Young Frankenstein
|
00:05:09 |
If we look at the base of a brain |
00:05:14 |
there's very little of the midbrain |
00:05:18 |
Yet, as I demonstrated |
00:05:22 |
if the under aspects of the temporal lobes |
00:05:29 |
the upper portion of the stem |
00:05:33 |
This so-called brainstem |
00:05:40 |
a rounded protrusion called the pons, |
00:05:45 |
and a stalk tapering downwards |
00:05:49 |
which passes out of the skull |
00:05:53 |
and becomes, of course, the spinal cord. |
00:05:57 |
Are there any questions before we proceed? |
00:06:00 |
I have one question, Dr Frankenstein. |
00:06:05 |
That's Fronkonsteen. |
00:06:07 |
I beg your pardon? |
00:06:09 |
My name. It's pronounced "Fronkonsteen". |
00:06:13 |
But aren't you the grandson |
00:06:17 |
who dug up freshly buried corpses |
00:06:22 |
Yes, yes. |
00:06:24 |
Yes. |
00:06:25 |
We all know what he did. |
00:06:28 |
But I'd rather be remembered |
00:06:34 |
and not because of my accidental |
00:06:37 |
to a famous... cuckoo. |
00:06:45 |
Now, if you don't mind, |
00:06:47 |
Well, sir, I'm not sure |
00:06:51 |
reflexive and voluntary nerve impulses. |
00:06:54 |
Good. Since our lab work today |
00:06:58 |
why don't we proceed? |
00:07:10 |
Mr Hilltop here, |
00:07:14 |
or given any prior instructions to, |
00:07:16 |
has graciously offered his services |
00:07:21 |
Mr Hilltop, would you hop up on your feet |
00:07:35 |
Nice hopping. |
00:07:40 |
Mr Hilltop, |
00:07:42 |
would you raise your left knee, please? |
00:07:50 |
You have just witnessed |
00:07:53 |
It begins as a stimulus |
00:07:57 |
passes through the brainstem |
00:08:00 |
Mr Hilltop, you may lower your knee. |
00:08:03 |
Reflex movements are those |
00:08:08 |
but are carried out along pathways |
00:08:10 |
which pass between the peripheral nervous |
00:08:15 |
You filthy, rotten, yellow son of a bitch. |
00:08:18 |
We are not aware of these impulses. |
00:08:21 |
Neither do we intend them |
00:08:25 |
Yet, as you can see, they work by themselves. |
00:08:28 |
But what if we block the nerve impulse |
00:08:32 |
which can be done |
00:08:35 |
just at the swelling |
00:08:41 |
for, say... five or six seconds? |
00:08:50 |
Why, you mother-grabbing bastard. |
00:08:53 |
As you can see, |
00:08:59 |
In spite of our mechanical magnificence, |
00:09:03 |
if it were not for this continuous stream |
00:09:08 |
we would collapse |
00:09:10 |
like a bunch of broccoli. |
00:09:19 |
In conclusion, it should be noted... |
00:09:22 |
- Give him an extra dollar. |
00:09:25 |
...that any more than common injury |
00:09:28 |
to the nerve root is always serious. |
00:09:32 |
Because once a nerve fibre is severed, |
00:09:35 |
there is no way, in heaven or on earth, |
00:09:39 |
to regenerate life back into it. |
00:09:42 |
Are there any last questions before we leave? |
00:09:45 |
Dr Frank... |
00:09:47 |
- Fronkonsteen... |
00:09:50 |
Isn't it true that Darwin preserved |
00:09:54 |
until, by some extraordinary means, |
00:09:57 |
it actually began to move |
00:10:01 |
Are you speaking of the worm |
00:10:06 |
Why, the worm, sir. |
00:10:08 |
Yes. It seems to me I did read something |
00:10:13 |
But you have to remember that a worm, |
00:10:17 |
is not a human being. |
00:10:21 |
But wasn't that the basis |
00:10:24 |
The reanimation of dead tissue? |
00:10:26 |
My grandfather was a very sick man. |
00:10:30 |
But as a Fronkonsteen, |
00:10:34 |
Doesn't bringing back to life what was |
00:10:39 |
You are talking about the nonsensical ravings |
00:10:45 |
But look at what has been done |
00:10:48 |
Hearts and kidneys are Tinkertoys. |
00:10:54 |
- But, sir... |
00:10:57 |
You have more chance |
00:11:00 |
than of mending a broken nervous system. |
00:11:03 |
- But what about your grandfather's work? |
00:11:10 |
I am not interested in death. |
00:11:12 |
The only thing that concerns me |
00:11:23 |
Class... |
00:11:25 |
...is... |
00:11:27 |
...dismissed. |
00:11:38 |
Dr Frankenstein... |
00:11:42 |
That's Fronkonsteen. |
00:11:47 |
My name is Gerhart Falkstein. |
00:11:50 |
I have travelled 5,000 miles to bring you |
00:11:55 |
Baron Beaufort von Frankenstein. |
00:12:14 |
Oh, my sweet darling. |
00:12:16 |
Oh, my dearest love. |
00:12:20 |
- Oh, darling, so will I. |
00:12:24 |
I'm going to that party at Nanna and Nicky's. |
00:12:29 |
- You understand. |
00:12:31 |
All aboard! |
00:12:33 |
- Oh, dear. |
00:12:36 |
Freddy, darling. |
00:12:38 |
Oh, how can I say in a few minutes |
00:12:43 |
- Won't you try? |
00:12:46 |
You've got it, mister. |
00:12:48 |
I'm yours. All of me. What else can I say? |
00:12:52 |
- My sweet love... |
00:12:55 |
Sorry. |
00:12:58 |
- I hope you like old-fashioned weddings. |
00:13:02 |
- You're incorrigible. |
00:13:08 |
...you love me? |
00:13:11 |
- Oh, my only love. |
00:13:15 |
Taffeta, sweetheart. |
00:13:17 |
