Women The

en
00:02:12 Get that thing away.
00:02:14 Go for the shoes, bad shoes.
00:02:16 Oh, I never.
00:02:20 It's okay, sweetie.
00:02:21 There's a word for a woman like that.
00:02:23 And it's rarely used outside a kennel.
00:02:33 Okay, puppy, five minutes
00:02:46 - Here?
00:02:51 Do you know about that list?
00:02:52 No.
00:03:05 Oh, I need some blush.
00:03:06 Girl, I gotta be...
00:03:22 Complimentary sampler
00:03:26 How about you?
00:03:28 Would you like to get a facelift in a jar?
00:03:30 This is my face, deal with it.
00:03:44 Hey, Sylvie.
00:03:46 I'm looking at a woman right now
00:03:49 "There's a fine line
00:03:53 Heh, heh. Where are you right now?
00:03:56 Of course, I deserve it.
00:03:57 I was in my office at 6 this morning.
00:04:00 I love Saturdays at the office,
00:04:04 Hey, shouldn't you be
00:04:07 What time is it, anyway?
00:04:09 Mary, what are you doing?
00:04:10 Are you having sex?
00:04:13 Would I be on the phone with you?
00:04:16 Don't answer that.
00:04:17 I'm on my way upstairs for a manicure.
00:04:20 What time is your little do today?
00:04:21 Oh, for the third time, 12:30, okay?
00:04:24 And do not be late, Sylvie,
00:04:27 Please, when am I ever late?
00:04:29 - Ha.
00:04:31 No, no, no "ish. "
00:04:33 No "ish. "
00:04:38 Hi, welcome to Saks.
00:04:44 - Hello, Ms. Fowler, how have you been?
00:04:47 Sparkling or still?
00:04:49 Whatever. She drinks out of the toilet.
00:04:51 Tanya's ready for you, Ms. Fowler.
00:04:53 Are you Tanya?
00:04:57 That's your name?
00:05:00 If it's a long story, don't tell me,
00:05:02 I was born Eileen,
00:05:05 I went to this numerologist who said...
00:05:07 ...to change my life,
00:05:09 I was working at Mr. Ronnie's
00:05:12 I don't get out to Queens
00:05:15 The day I changed my name,
00:05:18 You're never gonna believe
00:05:21 - I have to be at a luncheon at 1.
00:05:24 I look at her nails, thinking,
00:05:27 So I gave her a manicure
00:05:30 Switch.
00:05:32 I use my own polish.
00:05:33 I mix my own colors. I have a gift.
00:05:35 The luncheon's in Connecticut.
00:05:38 I put Jungle Red on her.
00:05:40 Next thing, Saks is calling me saying
00:05:44 ...and do I want a job.
00:05:45 - So you wanna try my Jungle Red?
00:05:48 I put this on one of the girls
00:05:51 She just moved to town, bang,
00:05:55 Who isn't? If you can't speed this up,
00:05:58 - What's your Wednesday like?
00:06:01 The married-man thing is tricky, isn't it?
00:06:05 He's some big hoo-hah on Wall Street.
00:06:06 I can never remember that guy's name.
00:06:10 Wednesday, Wednesday... Haines.
00:06:13 That's it, something Haines.
00:06:15 It wouldn't, by any chance,
00:06:18 Uh, yeah, that's it.
00:06:20 Wednesday, 11 or 2?
00:06:22 You know, Wednesday isn't good.
00:06:24 I think I'd better get this
00:06:26 Oh, great, okay.
00:06:28 So you're telling me that Stephen Haines
00:06:33 What do you think that's all about?
00:06:35 If you ever saw Crystal Allen,
00:06:45 Yes, buzz, buzz, I hear you.
00:06:51 I swear to God,
00:06:55 I'll be a few minutes.
00:06:56 I parked on 78th Street
00:06:59 Don't let me forget.
00:07:00 - Why would you forget?
00:07:03 It was very disturbing.
00:07:05 I don't know, I almost rear-ended
00:07:08 April, give Mommy her hat.
00:07:09 May, teach June how to braid
00:07:12 And, hello,
00:07:14 - Hi, kids.
00:07:16 I don't want to.
00:07:18 - They love you, they love you.
00:07:20 Dora, I'm getting ready to leave.
00:07:22 I have a splitting headache.
00:07:24 Sylvie, what did you hear?
00:07:27 Come here, June.
00:07:28 - Wait, what's that supposed to be?
00:07:31 Painting?
00:07:34 Weren't you taking
00:07:37 Let me tell you something.
00:07:38 Weird crowd of people,
00:07:40 I'd go insane living here.
00:07:43 Oh, Alan moved out.
00:07:45 Whoa, what?
00:07:47 Oh, it's okay.
00:07:48 He's down in a studio
00:07:51 I thought he could use a little space.
00:07:53 - Dora!
00:07:56 Dora?
00:07:59 Sylvie, whatever you heard,
00:08:03 ...don't tell me, I mean it.
00:08:04 Of course I won't tell you.
00:08:07 It's about someone we know, isn't it?
00:08:08 Mrs. Edie,
00:08:11 Oh, I have the pump in my bag.
00:08:12 It plugs into the cigarette lighter
00:08:15 Well, forget it, you're not driving.
00:08:17 How are you today, little Miss January?
00:08:21 Forget it, let's go.
00:08:41 Lucy, Lucy, Lucy, sit, stay, lay down.
00:08:45 Hey, Maggie, did you remember
00:08:48 - Lunch?
00:08:49 - Yeah, yes, ma'am.
00:08:52 How did it get to be noon?
00:08:54 I have 60 women
00:08:57 I haven't even showered.
00:08:59 Did you remember
00:09:01 Yes, I remembered
00:09:04 What is wrong with this picture?
00:09:06 How lovely. Thank you.
00:09:07 Okay, dog, clean.
00:09:09 Bread, flowers and... Oh.
00:09:12 Hey, um, do you know where the thing that
00:09:17 - Bowl with the freesias.
00:09:19 Right in front of you.
00:09:20 Oh, yeah, I think the tortellini
00:09:23 - What do you think, Uta?
00:09:25 The face of the Virgin Mary appeared
00:09:31 It's hard to believe that you were born
00:09:35 That's Sweden.
00:09:37 I'm Danish.
00:09:39 Like the pastry.
00:09:41 - Mom, what's going on?
00:09:44 You're supposed to help me
00:09:46 Oh, my God, I just completely forgot.
00:09:48 - I'm so sorry.
00:09:50 Yes, but today is the luncheon for the park.
00:09:53 Which is more important?
00:09:56 Molly, I don't know why you save
00:10:00 - Uta can help you with your book report.
00:10:03 Nicole Kidman has cellulite.
00:10:05 Where? Let me see.
00:10:06 - Oh.
00:10:08 Let's do it...
00:10:10 - No, we can't, I have to finish the...
00:10:13 - Sketches which are late.
00:10:14 - Then I've to pick up...
00:10:17 Why do you always save these things
00:10:19 Molly Jane Haines,
00:10:23 Chocolate macadamia cookies.
00:10:26 No, that's like five points.
00:10:28 - Since when are you counting calories?
00:10:31 Since you're fat?
00:10:32 Oh, honey, you're not fat, you're perfect.
00:10:35 I'll just do the book report myself.
00:10:39 - Now, go take a shower.
00:10:41 She thinks she's fat.
00:10:43 Oh, your father called.
00:10:45 He wants you to have lunch with him
00:10:49 My father wants to have lunch with me?
00:10:52 He said it was important.
00:10:56 Oh, Maggie, I think I know
00:10:58 I think he's getting ready
00:11:01 - Know how long I've been waiting?
00:11:04 - Just years.
00:11:05 - Oh, my God.
00:11:10 Oh. Lucy, Lucy, Lucy, off, off, off.
00:11:13 Molly, how many times have I told you,
00:11:17 Lucy, off. Go on.
00:11:20 - Hey, Mom?
00:11:22 How come you design clothes
00:11:24 That's what your grandfather
00:11:27 Those are his customers,
00:11:30 What's this?
00:11:32 That is a travel coffee filter.
00:11:40 Here they come.
00:11:43 All right, all right,
00:11:47 It's just a mess now.
00:11:49 - It's a brand-new Lexus.
00:11:53 Just calm down.
00:11:54 She splattered breast milk
00:11:57 - Do you have a rag?
00:11:59 Maggie, Maggie, can you please put this
00:12:03 I'll put it right next to the 2-percent.
00:12:06 Okay, thank you.
00:12:11 Oh, my God.
00:12:13 I can't believe you're here.
00:12:15 You know what? I don't know
00:12:19 You haven't.
00:12:24 Hello, I'm Edie Cohen.
00:12:27 Natasha.
00:12:28 - Natasha?
00:12:32 Oh.
00:12:33 Well, very nice to meet you,
00:12:37 Natasha's a supermodel.
00:12:40 I hate that word. Do not call me that.
00:12:42 It objectifies me.
00:12:44 I'm a person, not an accessory.
00:12:46 Okay, fine. You're not a purse.
00:12:48 I'm gonna go and get something to drink.
00:12:54 She just finished anger management.
00:12:56 Well, what does she have
00:12:58 - She's hungry.
00:13:01 When are you just gonna settle down
00:13:05 Like a man? Please.
00:13:07 You know that I accept you
00:13:10 Thank you.
00:13:11 But all of a sudden, half the world is gay.
00:13:15 You just don't understand
00:13:18 ...being in a relationship with a woman.
00:13:20 If we're lost, we both ask for directions.
00:13:22 When we watch TV,
00:13:24 Nobody drinks out of the milk carton
00:13:28 ...or obsesses over their decreasing ability
00:13:31 - And when we have sex...
