|
Woman In The Window The
|
| 00:01:28 |
The Biblical injunction 'Thou shalt not kill' |
| 00:01:32 |
is one that requires qualification... |
| 00:01:34 |
...in view of our broader knowledge |
| 00:01:39 |
The various legal categories |
| 00:01:45 |
the various degrees of homicide, |
| 00:01:49 |
are civilized recognitions of impulses |
| 00:01:56 |
The man who kills in self defense, |
| 00:01:59 |
...by the same standards |
| 00:02:14 |
So, what are you doing tonight? |
| 00:02:16 |
I'm having dinner with Lalor |
| 00:02:18 |
Well, I just don't want you to stay cooped |
| 00:02:22 |
I won't, I promise you. I'll get out. |
| 00:02:24 |
All right, dear. I should think you would |
| 00:02:27 |
But once you get your nose into a book... |
| 00:02:29 |
Mama, they're going. |
| 00:02:32 |
Goodbye, darling. |
| 00:02:36 |
So am I, but you have a good time. |
| 00:02:39 |
Will you miss me? |
| 00:02:40 |
Every minute of the day. |
| 00:02:44 |
Mama. |
| 00:02:46 |
Kiss Daddy goodbye. |
| 00:02:49 |
Goodbye, you little brats. |
| 00:02:52 |
So long, Pops. |
| 00:02:54 |
And mind Mother. Both of you. |
| 00:02:55 |
Yes sir. |
| 00:02:58 |
Yes, I will, dear. |
| 00:03:14 |
MAN: New York Telegram, World Post. |
| 00:03:31 |
Frank. |
| 00:03:32 |
Look. |
| 00:03:46 |
Flirting with our sweetheart? |
| 00:03:49 |
How are you, Frank? |
| 00:03:50 |
Who is she? |
| 00:03:52 |
But we've decided she's our dream girl |
| 00:03:55 |
That's right. We saw her first. |
| 00:03:57 |
Well, it's an extraordinary portrait. |
| 00:03:59 |
Extraordinary woman too, I bet. |
| 00:04:09 |
(MICHAEL LAUGHING) |
| 00:04:11 |
Well, what's the program now, huh? |
| 00:04:14 |
Stork Club? Billy Rose's? |
| 00:04:17 |
Well, I hate to disappoint you, gentlemen, |
| 00:04:22 |
...is one cigar, another |
| 00:04:26 |
I have a lecture at 9:00 tomorrow morning, |
| 00:04:28 |
and I expect to deliver it without sport. |
| 00:04:30 |
Do you mean to sit there and tell us |
| 00:04:32 |
...of your summer bachelorhood, |
| 00:04:33 |
you're not even going |
| 00:04:35 |
No, but if one of the young ladies |
| 00:04:40 |
...and perform about there. |
| 00:04:43 |
I'll only be too happy to watch. |
| 00:04:45 |
Incredible. |
| 00:04:49 |
It's outraging tradition. |
| 00:04:51 |
Well, look, I'm a middle-aged man. |
| 00:04:54 |
We are three old crocks. |
| 00:04:57 |
Just a minute. |
| 00:04:58 |
I don't know if I like being described |
| 00:05:02 |
No, Michael, he's right, I'm afraid. |
| 00:05:04 |
And it's a darn good thing too. |
| 00:05:06 |
I didn't say that. |
| 00:05:09 |
'Cause I don't know that it is. |
| 00:05:11 |
All I know is that I hate it. |
| 00:05:13 |
I hate this solidity, |
| 00:05:17 |
To me it's the end of the brightness of life, |
| 00:05:21 |
Don't talk like that. |
| 00:05:23 |
Men of our years have no business |
| 00:05:25 |
...with any adventure that they can avoid. |
| 00:05:28 |
We're like athletes who are out of condition. |
| 00:05:30 |
We can't handle that sort of thing anymore. |
| 00:05:32 |
Life ends at 40? |
| 00:05:34 |
In the district attorney's office, |
| 00:05:36 |
we see what happens to middle-aged men |
| 00:05:41 |
And I'm not joking when I tell you |
| 00:05:44 |
...issuing directly out of pure carelessness, |
| 00:05:48 |
Casual impulse, an idle flirtation, |
| 00:05:53 |
How many is that? |
| 00:05:55 |
Third, isn't it? |
| 00:05:58 |
He's a strictly two-drink man, |
| 00:06:01 |
I'm sorry if I sound stuffy. |
| 00:06:03 |
But trouble starts, too, from little things, |
| 00:06:05 |
often from some forgotten |
| 00:06:08 |
Yes, but I have a date for an idle flirtation |
| 00:06:12 |
...that we worked out. |
| 00:06:14 |
Tomorrow night? |
| 00:06:15 |
Very good. |
| 00:06:17 |
The three of us, |
| 00:06:19 |
Fine, that's a good idea. |
| 00:06:21 |
I think I'll roll along with you. |
| 00:06:23 |
Maybe Lana can dig up |
| 00:06:26 |
Well, what about me? |
| 00:06:28 |
Do you think it quite |
| 00:06:29 |
...in this somewhat |
| 00:06:31 |
No, no. You'll be all right, I'm sure. |
| 00:06:32 |
Just you run along to bed like |
| 00:06:35 |
He's much too old for the sort of thing |
| 00:06:39 |
Now, be good. |
| 00:06:41 |
Dick, I really would like... |
| 00:06:44 |
You know, I don't agree with a word |
| 00:06:46 |
But the disagreement is purely academic. |
| 00:06:48 |
You know, that's exactly my complaint. |
| 00:06:50 |
The flesh is still strong |
| 00:06:54 |
Good. |
| 00:06:55 |
You know, even if the spirit of adventure |
| 00:06:59 |
even in the form of that alluring |
| 00:07:03 |
I'm afraid that all I'll do is |
| 00:07:05 |
mutter something idiotic |
| 00:07:07 |
Not before you got her number, I hope. |
| 00:07:10 |
Probably. |
| 00:07:13 |
Good night. |
| 00:07:15 |
You're safe, I guess. Good night, Dick. |
| 00:08:30 |
Oh, thank you. |
| 00:08:38 |
Would you be good enough to remind me |
| 00:08:41 |
Yes, sir. |
| 00:08:43 |
Sometimes I'm inclined |
| 00:08:45 |
I'll remind you, sir. |
| 00:08:47 |
Thank you, sir. |
| 00:09:03 |
COLLINS: It's 10:30, Professor Wanley. |
| 00:09:06 |
It's 10:30, sir. |
| 00:09:12 |
Would you mind |
| 00:09:14 |
Yes, sir. |
| 00:09:30 |
My hat, please. |
| 00:10:25 |
I... I couldn't have drunk that much. |
| 00:10:28 |
You did pose for it, didn't you? |
| 00:10:31 |
Well, then my admiration |
| 00:10:34 |
It's not only a good painting, it's also you. |
| 00:10:36 |
You know that so quickly? |
| 00:10:38 |
I don't know it. I only know that if |
| 00:10:41 |
I would be very happy about it. |
| 00:10:43 |
Is it yours? |
| 00:10:46 |
Then I wouldn't have to come over here |
| 00:10:50 |
Is that what you do? |
| 00:10:55 |
Tonight? |
| 00:10:58 |
I don't like to be. |
| 00:11:00 |
Well, did you watch my face? |
| 00:11:03 |
Oh, yes. |
| 00:11:04 |
Did I react properly? Normally? |
| 00:11:08 |
Well, there are two general reactions. |
| 00:11:11 |
One is a kind of solemn stare |
| 00:11:16 |
And the other? |
| 00:11:18 |
The other is a long, low whistle. |
| 00:11:22 |
What was mine? |
| 00:11:24 |
I'm not sure. |
| 00:11:25 |
