Basic Instinct 2

en
00:01:51 Guess what.
00:01:53 What?
00:01:56 I can't move.
00:01:59 Yeah, well, you don't have to.
00:02:09 Am I driving?
00:02:13 Like a pro.
00:04:05 Come on, wake up, you fuck.
00:05:16 Did you try to help him get free?
00:05:20 Briefly.
00:05:22 Briefly?
00:05:24 When it came down to it, my life
00:05:31 Selfish, huh?
00:05:38 We found these...
00:05:42 ...in your Spider.
00:05:46 Actually, I don't drive a Spider
00:05:49 Now I have a C8 Laviolette.
00:05:51 It's lighter, faster...
00:05:54 ...swims better.
00:06:18 Right.
00:06:19 These three contain traces
00:06:22 ...the same as we found in your blood
00:06:25 This one had pure D-Tubocurarine,
00:06:31 ...which we only found in him.
00:06:34 Must've been something
00:06:37 No. DTC is not a party drug.
00:06:40 Along with the other stuff in his blood,
00:06:43 Kevin Franks did not drown.
00:06:46 He had already stopped breathing
00:06:51 He was breathing
00:06:53 How do you know?
00:06:54 He was making me come.
00:06:57 What? You were having sex
00:07:01 Hundred and ten.
00:07:07 Your friend, Dickie Pep...
00:07:09 ...says he sold you 15 milliliters
00:07:14 I don't know any Dickie Pep,
00:07:18 Or you are.
00:07:19 Why would he lie?
00:07:20 You got him on some other charge
00:07:24 If he even exists.
00:07:29 You don't seem too upset by what's
00:07:32 Of course I am, I'm traumatized.
00:07:37 Who knows if I'll ever come again?
00:07:43 I want that cunt in jail.
00:07:45 We haven't got a case, Roy.
00:07:47 Well, just fucking make one. Please.
00:07:51 They'll order a psychiatric for bail.
00:07:54 I'll make sure we get somebody
00:08:21 Dr. Glass. I'm Henry Rose,
00:08:25 This is Catherine Tramell.
00:08:28 I shall be present during
00:08:31 Well, that's fine by me.
00:08:33 I'll be asking fairly personal questions.
00:08:38 My client understands and agrees
00:08:41 Maybe Dr. Glass is right
00:08:45 I strongly advise you
00:08:48 So is this where
00:09:06 Mr. Rose told you the purpose
00:09:09 I'm applying for bail in a murder case.
00:09:12 The Crown wants to know
00:09:16 You're the Crown's shrink,
00:09:19 My shrink will say I'm not,
00:09:24 Anything you tell me can be quoted
00:09:27 ...and can affect your case.
00:09:29 You can quote me all you want.
00:09:31 Thank you.
00:09:34 Well, I see that you're a writer.
00:09:38 What do you write about?
00:09:39 Murder, sex, violence.
00:09:42 Do you ever write about yourself?
00:09:45 Not into autobiography.
00:09:47 Really? Why not?
00:09:49 Maybe I like to just sit back and get
00:09:56 For instance,
00:09:59 What makes you think I'm divorced?
00:10:01 The ring line hasn't faded.
00:10:07 You're very observant.
00:10:08 Yeah, but am I wrong?
00:10:10 Would it bother you
00:10:13 Would it bother you if I was right?
00:10:20 Tell me something you're afraid of.
00:10:28 Boredom.
00:10:29 Is that why you like to take risks?
00:10:32 I do like to take risks.
00:10:35 Like taking drugs and having sex
00:10:38 Like talking to me
00:10:43 Actually, that was your idea.
00:10:45 Like being on trial for murder? That's
00:10:50 Not if I'm innocent.
00:10:51 Innocent people end up in prison
00:10:54 Not rich, innocent people who are
00:10:57 In that case, it isn't really exciting
00:11:04 Oh, I bet you like to take risks,
00:11:09 But I'm not the one who's on trial
00:11:12 Not yet.
00:11:20 Sorry, you're not allowed
00:11:30 You know what I like about you?
00:11:33 You enjoy being in control.
00:11:42 Like me.
00:11:58 Sorry, sir. Can't let you through here.
00:12:01 Well, I would say extremely intelligent.
00:12:06 Yet inside, I believe...
00:12:07 ...she vacillates between
00:12:11 ...and a sense
00:12:14 ...which, of course, is intolerable.
00:12:17 Do you consider Miss Tramell to be
00:12:21 Not by legal definition, no. Not at all.
00:12:24 If released, is she likely
00:12:30 I believe her behavior is driven
00:12:34 A compulsive need to prove to herself
00:12:37 ...and survive dangers others can't.
00:12:40 Especially the subsequent encounters
00:12:45 Why would a person do that?
00:12:47 The greater the risk, the greater the
00:12:51 Her existence, really.
00:12:53 When you say she has
00:12:57 ...is this condition likely to get
00:13:00 All addiction is progressive.
00:13:01 The addict always needs to take
00:13:04 If other people are hurt or killed...
00:13:07 ...as a result of her behavior,
00:13:10 I think the only thing
00:13:17 I suspect the only limit for her
00:13:24 Then she is a danger to herself.
00:13:28 Yes, I believe she is.
00:13:37 Nice work, Michael. Well done.
00:13:41 Dr. Glass, did Catherine Tramell
00:13:45 No, I can't make any comment, sorry.
00:13:47 Can you please tell us about the bail?
00:13:52 Dr. Michael Glass. What a big thing
00:13:57 What are you doing here, Adam?
00:14:01 A sexy, omnipotent killer
00:14:04 Why would I write that?
00:14:06 You don't know she's a killer.
00:14:08 No, but I hope she is, though.
00:14:11 By the way, I hear you were
00:14:15 You're so lucid sometimes,
00:14:18 You thought about daytime television?
00:14:20 Denise always says you were born
00:14:24 And how is my wife these days?
00:14:27 Ex-wife, Michael. Ex-wife.