00:13:34 - neither one of us wants it
00:13:37 Are you jealous yet?
00:13:38 Hey, you owe me a hundred bucks
00:13:42 And tell me, Dorothy Parker...
00:13:44 ...how much longer am I gonna have to wait
00:13:48 I'd like to print an excerpt
00:13:50 You see, you don't just dash off a book
00:13:54 ...yet deeply intelligent essays,
00:13:58 Yeah, that was six years ago.
00:14:01 She's a little distracted.
00:14:07 Hm.
00:14:09 So is Mary in here?
00:14:10 It's just so generous of you to open
00:14:14 Your mother was chair
00:14:17 Yes, and it's very important to her
00:14:20 - And me, of course.
00:14:23 I don't know
00:14:25 ...and still make time
00:14:27 - Oh, well, pharmaceuticals.
00:14:32 There's a champagne buffet
00:14:34 Barbara, please help yourself.
00:14:38 - Oh, amazing, you're here on time.
00:14:41 I'm always on time.
00:14:43 Will you put that thing away?
00:14:45 So impressive turnout. Congrats.
00:14:48 - Well, thanks for opening up your Rolodex.
00:14:53 - What's wrong? Nothing.
00:14:55 - Why are you asking?
00:14:57 - What's going on?
00:15:00 Yeah, something. Your eyes just shifted.
00:15:02 - You're not telling me something.
00:15:05 And what's with you,
00:15:08 Oh. Okay, I wasn't gonna say anything...
00:15:10 ...but I think my father's getting ready
00:15:13 - Business?
00:15:14 - Wow. Is that a good thing?
00:15:18 It's a fantastic thing,
00:15:21 I have to talk to Stephen.
00:15:23 Stephen, right.
00:15:26 The office, where he has been
00:15:29 ...for the last month,
00:15:32 Hmm.
00:15:34 - Really? Ahem.
00:15:37 ...we are gonna be sipping cappuccino
00:15:42 - Are you sure you're all right?
00:15:47 I'll get something to eat.
00:15:49 - Oh. Oh.
00:15:51 - No, that's okay.
00:16:06 - Take this.
00:16:07 You have to.
00:16:09 - Oh, my.
00:16:11 - No, I won't do it.
00:16:17 No carbohydrates at all, which is fine...
00:16:19 ...because the human body
00:16:22 - Hey, cute dress.
00:16:24 Cool shades.
00:16:26 - There you go.
00:16:28 Cheers.
00:16:34 Edie, that's a lot of food.
00:16:39 Well, I might as well tell you.
00:16:41 You'll find out soon enough.
00:16:45 I'm eating for two.
00:16:47 - Aw. For crying out loud, Edie, jeez.
00:16:50 - Don't you ever say no?
00:16:52 - What's happening?
00:16:55 Oof. Ugh.
00:16:57 - Are you sure?
00:16:59 - I wanna keep going until I get a boy.
00:17:02 You know what?
00:17:04 There's absolutely nothing
00:17:07 ...than knowing that you're actually
00:17:10 Right, Mary?
00:17:12 Well, you know,
00:17:15 ...in the attic the other day,
00:17:19 Yes, I am a jar saver.
00:17:20 And I open up the box, anyway,
00:17:25 It's just a whole pile
00:17:28 I just picked up one of those little rompers,
00:17:32 What are you saying?
00:17:35 I don't know, you know. I'd never thought
00:17:40 Maybe since I know the gate's closing,
00:17:44 - What?
00:17:45 Something.
00:17:47 I've gotta pee.
00:17:48 For the 10th time today.
00:17:50 I'll be right back.
00:17:58 - Edie.
00:18:00 I wasn't gonna say anything,
00:18:02 Mary is like my sister.
00:18:03 I told you, Sylvie, I don't wanna know.
00:18:05 Oh, it's about Mary?
00:18:06 - This is in the vault, right?
00:18:09 - Stephen is having an affair.
00:18:13 The new manicurist at Saks told me.
00:18:15 He's fooling around with some woman
00:18:19 - The spritzer girl?
00:18:21 What do you think she sells?
00:18:24 So, what are you saying?
00:18:26 Of course not, but she's talking
00:18:29 Oh, this is very dangerous, Sylvie.
00:18:32 What if the story isn't true?
00:18:35 Oh, they know everything.
00:18:38 It's frightening how much information
00:18:41 I don't think we should say anything.
00:18:44 - The affair could be over for all we know.
00:18:47 Besides, I don't know anyone
00:18:50 ...for keeping their mouth shut.
00:18:52 I mean, I know things about my friends.
00:18:54 And I mean, things.
00:18:57 Me too.
00:19:01 - Cheap hand towels.
00:19:02 Right.
00:19:05 Oh. I forgot to pee.
00:19:10 Hey!
00:19:14 - Thank you so much.
00:19:16 I must have the name of your caterer,
00:19:19 Oh. No, I made everything myself. I think
00:19:22 You cooked?
00:19:24 Oh, Mary, how could you?
00:19:26 Now we'll all have to do that.
00:19:28 And not all of us are you.
00:19:30 Anyway, congratulations
00:19:32 Phone for you. It's him.
00:19:36 Bye.
00:19:40 Hey, honey, they're almost gone.
00:19:42 It's safe to come home.
00:19:43 Since we're leaving
00:19:46 ...let's just eat out, and...
00:19:53 Stephen?
00:19:56 Ste...
00:19:57 Stephen,
00:20:00 ...and we both really need a vacation.
00:20:03 Yeah, no, there has to be some way.
00:20:14 All right.
00:20:17 Okay, I'll call the travel agent.
00:20:18 I guess, uh, Venice will still be there.
00:20:22 When are you coming home?
00:20:24 Oh, okay, then I won't wait up.
00:20:28 All right, bye.
00:20:36 That goddamn office
00:20:38 - Well, something definitely is.
00:20:40 Come on.
00:20:43 No, no, it's okay.
00:20:46 It meant a lot to me.
00:20:47 Are you gonna be okay?
00:20:50 I'm so sorry,
00:20:53 No, no, I'm fine. I'm gonna be fine.
00:20:59 Okay.
00:21:03 Goddamn it.
00:21:07 Ned, you gotta back me on this.
00:21:09 It's time to stop talking down
00:21:12 That's the way CACHET
00:21:14 You talk about branding the magazine.
00:21:16 How about we become
00:21:21 Bring on the provocative writers.
00:21:23 We stop putting little Hollywood twits
00:21:27 Yes, I know the twits sell,
00:21:31 Let me do my job.
00:21:32 This time next year,
00:21:35 - Mary's on three.
00:21:39 I gotta go.
00:21:42 So how was lunch with Dad?
00:21:46 How does it feel to be head
00:21:48 - He fired me.
00:21:50 Yeah, my own father.
00:21:52 He said I was spreading myself too thin
00:21:56 Excuse me, but designing
00:21:59 ...for a woman to wear home
00:22:02 ...is not exactly my work.
00:22:04 Oh, honey.
00:22:06 Come to my office,
00:22:08 We'll open a bottle and bitch about the men
00:22:12 What? Is Ned riding you again?
00:22:13 Oh, I mean, that's just absolutely absurd.
00:22:15 That must feel terrible.
00:22:17 - Why doesn't he just trust your vision?
00:22:21 I can feel it.
00:22:23 I need to pull a couple of great writers
00:22:26 Well, you can do that. Stop at nothing.
00:22:29 I love you, you know that?
00:22:31 Whoa. Well, you wouldn't if you saw me.
00:22:34 Could you get me into Saks for a haircut?
00:22:37 Don't go to Saks. They'll butcher you.
00:22:40 Hey! Hey!
00:22:42 Wait, what are you talking about?
00:22:46 Your hair always looks great.
00:22:48 - Anyway, love you, mean it, bye.
00:22:50 Mary?
00:22:54 Women.
00:23:02 Hello, I'm Mary Haines, and my friend
00:23:07 Yes, she did.
00:23:10 - I'm really sorry.
00:23:12 Oh.
00:23:13 Well, can I get a manicure while I wait?
00:23:15 - Let me check.
00:23:17 Let's see.
00:23:19 - Okay, Tanya's had a cancellation.
00:23:22 - First table, straight back.
00:23:24 Oh.
00:23:25 Okay. Tanya?
00:23:36 Tanya?
00:23:37 - Hi, they told me to come right back here.
00:23:42 Well, let's have a look.
00:23:45 Oh, my, what have we done
00:23:47 Oh, I retiled my bathroom.
00:23:48 - Seriously?
00:23:49 Oh, God.
00:23:51 Oh, I was thinking
00:23:53 Wanna maybe take a walk
00:23:56 - How about this? Jungle Red.
00:23:59 How about this? This is nice.
00:24:01 French Fawn, whatever. Okay.
00:24:07 What's that perfume you're wearing?
00:24:08 - Something my husband gave me.
00:24:12 I know. That's the same stuff
00:24:15 She works the perfume counter
00:24:17 Expensive stuff.
00:24:18 But she's got expensive taste, that one.
00:24:20 - Her name's Crystal Allen.
00:24:22 My friend at the perfume counter.
00:24:25 She's got one now too. Married, though.
00:24:28 Narciso Rodriguez is just amazing.
00:24:30 The guy she hooked,
00:24:33 For Crystal, that's like the classifieds
00:24:36 I can never remember that guy's name.
00:24:40 - That's a beautiful ring, by the way.
00:24:42 On the wrong hand, though.
00:24:45 My girlfriends gave it to me.
00:24:47 Haines, that's his name. Stephen Haines.
00:24:50 I was there when she met him.
00:24:53 This Haines guy walks up
00:24:55 ...serious type, expensive suit,
00:24:59 ...and he says he wants to buy
00:25:02 "What type of woman is she?"
