |
00:42:41 |
I'm trying to feed my soul, OK? |
00:42:43 |
- I´m trying to find a way to be happy. |
00:42:47 |
- This is big for me, Richard. |
00:42:49 |
- This is a turning point for me. |
00:42:53 |
But by the end of the week, |
00:42:56 |
you're going to feel differently. |
00:43:00 |
And what do you suppose happens then? |
00:43:02 |
- I don't... |
00:43:06 |
You pulverize her heart, |
00:43:10 |
and all the good that was done |
00:43:14 |
And Jimmy lng continues breathing. |
00:43:17 |
People like you can't have |
00:43:21 |
- West Virginia. |
00:43:23 |
- Why not? |
00:43:25 |
Your values are different. |
00:43:27 |
- For example, she has them. |
00:43:31 |
It can't and when it ends, |
00:43:34 |
There are more important things |
00:43:38 |
I don't even know who I´m talking |
00:43:41 |
- What have you done with Tad? |
00:43:44 |
No, you do not got to go. You're going |
00:43:49 |
An extreme version of your normal |
00:43:54 |
And it has a hold of you. |
00:43:57 |
have a Bushmills and a Percocet, |
00:44:00 |
looking to advance her career and |
00:44:04 |
- I'll talk to you soon. |
00:44:07 |
- Bye, Richard. |
00:44:14 |
Owww! |
00:44:18 |
- Hello? |
00:44:21 |
You wouldn't happen to have |
00:44:23 |
No, but I am a very fast learner, |
00:44:28 |
and I could, you know... Hello? |
00:44:44 |
It always comes around |
00:45:35 |
Coming. |
00:45:41 |
You must be Tad. |
00:45:43 |
Must be. You are Tad. |
00:45:45 |
- Nice to meet you, Mr. Futch. |
00:45:48 |
- Please, come in. |
00:45:50 |
- Rosie'll be down in a minute. |
00:45:56 |
May I offer you a chocolate martini? |
00:46:00 |
- Wow, look at that. |
00:46:03 |
Yeah? Yeah, I guess they are. |
00:46:07 |
I'm driving, so... |
00:46:10 |
Attaboy. |
00:46:14 |
Have a seat. |
00:46:23 |
So, it looks like |
00:46:27 |
will top $100 mill in domestic BO. |
00:46:32 |
Yeah. |
00:46:33 |
And Quantum Studios, I think |
00:46:37 |
either by buying a web or a weblet. |
00:46:40 |
Could be. |
00:46:43 |
Yes. Yeah. |
00:46:52 |
- Hey. |
00:46:55 |
- I see you've met Dad. |
00:46:59 |
So what do you want to do tonight? |
00:47:01 |
- Do you guys have a movie theater? |
00:47:05 |
lt's part of |
00:47:09 |
- Have you seen King Arthur of Britain? |
00:47:12 |
You two enjoy yourselves. |
00:47:14 |
Have her back by dawn. |
00:47:17 |
No, sir. |
00:47:24 |
- How was l? |
00:47:29 |
- Good night. |
00:47:32 |
- I´m telling you, that's him. |
00:47:36 |
- Mom, I swear it's him. |
00:47:38 |
Yes, it's Tad Hamilton. |
00:47:40 |
You look so sad there. |
00:47:44 |
Give me a break. |
00:47:50 |
Next week, on a very special |
00:48:03 |
And what were your respective ages? |
00:48:06 |
- I was 12 and she was 30. |
00:48:11 |
Yeah. |
00:48:15 |
Hasta el proximo miercoles. |
00:48:16 |
Ahora disponsible en viernes |
00:48:22 |
So, what do people do at this point |
00:48:27 |
- Well, they go to the diner. |
00:48:30 |
We haven't eaten anything |
00:48:34 |
- Or they go home. |
00:48:38 |
Of course, if it were a date, |
00:48:44 |
And what do people do there? |
00:48:48 |
They park. |
00:48:51 |
And then? |
00:48:54 |
And then they marvel at what |
