|
Woodstock
|
| 00:00:39 |
Okay, go ahead. |
| 00:00:41 |
My name is Sidney Westerfeld. |
| 00:00:45 |
...Monmouth Valley, New York State. |
| 00:00:48 |
I was here when |
| 00:00:52 |
We expected fifty thousand a day, |
| 00:00:56 |
l, myself, was hungry for two days, |
| 00:00:59 |
I couldn't get out to buy any food. |
| 00:01:02 |
I was eating cornflakes for two days! |
| 00:01:05 |
And the kids were wonderful. |
| 00:01:08 |
It was "sir" this and "sir" that, and... |
| 00:01:11 |
..."thank you" this and |
| 00:01:14 |
Nobody can complain about the kids. |
| 00:01:20 |
It was too big for the world! |
| 00:01:24 |
And when they see this picture in |
| 00:01:29 |
...they'll really see something! |
| 00:01:44 |
"It's been a long time coming..." |
| 00:01:53 |
"...because it's been |
| 00:02:02 |
"...and it appears to be a long..." |
| 00:02:07 |
"...appears to be a long..." |
| 00:02:12 |
"...appears to be a long..." |
| 00:02:16 |
"...time. It's a long, |
| 00:02:22 |
"...before the dawn." |
| 00:02:32 |
"Turn, turn any corner." |
| 00:02:41 |
"Hear, hear, you must hear..." |
| 00:02:45 |
"...what the people say." |
| 00:02:51 |
"You know that something..." |
| 00:02:54 |
"...is going on around here." |
| 00:02:58 |
"But surely, surely, surely..." |
| 00:03:02 |
"...one day I'm going to have my day." |
| 00:03:06 |
"Oh, it appears to be |
| 00:03:12 |
"...appears to be a long..." |
| 00:03:17 |
"...appears to be a long..." |
| 00:03:21 |
"...ah-ha, such a long, long time..." |
| 00:03:28 |
"...before the dawn." |
| 00:03:37 |
"Speak out, you've got to speak out..." |
| 00:03:41 |
"...against the madness." |
| 00:03:45 |
"You've got to speak your |
| 00:03:56 |
"...but don't, no, don't, don't |
| 00:04:04 |
"If you do, you'll have |
| 00:04:12 |
"...and it appears to be |
| 00:04:17 |
"...appears to be a long..." |
| 00:04:22 |
"...appears to be a long..." |
| 00:04:26 |
"...time, such a long, |
| 00:04:32 |
"...before the dawn." |
| 00:04:42 |
"It's been a long time coming..." |
| 00:04:50 |
"...it's going to be |
| 00:04:59 |
"...but you know..." |
| 00:05:03 |
"...the darkest hour..." |
| 00:05:09 |
"...the darkest phase, is always |
| 00:05:17 |
"...and it appears to be a long..." |
| 00:05:22 |
"...appears to be a long..." |
| 00:05:26 |
"...appears to be a long time..." |
| 00:05:33 |
"...such a long, long, |
| 00:05:37 |
"...before the dawn." |
| 00:05:52 |
Hey, Mike, what's the worst part |
| 00:05:56 |
The worst part? |
| 00:05:57 |
What's the worst part of running one? |
| 00:06:01 |
I don't know. |
| 00:06:03 |
You dig it all? |
| 00:06:08 |
I guess the biggest hassle is |
| 00:06:12 |
Is there a lot of politics involved? |
| 00:06:15 |
And you got that solved? |
| 00:06:16 |
Well, it looks that way. |
| 00:06:18 |
How long did it take you to put |
| 00:06:21 |
Uh, been working on it |
| 00:06:23 |
Nine months! Full time? |
| 00:06:28 |
Are you in charge of the whole thing? |
| 00:06:31 |
Yes. |
| 00:06:32 |
But you got backers? |
| 00:06:34 |
Partners and backers. |
| 00:06:36 |
Where are you going to go from here? |
| 00:06:37 |
I mean, are you going |
| 00:06:39 |
If it works. |
| 00:06:46 |
Aw, you're really good tonight! |
| 00:06:48 |
You know... |
| 00:06:51 |
...this is the most outrageous spectacle |
| 00:06:54 |
There's only one thing I wish. |
| 00:06:56 |
I sure have to pee! |
| 00:07:00 |
And there just is nowhere to go! |
| 00:07:04 |
I believe we're "GOING UP THE |
| 00:07:27 |
"I'm going up the country, |
| 00:07:33 |
"I'm going up the country, |
| 00:07:39 |
"I'm going to someplace, |
| 00:07:45 |
"I'm going, I'm going, where |
| 00:07:51 |
"I'm going where the |
| 00:07:57 |
"We can jump in the water, |
| 00:08:20 |
"I'm going to leave this city. |
| 00:08:26 |
"I'm going to leave this city. |
| 00:08:32 |
"All this fussing and fighting, |
| 00:08:38 |
"Now, baby, pack your leaving trunk. |
| 00:08:42 |
"Just exactly where |
| 00:08:45 |
"...but we might even leave the U.S.A." |
| 00:08:51 |
"Because it's a brand new |
| 00:09:14 |
"No use in your running or |
| 00:09:20 |
"...because you've got a home |
| 00:10:50 |
"If you smile at me, |
| 00:10:55 |
"...because that is something everybody, |
| 00:11:14 |
"I can't see why you called |
| 00:11:20 |
"There's just one thing |
| 00:11:24 |
"...can you tell me who I am?" |
| 00:11:39 |
"Say, can I have some of |
| 00:11:42 |
"Yes, I've been eating them |
| 00:11:47 |
"Haven't got sick once, |
| 00:12:00 |
"Wooden ships on the water..." |
| 00:12:03 |
"...very free, easy, easy." |
| 00:12:08 |
"You know, the way it's supposed to be." |
| 00:12:12 |
"Silver people on the |
| 00:12:18 |
"Talking about very free and easy." |
| 00:12:43 |
"All the ships that |
| 00:12:49 |
"...all they can do is |
| 00:12:55 |
"Still I go keep on feeling, why?" |
| 00:13:01 |
"We are leaving. You don't need us." |
| 00:13:26 |
What do you think? |
| 00:13:28 |
Well, what could I think? |
| 00:13:29 |
We're in the middle of the, of the |
| 00:13:34 |
It's about all we can do. |
| 00:13:38 |
We were standing on the curbs |
| 00:13:43 |
All the townspeople. |
| 00:13:45 |
It was just like a, an army invading |
| 00:13:49 |
Do you live here? |
| 00:13:50 |
No, we're here for a vacation. |
| 00:13:53 |
Are you having one? |
| 00:13:55 |
We did, up until last night. |
| 00:13:58 |
Who is they? |
| 00:13:59 |
Freaks. |
| 00:14:01 |
Is that what you call yourselves? |
| 00:14:05 |
Sure. |
| 00:14:06 |
Why? |
| 00:14:07 |
Well, because that's what |
| 00:14:08 |
What do you call yourself that for? |
| 00:14:10 |
Because we admit it. Compared |
| 00:14:14 |
I don't think you are. As long as you |
| 00:14:19 |
I'm not putting bad connotations on the |
| 00:14:22 |
Don't you think that the word "freak" |
| 00:14:26 |
It's whatever you think about it. |
| 00:14:28 |
Last time we saw anything like this was |
| 00:14:33 |
That's right. |
| 00:14:36 |
Like four ice cubes |
| 00:14:41 |
They wanted to buy four ice cubes? |
| 00:14:43 |
Yeah, right. |
| 00:14:46 |
I don't know, what can you charge |
| 00:14:49 |
It's a great shot in the arm to Sullivan |
| 00:14:53 |
Something we needed. |
| 00:14:55 |
As far as whether it will leave a |
| 00:15:02 |
...we'll know when the festival is over. |
| 00:15:05 |
Uh, they're beautiful people. |
| 00:15:10 |
Well is this festival |
| 00:15:15 |
Well, it's kind of overwhelming us. |
| 00:15:17 |
In what way? |
| 00:15:18 |
Just to take care of, |
| 00:15:22 |
I would say is one of the main |
| 00:15:24 |
I know all these young fellows here, |
| 00:15:25 |
they've got to be fed |
| 00:15:27 |
I hope that they can bring |
| 00:15:30 |
That seems to be the big trouble. |
| 00:15:32 |
And traffic, that's... well, you know |
| 00:15:35 |
What's it done for business? |
| 00:15:36 |
Oh, come on. |
| 00:15:38 |
What's it done? |
| 00:15:42 |
As much as you can do. |
| 00:15:45 |
I'll say one thing for the young people. |
| 00:15:46 |
They've been very nice. |
| 00:15:51 |
It's really amazing. Yet it looks like |
| 00:15:56 |
...unbelievable scene! |
| 00:16:01 |
They're all, you know, like all... |
| 00:16:03 |
they're strewn on the sides of |
| 00:16:06 |
...in all different angles, you know. They |
| 00:16:10 |
There is this continual flow of people |
| 00:16:12 |
They're going along and it... |
| 00:16:15 |
Jerry, it was all frozen. |
| 00:16:18 |
Well, I mean, I mean, |
| 00:16:21 |
what do you think, |
| 00:16:24 |
They didn't want this many people |
| 00:16:28 |
So you find the control points at |
| 00:16:31 |
...and those with tickets are allowed |
| 00:16:35 |
You have to have some control. |
| 00:16:38 |
You know, when you |
| 00:16:41 |
...Barabunda ants coming over |
| 00:16:45 |
...they want to cut them off and stop |
| 00:16:48 |
...they put oil in the ditch and |
| 00:16:50 |
Now I'm not saying they should put up |
| 00:16:53 |
...but there has to be some way of |
| 00:16:58 |
Uh, in numbers, tell me, |
| 00:17:00 |
Two hundred thousand. |
| 00:17:02 |
Two hundred thousand people |
| 00:17:05 |
Where will you put them? |
| 00:17:06 |
We have contracted for land |
| 00:17:10 |
...setting up camp grounds, water |
| 00:17:14 |
What does it cost to put one |
| 00:17:16 |
A fortune. |
| 00:17:19 |
And I suppose the returns |
| 00:17:21 |
Yeah, we'll probably... I don't, I don't |
| 00:17:25 |
...up to what it's cost or not, but... |
| 00:17:28 |
...the point is that it's happening. |
| 00:17:33 |
In other words, you have to make |
| 00:17:37 |
Well, if we're going to break even. |
| 00:17:41 |
The point is that it's |
| 00:17:44 |
...and it's enough for now. |