No, the dress is taffeta. It wrinkles so easily. |
00:13:22 |
All aboard! |
00:13:24 |
There's that horrid man again. |
00:13:26 |
Well, hurry now, |
00:13:29 |
Oh, my nails! |
00:13:31 |
Sorry. |
00:13:41 |
- Goodbye, darling. |
00:13:49 |
Darling. |
00:14:14 |
- Harry, he was at it again. |
00:14:17 |
Every day. |
00:14:19 |
Let him. Let him. |
00:14:21 |
New York next. Everybody out for New York. |
00:14:52 |
Pardon me, boy. |
00:14:56 |
Ja, ja. Track 29. |
00:15:00 |
Oh, can I give you a shine? |
00:15:03 |
No, thanks. |
00:15:33 |
Dr Frankenstein? |
00:15:40 |
Fronkonsteen. |
00:15:43 |
You're putting me on. |
00:15:46 |
No. It's pronounced Fronkonsteen. |
00:15:49 |
Do you also say Frodorick? |
00:15:51 |
No. Frederick. |
00:15:54 |
Well, why isn't it Frodorick Fronkonsteen? |
00:15:57 |
It isn't. It's Frederick Fronkonsteen. |
00:16:00 |
I see. |
00:16:02 |
- You must be lgor. |
00:16:07 |
- But they told me it was lgor. |
00:16:12 |
You were sent by Herr Falkstein, weren't you? |
00:16:15 |
Yes. My grandfather |
00:16:22 |
- How nice. |
00:16:25 |
Of course. I'm sure we'll get along splendidly. |
00:16:30 |
Sorry. I... |
00:16:34 |
You know, I don't mean to embarrass you, |
00:16:38 |
Perhaps I could help you with that hump. |
00:16:40 |
What hump? |
00:16:47 |
Let's go. |
00:16:49 |
Allow me, master. |
00:16:52 |
Thanks very much. |
00:16:58 |
Walk this way. |
00:17:03 |
This way. |
00:17:22 |
I think you'll be more comfortable in the rear. |
00:17:32 |
- What was that? |
00:17:34 |
Herr Falkstein thought you might need |
00:17:43 |
Hello. |
00:17:48 |
It's fun. |
00:17:50 |
Roll, roll, roll in the hay |
00:18:16 |
Sometimes I am afraid of the lightning. |
00:18:19 |
It's just an atmospheric discharge. |
00:18:22 |
Nothing to be afraid of. |
00:18:29 |
Werewolf. |
00:18:31 |
Werewolf? |
00:18:33 |
- There. |
00:18:36 |
There wolf. |
00:18:38 |
There castle. |
00:18:41 |
Why are you talking that way? |
00:18:43 |
- I thought you wanted to. |
00:18:47 |
Suit yourself. I'm easy. |
00:18:52 |
Well... |
00:18:54 |
There it is. |
00:18:56 |
Home. |
00:19:30 |
What knockers. |
00:19:33 |
Thank you, Doctor. |
00:19:35 |
Oh, that's all right. |
00:19:39 |
There we are. |
00:19:54 |
I am Frau Blücher. |
00:20:00 |
Steady! |
00:20:04 |
How do you do? I am Dr Fronkonsteen. |
00:20:07 |
This is my assistant. |
00:20:14 |
I wonder what's got into them. |
00:20:17 |
Your rooms have been prepared, Herr Doktor. |
00:20:22 |
If you will follow me. |
00:20:24 |
I-gor. Would you bring the bags |
00:20:28 |
Yes, master. |
00:20:29 |
After you, Frau Blücher. |
00:20:47 |
Blücher! |
00:21:06 |
Follow me, please. |
00:21:29 |
Stay close to the candles. |
00:21:31 |
The staircase can be treacherous. |
00:21:44 |
Und this is your room. |
00:21:48 |
I see. |
00:21:52 |
Well. Seem to be quite a few books. |
00:21:54 |
This was Victor's... |
00:21:57 |
...the Baron's medical library. |
00:22:00 |
- Where is my grandfather's private library? |
00:22:04 |
Well, these books are very general. |
00:22:08 |
This is the only library I know of, |
00:22:13 |
- Fronkonsteen. |
00:22:16 |
Well, we'll see. |
00:22:20 |
Good night. |
00:22:24 |
Would the doctor care for |
00:22:29 |
No. Thank you. |
00:22:34 |
Some warm milk... |
00:22:37 |
...perhaps? |
00:22:39 |
No, thank you very much. |
00:22:42 |
No, thanks. |
00:22:44 |
Ovaltine? |
00:22:51 |
Nothing. |
00:22:53 |
Thank you. |
00:22:55 |
I'm a little tired. |
00:23:00 |
Then I will say... good night. |
00:23:02 |
Good night! |
00:23:20 |
Good night, darling. |
00:23:27 |
Good night, Herr Doktor. |
00:23:29 |
Good night, Frau Blücher. |
00:23:53 |
No, no, no... |
00:23:57 |
No, no, no... |
00:24:04 |
I'm not a Frankenstein. |
00:24:07 |
I am not a Frankenstein. |
00:24:11 |
I'm a Fronkonsteen. |
00:24:14 |
Don't gimme that! |
00:24:16 |
I don't believe in fate. |
00:24:19 |
And I won't say it. |
00:24:23 |
All right, you win. I give. |
00:24:26 |
I'll say it. I'll say it, I'll say it. |
00:24:30 |
Destiny. Destiny. |
00:24:33 |
No escaping that for me. |
00:24:35 |
Destiny. Destiny. |
00:24:38 |
No escaping that for me. |
00:24:40 |
Destiny. Destiny... |
00:24:42 |
No escaping... |
00:24:46 |
Dr Fronkonsteen. Wake up. |
00:24:50 |
- What is it? |
00:24:55 |
- What's that strange music? |
00:25:00 |
But it seems to be coming |
00:25:03 |
from behind the bookcase. |
00:25:07 |
Behind the bookcase... |
00:25:11 |
Hand me that robe, would you, dear? |
00:25:18 |
You were right. |
00:25:22 |
Where is it? |
00:25:24 |
- Where is it? |
00:25:26 |
There's always a device. |
00:25:30 |
Hello. |
00:25:43 |
It seems louder over here. |
00:25:51 |
Put the candle back. |
00:26:01 |
All right. I think I have it figured out now. |
00:26:05 |
Take out the candle |
00:26:21 |
Listen to me very carefully. |
00:26:24 |
Don't put the candle back. |
00:26:27 |