00:48:57 |
But this isn't a date. |
00:49:00 |
- No. |
00:49:02 |
I don't want to do anything |
00:49:05 |
Me neither. |
00:49:08 |
Over two trillion tons of water |
00:49:12 |
pass through the gap every hour. |
00:49:18 |
That's enough water |
00:49:22 |
Or put out every fire in West Virginia. |
00:49:24 |
- No kidding. |
00:49:28 |
Excuse me. |
00:49:38 |
Huh. |
00:49:51 |
- Hello. |
00:49:55 |
Hiya, Pete. Rosie's not here. |
00:49:57 |
She's out with Tad Hamilton. |
00:50:00 |
Really? I hadn't... |
00:50:03 |
He seems like a very nice guy. |
00:50:06 |
He does. A lovely, lovely guy. |
00:50:10 |
So, like, where did they go? |
00:50:13 |
- The movies. |
00:50:16 |
It looks like the seven o'clock |
00:50:22 |
or so someone happened |
00:50:28 |
So I guess that would |
00:50:31 |
and onto their next activity. |
00:50:36 |
I guess it would, Pete. |
00:50:40 |
Yeah, I just had |
00:50:42 |
A little dairy-case query. |
00:50:47 |
But we can clear that up tomorrow. |
00:50:49 |
OK, Pete. Goodbye. |
00:50:53 |
All right. |
00:50:58 |
Rosie... |
00:51:07 |
Could I see |
00:51:11 |
- Yikes-a-bee. |
00:51:15 |
- Rosalee? |
00:51:18 |
Hi. Wow. |
00:51:21 |
- Oh, boy. |
00:51:24 |
We heard you were in town, |
00:51:27 |
- Did you? |
00:51:30 |
Yes. Yes, I am, Officer. |
00:51:32 |
- Tom? |
00:51:36 |
We got a call saying |
00:51:39 |
and you know |
00:51:43 |
- You got a call at this hour? |
00:51:46 |
From who, a raccoon? |
00:51:54 |
Never mind. |
00:51:56 |
I am going to kill Pete, bring him |
00:52:00 |
Calm down. Calm down. |
00:52:02 |
- Why aren't you upset? |
00:52:07 |
OK? |
00:52:11 |
What happened here tonight |
00:52:19 |
Two people set out to be friends, |
00:52:25 |
Nature wanted them to be more. |
00:52:29 |
And nature is going |
00:52:54 |
What did I tell you? |
00:52:56 |
What did I tell you about your |
00:53:01 |
- You said to guard it. |
00:53:04 |
And what did you do? |
00:53:07 |
You're acting like it was a sleazy night. |
00:53:11 |
lt's not like he took you to the movies |
00:53:15 |
The evening evolved, Pete. |
00:53:18 |
My God, did he actually say that? |
00:53:20 |
It started as two friends |
00:53:23 |
- And it evolved into dry humping. |
00:53:26 |
He didn't want to do anything |
00:53:30 |
Wow. Did he actually... |
00:53:36 |
- And I can't believe you bought it. |
00:53:39 |
OK, fellas, a show of hands. |
00:53:43 |
of the "don't want to harm |
00:53:51 |
- Father Newell? |
00:53:56 |
Rosie, what are Tad's pectorals |
00:54:00 |
Are they warm yet firm like... |
00:54:02 |
- Cath, that's really not helping now. |
00:54:05 |
Thanks. Listen, Rosie, just... |
00:54:11 |
Listen to me, bottom line. |
00:54:13 |
Tad Hamilton is an actor, OK? |
00:54:19 |
How do you know |
00:54:24 |
- He's not acting. |
00:54:27 |
He is. He's playing a role. |
00:54:30 |
The role of Hollywood bad boy |
00:54:35 |
OK, after you guys have... |
00:54:39 |
After you guys have been |
00:54:44 |
he's out of here, OK? |
00:54:48 |
You will never see him again. |
00:54:53 |
Hey, Rosie, guess what? |
00:54:56 |
I bought a house. |
00:55:00 |
lt's actually a farm with a house |