00:25:04 He says, "The kind that smells like soap. "
00:25:07 But for Crystal, it was a challenge.
00:25:09 So then she says,
00:25:12 And she runs her eyes up and down him...
00:25:14 ...the way a big cat looks
00:25:16 I felt kind of bad for the guy.
00:25:19 So then she picks up
00:25:22 That's the stuff you're wearing.
00:25:24 - She sprays it on her wrist and her arm
00:25:27 ...he starts sniffing around.
00:25:29 I guess he liked it more than he planned.
00:25:31 To tell you the truth,
00:25:34 ...until he took out his credit card,
00:25:38 And then what happened?
00:25:39 She really pursued him.
00:25:42 He takes her for nice dinners,
00:25:45 ...sends her flowers in a vase.
00:25:47 - You know, the kind you keep.
00:25:52 I don't think that, um...
00:25:55 I'm...
00:25:57 I just remembered
00:26:00 Oh, I'm so sorry.
00:26:03 You know, I just try to entertain my clients
00:26:07 Haines.
00:26:10 Oh, God.
00:26:12 Oh, my God. Oh, my God.
00:26:15 Oh, me and my big mouth.
00:26:18 No, just stop telling that story. I mean it.
00:26:20 I'll never mention it again.
00:26:26 Donna.
00:26:29 Good dirt. Oh, my God.
00:26:31 Hello, it's Mary for Sylvie again.
00:26:34 Is she still in that meeting?
00:26:36 Yes, if you could please have her call me
00:26:43 Am I late?
00:26:44 I'm sorry, Mom.
00:26:46 I heard what happened.
00:26:50 I ordered you a gimlet.
00:26:51 I know,
00:26:53 ...but you will eventually,
00:26:58 You wanna see a bad facelift?
00:27:00 Helen Danvers, 2 o'clock.
00:27:02 She looks like she's re-entering
00:27:07 Honey, what can I do?
00:27:10 - Mom, Stephen's having an affair.
00:27:14 I can't believe those words
00:27:17 - That just makes me sick to my stomach.
00:27:20 No, she sells perfume at Saks.
00:27:24 She's a spritzer girl?
00:27:25 I mean, how could I not have known?
00:27:27 Three months ago,
00:27:31 I just can't believe this is happening to me.
00:27:37 - What are you gonna do?
00:27:39 - I'm gonna tell him to move out.
00:27:43 Someone once said...
00:27:44 ...that when you don't know
00:27:47 Mom, my husband of 13 years
00:27:52 I mean, do they talk about me
00:27:54 Do they laugh at me?
00:27:56 Please don't tell me to pretend
00:27:58 You have no idea how this feels.
00:28:04 Well, let me try.
00:28:07 It feels like someone
00:28:13 It feels like your heart stopped beating.
00:28:16 It feels like that dream.
00:28:17 You know, the one where you're falling
00:28:21 ...before you hit the ground,
00:28:25 You can't trust anything anymore.
00:28:27 No one is who they say they are.
00:28:30 Your life is changed forever.
00:28:32 And the only thing to come out
00:28:37 ...is no one will ever be able
00:28:45 I can't believe you never told me that.
00:28:48 I wanted you to love your father.
00:28:50 Jeez, I mean, who was she?
00:28:54 Some little skank who sold fabric.
00:28:58 I met her once.
00:28:59 She wore too much makeup
00:29:04 - What did you do when you found out?
00:29:07 Nothing?
00:29:08 I had a smart mother too.
00:29:11 Mary, that girl does not mean
00:29:14 ...than the fabric whore
00:29:18 If he loved her, believe me,
00:29:21 I can't fake it, Mom.
00:29:25 Then this is what I think we should do.
00:29:27 It's spring break.
00:29:31 There is nothing like a heavy dose
00:29:34 ...to make him miss his wife.
00:29:36 What do you think this is,
00:29:40 That's ridiculous.
00:29:41 Can I remind you of something?
00:29:43 You have a daughter, just like I did.
00:29:46 This is not just about you.
00:29:48 Call Stephen.
00:29:50 Tell him I invited you and Molly
00:29:54 We'll leave tomorrow.
00:29:55 And I wouldn't discuss this
00:30:00 They'll all want to help,
00:30:03 ...you'll be taking care of them
00:30:08 Oh, my God.
00:30:10 I'm so sorry for you, baby.
00:30:13 But it's nice to know
00:30:22 Was that a sunrise we just saw?
00:30:25 Because I'm on the wrong side
00:30:27 Alex, stop complaining.
00:30:28 I just thought Mary could use a few pals
00:30:32 You know why I don't
00:30:35 So I don't have to take anyone
00:30:37 At the next intersection, make a left turn.
00:30:40 - Who the hell was that?
00:30:43 She's always calm. She never talks back.
00:30:53 All right, I'm sensing something here.
00:30:56 Something's not being said.
00:30:57 - What's going on that I don't know about?
00:31:00 What would make you say that?
00:31:02 Alex, what is your take
00:31:06 Um...
00:31:08 It looks perfect on the outside...
00:31:11 ...but there's definitely something
00:31:13 You know Mary doesn't like
00:31:15 She's too busy filling them.
00:31:18 Our girl is all blue sky.
00:31:20 But sooner or later...
00:31:23 Why?
00:31:26 Mary doing somebody? Heh, heh.
00:31:28 - What makes you think it's Mary?
00:31:31 - Is Stephen having an affair on Mary?
00:31:35 - What a mouth.
00:31:37 Is it somebody we know?
00:31:40 - Vault?
00:31:41 - Spritzer girl, Saks.
00:31:45 - Oh, my God, how's she taking it?
00:31:48 What do you mean, she doesn't know?
00:31:51 What is wrong with you two?
00:31:52 We're in the vault, she's not?
00:31:55 Look, I have been struggling
00:31:59 Mary and I have been best friends
00:32:02 - I think she should be told.
00:32:05 Or we just don't say anything.
00:32:06 Sylvie, Mary has to know, okay?
00:32:10 Now, that's the right thing to do.
00:32:13 You want me to tell her?
00:32:15 Because I'll tell her.
00:32:16 I don't have a problem with it.
00:32:24 Hi.
00:32:28 No, no, I know you sent, you know,
00:32:31 And why should you
00:32:33 All right, so you have all
00:32:36 All the information.
00:32:37 - Oh, will you call the vet please, Dr?
00:32:40 Oh, and the guy from the place
00:32:43 - The sink, at 2.
00:32:45 - Okay.
00:32:49 Oh, hi.
00:32:51 What are you guys doing here?
00:32:53 - Come on, get in.
00:32:59 Mary, there's a reason
00:33:06 Sylvie has something
00:33:10 This is really hard, Mary, okay? L...
00:33:14 Oh, is this about the perfume bitch?
00:33:19 You knew and you didn't tell me?
00:33:22 Right now, honest to God,
00:33:24 - You?
00:33:26 This isn't happening to you,
00:33:29 I was trying to figure out how to tell you.
00:33:31 I'm not saying I didn't...
00:33:34 All right, all right, all right!
00:33:37 It's out in the open, okay?
00:33:39 Fine, what I wanna know is,
00:33:43 I didn't confront him.
00:33:46 - What do you mean?
00:33:48 I'm not proud of it.
00:33:49 What are you saying?
00:33:51 He's supposed to know that you know.
00:33:54 Okay, okay! All right, I appreciate
00:33:58 But please, don't dissect and analyze
00:34:02 I can't take it.
00:34:03 Just be there for me silently.
00:34:08 Okay, let's go.
00:34:11 I should not be operating
00:34:22 - Hey, Mom?
00:34:25 - You know what'd be really cool?
00:34:28 If you and I
00:34:32 Nice try.
00:34:33 Come on,
00:34:36 What's wrong with my image?
00:34:38 Never mind.
00:34:41 So I can still get
00:34:43 Yeah, right after I get my nose pierced.
00:34:47 How come you never just hear me?
00:34:49 I hear you, honey, I hear you.
00:34:51 You want a tattoo,
00:34:56 I'm gonna go watch television.
00:34:58 Oh, Mol. Molly, come on,
00:35:00 It's a gorgeous day.
00:35:01 Is there anything I'm allowed to do?
00:35:07 You know, Mom, I think
00:35:10 ...to go for a swim.
00:35:12 I'll have to put on a bathing suit.
00:35:14 Men, they can just parade around
00:35:20 At what age do women
00:35:22 ...just for a stroll on the beach?
00:35:28 - Oh, it's Stephen.
00:35:30 Let him think you're doing something
00:35:35 God, I hate the game-playing.
00:35:38 - It does feel good to get some control.
00:35:41 He's called three times a day
00:35:44 He's practically begging you
00:35:46 You can see where his heart is.
00:35:49 This would be so much easier
00:35:52 There should be a pill that you can take
00:35:56 Why would you wanna
00:35:58 It's hard enough to find it
00:36:03 It's Stephen.
00:36:04 All right, you can answer it now.
00:36:09 Hello? Oh, Stephen.
00:36:13 I'm dying to see what she looks like.
00:36:15 Okay, listen, Sylvie,
00:36:19 This is a bad idea.
00:36:22 - Oh, my God, would you look at that bag?
00:36:25 Sylvie, I need an advance.
00:36:27 I am not going to enable you.
00:36:29 Finish your damn book.
00:36:31 Can I have this bag, Mommy?
00:36:33 Mommy, I'm tired of shopping.
00:36:35 Can we go? I wanna go.
00:36:38 We can't go.
00:36:39 Aunt Sylvie is stalking somebody.
00:36:42 When she's finished, we can leave.
00:36:44 I hate this store!
00:36:48 April?