| 00:17:47 |
What is it that musicians have? |
| 00:17:50 |
What is it the musicians have that they |
| 00:17:53 |
Music! |
| 00:17:54 |
I mean, they've always had music. |
| 00:17:55 |
Music has always been a |
| 00:17:58 |
Only now the lyrics and the type |
| 00:18:01 |
...more involved |
| 00:18:04 |
I need something now, let me tell you, |
| 00:18:05 |
to kind of run as a voice over... |
| 00:18:10 |
If you could, if you could tell me... |
| 00:18:11 |
...that I can run your voice over |
| 00:18:16 |
...what the music is saying, kind |
| 00:18:19 |
It's about what's happening now... |
| 00:18:20 |
...and if you listen to the lyrics |
| 00:18:25 |
...and, and what's in the music... |
| 00:18:26 |
...then you'll know what's, |
| 00:18:28 |
I've got to split. |
| 00:18:30 |
Can we count on you? |
| 00:18:37 |
I'd like... Mike hangs out here. |
| 00:18:40 |
I'd like to see a little bit of him. |
| 00:18:41 |
Just natural sound, while he's |
| 00:18:47 |
Now, goddamnit, I was going |
| 00:18:50 |
That means you've got to call me and |
| 00:18:54 |
Now I'm going to order |
| 00:18:57 |
I'm really scared the roads |
| 00:18:59 |
If anybody wants anymore rooms... |
| 00:19:01 |
...shows up with more people |
| 00:19:04 |
...tell them they can drop |
| 00:19:06 |
They've got about as much chance |
| 00:19:08 |
...of getting a room closer |
| 00:19:11 |
There's a Holiday Inn in |
| 00:19:31 |
Let's clear the road, please! |
| 00:19:34 |
Peel back, peel back there! |
| 00:19:37 |
Everything has room to flow here. |
| 00:19:43 |
Please walk... |
| 00:19:45 |
...on the grass. |
| 00:19:53 |
Walk on the sides of the road if you're |
| 00:20:02 |
How is it out there? |
| 00:20:08 |
We apologize for the, uh, noise |
| 00:20:12 |
...it seems there are a few cars blocking |
| 00:20:17 |
I almost made the worst pun in the world |
| 00:20:22 |
You know Artie? Artie Kornfeld. |
| 00:20:24 |
How you doing, man? |
| 00:20:27 |
Good to see you, man. |
| 00:20:29 |
Glad you could make the party. |
| 00:20:31 |
It's going beautifully, man. |
| 00:20:34 |
It's really together. |
| 00:20:35 |
Look at the way... |
| 00:20:38 |
Looks fantastic! |
| 00:20:39 |
The vibes are so beautiful. |
| 00:20:41 |
Everybody helps everybody. |
| 00:20:42 |
Today it feels so great |
| 00:20:47 |
How can I ever live on the east |
| 00:20:52 |
Yeah, man, it smells like strawberries! |
| 00:20:57 |
It's perfume! Oh, it is! |
| 00:21:08 |
"Just Like A Woman"... |
| 00:21:12 |
...and "Let's Get Stoned." |
| 00:21:19 |
We're in sync, but you can't |
| 00:21:21 |
...because of the fucking helicopters, |
| 00:21:26 |
Because of the fucking helicopters... |
| 00:21:27 |
...I can't get a fucking piece |
| 00:21:31 |
I'm hanging around |
| 00:21:39 |
We're getting it tied up. |
| 00:21:41 |
Two or three of the groups are in. |
| 00:21:42 |
We're just trying to match up two groups |
| 00:21:47 |
Can those of you in the back hear well? |
| 00:21:52 |
Raise your hands please. |
| 00:21:56 |
Marijuana! Exhibit A. |
| 00:22:01 |
Look at all those people! |
| 00:22:05 |
The Daily News, in rather large |
| 00:22:11 |
..."TRAFFIC UP TIGHT AT HIPPIE FEST." |
| 00:22:17 |
See, if you see the, |
| 00:22:20 |
...they won't believe |
| 00:22:23 |
Because their impression |
| 00:22:26 |
...and American ways |
| 00:22:29 |
All neatly dressed, put on hat |
| 00:22:34 |
That's not like this at all. |
| 00:22:37 |
Wheat Germ, Holly has your bag |
| 00:22:41 |
Please meet at the information booth |
| 00:22:44 |
Helen Savage, please call your father |
| 00:22:55 |
The warning that I've received |
| 00:22:57 |
...with however many grains |
| 00:23:00 |
...that the brown acid that is circulating |
| 00:23:07 |
It is suggested that you stay |
| 00:23:09 |
...but it's your own trip, so be my guest. |
| 00:23:12 |
Please be advised there is |
| 00:23:19 |
Sam, can you get the monitors on? |
| 00:23:21 |
Get some more guys over here. |
| 00:23:27 |
Richard Boch, get back to Eddie |
| 00:23:35 |
- Watch your fingers right up there! |
| 00:23:45 |
Mr. Richie Havens! |
| 00:25:29 |
"Hey, look-a yonder, |
| 00:25:33 |
"...marching to the fields of concord?" |
| 00:25:37 |
"Looks like Handsome Johnny, with |
| 00:25:41 |
"...marching to the Concord war." |
| 00:25:44 |
"...hey, marching to the Concord war." |
| 00:25:59 |
"Hey, look-a yonder, |
| 00:26:03 |
"...marching to the fields of Dunkirk?" |
| 00:26:07 |
"Looks like Handsome Johnny |
| 00:26:11 |
"...marching to the Dunkirk war." |
| 00:26:14 |
"Hey, marching to the Dunkirk war." |
| 00:26:35 |
"Hey, look-a yonder, |
| 00:26:39 |
"...marching to the fields of Korea?" |
| 00:26:43 |
"Looks like Handsome Johnny |
| 00:26:47 |
"...marching to the Korean war." |
| 00:26:50 |
"Hey, marching to the Korean war." |
| 00:26:54 |
"Still marching, still |
| 00:27:02 |
"It's a long, hard road..." |
| 00:27:13 |
"...that he fought so we'll be free." |
| 00:27:17 |
"That he fought, we'll be free. |
| 00:27:49 |
"Hey, look-a yonder, |
| 00:27:53 |
"...marching to the |
| 00:27:57 |
"Looks like Handsome Johnny with |
| 00:28:01 |
"...marching to the Birmingham war." |
| 00:28:05 |
"Hey, marching to the Birmingham war." |
| 00:28:14 |
"Hey, what's the use |
| 00:28:18 |
"Some of you are not even listening." |
| 00:28:22 |
"Tell me what it is we've got to do?" |
| 00:28:26 |
"Wait for the bombs to start whistling?" |
| 00:28:29 |
"Wait for the blitz to start blitzing?" |
| 00:28:33 |
"Here comes a hydrogen bomb..." |
| 00:28:37 |
"...and here comes a guided missile." |
| 00:28:41 |
"Here comes a hydrogen bomb..." |
| 00:28:44 |
"...I cannot hear it whistle!" |
| 00:28:48 |
"I can almost hear its whistle, |
| 00:29:15 |
There are a hundred million |
| 00:29:20 |
All of them are going to be |
| 00:29:23 |
...which I hope everybody who |
| 00:29:29 |
And it's all about you, actually. |
| 00:29:33 |
And me and everybody around this stage |
| 00:29:37 |
And the people who are going |
| 00:29:45 |
And how really groovy you were. |
| 00:29:49 |
All over the world. |
| 00:29:52 |
That's really where it's really at. |
| 00:30:43 |
Guitar mike, please. |
| 00:31:01 |
"Freedom! Freedom!" |
| 00:31:16 |
"Sometimes I feel like |
| 00:31:39 |
"...a long way from home." |
| 00:31:49 |
"Yeah, yeah, Lord..." |
| 00:31:54 |
"...singing freedom! Freedom!" |
| 00:32:14 |
"Sometimes I feel like |
| 00:32:36 |
"...a long, long, long |
| 00:32:51 |
"Clap your hands!" |
| 00:33:23 |
"I've got a telephone in my bosom..." |
| 00:33:27 |
"...and I can call |
| 00:33:31 |
"I've got a telephone in my bosom..." |
| 00:33:34 |
"...and I can call him |
| 00:33:37 |
"...when I need my brother!" |
| 00:33:41 |
"When I need my father! " |
| 00:33:46 |
"Mother!" |
| 00:33:50 |
"Sister!" |
| 00:33:53 |
"When I need my brother!" |
| 00:33:55 |
"Brother! Hey! Mother! " |
| 00:35:00 |
"Mr. Richie Havens." |
| 00:35:06 |
What better way to start than |
| 00:35:21 |
It's worth it. |
| 00:35:26 |
Just to see the lights |
| 00:35:30 |
Just to see the people stand up, |
| 00:35:36 |
I mean, I feel there will be people, |
| 00:35:38 |
...there are people out there |
| 00:35:42 |
Very few of them. |
| 00:35:43 |
But you know, it really is to |
| 00:35:48 |
All box office people please |
| 00:35:52 |
We don't need it any more. |
| 00:35:54 |
Somebody unplugged the lines, man. |
| 00:36:00 |
Number two, number three. |
| 00:36:07 |
You are not giving the world's |
| 00:36:11 |
Okay, there's only one way to do it. |
| 00:36:12 |
There's a way to do it, man. |
| 00:36:14 |
There is no way. |
| 00:36:15 |
The only way to do it is |
| 00:36:16 |
It's okay. Come here. Come here. |
| 00:36:20 |
This is one thing I was going to wait |
| 00:36:25 |
But maybe we'll talk about it now so |
| 00:36:28 |
It's a free concert from now on! |
| 00:36:36 |
That doesn't mean that anything goes. |
| 00:36:40 |
...we're going to put the |
| 00:36:44 |
What it means is that the people |
| 00:36:46 |
...who put up the money for it, |
| 00:36:49 |
A big bath. There's no hype, that's |
| 00:36:54 |
But what it means is that these |
| 00:36:59 |
...that your welfare is a hell |
| 00:37:02 |
...and so is the music, than a dollar. |
| 00:37:06 |
Look, when they hook the electricity up, |
| 00:37:10 |
If you've got the ticket, |
| 00:37:12 |
...otherwise you disintegrate. |
| 00:37:15 |
Wendy and Mayar... , Maynard... |
| 00:37:17 |
...from Fair Lawn, please meet |
| 00:37:22 |
George has a slight problem. |
| 00:37:27 |
Oh, it's on Forty-second Street. Tiny Tim |
| 00:37:31 |
Under the name of Robert, uh, Love. |
| 00:37:36 |
Could I get the picture, too? |
| 00:37:38 |