00:55:05 |
- Really? You bought a house. |
00:55:08 |
We're putting down roots, baby. |
00:55:12 |
- What do you think of that? |
00:55:14 |
Come see it. Maybe after work? |
00:55:17 |
- I'd love to. |
00:55:23 |
Great. |
00:55:46 |
He's going to stay in the motel |
00:55:49 |
- He's a farmer all of a sudden? |
00:55:53 |
He's from Malibu, California. |
00:55:55 |
The only thing they grow there |
00:55:58 |
Could you smile a little bit? |
00:56:00 |
- This means nothing. |
00:56:03 |
What? Rosie, people like this |
00:56:07 |
- lt's called a tax shelter. |
00:56:10 |
I can guarantee you |
00:56:13 |
Tad's farm and his house |
00:56:17 |
and his fricking wheat |
00:56:20 |
Why? What are you going to do? |
00:56:23 |
Nothing. You know, |
00:56:33 |
Howdy. |
00:56:35 |
- Tad, this place is unbelievable. |
00:56:41 |
This barn sits on what they call |
00:56:45 |
Yeah. I´m not sure exactly |
00:56:50 |
I'm going to guess that's a lot. |
00:56:53 |
I'm going to guess 40. |
00:56:56 |
Oh, yeah. Could be. |
00:56:59 |
Tad, being a new farm owner and all, |
00:57:03 |
I know you'll probably get some people |
00:57:07 |
hell, I'd be happy to show you |
00:57:10 |
Really? Pete, that would be great. |
00:57:13 |
Tad, that's not a problem. |
00:57:18 |
What you're going to do here |
00:57:24 |
essentially one of the nipples, |
00:57:26 |
and just pull it firmly but gently |
00:57:29 |
You're going to freak out a... |
00:57:33 |
Mmm, look at all that creamy milk. |
00:57:38 |
- You are making old Tad thirsty. |
00:57:42 |
Pete, you remember my remake |
00:57:52 |
OK, so, the trick is |
00:57:55 |
so as to split the log in one swift... |
00:58:01 |
stroke. |
00:58:04 |
OK. |
00:58:07 |
Yeah. Let's do this. |
00:58:11 |
So, you work out? |
00:58:14 |
- No. |
00:58:17 |
I know, it's like... Me neither. |
00:58:19 |
OK. lt's just basically |
00:58:26 |
OK. And sometimes, basically, |
00:58:31 |
And sometimes you don't. |
00:58:34 |
That's good. Beginner's luck. |
00:58:41 |
And the luck continues. |
00:58:44 |
Did you ever see a movie I did called |
00:58:48 |
If it came out, Tad, |
00:58:51 |
then I saw it. |
00:58:55 |
I think the ax is actually broken. |
00:58:58 |
You got it. Good. |
00:59:09 |
Get someone else to cry, |
00:59:13 |
I don't do that. |
00:59:20 |
Which is why I try to stay away |
00:59:25 |
Oh, my God. I finally did it. |
00:59:28 |
People, are you watching this? Rosie. |
01:00:15 |
- Pete. |
01:00:18 |
- Hey. |
01:00:21 |
Yeah, sure. |
01:00:23 |
- Forgive the intrusion, but... |
01:00:29 |
OK. Here it is. |
01:00:38 |
You win, OK? |
01:00:42 |
- You win. |
01:00:45 |
You did have an advantage |
01:00:50 |
Excuse me, we're in the middle |
01:00:53 |
Yeah, no problem. |
01:01:00 |
I want Rosie to be happy. |
01:01:02 |
So, I got to ask you |
01:01:08 |
Do you know how long she keeps her hair |
01:01:11 |
What? |
01:01:13 |
Or why her favorite necklace |
01:01:16 |
No. |
01:01:17 |
Do you even know |
01:01:21 |
- She has six smiles? |
01:01:23 |
One when something |
01:01:25 |
One when she's laughing |
01:01:28 |
But there's one when she makes plans. |
01:01:31 |
