Wonderful World
|
00:01:46 |
- Latte and mocha. |
00:01:49 |
Thanks. |
00:01:58 |
- Vincent's merger's dead. |
00:02:01 |
You'll be out of here in 6 months. |
00:02:03 |
The "until" job. |
00:02:08 |
How long you been |
00:02:10 |
8 years. |
00:02:12 |
Jesus. |
00:02:14 |
I know. Pretty pathetic. |
00:02:16 |
At least I don't delude myself |
00:02:19 |
He's against hopes and dreams. |
00:02:21 |
He's the anti-everything dude. |
00:02:23 |
The antichrist. |
00:02:25 |
You think getting a job in a TV series |
00:02:28 |
In 3 days, you'll realize |
00:02:31 |
in a new package-- |
00:02:35 |
same as everyone else. |
00:02:37 |
The Man? Who's The Man? |
00:02:39 |
You know-- society, the establishment, |
00:02:43 |
the corporate super-organism. |
00:02:45 |
Him. |
00:02:47 |
You're one dark dude, man. |
00:02:56 |
He's here. |
00:03:06 |
Hi, dad. |
00:03:11 |
So what's new in school? |
00:03:13 |
I don't know. |
00:03:15 |
Math and stuff. |
00:03:17 |
A guru from an ashram |
00:03:21 |
in social studies. |
00:03:24 |
He could remember |
00:03:28 |
That kid recognizes you. |
00:03:33 |
Probably from one of your C.D.s. |
00:03:35 |
What were his past lives? |
00:03:37 |
In one he was a prince. |
00:03:40 |
In the other he was a |
00:03:44 |
That's the trouble |
00:03:46 |
Everybody was always |
00:03:48 |
Nobody was ever a museum guard, |
00:03:50 |
a paramecium or a bed of moss. |
00:03:53 |
People want to think |
00:03:57 |
Yeah, well, |
00:03:58 |
They figure if they can fill you up |
00:04:01 |
maybe you won't notice how much crap |
00:04:06 |
Ready? |
00:04:09 |
I think I'm a lesbian. |
00:04:15 |
Why, 'cause you like hockey? |
00:04:18 |
I like boys, but... |
00:04:20 |
Not to kiss. |
00:04:24 |
I wouldn't jump |
00:04:26 |
You haven't even reached |
00:04:29 |
You're programmed from birth. |
00:04:31 |
They have studies. |
00:04:36 |
So... |
00:04:39 |
What do you want to do? |
00:04:42 |
Dad, I like watching hockey. |
00:04:44 |
I don't even know how to skate. |
00:04:47 |
Do you want to go to McRory's? |
00:04:50 |
Sure. |
00:05:00 |
Very good. Nice-- Nice guitar. |
00:05:03 |
Hey, Ben, this just came in. |
00:05:05 |
Brazilian. |
00:05:07 |
So fine it almost plays itself. |
00:05:13 |
You want to play it? |
00:05:15 |
Jim and Sweeny are in the back. |
00:05:17 |
Do you mind? |
00:05:25 |
Maestro! |
00:05:26 |
All right. I see |
00:06:05 |
Sweet. |
00:06:07 |
It's a shame. |
00:06:10 |
What is? |
00:06:11 |
To be so great at something |
00:06:32 |
I think I want to sleep |
00:06:36 |
Ibu snores too loud |
00:06:39 |
and I have a bio quiz tomorrow. |
00:06:46 |
Hey, what's the matter? |
00:06:48 |
She wanted to come home, |
00:06:51 |
I love you, dad. |
00:06:54 |
Hey, sweetie. |
00:06:56 |
What did you say to her? |
00:07:00 |
she's 11 years old. She still wants |
00:07:09 |
Hey. |
00:07:10 |
She wants me to feed her |
00:07:14 |
We just exited the bloodiest century |
00:07:18 |
We got terrorism, |
00:07:22 |
genocide of mythic proportions. |
00:07:25 |
And what have all |
00:07:28 |
as we go into the new millennium? |
00:07:30 |
Positive fucking thinking. |
00:07:32 |
You know what that's about? |
00:07:34 |
It's about grabbing |
00:07:36 |
with your greedy little fingers. |
00:07:38 |
So why don't you do |
00:07:41 |
Take her to a hockey game |
00:07:43 |
The only crime left in the whole |
00:07:48 |
Negativity is treason. |
00:07:50 |
They even have a pill for it. |
00:07:53 |
It is a world in which The Man |
00:07:56 |
The 2 worst inventions |
00:08:00 |
The TV remote and positive thinking. |
00:08:04 |
You know, I-- I hear something |
00:08:09 |
It was very interesting. |
00:08:11 |
It was about this game theory. |
00:08:14 |
They say if a man acts |
00:08:17 |
that he would act in a way that is |
00:08:21 |
if he acts intelligently. |
00:08:23 |
Big "if." |
00:08:27 |
I don't know. |
00:08:30 |
to read a little more |
00:08:32 |
And the cake is-- |
00:08:35 |
How you say? |
00:08:39 |
They say, you know, |
00:08:41 |
The game theory between |
00:08:43 |
like each one wanting |
00:08:54 |
No fret, no fret. |
00:09:02 |
Like you are my friend, right? |
00:09:04 |
So that which you want, |
00:09:07 |
I go out of my way |
00:09:11 |