But I suspect, in another moment or two, |
| 00:11:27 |
you might have given |
| 00:11:33 |
Well, that rather embarrasses me. |
| 00:11:36 |
Oh, it shouldn't. |
| 00:11:37 |
I regard it as |
| 00:11:40 |
...because you don't look to me like a man |
| 00:11:45 |
Oh, no, no. It's not that exactly, |
| 00:11:48 |
but if my admiration was that obvious, |
| 00:11:53 |
May I help you? |
| 00:11:56 |
I'm not married, I have no designs on you, |
| 00:12:02 |
Is that right? |
| 00:12:05 |
Thank you very much. |
| 00:12:14 |
What's so funny? |
| 00:12:15 |
Well, I had dinner |
| 00:12:18 |
We discussed your portrait |
| 00:12:23 |
I'm thinking of their faces tomorrow night |
| 00:12:26 |
Sitting and chatting over a drink |
| 00:12:30 |
Would you like to see |
| 00:12:33 |
I would indeed. |
| 00:12:35 |
I'd like it very much. |
| 00:12:37 |
Then, when you've finished your drink, |
| 00:12:40 |
...and I'll show them to you. |
| 00:12:41 |
They're just sketches |
| 00:12:45 |
They're of me, of course. |
| 00:12:48 |
A little late, isn't it? |
| 00:12:49 |
Is that late? 11:00? |
| 00:12:53 |
I don't think I should. |
| 00:12:56 |
You don't think you should? |
| 00:12:59 |
I was warned. |
| 00:13:01 |
You mean, you're afraid? Of me? |
| 00:13:04 |
No, no, no. It's not that, but... |
| 00:13:07 |
I was warned against |
| 00:13:12 |
...at my age. |
| 00:13:13 |
I should never have stopped to talk |
| 00:13:15 |
I should never, never have come here |
| 00:13:20 |
Never? |
| 00:13:46 |
Come in. |
| 00:14:17 |
May I have your hat? |
| 00:14:20 |
Make yourself at home. |
| 00:14:23 |
I'll be right back. |
| 00:14:54 |
(DOOR OPENS) |
| 00:15:02 |
Clemens, who did the one in the window, |
| 00:15:04 |
Just sketches, but nice, I think. |
| 00:15:13 |
Beautiful. |
| 00:15:19 |
Let's have another. |
| 00:15:23 |
I should say no, I know, |
| 00:15:25 |
but I haven't the slightest intention |
| 00:15:27 |
I should say not. |
| 00:15:30 |
This is much too pleasant to break up. |
| 00:15:53 |
Ouch. |
| 00:15:56 |
No, but the wire broke. |
| 00:15:58 |
Have you something to cut it with? |
| 00:16:00 |
Scissors all right? |
| 00:16:12 |
Who are you? |
| 00:16:14 |
My name is... |
| 00:16:17 |
Frank, God. Listen. |
| 00:16:18 |
I told you, if you ever... |
| 00:16:20 |
Stop that, you fool. |
| 00:16:25 |
Frank. Frank. Stop. |
| 00:16:30 |
Stop. Frank. |
| 00:16:57 |
Is... |
| 00:16:59 |
Is he... |
| 00:17:19 |
What... |
| 00:17:22 |
What are we going to do? |
| 00:17:27 |
I don't know. |
| 00:17:31 |
Call the police, I suppose. |
| 00:17:44 |
What was his name? |
| 00:17:47 |
Howard. |
| 00:17:50 |
Frank Howard. |
| 00:17:53 |
That's what he told me. |
| 00:17:57 |
Don't you think it was? |
| 00:18:00 |
I don't know. |
| 00:18:03 |
I don't think so, but I don't know. |
| 00:18:07 |
He never told me anything else. |
| 00:18:11 |
Where he lived, what he did, |
| 00:18:14 |
anything. |
| 00:18:17 |
I saw him two or three times |
| 00:18:21 |
He never took me out to dinner |
| 00:18:28 |
What... What are you... |
| 00:18:31 |
Where's the telephone? |
| 00:18:34 |
In the bedroom. |
| 00:19:22 |
WOMAN: Operator. |
| 00:19:23 |
Operator, get me... |
| 00:19:27 |
Operator. Operator. |
| 00:19:42 |
You say nobody has ever |
| 00:19:49 |
We've never been out together. |
| 00:19:50 |
When you met him? |
| 00:19:53 |
That was on a train. |
| 00:19:56 |
Why? |
| 00:19:58 |
Who knows at all about you and him? |
| 00:20:03 |
Unless he told someone, |
| 00:20:06 |
which I doubt, |
| 00:20:08 |
nobody. |
| 00:20:10 |
You've never mentioned him to anybody? |
| 00:20:13 |
Not his name. |
| 00:20:16 |
Not even the name he gave me. |
| 00:20:20 |
Do you think there's something we can do? |
| 00:20:23 |
I was just wondering. |
| 00:20:25 |
I was wondering if anybody could have |
| 00:20:28 |
I'm sure not. |
| 00:20:30 |
He wouldn't even get out of the cab |
| 00:20:34 |
Do you think there's something we can do? |
| 00:20:35 |
Do you? I don't want to go to jail. |
| 00:20:37 |
Try to keep calm. Please. |
| 00:20:40 |
Let's think about it a minute. |
| 00:20:42 |
They'll never believe us, you know. |
| 00:20:43 |
No, I'm afraid they won't, but even if |
| 00:20:47 |
They'll say we can make up |
| 00:20:50 |
Who else saw it? |
| 00:20:52 |
They'll make it some kind of murder, |
| 00:20:53 |
Please. |
| 00:21:04 |
I have no feeling about him. |
| 00:21:09 |
He was trying to kill me, |
| 00:21:11 |
If I hadn't killed him, he'd have killed me. |
| 00:21:13 |
If you hadn't given me the scissors, |
| 00:21:16 |
But whatever they believe. |
| 00:21:19 |
I'm ruined, my whole life. |
| 00:21:21 |
You were thinking of something. |
| 00:21:24 |
What was it? |
| 00:21:25 |
I was wondering |
| 00:21:28 |
something pretty dangerous... |
| 00:21:30 |
...that would shut the door on us |
| 00:21:34 |
Anything you say. |
| 00:21:36 |
I don't want to go to jail. I don't. |
| 00:21:38 |
It's this. |
| 00:21:39 |
If nobody knows about you, |
| 00:21:42 |
if nobody saw him coming in here tonight, |
| 00:21:45 |
how could either of us |
| 00:21:47 |
...if his body were found |
| 00:21:50 |
But how? |
| 00:21:55 |
I'd have to go and get my car. |
| 00:22:00 |
I'll park it directly in front of the door. |
| 00:22:02 |
And then we'll pick our moment. |
| 00:22:04 |
You'll watch while I carry it out |
| 00:22:07 |
And then I'll dump it |
| 00:22:10 |
It'll be found of course, sooner or later, |
| 00:22:12 |
but maybe not for a week. |
| 00:22:13 |
You mean, you'll go for your car |
| 00:22:17 |
Would you be afraid? |
| 00:22:20 |
If you got out of here, |
| 00:22:24 |
I like you. I think you're all right, |
| 00:22:29 |
And I don't think there's |
| 00:22:30 |
...that wouldn't get out of a mess like this |
| 00:22:32 |
Oh, we mustn't quarrel. |
| 00:22:34 |
If we do that, we're lost, both of us. |
| 00:22:37 |
Why can't I go with you? |
| 00:22:40 |
Well... |
| 00:22:42 |
I'm hoping we can get ourselves |
| 00:22:46 |
But there's one condition. |
| 00:22:47 |
I won't tell you my name, what I do, |
| 00:22:50 |