One when she makes fun of herself. |
01:01:32 |
One when she's uncomfortable. |
01:01:38 |
One when she's talking |
01:01:44 |
- I don't know those things yet, Pete. |
01:01:47 |
I'm telling you, she is more of... |
01:01:51 |
a treasure than you can possibly know. |
01:01:55 |
She's not just some |
01:01:58 |
some good-for-you breath of fresh air. |
01:02:00 |
Tad, she is a wonderful person |
01:02:04 |
Yeah. |
01:02:05 |
And the kind of beauty that a guy |
01:02:11 |
Listen, Tad, if there is even a chance |
01:02:19 |
please, just, for her sake... |
01:02:24 |
walk away, man. |
01:02:27 |
I could never break Rosalee's heart. OK? |
01:02:30 |
Good. Because if you do, I swear to God, |
01:02:33 |
I will tear you to pieces |
01:02:36 |
Or vicious rhetoric. |
01:02:45 |
You're a good guy, Pete. |
01:02:47 |
But it's apparently not good enough. |
01:03:05 |
- Do you mind if l... |
01:03:07 |
Finish up in here. I´m sorry. |
01:03:19 |
You're a good kisser. |
01:03:23 |
But I guess it doesn't come |
01:03:27 |
You're a really good kisser. |
01:03:30 |
- Even compared to Hollywood girls? |
01:03:35 |
That's just ridiculous. |
01:03:45 |
Oh, Tad Hamilton. |
01:03:47 |
Your favorite people are here. |
01:03:49 |
- You got to be kidding me. |
01:03:51 |
- Guess who? |
01:03:54 |
Taddy? Tadala. |
01:03:57 |
- This is a nightmare. |
01:04:01 |
Let us in. |
01:04:03 |
- Hey, Tad. |
01:04:07 |
Open zee zleibenshlocken. |
01:04:08 |
Come on. |
01:04:13 |
- Fellas. |
01:04:21 |
- Howdy, little lady. |
01:04:26 |
My manager, Richard Levy |
01:04:31 |
You're both named Richard Levy? |
01:04:33 |
Who isn't? |
01:04:38 |
You. |
01:04:40 |
- You must be Rosalee. |
01:04:43 |
- Did we come at a bad time? |
01:04:45 |
Actually, yes. |
01:04:48 |
Well, Tad. |
01:04:53 |
- What? |
01:04:55 |
Seems he saw something that |
01:04:59 |
- It was the body of your work. |
01:05:04 |
Your credits. |
01:05:07 |
He called me and said, |
01:05:09 |
"Tad Hamilton has to play this part." |
01:05:12 |
There's nobody else. |
01:05:16 |
Fellas, I have never felt better |
01:05:19 |
Except for that weekend in Cabo. |
01:05:22 |
That is exactly |
01:05:27 |
Easy, "ve got a bad back. |
01:05:30 |
That's exactly what I´m talking about. |
01:05:34 |
I told you a little good career news |
01:05:40 |
- So then you're leaving? |
01:05:44 |
Fittings Monday and rehearsals Tuesday. |
01:05:46 |
You're back on the beam, pally. |
01:05:51 |
Boy, things happen fast. |
01:06:01 |
Oh, my God. |
01:06:03 |
- You're right. |
01:06:06 |
- I´m going to turn it down. |
01:06:08 |
- What? |
01:06:10 |
I came here vowing |
01:06:12 |
and at the first opportunity |
01:06:16 |
You're not going to turn down the part. |
01:06:22 |
- Give us a minute, will you, fellas? |
01:06:29 |
I wonder if they have |
01:06:44 |
- I want you to go with me. |
01:06:48 |
- What? |
01:06:51 |
I won't take the part |
01:06:54 |
Although we could work something out. |
01:06:56 |
- Really? |
01:06:59 |
Rosie, have you been listening |
01:07:04 |
I love you. |
01:07:09 |
How many times in your life |
01:07:16 |
- Not counting the movies? |
01:07:23 |