00:36:52 I want you to listen to me.
00:36:53 I'm gonna say something
00:36:56 ...and I want you to remember it
00:36:59 Nobody hates Saks.
00:37:03 Now, let's do what we came here for.
00:37:09 Mommy, can we get something to eat?
00:37:11 Fragrances, this is Pat.
00:37:12 - She's with a customer.
00:37:14 - Can we eat somewhere soon, Mommy?
00:37:16 I'm starving.
00:37:19 Crystal.
00:37:21 Phone for you.
00:37:25 It's a guy.
00:37:33 Wow.
00:37:38 - She is fine.
00:37:42 - We've seen her, now let's get out of here.
00:37:45 Yeah, I'm with Sylvie.
00:37:49 Hello?
00:37:52 Stephen.
00:37:54 I was hoping it was you.
00:37:56 How have you been, baby?
00:38:00 Well, it's cruel and unusual punishment
00:38:04 I say we make up for lost time.
00:38:06 What if I cook us
00:38:09 The big white square thing with the fire
00:38:13 Shh. Oh.
00:38:15 No, baby, of course.
00:38:16 No, no, no, your work comes first.
00:38:18 Don't worry.
00:38:20 I'll just save you a piece of cake
00:38:23 - Phew.
00:38:25 Oh, I didn't wanna tell you,
00:38:28 ...and I'll have other birthdays.
00:38:32 I would... No, no, no.
00:38:34 I would feel terrible taking you away
00:38:37 Are you sure?
00:38:39 Oh, baby, I am one happy girl.
00:38:42 Okay, I'll see you at 8.
00:38:46 That stupid wife.
00:38:48 Ever since she's been gone to wherever,
00:38:52 I have an audition at 4:00.
00:38:56 How did this all happen?
00:38:58 You volunteered.
00:39:01 Can you find something to do tonight
00:39:04 Fine. And good luck on your audition.
00:39:07 Uh, excuse me.
00:39:11 - I was just leaving, but Pat can help you.
00:39:15 Ow, give me that.
00:39:16 - Is that you?
00:39:18 I've heard you have a special way
00:39:22 Really? And where would you hear that?
00:39:24 - Around.
00:39:27 I've been wearing Chanel No. 5
00:39:31 I'm thinking of changing.
00:39:33 Hmm. Probably nothing too subtle.
00:39:38 You're right about that.
00:39:39 You always know exactly
00:39:42 No, I want a perfume
00:39:45 Smart, fearless, clever, loyal...
00:39:51 ...protective of friends,
00:39:54 I want that.
00:39:56 You shopping for a perfume
00:39:59 A friend of mine
00:40:01 Her husband bought it for her here,
00:40:05 Edie, what's the name of that perfume
00:40:09 - You know, the one Stephen bought for her.
00:40:11 Stephen Haines.
00:40:13 Maybe you waited on him.
00:40:14 He's good-looking, receding hairline.
00:40:17 Platinum card.
00:40:19 Maybe that rings a bell.
00:40:21 Oh, we know you're screwing Stephen,
00:40:25 - Just stop it!
00:40:37 So he cheated on you,
00:40:40 This is not modern, Mary.
00:40:42 Ever since I got back from Maine,
00:40:46 ...and, "What can I do for you today?"
00:40:48 I mean, maybe my mother is right.
00:40:51 Maybe treating it that way
00:40:54 - When did you become French?
00:40:57 - Good. Make him suffer.
00:41:01 - How's everything with Gary?
00:41:03 He pressed his jeans.
00:41:09 - You are too choosy.
00:41:11 Yeah, and you know why that is?
00:41:13 You're afraid to choose.
00:41:14 - No, I am not.
00:41:17 Excuse me, I chose once, remember?
00:41:20 It was all very nice
00:41:23 "Sylvie, I'm happy for you. "
00:41:25 He said, "I want you to fly.
00:41:27 I just don't think I can be with a woman
00:41:31 - That was just him.
00:41:33 I'm sorry, men have a hard time
00:41:37 So we shrink to fit, like you.
00:41:39 - What are you talking about?
00:41:43 And then you put on the brakes
00:41:46 When you fall in love, you don't think
00:41:49 - You just go with your gut.
00:41:52 Like my first date with Stephen,
00:41:55 Thank God it was Halloween.
00:41:57 That was an irresistible thing,
00:42:01 - That's weird.
00:42:03 Carving a pumpkin?
00:42:05 We were a really good team.
00:42:08 Good afternoon, La Perla.
00:42:11 That is what you think about
00:42:13 It's the pumpkin. The pumpkin matters.
00:42:15 I hate Halloween.
00:42:18 You know, someday, when you are not
00:42:22 ...you're gonna meet the man
00:42:25 I'm the man I wanna marry.
00:42:26 That's the problem.
00:42:29 Ooh, hey.
00:42:30 Sylvie, what do you think of this?
00:42:32 - On you?
00:42:33 - Really?
00:42:36 Stephen might get lucky tonight.
00:42:38 Mrs. Haines, it's been a while
00:42:41 Time for a new robe?
00:42:42 Hello, Grace. I'd like to try this on.
00:42:45 - Really?
00:42:47 - What?
00:42:50 All right, I admit that I underestimated
00:42:54 Great. Maybe he'll leave some cash
00:42:59 Oh, I just don't understand
00:43:02 ...in dressing rooms.
00:43:03 Why would a woman buy anything
00:43:06 ...were hit by a meteor shower?
00:43:08 How are you doing in there, Ms. Allen?
00:43:10 - Do you need another size, another color?
00:43:13 Don't go too far. I'm gonna need you.
00:43:15 No problem, Ms. Allen.
00:43:17 Okay, wow, is this just too much?
00:43:20 No, it's... I think I'll go out,
00:43:23 Is there a mirror with better light?
00:43:26 Out here in the hall.
00:43:28 I'm not shy.
00:43:37 Hmm.
00:43:39 I've got to say, you're my first customer
00:43:43 Do you have those cutlet things?
00:43:44 - You know, I need some lift.
00:43:47 I think I have to take this.
00:43:50 It's Italian handmade lace.
00:43:52 That's why it's $650.
00:43:55 Does it come in any other colors?
00:43:58 Ah. I love champagne.
00:44:01 Will that be cash or charge?
00:44:04 You take personal checks?
00:44:05 No, but I'd be happy
00:44:08 It only takes a few minutes
00:44:11 Credit check.
00:44:13 I don't have time for a credit check.
00:44:16 Hey, what if I gave you the number
00:44:19 And I'm sure if you called him,
00:44:22 We can try that.
00:44:24 - What's the gentleman's name?
00:44:29 He's a friend of the family.
00:44:31 Mrs. Haines is a client of ours.
00:44:34 In fact, she's in the dressing room
00:44:39 Would you like me
00:44:45 No.
00:44:47 No, no, no.
00:44:49 Um, you see, I don't think
00:44:52 You see, I'm relatively new in town,
00:44:56 ...of meeting Mrs. Haines yet.
00:44:57 I would hate for this
00:45:01 I'm sure you understand.
00:45:03 I do understand.
00:45:06 - I'll phone Mr. Haines.
00:45:20 Oh. You don't think it's flattering?
00:45:22 - Is that what you're thinking?
00:45:25 She's here,
00:45:28 Crystal Allen.
00:45:30 What?
00:45:32 - How do you know?
00:45:35 She's spending a fortune, and, Mary,
00:45:39 Oh, that's not true.
00:45:40 If he's paying her bills, Mary,
00:45:44 Well, I'm just gonna go home.
00:45:49 Are you leaving?
00:45:50 Mary, go in there.
00:45:53 You've been running away
00:45:56 - What are you afraid of?
00:45:59 Listen to me, that woman is working
00:46:04 ...and it happens to be yours.
00:46:05 And if you don't stand up to her
00:46:08 ...it's a matter of time before she's
00:46:12 Now, I'm giving you permission
00:46:15 You go in there and kick her ass.
00:46:20 - Go on.
00:46:21 - I'll be your cornerman, you just go.
00:46:28 Go.
00:46:29 Go on.
00:46:31 - You can do it.
00:46:34 - Go.
00:46:39 Oh, shit.
00:46:41 - Excuse me?
00:46:42 - Excuse me?
00:46:49 I'm Mary Haines.
00:46:52 Right, um.
00:46:54 Well, this is awkward.
00:46:56 - I guess he finally told you.
00:46:59 He never mentioned you,
00:47:01 - Really?
00:47:03 - I'm surprised I haven't heard from you.
00:47:06 But since you were in the vicinity,
00:47:10 Um, look, Mrs. Haines, I am really sorry
00:47:14 And I know Stephen
00:47:16 What? You don't know anything
00:47:20 I do know that a woman never steals
00:47:23 They usually go willingly.
00:47:25 Well, it sounds like you have
00:47:29 You know, Stephen is a very smart man.
00:47:32 He's just way too smart
00:47:36 I mean...
00:47:38 Mrs. Haines,
00:47:41 You have your fancy friends
00:47:44 ...your calendars are full of social events
00:47:48 ...to make you feel like you're
00:47:52 But eventually,
00:47:55 They get lonely.
00:47:57 And they come looking for someone
00:48:03 And believe me,
00:48:08 You know, I came in here with...
00:48:10 ...I admit, just a ridiculous idea
00:48:14 ...and you saw
00:48:17 ...and not just some stray thought
00:48:20 ...that you might actually feel
00:48:23 One woman having that transcendent
00:48:27 And that you might realize the scope
00:48:31 ...not just to me, but to a family.
00:48:35 I have no idea what you just said.
00:48:37 I know, yeah. So I'm gonna put this
00:48:41 You are gonna stop seeing my husband.