I would do it happily |
00:09:13 |
you would do the same. |
00:09:17 |
Great things can come |
00:09:20 |
Great things. |
00:09:23 |
You know, the Wolofs back |
00:09:26 |
we don't say, |
00:09:30 |
or "this man has that." |
00:09:33 |
That is why still magic |
00:09:36 |
What kind of magic is that? |
00:09:38 |
When it rains, the fish, |
00:09:41 |
they fall from the sky. |
00:09:43 |
This happens |
00:09:46 |
It is like-- like a form |
00:09:52 |
There's an old Wolof saying: |
00:09:57 |
"Your thoughts are things." |
00:09:59 |
And you've seen this? |
00:10:01 |
You've seen fish fall from the sky? |
00:10:03 |
With my own eyes. |
00:10:06 |
The fish, they flap about in the grass, |
00:10:08 |
trying to get back in the stream. |
00:10:11 |
I told my sister about it in a letter. |
00:10:16 |
She has seen it too, you know. |
00:10:25 |
Check mate. |
00:10:31 |
Every time we play, you get me |
00:10:34 |
It's a Goddamn decoy. |
00:10:37 |
Maybe you should look at |
00:10:39 |
Yeah, |
00:10:41 |
as soon as I see fish |
00:10:48 |
Your-- |
00:10:50 |
Your car is supposed to be |
00:10:53 |
This has been going on |
00:10:55 |
It takes me 5 swings |
00:10:57 |
What do you do? |
00:11:00 |
Bottom line-- |
00:11:02 |
I'm trying to be civil |
00:11:06 |
I could just call the police |
00:11:08 |
You know what you are? |
00:11:11 |
You think you're new to the earth, |
00:11:13 |
You've been around for, |
00:11:15 |
You were in the bible. |
00:11:17 |
You're like an insect. |
00:11:20 |
And when the nuclear |
00:11:22 |
there'll be swarms of you |
00:11:24 |
- informing on each other. |
00:11:27 |
Shut up. |
00:11:35 |
So 8:30, Friday, funny bone. |
00:11:38 |
Everyone's coming, right? |
00:11:41 |
- Cassie? |
00:11:43 |
Okay. Claire? |
00:11:45 |
Funny bone, Friday? |
00:11:47 |
I rep a comic and he's |
00:12:43 |
Who are you? |
00:12:45 |
I'm The Man. |
00:12:48 |
Are you God? |
00:12:51 |
No, he deals with |
00:12:54 |
planetary alignments, quarks. |
00:12:56 |
I just deal with |
00:12:59 |
Then I have a question. |
00:13:01 |
Why are there soda machines |
00:13:05 |
Why is it all about |
00:13:09 |
It is easier to |
00:13:12 |
by appealing to their worst |
00:13:15 |
Now everyone has bad impulses? |
00:13:20 |
Not everyone has |
00:13:40 |
Maxine, go get dressed. |
00:13:44 |
Lucas? |
00:13:45 |
Thank you. |
00:13:50 |
Hey. Look at this ass clown. |
00:13:56 |
- Who is that? |
00:13:59 |
- In proofreading? |
00:14:04 |
Did you know that there's |
00:14:06 |
cinnamon is good |
00:14:09 |
I'm not listening. You're just |
00:14:11 |
No no no, seriously, though, |
00:14:14 |
dark chocolate lowers |
00:14:17 |
tannins in red wine. |
00:14:19 |
All the medicine we'll |
00:14:22 |
20 years from now |
00:14:25 |
The doctor will make you a salad. |
00:14:28 |
Hey, Ben, Cyril G. Here. |
00:14:29 |
I'm going down the list, |
00:14:32 |
You got somewhere to go? |
00:14:34 |
All right, I'll see you there! |
00:14:35 |
He just needs a warm body. |
00:14:42 |
But of course, the consumables |
00:14:45 |
Mercury in the fish, caffeine. |
00:14:49 |
Maybe one food will |
00:14:53 |
But it also gives you M.S. |
00:14:57 |
Your queen is trapped. |
00:15:28 |
You ever wonder what the proctologist |
00:15:34 |
- 'Cause the brain's a funny thing, you know? |
00:15:36 |
- Ben. - If you've been spreading |
00:15:39 |
you know what the last thing is |
00:15:42 |
before you go to bed that night. |
00:15:44 |
To tell you the truth, |
00:15:46 |
I hate stand-up comedy. |
00:15:48 |
It really moves me |
00:15:51 |
That's a bitch right there-- |
00:15:53 |
You're the only ass clown |
00:15:55 |
Those fuckers-- I can't believe it. |
00:15:56 |
- Gynecologists. |
00:16:00 |
Yeah, you won't regret you came. |
00:16:03 |
"Baby, dinner's ready." |
00:16:05 |
I had a long hard day |
00:16:08 |
I mean, they're coming at you |
00:16:11 |
It's like big bushy ones, |
00:16:14 |
the little Hitler ones, shaved ones-- |
00:16:16 |
All of 'em. |
00:16:19 |
The dude over here, |
00:16:23 |
he's like, "who, me?" |
00:16:25 |
This is crazy. |
00:16:29 |
Not you, man. |
00:16:32 |
He's like, "who, me? |
00:16:34 |
Not you, man. I'm talking |
00:16:37 |
Yeah, you. |
00:16:40 |
- I'm good. - Your hemorrhoids |