I've said it a few times. |
01:07:26 |
But... |
01:07:29 |
But I never knew what it meant. |
01:07:37 |
I can't go with you, Tad. |
01:07:41 |
Because you don't love me. |
01:07:45 |
You maybe want to love me, |
01:07:47 |
but I think what you love right now |
01:07:53 |
You can't love someone |
01:07:55 |
You have to love them for their details, |
01:07:57 |
for the things that are |
01:08:00 |
- I do love you for your details, Rosie. |
01:08:03 |
You couldn't possibly. |
01:08:16 |
- You have six smiles. |
01:08:22 |
You have six smiles. |
01:08:26 |
One when something |
01:08:30 |
And one when you're just |
01:08:35 |
One when you're making plans |
01:08:37 |
and one when |
01:08:41 |
One when you're uncomfortable |
01:08:47 |
One when you're talking |
01:08:50 |
- How many is that? |
01:08:54 |
I told you. I told you. |
01:09:00 |
That is so much better |
01:09:04 |
I had a better writer. |
01:09:08 |
So... |
01:09:12 |
Will you go? |
01:09:24 |
Yes. |
01:09:29 |
He's going back to Cali, |
01:09:35 |
- What are you thinking? |
01:09:39 |
If I´m making a huge mistake, |
01:09:42 |
You're not making a mistake. |
01:09:56 |
You know, as a bartender |
01:09:57 |
you do learn to kind of recognize |
01:10:03 |
Angelica, I´m fine. |
01:10:06 |
But could I have, like, six more of these? |
01:10:09 |
No, Pete. You really need to talk. |
01:10:16 |
OK. |
01:10:19 |
I think that our friend Rosie... |
01:10:24 |
might be falling in love |
01:10:27 |
Yeah, didn't have to be a bartender |
01:10:31 |
Right, but the problem with that is... |
01:10:38 |
that I´m in love with Rosie. |
01:10:43 |
You know, I always thought |
01:10:57 |
So how much do you love her? |
01:11:00 |
Is it love, is it big love |
01:11:04 |
What do you mean? |
01:11:07 |
Love you get over in two months. |
01:11:09 |
Big love, two years. |
01:11:13 |
And great love... |
01:11:15 |
- Yeah? |
01:11:28 |
Oh, my God. |
01:11:30 |
lt's great love. |
01:11:38 |
lsn't that great? |
01:11:41 |
You got to win her back. |
01:11:44 |
Angelica, trust me, |
01:11:50 |
What did she say |
01:11:57 |
Well, actually, |
01:12:02 |
What did she say when you kissed her? |
01:12:05 |
OK, maybe it's more like |
01:12:09 |
Well, what have you tried? |
01:12:12 |
I have very unsubtly |
01:12:20 |
- OK, get up. |
01:12:21 |
- Get your ass off the barstool. |
01:12:24 |
Hey, if you feel it and you don't do |
01:12:29 |
you are basically |
01:12:32 |
I hate to break it to you, |
01:12:39 |
As my father told me when I said |
01:12:43 |
"Honey, your odds go up |
01:12:48 |
Sure, but I´m up against... |
01:12:53 |
Tad Hamilton. |
01:12:58 |
You are Tad Hamilton. |
01:13:02 |
- What? |
01:13:04 |
Everybody's Tad Hamilton |
01:13:07 |
Rosalee's Tad Hamilton to you. |
01:13:11 |
And you're Tad Hamilton to me. |
01:13:17 |
Angelica, thank you. |
01:13:20 |
So start acting like it. |
01:13:23 |
OK. |
01:13:25 |
Yeah, OK. |
01:13:29 |
You are a really good bartender. |
01:13:46 |
- Hi. |
01:13:47 |
Come in, come in. |
01:13:53 |
I have something to talk to you about. |
01:13:55 |
- Me, too. |
01:13:57 |
- No, you go first. |
01:13:59 |