00:14:31 While we're chatting about killers...
00:14:33 ...is there any chance of talking about
00:14:36 Who told you about Cheslav?
00:14:38 Denise?
00:14:40 That's got to be any shrink's worst
00:14:43 A patient in your care
00:14:47 ...beats his girlfriend to death
00:14:49 That was seven years ago,
00:14:52 Not quite seven, actually.
00:14:55 But you talked to him twice a week.
00:15:00 I don't talk about my patients.
00:15:03 Cheslav's dead. Can't you talk
00:15:07 No, not even when they're dead.
00:15:37 Michael, what are you doing here?
00:15:39 What did you tell Adam Towers
00:15:43 Nothing.
00:15:46 Can you give us a minute?
00:15:49 He already knew.
00:15:54 Really? Because he said you told him.
00:15:58 No, all I said was...
00:16:00 If he writes about that, if he puts it
00:16:04 He won't. You're just being paranoid.
00:16:06 You didn't do anything wrong.
00:16:07 Right. I didn't. I was treating a patient
00:16:12 End of story.
00:16:15 Don't worry.
00:16:24 I'm up for the Douglas Chair
00:16:27 You know what that means to me.
00:16:31 I can't tell Adam what to write.
00:16:33 Why not?
00:16:34 Don't be stupid.
00:16:36 I think you're entitled to since you've
00:16:40 Do you think I didn't know
00:16:43 It's a pity you never asked yourself
00:16:56 How was the court case
00:16:59 I hear she looks fabulous.
00:17:01 Also very intelligent.
00:17:05 Seductive, manipulative.
00:17:07 Do you think she killed the footballer?
00:17:09 I have no idea.
00:17:11 Everything she does is so perfectly
00:17:14 It's designed to confuse
00:17:17 You never know what's truth
00:17:21 The masked psychotic. Your favorite.
00:17:23 I'm already working it into a paper:
00:17:27 You're writing another already?
00:17:28 I'm writing two,
00:17:31 I'll catch you up.
00:17:33 Hello?
00:17:34 Glass? It's Roy Washburn.
00:17:38 If you'll be quiet, I'll make a
00:17:41 What happened?
00:17:42 The judge let her go.
00:17:44 Let her go? Why?
00:17:45 The guy who said
00:17:47 ... the judge found out he'd perjured
00:17:51 ... and disqualified him as a witness.
00:17:55 What's that?
00:17:56 She'll do it again.
00:17:57 And soon.
00:17:59 Only this time
00:18:20 So we've been considering those who
00:18:25 ...through their insecurity and their
00:18:28 To study Nietzsche
00:18:33 Wasn't it Nietzsche's work itself,
00:18:35 ...through deconstructive and
00:18:39 ...induced the death of
00:18:46 Paul Portman said he might go
00:18:51 Just be patient.
00:18:54 - But there's nothing holding me.
00:18:57 You know Dr. Gerst?
00:18:59 Michael Glass.
00:19:01 It's a pleasure.
00:19:03 I saw your review of my book.
00:19:05 You didn't understand what I was
00:19:09 Towards the end you made one or two
00:19:14 Maybe one of these days
00:19:17 I'd be honored. Thank you very much.
00:19:21 "One or two interesting remarks"?
00:19:24 That was a compliment, Michelle.
00:19:28 And it appears that our Michael
00:19:33 Cheers.
00:19:36 Congratulations.
00:20:15 - Can I ask you a question?
00:20:19 Every day I see you writing and I am
00:20:24 Is it a novel?
00:20:27 No, but there was a novelist in it.
00:20:30 Really? Who?
00:20:33 I can't tell you that.
00:20:39 Must be someone famous, then.
00:20:57 Excuse me. Dr. Glass?
00:21:00 I'm Peter Ristedes.
00:21:02 Urbane magazine.
00:21:07 Mind if I join you?
00:21:09 Adam asked me to see if you'd give us
00:21:14 I believe he mentioned it to you.
00:21:17 He didn't seem to think
00:21:27 I'll take that as a "no comment," then?
00:21:47 Dr. Glass?
00:21:51 Miss Tramell.
00:21:54 What are you doing here?
00:21:56 I wanted to talk to you.
00:21:58 About the evaluation.
00:22:01 Some of the things you said,
00:22:08 I'm sorry you had to hear all that.
00:22:14 Got a minute?
00:22:20 Come through.
00:22:31 What you said about me
00:22:36 ...about having to do more and more
00:22:40 Well, after you said it...
00:22:43 ...I realized I was...
00:22:46 ...scared.
00:22:49 What exactly scared you?
00:22:53 For weeks before the accident
00:22:58 ...fantasy over and over again.
00:23:02 I even wrote about it.
00:23:05 The woman's driving in the car,
00:23:10 She drives off the road,
00:23:14 I feel like maybe I made it all happen.
00:23:19 That's why I'm here.
00:23:21 Are you saying you'd like to
00:23:27 Yeah.
00:23:29 Well, I think that's a very good idea.
00:23:32 I wouldn't be able to treat you, but I'd
00:23:37 Why can't you treat me?
00:23:38 It's not advisable for a doctor who's
00:23:42 ...to then become that person's
00:23:44 Why not?
00:23:45 Therapy requires a great deal of trust,
00:23:50 It's best to start with a clean slate.
00:23:53 You mean you don't trust me.
00:23:58 What I said about you at the hearing
00:24:02 I'm sure you've got feelings about that.
00:24:04 I'd be happy referring you
00:24:07 This is Dr. Milena Gardosh.
00:24:11 You want to know the truth?
00:24:13 The reason I agreed to the evaluation
00:24:18 I never...
00:24:21 I never talked to anyone who...
00:24:40 My patient's here.
00:24:48 What do I owe you?
00:24:49 You don't owe me anything.
00:24:52 But if you'd like to call Dr. Gardosh,
00:24:57 I don't shop around.
00:24:59 Like you said,
00:25:04 I was hoping I might find it with you.
