|
Barbier von Sevilla Der The Barber of Seville
|
| 00:08:35 |
Quietly, very quietly... |
| 00:08:38 |
...without talking... |
| 00:08:42 |
...everyone gather round me here |
| 00:08:49 |
Quietly, very quietly, |
| 00:09:13 |
Everything is silent |
| 00:09:20 |
No one is coming... |
| 00:09:27 |
...who could disturb our songs |
| 00:09:53 |
Hey, Fiorello! |
| 00:09:56 |
Here l am, my lord |
| 00:10:00 |
And our friends? |
| 00:10:03 |
They stand here ready |
| 00:10:08 |
Very good, keep silent |
| 00:10:15 |
Quietly, very quietly, |
| 00:10:22 |
Quietly, very quietly, |
| 00:10:29 |
Come over here |
| 00:11:48 |
See, smiling in the heavens... |
| 00:11:55 |
...the lovely dawn is breaking |
| 00:12:04 |
And you have not yet risen. |
| 00:12:22 |
Arise, my sweet hope! |
| 00:12:30 |
Come, my adored beauty! |
| 00:12:38 |
Relieve the pain, Cupid... |
| 00:12:45 |
...of the arrow |
| 00:13:12 |
What luck! |
| 00:13:16 |
l now see that countenance dear |
| 00:13:23 |
Mercy is granted |
| 00:13:38 |
Oh, moment of love! |
| 00:13:45 |
Happy moment! |
| 00:14:01 |
Oh, sweet contentment |
| 00:14:55 |
- Hey, Fiorello! |
| 00:14:57 |
Say, did you see her? |
| 00:15:00 |
No, my lord |
| 00:15:01 |
How vain is every hope! |
| 00:15:04 |
My lord, day is breaking |
| 00:15:12 |
What should l think? |
| 00:15:18 |
All is in vain, good people! |
| 00:15:25 |
- My lord |
| 00:15:37 |
l no longer need more music, |
| 00:15:41 |
Good night, all of you. |
| 00:16:05 |
- Thank you for the honour, my lord |
| 00:16:12 |
Quiet! Curses on you! |
| 00:16:19 |
Everyone in the neighbourhood |
| 00:16:25 |
What a devilish uproar! |
| 00:17:41 |
lndiscreet fellows! |
| 00:17:43 |
With their uproar they have almost |
| 00:17:50 |
At last they are gone! |
| 00:17:52 |
You can go, Fiorello |
| 00:17:55 |
l will be over there |
| 00:18:04 |
Who's this trouble-maker now? |
| 00:18:08 |
Hidden under these arches |
| 00:18:12 |
Day is already breaking |
| 00:18:59 |
Make way for the factotum |
| 00:19:06 |
l must hurry to my shop, |
| 00:19:15 |
What a good life, what pleasures |
| 00:19:28 |
Ah, bravo Figaro! |
| 00:19:35 |
Most fortunate, indeed! |
| 00:20:04 |
Ready for anything, night and day, |
| 00:20:07 |
No better fortune for a barber, |
| 00:20:18 |
Razors, combs, lancets, scissors, |
| 00:20:27 |
Then there are perks |
| 00:20:32 |
...with the young ladies, |
| 00:21:12 |
Everyone calls for me, |
| 00:21:16 |
Ladies, boys, |
| 00:21:19 |
Here a wig, |
| 00:21:23 |
Here a leech, |
| 00:21:32 |
Hey, Figaro! |
| 00:21:43 |
Dear me, what a frenzy, |
| 00:21:46 |
One at a time, |
| 00:22:00 |
Figaro! Here l am |
| 00:22:03 |
Hey, Figaro! Here l am |
| 00:22:06 |
Figaro here, Figaro there |
| 00:22:09 |
Figaro up, Figaro down |
| 00:22:13 |
l am as quick as lightning, |
| 00:22:23 |
Ah, bravo Figaro! |
| 00:22:32 |
Fortune will not let you down |
| 00:22:59 |
What a good life! |
| 00:23:04 |
...and always l've some money, |
| 00:23:10 |
lt's like this: without Figaro |
| 00:23:15 |
The widows come to me |
| 00:23:18 |
By wielding the comb by day, |
| 00:23:25 |
...l am well able |
| 00:23:30 |
What a life! |
| 00:23:33 |
What a profession! |
| 00:23:42 |
But l must hurry to the shop |
| 00:23:44 |
lt is he, or do l deceive myself? |
| 00:23:47 |
Who can this be? |
| 00:23:49 |
lt is he, without doubt! |
| 00:23:51 |
- Figaro! |
| 00:23:53 |
- Whom do l see? Your Excellency! |
| 00:23:57 |
l am not known here, |
| 00:24:02 |
- l understand, l'll leave you |
| 00:24:05 |
- Can l help you? |
| 00:24:08 |
Perhaps your arrival |
| 00:24:11 |
But, tell me, you rogue, |
| 00:24:19 |
You're looking fat and round! |
| 00:24:22 |
Misery, my lord! |
| 00:24:24 |
- Scoundrel! |
| 00:24:26 |
Do you still have discretion? |
| 00:24:27 |
lndeed! |
| 00:24:31 |
l'll tell you |
| 00:24:33 |
On the Prado l saw |
| 00:24:37 |
...daughter of some senile doctor |
| 00:24:41 |
l fell in love with her, |
| 00:24:45 |
And here day and night |
| 00:24:50 |
That balcony? A doctor? |
| 00:24:52 |
Heavens! |
| 00:24:56 |
This fits together |
| 00:25:02 |
- What? |
| 00:25:03 |
ln there l'm barber, wigmaker, |
| 00:25:06 |
...gardener, apothecary, vet: |
| 00:25:10 |
- What luck! |
| 00:25:13 |
The girl is the doctor's ward, |
| 00:25:18 |
- What a consolation! |
| 00:25:21 |
- Quiet! |
| 00:25:22 |
The balcony window is opening |
| 00:25:27 |
Perhaps he is not coming |
| 00:25:30 |
My darling! My goddess! |
| 00:25:33 |
My beloved! |
| 00:25:35 |
l can see you at last |
| 00:25:37 |
How can l give him this letter? |
| 00:25:41 |
Well, my girl? |
| 00:25:45 |
What is that paper? |
| 00:25:47 |
Nothing, just the words of the aria |
| 00:25:52 |
How clever, |
| 00:25:55 |
How cunning! |
| 00:25:57 |
What is this '' Useless Precaution'' ? |
| 00:26:00 |
lt's the title of the new opera |
| 00:26:04 |
An opera? A fine thing! |
| 00:26:08 |
Poor me! l dropped it! |
| 00:26:13 |
l'm going |
| 00:26:18 |
- l understand |
| 00:26:23 |
Never fear |