Oh, yes. Toot too, too, too. |
| 00:37:42 |
My name is Beth Riley, and what's yours? |
| 00:37:44 |
My name is Hugh. |
| 00:37:47 |
How do you do? My name is Sue. |
| 00:37:50 |
I'll see you around. |
| 00:37:53 |
Ah, here they come, here they come. |
| 00:38:02 |
My name is Hugh Romney. I'm with the |
| 00:38:09 |
Some people call it bum trips. I don't |
| 00:38:13 |
We're working with hobo voyages. |
| 00:38:17 |
A half an hour after we release anybody |
| 00:38:20 |
...we turn them into doctors... |
| 00:38:23 |
...and they care for people that were |
| 00:38:29 |
Now people have been saying that |
| 00:38:32 |
It's not poison, it's just bad acid. |
| 00:38:37 |
If you can find out who it is, we... |
| 00:38:39 |
Anybody who thinks they've |
| 00:38:44 |
And if you feel like experimenting, |
| 00:40:05 |
You know, the Japanese |
| 00:40:10 |
The Japanese affected that |
| 00:40:16 |
...with the yellow robes, |
| 00:40:23 |
Really does a lot for the music |
| 00:48:09 |
Who's on? |
| 00:48:10 |
A guy named Bert Sommers. |
| 00:48:14 |
So the order of everything |
| 00:48:17 |
You're closing tonight, honey. |
| 00:48:21 |
Maybe there'll be |
| 00:48:23 |
I don't like a puny gathering like this. |
| 00:48:30 |
I'd like to sing you a song that is one of |
| 00:48:35 |
And let me just tell you |
| 00:48:51 |
...and we're fine too. |
| 00:48:56 |
And David was just shifted |
| 00:48:59 |
...which is very much of a drag, |
| 00:49:04 |
...which is kind of like |
| 00:49:05 |
...after you've been |
| 00:49:08 |
See I just, just now got a letter. |
| 00:49:10 |
I have it with me. About the trip from the |
| 00:49:15 |
...and his arms manacled to his belt. |
| 00:49:20 |
He doesn't care, you know. |
| 00:49:23 |
...where the first time he felt afraid |
| 00:49:29 |
...I guess guards, or something, |
| 00:49:31 |
And he started saying... |
| 00:49:33 |
...talking about the last draft case |
| 00:49:35 |
...and "that motherfucker," and "we'll |
| 00:49:39 |
He just prayed a little bit harder. |
| 00:49:43 |
He wouldn't do anything anyhow, but |
| 00:49:46 |
But nothing has happened. |
| 00:49:50 |
Anyway, this is, this |
| 00:49:52 |
And I'm, I was happy to find out that... |
| 00:49:54 |
...after David had been in jail |
| 00:49:57 |
...he already had a very, |
| 00:50:00 |
...going on with forty-two |
| 00:50:02 |
...none of whom were draft people. |
| 00:50:11 |
"I dreamed I saw Joe |
| 00:50:17 |
"...alive as you and me." |
| 00:50:23 |
"Sez l, 'But Joe, |
| 00:50:28 |
"'I never died, ' said he." |
| 00:50:42 |
"'The copper bosses |
| 00:50:47 |
"'They shot you, Joe, ' says I." |
| 00:50:52 |
"'Takes more than guns |
| 00:50:58 |
"Says Joe, 'I didn't die!"' |
| 00:51:11 |
"And standing there as big as life..." |
| 00:51:17 |
"...and smiling with his eyes." |
| 00:51:23 |
"Says Joe, 'What they |
| 00:51:28 |
"...went on to organize."' |
| 00:51:41 |
"From San Diego up to Maine..." |
| 00:51:46 |
"...in every mine and mill..." |
| 00:51:52 |
"...where working men |
| 00:51:57 |
"...it's there you find Joe Hill!" |
| 00:53:08 |
"Swing low..." |
| 00:53:13 |
"...sweet chariot..." |
| 00:53:22 |
"...coming to carry me home." |
| 00:53:35 |
"Swing low..." |
| 00:53:40 |
"...sweet chariot..." |
| 00:53:47 |
"...coming for to carry me on home." |
| 00:53:59 |
"Well, I looked over yonder..." |
| 00:54:03 |
"...and what did I see..." |
| 00:54:08 |
"...coming to carry me home?" |
| 00:54:18 |
"Saw a band, a band of angels..." |
| 00:54:27 |
"...were a-coming for me..." |
| 00:54:33 |
"...coming for to carry me on home." |
| 00:54:45 |
"Swing low..." |
| 00:54:53 |
"...swing low, sweet chariot..." |
| 00:55:01 |
"...coming for to carry |
| 00:55:52 |
"See me," |
| 00:55:56 |
"feel me," |
| 00:56:00 |
"touch me," |
| 00:56:04 |
"heal me." |
| 00:57:01 |
"Listening to you, I get music." |
| 00:57:06 |
"Gazing at you, I get heat." |
| 00:57:11 |
"Following you, I'd climb a mountain." |
| 00:57:16 |
"I get excitement at your feet." |
| 00:57:23 |
"Right behind you, I see the millions." |
| 00:57:28 |
"On you, I see the glory." |
| 00:57:33 |
"From you, I get opinions." |
| 00:57:38 |
"From you, I get the story." |
| 00:57:44 |
"Listening to you, I get music." |
| 00:57:48 |
"Gazing at you, I get the heat." |
| 00:57:53 |
"Following you, I'd climb a mountain." |
| 00:57:57 |
"I get excitement at your feet." |
| 00:58:03 |
"From behind you, I see the millions." |
| 00:58:08 |
"On you, I see the glory." |
| 00:58:12 |
"From you, I get opinions." |
| 00:58:16 |
"From you, I get the story." |
| 01:01:49 |
"Now, I'm a-gonna raise a fuss. |
| 01:01:56 |
"...about a-working all summer, |
| 01:02:03 |
"Well, I went to the boss, |
| 01:02:07 |
"The boss said, 'No dice, son. |
| 01:02:11 |
"Sometimes, I wonder |
| 01:02:15 |
"There ain't no cure for |
| 01:02:32 |
"Well, my mom and poppa told me, |
| 01:02:40 |
"'... if you want to use the |
| 01:02:47 |
"Well, I didn't go to work. |
| 01:02:51 |
"Says they, 'You can't use the car, |
| 01:02:55 |
"Sometimes I wonder what |
| 01:02:58 |
"There ain't no cure for |
| 01:04:13 |
"I'm going to take two weeks, |
| 01:04:21 |
"Going to take my problems |
| 01:04:28 |
"Well, I went to my Congressman. |
| 01:04:32 |
"'... l'd like to help you, son, |
| 01:04:35 |
"Sometimes I wonder |
| 01:04:39 |
"There ain't no cure for |
| 01:06:20 |
Ladies and gentlemen... |
| 01:06:26 |
...The Who! |
| 01:06:34 |
The word I get is that... |
| 01:06:36 |
...maybe the best thing |
| 01:06:39 |
...unless you have a tent |
| 01:06:42 |
...just carve yourself out |
| 01:06:46 |
...say goodnight to your neighbor... |
| 01:06:51 |
...and say thank you to yourself |
| 01:06:54 |
...most pleasant day anybody has |
| 01:07:07 |
Well, music is a thing that... |
| 01:07:08 |
Well, you're obviously |
| 01:07:10 |
Oh, that's good, that's a basic |
| 01:07:12 |
...there are a lot of girls here |
| 01:07:14 |
...a lot freer than, |
| 01:07:18 |
I'm sure there's going |
| 01:07:21 |
Well, you bring your own coals |
| 01:07:23 |
Are you two going together |
| 01:07:28 |
We've lived together for about |
| 01:07:32 |
You know, with a lot of other people. |
| 01:07:34 |
...a communal thing, or someone |
| 01:07:37 |
But it's just, we just live together... |
| 01:07:40 |
...and so we just decided to come down |
| 01:07:44 |
And like there's nothing, I mean, |
| 01:07:47 |
We're not necessarily going to be |
| 01:07:49 |
So you're not particularly |
| 01:07:53 |
Are you two going together? |
| 01:07:56 |
But you two came up here together. |
| 01:07:58 |
You like that? |
| 01:07:59 |
Yeah, I like her. |
| 01:08:03 |
What do you think about all this? |
| 01:08:05 |
Well, the way I look at it... |
| 01:08:07 |
...like I've known Jerry for what? |
| 01:08:12 |
When he moved into the family group... |
| 01:08:14 |
...that I was alr... |
| 01:08:18 |
...in that time, I got to know him |
| 01:08:24 |
Like, you know, we ball |
| 01:08:27 |
...it's really a pretty good thing because |
| 01:08:31 |
Because if we're not going together and |
| 01:08:37 |
Can you communicate |
| 01:08:39 |
I can communicate with |
| 01:08:43 |
Now that I've been away |
| 01:08:45 |
But at first it was very rough. |
| 01:08:48 |
...they, you know, they're beginning |
| 01:08:51 |
It's not so hard on them I'm the way I am. |
| 01:08:54 |
But I can't really communicate to them... |
| 01:08:56 |
...about anything that's really important |
| 01:08:59 |
My mother is really, she really... |
| 01:09:02 |
...lives in a lot of pain... |
| 01:09:04 |
...because she's sure I'm going to |
| 01:09:06 |
...to tell her that there is, |
| 01:09:12 |
So l, there's no communication |
| 01:09:15 |
My father was asking whether I was in a |
| 01:09:19 |
...in, in the house that I lived in. |
| 01:09:22 |
I could understand, you know, where |
| 01:09:26 |
...well, he's an immigrant, you know. |
| 01:09:27 |
And so he came over here |
| 01:09:29 |
...economically and so forth, |
| 01:09:32 |
And, to make it better for me and he can't |
| 01:09:36 |
...saying, "Why aren't |
| 01:09:39 |
"Here's all this opportunity. |
| 01:09:41 |
...which have so much value." |
| 01:09:43 |
But they only have value to him... |
| 01:09:45 |
...and he can't understand |
| 01:09:47 |
But he does have wisdom enough |
| 01:09:54 |
I guess he had some kind of |
| 01:09:57 |
...I will, by doing what I'm doing, |
| 01:10:01 |
And that's what he wants me to do, |
| 01:10:03 |
So he, he can't understand |
| 01:10:06 |
...but he, he very much wants |
| 01:10:08 |
Because he knows that's |
| 01:10:10 |
He started his trip when |
| 01:10:13 |