00:25:11 Listen, why don't we
00:25:15 And then we can talk about this
00:26:04 You look different today. More relaxed.
00:26:08 The more nervous I am,
00:26:13 I wanted to talk about something you
00:26:17 You said before the accident...
00:26:19 ...you had fantasies of sexual
00:26:23 Do you often have fantasies like that?
00:26:26 I have fantasies all the time.
00:26:29 Fantasies involving violence, death?
00:26:34 People die in my novels.
00:26:36 I have to think of new and interesting
00:26:41 What happens when
00:26:51 I'm sorry, there's no smoking in here.
00:26:55 I don't like rules.
00:26:57 I have some of them,
00:27:04 After the hearing...
00:27:06 ...I was interviewed by a reporter
00:27:14 Adam Towers. He said he knew you.
00:27:18 Slightly. Why?
00:27:21 He told me about the Cheslav case.
00:27:25 I was impressed by what you did.
00:27:28 You knew Cheslav was dangerous.
00:27:31 Still you protected him.
00:27:35 You honored his confidentiality...
00:27:38 ...even at risk to yourself.
00:27:42 Do you think you made the right
00:27:45 Or do you think you fucked up?
00:27:49 Given what I knew at the time,
00:27:55 So you still believe in confidentiality.
00:28:00 Within legal limits.
00:28:10 If I told you
00:28:14 ...would you report me to the police?
00:28:20 No.
00:28:22 Anything that happened in the past,
00:28:29 But if you told me you were going to
00:28:33 ...and I thought you were serious...
00:28:35 ...then, yes, I'd go to the police.
00:28:39 I might be manipulating you
00:28:46 Do you want to talk about
00:28:54 No, not really.
00:28:55 I was just checking your policy.
00:29:00 So have you decided?
00:29:04 About taking me on as a patient.
00:29:11 Shooter had an ex-wife,
00:29:14 ... a drug problem, a complicated sex
00:29:19 And a tremendous amount of
00:29:22 In short, he was a cop
00:29:26 On March 3rd...
00:29:27 The woman knelt naked
00:29:30 Her back to him, her head on a pillow.
00:29:32 Shooter raked his fingers through her
00:29:37 She groaned, her breath catching...
00:29:39 ... as he suddenly yanked her hair like
00:29:44 The veins on his arms bulged as
00:29:50 Do you remember
00:29:53 To him, the fact that I wasn't upset
00:29:59 ...was proof that I must've killed him.
00:30:03 Then, when I wouldn't break down...
00:30:07 ...he hit on me.
00:30:11 Hit on you?
00:30:12 Yeah.
00:30:13 He said that if I fucked him things
00:30:18 Homicide cops
00:30:22 I knew one once, in San Francisco.
00:30:28 Nick Curran.
00:30:30 They called him Shooter.
00:30:32 We used to get in his car
00:30:36 ...listening to 911 calls on his
00:30:39 ...then speed over.
00:30:41 Have you ever been to a murder scene
00:30:49 The body's still warm.
00:30:53 The watch is still ticking.
00:30:56 You can smell the blood.
00:31:00 We'd hang around
00:31:03 ...go have sex in Nick's car.
00:31:11 Nick used to say:
00:31:13 "Death is always there.
00:31:19 Except maybe sex sometimes.
00:31:22 But only sometimes?
00:31:25 Well...
00:31:27 ...I fucked this guy last night.
00:31:30 I fucked him for hours.
00:31:33 You know,
00:31:37 The full screaming Masters
00:31:42 But you know, a week from now,
00:31:48 But, if I was with him when he died...
00:31:55 Now...
00:31:57 ...I probably would never forget that.
00:32:04 Would I?
00:32:07 Were you ever with anyone
00:32:14 No.
00:32:17 Christ.
00:32:24 We still have 20 minutes left.
00:32:26 I feel like a cigarette.
00:32:28 See you tomorrow.
00:32:31 She just walked out?
00:32:34 How Lacanian.
00:32:36 For her, time's a weapon.
00:32:38 Everything's a weapon.
00:32:42 Do you think she made it up about
00:32:46 I don't know. It's so hard to believe
00:32:50 She's trying to seduce you.
00:32:52 They always try to seduce you.
00:32:54 Yes, but this one's different, isn't it?
00:32:58 I don't know. More fun maybe.
00:33:01 Be careful, Michael.
00:33:06 By the way, I got a call from that
00:33:11 What did he want?
00:33:12 I made everything sound boring.
00:33:16 What if he calls others?
00:33:19 Gerst won't talk to a popular magazine
00:33:38 Anyway, it was a successful paper.
00:33:40 Published, on this occasion,
00:33:43 Well, thank God for that.
00:33:45 Speaking of God, is Gerst coming?
00:33:48 We can only hope and pray.
00:33:50 That he comes or he doesn't?
00:33:53 I'm going for a smoke. Don't talk about
00:33:59 How long have you lived here?
00:34:01 About six years, something like that.
00:34:15 Hi, Dominic.
00:34:16 Hi, Milena.
00:34:26 Thank you.
00:34:30 The beauty about
00:34:32 ...is that it takes you away from other
00:34:38 You're not an analyst.
00:34:42 I'm a writer.
00:34:43 Really? What do you write about?
00:34:46 Oh, the lurid, the sexual, the violent.
00:34:50 The basic instincts.
00:34:53 They're the most powerful,
00:35:07 Milena.
00:35:09 Oh, Michael.
00:35:10 I'm sorry, I didn't ask your name.
00:35:13 Catherine Tramell. Milena Gardosh.
00:35:17 Oh, you're Dr. Gardosh.
00:35:20 I've heard so many wonderful things
00:35:23 Catherine.
00:35:26 There you are.
00:35:30 Milena, Dr. Glass.
00:35:34 She's doing research for a novel about
00:35:38 I thought she might enjoy an occasion
00:35:44 Well, may I take your coats?
00:35:47 Thank you.
00:35:49 Excuse me.