- Seriously, you go first. |
01:14:04 |
Tad got a part in this huge movie |
01:14:05 |
and he asked me to go with him |
01:14:08 |
We leave tomorrow afternoon. |
01:14:13 |
I probably should've gone first. |
01:14:15 |
Why? What were you going to say? |
01:14:21 |
lt's nothing. It was nothing. |
01:14:24 |
Just, you know, travel safely, OK? |
01:14:28 |
And just really enjoy the shoot. |
01:14:35 |
Actually, no, I remember |
01:14:49 |
I love you, Rosie. |
01:14:53 |
I always have. |
01:14:55 |
If "ve been a jerk this last week, |
01:15:00 |
I have been fighting for you. |
01:15:04 |
I don't want to lose you |
01:15:12 |
You're the one. |
01:15:21 |
So, any reaction to any of this? |
01:15:25 |
Because now would be an excellent time. |
01:15:32 |
Now? You kiss me now? |
01:15:37 |
You say this to me now, |
01:15:45 |
Yes, to all questions. |
01:15:52 |
I'm... |
01:15:57 |
I have to pack. |
01:16:03 |
You're telling me that you can't answer |
01:16:04 |
the most important question |
01:16:08 |
because you have to pack? |
01:16:10 |
Not only do I have to pack, but I have |
01:16:13 |
and my dad called my relatives |
01:16:17 |
and they're expecting me, so.. |
01:16:19 |
it's all in the works. |
01:16:21 |
But this is... |
01:16:25 |
Rosie, what's in your heart? |
01:16:38 |
I'm sorry. |
01:16:49 |
I'm sorry, too. |
01:17:07 |
- You OK, Pete? |
01:17:12 |
Listen, Pete, obviously |
01:17:15 |
by Tad Hamilton's presence. |
01:17:19 |
No one more so than me. |
01:17:22 |
But that doesn't mean I don't know |
01:17:27 |
and who she would be with |
01:17:34 |
- Well, it's not. |
01:17:40 |
When I was your age I was completely |
01:17:49 |
Of the chocolate Hersheys? |
01:17:53 |
The Hershey chocolates? |
01:17:57 |
She was a great girl, |
01:18:00 |
I actually met her |
01:18:04 |
Anyway, there was this French guy. |
01:18:07 |
He owned, like, France. |
01:18:11 |
I didn't stand a chance. |
01:18:13 |
It happens that way sometimes. |
01:18:16 |
Sometimes Goliath |
01:18:22 |
lt's just nobody bothers |
01:18:26 |
Well, thanks, Mr. Futch. |
01:18:30 |
I feel much better now. |
01:18:36 |
- Goodbye, Mr. Futch. |
01:18:57 |
Are you sure you know what you're doing? |
01:19:00 |
No. |
01:19:02 |
Ever feel more confused or alone? |
01:19:05 |
No. |
01:19:07 |
Have a nice flight. |
01:19:18 |
So, we'll see you |
01:19:21 |
Yes, Daddy. |
01:19:24 |
You guys don't mind not flying with us? |
01:19:27 |
- That's fine. |
01:19:29 |
We look forward |
01:19:32 |
I always wanted |
01:19:35 |
- We will be absolutely fine. |
01:19:37 |
So we'll be in LA by April? |
01:19:43 |
We'll be fine. |
01:19:46 |
- lt's time. |
01:19:48 |
- Safe trip, Tad. |
01:19:55 |
- Welcome aboard, Mr. Hamilton. |
01:19:59 |
- Miss? |
01:20:06 |
Stop it. Stop it. |
01:20:09 |
Come on. |
01:20:13 |
There's got to be room for one more. |
01:20:15 |
Will you pull yourself together? |
01:20:18 |
Thank you. |
01:20:20 |
Would you like a Vicodin? |
01:21:04 |
Jimmy, being |
01:21:06 |
In fact, it's more than a privilege. |
01:21:12 |
Can l... Do you mind if I call you back |
01:21:18 |
OK, thank you, sir. |
01:21:32 |
- You OK? |