With all of your might, |
00:26:30 |
shove against the other side |
00:26:34 |
Is that perfectly clear? |
00:26:38 |
I think so. |
00:26:48 |
Good girl. |
00:26:51 |
Put the candle back. |
00:27:02 |
Oh, look, Doctor. A passageway. |
00:27:05 |
Whatever that music is, |
00:27:08 |
- I'd better take a look. |
00:27:11 |
I don't wanna stay up here alone. |
00:27:14 |
All right, then. |
00:27:17 |
Oh, Doctor. The candle... |
00:27:20 |
Good thinking. Let's try this one. |
00:27:24 |
Stand back! |
00:27:59 |
Don't be frightened, dear. Just a rat. |
00:28:02 |
A filthy, slimy rat. |
00:28:41 |
Good Lord! |
00:29:02 |
I-I-I-I-I-I |
00:29:04 |
Ain't got nobody |
00:29:07 |
And nobody cares for me |
00:29:11 |
- I-gor. |
00:29:13 |
How did you get here? |
00:29:17 |
Through the dumbwaiter. I heard |
00:29:21 |
and I just followed it down. |
00:29:23 |
Call it... a hunch. |
00:29:27 |
- There must have been someone else here. |
00:29:31 |
And there's the only other door. |
00:29:34 |
Wait, master. |
00:29:36 |
It might be dangerous. |
00:29:39 |
You go first. |
00:29:53 |
Aren't there any lights in this place? |
00:29:56 |
Two nasty-looking switches over here, |
00:30:06 |
Damn your eyes. |
00:30:08 |
Too late. |
00:30:23 |
So this is where it all happened. |
00:30:37 |
Just think. A dead brain |
00:30:43 |
Look. No blood, no decomposition. |
00:30:46 |
Just a few sutures. |
00:30:48 |
- Throw the main switch. |
00:30:57 |
What a filthy mess. |
00:31:00 |
I dunno. A little paint, a few flowers, |
00:31:08 |
Well, it seems as if our mysterious violinist |
00:31:13 |
- Disa... what? |
00:31:15 |
There is a light |
00:31:22 |
Follow me. |
00:31:51 |
Doctor, look! |
00:31:55 |
Well... This explains the music. |
00:32:01 |
It's still warm. |
00:32:03 |
But who was playing it? |
00:32:05 |
I don't know. |
00:32:06 |
But whoever it was just barely finished |
00:32:10 |
Such strange goings-on. |
00:32:15 |
What is this place? |
00:32:18 |
Music room? |
00:32:20 |
But there's nothing here |
00:32:24 |
Books and papers? |
00:32:27 |
It is! |
00:32:28 |
This is my grandfather's private library. |
00:32:33 |
Look! Look at this. |
00:32:50 |
"...until, from the midst of this |
00:32:56 |
"A light so brilliant and wondrous, |
00:33:01 |
"Change the poles from plus to minus |
00:33:05 |
and from minus to plus." |
00:33:11 |
"I alone succeeded in discovering |
00:33:16 |
"Nay, even more..." |
00:33:18 |
"I myself became capable |
00:33:25 |
upon lifeless matter." |
00:33:34 |
It could work. |
00:33:55 |
- Kipper? |
00:34:03 |
"As the minuteness of the parts |
00:34:07 |
I resolved therefore |
00:34:15 |
Of course. |
00:34:17 |
That would simplify everything. |
00:34:19 |
In other words, |
00:34:21 |
his veins, his feet, his hands, his organs |
00:34:26 |
Exactly. |
00:34:29 |
He would have an enormous Schwanzstück. |
00:34:37 |
That goes without saying. |
00:34:40 |
Woof. |
00:34:42 |
He's gonna be very popular. |
00:34:46 |
So then. What we're aiming for is a being |
00:34:51 |
with all features either congenitally |
00:34:56 |
Something like... |
00:34:59 |
...this? |
00:35:05 |
Hello... |
00:35:07 |
You've caught something there. |
00:35:09 |
Crude, yes, primitive, yes, |
00:35:13 |
yet something inexplicable tells me |
00:35:16 |
that this might be our man. |
00:35:37 |
All right, all right. |
00:35:39 |
That's good enough for the likes of 'im. |
00:35:58 |
Get down, you fool. |
00:36:09 |
Now. |
00:36:40 |
What a filthy job. |
00:36:43 |
- Could be worse. |
00:36:45 |
Could be raining. |
00:37:34 |
Quick. |
00:37:41 |
Need a hand? |
00:37:43 |
No, thanks. I have one. |
00:37:47 |
Just a moment, sir. |
00:37:48 |
I know everyone around here, |
00:37:52 |
Can you account for yourself? |
00:37:55 |
Yes. I am Dr Frederick Fronkonsteen, |
00:37:59 |
Oh, yes, sir. I was told you were here. |
00:38:02 |
Well, I'm Constable Henry, sir. |
00:38:07 |
How very nice to meet you, Constable. |
00:38:09 |
Why, you're chilled to the bone, sir. |
00:38:12 |
A nice, warm fire would be the thing for you. |
00:38:15 |
A little nip from the old bottle |
00:38:19 |
That's the ticket, yes. |
00:38:21 |
Well, if you have everything in hand, sir, |
00:38:25 |
Thank you very much, Constable. |
00:38:27 |
At your service, sir, always. |
00:38:32 |
- Good night, Constable. |
00:38:52 |
Oh, what an awesome sight. |
00:38:56 |
What a profound and reverend night is this. |
00:39:02 |
With such a specimen for a body, |
00:39:04 |
all we need now is |
00:39:11 |
- You know what to do? |
00:39:14 |
Good man. |
00:39:17 |
Didn't you... Didn't you use to have that |
00:39:20 |
- What? |
00:39:23 |
Never mind. |
00:39:29 |
- Do you have that name I gave you? |
00:39:34 |
- H Delbruck. |
00:41:31 |
- He is hideous. |
00:41:36 |
And he is mine. |
00:41:47 |
Hurry now. |
00:41:50 |
- Are you ready? |
00:41:54 |