because then you'd know where I live. |
| 00:22:53 |
But if we're successful tonight, |
| 00:22:59 |
I'll tell you what I'll do. |
| 00:23:02 |
You leave something here. |
| 00:23:06 |
Leave your vest with me. |
| 00:23:09 |
That would be a clue |
| 00:23:13 |
Well, that's fair enough. |
| 00:23:35 |
There's almost no blood outside, |
| 00:23:46 |
Have you a dark blanket |
| 00:23:49 |
I have one. |
| 00:24:31 |
The trouble is, I have no idea |
| 00:24:37 |
A great deal, I'm sure. |
| 00:24:40 |
I've read of things little short |
| 00:24:43 |
as well as the FBI, |
| 00:24:48 |
1:15. |
| 00:24:50 |
I'll have to take the subway, |
| 00:24:51 |
so I probably won't be able to make it |
| 00:24:55 |
Maybe an hour. |
| 00:24:56 |
But even if I'm longer than that, |
| 00:24:58 |
Don't get panicky and call the police, |
| 00:24:59 |
because I promise you I'll be back. |
| 00:25:02 |
2:15. |
| 00:25:05 |
Now, look outside, will you? |
| 00:25:20 |
Nobody. |
| 00:25:25 |
Keep your nerve. We'll make it. |
| 00:26:13 |
I'd like my car, please. |
| 00:26:14 |
Yes, sir. |
| 00:26:18 |
Hey, Charlie. |
| 00:26:20 |
Professor Wanley's car. |
| 00:26:23 |
Kind of late for you, isn't it? |
| 00:26:27 |
Hey, you know Mr. Warne in your building? |
| 00:26:28 |
Yes. |
| 00:26:29 |
4:00 Sunday morning, he got in. |
| 00:26:37 |
Better get them brakes adjusted, |
| 00:26:41 |
I will. |
| 00:26:49 |
(SIREN BLARING) |
| 00:26:56 |
Pull over to the curb. |
| 00:27:15 |
Don't you ever turn your lights on at night? |
| 00:27:18 |
I'm sorry, I thought the garage man |
| 00:27:21 |
Let's see your driver's license. |
| 00:27:28 |
Wanley, huh? What's that, Polish? |
| 00:27:30 |
No, it's American. |
| 00:27:39 |
I have a letter here |
| 00:27:45 |
Professor, huh? |
| 00:27:49 |
Okay, but watch those lights from now on. |
| 00:28:29 |
(DOOR TAPPING)... |
| 00:28:39 |
Everything all right? |
| 00:28:41 |
The name on the mail box is Reed, |
| 00:28:43 |
in case you have to come again. |
| 00:28:44 |
Well, if we're lucky, I don't think |
| 00:28:48 |
Is that the blanket? |
| 00:28:50 |
First, I imagine we've got to get rid of |
| 00:28:54 |
I've already done that. |
| 00:28:57 |
You searched him? |
| 00:29:19 |
No letters or anything with a name on it? |
| 00:29:23 |
No. But... |
| 00:29:26 |
RICHARD: 'C.M.' |
| 00:29:28 |
He told me Frank Howard. |
| 00:29:31 |
All right, tie it all up... |
| 00:29:34 |
...and tomorrow get on one of the ferries, |
| 00:29:35 |
not during a rush hour, |
| 00:29:38 |
And be very careful that you aren't seen. |
| 00:29:42 |
You might as well keep it. |
| 00:29:45 |
What about the watch? |
| 00:29:47 |
Otherwise we might as well |
| 00:29:52 |
We can't afford to overlook one detail. |
| 00:29:54 |
We've got to think of everything in advance. |
| 00:29:56 |
Remember that. |
| 00:29:59 |
How about this rug? |
| 00:30:01 |
There's only a little spot. |
| 00:30:03 |
Well, do it very thoroughly, will you? |
| 00:30:05 |
I've read of laboratory tests |
| 00:30:08 |
...that the naked eye could never see. |
| 00:30:09 |
I can clean it. |
| 00:30:10 |
And the scissors, you better boil them. |
| 00:30:12 |
Something might be left |
| 00:30:14 |
All right. |
| 00:30:18 |
His hat. |
| 00:30:21 |
Help me with the table. |
| 00:30:25 |
Now, when I leave here, I want you |
| 00:30:29 |
Wash these glasses, |
| 00:30:31 |
Get rid of these bottles. |
| 00:30:34 |
There mustn't be one sign left |
| 00:30:37 |
Him, me or anybody else. |
| 00:30:39 |
Give me that paper. |
| 00:30:49 |
I'll give you the blanket back |
| 00:30:54 |
They'll examine it very carefully too. |
| 00:30:56 |
I'll clean everything. I won't go to bed |
| 00:31:05 |
Now, put out the lights. |
| 00:31:21 |
Go out and see. |
| 00:32:15 |
All clear. |
| 00:33:14 |
(THUNDER CRACKING) |
| 00:34:31 |
Thank you. |
| 00:34:34 |
I won't see you again, I suppose. |
| 00:34:37 |
For both our sakes, I hope this ends |
| 00:34:42 |
All right then, goodbye. |
| 00:34:45 |
Goodbye. |
| 00:35:35 |
Hey, come back here. |
| 00:35:47 |
What was it? A dime? |
| 00:35:56 |
Well, it couldn't have gone far. |
| 00:35:58 |
That's all right. |
| 00:36:04 |
Thanks. Hey, this is a penny. |
| 00:36:09 |
Sorry. |
| 00:36:14 |
Well, thanks for the dime if I find it. |
| 00:40:17 |
Excellent port, that. |
| 00:40:20 |
William, check please. |
| 00:40:25 |
This is mine tonight. |
| 00:40:30 |
Did Frank say what kept him? |
| 00:40:32 |
Something important, I imagine. |
| 00:40:35 |
Well, I can't quite picture Frank excited. |
| 00:40:47 |
Here you are, sir. |
| 00:40:53 |
Thank you, sir. |
| 00:40:54 |
Coffee in the lounge. |
| 00:40:56 |
He was talking |
| 00:40:59 |
Ah, there he is. |
| 00:41:03 |
Well, shall we go back? |
| 00:41:05 |
No, I'm not going to eat now. |
| 00:41:08 |
How are you, Richard? |
| 00:41:14 |
FRANK: Come inside, |
| 00:41:17 |
Oh, Collins, get me an Old Fashioned, |
| 00:41:18 |
Yes, sir. |
| 00:41:19 |
Let's go over here. |
| 00:41:24 |
Very. |
| 00:41:26 |
But confidential for the moment. |
| 00:41:30 |
Claude Mazard? |
| 00:41:32 |
MICHAEL: But how do you |
| 00:41:35 |
Exactly what the word means. |
| 00:41:37 |
He left Washington yesterday afternoon, |
| 00:41:40 |
...and from there he's literally disappeared. |
| 00:41:43 |
(MICHAEL WHISTLES)... |
| 00:41:44 |
Is that the promoter? |
| 00:41:50 |
When a promoter has promoted a colossus |
| 00:41:54 |
he's no longer a promoter, he's a financier. |
| 00:41:57 |
Oh, yes, yes, of course. I remember now. |
| 00:42:06 |
No, not for me. |
| 00:42:12 |
Going to wait until midnight |
| 00:42:14 |
But if he hasn't checked in by then, |
| 00:42:16 |
we'll give it to the papers |
| 00:42:18 |
The market? |
| 00:42:20 |
What did he look like? Or rather, I mean... |
| 00:42:25 |
What sort of fellow was he? |
| 00:42:29 |
He was a patient of mine for a while. |
| 00:42:31 |
Nerves, blood pressure. |
| 00:42:33 |
He had the most ungovernable temper |
| 00:42:35 |
He had no idea how pleased I was when |
| 00:42:41 |
Well, just because a man doesn't show up |
| 00:42:44 |
I see no reason to assume |