| 00:26:30 |
l'm here. Where is it? |
| 00:26:33 |
The wind is blowing it away. |
| 00:26:40 |
l do not see it |
| 00:26:42 |
Hey, little lady, are you... |
| 00:26:46 |
Perhaps she wants to fool me! |
| 00:26:48 |
lnside there! |
| 00:26:51 |
Go right away! |
| 00:26:55 |
All right, l'm going! |
| 00:26:58 |
l must wall up that balcony |
| 00:27:06 |
Get inside, l say! |
| 00:27:08 |
What a way to be living! |
| 00:27:18 |
Poor troubled lady! |
| 00:27:22 |
Let's see what she wrote |
| 00:27:24 |
All right |
| 00:27:26 |
Read it |
| 00:27:28 |
''Your attentions have aroused |
| 00:27:32 |
'' My guardian is going out |
| 00:27:34 |
''When he has gone, |
| 00:27:38 |
'' ...your station in life |
| 00:27:41 |
'' l cannot appear on the balcony |
| 00:27:45 |
'' l assure you that every effort |
| 00:27:50 |
'' ...by the unfortunate Rosina'' |
| 00:27:52 |
Yes, she will escape |
| 00:27:56 |
Watch! The door is opening |
| 00:28:05 |
l'll be back soon. |
| 00:28:11 |
lf Don Basilio should want me, |
| 00:28:23 |
l had better hasten |
| 00:28:27 |
Yes, l want to settle the affair |
| 00:28:36 |
He'll marry Rosina this very day! |
| 00:28:39 |
Ah, the old dotard! |
| 00:28:43 |
But tell me now, |
| 00:28:47 |
He's a meddler |
| 00:28:49 |
...a hypocrite, a real scrounger, |
| 00:28:54 |
He is a music-master: |
| 00:28:59 |
lt's good to know all that |
| 00:29:01 |
Now think of satisfying |
| 00:29:05 |
l shall not tell her |
| 00:29:09 |
l must make sure that she loves |
| 00:29:15 |
...not the wealth and title |
| 00:29:20 |
You must help me |
| 00:29:23 |
No, sir: her feelings are your job |
| 00:29:27 |
ln a little song |
| 00:29:32 |
A song? |
| 00:29:33 |
Certainly. Here's the guitar. |
| 00:29:37 |
But l... |
| 00:29:38 |
Oh, give me patience! |
| 00:29:41 |
Well then, let's try |
| 00:29:49 |
lf you wish to know who l am... |
| 00:29:56 |
...listen to my name |
| 00:30:06 |
l am Lindoro |
| 00:30:11 |
...who wishes to wed you, |
| 00:30:24 |
l am always talking of you thus... |
| 00:30:31 |
...from dawn till the end of the day |
| 00:30:46 |
Continue, o dear one! |
| 00:30:56 |
What do you think of that? |
| 00:30:59 |
- l'm happy! |
| 00:31:05 |
The enamoured and sincere Lindoro |
| 00:31:20 |
l am not rich, |
| 00:31:26 |
...a loving spirit... |
| 00:31:29 |
...that, faithful and constant... |
| 00:31:38 |
...sighs for you alone thus... |
| 00:31:47 |
...from dawn till the end of the day |
| 00:32:03 |
The enamoured and sincere Rosina... |
| 00:32:13 |
...with her heart Lindo... |
| 00:32:17 |
Heaven! |
| 00:32:19 |
Someone must have entered |
| 00:32:23 |
l'm going mad already, l'm afire |
| 00:32:27 |
l want at all costs to see her, |
| 00:32:30 |
You must help me |
| 00:32:33 |
What a frenzy! |
| 00:32:36 |
This very day l want you to get me |
| 00:32:40 |
How will you do it? Let's see |
| 00:32:44 |
From my wits! |
| 00:32:48 |
l understand. Don't have doubts, |
| 00:32:55 |
- A consideration in gold, then? |
| 00:33:00 |
l'm ready. You don't realise |
| 00:33:04 |
...the notion of gold produces in me |
| 00:33:20 |
At the thought of that metal, |
| 00:33:31 |
...the volcano of my mind |
| 00:34:07 |
Let's see some astounding effect |
| 00:34:20 |
Let's see some singular prodigy |
| 00:34:58 |
You must disguise yourself... |
| 00:35:03 |
...for example... |
| 00:35:06 |
...as a soldier |
| 00:35:08 |
- As a soldier? |
| 00:35:11 |
As a soldier? And what for? |
| 00:35:21 |
A regiment arrives today |
| 00:35:24 |
- And the colonel is my friend |
| 00:35:29 |
- And then? |
| 00:35:33 |
A billeting order... |
| 00:35:36 |
...will open that door |
| 00:35:39 |
What do you say to that, my lord? |
| 00:35:43 |
Don't you think l've found it? |
| 00:35:47 |
What a wonderful idea! |
| 00:36:16 |
Softly, softly |
| 00:36:23 |
Another idea! |
| 00:36:26 |
See what gold can do |
| 00:36:33 |
You will pretend to be drunk |
| 00:36:37 |
- Drunk? |
| 00:36:42 |
Drunk? But why? |
| 00:36:52 |
Why? |
| 00:36:55 |
Because the guardian will believe |
| 00:37:28 |
What a wonderful idea! |
| 00:37:57 |
- Then? |
| 00:38:00 |
Let's begin |
| 00:38:02 |
- Courage! |
| 00:38:07 |
l am forgetting |
| 00:38:13 |
Tell me, where is your shop? |
| 00:38:20 |
The shop? You can't miss it. |
| 00:38:32 |
Number fifteen, on the left side |
| 00:38:35 |
Four steps, white front |
| 00:38:38 |
Five wigs in the window |
| 00:38:41 |
Above a placard '' Fine pomade'' |
| 00:38:44 |
Display in blue, à la mode |
| 00:38:48 |
A lantern serves as a sign |
| 00:38:51 |
You won't fail to find me |
| 00:39:14 |
- l understand |
| 00:39:18 |
- Keep a good look-out |
| 00:39:21 |
- l put my trust in you |
| 00:39:24 |
- My dear Figaro... |
| 00:39:28 |
- l'll bring with me... |
| 00:39:31 |
Yes, whatever you wish, |
| 00:39:35 |
Have no doubts, |
| 00:39:43 |
What a flame of love l feel! |
| 00:39:46 |
l hear already the clink of money |
| 00:39:49 |
Unusual ardour burns my soul |
| 00:39:53 |
Silver and gold are coming |