Yes. It's all written down in the notes. |
00:41:57 |
Now tie off the kites |
00:42:00 |
What's the hurry? |
00:42:02 |
There's a possibility of electrocution. |
00:42:10 |
I say: "There's a possibility of electrocution." |
00:42:14 |
Do you understand? |
00:42:17 |
I understand, I understand. |
00:42:21 |
Did you... |
00:42:23 |
- Did you tie off the kites? |
00:42:28 |
All right. Good. |
00:42:32 |
- Check the generator. |
00:42:43 |
I-gor, |
00:42:44 |
- release the safety valve on the main wheel. |
00:42:53 |
Can you imagine the brain |
00:42:58 |
Oh, Frederick. |
00:43:01 |
This is the moment. |
00:43:04 |
Well, dear... |
00:43:06 |
Are you ready? |
00:43:08 |
Yes, Doctor. |
00:43:12 |
Elevate me. |
00:43:14 |
Now? Right here? |
00:43:18 |
- Yes, yes. Raise the platform. |
00:43:22 |
Oh, that. Ja... yes. |
00:43:44 |
From that fateful day |
00:43:48 |
first crawled from the sea |
00:43:54 |
"I am man", |
00:43:58 |
our greatest dread has always been |
00:44:03 |
But tonight |
00:44:05 |
we shall hurl the gauntlet of science |
00:44:08 |
into the frightful face of death itself. |
00:44:14 |
Tonight, |
00:44:16 |
we shall ascend into the heavens. |
00:44:21 |
We shall mock the earthquake. |
00:44:25 |
We shall command the thunders |
00:44:28 |
and penetrate |
00:44:30 |
into the very womb |
00:44:45 |
When I give the word, |
00:44:49 |
You've got it, master. |
00:44:55 |
Get ready. |
00:45:00 |
Get set. |
00:45:02 |
Go! |
00:45:10 |
Throw the second switch. |
00:45:17 |
Throw the third switch. |
00:45:20 |
Not the third switch? |
00:45:22 |
Throw it, I say. Throw it! |
00:45:37 |
Life. |
00:45:40 |
Life, do you hear me? |
00:45:42 |
Give my creation |
00:45:45 |
life! |
00:46:10 |
Turn everything off and bring me down. |
00:47:22 |
Nothing. |
00:47:25 |
- Oh, Doctor. I'm sorry... |
00:47:28 |
Be of good cheer. |
00:47:31 |
If science teaches us anything, |
00:47:34 |
it teaches us to accept our failures |
00:47:38 |
as well as our successes |
00:47:41 |
with quiet dignity |
00:47:46 |
and grace. |
00:47:58 |
Son of a bitch, bastard. I'll get you for this. |
00:48:01 |
What did you do to me? |
00:48:03 |
- What did you do to me? |
00:48:07 |
You'll kill him! |
00:48:10 |
I don't wanna live. |
00:48:12 |
I do not want to live. |
00:48:18 |
Quiet dignity and grace. |
00:48:21 |
Mama! |
00:48:25 |
Oh, tosh! This man is different, I tell you. |
00:48:29 |
You can see that after you've |
00:48:35 |
Yes? |
00:48:38 |
He's a Frankenstein! |
00:48:40 |
And they're all alike. |
00:48:44 |
It's in their blood. They can't 'elp it. |
00:48:47 |
All those scientists, they're all alike. |
00:48:50 |
They say they're working for us. |
00:48:53 |
What they really want is to rule the world. |
00:49:03 |
That's enough now. I will not have |
00:49:08 |
These are very serious charges |
00:49:11 |
and all the more painful to us, your elders, |
00:49:16 |
from five times before. |
00:49:19 |
Now, we haven't heard from the one man |
00:49:27 |
Inspector Kemp. |
00:49:30 |
Will you talk to us, please? |
00:50:00 |
A riot is an ugly thing |
00:50:04 |
und once you get one started |
00:50:09 |
there is little chance of stopping it |
00:50:13 |
short of bloodshed. |
00:50:16 |
I think before we go around killing people, |
00:50:21 |
we had better make damn sure |
00:50:28 |
Und... |
00:50:35 |
...we had better confirm the fact |
00:50:38 |
that young Frankenstein is indeed |
00:50:43 |
vollowing in his grandfather's vootstaps. |
00:50:46 |
What? |
00:50:47 |
Vollowing in his grandfather's vootstaps. |
00:50:50 |
Oh, footsteps. |
00:50:52 |
I think |
00:50:54 |
what is in order |
00:50:58 |
is for me to pay a little visit |
00:51:04 |
und to have a nice, quiet chat. |
00:51:14 |
Reputation. |
00:51:17 |
Reputation. |
00:51:20 |
Oh, Doctor. You mustn't do this to yourself. |
00:51:24 |
You've got to stop thinking about it. |
00:51:27 |
Why, look. |
00:51:32 |
There. |
00:51:35 |
Now I've touched it. Happy? |
00:51:39 |
You know... I'll never forget my old dad. |
00:51:43 |
When these things would happen to him... |
00:51:50 |
What did he say? |
00:51:52 |
What the hell are you doin' |
00:51:55 |
Why don't you get outta there |
00:52:05 |
Oh, maybe it's better this way. |
00:52:08 |
The poor lifeless hulk. |
00:52:11 |
Maybe it is better off dead. |
00:52:33 |
What is this? |
00:52:35 |
Schwarzwälder Kirschtorte. |
00:52:39 |
Do you like it? I'm not partial to |
00:52:44 |
Who are you talking to? |
00:52:47 |
To you. You just made a yummy sound, |
00:52:52 |
I didn't make a yummy sound. |
00:52:55 |
- But you did. I just heard it. |
00:52:58 |
It wasn't me. |
00:53:00 |
Well, now, look here. |
00:53:27 |
Alive. It's alive. |
00:53:31 |
It's alive! |
00:53:36 |
Stand back. |
00:53:46 |
Hello, there. |
00:53:48 |
I'm going to set you free. |
00:53:54 |
- Is the sedative ready? |
00:54:11 |
I want you |
00:54:14 |