00:35:53 Would you put that in my pocket?
00:35:57 Certainly.
00:36:00 Catherine, come this way.
00:36:04 What's going on? What was Gerst
00:36:08 I'm sure he's no idea who she is.
00:36:11 Where did he meet her?
00:36:13 She would have met him, believe me.
00:36:16 I can't stay here while I've got
00:36:20 I understand.
00:36:24 If you follow inter-subjectivity to its
00:36:27 ...aren't you asking who's the patient
00:36:30 Those were my very words.
00:36:32 Very good.
00:36:35 Note that one for future reference.
00:36:47 Are you leaving because of me?
00:36:52 You must have known I'd be here.
00:36:54 Is that a problem?
00:36:56 I know some people who play tennis
00:37:00 I'm sure you do.
00:37:01 Have sex with them. Sell them drugs.
00:37:06 But I don't do that.
00:37:08 I was upset about our session today.
00:37:12 I felt I owed you an apology.
00:37:16 That's why I came.
00:37:19 We can go into that tomorrow.
00:37:22 I've got a better idea.
00:37:24 How about I ditch everybody
00:37:29 I told you, I don't socialize with my
00:37:33 Another one of your rules?
00:37:35 Don't you get kind of tired of them?
00:37:38 You know, that's the nightmare
00:37:41 Too many answers,
00:37:44 ...nobody gets laid.
00:37:51 Okay, forget getting laid.
00:37:56 We'll just talk.
00:37:59 We'll talk tomorrow.
00:38:20 Michael. There you are.
00:38:23 Oh, my God. Did you see that woman
00:38:27 No.
00:38:29 Actually, I was just looking for you.
00:38:33 What, in there?
00:38:34 I was looking for your coat.
00:38:37 If that's all right?
00:38:41 Yeah. Great.
00:39:24 What's wrong?
00:39:26 Turn around.
00:39:28 What?
00:39:29 Turn around.
00:40:12 Oh, God!
00:40:14 Michael, it's Denise!
00:40:19 Michael, please pick up the phone!
00:40:21 Denise?
00:40:23 Hey, hey, hey. What's happened?
00:40:41 Thanks, guv.
00:40:47 Come in, Michael.
00:40:49 Hey, you okay?
00:40:53 Hey, what's going on?
00:40:55 It's okay, I'm here now. Okay?
00:40:58 Who lives here?
00:40:59 It's Adam's place.
00:41:38 Jesus.
00:41:40 What happened?
00:41:42 I don't know. The door was unlocked
00:41:47 I just saw him lying there.
00:41:51 Have you called the police?
00:41:53 No. I was afraid.
00:42:44 Hello, Michael.
00:42:46 What are you doing here?
00:42:48 It's my wife. Well, my ex-wife.
00:42:51 She found him like that,
00:43:00 I see.
00:43:01 And how did she happen to
00:43:06 They'd been seeing each other and...
00:43:11 Oh, really?
00:43:13 Since when?
00:43:16 It's why I moved out.
00:43:19 So I assume you weren't
00:43:23 No.
00:43:27 Yet I saw you talking to him
00:43:30 It was just journalist stuff.
00:43:32 He was asking me questions about
00:43:35 Do you think she killed him?
00:43:38 Who?
00:43:43 Denise? No.
00:43:44 No, not a chance.
00:43:47 I've known her for a long time.
00:43:52 Listen, Roy, I've told my story twice
00:43:58 All right.
00:44:02 Oh, by the way...
00:44:06 ...this yours?
00:44:11 No, I just found it on the floor.
00:44:15 How did it end up in the rubbish?
00:44:18 I stepped on it. It was leaking.
00:44:26 Can I go?
00:44:31 Yes, by all means.
00:45:37 I assume you know Adam Towers
00:45:41 Why would I know?
00:45:43 Because of Denise.
00:45:46 Denise?
00:45:47 Your wife. Your ex-wife.
00:45:49 I know who she is.
00:45:52 Adam introduced us a couple of times.
00:45:55 It was all very open. I knew about her,
00:46:00 Knew what about you?
00:46:04 That I was seeing him too.
00:46:08 The Masters and Johnson guy.
00:46:10 So... You were sleeping
00:46:14 Occasionally.
00:46:19 So, of course,
00:46:22 Why would he think that?
00:46:25 I kill because I'm addicted to risk.
00:46:30 I'm not sure which one it is.
00:46:32 I never said you killed anybody.
00:46:34 But you think I did.
00:46:35 You think I killed Kevin, and now
00:46:40 Why don't you just ask me?
00:46:46 Did you kill him?
00:46:49 If I said I didn't,
00:46:56 Depends.
00:46:57 On what?
00:47:01 You know what?
00:47:05 And you should be glad too.
00:47:07 If you're too uptight,
00:47:10 Whoever killed him did you a favor.
00:47:12 Favor?
00:47:14 If he'd written that article on Cheslav,
00:47:19 You haven't told me if you killed him.
00:47:25 Put it out now or you can leave,
00:47:35 Is that better?
00:48:15 When you think about fucking me...
00:48:19 ...and I know you do...
00:48:22 ...how do you picture it, doctor?
00:48:28 Oh, I know you can't answer me,
00:48:34 Do you want it straight up?
00:48:36 You on top?
00:48:37 Me on top?
00:48:40 Do you want it from behind...
00:48:46 ...on your knees,
00:48:51 Do you want to beat me up...
00:48:55 ...just a little?
00:48:57 Not too hard.
00:49:01 Oh, a little harder than that.
00:49:07 Do you want to come in my mouth?
00:49:12 What if I told you that I masturbate
00:49:19 That I make myself come...
00:49:21 ...thinking about you
00:49:36 I guess we're out of time for today.
00:49:49 I'm terminating therapy.
00:49:51 Send me the bill.
00:50:37 Are you feeling all right?
00:51:09 Miss Tramell, it's Dr. Glass here.