| 00:42:48 |
I didn't say he was murdered. |
| 00:42:54 |
ATTENDANT: Mr. Lalor. Oh, Mr. Lalor. |
| 00:43:00 |
Telephone, Mr. Lalor. |
| 00:43:07 |
I... I don't know why I said that. |
| 00:43:10 |
I suppose it's because of his whole manner. |
| 00:43:12 |
The way he talked |
| 00:43:14 |
Violence of some kind. |
| 00:43:18 |
He has an uncanny instinct |
| 00:43:20 |
The old head goes up like a bird-dog's. |
| 00:43:23 |
Yes, I can imagine he'd |
| 00:43:25 |
...once he got the scent. |
| 00:43:27 |
You bet. |
| 00:43:45 |
(MUSIC PLA YING ON RADIO) |
| 00:44:28 |
ANNOUNCER ON RADIO: 12:00 |
| 00:44:31 |
...with the courtesy of Castola Rex,... |
| 00:44:33 |
...that tangy, bracing acid remedy |
| 00:44:36 |
But first, a word about Castola Rex. |
| 00:44:39 |
Wise Mother Nature has balanced |
| 00:44:41 |
...of the gastric juices so carefully... |
| 00:44:43 |
...that heart burn, acid stomach, |
| 00:44:46 |
...resulting from over indulgence |
| 00:44:48 |
...can blight a person's |
| 00:44:50 |
But why suffer when Castola Rex, |
| 00:44:52 |
Mother Nature's own helping hand, |
| 00:44:56 |
Try it today and everyday. |
| 00:44:59 |
The police have just announced... |
| 00:45:00 |
...the mysterious disappearance |
| 00:45:02 |
...founder of the fabulous public utilities |
| 00:45:07 |
...under circumstances indicating foul play. |
| 00:45:09 |
At the same time, |
| 00:45:11 |
...have offered a reward of $10,000... |
| 00:45:13 |
...for any information |
| 00:45:15 |
dead or alive. |
| 00:45:17 |
After checking a briefcase... |
| 00:45:18 |
...at Pennsylvania Station |
| 00:46:01 |
I was practicing woodcraft in the woods... |
| 00:46:03 |
...just off the Bronx |
| 00:46:07 |
...when I found Mr. Mazard's remains. |
| 00:46:10 |
No, I was not scared. |
| 00:46:14 |
If I get the reward, |
| 00:46:15 |
I will send my younger brother |
| 00:46:18 |
...and I will go to Harvard. |
| 00:46:25 |
I think we can be pretty confident |
| 00:46:28 |
Looks easy to you? |
| 00:46:32 |
Plenty of clues, eh? |
| 00:46:34 |
And the circumstances add up, so far. |
| 00:46:36 |
For instance, |
| 00:46:38 |
He was killed somewhere else... |
| 00:46:39 |
...and the body taken |
| 00:46:41 |
How do you know that? |
| 00:46:45 |
That's as good as a fingerprint, |
| 00:46:48 |
But how do you know |
| 00:46:50 |
FRANK: Footprints in the same soft ground |
| 00:46:53 |
Deep prints |
| 00:46:54 |
carrying something heavy. |
| 00:46:58 |
Not much question as to that, is there? |
| 00:47:01 |
No, I suppose not. |
| 00:47:03 |
We got photographs |
| 00:47:06 |
While that doesn't help us to name a man, |
| 00:47:07 |
once we've lined up on a suspect, |
| 00:47:11 |
Especially the shoe prints. |
| 00:47:15 |
How's that? |
| 00:47:17 |
Well, the print of new shoes |
| 00:47:19 |
but these were well-worn shoes, |
| 00:47:22 |
we can learn a great deal |
| 00:47:25 |
length of stride, |
| 00:47:28 |
Could you tell that from these? |
| 00:47:31 |
The man weighs |
| 00:47:34 |
wears an eight shoe and is probably |
| 00:47:37 |
You're rather guessing at that last, |
| 00:47:39 |
No. |
| 00:47:41 |
The shoes have been half-soled. |
| 00:47:43 |
We have a number of bits of evidence |
| 00:47:45 |
But the trouble with them, as you say, |
| 00:47:47 |
They only offer checks, |
| 00:47:50 |
Do you know that too? |
| 00:47:54 |
The keen-eyed Inspector Jackson... |
| 00:47:56 |
...found some on a wire fence |
| 00:47:59 |
He probably scratched his hand |
| 00:48:01 |
Yes, but a trace like that |
| 00:48:05 |
could that be enough to be of any use? |
| 00:48:07 |
Did I say a barbed wire fence? |
| 00:48:09 |
Didn't you? |
| 00:48:13 |
Well, what other kind could a man |
| 00:48:18 |
It was a barbed wire fence, of course. |
| 00:48:20 |
I was only trying to impress you fellows |
| 00:48:23 |
Can't a man get any credit |
| 00:48:26 |
Then in that case, I'll give you |
| 00:48:32 |
Does this suggest anything to you? |
| 00:48:37 |
Yes. It suggests very strongly... |
| 00:48:41 |
...that you're eaten up with envy. |
| 00:48:43 |
You see my name |
| 00:48:45 |
so you make a desperate effort |
| 00:48:48 |
...by insinuating that |
| 00:48:50 |
But it's no use, my boy. |
| 00:48:53 |
Did you ever see such selfishness? |
| 00:48:57 |
Did you put anything on it? |
| 00:49:01 |
How did you do it? |
| 00:49:05 |
Well, watch it. |
| 00:49:09 |
FRANK: Would you like to hear exactly |
| 00:49:11 |
Yes. |
| 00:49:13 |
Well, come in the lounge. |
| 00:49:16 |
Oh, thanks. |
| 00:49:18 |
Good night, sir. |
| 00:49:23 |
Coffee and cigars inside, Boris. |
| 00:49:28 |
William, check in the lounge. |
| 00:49:32 |
We got a line on a woman this afternoon. |
| 00:49:33 |
Frank? |
| 00:49:35 |
Hello, Mark. |
| 00:49:36 |
May I see you for a moment? |
| 00:49:39 |
I'll join you in a minute. |
| 00:49:47 |
Great stuff knowing a district attorney. |
| 00:49:50 |
Yes. |
| 00:50:00 |
Frank's a very smart man. |
| 00:50:06 |
You're a bit off your feet, aren't you? |
| 00:50:12 |
Haven't been sleeping very well. |
| 00:50:14 |
Missing the family, eh? |
| 00:50:17 |
Yes, well, |
| 00:50:20 |
You're not the absent-minded-professor |
| 00:50:24 |
I've tried not to be. |
| 00:50:26 |
Two a day is all right. |
| 00:50:29 |
But I'd hate to think of you wandering |
| 00:50:33 |
popping them into your mouth |
| 00:50:37 |
Poison? |
| 00:50:40 |
It's a gland concentrate. |
| 00:50:42 |
Too much would hit the old heart |
| 00:50:45 |
Instantly? |
| 00:50:46 |
Well, a matter of 20 or 30 minutes |
| 00:50:50 |
What's that? |
| 00:50:53 |
It not only kills you |
| 00:50:56 |
'Just a case of heart disease,' |
| 00:50:58 |
I suppose there's no way of telling |
| 00:51:01 |
...you've disposed of in that way. |
| 00:51:03 |
None whatever, so forget it. |
| 00:51:06 |
You said they've located the woman. |
| 00:51:09 |
Not quite. |
| 00:51:13 |
Mazard, a bachelor, had a sweetheart. |
| 00:51:15 |
His business associates |
| 00:51:17 |
But who she is or where she lives, |
| 00:51:19 |
Pretty nervous man in romance, it seems. |
| 00:51:21 |