| 00:40:09 |
The flame of love |
| 00:40:16 |
lt burns my soul |
| 00:40:22 |
lt makes of me a greater man |
| 00:41:02 |
Long live my master! |
| 00:41:05 |
l've been standing like a post |
| 00:41:09 |
Then he leaves me and off he goes |
| 00:41:13 |
By Jove! lt is not pleasant |
| 00:41:18 |
He's noble, young and in love |
| 00:41:23 |
This life of mine |
| 00:41:27 |
l can stand it no longer! |
| 00:42:13 |
A voice a while back |
| 00:42:24 |
Already my heart has been pierced |
| 00:42:38 |
Yes, Lindoro shall be mine |
| 00:42:44 |
l swear it, l will win |
| 00:43:05 |
My guardian will refuse me |
| 00:43:08 |
l shall sharpen all my wits |
| 00:43:11 |
ln the end he will be calmed |
| 00:43:16 |
Yes, Lindoro shall be mine |
| 00:43:22 |
l swear it |
| 00:43:25 |
l will win |
| 00:44:17 |
l am docile, |
| 00:44:26 |
l'm obedient, |
| 00:44:35 |
l let myself be ruled |
| 00:44:40 |
l let myself be guided |
| 00:44:46 |
But if they touch me |
| 00:44:55 |
And a hundred tricks |
| 00:47:12 |
Yes, l will win |
| 00:47:15 |
lf l could at least send him |
| 00:47:18 |
But how? |
| 00:47:22 |
My guardian has a hundred eyes |
| 00:47:24 |
ln the meantime l'll seal it |
| 00:47:27 |
l saw him conversing with Figaro |
| 00:47:31 |
Figaro is a gallant, |
| 00:47:35 |
He may be the protector |
| 00:47:46 |
- Good day, young lady |
| 00:47:48 |
- How are you? |
| 00:47:52 |
ls it possible? |
| 00:47:57 |
You make me laugh! |
| 00:47:59 |
What use are spirit and beauty to me |
| 00:48:04 |
l seem to be in my own tomb! |
| 00:48:09 |
ln a tomb? |
| 00:48:13 |
There is my guardian, |
| 00:48:15 |
We'll meet again soon. |
| 00:48:19 |
- And l you |
| 00:48:23 |
How pleasant he is! |
| 00:48:38 |
Wretched Figaro! |
| 00:48:41 |
- Good-for-nothing! Curse him! |
| 00:48:45 |
He's made a hospital |
| 00:48:50 |
...with opium, blood-letting... |
| 00:49:00 |
...and hellebore! |
| 00:49:06 |
- Have you seen the barber? |
| 00:49:09 |
- l wish to know |
| 00:49:11 |
And why not? |
| 00:49:13 |
l'll tell you. Yes, l've seen him, |
| 00:49:19 |
His joviality appeals to me |
| 00:49:21 |
Burst with rage, |
| 00:49:28 |
Just look at the little charmer! |
| 00:49:30 |
The more l love her, |
| 00:49:34 |
Certainly it is the barber |
| 00:49:38 |
What could he have told her? |
| 00:49:42 |
Let's find out |
| 00:49:43 |
Hey, Berta, Ambrogio |
| 00:49:50 |
What's the use! |
| 00:49:55 |
May the devil take you! |
| 00:50:03 |
Barber from hell! |
| 00:50:09 |
Don Basilio, |
| 00:50:13 |
l wish, by force or by love, |
| 00:50:22 |
You understand me? |
| 00:50:27 |
You are right |
| 00:50:29 |
l have come to warn you, but... |
| 00:50:33 |
...it's a secret! |
| 00:50:36 |
Count Almaviva has arrived |
| 00:50:40 |
- Who? Rosina's unknown lover? |
| 00:50:44 |
Oh, the devil! |
| 00:50:47 |
Certainly, but discreetly |
| 00:50:52 |
What do you mean? |
| 00:50:54 |
We must begin the affair |
| 00:51:00 |
...that will put him |
| 00:51:04 |
...that will make him appear |
| 00:51:16 |
...a lost soul |
| 00:51:18 |
l shall serve you |
| 00:51:21 |
Within four days, believe me, |
| 00:51:26 |
...we shall have driven him |
| 00:51:36 |
You believe so? |
| 00:51:37 |
Certainly! lt is my own system, |
| 00:51:43 |
And you'll do it? But... |
| 00:51:56 |
Slander? |
| 00:51:58 |
Don't you know |
| 00:52:02 |
No, l don't |
| 00:52:03 |
No? Then be still and listen to me |
| 00:52:22 |
Slander is a little breeze |
| 00:52:30 |
lt is a very gentle zephyr |
| 00:52:39 |
lmperceptibly, subtly, |
| 00:52:54 |
...it begins to whisper |
| 00:53:03 |
Softly, softly, at ground level... |
| 00:53:11 |
...hissing in an undertone... |
| 00:53:19 |
...it goes spreading, |
| 00:53:27 |
lt penetrates insidiously |
| 00:53:33 |
lt bewilders and inflates |
| 00:53:48 |
Emerging from the mouth, |
| 00:53:56 |
lt gathers force little by little, |
| 00:54:02 |
lt seems like the tempest |
| 00:54:06 |
...goes whistling, rumbling, |
| 00:54:10 |
Finally it breaks loose, |
| 00:54:14 |
lt produces an explosion... |
| 00:54:17 |
...like the shot of a cannon... |
| 00:54:26 |
...like an earthquake, a hurricane... |
| 00:54:30 |
...a universal tumult, |
| 00:54:48 |
And the wretch who's slandered, |
| 00:54:59 |
...under the public scourge |
| 00:56:39 |
What do you say to that? |
| 00:56:42 |
That may be true, but we are |
| 00:56:48 |
No, l wish to do it my way |
| 00:56:51 |
Let's go into my room |
| 00:56:53 |
l want us now to draw up |
| 00:56:58 |
When she is my wife... |
| 00:57:01 |
...l'll see to it that she's kept safe |
| 00:57:07 |
lf there's money about, |
| 00:57:16 |
My wily ones! Very well indeed! |
| 00:57:19 |
l've heard everything |
| 00:57:21 |
Long live the good doctor! |
| 00:57:26 |
Your wife? Come now! |
| 00:57:32 |
While they are shut up in there |
| 00:57:36 |
Here she is |
| 00:57:38 |
Well, signor Figaro? |
| 00:57:39 |
- Great things, miss |
| 00:57:42 |
- We'll celebrate a wedding |
| 00:57:45 |
Your fine guardian has arranged |