00:51:11 Listen, I'm concerned about how our
00:51:15 I'd like to talk through
00:51:18 ...there might be between us.
00:51:20 As soon as you get this message,
00:51:24 Just call me when you can.
00:51:27 Evening, Dr. Glass.
00:51:30 Could I have a word?
00:51:31 Sure. Upstairs.
00:51:38 Is that German?
00:51:40 Can I get you anything?
00:51:42 No.
00:51:43 So here's a surprise.
00:51:45 Adam Towers had a girlfriend
00:51:50 Guess who.
00:51:53 Catherine Tramell.
00:51:56 You don't look surprised.
00:51:57 She's a private patient of mine.
00:52:00 I see. Since when?
00:52:01 Not long.
00:52:04 So your ex and your private patient
00:52:08 That's quite a coincidence.
00:52:12 I don't know. I don't think so.
00:52:17 Tramell's prints were all over Towers'
00:52:22 But what's interesting is the last call
00:52:27 ...90 minutes before he died.
00:52:29 Her story is she was out walking all
00:52:31 Two hours strolling around Clerkenwell
00:52:35 Come on, Michael. Talk to me.
00:52:40 I can't tell you anything. Even if I
00:52:45 Franks was first. Towers second.
00:52:49 This goes beyond confidentiality.
00:52:51 You've got a legal obligation to protect
00:52:55 You can't lock somebody up because
00:52:59 Why don't you tell me what you know
00:53:03 ...Towers was writing about you
00:53:09 Who told you
00:53:11 His editor.
00:53:13 He'd been very busy.
00:53:17 What, and you think I killed him...
00:53:19 ...to stop him writing
00:53:22 No. But just for the record, why don't
00:53:28 Between, say,
00:53:31 You know, broad strokes.
00:53:36 I had patients until 8 p.m.
00:53:39 Then went to a party
00:53:41 I left there about 11 with a woman.
00:53:43 We came here and I was on my knees
00:53:51 On your knees, eh?
00:53:54 Sounds like your evening
00:53:57 Could I get her name?
00:54:03 Look, Michael, Adam Towers
00:54:07 ...and about to do the same
00:54:17 Michelle Broadwin.
00:54:20 She's a psycho-pharmacologist at
00:54:28 Thank you.
00:54:31 I'll be in touch.
00:54:38 What does that mean?
00:54:43 I smell blood.
00:54:59 Yeah, not all of them, of course, but,
00:55:05 They're all so sanctimonious...
00:55:09 ...so judgmental.
00:55:11 All my friends, they drink too much.
00:55:17 Miss Tramell,
00:55:19 I'm a little concerned
00:55:22 I was wondering whether you're okay.
00:55:25 Look, let me give you
00:55:29 Sorry, it really got to me and I don't
00:55:33 Why it's getting worse.
00:55:38 You have no new messages.
00:56:08 The thing about Gerst is this:
00:56:10 The selection committee
00:56:13 This is the real interview.
00:56:17 Relax.
00:56:19 Be direct, candid.
00:56:22 But not too candid.
00:56:27 Very good time. They always get lost
00:56:31 Meet my new Mughal painting.
00:56:33 Not another one.
00:56:35 An Indian goddess at peace. It has a
00:56:40 I wonder what the males are doing,
00:56:44 It's obvious. They're worshiping her.
00:56:47 As they should.
00:56:49 Perhaps that's why she has eight arms
00:56:53 Why don't you girls go outside
00:56:58 Come. Come.
00:57:01 Come with me. You'll enjoy it.
00:57:09 So, Dr. Glass, I have a question:
00:57:12 Do you think I'm insane?
00:57:16 Pardon?
00:57:17 Nuts? Bonkers? Off my trolley?
00:57:20 No, not at all.
00:57:22 But I might be if I recommended you
00:57:28 I'm sorry, I don't understand.
00:57:30 George Cheslav.
00:57:33 A major drug dealer, under your care,
00:57:38 An inquiry is held...
00:57:40 ...where Detective Roy Washburn...
00:57:44 ...testifies that you acted
00:57:48 You're blameless.
00:57:49 That's right, I was.
00:57:51 However, after the trial...
00:57:55 ...you experienced what we might term
00:57:59 Depression...
00:58:01 ...occupational underachievement...
00:58:03 ...marital problems...
00:58:05 ...and questionable professional
00:58:08 ...much discussed at dinner parties
00:58:15 I'm sorry?
00:58:17 Now you want my support
00:58:25 No more Cheslavs, Michael.
00:58:30 No.
00:58:38 No more Cheslavs.
01:00:20 Catherine!
00:01:13 I know.
00:01:14 I thought she was in danger,
00:01:18 She could be a murderer twice over...
00:01:21 ...and you're acting like she's a
00:01:24 Don't patronize me, please.
00:01:28 It's driving me crazy.
00:01:33 You're in love with her, aren't you?
00:01:36 Not love. It's...
00:01:41 I don't know.
00:01:47 You have to terminate this therapy,
00:01:51 Well, it's already done.
00:01:54 Good.
00:01:56 If she calls again, give her my number.
00:02:04 I'm a woman.
00:02:06 She'll relate to me differently.
00:02:52 What are you doing here?
00:02:54 Where she goes, I go.
00:02:56 Since when?
00:02:58 Since she started coming
00:03:04 So, Adam Towers.
00:03:09 All his notebooks, audiotapes,
00:03:12 Everything on George Cheslav
00:03:15 - You think Catherine has it?
00:03:18 She ever tell you about them
00:03:22 You know I can't discuss that.
00:03:23 Come on. I've been very good to you
00:03:27 I'm practically a psychopath
00:03:30 I can't break privilege.
00:03:32 Pity. I have something
00:03:35 Someone says you'd been lying
00:03:39 Who?
00:03:40 You want me to break privilege?
00:03:44 Since you're a friend,
00:03:48 Denise?
00:03:50 You want to sort her out.
00:03:52 Who knows, she might tell you
00:04:18 Someone's here.
00:04:23 I'll be all right. Don't worry.