00:48:45 I guess that's up to him, isn't it?
00:48:49 Listen, let me give you
00:48:51 Stephen...
00:48:53 Stephen would never like anything
00:48:59 Well, if Stephen doesn't like
00:49:10 You were great, Mary.
00:49:12 Get me out of here.
00:49:13 Who are you, Stephen?
00:49:15 - Tell me, what's going on?
00:49:18 And he is not saying much,
00:49:21 ...what could this cheating,
00:49:24 What else? What else?
00:49:25 Oh, so they argue some more,
00:49:29 ...and she says,
00:49:33 - Oh, good move.
00:49:34 Force his hand.
00:49:35 And he says, "Mary, I love you. "
00:49:38 Oh, yeah. Oh, please, predictable.
00:49:42 But I think Mary started listening to him.
00:49:45 So he keeps talking.
00:49:46 He says he never meant
00:49:50 And he tried to end it more than once.
00:49:54 Men get themselves into things,
00:49:58 But here's
00:50:00 He says he kept seeing Crystal
00:50:06 - And that he didn't wanna hurt her.
00:50:09 That's exactly what Mary said,
00:50:12 She says, "How could you not see
00:50:16 Oh, she blew it.
00:50:17 The last thing a man wants to hear is that
00:50:21 ...to love him for himself.
00:50:24 Nobody knows how to argue.
00:50:26 I should run a school.
00:50:27 So now he asks her the big question.
00:50:30 Is there any way they can put it all
00:50:33 You should have heard him.
00:50:36 Oh, who cares?
00:50:38 Do we still have jobs or not?
00:50:40 Mary said she wants a divorce.
00:50:43 - What did he say?
00:50:46 ...he'd wish she'd take some time
00:50:48 And that he would spend
00:50:50 - What did she say?
00:50:54 Oh, that's bad.
00:50:56 - Oh, that's very bad.
00:51:00 Where the hell's my address book?
00:51:03 I have a woman who keeps offering me
00:51:06 What are you doing?
00:51:10 Oh, my God. Shh.
00:51:18 That's it.
00:51:20 We're on a sinking ship, Uta.
00:51:22 I have a cardinal rule.
00:51:24 Never get attached to the family.
00:51:28 And that, Uta, is why the revolutionaries
00:51:34 I need to eat something.
00:51:37 There's fruit everywhere.
00:51:39 - Where's the junk?
00:51:41 Why don't I fix you a drink?
00:51:45 All right.
00:51:46 I think you both should know
00:51:50 Yeah, he's been having an affair.
00:51:52 - Get out of here.
00:51:54 Yeah, yeah.
00:51:56 And let me tell you
00:51:58 I had myself convinced
00:52:01 Just a little chapter, not the whole book.
00:52:04 And if I just put the old blinders on,
00:52:07 ...everything would work itself out.
00:52:09 Bullshit.
00:52:11 I mean, it's not like I was deliriously happy
00:52:14 ...of this marriage, you know?
00:52:16 But did I screw around? No.
00:52:19 I could have, by the way.
00:52:21 I really could have
00:52:24 All right, once or twice.
00:52:26 But I thought about it,
00:52:29 Thirteen years of sex with the same man
00:52:35 I mean, Stephen had his bag of tricks
00:52:39 But did I complain?
00:52:40 Did I go out
00:52:44 And let me tell you something else.
00:52:47 Stephen does not know
00:52:49 There is nobody, and I mean nobody,
00:52:53 ...a better time in bed than I did.
00:52:55 I could suck the nails out of a board,
00:53:01 Oh, God.
00:53:05 God.
00:53:07 You can't think straight right now.
00:53:10 You know what I do
00:53:14 Before I go to sleep, I tell myself
00:53:20 And that does it. I do.
00:53:23 You try it.
00:53:24 You go on upstairs
00:53:27 And tomorrow morning,
00:53:29 Oh, Maggie.
00:53:32 Go on, you'll feel better.
00:53:39 I love you guys.
00:53:43 She's not gonna dump him.
00:53:47 I know how she feels about that man
00:53:52 He'll be back in this house
00:54:39 I don't understand.
00:54:42 Why did this happen to me?
00:54:44 Oh, sweetie, listen.
00:54:47 Listen, it happens
00:54:51 Eventually,
00:54:53 It's either in a big way
00:54:57 It's just the nature of it, okay?
00:54:59 Oh, Jesus.
00:55:02 Oh, God.
00:55:08 - What am I gonna do?
00:55:10 We'll figure it out.
00:55:17 Come on, we need to pull out
00:55:20 We should focus on the cover.
00:55:22 Okay, what about this for a cover blurb?
00:55:26 Forty-five minutes? Who has the time?
00:55:30 Listen, I really wanna make a statement
00:55:34 It's time to cut ourselves away
00:55:37 I thought we already were.
00:55:39 What about the piece we did
00:55:42 Oh, come on.
00:55:43 We tell women
00:55:46 ...and then we print 15 pieces
00:55:48 We run ads for wrinkle creams,
00:55:52 - We're driving women mad.
00:55:56 I know I'm the new kid,
00:55:59 ...if I were in charge of CACHET.
00:56:02 I would tie each issue to a theme.
00:56:04 Brand it.
00:56:05 By branding each issue,
00:56:08 ...giving it a more unique identity
00:56:11 I would make sure
00:56:14 A sense of humor.
00:56:15 For instance, the revenge issue.
00:56:19 How to get it, who to stick it to...
00:56:21 ...the fine art of holding a grudge.
00:56:23 We put an actress on the cover,
00:56:26 And we make the whole thing irresistible.
00:56:29 We become the guilty pleasure
00:56:32 ...and that is how we turn it around.
00:56:37 Come on, Annie.
00:56:39 Revenge? It's so retro.
00:56:42 It's old-think.
00:56:44 Don't we all have better things to do?
00:56:48 But I would buy that magazine.
00:56:53 Uh, I think we should take a break, okay?
00:56:57 We'll pick it up after lunch.
00:56:59 Just think about it.
00:57:01 It's a good idea.
00:57:07 Let me tell you,
00:57:10 They walk into your world, you're thinking,
00:57:14 - I mean, "Am I missing the trends?"
00:57:17 - Can't we take a break?
00:57:21 What are the two most feared words
00:57:23 - "Pool party. "
00:57:30 Wait a minute. Let me down, okay?
00:57:34 Thanks.
00:57:37 Hey, Bailey Smith, right?
00:57:39 Sylvie Fowler.
00:57:42 Oh, right, right, right, yeah.
00:57:44 So how are things
00:57:47 Well, I'm not gonna be happy
00:57:53 - You know how I'm gonna do that?
00:57:55 By putting star writers
00:57:58 Oh, well, that is a nice compliment,
00:58:02 - I'm really happy at The Post.
00:58:05 You made a reputation
00:58:08 ...and now
00:58:11 Wait, I am syndicated.
00:58:13 I don't have to worry
00:58:16 You know, anyway,
00:58:19 That's what I want you to do.
00:58:21 Write about interesting people
00:58:24 You'll sell magazines.
00:58:26 I hear your circulation's down.
00:58:29 And didn't you have
00:58:33 Some people can't take the hills.
00:58:37 You know, um, I would consider
00:58:43 ...but I would need something in return.
00:58:46 Well, you name it.
00:58:47 - Yeah?
00:58:49 Well, I'm doing a series of columns
00:58:55 I hear one of them is breaking up.
00:58:58 Oh. Oh.
00:59:00 - You know who I'm talking about.
00:59:02 And who cares, anyway?
00:59:04 Oh, come on.
00:59:06 Messy divorces sell more papers
00:59:11 Sounds like you've written a story.
00:59:13 You know I need confirmation
00:59:18 I'm sorry, I can't help you.
00:59:21 Just because you wouldn't do
00:59:24 ...doesn't mean I won't do one for you.
00:59:26 One of my spies said
00:59:32 ...having dinner with Talia Greene
00:59:35 Wait, I am not worried, okay?
00:59:40 Ned wouldn't replace me.
00:59:41 He's completely committed
00:59:44 Sure, I'm sure.
00:59:46 But it's just that I heard that there
00:59:51 Bailey, do not print that, okay?
00:59:53 What little staff I have left
00:59:56 It would completely destroy
00:59:59 ...and then I really am out the door.
01:00:01 I know, it's incredible, isn't it,
01:00:04 ...has the potential
01:00:09 Because, really, when you think about it,
01:00:31 This is the last time
01:00:34 If they're gonna plaster your life
01:00:37 ...you would think
01:00:40 Especially next to that Crystal.
01:00:42 Shouldn't she have to have a permit
01:00:45 You're awfully quiet for a change.
01:00:47 Oh, tough day at work, is all.
01:00:53 She's here.
01:00:55 - Hi.
01:00:57 - Alex picked the restaurant, right?
01:00:59 - Of course.
01:01:06 So everybody's seen it, right?
01:01:07 Okay, no big elephants on the table.
01:01:11 Just when you thought
01:01:14 Okay, do you wanna have a big laugh
01:01:18 Or you wanna run off with a woman?
01:01:20 - Lf you did, this would be the place.
01:01:24 I like that.
01:01:25 I think it's gonna be okay, ladies.
01:01:29 Yeah, I've turned the page.
01:01:35 Mary, um, don't you think
01:01:39 Let things settle down.
01:01:41 A month from now,
01:01:43 - What?
01:01:45 Okay, I'm gonna take a risk here
01:01:51 There are two sides to every story.
01:01:54 Any one of us is capable,
01:01:58 ...of making a very big mistake.
01:02:02 Right? Right?
01:02:05 And a good marriage counselor
01:02:10 "And how were you culpable
01:02:13 Well, I married an asshole.