| 00:57:52 |
- Come now! |
| 00:57:55 |
He's locked himself in with Basilio |
| 00:57:59 |
Yes? He's made a big mistake! |
| 00:58:01 |
Poor fool! |
| 00:58:09 |
But tell me, Figaro... |
| 00:58:12 |
...you were talking a little while |
| 00:58:17 |
A cousin of mine, |
| 00:58:22 |
He is brainy and has a good heart |
| 00:58:24 |
He has come to finish his studies |
| 00:58:31 |
Fortune? He'll find it |
| 00:58:33 |
l doubt it very much. |
| 00:58:37 |
- ...he has one great fault |
| 00:58:41 |
Ah, great: he is dying of love |
| 00:58:48 |
ls that so? |
| 00:58:54 |
You see, l'm most interested |
| 00:58:57 |
- Don't you believe me? |
| 00:58:59 |
And, tell me, does his sweetheart |
| 00:59:05 |
Oh no! That is, here! |
| 00:59:08 |
A step or two away |
| 00:59:10 |
But... |
| 00:59:11 |
- ...is she beautiful? |
| 00:59:15 |
Here is her portrait for you |
| 00:59:18 |
Slender, talented |
| 00:59:21 |
Dark hair, rosy cheeks |
| 00:59:24 |
Eloquent eyes, a hand... |
| 00:59:28 |
...to be loved |
| 00:59:31 |
And the name? |
| 00:59:33 |
Ah, that lovely name again! |
| 00:59:36 |
- She is called... |
| 00:59:38 |
Poor little thing! |
| 00:59:40 |
She is called: R - o... |
| 00:59:47 |
...s - i... |
| 00:59:51 |
...Rosi, n - a |
| 00:59:58 |
Rosina! |
| 01:00:10 |
Then l am... |
| 01:00:12 |
You're not deceiving me? |
| 01:00:15 |
Then l am... |
| 01:00:18 |
...the fortunate one! |
| 01:00:22 |
l had already guessed it: |
| 01:00:53 |
Lovely Rosina, you are the object |
| 01:01:11 |
What a cunning little minx, |
| 01:01:27 |
Listen, how do l arrange |
| 01:01:32 |
Hush, Lindoro will be here |
| 01:01:41 |
To talk to me? Splendid! |
| 01:01:47 |
l'm dying of impatience! |
| 01:01:53 |
He is waiting for some sign |
| 01:02:07 |
Send him a note of only two lines |
| 01:02:21 |
What do you say? |
| 01:02:23 |
l shouldn't |
| 01:02:24 |
Come, courage! |
| 01:02:27 |
- l wouldn't know |
| 01:02:29 |
- l'm ashamed |
| 01:02:34 |
Quick, here with the note |
| 01:02:37 |
A letter? |
| 01:02:40 |
Here it is |
| 01:02:42 |
lt was already written! |
| 01:02:45 |
See, what a fool l am! |
| 01:02:52 |
And l play the teacher to her? |
| 01:02:56 |
Oh, my fortunate affections, |
| 01:03:05 |
That woman could deliver |
| 01:03:12 |
You alone, my love, |
| 01:03:27 |
Women, eternal gods, |
| 01:03:43 |
- Listen, but Lindoro? |
| 01:03:47 |
Any moment he will be here |
| 01:03:49 |
- Let him come, but prudently |
| 01:04:52 |
Now l feel better |
| 01:04:56 |
That Figaro is a fine young fellow |
| 01:05:04 |
Briefly, with politeness, |
| 01:05:10 |
...why that fellow came |
| 01:05:13 |
Figaro? l know nothing |
| 01:05:15 |
What did he say to you? |
| 01:05:19 |
He mentioned the fashion in France, |
| 01:05:27 |
ls that so? And l bet... |
| 01:05:31 |
Why is that finger stained with ink? |
| 01:05:34 |
Stained? |
| 01:05:36 |
Oh, nothing! |
| 01:05:38 |
l have burned myself |
| 01:05:43 |
The devil! |
| 01:05:54 |
One sheet is missing. |
| 01:05:57 |
That notepaper? lt's true |
| 01:06:00 |
l used one sheet to send |
| 01:06:04 |
Very smart! |
| 01:06:07 |
Why was the pen sharpened? |
| 01:06:10 |
Curse you! |
| 01:06:12 |
The pen? |
| 01:06:19 |
l used it to design a flower |
| 01:06:30 |
A flower? Saucy girl! |
| 01:06:34 |
- Believe me, sir |
| 01:06:40 |
Such excuses, young lady, |
| 01:06:56 |
l do advise you, my dear, |
| 01:07:58 |
Sweetmeats for the little girl? |
| 01:08:02 |
The embroidery on the frame? |
| 01:08:06 |
You burned yourself? |
| 01:08:09 |
Come now! |
| 01:08:13 |
lt needs something different, |
| 01:08:28 |
Why is that sheet missing? |
| 01:08:36 |
Sweet smiles are useless |
| 01:08:38 |
Stay there, do not touch me! |
| 01:08:45 |
Do not think, my girl, that |
| 01:09:25 |
Come, dear, confess |
| 01:09:33 |
l am disposed to forgive |
| 01:09:38 |
Will you not speak? |
| 01:09:46 |
Then l know what l have to do |
| 01:10:02 |
Next time l go out l'll hand you |
| 01:10:15 |
Sweet smiles do not help |
| 01:10:21 |
Not even air will be able |
| 01:10:38 |
And innocent little Rosina, |
| 01:10:41 |
...will stay shut up in her room |
| 01:12:49 |
Just now in this room |
| 01:12:56 |
lt must have been the doctor |
| 01:13:02 |
With his ward he doesn't have |
| 01:13:06 |
Those girls do not wish |
| 01:13:12 |
Someone's knocking |
| 01:13:17 |
Open up |
| 01:13:19 |
l'm coming |
| 01:13:22 |
That snuff l've been taking |
| 01:13:55 |
Hey, you people! |
| 01:14:10 |
No one answers |
| 01:14:14 |
Who is he? |
| 01:14:19 |
He's drunk! |
| 01:14:24 |
Hey, you people! |
| 01:14:34 |
What do you want, soldier? |
| 01:14:38 |
Ah, yes |
| 01:14:40 |
- What can he want? |
| 01:14:45 |
Are you... just a minute... |
| 01:14:52 |
Who is loco? |
| 01:14:55 |
Aha, Badodo? |
| 01:14:57 |
Who's a dodo? |
| 01:15:01 |
Go to the devil! |
| 01:15:06 |
Dr. Bartolo |
| 01:15:13 |
Ah, splendid |
| 01:15:15 |
Dr. Barbaro |
| 01:15:18 |
Excellent |
| 01:15:22 |
- Nonsense! |
| 01:15:25 |
There's not much difference |