to sit up. |
00:54:31 |
Stand on your feet. |
00:54:39 |
You can do it. |
00:54:51 |
Now walk. |
00:55:01 |
Doctor, I'm frightened. |
00:55:04 |
Don't worry. |
00:55:09 |
Good. |
00:55:12 |
Good. |
00:55:16 |
What is it? What's the matter? |
00:55:19 |
Quick. Give him the... |
00:55:21 |
Quick. Give him the... |
00:55:23 |
What? Give him the what? |
00:55:26 |
Three syllables. |
00:55:29 |
Head. Sounds like head. |
00:55:32 |
Bed... Said... |
00:55:35 |
Said. |
00:55:36 |
- Said. |
00:55:38 |
Second syllable - little word. |
00:55:40 |
This, that, the... |
00:55:42 |
A... |
00:55:44 |
- Said a... |
00:55:47 |
Dirty word. He said a dirty word. |
00:55:49 |
Sounds like... |
00:55:52 |
To give. Give. |
00:55:54 |
Said... Said a give... Give him a said a give. |
00:55:58 |
Oh, tive... tive... Sedative. |
00:56:01 |
On the nosey. |
00:56:22 |
Said a give? |
00:56:32 |
Oh, Frederick. Are you all right? |
00:56:35 |
Yes. |
00:56:38 |
- Would you excuse me for one minute, dear? |
00:56:43 |
I-gor... |
00:56:46 |
- May I speak to you for a moment? |
00:56:49 |
- Sit down, won't you? |
00:56:54 |
No, no. Up here. |
00:56:57 |
Thank you. |
00:57:03 |
Now, that brain that you gave me... |
00:57:07 |
Was it Hans Delbruck's? |
00:57:11 |
- No. |
00:57:16 |
Would you mind telling me... |
00:57:20 |
...whose brain I did put in? |
00:57:24 |
- Then you won't be angry? |
00:57:29 |
Abby someone. |
00:57:32 |
Abby someone... |
00:57:34 |
- Abby who? |
00:57:40 |
Abby Normal... |
00:57:43 |
I'm almost sure that was the name. |
00:57:49 |
Are you saying that I put an abnormal brain |
00:57:54 |
into a seven-and-a-half-foot long, |
00:57:59 |
54-inch wide |
00:58:04 |
gorilla? |
00:58:07 |
Is that what you're telling me? |
00:58:10 |
Quick, quick. Give him the... |
00:58:12 |
What? |
00:58:14 |
Three syllables, yes. |
00:58:17 |
I wonder who that could be at this hour. |
00:58:26 |
Inga, quick. See who that is. |
00:58:30 |
You... put that thing |
00:58:35 |
And strap him down tightly. |
00:58:40 |
- Where are you going? |
00:58:43 |
We've all of us got to behave normally. |
00:58:49 |
Monsters! |
00:58:56 |
Excellent shot. |
00:58:58 |
This is the 20th century, Kemp. |
00:59:02 |
Not to the good people |
00:59:08 |
To them |
00:59:10 |
he is a very real thing. |
00:59:14 |
Especially when... |
00:59:34 |
Nice grouping. |
00:59:37 |
Thank you. |
00:59:41 |
I wouldn't think an intelligent fellow like you |
00:59:48 |
It is not superstition that worries me, |
00:59:53 |
chromosomes. |
00:59:56 |
- Rubbish. |
01:00:00 |
Transylvania. |
01:00:03 |
Und you are a |
01:00:05 |
Frankenstein. |
01:00:10 |
You... seem unusually upset |
01:00:15 |
Not in the least. |
01:00:18 |
I find it extremely amusing, that's all. |
01:00:23 |
Well, this was fun. |
01:00:25 |
Now, if you don't mind, Inspector, |
01:00:28 |
Then |
01:00:29 |
I may give the villagers |
01:00:33 |
that you have no interest whatsoever |
01:00:42 |
May I take that for a yes? |
01:00:46 |
Very well. |
01:00:48 |
- You can find the way out by yourself? |
01:00:52 |
Until we meet again... Herr Baron. |
01:00:57 |
Yes. Drop by any time. We are always open. |
01:01:42 |
Oh, Victor. |
01:01:45 |
Victor... |
01:01:47 |
We have done it. |
01:01:53 |
I'm going to set you free. |
01:01:55 |
Would you like that, meine Seuchekopf? |
01:02:08 |
They wanted to hurt you. |
01:02:11 |
But I'm going to help you. |
01:02:15 |
Thank heavens that's over with. |
01:02:18 |
Frau Blücher. |
01:02:22 |
Stop. Don't come closer. |
01:02:25 |
- What are you doing? |
01:02:28 |
No. No, you mustn't. |
01:02:30 |
Yes. |
01:02:32 |
Are you insane? He'll kill you. |
01:02:36 |
No, he won't. Not this one. |
01:02:39 |
He is as gentle as a lamb. |
01:02:42 |
Stand back. Stand back. |
01:02:47 |
It's not rotten. It's a good brain. |
01:02:49 |
It's rotten, I tell you. Rotten. |
01:02:53 |
Lxnay on the ottenray. |
01:02:56 |
I'm not afraid. I know what he likes. |
01:03:15 |
That music. |
01:03:18 |
Yes. It's in your blood. |
01:03:24 |
It reaches the soul when words are useless. |
01:03:28 |
Your grandfather used to play it |
01:03:31 |
- Then it was you all the time. |
01:03:34 |
- You played that music in the night. |
01:03:37 |
- To get us into the laboratory. |
01:03:40 |
- That was your cigar in the ashtray. |
01:03:44 |
And it was you who left |
01:03:47 |
Yes. |
01:03:49 |
- So that I would... |
01:03:51 |
- Then you and Victor were... |
01:03:53 |
Yes! Say it! |
01:03:56 |
He was my boyfriend. |
01:04:11 |
You will never catch him now. |
01:04:14 |
He's free. Do you hear? |
01:04:17 |
Free. |
01:04:33 |
Gone. |
01:04:35 |
Gone! |
01:04:37 |
We've got to find him, do you understand? |
01:04:39 |
We've got to find him |
01:04:43 |
What have I done? |
01:04:45 |
Oh, God in heaven. |
01:04:49 |
What have I done? |
01:04:57 |
Oh, I love my pretty little flower |