Really? |
| 01:10:14 |
Nothing to do with drugs or anything? |
| 01:10:17 |
Me, neither. |
| 01:10:19 |
Do you think that's a cop-out or...? |
| 01:10:21 |
l, I don't know. L, I used |
| 01:10:27 |
...I was very heavy on drugs, but... |
| 01:10:29 |
...now it seems like |
| 01:10:32 |
It's like drugs and revolution |
| 01:10:38 |
You know, I'm a human being and that's |
| 01:10:42 |
...I don't want to have a mass change... |
| 01:10:44 |
...because a mass change only brings |
| 01:10:48 |
I just want to be myself and find |
| 01:10:54 |
...maintain some kind of |
| 01:10:58 |
I'm kind of like the Hamlet trip, |
| 01:11:01 |
Do you think you could ever communicate |
| 01:11:05 |
I hope so. |
| 01:11:06 |
They're doing their thing, aren't they? |
| 01:11:09 |
I don't know. It's like they, |
| 01:11:13 |
...having fun as they say in |
| 01:11:16 |
They could say the same thing of you. |
| 01:11:17 |
Yeah, right. But it's not true, because, |
| 01:11:22 |
Where I can just, I can just sit |
| 01:11:26 |
...and l, I don't have to become |
| 01:11:28 |
And I don't have to go all that way up. |
| 01:11:31 |
I don't have to make the climb. |
| 01:11:34 |
Because there's nothing to climb for. |
| 01:11:38 |
Do you have tickets to this thing? |
| 01:11:40 |
No. |
| 01:11:41 |
How are you going to get in? |
| 01:11:46 |
I don't really know. |
| 01:11:50 |
I figured, you know, once I got here... |
| 01:11:51 |
...l'd see whatever happens |
| 01:11:55 |
It's like people that are nowhere |
| 01:11:57 |
...because there are people |
| 01:11:59 |
...so everybody is really looking for, |
| 01:12:03 |
Where there isn't one. |
| 01:12:06 |
Why would three hundred thousand... |
| 01:12:08 |
...or a hundred and |
| 01:12:09 |
...seventy thousand people come |
| 01:12:13 |
I mean, was music all that important? |
| 01:12:18 |
People don't know, they don't know how |
| 01:12:21 |
...and they think that if they... |
| 01:12:23 |
...can come here they can find out. |
| 01:12:25 |
...or how to maintain with it. |
| 01:12:28 |
It's just like people |
| 01:12:33 |
America leads the whole |
| 01:12:42 |
Very recently, when |
| 01:12:46 |
...the grandson of Mahatma Gandhi... |
| 01:12:51 |
...met me and asked me... |
| 01:12:55 |
...what's happening in America? |
| 01:13:00 |
And I said, |
| 01:13:03 |
"America is becoming a whole." |
| 01:13:08 |
"America is helping everybody..." |
| 01:13:13 |
"...in the material field..." |
| 01:13:16 |
"...but the time has come for |
| 01:13:22 |
"...with spirituality, also." |
| 01:13:50 |
"At the hop..." |
| 01:13:51 |
"...we can rock to and fro and |
| 01:13:55 |
"When the records are playing, |
| 01:13:57 |
"...at the hop, hop, hop." |
| 01:13:59 |
"If you've got a little chicken, share |
| 01:14:02 |
"Oh, baby, hop! Let's go to the hop. |
| 01:14:06 |
"Oh, baby, let's go to the hop! |
| 01:14:23 |
"Well, let us go now. Let's go to the |
| 01:14:27 |
"Let's go to the hop, oh, baby. |
| 01:14:31 |
"Go, go, let's go to the hop! |
| 01:14:45 |
"We will go rocking and rolling |
| 01:14:48 |
"When the records are playing and the |
| 01:15:06 |
"Oh, let's go now. |
| 01:15:08 |
"Let's go to the hop, oh baby. |
| 01:15:13 |
"Come on, let's go to the hop. |
| 01:15:42 |
Ladies and gentlemen, |
| 01:15:44 |
Harold, turn up the mike. |
| 01:15:49 |
Now, very slowly, start coming back up. |
| 01:15:52 |
Lower the lock and |
| 01:16:04 |
And then keep breathing |
| 01:16:08 |
Then exhale. |
| 01:16:14 |
And relax. Then just feel the energy. |
| 01:16:19 |
These, these are all beginning |
| 01:16:24 |
Yoga means union. |
| 01:16:26 |
It's the same energy force that |
| 01:16:30 |
Right? It's, it's the same channels... |
| 01:16:31 |
...only drugs do it for you |
| 01:16:35 |
You can do it when you want to... |
| 01:16:37 |
...and you don't have to score |
| 01:16:38 |
All you've got to score is some clean air. |
| 01:16:41 |
I learned it in Los Angeles. |
| 01:16:42 |
And there was only a couple of months |
| 01:16:48 |
That's hard, too, these days. |
| 01:16:49 |
But while there's still some |
| 01:16:52 |
...experiment with it like those guys |
| 01:16:56 |
...at least six thousand years |
| 01:17:02 |
The Kundalini nerve, it's |
| 01:17:04 |
You can't dissect it. It's a current |
| 01:17:09 |
I don't know if any of you |
| 01:17:11 |
...and crossed your legs and smoked |
| 01:17:14 |
But what happens to me is this big thing... |
| 01:17:15 |
...goes "uuurrrah" up my spine! |
| 01:17:20 |
Well apparently, that's what is going |
| 01:17:25 |
It takes years, I guess, |
| 01:17:28 |
These exercises are exercises to create... |
| 01:17:30 |
...those channels in your body |
| 01:17:34 |
The major block is your solar plexus. |
| 01:17:36 |
That's why we're doing |
| 01:17:39 |
It loosens the solar plexus. |
| 01:17:40 |
And there are blocks in your spine and... |
| 01:17:42 |
...back and wherever you've got blocks, |
| 01:17:47 |
Go within yourself and |
| 01:17:51 |
Make each breath a complete breath. |
| 01:17:54 |
And if you do it right, |
| 01:18:17 |
Just keep up, concentrate on your |
| 01:18:21 |
Roll your toes forward |
| 01:18:40 |
We're going to leave you |
| 01:18:43 |
Only thing I can say, as I said to so |
| 01:18:50 |
...puts it all into focus. It's called |
| 01:18:54 |
Remember it. |
| 01:20:04 |
"What would you do if |
| 01:20:11 |
"...would you stand up |
| 01:20:17 |
"Lend me your ears and |
| 01:20:24 |
"I will try not to sing |
| 01:20:29 |
"Oh, I'll get by..." |
| 01:20:31 |
"...with a little help from my friends." |
| 01:20:34 |
"Well, I never come up alive." |
| 01:20:40 |
"Hey, there are so many ways." |
| 01:20:46 |
"Well, I'm going back |
| 01:20:55 |
"What do I do when my love is away?" |
| 01:21:01 |
"Does it worry you to be alone?" |
| 01:21:05 |
"Ho, no, no." |
| 01:21:08 |
"How do I feel at the end of the day?" |
| 01:21:13 |
"Are you sad because |
| 01:21:18 |
"I'll tell, never say it any more." |
| 01:21:21 |
"Going to get a little |
| 01:21:26 |
"I've got to buy favors for them." |
| 01:21:32 |
"Don't bother about the love I gave." |
| 01:21:37 |
"Help me find my way." |
| 01:21:50 |
"Do you need anybody?" |
| 01:21:56 |
"Oh, I need someone to love." |
| 01:22:02 |
"Could it be anybody?" |
| 01:22:07 |
"Oh, I need somebody..." |
| 01:22:11 |
"...to dream about. I know her." |
| 01:22:20 |
"Oh, I love her." |
| 01:22:27 |
"Well, I'm going there, |
| 01:22:33 |
"Then I'm going to say |
| 01:22:40 |
"Don't you know I care for my friends?" |
| 01:22:48 |
"Would you believe in |
| 01:22:56 |
"I'm sure that it happens all the time." |
| 01:23:00 |
"You know it does." |
| 01:23:01 |
"What do you see when |
| 01:23:08 |
"I don't see nothing." |
| 01:23:18 |
"I told you I get a lift, I've got |
| 01:23:25 |
"Nobody cares the way I feel now." |
| 01:23:31 |
"Oh, I sat there all alone." |
| 01:23:44 |
"Do you need anybody?" |
| 01:23:53 |
"Oh, Lord, I don't need anybody." |
| 01:23:57 |
"Could it be that you're lonely?" |
| 01:24:00 |
"Oh, Lord, I love her. I'll stand by." |
| 01:24:05 |
"Going to dream about her, I know I am." |
| 01:24:09 |
"Somebody said, 'Oh, I love her'." |
| 01:24:26 |
"I've got to get my friends, I've |
| 01:24:33 |
"Don't you know I said, |
| 01:24:42 |
"...l've got to get |
| 01:24:49 |
"All I've got to do is that now." |
| 01:25:01 |
"I'm going to take them |
| 01:25:07 |
"You've got to get |
| 01:25:12 |
"...you've got to get |
| 01:25:18 |
"Nobody goes away..." |
| 01:25:23 |
"...nobody goes away, yeah." |
| 01:25:27 |
"You've got your friends, |
| 01:25:31 |
"...you've got your friends, yeah." |
| 01:26:10 |
"With a little help from my friends." |
| 01:26:13 |
"Got to have love from my friends." |
| 01:26:33 |
The Grease Band and myself |
| 01:26:38 |
See you again! Beautiful! |
| 01:27:12 |
It looks like we're going to get a |
| 01:27:16 |
If it does and if we should have |
| 01:27:21 |
...just cool it out. We'll sit |
| 01:27:29 |
All right, everybody, just sit down, |
| 01:27:32 |
We're going to have to ride it out. |
| 01:27:37 |
Hold on to your neighbor, man. |
| 01:27:41 |
Please get off those towers! |
| 01:27:52 |
Please move away from the towers. |
| 01:27:56 |
Everybody who is in the |
| 01:28:02 |
We have to get away from these towers. |
| 01:28:05 |
Please move away from the towers! |
| 01:28:09 |
Put the mike stands down on the floor. |
| 01:28:15 |
Let's keep it nice and cool. |
| 01:28:18 |
We'll be back with Country Joe in just |
| 01:28:22 |
Okay, so come on down off the towers. |
| 01:28:29 |
Hey, if you think really hard, |
| 01:28:36 |
Please move away from the towers. |