01:02:15 Which side are you on?
01:02:17 - I'm not taking sides.
01:02:19 I'm on your side.
01:02:22 - My money's on you.
01:02:24 Okay. Here's what I wanna know.
01:02:27 I wanna know how somebody
01:02:31 I wanna know how somebody can make a
01:02:35 Mary, it's my fault.
01:02:38 Okay.
01:02:41 Bailey Smith knew
01:02:44 ...and she knew
01:02:46 So she practically blackmailed me.
01:02:48 I didn't give her any information.
01:02:52 She just said, "Nod if it's true. "
01:02:58 I was in a terrible position.
01:03:00 I was scared.
01:03:02 You know, people do terrible things
01:03:05 And this is terrible.
01:03:07 I know that. I know.
01:03:12 What is going on with you?
01:03:15 Guys, I'm fighting for a job
01:03:36 What was it that you said, Sylvie?
01:03:38 You said that betrayal is inevitable
01:03:41 I thought you were just talking
01:03:43 This is so much worse.
01:03:59 You don't have
01:04:02 Now, take a walk and never look back.
01:04:05 My father will never let you
01:04:08 I'm sleeping with your father.
01:04:18 Who knows moisture better than Dove?
01:04:20 For God's sakes.
01:04:23 Your daughter's gonna be home
01:04:26 You want her to see her mother
01:04:30 I don't look at clocks anymore.
01:04:43 Haines residence.
01:04:45 Oh. Hello.
01:04:48 Heh, heh.
01:04:53 Well, me?
01:04:55 Holding down the fort.
01:04:58 Uh...
01:04:59 I'll see if she's still here.
01:05:03 - It's Mr. Haines. He's on the phone.
01:05:06 Tell him I'm not here.
01:05:07 I'm a bad liar. If I were any better,
01:05:11 I don't wanna talk to him. I'm busy.
01:05:13 Okay, look, I'm the housekeeper.
01:05:16 I cook, I clean, I run errands
01:05:19 I'm not your secretary.
01:05:21 I'm not your pal. I'm not involved.
01:05:23 Now, you get over here
01:05:33 Hello, Stephen.
01:05:34 I haven't talked to the appraiser.
01:05:37 Let's go. Get out of here, come on.
01:05:38 Oh.
01:05:41 Well, I'm sure she'd love
01:05:45 Well, thank you for the invitation,
01:05:48 You'd be better off on your own.
01:05:51 Because I wouldn't have the first idea
01:05:56 No, I already told you, it's over.
01:05:59 I'll have Molly call you.
01:06:06 Oh, sweetie.
01:06:08 Oh, I am so sorry.
01:06:10 I didn't mean for you to hear that.
01:06:23 Mary, I know you're there.
01:06:25 Why won't you return my calls?
01:06:27 We have to talk about this.
01:06:30 Hey, it's bad form
01:06:33 Pick up.
01:07:15 - May I help you?
01:07:18 What do you think you're doing...
01:07:20 ...sneaking up on me like that?
01:07:22 What are you doing
01:07:25 I am looking for Mary, okay?
01:07:27 I've left her a lot of messages,
01:07:30 - She's not here.
01:07:32 Out of town.
01:07:33 - What about Molly?
01:07:36 That's where the kids go
01:07:38 Heh, heh. Cute.
01:07:41 Are we done? I have a lot to do.
01:07:44 Besides, your Pradas
01:08:11 It's Jason.
01:08:12 - Are you serious?
01:08:14 Ask him if he likes me.
01:08:16 No, you.
01:08:19 Oh, man.
01:08:21 Who's that?
01:08:22 One of my mom's friends.
01:08:25 - You'd better go.
01:08:28 See you.
01:08:33 Hey.
01:08:35 Small world, isn't it?
01:08:38 So why aren't you in school?
01:08:41 I didn't feel like it today.
01:08:44 Huh.
01:08:46 So this is kind of a new look
01:08:49 I leave the house in my uniform.
01:08:51 And then after school,
01:08:54 A lot of the girls do it.
01:08:57 Oh.
01:08:58 Clever.
01:09:00 You wouldn't happen
01:09:08 Thanks.
01:09:10 Hey.
01:09:12 - Does your mom know you smoke?
01:09:15 And don't tell her.
01:09:17 I do it so I won't eat.
01:09:21 Your weight is fine.
01:09:22 I hate my body.
01:09:25 I wanna look like the models
01:09:27 Nobody looks like those girls, okay?
01:09:29 Not even them.
01:09:31 They're all airbrushed and retouched.
01:09:34 Then why don't you just put
01:09:37 I know it's hypocritical.
01:09:41 Yeah, I'm just starting to figure that out.
01:09:45 Do you wanna talk about it?
01:09:49 No.
01:09:51 Okay.
01:09:56 How old were you when you had sex?
01:10:00 Thirty.
01:10:05 It was horrible. It hurt like hell.
01:10:09 And it was totally embarrassing...
01:10:10 ...because we had no idea
01:10:14 We were up in his room one night.
01:10:17 Big Farrah Fawcett poster
01:10:21 Star Wars sheets, it was...
01:10:24 It was just tragic.
01:10:25 I didn't have sex again
01:10:29 But then I met somebody,
01:10:35 We were crazy for each other.
01:10:37 And then magically,
01:10:41 Basically, you're telling me exactly
01:10:45 ...if I could even ask her.
01:10:46 Don't have sex until you're in love.
01:10:49 No.
01:10:50 No, I've had pretty great sex
01:10:53 I won't lie to you.
01:10:55 But there's no sex like the kind
01:10:58 ...and they love you back.
01:11:00 You'd make the coolest mother.
01:11:03 Really? No, I wouldn't.
01:11:04 Really?
01:11:06 I don't know,
01:11:09 You'd be a great mom.
01:11:11 Not like mine.
01:11:13 I can be in the same room with her,
01:11:18 Listen to me, Molly.
01:11:21 And if there's anything you ever
01:11:26 Promise you'll call me.
01:11:28 Tell me you promise.
01:11:31 I promise.
01:11:33 Okay.
01:11:35 So where is your mom, anyway?
01:11:39 All right, everyone,
01:11:46 Look around.
01:11:47 Respect the power of nature.
01:11:50 This is why you have come to the Camp.
01:11:52 Let it heal you.
01:11:55 So divorce?
01:11:57 How many?
01:11:59 Hold on, I'm coming.
01:12:01 Don't start without me.
01:12:03 Oh, my God. I'm sorry.
01:12:10 I'm just not used to getting up at the crack
01:12:14 Is this the time you always start?
01:12:16 Because I'm pretty sure
01:12:20 We always canoe at dawn.
01:12:24 I always fake my orgasms.
01:12:28 Let's go.
01:12:30 Lift.
01:12:33 Swing.
01:12:35 - Hoist.
01:12:37 You've got to be kidding.
01:12:38 Turn.
01:12:41 March.
01:12:58 Oh, please. God.
01:13:04 - Forget it.
01:13:07 I already tried it.
01:13:09 Oh, you scared me.
01:13:11 And how bad an idea was this
01:13:18 Leah, right?
01:13:20 Mary. I mean, I am just so hungry.
01:13:23 I'm starving. You need the Hubble
01:13:27 This place makes Betty Ford
01:13:30 And I ought to know.
01:13:31 I ran screaming out of Betty twice.
01:13:34 Look at that.
01:13:36 Oh, no. No, thank you.
01:13:38 How did you get that in here?
01:13:41 I made friends with Buck, the ranger boy.
01:13:45 Another... Guess what.
01:13:47 - Aspiring actor.
01:13:50 I thought I had left them
01:13:53 You know, where your dentist
01:13:56 ...and your gardener's playing Willy Loman
01:14:00 He got me the joint, I took his headshot.
01:14:03 Are you an agent?
01:14:05 What do you think?
01:14:07 - How long have you been an agent?
01:14:12 At ICM, they call me the Countess.
01:14:14 I can turn anybody into a star,
01:14:19 And why not? Look at him, he's so cute.
01:14:22 He's cute, I'm bored,
01:14:24 Who knows, he could turn out
01:14:27 Another dirtbag who left me, by the way.
01:14:31 So, what are you in for?
01:14:34 Oh, well, I just ran away from home.
01:14:36 I got fired from all my jobs.
01:14:40 And I broke up with my best friend,
01:14:45 - I just bailed out of husband number four.
01:14:50 - No, five.
01:14:52 I keep blocking one of them out
01:14:55 - What?
01:15:01 - What did you do?
01:15:05 By the time I was done...
01:15:06 ...there was nothing left but the hair plugs
01:15:12 - Ooh, shh. Shh.
01:15:15 - Why do you keep getting married?
01:15:21 In the end, that's really all there is.
01:15:25 Okay. All right, give me that thing.
01:15:28 Haven't done this
01:15:31 I ate an entire tube of toothpaste.
01:15:33 Wait.
01:15:35 Okay.
01:15:40 All right.
01:15:42 All right, here's the thing.
01:15:44 I'm just a good person, you know.
01:15:47 I really try to do the right thing, I do.
01:15:50 You know, I let the person
01:15:53 ...in the grocery line.
01:15:55 I give money to homeless people.
01:15:57 I never cheat.
01:16:01 Okay, well, once, I cheated.
01:16:03 - Really?
01:16:05 I was playing Monopoly.
01:16:06 I was the little top hat,
01:16:12 But I was just a kid,
01:16:15 So why am I going on and on about this?
01:16:18 Oh, boy, a talker.
01:16:20 I'm gonna have to figure this out,
01:16:23 I am.
01:16:24 I gotta figure out why...
01:16:26 ...at this particular juncture,
01:16:29 Can you not bogart that, please?