01:05:01 |
Oh, I love my pretty little flower |
01:05:05 |
Oh, I love my flower |
01:05:14 |
That monster is loose... |
01:05:17 |
Boards must be tight. |
01:05:22 |
There. |
01:05:26 |
Thank God you put Helga to bed. |
01:05:28 |
With all this monster business, |
01:05:32 |
But, Papa. I told you that I was turning |
01:05:37 |
I asked you to put Helga to... |
01:05:40 |
You... |
01:05:46 |
Now throw a kiss and say bye-bye. |
01:05:57 |
Oh, dear. Nothing left. |
01:05:59 |
What shall we throw in now? |
01:06:06 |
Maybe she was in the bathroom |
01:06:09 |
But I didn't even look upstairs. |
01:06:15 |
You didn't look upstairs? |
01:06:18 |
Sit down. |
01:06:22 |
Sit down! |
01:07:11 |
A visitor is all I ask. |
01:07:14 |
A temporary companion to help me |
01:07:22 |
Thank you, Lord. Thank you. |
01:07:35 |
Oh, no, no, no. |
01:07:39 |
Oh, my joy and my prize from heaven. |
01:07:43 |
Oh, you must have been |
01:07:46 |
My name is Harold and I live here all alone. |
01:07:50 |
What is your name? |
01:07:52 |
I didn't get that. |
01:07:55 |
No... |
01:07:58 |
Forgive me. |
01:07:59 |
I didn't realise you were a mute. |
01:08:03 |
You see how heaven plans. |
01:08:05 |
Me, a poor blind man, and you a mute. |
01:08:10 |
An incredibly big mute. |
01:08:13 |
But your hand is frozen, my child. |
01:08:15 |
How does a nice bowl of soup sound, huh? |
01:08:28 |
Well, I know what it means |
01:08:32 |
Yes... |
01:08:33 |
And how much it means to have |
01:08:37 |
Are you ready for your soup? |
01:08:42 |
Hold out your bowl, then. |
01:08:46 |
Oh, my friend... |
01:08:48 |
You don't know what your visit means to me. |
01:08:51 |
How long I've waited for the pleasure |
01:08:55 |
Sometimes in our preoccupation |
01:09:00 |
we tend to forget the simple pleasures |
01:09:04 |
that are the basis for true happiness. |
01:09:09 |
And now a little wine with your soup? |
01:09:14 |
Good, good. |
01:09:25 |
Huh? Good. Yes. |
01:09:32 |
Wait! |
01:09:34 |
A toast. |
01:09:37 |
A toast to long friendship. |
01:09:47 |
How hungry you must have been. |
01:09:49 |
Now for a little surprise. |
01:09:52 |
For a special occasion, I've been saving... |
01:10:00 |
...cigars. |
01:10:03 |
Take one. |
01:10:09 |
What? |
01:10:10 |
No, no, no. |
01:10:12 |
Fire is good. |
01:10:15 |
Fire is good. Yes, fire is our friend. |
01:10:18 |
Yes. I'll show you. |
01:10:29 |
You see? |
01:10:32 |
You have your cigar? |
01:10:34 |
Let me see. Let me see. |
01:10:36 |
All right. |
01:10:38 |
Now, now, now... |
01:10:40 |
Just hold it right there. Now, |
01:10:43 |
don't inhale until the tip glows. |
01:11:05 |
Wait. |
01:11:09 |
Wait. |
01:11:11 |
Where are you going? |
01:11:13 |
I was gonna make espresso. |
01:12:00 |
Now! |
01:12:06 |
Quick. Give him the sedative. |
01:12:26 |
He's out. |
01:12:29 |
I know. |
01:12:39 |
I'm going in there. Bring me that candle. |
01:12:44 |
- No. |
01:12:50 |
Love |
01:12:53 |
is the only thing |
01:12:57 |
And I am going to convince him |
01:13:01 |
even at the cost of my own life. |
01:13:06 |
No matter what you hear in there, |
01:13:11 |
no matter how terribly I may scream, |
01:13:15 |
do not open this door, |
01:13:19 |
Do you understand? |
01:13:21 |
Do not open this door. |
01:13:24 |
Yes, Doctor. |
01:13:28 |
Nice working with you. |
01:14:02 |
Let me out. Let me out of here. |
01:14:06 |
What's the matter with you people? |
01:14:09 |
Don't you know ajoke when you hear one? |
01:14:15 |
Jesus Christ. Get me outta here! |
01:14:21 |
Open this goddamn door |
01:14:25 |
Mommy! |
01:14:34 |
Obviously... |
01:14:40 |
Hello, handsome. |
01:14:46 |
You're a good-looking fellow, you know? |
01:14:48 |
People laugh at you. |
01:14:51 |
People hate you, but why do they hate you? |
01:14:54 |
Because they are jealous. |
01:14:59 |
Look at that boyish face. |
01:15:04 |
Look at that sweet smile. |
01:15:07 |
Do you wanna talk about physical strength? |
01:15:11 |
Do you want to talk about sheer muscle? |
01:15:15 |
Do you want to talk |
01:15:19 |
You are a god! |
01:15:22 |
And listen to me... |
01:15:25 |
You are not evil. |
01:15:29 |
You are good! |
01:15:42 |
This is a nice boy. |
01:15:45 |
This is a good boy. |
01:15:48 |
This is a mother's angel. |
01:15:52 |
And I want the world to know, |
01:15:55 |
once and for all and without any shame, |
01:16:00 |
that we love him. |
01:16:07 |
I'm going to teach you. |
01:16:10 |
I'm gonna show you how to walk, |
01:16:16 |
Together, |
01:16:18 |
you and I |
01:16:20 |
are going to make |
01:16:27 |
since the creation of fire! |
01:16:30 |
Dr Fronkonsteen. Are you all right? |
01:16:33 |
My name... |
01:16:36 |
...is Frankenstein! |
01:17:33 |
Distinguished colleagues, |
01:17:37 |
Tonight it is my great privilege |
01:17:39 |
of introducing to you a man |
01:17:43 |
famous |
01:17:46 |
and infamous. |
01:17:48 |