| 01:28:42 |
Jody, get off the stage. |
| 01:28:50 |
The wind is blowing this way. |
| 01:28:54 |
Everyone in the back, please move back. |
| 01:29:02 |
I see it. Please move |
| 01:29:16 |
I think the wind has run through it. |
| 01:29:24 |
Give us some room. Go slowly, |
| 01:29:28 |
Just move away from those towers! |
| 01:29:29 |
We don't want one |
| 01:29:35 |
That's it. Everybody just help get |
| 01:29:39 |
And look up, very seriously. Let's |
| 01:29:44 |
No rain! No rain! No rain! |
| 01:30:00 |
Keep thinking it! |
| 01:30:05 |
It's going to blow through. |
| 01:30:06 |
Try and keep yourselves comfortable. |
| 01:30:10 |
Hey, cut the power off |
| 01:30:12 |
What do you want? |
| 01:30:18 |
We're going to have to turn off |
| 01:30:21 |
Hang in there with us. |
| 01:30:45 |
Let me get down with the mike. |
| 01:31:57 |
Oh, can I talk to you a minute? |
| 01:31:59 |
Sure. What do you want to know? |
| 01:32:01 |
Do you like the rain? |
| 01:32:02 |
Yes, yes. It's nice. |
| 01:32:05 |
What are you thinking about? |
| 01:32:08 |
Definitely not. It's great! Just a |
| 01:32:11 |
You, at least, you don't have |
| 01:32:16 |
Groovy! I dig it! I dig it! |
| 01:32:19 |
Do you think it's coming off well |
| 01:32:22 |
Yes. The only, the only |
| 01:32:38 |
Does this discourage you at all? |
| 01:32:43 |
Mud. A drag! |
| 01:32:45 |
I can't believe it! |
| 01:32:52 |
Do you feel discouraged at all, |
| 01:32:55 |
It's a bummer! |
| 01:32:56 |
It's fine. |
| 01:33:08 |
Peace, brother! |
| 01:33:22 |
I've got something to say. |
| 01:33:23 |
I want to know how come the Fascist |
| 01:33:26 |
Right! For the last hour and a half. |
| 01:33:27 |
Going over twice with that, with all... |
| 01:33:29 |
...with all the smoke coming out of them, |
| 01:33:32 |
I want to know, know why that |
| 01:33:35 |
And why doesn't the media |
| 01:33:39 |
You want to talk about what's happened? |
| 01:33:40 |
I'm telling you these planes... |
| 01:33:41 |
...come over an hour and a half |
| 01:33:44 |
This is the second time |
| 01:33:50 |
I don't know what they |
| 01:33:54 |
What's going on here? |
| 01:34:06 |
Sharon Silverstein, |
| 01:34:10 |
Your father has been taken |
| 01:34:14 |
Please stop at the |
| 01:37:52 |
The first Aquarian Exposition. |
| 01:37:59 |
The forecast for this afternoon is... |
| 01:38:03 |
...intermittent entertainment |
| 01:38:07 |
Somebody was saying this is the |
| 01:38:10 |
There's been no police. |
| 01:38:15 |
If you check the statistics out... |
| 01:38:16 |
...you'll find that... |
| 01:38:17 |
...these people have lived, |
| 01:38:20 |
...have lived together peacefully, |
| 01:38:24 |
...feeling for each other, want, |
| 01:38:28 |
...and wanting to make |
| 01:38:40 |
What are they doing? |
| 01:38:41 |
They're dropping dry, they're |
| 01:38:44 |
Out of that helicopter? |
| 01:38:47 |
You said a moment ago that |
| 01:38:50 |
...that this was a beginning. |
| 01:38:52 |
What do you mean, a beginning? |
| 01:38:55 |
Well, well, look at it! |
| 01:38:57 |
This is the beginning |
| 01:39:02 |
This culture and generation, away from |
| 01:39:08 |
And you see how they |
| 01:39:10 |
Without cops, without guns, |
| 01:39:14 |
Everybody pulls together and everybody |
| 01:39:17 |
It's been working since we got here. |
| 01:39:19 |
And it's going to continue working. |
| 01:39:20 |
And no matter what happens when they |
| 01:39:24 |
And it proves that it can happen. |
| 01:39:27 |
That's what it's all about, you know. |
| 01:39:34 |
Mr. Kornfeld, was, was this |
| 01:39:37 |
From the point of view of |
| 01:39:40 |
It was a financial disaster! |
| 01:39:43 |
Why do you say that? |
| 01:39:45 |
Well, we just opened the gates and let |
| 01:39:49 |
...paid for by the people |
| 01:39:52 |
...or the people that are |
| 01:39:56 |
Uh, paid for by the people |
| 01:39:58 |
The two hundred thousand, of which I |
| 01:40:04 |
No, this was paid for by, by |
| 01:40:09 |
By all the people... |
| 01:40:10 |
...that had the thought that put it |
| 01:40:15 |
...to just be a tool, |
| 01:40:17 |
...like everybody else. |
| 01:40:19 |
You're in the red? |
| 01:40:20 |
Oh? The company? |
| 01:40:22 |
Financially? If you tried |
| 01:40:25 |
...when you're talking |
| 01:40:29 |
...financially, this is a disaster. |
| 01:40:31 |
But you, you, you look so happy! |
| 01:40:33 |
I'm very happy! |
| 01:40:35 |
You can't buy that for anything! |
| 01:40:36 |
Sure, this is really beautiful, man! |
| 01:40:39 |
These people are communicating |
| 01:40:41 |
That, that rarely happens |
| 01:40:44 |
It has nothing to do with money. |
| 01:40:49 |
You have to realize |
| 01:40:51 |
...that I've gone through in the last, |
| 01:40:54 |
In the last three million years |
| 01:40:59 |
What do you mean, the turnabout |
| 01:41:00 |
Just to see, just to really realize, |
| 01:41:07 |
The fact that, that if we can all |
| 01:41:10 |
...if you have to be afraid |
| 01:41:13 |
...if you have to be afraid |
| 01:41:19 |
...what kind of a way is that |
| 01:41:27 |
Marijuana! |
| 01:41:29 |
Ladies and gentlemen, please welcome |
| 01:41:48 |
Good afternoon, ladies and gentlemen. |
| 01:41:51 |
We're certainly delighted |
| 01:41:54 |
I'd like to start off |
| 01:41:56 |
...by giving you a taste |
| 01:41:59 |
...rock and soul music. |
| 01:42:57 |
"Oh, your love is like a rainbow..." |
| 01:42:59 |
"...your love is like a |
| 01:43:02 |
"...your love is like |
| 01:43:05 |
"...your love is like a rainbow, |
| 01:43:10 |
"...performing all around my shoulders." |
| 01:43:12 |
"You know that your love |
| 01:43:16 |
"...falling all around my shoulders. |
| 01:43:21 |
"...you know I do!" |
| 01:43:30 |
A lot of freaks! |
| 01:43:49 |
"Coming in from London |
| 01:43:54 |
"...flying in a big airliner..." |
| 01:43:58 |
"...chickens flying everywhere |
| 01:44:02 |
"Could we ever feel much finer..." |
| 01:44:07 |
"...coming into Los Angeles..." |
| 01:44:11 |
"...bringing in a couple of keys?" |
| 01:44:15 |
"Don't touch my bags, if you |
| 01:44:24 |
"A guy with a ticket to Mexico..." |
| 01:44:28 |
"...no, he couldn't |
| 01:44:32 |
"...walking in a hall with |
| 01:44:37 |
"...smiling, said he |
| 01:44:41 |
"Coming into Los Angeles..." |
| 01:44:45 |
"...bringing in a couple of keys." |
| 01:44:50 |
"Don't touch my bags, if you |
| 01:45:31 |
"There's a hip woman walking |
| 01:45:36 |
"...tripping on the escalator." |
| 01:45:39 |
"There's a man in the line, |
| 01:45:44 |
"...thinking that he's |
| 01:45:49 |
"Coming into Los Angeles..." |
| 01:45:53 |
"...bringing in a couple of keys." |
| 01:45:57 |
"Don't touch my bags, if you |
| 01:46:06 |
"Coming in from London from |
| 01:46:10 |
"...flying in a big air liner..." |
| 01:46:13 |
"...chickens flying |
| 01:46:18 |
"Could we ever feel much finer?" |
| 01:46:23 |
Folk music has come a |
| 01:46:25 |
It used to be the walk down |
| 01:46:28 |
It's incredible. I heard the |
| 01:46:32 |
This morning we heard |
| 01:46:34 |
...on Route Seventeen |
| 01:46:36 |
Right. Well, the New York |
| 01:46:38 |
It's incredible! |
| 01:46:39 |
Isn't that far out? |
| 01:47:00 |
I don't know if you, |
| 01:47:02 |
...of you can dig how many people |
| 01:47:06 |
Like I was rapping to the fuzz. |
| 01:47:10 |
Man there are supposed to be a |
| 01:47:14 |
Can you dig that? |
| 01:47:15 |
New York State Throughway |
| 01:47:21 |
Yeah, it's far out, man! |
| 01:47:26 |
Hey, man, I've just got to say... |
| 01:47:29 |
...that you people... |
| 01:47:31 |
...have got to be the strongest |
| 01:47:35 |
Three days, man, three days! |
| 01:47:43 |
Tell them who we are. |
| 01:47:44 |
They'll know if you just sing. |
| 01:47:46 |
Test. Forty-nine. Sixty-five. |
| 01:47:55 |
Ladies and gentlemen, please welcome |
| 01:48:13 |
"It's getting to the point..." |
| 01:48:16 |
"...where I'm no fun any more." |
| 01:48:21 |
"I am sorry." |
| 01:48:26 |
"Sometimes it hurts..." |
| 01:48:29 |
"...so badly, I must cry out loud." |
| 01:48:34 |
"l, l, I am lonely." |
| 01:48:37 |
"I am yours, you are mine." |
| 01:48:41 |
"You are what you are." |
| 01:48:44 |
"You make it hard." |
| 01:48:52 |
"Remember what we said and did..." |
| 01:48:57 |
"...and felt about each other." |
| 01:49:01 |
"Oh, babe, have mercy." |
| 01:49:06 |
"Don't let the past remind |
| 01:49:13 |
"l, l, I am not dreaming." |
| 01:49:17 |
"I am yours, you are mine." |
| 01:49:21 |
"You are what you are." |
| 01:49:24 |
"You make it hard." |
| 01:49:36 |
"Tearing yourself away from me now." |
| 01:49:42 |
"You are free, and I am crying." |
| 01:49:50 |
"This does not mean I don't love you." |