00:04:25 We'll see you later.
00:04:30 How you doing?
00:04:33 Okay.
00:04:36 Do you want a drink?
00:04:37 No, I have to go.
00:04:40 I'm meeting someone
00:04:44 Denise, did you tell Towers that
00:04:50 Of course, there's always an agenda.
00:04:53 No. I said you knew he was going
00:04:57 I didn't. That's a lie.
00:04:59 Yes, you did.
00:05:00 You kept saying how you knew
00:05:05 I didn't know. I sensed. And I told you
00:05:10 I didn't think you'd go and repeat it
00:05:16 Do you want to ruin my life, is that it?
00:05:21 Your life? Your practice?
00:05:25 Catherine was right,
00:05:28 What about me? Adam's dead
00:05:32 Washburn keeps going on about me
00:05:36 I don't know where Adam's notes are.
00:05:38 I'm scared to go home. I'm scared
00:05:42 Be careful about Catherine.
00:05:43 Don't tell me what to do!
00:05:45 Just calm down.
00:05:46 Don't tell me to fucking calm down!
00:05:48 Hey, come on.
00:05:50 That's my wife, okay?
00:05:53 Get out of my way! Out of my way!
00:08:00 Denise. Oh, Denise!
00:08:03 Come on.
00:08:05 Come on, come on.
00:08:14 Come on, Denise. Look at me.
00:08:18 Call an ambulance!
00:08:20 Do it now!
00:08:23 Come on. Let's go.
00:08:26 Stay with me. Come on. Stay with me.
00:08:30 Come on. Stay with me.
00:09:05 You have a problem, Michael.
00:09:09 Witnesses say they saw you arguing.
00:09:13 You grabbed her.
00:09:17 Five minutes later,
00:09:22 Also, there are people here who think
00:09:26 Towers? Didn't you speak to Michelle?
00:09:30 Yes. But now I'm hearing about this
00:09:34 I just picked that up.
00:09:35 And your ex is in a coma just as she's
00:09:40 I was trying to save her life.
00:09:46 Look, I spoke to Towers' assistant
00:09:51 He expected Denise to say that you
00:09:55 She wasn't going to say that.
00:09:56 What was she going to say?
00:10:04 Sorry, guv.
00:10:16 You wait there.
00:11:15 So...
00:11:18 Your ex and Catherine Tramell
00:11:24 What do you mean "girl buddies"?
00:11:26 According to Catherine,
00:11:34 Denise told Catherine that Towers had
00:11:38 ...into saying that you'd perjured
00:11:41 But Denise wasn't having it.
00:11:46 You didn't know Cheslav was going to
00:11:50 In fact, it came
00:11:58 - Of course she's lying.
00:12:00 Everything that comes out of her is a
00:12:04 It's her way of getting you to think
00:12:08 That's her art. The art of mind-fucking.
00:12:10 She might be a talented writer.
00:12:12 When it comes to mind-fucking,
00:12:19 She really got to you, didn't she?
00:12:24 What do you mean?
00:12:28 Well, what is there to tell?
00:12:30 Don't play games with me.
00:12:39 Where are you going?
00:12:40 Someplace else. Unless
00:12:45 Do you?
00:12:49 I didn't think so.
00:13:29 He let you go, finally.
00:13:31 I was worried.
00:13:34 You lied to Washburn for me. Why?
00:13:37 I knew you hadn't hurt Denise.
00:13:40 How could you know that?
00:13:43 Because I know you.
00:13:46 And I know the cops were keeping you
00:13:50 What, like getting me
00:13:53 Yeah, but you wouldn't do that,
00:14:01 Why were you meeting with Denise?
00:14:03 Research for my novel.
00:14:06 Research.
00:14:08 About what?
00:14:09 About you.
00:14:11 And Cheslav, the masked psychotic.
00:14:17 The analyst in my book is obsessed
00:14:23 Washburn thinks
00:14:27 Me? You're the one that hated her.
00:14:31 Maybe I'm acting out
00:14:34 Stop it!
00:14:39 Do you think it's possible that
00:14:43 You know, how some guys
00:14:48 ...and some guys are into killers.
00:14:52 Isn't that what you're into?
00:14:56 Isn't that what turns you on?
00:15:01 Turns me on?
00:15:07 Isn't that why you're over here?
00:15:53 Okay.
00:15:55 I trust you.
00:15:58 You trust me.
00:17:21 Is there somewhere we can talk?
00:17:24 Over there.
00:17:41 Can I guess where you got it?
00:17:43 Let's find out what it is first.
00:17:45 It would be highly improper of me to
00:17:49 Fine.
00:17:51 It'll take me a few days
00:17:54 You'd have made a good cop, Michael.
00:17:57 You like the smell of blood.
00:18:08 Dr. Glass.
00:18:11 Hold on.
00:18:13 I was just thinking about you.
00:18:15 I might have more
00:18:19 That's nice, but I'm busy
00:18:22 Oh, that's a pity.
00:18:27 She tells me you're very perceptive.
00:18:30 She's very perceptive herself.
00:18:36 I hope Detective Washburn isn't giving
00:18:41 ...concern?
00:18:44 What do you mean?
00:18:45 Well, given his past record.
00:18:51 What past record?
00:19:55 I want to talk to you.
00:19:57 Oh, so now you want to talk.
00:19:59 Look, this "Dirtiest Cop in London,"
00:20:03 But this "Detective X,"
00:20:10 Is it Washburn?
00:20:12 Excuse me?
00:20:18 Yeah, it's him.
00:20:23 Are you sure?
00:20:24 Adam may have been a sloppy writer,
00:20:29 What about perjury, intimidation,
00:20:33 A policeman fabricating evidence.
00:20:35 But you have proof?
00:20:36 How about Kevin Franks
00:20:40 When I did Catherine Tramell's
00:20:43 Those syringes found in the car
00:20:46 Yeah, well, who found
00:20:49 But why would Washburn do that?