And now may I present to you |
01:18:04 |
My fellow scienti... |
01:18:07 |
...tists... and neurosurgeons, |
01:18:13 |
A few short weeks ago, |
01:18:16 |
believe me, as conservative and traditionally |
01:18:21 |
I began an experiment in, |
01:18:27 |
the reanimation of dead tissue. |
01:18:33 |
What I have to offer you might possibly be |
01:18:38 |
the gateway to immortality. |
01:18:46 |
Ladies and gentlemen, may I present for |
01:18:53 |
the Creature. |
01:19:02 |
Remain in your seats, I beg you. |
01:19:04 |
We are not children here. We are scientists. |
01:19:08 |
I assure you there is nothing to fear. |
01:19:14 |
First may I offer for your consideration |
01:19:18 |
a neurological demonstration |
01:19:24 |
Balance and coordination. |
01:19:29 |
Walk heel to toe. |
01:19:46 |
Backwards. |
01:20:04 |
Ladies and gentlemen, you've seen |
01:20:09 |
but for what you will see next |
01:20:14 |
into the realm of genius. |
01:20:20 |
Ladies and gentlemen, |
01:20:26 |
from what was once |
01:20:30 |
may I now present |
01:20:36 |
man about town. |
01:20:42 |
Hit it. |
01:22:28 |
Nothing. Nothing, I tell you. |
01:22:31 |
Five, six, seven, eight... |
01:22:36 |
Come on. Are you trying |
01:22:44 |
Please. I beg you. |
01:22:45 |
For safety's sake, don't humiliate him. |
01:22:51 |
Come back. Do you hear me? |
01:22:55 |
As your creator |
01:23:52 |
Chained. |
01:23:54 |
Chained like a beast in a cage. |
01:23:57 |
Oh, Doctor. I feel so terrible. |
01:24:00 |
There's only one answer. |
01:24:02 |
If I could find a way to equalise |
01:24:07 |
why, he'd be as right as rain. |
01:24:10 |
But how? |
01:24:12 |
How, before it's too late? |
01:24:16 |
Oh, Frederick... |
01:24:18 |
If only there was some way I could... |
01:24:21 |
...relieve this torture you are going through. |
01:24:26 |
If there was some way I could help to... |
01:24:30 |
...relieve the tension. If there was just |
01:24:43 |
Doctor, I have... |
01:24:45 |
Doctor? |
01:24:48 |
What is it? |
01:24:53 |
Doctor... |
01:24:55 |
Where are you? |
01:25:10 |
I'm sorry, Doctor. |
01:25:14 |
I thought I told you never to |
01:25:20 |
I'm sorry, Doctor. |
01:25:24 |
You see, your fiancée |
01:25:28 |
What? Elizabeth here tonight? |
01:25:31 |
Yes. I will go prepare a room at once. |
01:25:36 |
I suggest you put on a tie. |
01:25:58 |
Darling. |
01:26:00 |
Darling. |
01:26:02 |
- Surprised? |
01:26:04 |
- Love me? |
01:26:07 |
Well... |
01:26:10 |
- Let's turn in. |
01:26:13 |
It's been a long day. I'm sure you're very tired. |
01:26:18 |
- Darling. |
01:26:21 |
- Surprised? |
01:26:24 |
- Love me? |
01:26:26 |
Well, let's turn in. |
01:26:29 |
- Darling. |
01:26:30 |
Say nothing, act casual. |
01:26:32 |
- Ready? |
01:26:35 |
Yes. |
01:26:37 |
I am a bit tired after all. |
01:26:42 |
I'd like you to meet |
01:26:45 |
How do you do? |
01:26:48 |
How do you do? |
01:26:49 |
- This is my financier Elizabeth. |
01:26:53 |
Financée. |
01:26:54 |
Excuse me, darling. |
01:27:02 |
Well, I assist Dr Fronkonsteen |
01:27:07 |
We have intellectual discussions und we... |
01:27:09 |
As a matter of fact, we were just having one... |
01:27:12 |
- May I? |
01:27:13 |
Wait a minute... |
01:27:15 |
l-gor, would you give me |
01:27:18 |
Certainly, you take the blonde |
01:27:27 |
Stop that. I'm talking about the luggage. |
01:27:30 |
Yes, master. |
01:27:32 |
Ladies, this way. |
01:27:36 |
It'll be a long night. |
01:27:47 |
You settle down now. |
01:27:50 |
Cos we gonna be pals. |
01:27:54 |
Right? |
01:27:58 |
Nice and cosy. |
01:28:00 |
Just like old friends. |
01:28:12 |
What's the matter? |
01:28:17 |
This can't hurt you. |
01:28:19 |
See? |
01:28:22 |
Some monster you are. |
01:28:24 |
See, Mama was right. |
01:28:26 |
Little boys ain't supposed to play with fire. |
01:28:31 |
Is they? Cos they might get hurt. |
01:29:02 |
Halt! |
01:29:03 |
Up. |
01:29:05 |
A riot is an ugly thing. |
01:29:09 |
Und I think that it is just about time |
01:29:15 |
Kill the monster. |
01:29:17 |
As heaven is my witness... Up. |
01:29:21 |
...he will curse the day |
01:29:24 |
that he was burn a Frankenstein. |
01:29:29 |
What? |
01:29:31 |
I said: "He will curse the day |
01:29:52 |
Loose. He's broken loose. |
01:29:56 |
Do you know what that means? |
01:29:58 |
Darling, you mustn't worry so. |
01:30:04 |
I suppose you're right. |
01:30:06 |
Of course I am. |
01:30:08 |
Now come along like a good boy. |
01:30:10 |
What would I do without you? |
01:30:12 |
Is your room just down the hall |
01:30:18 |
Well, yes, but I thought perhaps tonight, |
01:30:23 |
stay here with you. |
01:30:25 |
Would you want me like this now? |
01:30:28 |
So soon before our wedding, |
01:30:34 |
- Yes! |
01:30:38 |
Or |
01:30:40 |
to waitjust a little while longer when |
01:30:46 |
when I can be totally |
01:30:54 |
That's a tough choice. |
01:30:57 |
You're a tough guy. |