| 01:15:30 |
l'm already losing patience |
| 01:15:38 |
She is so late! Where is she? |
| 01:15:40 |
Here prudence will be called for |
| 01:15:47 |
Then you are a doctor? |
| 01:15:52 |
l am a doctor, yes, sir |
| 01:15:55 |
Excellent, an embrace |
| 01:15:59 |
Come here, colleague |
| 01:16:01 |
- Get back |
| 01:16:07 |
l am also a fully fledged doctor |
| 01:16:12 |
l am regimental horse doctor |
| 01:16:20 |
Look, here it is |
| 01:16:30 |
lf only my beloved would come! |
| 01:16:33 |
l'm already bursting with rage |
| 01:16:42 |
A soldier! My guardian! |
| 01:17:07 |
- lt's Rosina, now l'm happy |
| 01:17:10 |
- He's approaching |
| 01:17:13 |
What do l hear! |
| 01:17:17 |
What are you looking for, miss? |
| 01:17:22 |
- l'm going, don't shout |
| 01:17:27 |
Hey, girl, l'm coming too |
| 01:17:30 |
- Where, my man? |
| 01:17:33 |
- To the quarters? |
| 01:17:35 |
To the quarters? Poppycock! |
| 01:17:38 |
- Help! |
| 01:17:42 |
You can't be billeted here |
| 01:17:45 |
- How's that? |
| 01:17:48 |
- l have a certificate of exemption |
| 01:17:51 |
My good sir, just a moment |
| 01:18:00 |
lf l cannot stay here... |
| 01:18:02 |
...pray, take |
| 01:18:04 |
He's watching us! |
| 01:18:08 |
l can't find it any more |
| 01:18:11 |
Take care! |
| 01:18:13 |
But yes, l will find it |
| 01:18:15 |
l feel a hundred desires within me. |
| 01:18:25 |
Here it is |
| 01:18:31 |
''With this document |
| 01:18:35 |
Go to the devil! |
| 01:18:39 |
What are you doing, sir? |
| 01:18:42 |
Quiet there, Dr. Donkey, |
| 01:18:46 |
- You want to stay? |
| 01:18:49 |
Enough, go quickly, or a good stick |
| 01:19:02 |
Then you want to do battle? |
| 01:19:07 |
l'll give you a battle! |
| 01:19:14 |
A fine thing is a battle! |
| 01:19:19 |
Watch! |
| 01:19:22 |
This is the trench |
| 01:19:24 |
You will be the enemy. |
| 01:19:32 |
Your handkerchief! |
| 01:19:34 |
And our friends will stand here. |
| 01:19:39 |
Stop! |
| 01:19:41 |
What is this? |
| 01:19:43 |
- l want to see that |
| 01:19:46 |
lt looks like a prescription! |
| 01:19:51 |
But it's a letter |
| 01:19:54 |
lt is my duty, |
| 01:19:59 |
- Thank you |
| 01:20:03 |
Bring that paper here, |
| 01:20:07 |
- Here, quickly! |
| 01:20:11 |
That paper you ask for... |
| 01:20:16 |
...was dropped by me by accident |
| 01:20:20 |
lt is the list for the laundry |
| 01:20:23 |
lmpudent girl! Here, quickly! |
| 01:20:30 |
- What do l see! |
| 01:20:32 |
l have blundered! |
| 01:20:35 |
- lt is the list! |
| 01:20:38 |
l'm dumbfounded! |
| 01:20:41 |
The blockhead walked into the trap |
| 01:20:48 |
But what trouble is this here? |
| 01:21:23 |
Always the same story |
| 01:21:29 |
Always oppressed and ill-treated |
| 01:21:37 |
What a dismal life! |
| 01:21:40 |
Rosina, poor little thing |
| 01:21:43 |
What have you done to her? |
| 01:21:45 |
l've done nothing |
| 01:21:48 |
Rabble-rouser, traitor! |
| 01:21:49 |
Restrain yourself, sir |
| 01:21:52 |
l'd like to flatten you! |
| 01:21:56 |
People! Help! |
| 01:21:58 |
- Assist him! |
| 01:22:01 |
People! Help, for pity's sake! |
| 01:22:04 |
Halt there! |
| 01:22:09 |
What's happening, good sirs? |
| 01:22:14 |
What's this uproar? |
| 01:22:18 |
Because of this din half the town |
| 01:22:29 |
Sir, be careful, for goodness' sake |
| 01:22:32 |
- That's a rascal |
| 01:22:35 |
- Wretch! |
| 01:22:38 |
Signor soldier, have some respect... |
| 01:22:41 |
...or l will have to teach you |
| 01:22:45 |
Sir, be careful, for goodness' sake |
| 01:22:49 |
Ugly ape! |
| 01:22:52 |
Low-born rogue! |
| 01:22:54 |
Hush, doctor |
| 01:22:55 |
l want to shout |
| 01:22:56 |
Stop, sir |
| 01:22:58 |
l want to kill him |
| 01:22:59 |
Keep quiet, for goodness' sake |
| 01:23:02 |
No, l want to slay him |
| 01:23:12 |
Quiet, someone's knocking |
| 01:23:16 |
Whatever can it be? |
| 01:23:20 |
Who is it? |
| 01:23:22 |
The guard |
| 01:23:26 |
Open up here |
| 01:23:34 |
The guard! Oh, the devil! |
| 01:23:40 |
- Now you've done it! |
| 01:23:46 |
How will this adventure ever end? |
| 01:24:11 |
Everyone stop |
| 01:24:14 |
No one move |
| 01:24:16 |
Gentlemen, what is going on? |
| 01:24:25 |
What's the cause of this uproar? |
| 01:24:30 |
This ignoramus of a soldier, |
| 01:24:34 |
l came here, sir, |
| 01:24:38 |
He's making an infernal din; |
| 01:24:42 |
That knave will not |
| 01:24:45 |
Forgive him, it has all been |
| 01:24:56 |
l understand |
| 01:25:01 |
You are under arrest, good man |
| 01:25:06 |
Outside quickly |
| 01:25:09 |
Away from here |
| 01:25:11 |
Under arrest? |
| 01:25:17 |
Me? Hey there, stop! |
| 01:25:46 |
Frozen and immobile |
| 01:25:57 |
...l can hardly draw a breath |
| 01:26:09 |
Frozen and immobile |
| 01:26:21 |
...he can hardly draw a breath |
| 01:26:32 |
Frozen and immobile |
| 01:26:43 |
...l can hardly draw a breath |
| 01:26:53 |
Look at Don Bartolo! |
| 01:26:59 |
He resembles a statue! |
| 01:27:04 |
l shall split my sides laughing! |
| 01:28:30 |
- But, sir... |