00:20:51 Adam thought he did it to set up
00:20:54 Why didn't he write about it?
00:20:59 That's the whole point.
00:21:01 He was going to.
00:21:04 Then he got killed.
00:21:29 I owe you an apology.
00:21:33 I don't like apologies.
00:21:38 I also don't like people stealing things
00:21:45 The insulin? In case you haven't had it
00:21:51 Insulin?
00:21:52 My friend's diabetic.
00:21:54 Let yourself out, doctor.
00:22:52 Hello, Michael.
00:22:57 What do you want?
00:22:59 I got the lab analysis back.
00:23:01 D-Tubocurarine. Funny that.
00:23:06 You're sure it's not insulin?
00:23:08 Insulin?
00:23:10 No.
00:23:11 Can I see the report?
00:23:15 You've got some trust issues there.
00:23:29 This isn't an official
00:23:33 No. Because an unpreserved or
00:23:38 ...will be deemed inadmissible
00:23:45 So do you want to tell me
00:23:53 She's not worth it.
00:23:54 People are dying
00:23:57 If you stand in my way,
00:24:00 I can fucking promise you that.
00:24:07 I've got something to show you.
00:24:13 Get in!
00:24:30 Medical examiner's on his way.
00:24:47 Hello, guv.
00:24:57 Were you working that night?
00:25:00 No, I don't know.
00:25:03 Did you see or hear
00:25:07 Not yesterday. No.
00:25:09 - Nothing?
00:25:11 How long have you worked here?
00:25:13 Four months.
00:25:15 Four months?
00:25:17 Where were you before that?
00:25:24 Ted.
00:25:25 Hi, guv.
00:25:27 - Remember I talked to Vice earlier and
00:25:30 Fergie, give me a minute.
00:25:32 Let's go.
00:25:54 Who is he?
00:25:55 Richard Pepovic.
00:26:04 You know him?
00:26:05 No.
00:26:07 Look at this.
00:26:17 Now, we'll have to wait for the lab
00:26:22 ...but what's the betting he's oozing
00:26:28 Now do you want to tell me
00:26:37 You don't know she did it.
00:26:41 No.
00:26:44 But then again, maybe I killed him.
00:26:48 Isn't that what she's gonna tell you?
00:26:51 He had something on me,
00:26:53 Then I jerked him off
00:26:56 ...to make it look like
00:26:59 ...to make it look like it was her.
00:27:03 Look, Towers was right about me,
00:27:09 So, fine, don't trust me.
00:27:11 You know Catherine better than me.
00:27:13 If you have five seconds
00:27:16 ...with the smell of her pussy,
00:27:21 Do you?
00:27:28 She's George Cheslav, times three.
00:27:32 The question is:
00:27:34 If you tell the courts that she's made a
00:27:39 But she hasn't.
00:27:40 If you say she did, and that got her put
00:27:43 ...stopped her from killing again,
00:27:47 Some kind of redemption
00:27:54 Look, I'm prejudiced.
00:27:57 Don't take my word for it.
00:28:01 Talk to this guy.
00:28:07 Listen to him.
00:28:35 Lieutenant Walker. It's Michael.
00:28:37 Look, thanks for talking to me.
00:28:40 It's just that I did an evaluation
00:28:51 Darkness had fallen and even before
00:28:56 ... Kelly knew it would be the doctor.
00:28:59 He'd come to accuse her
00:29:02 They'd fight about that
00:29:05 ... and everything would be
00:29:08 Except it wouldn't be...
00:29:10 ... if he didn't trust her.
00:29:48 Hi, handsome.
00:29:49 My new novel.
00:29:51 I'm anxious to hear
00:29:55 I've been speaking
00:29:58 ...the San Francisco
00:30:01 Paranoid Phil.
00:30:06 He said you murdered a Johnny Boz
00:30:10 I was never even charged.
00:30:13 Grand jury said that Nick Curran's
00:30:19 I'm going to take a Jacuzzi.
00:30:29 All right, all right.
00:30:33 Why?
00:30:35 I didn't like him.
00:30:37 For the money.
00:30:39 To see if I could get away with it.
00:30:44 To show that death
00:30:48 Because I was bored.
00:30:49 And you know how I hate being bored.
00:30:52 What about Denise, huh?
00:30:54 Adam Towers?
00:30:55 Adam was insufferable.
00:30:58 And you are something special.
00:31:01 Adam was trying to ruin you just
00:31:08 This is wonderful.
00:31:15 Denise.
00:31:17 Denise... Denise was good in bed.
00:31:21 Denise would have spoiled
00:31:25 ...by killing Adam Towers.
00:31:28 God, you can't tell the truth
00:31:33 You don't believe me
00:31:36 You don't believe me
00:31:39 What is the point
00:31:46 Oh, come on.
00:31:50 Why don't you take your clothes off
00:32:05 This is worse than Cheslav, isn't it?
00:32:09 This time you knew
00:32:15 And you let it happen again,
00:32:20 It's almost like you
00:32:32 Who do you think
00:32:40 Come on.
00:32:42 You can figure it out.
00:34:36 Kelly met the analyst during her little
00:34:42 His eyes were
00:34:45 Did Kelly trust the doctor?
00:34:48 Did she mean it
00:34:51 Even she wasn't sure.
00:34:53 If things went well,
00:34:56 If not, she didn't.
00:34:58 That way, she'd be protected.
00:35:00 She remembered the first time
00:35:02 ... at the party in Bloomsbury.
00:35:04 She felt a deep affinity
00:35:06 As if the two of them leaning against
00:35:09 The next time they saw each other...
00:35:11 ... only brought
00:35:14 Even as Dr. Green watched them
00:35:16 ... looking for any sign of conspiracy.
00:35:19 Kelly found herself opening up,
00:35:22 ... revealing things about herself...
00:35:25 Yes, Kelly thought. She liked Irena.
00:35:27 She was trustworthy, intelligent,
00:35:32 It was a pity
00:35:51 She dressed carefully.