00:16:42 |
You need to watch the show |
00:16:44 |
You can stand up back there. |
00:16:47 |
Can we go on with the show? |
00:17:32 |
- All in. |
00:17:34 |
- Call me. |
00:17:38 |
Flush. |
00:17:42 |
Okay, fine. |
00:17:44 |
You know, give Ben some chips. |
00:17:46 |
And then run-- |
00:17:48 |
- Okay. |
00:17:50 |
Good. Yes. Yes! |
00:17:54 |
And it's back on the table-- |
00:18:02 |
Careful. Don't go in the street. |
00:18:18 |
Ibu? |
00:18:23 |
Where's the weed? |
00:18:25 |
Ben. |
00:18:35 |
Ibu! |
00:18:38 |
- What's wrong? Hey. |
00:18:41 |
- Hey, what happened? |
00:18:43 |
- Nothing, I am fine. |
00:18:46 |
I inject already. |
00:18:48 |
- You in-- inject? |
00:18:51 |
I have speaking engagement |
00:18:57 |
- Ibu, come on. Hospital. |
00:18:59 |
- I speak on game theory. |
00:19:03 |
- I have to go to "good morning, America." |
00:19:05 |
- We go now, yeah? |
00:19:08 |
- Okay, come on. |
00:19:11 |
Wait a minute! Sir, I need that. |
00:19:15 |
It's okay. Stay here. |
00:19:17 |
Wait, sir. |
00:19:19 |
Your vehicle is property |
00:19:21 |
My friend is diabetic. |
00:19:24 |
Sir? Sir, I think he's in shock! |
00:19:26 |
You should have thought about |
00:19:29 |
Wait! |
00:19:32 |
Wait, Ibu. |
00:19:35 |
I have to-- |
00:19:39 |
Come over here and sit down |
00:19:42 |
I have to call. |
00:19:45 |
Just stay, okay? |
00:19:54 |
Shit. |
00:20:03 |
9-1-1. What is your emergency? |
00:20:30 |
Your friend's blood sugar |
00:20:34 |
probably while he slept. |
00:20:36 |
He must've woken up and |
00:20:39 |
Is he gonna be all right? |
00:20:43 |
Mr. N'Diyae has gone |
00:20:45 |
He could come out |
00:20:48 |
Or it could be months, |
00:20:51 |
Does Mr. N'Diyae have family? |
00:22:01 |
Do the doctors think |
00:22:05 |
They don't know. |
00:22:12 |
Can I see him? |
00:22:15 |
You don't want |
00:22:26 |
He looks like he's dreaming. |
00:22:29 |
Maybe he's dreaming |
00:22:34 |
No, there's no R.E.M. |
00:22:37 |
He's a meat puppet. |
00:22:55 |
You took her to see |
00:22:57 |
Jesus Christ, Ben, |
00:23:00 |
I wasn't thinking anything. |
00:23:07 |
Well, I'm sorry. |
00:23:14 |
What do you tell her... |
00:23:17 |
When she asks about things? |
00:23:20 |
What things? |
00:23:22 |
I don't know-- us, |
00:23:23 |
our differences. |
00:23:25 |
You mean like |
00:23:31 |
Well, I lie, Ben. |
00:23:34 |
For God's sakes, |
00:23:37 |
Are you happy here |
00:23:39 |
in this house with the gas light? |
00:23:47 |
You know, sometimes I look |
00:23:50 |
and I think... |
00:23:53 |
what an asshole I am |
00:23:56 |
I hate my hair. |
00:24:00 |
But then when I look at things |
00:24:04 |
I don't know, I realize that... |
00:24:07 |
I'm happier. |
00:24:09 |
You've empowered yourself. |
00:24:18 |
"At the end of Missour-er |
00:24:22 |
by the great western fir, |
00:24:25 |
lies the cold wet town |
00:24:27 |
of north happier-er-er." |
00:24:41 |
Buford wants to see you. |
00:24:53 |
- You wanted to see me? |
00:24:55 |
We missed the E.T.A. on the Pratt/ |
00:24:59 |
On account of you being |
00:25:03 |
That deal was worth |
00:25:05 |
My roommate went |
00:25:08 |
Yeah? |
00:25:14 |
Get prepped, |
00:25:25 |
I've been working here |
00:25:29 |
Noted. |
00:25:30 |
Bottom line-- |
00:25:33 |
Yeah? |
00:25:35 |
How was your trip? |
00:25:38 |
Nah, just putting out fires. |
00:25:49 |
Well, then, I guess this is goodbye. |
00:25:55 |
Have you been injured? |
00:25:58 |
Victim of asbestos? |
00:26:00 |
Never bring a knife to a gunfight. |
00:26:02 |
We come armed to the teeth |
00:26:05 |
We are lawyers, |
00:26:07 |
Everyone to even the odds. |
00:26:09 |
Call this number on the screen. |
00:26:12 |
Marty Rowe-- |
00:26:43 |
You're accusing the city |
00:26:48 |
The city employee |
00:26:50 |
was apprised of Mr. N'Diyae's |
00:26:53 |
Just before leaving him |
00:26:57 |
To prove depraved indifference, |
00:27:00 |
That the city's lack |
00:27:05 |
Or you could prove the opposite |
00:27:07 |
by agreeing to hear my case. |
00:27:09 |
The presumption being |
00:27:12 |
to hear your case, |
00:27:14 |
I'm guilty of depraved indifference? |
00:27:17 |
Your honor, motion to dismiss. |
00:27:18 |
This is a waste |
00:27:20 |
May 3rd, 12:00 p.m. |
00:27:23 |