01:21:36 |
I'm just a little nervous |
01:21:40 |
I have a little nervous feeling |
01:21:44 |
- But that's only natural, right? |
01:21:46 |
This is a pretty huge thing I´m doing. |
01:21:50 |
Kind of a great leap of faith. |
01:21:52 |
But I have that faith in you. |
01:21:56 |
So I´m fine. lt's going to be great. |
01:21:59 |
- Good. |
01:22:08 |
Which one is it? |
01:22:11 |
- What? |
01:22:14 |
lt's... |
01:22:16 |
Wait, it was one. |
01:22:23 |
No, one was when something |
01:22:28 |
- Right? |
01:22:48 |
Rosie... |
01:22:52 |
I didn't know about your six smiles. |
01:22:55 |
He made me swear |
01:22:58 |
or he would tear me to pieces, |
01:23:01 |
either with his bare hands |
01:23:06 |
I stole the speech from Pete |
01:23:09 |
I lied. And I´m sorry. |
01:23:14 |
And I know you're going to be |
01:23:19 |
- Pete told you about the six smiles? |
01:23:23 |
And made you swear |
01:23:27 |
Or he'd tear you to pieces, with either |
01:23:32 |
Yeah. |
01:23:36 |
That is just so... |
01:23:43 |
adorable. |
01:23:48 |
What? |
01:23:51 |
Do you think it's possible |
01:23:54 |
to love someone your whole life |
01:23:59 |
until something happens |
01:24:04 |
- What's that from? |
01:24:08 |
I'm just saying it to you. |
01:24:14 |
Wow. |
01:24:26 |
Man, what a week. |
01:24:30 |
Fell in love for the first time, |
01:24:35 |
was honorable for the first time. |
01:24:38 |
Got bit in the ass for being |
01:24:42 |
Bought a farm. |
01:24:44 |
I'm sorry about the broken-heart part. |
01:24:58 |
Do you think |
01:25:02 |
Yeah. |
01:25:17 |
Thank you. |
01:25:22 |
- Cathy. |
01:25:24 |
- Where's Pete? |
01:25:27 |
What do you mean? |
01:25:30 |
No. He didn't come in today. |
01:25:34 |
Can I borrow your car? |
01:25:37 |
Yes. |
01:25:40 |
Thank you. |
01:25:55 |
Pete. Pete. |
01:26:06 |
Not Pete. |
01:26:11 |
Wow. |
01:26:27 |
I'm just here because Pete |
01:26:32 |
- Why? Where's he going? |
01:26:36 |
And he isn't going. |
01:26:38 |
He's gone. |
01:26:41 |
He's gone to Richmond? |
01:26:45 |
Why? |
01:26:47 |
I cannot believe I am taking |
01:26:55 |
When great love is rejected, Rosalee, |
01:27:01 |
So all he can do is run away, |
01:27:03 |
where he can meet the girl |
01:27:11 |
- Unless... |
01:27:14 |
Unless you can get to him |
01:27:19 |
But once it's closed, it's closed. |
01:27:22 |
lt's finished. lt's gone, dead. |
01:27:26 |
lt's crushed. lt's beaten. lt's buried. |
01:27:29 |
It is lost for all of time in a sea... |
01:27:31 |
- Angelica. |
01:27:36 |
I owe you. |
01:27:40 |
Go. |
01:28:11 |
If you've been dumped, |
01:28:14 |
Let's go to line one. |
01:28:28 |
What? Pass me. |
01:28:33 |
Pete. Pete. |
01:28:49 |
- Are you OK? |
01:28:52 |
No, I meant to do that. |
01:29:27 |
You have five smiles, Pete. |
01:29:32 |
One when you think someone's an idiot. |
01:29:36 |
One when you think |
01:29:41 |
One when you're getting all dressed up. |
01:29:45 |
One when you're singing Barry White. |
01:29:49 |
And one... |
01:29:53 |
when you're looking at me. |
01:30:14 |
For all you lovers out there, |
01:30:30 |
I can't believe |
01:30:37 |
would you like to dance? |