01:31:01 |
I suppose you're right. |
01:31:03 |
Of course I am. I always am. |
01:31:07 |
Now give me a kiss and say good night. |
01:31:12 |
No tongues. |
01:31:22 |
Good night, darling. |
01:31:24 |
Good night, sweetheart. |
01:31:27 |
- I love you. |
01:31:29 |
You love me? I love you, honey. |
01:31:33 |
- Sweet dreams, darling. |
01:31:36 |
Good night, don't let the bedbugs bite. |
01:31:45 |
He has loosed the fateful lightning |
01:31:52 |
His truth is marching on |
01:31:57 |
Glory, glory, hallelujah... |
01:32:56 |
Where am I? |
01:33:01 |
Who are you? What are you? |
01:33:03 |
What do you want? |
01:33:07 |
Calm down. |
01:33:09 |
I'm not afraid of you. |
01:33:11 |
My father is very rich. |
01:33:15 |
Listen. I have to be back by 11.30. |
01:33:23 |
Speak! Why don't you speak? |
01:33:25 |
What are you doing? |
01:33:27 |
Oh, no, you can't be serious. |
01:33:32 |
I'm af... |
01:33:35 |
Oh, my God. |
01:33:37 |
Woof. |
01:33:41 |
I'm engaged. |
01:33:43 |
And once he... But I didn't... It was never... |
01:33:52 |
Sweet mystery of life |
01:33:55 |
At last I found you |
01:33:58 |
At last I know the secret of it all |
01:34:36 |
Penny for your thoughts. |
01:34:40 |
You're incorrigible, aren't you? |
01:34:44 |
You little zipper-neck. |
01:34:50 |
All right. |
01:34:51 |
Seven has always been my lucky number. |
01:34:55 |
Come over here, you hot monster. |
01:35:01 |
What is it? What's the matter? |
01:35:05 |
Is it that music? |
01:35:08 |
It's probably from some nearby cottage. |
01:35:12 |
Where are you going? Where... |
01:35:14 |
You men are all alike. |
01:35:16 |
Seven or eight quick ones |
01:35:19 |
To boast and brag. |
01:35:23 |
Oh, I think I love him. |
01:36:13 |
Look, he's coming back. |
01:36:17 |
Keep playing. It's the music. |
01:36:19 |
It's the music that's bringing him back. |
01:36:25 |
Come on. |
01:36:35 |
Come on. Come. |
01:36:42 |
Come on. You can do it. |
01:36:50 |
Come on. You can do it. |
01:36:59 |
Don't touch him! |
01:37:03 |
You can do it. You can do it. |
01:37:07 |
Please, my creation. |
01:37:20 |
Quick. Catch him. |
01:37:27 |
Have all the preparations |
01:37:30 |
Yes, Doctor. |
01:37:32 |
Are you sure you want |
01:37:35 |
It's the only thing that can save him now. |
01:37:38 |
You realise you're risking both your lives? |
01:37:43 |
Yes. |
01:37:58 |
Switching off. |
01:38:20 |
How will I know when they are done? |
01:38:22 |
The doctor said to allow 15 minutes. |
01:38:25 |
Not one second more |
01:38:28 |
or less. |
01:38:38 |
How long now? |
01:38:40 |
Two minutes. |
01:39:04 |
- What's that noise? |
01:39:06 |
- What time is it? |
01:39:13 |
Oh, my God. It's the villagers. |
01:39:18 |
No! No! Please. |
01:39:21 |
Just another seven seconds. |
01:39:26 |
No! No! |
01:39:30 |
No! No! No! |
01:39:33 |
- Put that man down. |
01:39:35 |
- No, it can't be. |
01:39:37 |
I said: "Put that man down." |
01:39:49 |
Und just who do you think you are |
01:39:52 |
that you order these people about? |
01:39:55 |
I am the monster. |
01:39:59 |
Ja. I see that you are the monster. |
01:40:02 |
For as long as I can remember |
01:40:05 |
people have hated me. |
01:40:08 |
They looked at my face and my body |
01:40:11 |
and they ran away in horror. |
01:40:13 |
In my loneliness, I decided that if I could not |
01:40:20 |
I would instead cause fear. |
01:40:24 |
I live, |
01:40:28 |
because this poor, half-crazed |
01:40:33 |
He alone held an image of me |
01:40:36 |
as something beautiful. |
01:40:38 |
And then, |
01:40:40 |
when it would have been easy enough |
01:40:45 |
he used his own body as a guinea pig |
01:40:48 |
to give me a calmer brain |
01:40:52 |
and a somewhat more |
01:40:58 |
Well, this is, of course, |
01:41:04 |
As the leader of this community, |
01:41:06 |
may I be the first to offer you my hand |
01:41:11 |
in friendship. |
01:41:19 |
- Thank you. |
01:41:21 |
Und now let us all go to my house |
01:41:28 |
... und shit! |
01:41:32 |
To the lumberyard! |
01:41:58 |
Hello, Mrs Frankenstein. |
01:42:01 |
Mrs Frankenstein. What a beautiful name. |
01:42:05 |
Oh, darling. |
01:42:07 |
Hold on to your hat. |
01:42:10 |
What? |
01:42:11 |
I'll be right back. |
01:42:28 |
I'm holding on to it, darling. |
01:42:32 |
Just a few more seconds. |
01:43:15 |
Honey, I hope you didn't find |
01:43:19 |
He did itjust for you |
01:43:24 |
Honey, did you see? |
01:43:26 |
I put a special hamper in the bathroom |
01:43:30 |
and the other one is just for socks |
01:43:33 |
Here I come. |
01:44:04 |
The feeling is mutual. |
01:44:08 |
You know, it's a puzzlement. |
01:44:11 |
There's something I've always wanted |
01:44:15 |
You know in the transference part, |
01:44:17 |
the monster got part of your wonderful brain, |
01:44:33 |
No. I don't believe... |
01:44:40 |
Sweet mystery of life |
01:44:42 |
At last I found you |