Your honor, this whole lawsuit |
00:27:27 |
How can it hurt to hear the case? |
00:27:41 |
You must be Ben. |
00:27:43 |
I am Khadi. |
00:27:53 |
So this is your side |
00:27:56 |
I'm behind the curtains. |
00:27:58 |
Sorry, we only have 1 bathroom. |
00:28:01 |
It's okay. |
00:28:13 |
Tomorrow-- Ben? |
00:28:18 |
Tomorrow, I-- |
00:28:21 |
I cook you Senegalese meal, |
00:28:24 |
tiebou dienne. |
00:28:25 |
It is our national dish. |
00:28:29 |
You eat it and you are Wolof |
00:28:32 |
You are what you eat, right? |
00:28:33 |
Look, this isn't quid pro quo. |
00:28:37 |
Just 'cause I'm giving you |
00:28:39 |
doesn't mean |
00:28:50 |
I need help. |
00:28:52 |
Please. |
00:28:53 |
Yeah. |
00:28:58 |
You have a wonderful country. |
00:29:00 |
Anything you ever dreamed of |
00:29:04 |
if you have money. |
00:29:07 |
Are we opening a foot locker? |
00:29:09 |
I do not understand. |
00:29:12 |
Shoes. |
00:29:14 |
Even the fruit is beautiful here. |
00:29:17 |
Yeah-- |
00:29:18 |
Genetically engineered |
00:29:21 |
But it tastes like cardboard... |
00:29:23 |
Courtesy of The Man. |
00:29:25 |
I think I like your man. |
00:30:03 |
Why are you dressed like |
00:30:06 |
I just got off work. |
00:30:07 |
Well, what happened |
00:30:10 |
I wanted something more challenging. |
00:30:14 |
Didn't you get the message? |
00:30:16 |
No, she's at a sleepover |
00:30:18 |
I mean, she didn't want to go |
00:30:20 |
but she gets so few invitations, |
00:30:24 |
No, that's all right. |
00:30:25 |
- Okay, good. |
00:30:28 |
No. |
00:30:29 |
Actually, you won't because we |
00:30:35 |
You want to-- |
00:30:39 |
No, that's all right. |
00:30:41 |
I'll see you later, Eliza. |
00:31:08 |
What is-- |
00:31:10 |
His blood pressure went down. |
00:31:12 |
Can we clear the room, please? |
00:31:14 |
I will stay here. |
00:31:27 |
So what's with the sneakers? |
00:31:29 |
Sneakers? |
00:31:32 |
The Nikes. |
00:31:36 |
Yes. The Nikes. |
00:31:38 |
It is very hard to get Nikes |
00:31:42 |
in our tiny little spot |
00:31:46 |
on the globe. |
00:31:54 |
It is a Wolof expression. |
00:31:58 |
"If you do not have it, |
00:32:12 |
Now you tell me, please, |
00:32:16 |
Okay. |
00:32:21 |
Well... |
00:32:23 |
In America, we have a phrase, |
00:32:26 |
Bottom line? |
00:32:28 |
Yeah. Yeah, it's the line |
00:32:31 |
that tells you your net value, |
00:32:34 |
but we use it when we're about |
00:32:36 |
that we know is wrong. |
00:32:39 |
"bottom line-- She isn't pretty enough," |
00:32:43 |
or, "bottom line-- |
00:32:45 |
before we fire a guy with 3 kids. |
00:32:46 |
"Bottom line-- |
00:32:49 |
he does not fit into the company." |
00:32:51 |
Right. You understand bottom line, |
00:32:54 |
you understand America. |
00:32:56 |
In Dakar, we all have |
00:33:01 |
We see it on TV, |
00:33:04 |
It is truly the land of more. |
00:33:07 |
Senegal is a very |
00:33:11 |
We all are poor, |
00:33:16 |
Bottom line. |
00:33:26 |
Back to his rugged self. |
00:33:33 |
That doctor is... |
00:33:38 |
Asshole. |
00:33:41 |
She treats people like |
00:33:43 |
One is the same as another. |
00:33:54 |
Excuse me. |
00:35:02 |
I will-- I will be returning home |
00:35:08 |
Back to Dakar? |
00:35:09 |
Yes. |
00:35:12 |
I am out of funds. |
00:35:15 |
Well, you spent it |
00:35:20 |
Thank you for-- |
00:35:24 |
Well, if Ibu-- |
00:35:29 |
When Ibu-- |
00:35:31 |
Yes, thank you. |
00:35:35 |
Yeah. |
00:36:07 |
This is from your brother's |
00:36:10 |
He would have wanted |
00:36:28 |
PieWorks delivery. |
00:36:30 |
Yeah. Can you hold on |
00:36:33 |
Yeah, no, it's just the timing |
00:36:38 |
Girls, no running. |
00:36:40 |
So that's one half mushrooms, |
00:36:47 |
Thank you. |
00:36:49 |
Thank you. |
00:38:55 |
There must be no light |
00:38:59 |
It is... |
00:39:03 |
Wolof ritual, to make him get better. |
00:39:14 |
You help, no? |
00:39:17 |
No, I'll pass. |
00:39:20 |
Come here, Ben. |
00:39:23 |
Seriously, you don't want me. |
00:39:25 |
I'll send bad vibes or something. |
00:39:27 |
Please, it is better with 2. |
00:39:33 |
In Wolof, we have saying: |
00:39:38 |
"Thoughts are things." |
00:39:41 |
This substance is my brother |
00:39:44 |
who we are longing to get better. |
00:39:49 |
We ask his ancestors who are here |