| 01:28:31 |
- But a doctor... |
| 01:28:33 |
- But if she... |
| 01:28:34 |
- l wish... |
| 01:28:35 |
- But if we... |
| 01:28:37 |
- But if then... |
| 01:28:38 |
- But if then... |
| 01:28:39 |
- But if we... |
| 01:28:41 |
Everyone go about his own business |
| 01:28:44 |
Stop quarrelling |
| 01:28:46 |
- But hear me, listen to me |
| 01:29:06 |
My head seems to be |
| 01:29:25 |
...where the persistent din |
| 01:29:33 |
...grows louder and never ceases |
| 01:29:42 |
Alternately this and that |
| 01:30:03 |
...with barbaric harmony, |
| 01:30:13 |
And the brain, poor little thing, |
| 01:30:23 |
...cannot reason, is confounded, |
| 01:34:03 |
Just behold my fate! |
| 01:34:06 |
No one seems to know that soldier |
| 01:34:13 |
l have my doubts. |
| 01:34:18 |
l bet that Count Almaviva... |
| 01:34:21 |
...is the one who sent this man |
| 01:34:26 |
No one can be safe, |
| 01:34:32 |
Who's knocking? |
| 01:34:36 |
Someone's knocking |
| 01:34:40 |
Don't you hear? |
| 01:34:42 |
l'm at home. |
| 01:35:03 |
Peace and joy be with you |
| 01:35:08 |
A thousand thanks |
| 01:35:10 |
Don't trouble yourself |
| 01:35:12 |
Joy and peace for a thousand years |
| 01:35:17 |
Much obliged, l'm sure |
| 01:35:37 |
That face looks familiar |
| 01:35:39 |
l don't recognise it |
| 01:35:41 |
But that face, who can it be? |
| 01:35:44 |
This new disguise |
| 01:35:51 |
Joy and peace, peace and joy! |
| 01:35:56 |
l understood |
| 01:35:58 |
Heaven! What a bore! |
| 01:36:00 |
Joy and peace, with all my heart |
| 01:36:04 |
Enough, for pity's sake |
| 01:36:24 |
- What a perfidious fate! |
| 01:36:29 |
My loved one, in a few moments |
| 01:36:46 |
Everybody is against me! |
| 01:37:37 |
My good sir, who are you, |
| 01:37:42 |
Don Alonso, teacher of music |
| 01:37:47 |
Well, then? |
| 01:37:49 |
Don Basilio is ill |
| 01:37:51 |
l'll run and see him |
| 01:37:53 |
Gently, gently |
| 01:37:57 |
He is not so seriously ill |
| 01:38:00 |
l don't trust that fellow |
| 01:38:02 |
Let's go |
| 01:38:04 |
- But sir... |
| 01:38:06 |
- l wanted to say... |
| 01:38:10 |
As you wish, but you'll discover |
| 01:38:18 |
- l'll go to Count Almaviva |
| 01:38:21 |
- The Count... |
| 01:38:38 |
This morning he lodged |
| 01:38:42 |
This letter addressed to him from |
| 01:38:51 |
lt is her handwriting! |
| 01:38:53 |
Don Basilio knows nothing about it |
| 01:38:56 |
Coming for him |
| 01:38:59 |
...l wished to earn your favour |
| 01:39:04 |
- With this letter one could... |
| 01:39:08 |
l'll tell you. |
| 01:39:14 |
...l could make her believe... |
| 01:39:17 |
...that another of the Count's |
| 01:39:20 |
...proof that the Count |
| 01:39:24 |
Not so fast |
| 01:39:31 |
Slander! |
| 01:39:32 |
Splendid! Worthy pupil |
| 01:39:36 |
l shall know how to reward |
| 01:39:42 |
l'll go and call the girl |
| 01:39:48 |
As you concern yourself so much |
| 01:39:54 |
Have no doubts |
| 01:40:00 |
l didn't mean to mention the letter |
| 01:40:03 |
But without this expedient l would |
| 01:40:10 |
l shall now reveal my plan to her |
| 01:40:13 |
lf she approves, |
| 01:40:18 |
Here she comes. |
| 01:40:27 |
Come, young lady |
| 01:40:31 |
Don Alonso, whom you see, |
| 01:40:37 |
What's the matter? |
| 01:40:39 |
lt's a cramp in my foot |
| 01:40:42 |
That's nothing! |
| 01:40:48 |
lf you don't mind, l'll give you |
| 01:40:54 |
l shall accept it with pleasure |
| 01:40:57 |
- What are you singing? |
| 01:41:02 |
...the rondo from the |
| 01:41:06 |
That's a good girl, let's begin |
| 01:41:58 |
Against a heart where love burns... |
| 01:42:06 |
...with true, unquenchable fire... |
| 01:42:28 |
...a tyrant arms himself in vain... |
| 01:42:36 |
...with sternness, with cruelty |
| 01:42:46 |
From every assault the conqueror, |
| 01:43:05 |
Lindoro, my treasure, |
| 01:43:09 |
This brute of a guardian, |
| 01:43:14 |
My dear, l put my trust in you, |
| 01:43:34 |
Do not fear, l reassure you |
| 01:43:39 |
Fortune will be friendly to us |
| 01:43:42 |
- Should l hope? |
| 01:43:45 |
- And my heart? |
| 01:44:13 |
Dear smiling image |
| 01:44:20 |
Sweet notion of a joyful love |
| 01:44:31 |
You set my heart aflame... |
| 01:44:38 |
...in my breast |
| 01:44:41 |
You transport me with delight |
| 01:45:59 |
A lovely voice! |
| 01:46:02 |
A thousand thanks! |
| 01:46:04 |
A lovely voice, certainly, |
| 01:46:09 |
ln my time music |
| 01:46:13 |
When, for example, Caffariello |
| 01:46:23 |
Listen, Don Alonso, here it is |
| 01:46:36 |
When you are near me, |
| 01:46:45 |
The aria said Giannina, |
| 01:46:53 |
When you are near me, |
| 01:47:02 |
...my heart glows in my breast |
| 01:47:16 |
Well done, signor barber! |
| 01:47:20 |
lt was nothing, excuse me, |
| 01:47:23 |
- Why have you come, rogue? |
| 01:47:28 |
- lt's you today |
| 01:47:30 |
Tomorrow l won't be able to come |
| 01:47:33 |
Why? |
| 01:47:35 |
l have to shave and cut the hair |
| 01:47:39 |
...dress the blond wig |
| 01:47:42 |
...give Count Bombé |