| 01:49:54 |
"I do. That's forever, baby." |
| 01:49:58 |
"Yes, and for always." |
| 01:50:01 |
"I am yours, you are mine." |
| 01:50:05 |
"You are what you are." |
| 01:50:08 |
"You make it hard." |
| 01:50:13 |
"Something inside is telling |
| 01:50:21 |
"Are you still listening?" |
| 01:50:26 |
"Here is the lock and latch |
| 01:50:34 |
"Yes, and I love you." |
| 01:50:37 |
"I am yours, you are mine." |
| 01:50:41 |
"You are what you are." |
| 01:50:44 |
"You make it hard, hard..." |
| 01:50:51 |
"...and you make it hard, |
| 01:51:06 |
"Friday evening..." |
| 01:51:12 |
"...Sunday in the afternoon..." |
| 01:51:20 |
"...what have you got to lose?" |
| 01:51:29 |
"Tuesday morning..." |
| 01:51:35 |
"...please be gone. I'm tired of you." |
| 01:51:43 |
"What have you got to lose?" |
| 01:51:50 |
"Can I tell it like it is?" |
| 01:51:54 |
"Listen to me, baby..." |
| 01:51:58 |
"...it's my heart..." |
| 01:52:01 |
"...that's a sad feeling in your |
| 01:52:11 |
"I've got an answer." |
| 01:52:18 |
"I'm going to try and play." |
| 01:52:25 |
"What have I got to lose?" |
| 01:52:34 |
"Please come see me..." |
| 01:52:41 |
"...Thursdays and Saturdays." |
| 01:52:48 |
"What have you got to lose?" |
| 01:53:33 |
"Chestnut brown canary..." |
| 01:53:37 |
"...ruby-throated sparrow..." |
| 01:53:40 |
"...sing a song, don't be long, |
| 01:54:03 |
"Lacy, lilting, eerie." |
| 01:54:06 |
"Ring around the moonlight." |
| 01:54:09 |
"Asking me, said she so free..." |
| 01:54:12 |
"...'How can you catch the sparrow?"' |
| 01:54:31 |
"Lacy, lilting, eerie." |
| 01:54:35 |
"Oozing life, not lamenting." |
| 01:54:39 |
"Change my life, make it right. |
| 01:56:13 |
Thank you. We needed that! |
| 01:56:16 |
This is our second gig. |
| 01:56:19 |
...we've ever played |
| 01:56:21 |
We're scared shitless! |
| 01:56:39 |
That's near enough for jazz. |
| 01:56:49 |
This is a thing called |
| 01:57:20 |
"Going home, my baby." |
| 01:57:32 |
"My baby, baby, I'm going home." |
| 01:57:37 |
"Baby, baby, I'm going home." |
| 01:57:41 |
"Baby, baby, I said I'm going home." |
| 01:57:45 |
"Going home, my baby." |
| 01:57:49 |
"Go home, my baby." |
| 01:57:53 |
"'Go home, baby, I'm going." |
| 01:58:09 |
"My baby, see my baby around." |
| 01:58:13 |
"See my baby, see my baby around." |
| 01:58:17 |
"Love you, baby, |
| 01:58:21 |
"Going home, see my baby." |
| 01:58:25 |
"I'm going home now, see my baby." |
| 01:58:29 |
"Oh, baby, baby, see my wife." |
| 01:58:42 |
"Ohh! Baby, going to have more fun." |
| 01:58:44 |
"Baby, you don't go..." |
| 01:58:46 |
"...baby, if we don't go..." |
| 01:58:50 |
"If you don't go..." |
| 01:58:53 |
"...baby, we don't go. |
| 01:58:56 |
"I love my baby with the red dress on." |
| 01:59:04 |
"I'm going to shake it on a great big |
| 01:59:17 |
"Go back, baby, baby, I want |
| 01:59:21 |
"I love you, baby, Lord knows I do." |
| 01:59:25 |
"I love you, baby, God knows I do." |
| 01:59:29 |
"We're going steady, doll, |
| 01:59:42 |
"Go on, baby, I love that way you walk." |
| 01:59:46 |
"One for the money, two for the show. |
| 01:59:51 |
"Don't you step on my blue suede shoes." |
| 01:59:54 |
"You can do anything, baby, but |
| 01:59:57 |
"Well, back it up, down in front." |
| 02:00:02 |
"I've got a baby, mean as she can be." |
| 02:00:06 |
"Not now, my baby, don't be mean to me." |
| 02:00:09 |
"Yeah, I'm coming on, baby. |
| 02:00:14 |
"Climbing on, baby. Oh, I'm |
| 02:00:18 |
"Well, baby, I'm not sitting. |
| 02:00:22 |
"Well, shake up, baby, shake. |
| 02:00:26 |
"Shake up, baby, shake. |
| 02:00:31 |
"Well, love you, baby. |
| 02:00:42 |
"Oh, baby, I love that way you walk." |
| 02:00:50 |
"I'll sit you right down, |
| 02:00:54 |
"Whoa, baby, I've got a craving." |
| 02:01:11 |
"I love you, baby, like God knows I do." |
| 02:01:19 |
"Take your love, baby, |
| 02:01:22 |
"Oh, do the stomp, do the stomp." |
| 02:01:55 |
"I gave my baby, I gave one more time." |
| 02:01:58 |
"Yeah, you quit, I'm |
| 02:02:03 |
"I'm going home. |
| 02:02:08 |
"Oh, baby, I played the blues for you." |
| 02:03:35 |
"Yeah, I love you, baby, |
| 02:03:45 |
"Baby, I love you so." |
| 02:03:59 |
"I'm going home, I'm going home." |
| 02:04:20 |
"Love you, baby. |
| 02:04:24 |
"I'm going home." |
| 02:05:01 |
"Love you, baby. I'm going home." |
| 02:05:21 |
"Look out, baby! I'm coming to get you! |
| 02:05:41 |
"Yeah, home, baby. |
| 02:06:44 |
"Going home. I'm going home. |
| 02:07:03 |
"I'm going home, home, home, my baby." |
| 02:07:15 |
"Going home to see my mama!" |
| 02:07:41 |
Ten Years After! |
| 02:07:50 |
Please a warm thank you |
| 02:08:54 |
Alright friends, now you have seen |
| 02:08:56 |
...now you will see morning maniac music. |
| 02:08:59 |
Believe me. |
| 02:09:01 |
It's a new dawn. |
| 02:09:05 |
The regular guys. |
| 02:14:37 |
Don't you get a dial tone, or anything? |
| 02:14:40 |
Yeah, there are some toilets around here, |
| 02:14:43 |
...like they had in Newport. |
| 02:14:47 |
You ask for somebody that doesn't exist... |
| 02:14:48 |
...and then they don't accept the charges |
| 02:14:51 |
You cheat the telephone company. |
| 02:14:54 |
Oh, yeah. I'm fine, man. |
| 02:14:57 |
We don't take the car. We walk. |
| 02:15:01 |
It's the only way to get there. |
| 02:15:05 |
Why? Because my mother wants |
| 02:15:12 |
I'm going to call my mother |
| 02:15:15 |
...oh, they think this is going to be |
| 02:15:18 |
Like I'm going to get my head beaten in. |
| 02:15:20 |
They're terrified. So I'm going to call |
| 02:15:23 |
..."Ha-ha, I fooled you. I'm alive!" |
| 02:15:25 |
They've got, they've, you don't even |
| 02:15:27 |
...or anything, because they're not |
| 02:15:31 |
There's no way they can. |
| 02:15:33 |
They've got a fence |
| 02:15:35 |
...and there are people |
| 02:15:36 |
It's really beautiful. |
| 02:15:39 |
I'll try. It's like I say, really, |
| 02:15:44 |
It, it's just swarming! What? |
| 02:15:47 |
Out, out on the ground. |
| 02:15:51 |
It was nice. We got wet. |
| 02:15:56 |
All I miss is the bathtub. |
| 02:15:58 |
Okay. Goodbye. |
| 02:16:01 |
I didn't even finish |
| 02:16:06 |
It's so great in some ways |
| 02:16:09 |
Look at the people you're meeting. |
| 02:16:16 |
It's ridiculous! |
| 02:16:19 |
It's getting worse every time. |
| 02:16:20 |
There is no water. No water, |
| 02:16:24 |
Why don't we pray for rain? |
| 02:16:25 |
They're telling everybody to go home. |
| 02:16:28 |
Oh, that's rot! |
| 02:16:30 |
You should see, |
| 02:16:35 |
Who are you calling? |
| 02:16:37 |
My mother. |
| 02:16:47 |
Somebody may have noticed, |
| 02:16:51 |
...a familiar colored |
| 02:16:54 |
The United States Army has |
| 02:16:59 |
...and giving us a hand. |
| 02:17:02 |
They're with us, man. |
| 02:17:04 |
They're here to give us all |
| 02:17:08 |
And for that they deserve it. |
| 02:17:17 |
There are forty-five doctors |
| 02:17:19 |
I know at least forty-five... |
| 02:17:21 |
...who are here without pay |
| 02:17:30 |
Look, it's acid and shit like that. |
| 02:17:36 |
Yeah, another guy died. |
| 02:17:40 |
The army is really doing |
| 02:17:43 |
All those guys calling them pigs |
| 02:17:46 |
They've done a good job. |
| 02:17:50 |
Dr. Jack Maitland, please, |
| 02:17:54 |
...your presence is requested. |
| 02:17:57 |
You've got a delivery to make! |
| 02:18:04 |
Marilyn Cohen. Wherever |
| 02:18:08 |
...Greg wants you to meet him |
| 02:18:10 |
...because he wants to marry you! |
| 02:18:14 |
There goes Marilyn! |
| 02:18:17 |
About how long does it take to...? |
| 02:18:21 |
Well, before it was |
| 02:18:23 |
And they've been working at it |
| 02:18:25 |
...that think they can come here |
| 02:18:28 |
And they're stopping them in Monticello |
| 02:18:31 |
...so it's really getting to be a mess. |
| 02:18:34 |
So, you know what I would do? |
| 02:18:37 |
There's no gas in the gas stations. |
| 02:18:40 |
Because this is the third |
| 02:18:44 |
So I would wait, you know? |
| 02:18:48 |
Until when? |
| 02:18:49 |
Until this traffic starts clearing up. |
| 02:18:52 |
You know, like Monday morning. |
| 02:18:54 |
I've got to be in North |
| 02:18:57 |
Oh, wow! Do you? Why? A job? |
| 02:19:01 |
Well, like what? This has been declared |
| 02:19:04 |
Because I called |
| 02:19:06 |
...and asked some cats there |
| 02:19:08 |
...it definitely has been declared |
| 02:19:12 |
Is there any way to get out? |
| 02:19:13 |
They're trying to evacuate it today. |
| 02:19:17 |
So maybe late tonight, you know. |
| 02:19:20 |
How are they going to evacuate? |
| 02:19:22 |
We're not sure. I think they're trying |
| 02:19:25 |