00:39:53 |
to think these same healing thoughts. |
00:39:57 |
It has no weight, a thought-- |
00:40:00 |
no properties. |
00:40:05 |
not the way a chair exists. |
00:40:07 |
They cannot die. We believe |
00:40:12 |
because we believe their thoughts |
00:40:20 |
It is salt water from the ocean. |
00:40:28 |
It is now a quiet wave... |
00:40:32 |
Like him. |
00:40:36 |
Move your fingers through the water. |
00:40:41 |
Do it like it is a living thing. |
00:40:46 |
But it's-- it's sea water. |
00:40:48 |
You do not believe in magic, no? |
00:40:52 |
But magic is everywhere. |
00:40:55 |
Feelings are magic, no? |
00:40:58 |
The feelings people have; |
00:41:01 |
What a feeling can do |
00:41:05 |
It is like |
00:41:09 |
Put your eyes here. |
00:41:12 |
We both love him. |
00:41:14 |
Let the feelings talk. |
00:41:29 |
Wait. Please. |
00:41:34 |
We leave now. |
00:41:37 |
If you look behind, |
00:41:46 |
I'm sorry. |
00:41:49 |
I don't know why I-- |
00:42:28 |
My first day of school. |
00:42:30 |
Ibu walked me. |
00:42:32 |
He always held a big stick |
00:42:37 |
I was not afraid of snakes, |
00:42:40 |
but I never told him. |
00:42:43 |
You were close. |
00:42:47 |
That is Fatou, |
00:42:51 |
After my father left, |
00:42:55 |
He could do no wrong. |
00:42:59 |
She save for him to |
00:43:03 |
It is all she thought about. |
00:43:06 |
After he left, she was |
00:43:10 |
and then there was nothing left. |
00:43:14 |
I can count the number |
00:43:18 |
Once when I turned 9, |
00:43:23 |
I felt a spot on my cheek for days, |
00:43:26 |
tragically sad. |
00:43:29 |
I was a very tragic little girl |
00:43:32 |
walking around |
00:44:02 |
Excuse me. |
00:44:05 |
Can you drive me, please, |
00:44:08 |
to the hospital? |
00:44:27 |
Jesus. |
00:44:41 |
I heard you |
00:44:43 |
And you figure |
00:44:45 |
What could possibly be the hurry |
00:44:48 |
How can I help you? |
00:44:50 |
How long has it been since |
00:44:52 |
What do you figure, |
00:44:55 |
I'll-- I'll get new bedding. |
00:44:58 |
Thanks. Terrific. |
00:45:04 |
I'm getting a sandwich. |
00:45:08 |
Oh, no-- |
00:45:10 |
Ben? |
00:45:14 |
- I... |
00:45:57 |
Yeah, I know. |
00:45:59 |
"Thoughts are things." |
00:46:01 |
Are you one of those things? |
00:46:04 |
Is that why you're in my dreams? |
00:46:07 |
It's all about expectations. |
00:46:09 |
She never told you |
00:46:11 |
It was pretty obvious. |
00:46:13 |
How much of your life |
00:46:16 |
And how much |
00:46:18 |
That is your big question. |
00:46:22 |
You have no career, |
00:46:24 |
you've been fired |
00:46:25 |
your own daughter |
00:46:28 |
Bottom line-- You can't |
00:46:31 |
That's what it's all about for you, |
00:46:35 |
Let's take money |
00:46:38 |
What would you like it |
00:46:44 |
Hey, there he is. |
00:46:46 |
Hey, I'm glad you came. |
00:46:48 |
Come over here. |
00:46:50 |
Somebody's birthday? |
00:46:53 |
Cassie got a gig on a show. |
00:46:59 |
So I found that while I was |
00:47:07 |
You're outted, bro. |
00:47:10 |
I-- I googled you. |
00:47:13 |
You were the 3rd-biggest |
00:47:15 |
You played the Pasadena Civic Center. |
00:47:18 |
God, I don't know what happened, |
00:47:20 |
but we've got to get you back |
00:47:24 |
All right, I know what you're thinking. |
00:47:26 |
"Why me?" |
00:47:29 |
Because... |
00:47:31 |
I have no talent. None. |
00:47:34 |
Zip. I used to copy other |
00:47:38 |
I'm not kidding-- |
00:47:41 |
So this is an ego-free zone. |
00:47:45 |
When did you find out |
00:47:47 |
What difference |
00:47:49 |
If I wanted a parasite, |
00:47:55 |
What? Wait. |
00:48:06 |
You're beating your hands |
00:48:18 |
Hey. |
00:48:19 |
- Where's Sandra? |
00:48:22 |
They're doing |
00:48:24 |
I'm sorry. |
00:48:52 |
I want to talk to her. |
00:48:54 |
She's at her friend's house. |
00:48:57 |
Ben. |
00:48:58 |
- Sandra? |
00:49:00 |
- Sandra! |
00:49:01 |
No, Evan, I can handle this. |
00:49:03 |
- Let me handle it, okay? |
00:49:05 |
Go back to the den |
00:49:07 |
- I've got it. |
00:49:08 |
That wasn't very nice. |
00:49:10 |
Well, I think the director |
00:49:13 |
Director of acquisitions. |
00:49:15 |
Director of acquisitions, |
00:49:19 |
- You know what he is. |
00:49:22 |
- or I am calling the police. |