| 01:47:44 |
...provide a purgative |
| 01:47:48 |
And then, what's the use? |
| 01:47:52 |
Come on, less chatter |
| 01:47:54 |
- Today l won't be shaved |
| 01:47:58 |
Just look at the clients l have! |
| 01:48:01 |
l come this morning: |
| 01:48:04 |
l return after lunch: |
| 01:48:07 |
Have you taken me |
| 01:48:12 |
Call in another then, l'm going |
| 01:48:15 |
Let him have his way |
| 01:48:17 |
What caprices! |
| 01:48:20 |
Go and fetch the towels |
| 01:48:22 |
No, l'll go myself |
| 01:48:26 |
lf he had given me those keys, |
| 01:48:29 |
lsn't the key to open the balcony |
| 01:48:34 |
Yes, it is the newest one |
| 01:48:37 |
l'm a fine one to leave that devil |
| 01:48:42 |
Go yourself |
| 01:48:44 |
Everything is on the cupboard |
| 01:48:49 |
Watch out |
| 01:48:52 |
Don't touch anything |
| 01:48:53 |
l'm not mad. |
| 01:48:56 |
l'll be right back. |
| 01:49:07 |
That is the rogue who brought |
| 01:49:14 |
...Rosina's letter |
| 01:49:17 |
He seems... |
| 01:49:18 |
He seems to me an intriguer |
| 01:49:21 |
He won't fix me! |
| 01:49:30 |
- Just my luck! |
| 01:49:35 |
What a rogue! |
| 01:49:42 |
That Figaro is a great man |
| 01:49:44 |
Tell me, dear one: |
| 01:49:49 |
Be frank! |
| 01:49:50 |
My Lindoro, |
| 01:49:54 |
Well then? |
| 01:49:55 |
He has broken everything: |
| 01:50:01 |
See here! lf l had not |
| 01:50:08 |
...in that accursed corridor |
| 01:50:13 |
...l would have broken my head |
| 01:50:15 |
He keeps every room in darkness, |
| 01:50:19 |
- No more |
| 01:50:21 |
- Be careful |
| 01:50:27 |
- Don Basilio! |
| 01:50:29 |
What an obstacle! |
| 01:50:33 |
Look who's here! |
| 01:50:36 |
Your servant one and all |
| 01:50:46 |
What do these new tidings mean? |
| 01:50:51 |
Whatever will become of us? |
| 01:50:53 |
We shall need boldness here |
| 01:50:57 |
Don Basilio, how are you? |
| 01:51:01 |
How am l? |
| 01:51:03 |
What's the hold-up? Are we going |
| 01:51:12 |
l'm coming! |
| 01:51:18 |
Hey! |
| 01:51:21 |
Your representative? |
| 01:51:25 |
Representative? |
| 01:51:27 |
l told him that everything |
| 01:51:31 |
ls that not so? |
| 01:51:33 |
Yes, yes |
| 01:51:36 |
l know everything |
| 01:51:39 |
- Don Bartolo, explain yourself |
| 01:51:45 |
Don Basilio, l'll be with you. |
| 01:51:56 |
Try to get him outside, |
| 01:52:00 |
- My heart is quivering |
| 01:52:03 |
He still knows nothing |
| 01:52:07 |
There's a muddle here for sure, |
| 01:52:10 |
l fear he'll expose us, |
| 01:52:14 |
You are right, my dear sir, |
| 01:52:32 |
Who advised you, Don Basilio, |
| 01:52:42 |
- With a fever? |
| 01:52:46 |
You're as yellow... |
| 01:52:50 |
...as a corpse |
| 01:52:54 |
l'm as yellow... |
| 01:52:58 |
...as a corpse? |
| 01:53:04 |
Fancy that! |
| 01:53:13 |
This is scarlet fever! |
| 01:53:17 |
Scarlet fever! |
| 01:53:21 |
Go and take some medicine |
| 01:53:28 |
That will help you to endure it |
| 01:53:31 |
Quickly, go to bed |
| 01:53:33 |
You make me alarmed |
| 01:53:35 |
He is right, go to bed |
| 01:53:37 |
Quickly, go and rest |
| 01:53:39 |
Quickly, go and rest |
| 01:53:45 |
A purse! |
| 01:53:49 |
Go to bed! |
| 01:53:53 |
But that they should all |
| 01:53:58 |
Quickly, to bed |
| 01:54:04 |
Hey, l'm not deaf |
| 01:54:09 |
l don't have to be entreated |
| 01:54:15 |
What a colour! |
| 01:54:17 |
What a bad complexion! |
| 01:54:20 |
Bad complexion! |
| 01:54:22 |
Oh, very bad! |
| 01:54:26 |
Then l'm going |
| 01:54:31 |
Go, go! |
| 01:54:37 |
Good night, my dear sir |
| 01:54:44 |
Good night, my dear sir. |
| 01:55:15 |
Good night, with all my heart |
| 01:55:21 |
Good night, with all my heart. |
| 01:55:27 |
- Accursed nuisance! |
| 01:55:32 |
Good night, my dear sir, |
| 01:56:24 |
Come on then, Don Bartolo |
| 01:56:26 |
Here l am |
| 01:56:38 |
Tighten it |
| 01:56:44 |
Excellent |
| 01:56:48 |
Rosina, please, listen to me |
| 01:56:54 |
l am listening to you, here l am |
| 01:57:04 |
Precisely at midnight |
| 01:57:14 |
Now that we have the key |
| 01:57:28 |
- Ouch! |
| 01:57:33 |
There's something in my eye! |
| 01:57:36 |
Have a look, don't touch |
| 01:57:39 |
Blow, for pity's sake |
| 01:57:49 |
Precisely at midnight, |
| 01:57:59 |
Already l wish to hasten the moment |
| 01:58:14 |
Now l want to warn you, |
| 01:58:18 |
...so that my disguise |
| 01:58:22 |
His disguise? Ah ha! |
| 01:58:26 |
Splendid, excellent! |
| 01:58:31 |
Peace, joy! |
| 01:58:34 |
Rogues, rascals! |
| 01:58:38 |
All of you have sworn |
| 01:58:42 |
Out, you scoundrels. |
| 01:58:46 |
Your head's in a spin |
| 01:58:48 |
Hush, doctor |
| 01:58:56 |
Out, you scoundrels |
| 01:58:58 |
Be quiet, it's no use shouting |
| 01:59:00 |
You have sworn to break me |
| 01:59:02 |
Hush, you are being ridiculous |
| 01:59:09 |
Our friend is raving, |
| 01:59:13 |
The poor man is crazy, |
| 01:59:18 |
We're agreed, |
| 01:59:22 |
Be quiet, we're going, |
| 02:00:04 |
Wretched me! |
| 02:00:08 |
Listen, Ambrogio, |
| 02:00:12 |
Tell him l have to see him urgently |