...and just direct the cars to get out. |
| 02:19:26 |
I mean, you can try it. |
| 02:19:29 |
I mean, like it's all up to you, man. |
| 02:19:32 |
But if your car gets, you know... |
| 02:19:34 |
Yeah, if you run out of gas somewhere, |
| 02:19:36 |
You're screwed. |
| 02:19:37 |
Yeah, I mean, like you'd be even more |
| 02:19:39 |
...than you are here, because... |
| 02:19:41 |
...at least here there |
| 02:19:44 |
I have to get out of here because |
| 02:19:48 |
And I can't leave because |
| 02:19:52 |
And I can't, I can't stay here |
| 02:20:03 |
We are only taking drastic emergencies. |
| 02:20:05 |
Nobody worries. Nobody up here |
| 02:20:07 |
You could live and eat here a week |
| 02:20:09 |
I know, but I've got to |
| 02:20:11 |
You can get a ride to California, too. |
| 02:20:13 |
You know, everybody here, it's the |
| 02:20:16 |
You just have to dig it and live with it. |
| 02:20:22 |
About thirty hours, at least. |
| 02:20:25 |
Thirty hours straight? No naps? |
| 02:20:29 |
Are you on speed? |
| 02:20:31 |
No, I'm not on anything. |
| 02:20:34 |
Blind faith? |
| 02:20:37 |
Blind Faith is a groovy group. |
| 02:20:40 |
You wouldn't believe some of |
| 02:20:44 |
They're really spaced out. Last night, |
| 02:20:50 |
..."If anger is red and envy is |
| 02:20:56 |
And I mean he's really spaced out! |
| 02:20:57 |
And you just don't go fucking people's |
| 02:21:00 |
So I said, uh, "Black, right? |
| 02:21:05 |
He says, "Yeah, but it's got to be |
| 02:21:08 |
And I said, "Green, because after all, |
| 02:21:11 |
"Except that envy is over things |
| 02:21:14 |
"A lot of people treat other people as, |
| 02:21:16 |
And he says, "Wow! Groovy!" |
| 02:21:18 |
And he walks off |
| 02:21:20 |
Another cat comes up and he asks me |
| 02:21:27 |
Did he have wild eyes? |
| 02:21:29 |
He was speeding. Really groovy. |
| 02:21:32 |
And all the people that come up here |
| 02:21:35 |
...if we can page |
| 02:21:38 |
I mean, like right now |
| 02:21:42 |
I lost her. She was on, uh, on mesc. |
| 02:21:46 |
And I lost her during |
| 02:21:52 |
I've got her tickets home. |
| 02:21:57 |
She's all right. |
| 02:21:58 |
Sure she is. |
| 02:21:59 |
It's just that I'd like to see her |
| 02:22:02 |
She's got to be back Monday for Court. |
| 02:22:05 |
Otherwise, you know, I wouldn't care. |
| 02:22:08 |
Otherwise, I'd probably |
| 02:26:51 |
City McGee... |
| 02:26:54 |
...please come immediately |
| 02:26:56 |
I understand your wife is having a baby. |
| 02:27:06 |
John Sebastian! |
| 02:27:25 |
This is really a mind |
| 02:27:28 |
I've never seen anything like this, man! |
| 02:27:35 |
It's Newport, right? But they owned it. |
| 02:27:39 |
It was something else! |
| 02:27:43 |
Just love everybody around you, |
| 02:27:46 |
...on your way out and everything |
| 02:27:53 |
And Chip. My man, Chip. |
| 02:27:58 |
He says to look out for the fence, too, |
| 02:28:03 |
Like the, the press can only, can only say |
| 02:28:10 |
And it's looking like there |
| 02:28:13 |
This is going to work! |
| 02:28:18 |
I'd like to hear a tune about... |
| 02:28:21 |
...I guess about those discussions |
| 02:28:25 |
...small circles of friends |
| 02:28:30 |
...around pipes, when they weren't |
| 02:28:34 |
...and we weren't walking around this |
| 02:28:40 |
...not being afraid. |
| 02:28:43 |
There's a cat, and I really don't even |
| 02:28:45 |
...but I remember |
| 02:28:50 |
...his old lady just had a baby and that |
| 02:28:53 |
Wow, it really is a city here! |
| 02:28:59 |
But this is, this is for you |
| 02:29:05 |
That kid is going to be far out! |
| 02:29:19 |
"Why must every generation |
| 02:29:26 |
"And no matter where their heads are, |
| 02:29:32 |
"Because I swore when I was small, |
| 02:29:38 |
"...I knew what's wrong with them, |
| 02:29:47 |
"I determined to remember |
| 02:29:53 |
"...like sun-showers are legal |
| 02:29:59 |
"I know I have forgotten |
| 02:30:06 |
"...but I hope that I recall them |
| 02:30:12 |
"And I know he'll have |
| 02:30:18 |
"...like, 'Hey, Pop, can |
| 02:30:23 |
"...that goes two hundred |
| 02:30:27 |
"...suspended on balloons?"' |
| 02:30:30 |
"'And I can put a droplet of |
| 02:30:36 |
"...and imagine frothing dragons |
| 02:30:42 |
"And I must be permissive..." |
| 02:30:45 |
"...understanding the |
| 02:30:55 |
"...and then I'll know |
| 02:31:03 |
"...and then I'll know that |
| 02:31:11 |
"...then I'll know that all I've |
| 02:31:17 |
"...and all my deepest worries |
| 02:31:23 |
"...and still I'll try to tell |
| 02:31:30 |
"...relating to what he can |
| 02:31:36 |
"...and still he'll stick |
| 02:31:42 |
"...and, 'Hey, Pop, my girl |
| 02:31:48 |
"...she's got her own bitty |
| 02:31:54 |
"...and now that we're best friends, |
| 02:32:00 |
"'But what's the matter, Daddy? |
| 02:32:06 |
"'Could it be that you can't |
| 02:32:11 |
No, it's not true, because we're |
| 02:32:21 |
Ladies and gentlemen, John Sebastian! |
| 02:32:41 |
Give me an "F"! |
| 02:32:43 |
Give me a "U"! |
| 02:32:45 |
Give me a "C"! |
| 02:32:47 |
Give me a "K"! |
| 02:32:49 |
What does that spell? |
| 02:32:50 |
Fuck! |
| 02:34:18 |
Sing it! |
| 02:35:42 |
More! More! |
| 02:35:44 |
Country Joe! |
| 02:36:05 |
Sir? You live here? |
| 02:36:07 |
I sure as hell do! |
| 02:36:08 |
Do you mind if we ask |
| 02:36:10 |
I'm right here to answer them. |
| 02:36:12 |
Have you been affected by this |
| 02:36:15 |
What? We lost all of our milk. |
| 02:36:19 |
We're just trying to put together a film, |
| 02:36:25 |
You know, from all sides. |
| 02:36:27 |
How do you feel about it? |
| 02:36:28 |
Do you want me to |
| 02:36:30 |
A shitty mess! |
| 02:36:31 |
Tell me, in what way? |
| 02:36:34 |
No bathrooms. |
| 02:36:35 |
Our hundred fifty acres. |
| 02:36:38 |
And we didn't rent to them. |
| 02:36:42 |
Clarence, first tell me |
| 02:36:45 |
Can I ask you a question? |
| 02:36:47 |
Is it okay if we use your telephone? |
| 02:36:49 |
Oh, we have none. It's out. |
| 02:36:51 |
This is a disaster area. |
| 02:36:53 |
It's been out since yesterday morning. |
| 02:36:55 |
Water? |
| 02:36:56 |
Water I can give you. |
| 02:36:58 |
And I'm sorry the phone has been |
| 02:37:01 |
It's a disgraceful mess, if |
| 02:37:03 |
What, specifically, has happened to you? |
| 02:37:05 |
My fields are all cut up. |
| 02:37:10 |
Our cows, the milk truck didn't get here. |
| 02:37:14 |
May I ask you how much money |
| 02:37:17 |
I have no, no conception. |
| 02:37:19 |
Did you make five thousand dollars? |
| 02:37:21 |
have no idea. |
| 02:37:23 |
It's too private a question? |
| 02:37:24 |
It's, it's not only too private, |
| 02:37:27 |
...to total up the amount |
| 02:37:30 |
...the amount of money we took in. |
| 02:37:32 |
We just, uh, haphazardly |
| 02:37:37 |
...and had it locked up until we had |
| 02:37:41 |
...which would probably be in |
| 02:37:44 |
Would you like to see it again next...? |
| 02:37:45 |
I'd love to see it again! |
| 02:37:48 |
You'd love to see it, though? |
| 02:37:49 |
I can't say the farmers would. |
| 02:37:52 |
Well, it, it's, it's |
| 02:37:54 |
What are your feelings |
| 02:37:55 |
Where there are people, there is garbage. |
| 02:38:01 |
Saturday night we got word |
| 02:38:05 |
...a lot of kids in town |
| 02:38:07 |
Word went out that everybody should |
| 02:38:10 |
We went over to the park... |
| 02:38:12 |
...the village permitted |
| 02:38:16 |
A police car went up the street here |
| 02:38:19 |
...and told the kids to come up there. |
| 02:38:21 |
And we fed them Saturday |
| 02:38:25 |
Excess stuff was taken over to the school |
| 02:38:30 |
How do you feel about them now? |
| 02:38:31 |
Very good. I have a |
| 02:38:34 |
He's out on the Coast, and I felt that |
| 02:38:40 |
If kids are hungry, you've got |
| 02:38:42 |
...maybe we ought to put, we |
| 02:38:45 |
And those kids were all happy. |
| 02:38:48 |
Well, whatever it is... |
| 02:38:49 |
It never should have happened. |
| 02:38:50 |
If pot makes them happy and no trouble... |
| 02:38:52 |
...maybe we ought to put all |
| 02:38:54 |
You want a fifteen-year-old girl |
| 02:38:56 |
What are you, out of your mind? |
| 02:38:58 |
It never should have happened! |
| 02:39:00 |
Do you feel bad about the kids |
| 02:39:02 |
This has nothing to do with... |
| 02:39:04 |
It's the same thing. The same thing. |
| 02:39:05 |
There's no comparison. |
| 02:39:06 |
People get more excited about the kids |
| 02:39:12 |
Fifteen-year-old kids |
| 02:39:14 |
They wanted to. |
| 02:39:15 |
They're all high on pot! |
| 02:39:19 |
Look, maybe if pot made them peaceful, |
| 02:39:28 |
I was giving them water all along the |