00:49:26 |
You can't keep her locked up |
00:49:28 |
Like a prisoner? |
00:49:30 |
Ben, she is the one |
00:49:35 |
You-- You want to know why? |
00:49:38 |
Because you make her feel bad. |
00:49:41 |
You know, you poison |
00:49:44 |
With all of your complaining. |
00:49:48 |
Asked her one question |
00:49:53 |
I mean, you can't even see |
00:49:56 |
that your own daughter |
00:49:58 |
I mean, she doesn't |
00:50:01 |
She's confused. |
00:50:08 |
You coming? |
00:50:11 |
So do you want to go to McRory's? |
00:50:15 |
No, let's go ice skating. |
00:50:18 |
Dad, I don't know how to skate. |
00:50:21 |
Well, maybe it's time you learned. |
00:50:26 |
Dad, I think the needle's on empty. |
00:50:30 |
That means there's |
00:50:33 |
They just do that so you'll |
00:50:36 |
It's a conspiracy between |
00:50:39 |
and the oil companies. |
00:50:45 |
What kind of neighborhood |
00:50:48 |
Residential ones, I guess. |
00:50:54 |
I'm sorry. |
00:50:56 |
I really wanted you to |
00:51:00 |
It's okay, dad. |
00:51:02 |
It's an adventure... |
00:51:05 |
Sort of. |
00:51:12 |
God damn it. |
00:51:27 |
Okay, now move the pot sideways. |
00:51:30 |
Yes, and then the other side. |
00:51:33 |
Yes, like that. |
00:51:41 |
What do you do in Dakar? |
00:51:44 |
I-- |
00:51:48 |
I don't mean to be |
00:51:53 |
but do you get paid |
00:51:56 |
like $5 a day or anything? |
00:51:59 |
My life is one of misery and pain. |
00:52:01 |
Does that make you feel better? |
00:52:03 |
I'm sorry. |
00:52:05 |
I was being shallow and stupid. |
00:52:09 |
I was being a total asshole American. |
00:52:11 |
My country is very different from yours, |
00:52:14 |
but we have fun too. |
00:52:16 |
There are clubs, we have music. |
00:52:19 |
We listen to a lot of music. |
00:52:20 |
We Senegalese love to dance. |
00:52:27 |
Go on, try it. |
00:52:29 |
I'm so inept at dancing. |
00:52:31 |
There ought to be |
00:52:33 |
for the guy who invented |
00:52:36 |
You are being ethnocentric. |
00:52:39 |
I'm a total klutz! |
00:52:42 |
Try it. |
00:52:49 |
I know. It's genetic. |
00:52:54 |
You are making her self-conscious. |
00:52:56 |
You want me to leave? |
00:53:05 |
Okay. |
00:53:07 |
Okay, yes! |
00:53:09 |
Yes! |
00:54:35 |
You wore her out. |
00:54:38 |
Here. |
00:56:01 |
That was fun. |
00:56:10 |
Bye. |
00:56:35 |
This is mistake. |
00:56:38 |
I did not want to do this again. |
00:56:41 |
Why? |
00:56:44 |
I do not want to be-- |
00:56:48 |
How you say? |
00:56:51 |
My mistress? |
00:56:53 |
There is no time for anything else. |
00:56:55 |
I have 2 weeks left on my visa. |
00:56:57 |
To stay here, |
00:57:00 |
But you-- We do not |
00:57:05 |
It is impossible. |
00:57:08 |
We are like different species. |
00:57:10 |
We are like lion and |
00:57:14 |
Which one is the hippo? |
00:57:16 |
You. |
00:57:18 |
Do I look |
00:57:21 |
So you don't think there's |
00:57:25 |
None... |
00:57:27 |
whatsoever. |
00:57:30 |
I am bad. |
00:57:32 |
I see something I like |
00:57:36 |
I am greedy. |
00:57:38 |
There's nothing bad about you. |
00:57:40 |
You do not know every part of me. |
00:57:44 |
What part don't I know? |
00:57:48 |
Right here... |
00:57:53 |
And here... |
00:57:57 |
And here. |
00:57:59 |
I know it a little. |
00:58:01 |
Get to know it better. |
00:58:20 |
How come you quit singing |
00:58:24 |
The record company said |
00:58:26 |
that they'd produce |
00:58:29 |
if I went on |
00:58:31 |
And the record company |
00:58:34 |
No, they produced it, |
00:58:37 |
They didn't promote it. |
00:58:39 |
They didn't advertise. |
00:58:42 |
They said it wasn't accessible. |
00:58:44 |
Bottom line. |
00:58:47 |
Yeah. Bottom line. |
00:58:53 |
You have C.D.? |
00:58:56 |
The one the record company |
00:59:00 |
You don't want to hear that. |
00:59:02 |
I would like to hear it. |
00:59:20 |
You're probably one of 10 people |
00:59:43 |
I see why you got angry. |
00:59:49 |
It is maybe too quiet for the world. |
01:00:24 |
All rise. |
01:00:26 |
Be seated. |
01:00:32 |
You guys multiply like Amoebas. |
01:00:35 |
How could the tow-truck driver know |
01:00:39 |
That towing Mr. Singer's car |
01:00:41 |
N'Diyae. |
01:00:43 |
Mr. N'Diyae going into |
01:00:46 |
I mean, is he a doctor? |