| 02:00:16 |
Go now |
| 02:00:19 |
You guard the doorway |
| 02:00:27 |
What a suspicious old man! |
| 02:00:31 |
There's always commotion here. |
| 02:00:36 |
Yes, there's not an hour of peace |
| 02:00:42 |
Oh, what a house in turmoil! |
| 02:01:17 |
The old man is looking for a wife, |
| 02:01:22 |
The one rages, the other rants. |
| 02:01:56 |
But what is this thing love... |
| 02:02:01 |
...that makes everyone crazy? |
| 02:02:14 |
lt is a universal sickness, |
| 02:02:22 |
...a tickling, a torment |
| 02:02:28 |
Poor me, l feel it also |
| 02:02:38 |
Poor me, l feel it also |
| 02:02:52 |
A curse on old age! |
| 02:02:57 |
And so l must needs die |
| 02:04:10 |
Then you have no knowledge |
| 02:04:15 |
None at all |
| 02:04:16 |
Quick, get the notary here |
| 02:04:19 |
Here is the key to the front door: |
| 02:04:29 |
Never fear, |
| 02:04:38 |
Hey, Rosina |
| 02:04:43 |
Come here |
| 02:04:49 |
l have news to tell you |
| 02:04:54 |
You should know that he is |
| 02:05:00 |
Here is the proof |
| 02:05:02 |
Heavens! My letter! |
| 02:05:05 |
l will go and call the guard |
| 02:05:10 |
How cruel is my fate! |
| 02:08:28 |
At last, here we are |
| 02:08:30 |
Figaro, give me your hand |
| 02:08:35 |
Heaven almighty! |
| 02:08:38 |
Weather for lovers |
| 02:08:42 |
Hey, give me some light |
| 02:08:45 |
Where can Rosina be? |
| 02:08:46 |
Now we'll see |
| 02:08:50 |
Here she is |
| 02:08:52 |
My treasure! |
| 02:08:54 |
Back, wicked soul! |
| 02:08:56 |
l came only to remedy |
| 02:09:01 |
...to show what a lover you lost, |
| 02:09:06 |
l am dumbstruck |
| 02:09:07 |
l don't understand a thing |
| 02:09:09 |
- But for pity's sake... |
| 02:09:11 |
You feigned love to sell me |
| 02:09:17 |
To the Count? |
| 02:09:19 |
You're mistaken! |
| 02:09:20 |
Oh, happy me! |
| 02:09:22 |
Look at me, my treasure |
| 02:09:25 |
l am Almaviva, l am not Lindoro |
| 02:09:41 |
What an unexpected stroke! |
| 02:09:49 |
He himself! |
| 02:09:52 |
Oh heaven! What do l hear! |
| 02:09:57 |
l am nearly delirious |
| 02:10:15 |
lt has taken their breath away. |
| 02:10:19 |
Look what a fine coup |
| 02:10:27 |
What an unexpected triumph! |
| 02:10:35 |
Happy me! |
| 02:10:38 |
Oh glad moment! |
| 02:10:53 |
l am nearly delirious |
| 02:11:28 |
My lord! |
| 02:11:31 |
But you... |
| 02:11:35 |
But l... |
| 02:11:37 |
Ah, no more! |
| 02:11:39 |
No more, my own one! |
| 02:11:43 |
The fair name of my wife, |
| 02:11:51 |
The fair name of your wife! |
| 02:11:58 |
- Are you content? |
| 02:12:11 |
Quickly |
| 02:12:12 |
Sweet, fortunate bond |
| 02:12:19 |
Let's go |
| 02:12:41 |
Love, at last you have felt |
| 02:12:54 |
Let's go quickly |
| 02:13:10 |
lf there is any delay, |
| 02:13:30 |
Good heavens! What do l see? |
| 02:13:34 |
A lantern at the door |
| 02:13:37 |
Two people! What shall we do? |
| 02:13:41 |
- You saw? |
| 02:13:43 |
- Two people? |
| 02:13:45 |
- A lantern? |
| 02:13:49 |
What shall we do? |
| 02:13:55 |
Hush, quietly, |
| 02:13:59 |
Let's get out of here |
| 02:15:22 |
We are lost! What shall we do? |
| 02:15:25 |
- What happened? |
| 02:15:28 |
- Well then? |
| 02:15:30 |
- What's that you say? |
| 02:15:32 |
- What a cruel setback! |
| 02:15:36 |
Hush, l hear someone. |
| 02:15:41 |
Courage, my Rosina |
| 02:15:42 |
Here they come |
| 02:15:46 |
Don Bartolo! |
| 02:15:50 |
Don Basilio |
| 02:15:51 |
And the other one? |
| 02:15:53 |
lt's our notary |
| 02:15:56 |
Cheer up. |
| 02:16:00 |
Signor notary... |
| 02:16:02 |
...this evening you were |
| 02:16:05 |
...for the marriage between |
| 02:16:10 |
The couple are here. |
| 02:16:15 |
- Excellent |
| 02:16:18 |
Where is Don Bartolo? |
| 02:16:20 |
Don Basilio, this ring is for you |
| 02:16:24 |
- But l... |
| 02:16:27 |
...are two bullets in the brain |
| 02:16:30 |
Oh dear! |
| 02:16:33 |
l'll take the ring. Who is signing? |
| 02:16:37 |
Here we all are. The witnesses |
| 02:16:42 |
She is my bride |
| 02:16:50 |
Hurrah! |
| 02:16:52 |
How happy l am! |
| 02:16:55 |
Oh, the bliss l have longed for! |
| 02:16:58 |
Hurrah! |
| 02:17:01 |
Stop everyone. Here they are |
| 02:17:03 |
Take it easy, sir |
| 02:17:04 |
They are thieves, sir. |
| 02:17:09 |
Your name, good sir? |
| 02:17:12 |
My name is that of a man of honour |
| 02:17:16 |
l am Count Almaviva |
| 02:17:23 |
ln short, l got it all wrong! |
| 02:17:27 |
Alas, that's so! |
| 02:17:32 |
But you, you rogue, |
| 02:17:36 |
Dear Don Bartolo, that Count has |
| 02:17:43 |
...certain arguments |
| 02:17:47 |
And l, complete ass, ensured their |
| 02:18:08 |
That's what you call a |
| 02:18:30 |
Let us keep the eternal memory |
| 02:18:37 |
l'll extinguish the lantern, |
| 02:18:43 |
May love and eternal faith |
| 02:18:57 |
One such happy moment has been |
| 02:19:03 |
At last this loving soul |
| 02:19:09 |
May love and eternal faith |
| 02:19:23 |
You have kindled the flame |
| 02:19:29 |
A finer fate awaits you, |
| 02:19:35 |
May love and eternal faith |