At any rate, |
| 00:51:23 |
he went to call on her. |
| 00:51:24 |
Either a man was already there |
| 00:51:28 |
And this man the lady preferred |
| 00:51:32 |
Why do they think that? |
| 00:51:34 |
Well, otherwise, |
| 00:51:35 |
she would have most likely done |
| 00:51:38 |
This is just a theory, of course? |
| 00:51:41 |
So they fought and Mazard was killed, |
| 00:51:45 |
That's the medical examiner's belief, |
| 00:51:47 |
Then in a panic, they loaded the body |
| 00:51:50 |
and took it to the place where it was found. |
| 00:51:53 |
Now these two people, |
| 00:51:57 |
sit hating and fearing each other, |
| 00:52:00 |
each wondering how long it'll be |
| 00:52:03 |
...and blabs out the whole story. |
| 00:52:06 |
Always a woman, eh? |
| 00:52:10 |
That, I said, was the theory this afternoon. |
| 00:52:13 |
And what is it now? |
| 00:52:17 |
Well, now it's anybody's guess. |
| 00:52:22 |
...that pulls the rug right out |
| 00:52:24 |
Really? |
| 00:52:26 |
It seems that Mazard's associates, |
| 00:52:27 |
always afraid he'd get into trouble |
| 00:52:29 |
had engaged a man, a bodyguard, |
| 00:52:34 |
On that night, too? |
| 00:52:37 |
We don't know |
| 00:52:40 |
Then there's your murderer, isn't it? |
| 00:52:45 |
Then why hasn't he shown up? |
| 00:52:49 |
It's not that simple. |
| 00:52:52 |
He might have tried to blackmail him |
| 00:52:54 |
Or he might have witnessed the killing... |
| 00:52:56 |
...and is getting ready |
| 00:52:58 |
But even if he's 100% innocent, |
| 00:53:01 |
Why not? |
| 00:53:02 |
Because he's hot. He's a known crook |
| 00:53:05 |
That's why he was thrown off the force, |
| 00:53:09 |
He's wanted for at least two other raps. |
| 00:53:11 |
We'll get that gentleman |
| 00:53:14 |
Nice fellow to pick for a bodyguard. |
| 00:53:16 |
Oh, don't ask me why. |
| 00:53:20 |
He's tough and strong, and I suppose |
| 00:53:23 |
Anyway, I'm going up tomorrow morning... |
| 00:53:24 |
...to have a look over this place |
| 00:53:26 |
Either of you fellows like to go with me? |
| 00:53:28 |
Sorry, I wish I could, |
| 00:53:30 |
Richard? |
| 00:53:31 |
Oh, you go with him. |
| 00:53:33 |
You've got no classes tomorrow, |
| 00:53:34 |
Yes, I know, but... |
| 00:53:36 |
He'll go. I'm his physician, I order him to. |
| 00:53:39 |
It'll give you something to think about. |
| 00:53:41 |
I'll pick you up at your apartment at 9:30. |
| 00:53:46 |
Good. We'll try to show you |
| 00:53:54 |
Richard? |
| 00:54:02 |
This is quite an adventure for me. |
| 00:54:05 |
Anything new? |
| 00:54:10 |
Fred. |
| 00:54:11 |
We're picking up Jackson at the toll gate. |
| 00:54:20 |
District attorney's office. |
| 00:54:25 |
FRANK: Any luck? |
| 00:54:30 |
Fellows is not on duty. |
| 00:54:34 |
Inspector Jackson, Professor Wanley. |
| 00:54:36 |
How do you do, Inspector? |
| 00:54:39 |
Excuse my left hand, I have a little cut. |
| 00:54:41 |
Oh, yes. How's it coming? |
| 00:54:46 |
How did you say you did it? |
| 00:54:48 |
I was opening a can in the kitchen the |
| 00:54:52 |
What was in the can? Poison ivy? |
| 00:54:57 |
I'm... I'm afraid that was pure stupidity. |
| 00:55:02 |
The next day |
| 00:55:05 |
...and evidently I got into some poison ivy. |
| 00:55:08 |
You must have scratched it. |
| 00:55:11 |
Well, it's an awful nuisance, I know that. |
| 00:55:14 |
Is this your case, Inspector? |
| 00:55:17 |
They're all his cases, all the tough ones. |
| 00:55:19 |
Inspector Jackson is head |
| 00:55:22 |
Oh. |
| 00:55:24 |
Anything new since I left? |
| 00:55:25 |
Well, we picked up |
| 00:55:27 |
FRANK: Good. What's she got |
| 00:55:29 |
JACKSON: Well, we'll see her |
| 00:55:42 |
Inspector. |
| 00:55:44 |
You know Mr. Lalor, don't you? |
| 00:55:46 |
Very glad to see you, Mr. Lalor. |
| 00:55:48 |
And this is Professor Wanley. |
| 00:55:50 |
Captain Kennedy. |
| 00:55:52 |
Pleased to meet you, Professor. |
| 00:55:55 |
KENNED Y: Beck has her in the car. |
| 00:55:56 |
FRANK: Well, let's go over this layout first. |
| 00:55:58 |
All right, Inspector. |
| 00:56:07 |
Now, here is where he parked his car. |
| 00:56:10 |
The tire tracks are gone, of course, |
| 00:56:14 |
They're Goodrich 716s, |
| 00:56:19 |
standard equipment on two or three |
| 00:56:22 |
The motorcycle officer on duty remembers |
| 00:56:26 |
That may be worth keeping in mind. |
| 00:56:29 |
Yes, the driver, a man. But he doubts |
| 00:56:32 |
So I don't think |
| 00:56:34 |
Well, anyway, he got the body here. |
| 00:56:36 |
I'll show you. |
| 00:56:39 |
We got casts of his shoes |
| 00:56:43 |
Richard. |
| 00:56:45 |
You're going to be the guide? |
| 00:56:50 |
Am I going right? |
| 00:56:53 |
As straight as an arrow. Professor, eh? |
| 00:56:57 |
Say, you think we'd better look into this, |
| 00:57:00 |
Well, that's very funny. I wasn't even |
| 00:57:03 |
I was just thinking what the Inspector said. |
| 00:57:05 |
That's all right, Richard, don't get excited. |
| 00:57:07 |
We rarely arrest people |
| 00:57:15 |
I don't imagine our killer |
| 00:57:18 |
because the fence was too near the road |
| 00:57:21 |
At any rate, he couldn't go much further |
| 00:57:25 |
So he just dumped it over down there. |
| 00:57:28 |
Now, there isn't anything |
| 00:57:31 |
...except you wanna keep |
| 00:57:34 |
He tore his coat, probably his sleeve, |
| 00:57:36 |
because we picked up |
| 00:57:39 |
Couldn't have been from Mazard's clothes? |
| 00:57:41 |
No, different material. |
| 00:57:42 |
And we got a sample of blood |
| 00:57:46 |
He certainly didn't pick himself an easy job. |
| 00:57:48 |
Mazard weighed close to 200 pounds, |
| 00:57:50 |
Yes, it must have been pretty tough going. |
| 00:57:52 |
Yes, especially at night. |
| 00:57:54 |
Well, yes, it may have been at night. |
| 00:57:59 |
But I was thinking of it as early morning, |
| 00:58:03 |
Well, I thought the paper said night. |
| 00:58:06 |
Anything else, sir? |
| 00:58:08 |
I can't think of anything else. |
| 00:58:10 |
Well, why ask me? |
| 00:58:12 |
I'm simply bowled over |
| 00:58:15 |
...the police have got out of |
| 00:58:19 |