01:00:48 |
Is he a trained nurse? |
01:00:51 |
The fact is, Ben Singer |
01:00:54 |
and the tow-truck driver |
01:00:57 |
Your honor, this is a no-brainer. |
01:01:04 |
I know I'm just a-- |
01:01:07 |
and you only decided to hear my case |
01:01:11 |
Some crackpot acting |
01:01:15 |
accusing the city |
01:01:17 |
You know what the most crowded |
01:01:22 |
It's the room with |
01:01:25 |
Why? Because someone bought |
01:01:30 |
There's a reverential silence |
01:01:34 |
Mr. and Mrs. Museum-goer |
01:01:36 |
might as well be looking |
01:01:40 |
Newspapers publish |
01:01:44 |
If a movie earns over |
01:01:46 |
we assume it must be good. |
01:01:48 |
There's no God. |
01:01:51 |
If a painting or a C.D. |
01:01:56 |
The 910 freeway has |
01:02:00 |
as it winds into the valley |
01:02:03 |
and every year 4 or 5 motorists |
01:02:07 |
The city conducted |
01:02:11 |
and the study concluded that |
01:02:14 |
was not equal to the cost |
01:02:18 |
And so this deadly spot |
01:02:21 |
and in 5 years |
01:02:25 |
Well, if this isn't |
01:02:27 |
I don't know what is. |
01:02:32 |
Ibu N'Diyae came here from Senegal. |
01:02:36 |
He worked as a guard |
01:02:41 |
He's a great chess player. |
01:02:46 |
and he was thrown away. |
01:02:50 |
Well, what kind of a world |
01:02:53 |
is worth less than this |
01:02:57 |
into a parking space |
01:02:58 |
or the city impound's need for revenue, |
01:03:01 |
so that each one of these Amoebas |
01:03:04 |
can have a beach house in Miami? |
01:03:07 |
Is that really the kind of |
01:03:11 |
All rise. |
01:03:18 |
My sympathy is with Mr. N'Diyae |
01:03:22 |
And I wish him a speedy recovery. |
01:03:24 |
However, |
01:03:26 |
a tow-truck driver is not |
01:03:29 |
a trained medical diagnostician |
01:03:32 |
and should not be expected |
01:03:35 |
Bottom line-- |
01:03:37 |
You were parked in the wrong place |
01:03:41 |
I rule in favor of the defense. |
01:03:46 |
I hope the western world survives. |
01:03:58 |
Can't we just agree to disagree? |
01:04:01 |
Fuck you. |
01:04:49 |
I think we made a connection, yes. |
01:04:53 |
Do you think he will marry you? |
01:04:55 |
Yes, I think he will marry me. |
01:04:57 |
Get green card then. |
01:05:01 |
You get green card, there is |
01:05:06 |
That is all good, Khadi. |
01:05:08 |
Are you feeling okay? |
01:05:11 |
Okay, sir, we're gonna get you |
01:05:16 |
Here you go. |
01:06:14 |
Did you really think |
01:06:17 |
What are you |
01:06:20 |
Did you really think that I was |
01:06:23 |
While you were picking |
01:06:25 |
Jesus, you're |
01:06:28 |
with your bullshit African dancing |
01:06:30 |
And your "I'm gonna |
01:06:32 |
The whole time, |
01:06:35 |
I-- I do not know why you |
01:06:39 |
Don't give me that innocence crap. |
01:06:40 |
The whole time you've been playing me. |
01:06:43 |
You've been prostituting yourself |
01:06:51 |
Remember that slap. |
01:06:53 |
It's the last time we touch. |
01:07:37 |
The angry man? |
01:07:40 |
It's good to see you |
01:07:44 |
Maybe I go back into coma...? |
01:07:51 |
Is she here? |
01:07:53 |
Khadi went back to Dakar. |
01:07:56 |
You know, Ben, |
01:07:59 |
she was not only |
01:08:02 |
It is possible to love someone |
01:08:06 |
and to also want |
01:08:09 |
Game theory. |
01:08:43 |
Ideally, we'd keep you |
01:08:45 |
but Medicaid stops paying |
01:08:48 |
Any pain, any dizziness |
01:08:50 |
or pain here, you call, okay? |
01:08:53 |
Okay, doctor. |
01:08:57 |
Well, it's all about liability. |
01:09:00 |
They'll release you when |
01:09:02 |
but you gotta be in a wheelchair. |
01:09:05 |
You know, has anyone |
01:09:08 |
maybe you are a bit |
01:09:18 |
So do you remember |
01:09:30 |
It-- It-- It was like |
01:09:33 |
the world went away; |
01:09:34 |
like the whole world was |
01:09:41 |
It-- It was much quieter |
01:09:47 |
And-- And then I missed it. |
01:09:51 |
And now that the world is back, |
01:09:54 |
it is kind of like |
01:09:58 |
your child that |
01:10:01 |
You know? |
01:10:04 |
Listen. |
01:10:07 |
Do you hear? |
01:10:11 |
That-- That there-- |
01:10:15 |
the dog bark... |
01:10:21 |
There is something |
01:10:27 |
It is good to have it back, Ben. |
01:10:46 |
Hey, how you feelin', Ibu? |
01:12:59 |
- Mr. Ben. |