01:16:32 I've spent an entire lifetime
01:16:36 ...and somehow,
01:16:40 You know, my dear, sometimes
01:16:47 Let me give you
01:16:51 Don't give a shit about anybody.
01:16:54 Be selfish.
01:16:56 Because once you ask yourself
01:17:02 ...everything changes for the better.
01:17:04 I mean, after all, who are you?
01:17:09 What do you want, Mary?
01:19:13 Oh. Excuse me.
01:19:17 Excuse me.
01:19:19 Hi, I'm looking for my mother,
01:19:22 How's she doing?
01:19:23 She's still in some pain,
01:19:26 She's in there.
01:19:29 - Oh, thank you.
01:19:35 It'd be nice
01:19:38 Mom?
01:19:39 Mm-mm.
01:19:44 Nurse.
01:19:46 - Mom?
01:19:48 Mary.
01:19:49 Over here.
01:19:52 Oh, Mom. Does it hurt?
01:19:56 I just spent thousands of dollars
01:19:59 Of course it hurts.
01:20:01 You look great.
01:20:03 Oh, thank you, thank you.
01:20:05 I just can't believe you did this.
01:20:07 Have you looked around lately?
01:20:09 There are no 60-year-old women.
01:20:12 I was the only one left.
01:20:14 No, Mom,
01:20:17 Really, really.
01:20:19 Don't look back, no regrets.
01:20:22 I'm so full of shit.
01:20:24 I have plenty of regrets.
01:20:27 I regret I never accomplished
01:20:33 I was ambivalent.
01:20:34 And frankly, I wanted things.
01:20:39 A big house, beautiful clothes.
01:20:42 It was easier to get status from your father
01:20:48 I know I failed you in a lot of ways,
01:20:50 But probably none more than that.
01:20:54 No, Mom.
01:20:57 Do you wanna have
01:21:00 Thanks.
01:21:03 Well, I've been thinking
01:21:07 Not for Dad.
01:21:08 I wanna design my own collection.
01:21:10 Whoa.
01:21:12 - What brought that on?
01:21:14 Having nothing left to lose.
01:21:18 If it wouldn't blow out 80 stitches,
01:21:23 I don't wanna take on
01:21:25 Just a small collection.
01:21:27 - Where are you gonna get the money?
01:21:31 - What about my inheritance?
01:21:34 I never did anything with it.
01:21:36 What could be a better investment
01:21:38 No, that's not why I came here.
01:21:40 Oh, please. I'm in no condition to argue.
01:21:45 You know something?
01:21:48 Someday, when I'm sitting here
01:21:51 ...I hope my daughter has as much love
01:21:56 Huh.
01:21:57 You are even more full of shit than I am.
01:22:02 Yeah.
01:22:36 Ned, please, um.
01:22:39 I know.
01:22:40 It's not the strongest issue I've turned out,
01:22:45 Bailey Smith is writing a profile
01:22:49 ...and Alex Fisher is getting me
01:22:57 Ned, you can't do this.
01:22:59 Nobody turns a magazine around
01:23:03 Just give me three more issues, okay?
01:23:06 I have got this great idea.
01:23:10 How about we do a whole issue
01:23:13 How to get it...
01:23:14 ...who to stick it to...
01:23:17 ...the lost art of holding a grudge.
01:23:19 How to construct the perfect rumor.
01:23:23 The 10 best random acts of getting even.
01:23:27 And we'll put a hot young actress
01:23:31 Yes.
01:23:35 Thank you.
01:23:37 Yeah, I think it'll be brilliant too.
01:23:40 Okay, then.
01:23:43 I'll see you in the morning.
01:23:50 Hello?
01:23:52 Hello?
01:23:54 Molly?
01:23:56 Where is everybody?
01:23:58 Here.
01:24:00 Hey. Oh, Maggie.
01:24:01 All that fabric from Italy?
01:24:04 I had to completely recut a pattern
01:24:08 But it is going to be good.
01:24:11 - Where's Molly?
01:24:16 What is she doing?
01:24:17 Well, she says
01:24:27 Hey, Mol.
01:24:30 Wow.
01:24:32 You've got quite a little bonfire
01:24:35 I started it off with the slenders
01:24:39 That's the trick.
01:24:45 Wouldn't it be just great if when
01:24:49 ...so every time you came up against
01:24:53 ...you just look it up in the book
01:24:57 You know,
01:25:02 Every other weekend with Dad
01:25:05 ...then Dad gets you two in a row.
01:25:08 I used to feel sorry for them.
01:25:10 Now I'm one of them.
01:25:13 Listen, Molly,
01:25:16 And I'm very sorry about that.
01:25:20 I can't talk to you like I talk to Sylvie.
01:25:24 - You've been talking to Sylvie?
01:25:28 Well, I wanna help you.
01:25:31 Because all you'll do is tell me
01:25:34 ...and it's not.
01:25:36 Dad's living in an apartment
01:25:39 That Crystal woman
01:25:43 She doesn't even call first.
01:25:45 Then she leaves stuff behind.
01:25:47 A dress, a purse.
01:25:50 I don't think
01:25:53 He's just lonely.
01:25:55 He misses you.
01:25:57 Molly, I can't.
01:26:01 I just can't.
01:26:03 I know, I remember.
01:26:05 I used to watch you get ready
01:26:09 And you'd let me put on your dresses
01:26:13 ...and draw on some lipstick.
01:26:17 I wanted to be you.
01:26:24 I'm gonna go call Sylvie.
01:26:49 Hey.
01:26:51 - Hey.
01:26:53 I wanna know
01:26:56 I promised her I wouldn't discuss it.
01:26:58 She's having emotional problems,
01:27:01 I thought she needed a safe place.
01:27:03 I'm the safe place, okay?
01:27:06 I'm the mother, not you.
01:27:08 - She said she loves me.
01:27:11 You show me the stretch marks,
01:27:15 And what is this, casual Friday?
01:27:18 Yeah, I know.
01:27:20 - What's wrong?
01:27:21 - Something.
01:27:24 I didn't mean to cause problems.
01:27:28 Don't you ever get tired of saying that?
01:27:33 How dare you reprimand me for stepping in
01:27:37 You have not been there
01:27:40 You've not been there for anybody.
01:27:42 You're not willing to face the hard stuff.
01:27:45 Don't you criticize me.
01:27:47 Now that Molly trusts you,
01:27:50 Do you have any idea
01:27:53 I tried to make it up to you.
01:27:56 I wanna know
01:27:59 I hope that job is worth it, Sylvie,
01:28:03 I quit my job.
01:28:04 - What?
01:28:06 I was making terrible compromises.
01:28:08 I can't believe you quit.
01:28:10 How could I be so out of whack
01:28:15 You were in an impossible situation.
01:28:19 It's what you do, and you're great at it.
01:28:21 It's nothing compared
01:28:24 - I don't know how you do it.
01:28:27 Look what I'm passing down
01:28:29 I can't even talk to my own daughter
01:28:32 Well, it's easy for me.
01:28:35 - I mean...
01:28:37 You're doing me a really big favor.
01:28:40 Goddamn it. Thank you.
01:28:43 Anything I can do.
01:28:45 You have a huge job, huge.
01:28:48 I'm so glad I never had children.
01:28:50 That's the last impermissible thing
01:28:53 That you don't want children.
01:28:54 Well, I'm gonna have a dinner party
01:28:58 Oh, my God, I'm exhausted.
01:29:03 We're a mess.
01:29:06 I like your hair, though.
01:29:23 You know what?
01:29:26 Oh.
01:29:27 All I have to do is sign,
01:29:33 Mary, look, it's the 21 st century.
01:29:35 It's okay for people
01:29:40 You know what this feels like?
01:29:42 It feels like
01:29:45 You know that thing where you lose a part
01:29:49 ...but you still have the sensation
01:29:52 Well, you know,
01:29:55 Oh, no,
01:29:58 I'm talking about you and me.
01:30:12 Fan out.
01:30:24 Hi, remember me?
01:30:26 Oh, Mrs. Haines.
01:30:28 But why wouldn't they be,
01:30:30 - Do you have time?
01:30:32 It's the least I could do.
01:30:35 - Mary?
01:30:36 Oh, hi, how have you been?
01:30:39 Oh, fantastic.
01:30:43 So how's it going with you-know-who?
01:30:45 Oh, absolutely fantastic,
01:30:49 And the sex is just off the charts.
01:30:52 I am so jealous.
01:30:53 It's the whole sneaking-around thing
01:30:57 There's nothing like having an affair
01:31:00 ...to put the spark back in things.
01:31:03 - Oh.
01:31:04 Oh, my God, I'm such an idiot.
01:31:08 I better go,
01:31:10 Great seeing you, Mary.
01:31:12 - Call me, okay?
01:31:14 Well, that was awkward.
01:31:17 You have to forget what you just heard.
01:31:19 My life's been complicated enough
01:31:21 It's all safe with me.
01:31:24 - Now, have you decided on a color?
01:31:27 Jungle Red.
01:31:35 Are you sure, Tanya?
01:31:37 Oh, God, I can't believe he's seeing her
01:31:40 I'm practically living with the man.
01:31:43 Doesn't anybody respect rules anymore?
01:31:46 My father's taking me home now.
01:31:49 God almighty, you scared me.
01:31:52 I gotta go.
01:31:53 He said I should say good night.
01:31:57 - That's okay.
01:31:59 We just spent
01:32:01 It's hot in here and I have my coat on.
01:32:04 All right. Well, good night.
01:32:06 - Good night.
01:32:08 Good night, who?
01:32:14 - I asked you to call me Aunt Crystal.
01:32:17 Hey, you know, I have bent over backwards
01:32:20 I fixed up your room,
01:32:23 Who screws up macaroni and cheese?