Well, it's hardly spectacular. |
| 00:58:23 |
But there is one thing |
| 00:58:25 |
...that is really worthwhile, Professor. |
| 00:58:27 |
What's that? |
| 00:58:30 |
I imagine so. |
| 00:58:33 |
Wanna see the woman? |
| 00:58:38 |
What's that for? |
| 00:58:42 |
Oh, I had one of the men |
| 00:58:44 |
...so you wouldn't brush against that bush. |
| 00:58:46 |
It's poison ivy. |
| 00:58:48 |
Well, too late to do me any good. |
| 00:58:52 |
Looks as if you have |
| 00:58:56 |
Closing in on me, huh? |
| 00:59:00 |
If you'll only confess, Professor, we could |
| 00:59:04 |
Well, not me. I'm afraid you'll have |
| 00:59:08 |
There you go, |
| 00:59:09 |
you've never any consideration |
| 00:59:19 |
Let's have the woman. |
| 00:59:21 |
All right? |
| 00:59:35 |
If you don't mind, |
| 00:59:38 |
I'm not feeling very well. |
| 00:59:40 |
What's the matter, Richard? |
| 00:59:42 |
Oh, no, no, no, not at all. |
| 00:59:56 |
Well, if you need me... |
| 00:59:58 |
No, no, you go right ahead. |
| 01:00:49 |
Well, that's all. |
| 01:00:52 |
We can go now. |
| 01:00:53 |
Well, goodbye, Professor. |
| 01:00:56 |
Thank you. |
| 01:01:14 |
Well, what do you think? |
| 01:01:16 |
The woman? |
| 01:01:18 |
You think she's the one? |
| 01:01:21 |
I don't know. |
| 01:01:25 |
She's got something on her conscience. |
| 01:01:27 |
But what woman hasn't? |
| 01:01:30 |
Yes. Where did they find her? |
| 01:01:33 |
Second-class hotel off Broadway. |
| 01:01:38 |
I don't know. |
| 01:01:42 |
He'd do better than that, I'm sure. |
| 01:01:48 |
Cheap-looking? |
| 01:01:50 |
Bottom of the barrel. |
| 01:01:53 |
It's the bodyguard who is hot now, |
| 01:02:07 |
(PHONE RINGING) |
| 01:02:15 |
Hello? |
| 01:02:20 |
How... |
| 01:02:21 |
How did you find... |
| 01:02:23 |
Have you seen the early editions? |
| 01:02:27 |
No. |
| 01:02:31 |
Congratulations. |
| 01:02:36 |
Will you tell me what you mean? |
| 01:02:38 |
Listen. |
| 01:02:42 |
'Dr. George Felix Reynolds, |
| 01:02:46 |
'yesterday announced the promotion |
| 01:02:48 |
'to head of the Department of Psychology.' |
| 01:02:51 |
Oh. |
| 01:02:53 |
Oh, of course, I wasn't expecting it before. |
| 01:02:56 |
Did I frighten you? |
| 01:02:58 |
A bit. |
| 01:03:00 |
Is everything all right? |
| 01:03:05 |
I suppose so. |
| 01:03:07 |
You've heard nothing from anybody? |
| 01:03:10 |
Have you? |
| 01:03:12 |
No. |
| 01:03:13 |
Not so far. |
| 01:03:15 |
Oh, I'm not worrying now. |
| 01:03:18 |
I'm sure we're out of it. |
| 01:03:20 |
Aren't you? |
| 01:03:22 |
I hope so. |
| 01:03:25 |
And I'm not going to bother you, |
| 01:03:29 |
Oh, it's quite all right. |
| 01:03:31 |
I'm rather glad that I've heard from you. |
| 01:03:35 |
Good night and thank you. |
| 01:03:37 |
Good night. |
| 01:03:39 |
(INTERCOM BUZZING)... |
| 01:03:46 |
Yes? |
| 01:03:49 |
Who is this? |
| 01:03:51 |
I wanna have a little talk with you... |
| 01:03:53 |
...about our friend Mr. Mazard. |
| 01:04:07 |
I don't know you and I don't know |
| 01:04:10 |
so beat it. |
| 01:04:12 |
Listen, you don't want me to get tough, |
| 01:04:14 |
I don't care how tough you get. |
| 01:04:18 |
I'm not kidding, lady. |
| 01:04:20 |
Either you open this door, |
| 01:04:53 |
Well, will you say what you've got to say |
| 01:04:56 |
Sure. |
| 01:04:57 |
If you didn't hear it, |
| 01:05:00 |
Another reward for $10,000 |
| 01:05:05 |
...of the murderer of Claude Mazard. |
| 01:05:07 |
You didn't hear it? |
| 01:05:09 |
And if I had, |
| 01:05:12 |
Now, if you're gonna start claiming |
| 01:05:14 |
you can save your breath. |
| 01:05:15 |
Because I've been tailing him for months, |
| 01:05:18 |
and I've tailed him here many a time. |
| 01:05:25 |
He's been here. |
| 01:05:26 |
But not under that name. |
| 01:05:28 |
I never knew anything about who he was |
| 01:05:32 |
after he was killed. |
| 01:05:34 |
So you're the one |
| 01:05:38 |
Well, let's see if I am. |
| 01:05:41 |
Don't mind |
| 01:05:43 |
You bet I do. |
| 01:05:44 |
I know nothing whatever about |
| 01:05:46 |
And you've got no right to... |
| 01:05:48 |
Take it easy, will you? |
| 01:05:50 |
It's been in the papers that |
| 01:05:53 |
And I'm telling you you're the only one. |
| 01:05:56 |
But have you been to them |
| 01:05:58 |
...how you had nothing to do with it? |
| 01:06:00 |
Of course not. |
| 01:06:02 |
Oh, come now, Miss Reed. |
| 01:06:26 |
What are you looking for? |
| 01:06:27 |
I can't tell you till I find it. |
| 01:06:34 |
I'd settle for some blood... |
| 01:06:36 |
...or a photograph. |
| 01:06:40 |
Or a confession. |
| 01:06:52 |
Or some hairs. |
| 01:06:56 |
Any little thing like that. |
| 01:07:00 |
Some brown, some black. |
| 01:07:05 |
Mr. Mazard's was brown. |
| 01:07:30 |
No. |
| 01:07:42 |
All wiped clean, huh? |
| 01:07:45 |
Pretty good housekeeper, I guess. |
| 01:07:55 |
Yes, sir, clean as a whistle. |
| 01:07:57 |
Not a finger mark anywhere. |
| 01:08:01 |
Not even where |
| 01:08:30 |
Could be, you know. |
| 01:08:32 |
Those little stabs. |
| 01:09:21 |
'R.W.' |
| 01:09:25 |
That ain't Claude Mazard, |
| 01:09:28 |
and it ain't Alice Reed. |
| 01:09:31 |
And you had it hid, too. |
| 01:09:36 |
What's his first name? |
| 01:09:38 |
Robert? |
| 01:09:39 |
Richard? |
| 01:09:41 |
Oh, I'm getting warm, all right. |
| 01:09:48 |
All right. What do you want? |
| 01:09:52 |
Now you're talking. |
| 01:09:55 |
I don't want to make trouble for anybody. |
| 01:09:57 |
I can, of course, but I don't want to. |
| 01:10:02 |
But the way I figure it, |
| 01:10:04 |
you just don't want the police |
| 01:10:07 |
Isn't that right? |
| 01:10:09 |
Who does? |
| 01:10:11 |
So I'll tell you how we can fix it. |
| 01:10:13 |
There's a $10,000 reward out |
| 01:10:18 |
But I don't see it that way. |
| 01:10:20 |
The way I see it, if I got $5,000 from you, |
| 01:10:24 |
that'd be the end of it, |
| 01:10:27 |
Are you nuts? |
| 01:10:30 |
I haven't got $5,000 |
| 01:10:33 |
so you may as well |
| 01:10:35 |
...and tell them whatever you wish. |
| 01:10:36 |
Now, you don't want me |
| 01:10:38 |