| 02:39:31 |
...and they were not on pot! |
| 02:39:33 |
Very lovely children, believe me. |
| 02:39:35 |
They were selling stuff. |
| 02:39:38 |
There's no doubt about it. |
| 02:39:39 |
They had hundreds of kids in that house. |
| 02:39:44 |
If you have four hundred |
| 02:39:46 |
...and you've got two or three hundred... |
| 02:39:50 |
...they were selling these, |
| 02:39:53 |
...which are bad, |
| 02:39:56 |
True, but figure the law of averages. |
| 02:39:57 |
If you took 500 adults and brought |
| 02:40:00 |
...you know what |
| 02:40:03 |
You didn't see any drunks. |
| 02:40:04 |
That's right. There was no fighting. |
| 02:40:09 |
We had to feed them! What the hell |
| 02:40:11 |
There was nothing else to do! |
| 02:40:18 |
Having a good time? |
| 02:40:20 |
Very nice. |
| 02:40:21 |
The water is nice. |
| 02:40:23 |
We were all sitting on a tree |
| 02:40:26 |
And the more people got on it, |
| 02:40:30 |
About a year ago, I wouldn't have |
| 02:40:32 |
...but this is the way to swim! |
| 02:40:35 |
It's the way to go all |
| 02:40:38 |
Think that's going to happen? |
| 02:40:39 |
It's got to happen! |
| 02:40:41 |
You go walking down the street |
| 02:40:43 |
...and it's just the first day, |
| 02:40:47 |
Everybody is free. |
| 02:40:50 |
Everybody is really nude. |
| 02:40:55 |
I don't think, uh, people |
| 02:40:58 |
They come here to dig what's going on. |
| 02:41:01 |
And even if they don't get |
| 02:41:03 |
...being with all the people. |
| 02:41:04 |
You know, you realize all over the |
| 02:41:09 |
You realize that you're not |
| 02:41:11 |
...who are doing the things you are, |
| 02:41:14 |
We're taking over! |
| 02:41:18 |
I think the body is beautiful. |
| 02:41:24 |
I think skinny dipping is just beautiful |
| 02:41:29 |
Some people can't, because all their... |
| 02:41:32 |
...their environment made them, |
| 02:41:36 |
Even though they know in their |
| 02:41:39 |
...it's kind of normal and natural, but |
| 02:41:46 |
Row, row, row! |
| 02:41:55 |
"Row, row, row your boat, |
| 02:41:59 |
"...merrily, merrily, merrily, |
| 02:42:26 |
No, I haven't done |
| 02:42:31 |
Get it pointed in the right direction! |
| 02:42:34 |
Well, did I miss any big spots? |
| 02:42:36 |
Your cheekbone. |
| 02:42:37 |
Here? |
| 02:42:40 |
Why don't you tell me |
| 02:42:43 |
I can't, really, standing |
| 02:42:46 |
Don't worry about it. Don't let it |
| 02:42:50 |
I know, but it's very intimidating. |
| 02:42:55 |
Just tell me anything, like |
| 02:43:00 |
Oh, wow! I don't know. |
| 02:43:03 |
What did you think about the kids? |
| 02:43:04 |
From what I've heard from outside |
| 02:43:08 |
...I was very, very much surprised. |
| 02:43:11 |
...we think the people of this |
| 02:43:15 |
Notwithstanding the way they dress |
| 02:43:18 |
That's their own personal business. |
| 02:43:20 |
But their, their inner workings, |
| 02:43:24 |
...their, their self-demeanor |
| 02:43:27 |
They can't be questioned |
| 02:43:30 |
That's kind of surprising |
| 02:43:33 |
I'm not a cop. I'm a Chief of Police. |
| 02:43:43 |
We've got one more tune for you. |
| 02:52:46 |
Ladies and gentlemen, Santana! |
| 02:53:44 |
"I wanta, I wanta, I wanta, I wanta..." |
| 02:53:50 |
"...take you higher." |
| 02:53:53 |
"Baby, baby, baby, light my fire!" |
| 02:53:58 |
"I'll take you higher." |
| 02:54:24 |
"I wanta, I wanta, I wanta, I wanta..." |
| 02:54:31 |
"...take you higher..." |
| 02:54:39 |
"...take you higher..." |
| 02:55:09 |
"...take you higher!" |
| 02:55:50 |
"I wanta, I wanta take you higher!" |
| 02:56:23 |
"I wanta, I wanta, |
| 02:58:26 |
What we would like to do |
| 02:58:31 |
Now, you see, what usually happens... |
| 02:58:34 |
...you get a group of people |
| 02:58:38 |
...and for some reasons that are not |
| 02:58:44 |
Most of us need approval. |
| 02:58:46 |
Most of us need to get approval |
| 02:58:50 |
...before we can actually let it |
| 02:58:55 |
But what is happening here... |
| 02:58:58 |
...is a sing-along. Now, a lot of |
| 02:59:00 |
...because they feel |
| 02:59:04 |
But you must dig that it is not |
| 02:59:08 |
It is a feeling... |
| 02:59:10 |
...and if it was good in the past, |
| 02:59:14 |
We would like to sing a song |
| 02:59:16 |
...and if we could get everybody |
| 02:59:30 |
"Wanta take you higher!" |
| 02:59:31 |
"Higher!" |
| 02:59:33 |
What I want you to do, is say "higher" |
| 02:59:37 |
It will do you no harm. |
| 02:59:41 |
Still again, some people |
| 02:59:46 |
...because there are situations |
| 02:59:49 |
...to get in on something |
| 02:59:58 |
"I wanta take you higher!" |
| 03:00:00 |
"Higher!" |
| 03:00:01 |
Now, if you'll throw the peace sign up |
| 03:00:05 |
There's a whole lot of people here |
| 03:00:08 |
...might not want to do it... |
| 03:00:09 |
...because they can somehow |
| 03:00:12 |
...they feel there are enough people |
| 03:00:15 |
...and on and on, et cetera. |
| 03:00:21 |
We're going to try higher again, |
| 03:00:24 |
...we'd appreciate it. |
| 03:00:26 |
"Yeah, I wanta take you higher!" |
| 03:00:28 |
"Higher!" |
| 03:00:30 |
"Way upon a hill, I'll take you higher!" |
| 03:00:33 |
"Yeah, I'll take you higher!" |
| 03:02:19 |
"Going to take you higher!" |
| 03:02:21 |
"Higher!" |
| 03:03:47 |
How are you out there? |
| 03:03:56 |
You're staying stoned and |
| 03:03:58 |
...and you've got a place to sleep, |
| 03:10:37 |
Good morning. |
| 03:10:40 |
What we have in mind is breakfast |
| 03:10:48 |
Now, it's not going to be |
| 03:10:53 |
...but it's going to be good food |
| 03:10:56 |
It's not just the Hog Farm, either. |
| 03:10:59 |
It's like the Ohio Mountain family |
| 03:11:01 |
...and everybody else that volunteered... |
| 03:11:04 |
...putting in their time into the free |
| 03:11:08 |
We're all feeding each other. |
| 03:11:12 |
We must be in heaven, man! |
| 03:11:18 |
There's always a little bit |
| 03:11:24 |
So, if you want to make it |
| 03:11:26 |
we'll try and get the food to you. |
| 03:11:29 |
Or if you stay here, we'll |
| 03:11:32 |
Now, there's a guy up there, |
| 03:11:37 |
...had his stand |
| 03:11:41 |
But he's still got a |
| 03:11:43 |
...and for you people that still believe |
| 03:11:47 |
...you might help him out and |
| 03:11:57 |
Okay, here it comes! Mess call! |
| 03:12:18 |
Good morning. |
| 03:12:24 |
Left side of the audience, |
| 03:12:28 |
...that wants to be fed... |
| 03:12:32 |
...has got to slowly move |
| 03:12:37 |
...to the Hog Farm where we've got about |
| 03:12:45 |
If you start your lines going through |
| 03:12:49 |
...going into a line |
| 03:12:52 |
right to where all |
| 03:12:54 |
Helen Hayman, to the front. |
| 03:12:56 |
please go to the pink and white tent |
| 03:13:00 |
And kissing builds up your mouth. |
| 03:13:04 |
Richard Moss and Barbara, meet |
| 03:13:09 |
Cort Ritcher or Greg Hollander, go to |
| 03:13:13 |
Greg's sister has his medicine. |
| 03:13:16 |
Okay, Gayle, wow! |
| 03:13:22 |
...meet your daddy-o at the first aid |
| 03:13:32 |
If you've got food, feed other people. |
| 03:13:35 |
Bugsy, to the pink and white tent. |
| 03:13:38 |
Keep feeding each other. |
| 03:13:41 |
And if you're too tired |
| 03:16:56 |
We have a gentleman with us. |
| 03:16:59 |
It's the gentleman upon whose |
| 03:17:24 |
Is this on? |
| 03:17:32 |
I'm a farmer. I don't know... |
| 03:17:40 |
I don't know how to speak to... |
| 03:17:42 |
...twenty people at one time, |
| 03:17:47 |
But I think you people have |
| 03:17:52 |
Not only to the town of Bethel, or |
| 03:17:56 |
...you've proven something to the world. |
| 03:17:59 |
This is the largest group of people |
| 03:18:08 |
We have had no idea that there |
| 03:18:13 |
...and because of that you had quite... |
| 03:18:16 |
...a few inconveniences as far as |
| 03:18:20 |
Your producers have done a mammoth |
| 03:18:24 |
They would enjoy a vote of thanks. |
| 03:18:33 |
But above that, the important thing |
| 03:18:39 |
...is that a half a million kids... |
| 03:18:41 |
...and I call you kids, because I have |
| 03:18:45 |
...a half a million young people |
| 03:18:48 |
...and have 3 days of fun and music |
| 03:18:54 |
And l, God bless you for it! |
| 03:19:22 |
I see we meet again. |
| 03:28:11 |
"Purple haze was in my brain." |
| 03:28:15 |
"Lately things don't seem the same." |
| 03:28:19 |
"I'm acting funny, |
| 03:28:23 |
"Excuse me while I kiss the sky." |
| 03:28:29 |
"Purple haze all around." |
| 03:28:33 |
"Don't know if I'm coming up or down." |
| 03:28:37 |
"Am I happy or in misery?" |
| 03:28:41 |
"Whatever it is, that |
| 03:28:48 |
"Help me, baby. Help me, baby!" |