01:13:02 |
- Welcome to Senegal. |
01:13:04 |
We are over here. |
01:14:25 |
I am glad you came |
01:14:29 |
He would have wanted |
01:14:35 |
Those things that I said, |
01:14:38 |
I know I can't take them back-- |
01:14:41 |
but you want to take them back. |
01:14:43 |
Yes. |
01:14:47 |
Ibu talked about you |
01:14:51 |
You know what |
01:14:55 |
"The good man." |
01:14:57 |
He answers ad to share rent |
01:14:59 |
And you treat him like a friend. |
01:15:02 |
He wrote about you a lot. |
01:15:06 |
You are a good man. |
01:15:08 |
You gave him heart. |
01:15:11 |
You gave him magic. |
01:15:17 |
That is how I will-- |
01:15:21 |
I don't want you |
01:15:25 |
I don't want it to be |
01:15:31 |
I made a mistake. |
01:15:33 |
What do you want? |
01:15:37 |
Get my green card? |
01:15:40 |
Do you-- |
01:15:44 |
in Dakar with me? |
01:15:51 |
What-- What happened |
01:15:54 |
a fantasy. |
01:15:57 |
This is where I live. |
01:15:59 |
My friends are here. |
01:16:03 |
It has its own smells, |
01:16:08 |
I missed it. |
01:16:11 |
I like it here. |
01:16:15 |
This is my home. |
01:16:23 |
Excuse me. |
01:19:22 |
No no, it's no problem at all. |
01:20:39 |
So how are things? |
01:20:42 |
I mean, at school and stuff. |
01:20:46 |
They're okay. |
01:20:52 |
Some of the kids... |
01:20:54 |
make fun of me sometimes. |
01:20:59 |
Well, the world can be |
01:21:02 |
Sometimes people act |
01:21:05 |
just to fit in. |
01:21:09 |
You mean it's |
01:21:12 |
like a chameleon? |
01:21:15 |
Yeah. |
01:21:16 |
But most people |
01:21:19 |
What about The Man? |
01:21:22 |
He's a schmuck, |
01:21:25 |
but he's not Adolf Hitler. |
01:21:27 |
- That's reassuring. |
01:21:31 |
Actually it is. |
01:21:34 |
I don't know why, but... |
01:21:37 |
It is. |
01:21:39 |
I want you to have |
01:21:45 |
You're young. |
01:21:48 |
You're pretty. |
01:21:50 |
Of course you'd say that. |
01:21:54 |
Well, I would tell you if you were |
01:21:57 |
No, you wouldn't. |
01:22:03 |
Bye, dad. |
01:22:05 |
Bye. |
01:22:10 |
Subtitles: Arigon |
01:23:04 |
Hey, how you doin'? |
01:23:07 |
My name is Cyril Hedges |
01:23:10 |
and I kind of helped put |
01:23:12 |
so I really appreciate |
01:23:14 |
Quick thing, though-- |
01:23:17 |
- No! Yeah! |
01:23:19 |
and I really-- |
01:23:22 |
And I just don't know where-- |
01:23:28 |
No, socks don't belong |
01:23:30 |
I don't know why you would |
01:23:32 |
I don't know why you're saying that. |
01:23:34 |
Behind me? |
01:23:37 |
Behind me, with the pink toe. |
01:23:41 |
All right, we're good to go. |
01:23:45 |
ladies and groundhogs, |
01:23:53 |
Hello. |
01:23:57 |
I-- I guess I'm back. |
01:24:18 |
* Late July |
01:24:22 |
* We're together |
01:24:25 |
* Take my hand and we'll get in line |
01:24:28 |
* This day might never end |
01:24:32 |
* There's a big wheel towering |
01:24:36 |
* Kaleidoscope turning |
01:24:39 |
* "You can see forever |
01:24:43 |
* And summer's here again |
01:24:46 |
* And the world is |
01:24:49 |
* The sun is shining |
01:24:53 |
* Think of all |
01:24:57 |
* Ride on the wheel |
01:25:01 |
* We're spinning too. |
01:25:49 |
* You just go anywhere |
01:25:53 |
* Summer wind |
01:25:57 |
* You just go anywhere |
01:26:00 |
* Summer wind |
01:26:05 |
* You pay no mind |
01:26:08 |
* You ramble in |
01:26:12 |
* Oh, please come back |
01:26:17 |
* Summer wind |
01:26:21 |
* You came up here |
01:26:25 |
* Summer wind |
01:26:28 |
* You came up here |
01:26:32 |
* Summer wind |
01:26:36 |
* You brought the good times |
01:26:40 |
* You said, "am I welcome?" |
01:26:44 |
* And then opened |
01:26:47 |
* And opened the doors |
01:26:57 |
* You take the clouds |
01:27:00 |
* Summer wind |
01:27:04 |
* You take the clouds |
01:27:08 |
* Summer wind |
01:27:12 |
* We lie around |
01:27:15 |
* Out in the park |
01:27:20 |
* Oh, and the clouds |
01:27:23 |
* To make us laugh, |
01:27:40 |
* I think of you when |
01:27:44 |
* Summer wind |
01:27:48 |
* I think of you when |
01:27:52 |
* Summer wind |
01:27:55 |
* I can almost hear |
01:27:58 |
* And I can picture Anna's |
01:28:05 |
* The seasons just |
01:28:08 |
* In the summer wind |
01:28:12 |
* Oh, summer wind |
01:28:16 |
* Summer wind |
01:28:19 |
* In the summer wind. |