Mr. Mazard was a very rich man, |
| 01:10:40 |
and you can't tell me |
| 01:10:43 |
And don't forget, |
| 01:10:45 |
you'll be a lot better off dealing with me |
| 01:10:57 |
You don't want to go to the chair, do you? |
| 01:11:00 |
I want you out of here. |
| 01:11:02 |
That's all I want. |
| 01:11:04 |
I've a pin and bracelet he gave me |
| 01:11:07 |
Will you take them and get out of here? |
| 01:11:09 |
No, ma'am. Nothing like that. |
| 01:11:12 |
Nothing but cash. |
| 01:11:14 |
Five grand. |
| 01:11:16 |
Cash. |
| 01:11:19 |
As a matter of fact, you're simply bluffing. |
| 01:11:22 |
If you can get $10,000 from the police, |
| 01:11:25 |
why would you be satisfied |
| 01:11:31 |
What if I told you to just get out of here |
| 01:11:36 |
You want to take a chance on that? |
| 01:11:43 |
You see, honey, you did it, |
| 01:11:46 |
Otherwise, you wouldn't even |
| 01:11:49 |
If you had been in the clear, |
| 01:11:51 |
...the minute I walked in. I know that. |
| 01:11:54 |
So you gotta look at it my way, |
| 01:11:58 |
I have to think it over. |
| 01:11:59 |
I have to have some time. |
| 01:12:02 |
That's okay, I'm not pushing you. |
| 01:12:04 |
Take tonight and tomorrow. |
| 01:12:08 |
See the guy, explain it to him. |
| 01:12:11 |
And I'll be back here tomorrow night |
| 01:12:15 |
Cash. |
| 01:12:18 |
But don't try to run away |
| 01:12:21 |
because I'll be keeping an eye |
| 01:12:25 |
Good night, and don't fret. |
| 01:12:27 |
You get the money |
| 01:13:04 |
Something's happened. |
| 01:13:10 |
What else did he find? |
| 01:13:13 |
Your pencil. |
| 01:13:16 |
I kept it because... |
| 01:13:19 |
Because I wasn't sure of you then. |
| 01:13:22 |
I wanted something. |
| 01:13:24 |
Oh, well, it's done now. |
| 01:13:27 |
Are you angry with me? |
| 01:13:30 |
No, I can't think of anything else |
| 01:13:34 |
I don't expect you to pay all the money. |
| 01:13:36 |
I have a little and I can raise |
| 01:13:39 |
and some other things Mr. Mazard gave me. |
| 01:13:42 |
You're very fair, Alice. Quite generous. |
| 01:13:45 |
It's worth it to get rid of him. |
| 01:13:47 |
Well, paying him $5,000 |
| 01:13:50 |
That's just the first installment. |
| 01:13:53 |
If we pay him once, |
| 01:13:57 |
But we've got to, haven't we? |
| 01:13:58 |
If we don't, he'll set the cops on us. |
| 01:14:01 |
So am I. That's what blackmail means. |
| 01:14:04 |
You pay or the blow falls. |
| 01:14:07 |
What can we do? |
| 01:14:09 |
There are only three ways |
| 01:14:14 |
You can pay him and pay him and pay him |
| 01:14:18 |
Or you can call the police yourself... |
| 01:14:23 |
...and let your secret |
| 01:14:30 |
Or you can kill him. |
| 01:14:40 |
Good evening. |
| 01:14:44 |
Will this take long? |
| 01:14:46 |
I have it ready in powders. |
| 01:14:48 |
Will that be all right? |
| 01:14:50 |
Same dosage. |
| 01:15:13 |
You needn't wrap it. |
| 01:15:17 |
How much? |
| 01:15:19 |
If you got any children, you better not |
| 01:15:23 |
I won't. |
| 01:15:45 |
Up. |
| 01:16:06 |
Sorry. |
| 01:16:17 |
Down. |
| 01:16:32 |
Were you followed? Do you know? |
| 01:16:34 |
I don't think so. |
| 01:16:36 |
Yes, but there wasn't anybody, I'm sure. |
| 01:16:39 |
Is it the police? |
| 01:16:43 |
If you want to play, |
| 01:16:49 |
If you do your homework |
| 01:16:51 |
Mom. |
| 01:16:55 |
Down. |
| 01:17:00 |
I give you my word of honor... |
| 01:17:01 |
...that there isn't a thing |
| 01:17:04 |
Believe me, please. |
| 01:17:08 |
There's $5,000 in that package, |
| 01:17:13 |
don't let him have but part of it. |
| 01:17:15 |
Tell him that's all you could get today, |
| 01:17:16 |
that he'll have to come back sometime |
| 01:17:19 |
Do you understand? |
| 01:17:23 |
What about the... |
| 01:17:26 |
That's in there, too. It's a powder. |
| 01:17:29 |
But you needn't worry about his seeing it |
| 01:17:34 |
How much? |
| 01:17:38 |
I don't know what else we can do, Alice. |
| 01:17:41 |
But if you don't think |
| 01:17:44 |
we'll try and think out another plan. |
| 01:17:47 |
There's nothing else we can do. |
| 01:17:50 |
I know that. |
| 01:17:53 |
How soon does it work? |
| 01:17:57 |
It takes effect, I'm told, |
| 01:18:01 |
So you better make sure |
| 01:18:06 |
All right. |
| 01:18:10 |
You better go now. |
| 01:18:14 |
Wish me luck. |
| 01:18:17 |
Good luck. |
| 01:18:19 |
If you lose your nerve, |
| 01:18:21 |
We'll find another way. |
| 01:18:23 |
I won't lose my nerve. |
| 01:18:53 |
(INTERCOM BUZZING)... |
| 01:18:59 |
Miss Reed? |
| 01:19:01 |
It's me, open up. |
| 01:19:14 |
Who else you got here? |
| 01:19:50 |
I didn't know but what |
| 01:19:52 |
No. |
| 01:19:54 |
Pretty dolled up, huh? Is that for me? |
| 01:19:58 |
I'm glad if you like it, of course. |
| 01:20:01 |
That Mazard knew |
| 01:20:07 |
Will you sit down for a minute? |
| 01:20:09 |
Sure, but make it short, will you? |
| 01:20:15 |
$5,000 is a lot of money. |
| 01:20:17 |
It's a lot for me anyhow and I haven't been |
| 01:20:21 |
And what am I supposed to do about that? |
| 01:20:25 |
I only want you to be reasonable, |
| 01:20:27 |
I want you to give me a little more time. |
| 01:20:29 |
How much have you got? |
| 01:20:32 |
$2,900. |
| 01:20:36 |
That's what I thought. |
| 01:20:40 |
That's the kind of a figure, I'd say, |
| 01:20:45 |
Not too little, not too big. |
| 01:20:48 |
Don't you believe me? |
| 01:20:53 |
Let's have it. |
| 01:20:55 |
Come on. |
| 01:21:01 |
I can get the rest by tomorrow night, |
| 01:21:06 |
Who told you to say all this? |
| 01:21:08 |
Nobody. |
| 01:21:10 |
Nobody, huh? |
| 01:21:12 |
Is it all right? |
| 01:21:15 |
You're pretty cute, you know that? |
| 01:21:18 |
Is it all right? |
| 01:21:19 |
Well, what else can I do |
| 01:21:25 |
I think I need a drink. |
| 01:21:28 |
Would you like one? |
| 01:21:30 |
I'm going to have a scotch and soda. |
| 01:22:04 |
Where's the boyfriend all this time? |
| 01:22:08 |
There isn't any boyfriend. |
| 01:22:11 |
I told you that. |
| 01:22:18 |
You don't believe a thing I say, do you? |
| 01:22:23 |
I'm just naturally |
| 01:22:33 |