01:32:26 That's not the point.
01:32:29 Why don't you make an effort?
01:32:32 I don't like you.
01:32:35 Come on.
01:32:38 Everybody likes me.
01:32:40 What would your father say
01:32:44 I don't think he cares.
01:32:45 Why, what'd you hear? What'd he say?
01:32:48 Nothing.
01:32:51 Oh, by the way,
01:32:54 My mother's having a fashion show.
01:32:57 Yeah, it's something she's always
01:33:01 My father thinks it's great.
01:33:03 He finds the whole thing
01:33:08 You know, a woman
01:33:11 At least that's what I heard him say.
01:33:15 Well, enjoy your bath.
01:33:23 Stephen!
01:33:34 I don't know what they do in your country,
01:33:38 We place it. We place it.
01:33:40 Okay, I'm ready to go.
01:33:42 Oh, my God.
01:33:44 This is it, the big day.
01:33:46 Look at you.
01:33:48 I don't know how you are
01:33:51 - You must be freaking out inside.
01:33:53 No, I'm really okay.
01:33:57 I guess I just stood in my own way,
01:33:59 Listen, kiddo.
01:34:00 It doesn't matter what happens tonight.
01:34:03 What counts is that you showed up.
01:34:06 I always knew
01:34:09 Thank you, Maggie.
01:34:12 You know, I just love you.
01:34:22 Okay. Here I go.
01:34:25 I'm going.
01:34:29 - Yup.
01:34:33 Maggie, can it be?
01:34:36 Are you involved?
01:34:38 Oh, shut up.
01:34:39 Here, decorate.
01:35:02 You should be on the Discovery Channel.
01:35:15 It's got too much blue.
01:35:18 I see that. Just give me a second.
01:35:20 All right.
01:35:22 - Mary.
01:35:24 - Excuse me just a second.
01:35:27 All the best boutiques are here.
01:35:30 It's going to be great.
01:35:32 By the way,
01:35:34 ...and said to tell you
01:35:38 - Fantastic.
01:35:41 Listen, I'm not sure about
01:35:45 And I think you need to reconsider
01:35:48 Mom,
01:35:51 ...I didn't think it meant
01:35:53 ...every five minutes
01:35:56 But you said you'd value my input.
01:35:58 That's what you say when you take a lot
01:36:01 Nobody ever means it.
01:36:03 Just take a look at those coats again.
01:36:08 Skinny.
01:36:09 Don't bother Mary.
01:36:14 Hey. Oh, honey, what are these?
01:36:16 They just came.
01:36:18 They're from Dad.
01:36:19 They're from Dad?
01:36:21 Hey, hey. Fingers crossed for me, okay?
01:36:24 Okay.
01:36:29 - Mom?
01:36:32 This is really cool.
01:37:05 Excuse me.
01:37:08 Hi, Edie.
01:37:11 You look very rested, Catherine.
01:39:13 Thank you.
01:39:36 Oh, Mary, I am so proud of you.
01:39:39 Okay, Mom.
01:39:42 Everything was beautiful.
01:39:43 Okay, Mom.
01:39:45 I guess I'm just living a little vicariously.
01:39:48 Maybe even jealous.
01:39:51 - Mom, more than I need to know.
01:39:53 I'll take Molly home.
01:39:56 Mary.
01:39:58 Mary.
01:40:00 All right, tell it to me straight.
01:40:03 It was transforming.
01:40:04 But it doesn't matter what I think.
01:40:08 Glenda Hill, meet Mary Haines.
01:40:10 This is the head buyer
01:40:12 Hello.
01:40:15 Wow, I didn't realize you were coming.
01:40:17 Well, I don't ordinarily crash fashion shows,
01:40:22 Said I'd be missing something if I didn't,
01:40:25 Really? Really?
01:40:26 I don't know what to say.
01:40:29 It's a small collection,
01:40:33 I assume you'd be open to some changes
01:40:37 Hemline here, maybe a jacket there.
01:40:41 Saks Fifth Avenue
01:40:44 Well,
01:40:46 ...and if the clothes do well,
01:40:51 And of course,
01:40:54 Are you geared up for that?
01:40:57 I think she's a little shell-shocked.
01:41:00 - Would you mind if I think about it?
01:41:05 Well, don't think too long.
01:41:09 What do you have to think?
01:41:12 - What is there to think about?
01:41:14 It was so amazing,
01:41:18 And I am so sorry that I won't be able
01:41:22 But my water just broke.
01:41:25 What?
01:41:29 - Are we in the right place?
01:41:31 - Hang in there.
01:41:34 - Oh, my God.
01:41:35 The contractions
01:41:38 Every baby comes faster
01:41:40 - My last one came in just two hours.
01:41:43 Excuse me, our friend is having a baby.
01:41:45 We need a room now,
01:41:48 - Does she have insurance?
01:41:50 Have four, get the fifth one free.
01:41:53 Oh, I feel another one coming. Ah!
01:41:55 - Another one.
01:41:57 One minute? She's got a minute.
01:41:59 - She's got a minute.
01:42:00 I'll take you right to the delivery room.
01:42:04 - I am.
01:42:06 - What, me?
01:42:09 Don't worry, I'll help you through it.
01:42:11 - Oh, oh.
01:42:14 This is gonna be a big baby.
01:42:15 Don't point that thing at me, Edie.
01:42:18 Come on, honey. Come on.
01:42:20 Let's go.
01:42:23 Glenda Hill? She is an arbiter of taste.
01:42:25 She's a big deal.
01:42:28 - I don't think I want such a big order.
01:42:31 Depends on how you define it.
01:42:33 I mean, I would be very happy
01:42:36 And I have a daughter
01:42:38 Your daughter looked at you today
01:42:41 You gave her a mother who got something
01:42:44 Remember when they said
01:42:46 We can have it all.
01:42:49 I don't want it all.
01:42:52 I don't want it all either,
01:42:54 We can handle anything.
01:42:57 Do you know how loveable you are,
01:42:59 Do you have any idea
01:43:01 Funny you say that, because I met a guy.
01:43:04 - You met a guy?
01:43:05 I'm thinking of giving him
01:43:08 - How did it feel?
01:43:10 - I think it was because...
01:43:12 No thinking. How did it feel?
01:43:15 I felt like... I felt like...
01:43:18 I couldn't talk. I had butterflies.
01:43:20 Like that time I found my dog
01:43:23 - Aw.
01:43:30 I want my husband!
01:43:32 Where the hell is that schmuck?
01:43:34 He's coming, for crying out loud!
01:43:36 You are not doing the breathing right.
01:43:39 It's like this:
01:43:40 Somebody get here
01:43:42 I've got your back.
01:43:44 It's okay.
01:43:47 - Okay.
01:43:48 Focus on my voice.
01:43:50 Focus on my voice.
01:43:52 - Here comes another contraction.
01:43:55 Use it, Edie, just use it.
01:44:06 I am never having sex again.
01:44:09 Okay, so you got through that one, honey,
01:44:12 - How's she doing?
01:44:15 - This baby has a big head.
01:44:17 Oh, God, it's the head.
01:44:22 Okay, okay, okay.
01:44:26 It's me, it's me.
01:44:28 Hello. Stephen?
01:44:30 A strong one is coming.
01:44:32 Oh, okay. Hold on, okay.
01:44:33 Edie, see that Christmas tree?
01:44:35 Just focus on that Christmas tree
01:44:57 That was a good one.
01:44:59 I'm not gonna make it. Oh, God.
01:45:02 Edie's having a baby.
01:45:04 No, don't hang up. Talk to him.
01:45:06 - Alex, I just...!
01:45:08 He wants to go on a date.
01:45:10 Good? I don't think
01:45:12 You can get past it, just like Alan did.
01:45:15 - What? Whoa, back up.
01:45:21 Oh, don't look so shocked.
01:45:23 Five years ago. It just happened.
01:45:26 When Alan found out,
01:45:28 And that nearly killed me.
01:45:30 Not right away, but he did.
01:45:32 And you know why?
01:45:34 He knew I loved him.
01:45:36 And I love him and he loves me.
01:45:38 And we love the kids.
01:45:39 And now I'm gonna stop
01:45:42 ...and I want this kid out of me
01:45:44 Get it out!
01:45:46 Okay, Stephen, here it is, here it is.
01:45:50 How could I share myself with you
01:45:53 I want things now that I've put aside,
01:45:57 ...and anybody who is a part of my life
01:46:01 But this is gonna be hard.
01:46:02 This is hard work
01:46:05 And if you can accept all of that,
01:46:10 That's all I have available, I'm very busy.
01:46:12 - We're crowning.
01:46:14 Okay, ladies.
01:46:15 Get her shoulders, get her knees.
01:46:17 - Her shoulders and her knees.
01:46:20 - One more push, Edie.
01:46:32 Congratulations.
01:46:35 It's a boy.
01:46:37 Oh, my gosh, Edie.
01:46:41 - You did it.
01:46:44 I did it.
01:46:50 Edie had a baby.
01:46:56 So beautiful.
01:46:59 Look at you. You have a boy.
01:47:14 Oh, my goodness.
01:47:17 Hi, little boy.
01:47:28 - Hello, little baby.
01:53:21 I think real beauty is real authenticity.
01:53:24 And it's pretty much as simple as that.
01:53:26 I think a sense of humor
01:53:29 People become beautiful
01:53:34 Because the beautiful thing about being
01:53:38 Honestly, it takes some cultivation
01:53:41 ...with all the mixed messages
01:53:45 ...of who you should be.
01:53:46 Be kind to yourself.
01:53:48 Because I promise you,
01:53:53 ...and you will see just how spectacular
01:53:57 Being a woman is a gift.