00:35:53 She liked to be well-dressed
00:35:57 Killing Irena and telling Dr. Green
00:36:01 ... that was the riskiest thing
00:36:06 Come on, Milena.
00:36:12 Come on, Milena, answer the phone
00:36:16 It's Michael Glass here. Can you call
00:36:22 As much as Kelly hated her shrink...
00:36:25 ... she also loved him.
00:36:28 She took a last glance at herself
00:36:32 Irena deserved a good death.
00:36:37 Hello, this is Roy Washburn,
00:36:40 Roy. It's Michael Glass.
00:36:44 23 Highgate Street. Hampstead.
00:36:47 I think Catherine is going to kill
00:36:58 It was almost midnight by the time
00:37:20 What is it?
00:37:21 Thank God.
00:37:24 You're in danger.
00:37:27 What? Who's trying to kill me?
00:37:30 Catherine.
00:37:35 I thought I could help her
00:37:38 I'll try and get her sectioned.
00:37:43 I've already spoken to Catherine.
00:37:49 She's very upset. You terrified her.
00:37:53 I terrified her? She's a murderer.
00:37:58 For chrissake,
00:38:00 You assaulted her.
00:38:05 You've broken the law, not to mention
00:38:09 It wasn't like that.
00:38:10 Michael, listen to me, please.
00:38:13 You're not well.
00:38:16 You're the one who needs help.
00:38:22 I've spoken to Gerst...
00:38:24 ...and he thinks that if you volunteer
00:38:29 ...you might be able to avoid
00:38:33 However, they will have to
00:38:39 I'm sorry.
00:38:41 She's right.
00:38:43 It's for your own good, Michael.
00:38:51 She asked me
00:38:55 She's my patient now.
00:38:59 Please, don't.
00:39:04 You've no idea what
00:39:09 Tell her the truth.
00:39:13 Tell her the truth.
00:39:16 I'll make you tell her the truth.
00:39:23 God.
00:39:26 Come on.
00:39:34 She's right, you know.
00:39:36 You really do need help.
00:39:45 Bitch.
00:39:52 So, what's this about?
00:39:56 Protection.
00:39:57 Oh, yeah? From who?
00:40:02 Washburn.
00:40:07 Go ahead.
00:40:14 Kelly Lash kills Irena,
00:40:18 No, I read your book.
00:40:20 So you just rushed right over here
00:40:24 It's just a story, doctor.
00:40:30 Congratulations,
00:40:36 This is what you wanted from the start,
00:40:41 Feels good, doesn't it?
00:40:45 No more "I should've stopped Cheslav
00:40:51 No more whining over nothing.
00:40:54 - It wasn't over nothing.
00:40:57 Cheslav did not kill his girlfriend.
00:41:02 Washburn did.
00:41:05 Washburn?
00:41:07 What do you think Adam Towers was
00:41:11 You're lying.
00:41:16 Sure I am,
00:41:21 Why? Why would he kill
00:41:27 To nail Cheslav.
00:41:40 That's right.
00:41:43 Your seven years of hell.
00:41:46 Your meltdown.
00:41:48 Your divorce.
00:41:51 Just so your good friend Roy
00:42:07 Don't take it so hard.
00:42:09 Even Oedipus
00:42:20 It's Roy Washburn.
00:42:24 Give me the gun. Give me the gun!
00:42:27 Fuck off!
00:42:28 Give me the gun! He knows I've got
00:42:33 Open the door!
00:42:35 He's going to kill me
00:42:38 No. No, this is all fucked up.
00:42:42 You don't know what you're doing.
00:42:46 You...!
00:42:51 Go ahead, then, baby.
00:43:09 Whatever she told you, she's lying.
00:43:15 Kill her!
00:43:17 It's the only chance you've got.
00:43:55 Let go of the gun!
00:43:57 Clear the weapon!
00:43:59 - Stay still!
00:44:01 Stop struggling! Stop struggling!
00:44:04 Stay down! I'm telling you
00:44:09 Get the cuffs on him.
00:44:12 - Call an ambulance!
00:44:14 Call an ambulance!
00:44:27 Stay down!
00:44:57 Calm down! Calm down!
00:44:59 Nighttime! Nighttime!
00:45:01 You'll be home soon.
00:45:30 Hello, Michael.
00:45:37 I brought you a present.
00:45:42 I know you read an earlier draft.
00:45:48 So, thank you.
00:46:01 Would you like me to tell you the plot?
00:46:09 It's about an American.
00:46:12 A blond.
00:46:14 A novelist.
00:46:16 People around her just keep dying.
00:46:19 But the question is:
00:46:21 Who's killing them?
00:46:24 Is the beautiful blond novelist
00:46:30 Or is it the crooked cop?
00:46:34 Her analyst isn't sure.
00:46:36 But he goes crazy trying to find out.
00:46:41 But that's just half the story.
00:46:43 There's a twist.
00:46:46 You see, the novelist
00:46:52 And neither did the cop.
00:46:54 The real killer all along...
00:46:57 ...was the shrink.
00:47:15 Yeah, from the moment he saw her...
00:47:18 ...he knew she was the smoke screen
00:47:27 His best opportunity to get even.
00:47:32 First...
00:47:35 ...he'd deal with that scumbag
00:47:41 You see, you don't just go around
00:47:49 It's humiliating.
00:47:57 Not that she was a complete innocent.
00:48:00 That weekend slut.
00:48:04 Jesus, how could she
00:48:16 It's hurtful.
00:48:19 And there's some hurts
00:48:27 Jealousy.
00:48:33 Jealousy can make us do crazy things.
00:48:46 But getting away with it...
00:48:52 ...that was genius.
00:48:56 "Unfit to stand trial."
00:49:00 No prison for him,
00:49:04 ...in a quiet, sunlit, peaceful
00:49:17 Of course, that could all be a fiction.
00:49:23 He might really be insane.
00:49:59 Come back soon, baby.
00:50:04 I miss you.