What kind of a guy is he, anyway, |
| 01:22:35 |
shoving a nice kid like you out in front? |
| 01:22:38 |
What's the use of |
| 01:22:46 |
So all right. |
| 01:22:47 |
If everything's so kosher, |
| 01:22:49 |
what are you giving me this dough for? |
| 01:22:52 |
Just because you like me? |
| 01:22:55 |
I'm giving it to you because I don't want |
| 01:22:58 |
Not because I had anything to do with it. |
| 01:23:01 |
But because in my position, |
| 01:23:02 |
you can't tell what they'll try to hang on me. |
| 01:23:17 |
How would you like |
| 01:23:20 |
What do you mean? |
| 01:23:23 |
Get out of it, completely. |
| 01:23:26 |
How? |
| 01:23:28 |
Go away with me. |
| 01:23:34 |
Think about it for a minute. |
| 01:23:37 |
I don't have to think about it. |
| 01:23:39 |
I'm not such a bad guy, you know. |
| 01:23:42 |
I didn't say you were. |
| 01:23:44 |
But what's more important, |
| 01:23:46 |
outside of this boyfriend |
| 01:23:49 |
I'm the only person in the whole world |
| 01:23:58 |
Think about it that way for a minute. |
| 01:24:28 |
From Havana, |
| 01:24:31 |
And that's all there is to it. |
| 01:24:37 |
Lf I thought... |
| 01:24:40 |
If you thought what? |
| 01:24:43 |
Have you any more money than that? |
| 01:24:47 |
Keep it. |
| 01:24:51 |
Take a look in the mirror, beautiful, |
| 01:24:54 |
don't be a sucker. |
| 01:24:56 |
In a jam like this, |
| 01:25:00 |
I suppose so. |
| 01:25:02 |
Do you think he'd think of you |
| 01:25:07 |
When would we leave? |
| 01:25:09 |
Tomorrow morning? |
| 01:25:11 |
Tonight would be better. |
| 01:25:13 |
Would it make a great deal of difference? |
| 01:25:15 |
Not if it's positive for tomorrow morning. |
| 01:25:17 |
I'll have to do some phoning. |
| 01:25:18 |
I can't have some people I know |
| 01:25:21 |
...and getting excited |
| 01:25:23 |
Yeah, you'll have to watch that. |
| 01:25:24 |
I'll have to think of |
| 01:25:26 |
Is it a deal then? |
| 01:25:30 |
I guess so. |
| 01:25:32 |
I guess it is. |
| 01:25:34 |
All right, give me a kiss. |
| 01:25:42 |
You're not still worried, are you? |
| 01:25:44 |
Oh, I suppose not. |
| 01:25:47 |
You leave it to me, we'll do all right. |
| 01:25:50 |
Apparently, I'll have to. |
| 01:25:53 |
I don't seem to have any other choice. |
| 01:25:57 |
Don't you want your drink? |
| 01:25:59 |
I don't think so. |
| 01:26:01 |
I'll put some more ice in it. |
| 01:26:10 |
I suppose I could say |
| 01:26:18 |
Well, here we go. |
| 01:26:20 |
Do you really want me to drink this? |
| 01:26:23 |
Why not? |
| 01:26:24 |
It's all settled, isn't it? |
| 01:26:28 |
What do you mean? |
| 01:26:32 |
I've got mine. |
| 01:26:37 |
Go ahead. What's the matter? |
| 01:26:39 |
Nothing. |
| 01:26:42 |
Drink it. |
| 01:26:50 |
Drink it. |
| 01:26:52 |
What do you take me for, some kid? |
| 01:26:55 |
And all this time |
| 01:26:57 |
trying to get you out of this jam. |
| 01:26:59 |
I've got a good mind to break your neck. |
| 01:27:01 |
You're crazy. |
| 01:27:03 |
No, then why wouldn't you drink it? |
| 01:27:17 |
Now, let's have the rest of it. |
| 01:27:19 |
There isn't anymore. |
| 01:27:21 |
Get the rest of that dough and get it quick. |
| 01:27:25 |
Come on. |
| 01:27:41 |
Not under the mattress. |
| 01:27:54 |
You amateurs. |
| 01:27:59 |
What else you got here? |
| 01:28:07 |
How could you lie to Pappy like that? |
| 01:28:10 |
How did you think |
| 01:28:13 |
Will you go now? |
| 01:28:15 |
Will you go? |
| 01:28:17 |
But first, because you've been |
| 01:28:20 |
I'm going to give you |
| 01:28:23 |
I'm going to let you dig up |
| 01:28:26 |
Another five grand by tomorrow night. |
| 01:28:30 |
How do you like that? |
| 01:28:31 |
It's no use. |
| 01:28:33 |
I can't do it. |
| 01:28:35 |
I think you can. |
| 01:28:36 |
You try anyway. |
| 01:28:38 |
And I'll be around again tomorrow night, |
| 01:28:44 |
So long. |
| 01:29:22 |
Professor? |
| 01:29:26 |
He's gone. |
| 01:29:28 |
Gone? How? |
| 01:29:41 |
I see. |
| 01:29:43 |
Yes. |
| 01:29:47 |
I don't know, I'm not sure. |
| 01:29:50 |
I haven't much more collateral. |
| 01:29:54 |
I'm sorry. |
| 01:29:58 |
But I don't know |
| 01:30:01 |
I was so scared. |
| 01:30:04 |
I'm sure you did all you could. |
| 01:30:07 |
We're just not very skillful |
| 01:30:13 |
What can we do now? |
| 01:30:15 |
I don't know, I haven't any idea. |
| 01:30:20 |
I'm afraid I'm too tired |
| 01:30:27 |
Too tired. |
| 01:32:06 |
(GUN FIRING)... |
| 01:32:24 |
...(SIREN WAILING)... |
| 01:32:31 |
Who's that? |
| 01:32:35 |
Did you get him? |
| 01:32:37 |
Looks like it. |
| 01:32:49 |
Is that him? |
| 01:32:51 |
Some fellow saw him in |
| 01:32:53 |
and I was patrolling along in the car |
| 01:32:56 |
So I called him to halt, |
| 01:32:59 |
Let's take a look. |
| 01:33:29 |
He's our man, all right. |
| 01:33:33 |
Did he come out of one of these houses? |
| 01:33:36 |
If he did, I didn't see him. |
| 01:33:39 |
...(WHISTLES) |
| 01:33:41 |
He's done a lot for himself, huh? |
| 01:33:46 |
What I can't figure |
| 01:33:54 |
He just didn't like the idea of burning, |
| 01:33:58 |
Mazard's. |
| 01:34:04 |
That's very funny. |
| 01:34:06 |
I was beginning to get |
| 01:34:09 |
All right folks, break it up. Break it up. |
| 01:34:12 |
It's all over, break it up. |
| 01:34:47 |
(RINGING) |
| 01:35:04 |
Operator, is Morning Side 5354 |
| 01:35:08 |
I've been ringing it. |
| 01:35:10 |
Will you try it, please? Will you? |
| 01:35:14 |
(RINGING) |
| 01:36:14 |
It's 10:30, Professor Wanley. |
| 01:36:21 |
It's 10:30, sir. |
| 01:36:33 |
Oh, yes. Yes, thank you. |
| 01:36:39 |
I fell asleep. |
| 01:36:43 |
Oh, yes, quite. |
| 01:36:46 |
Good night, Collins. |
| 01:36:57 |
My hat, please. |
| 01:37:15 |
Here you are, sir. |
| 01:37:17 |
Charlie? |
| 01:37:25 |
I can't tell you how happy I am |
| 01:37:31 |
Oh, thank you, Professor. |
| 01:37:47 |
Taxi, Professor? |
| 01:37:57 |
No, thanks. |
| 01:38:02 |
Good night, Ted. |
| 01:38:38 |
Pardon me, will you give me a light? |
| 01:38:43 |
No. |
| 01:38:45 |
Oh, no. Thank you, indeed. |
| 01:38:50 |
Not for a million dollars. |
