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Young Man With A Horn en
00:01:21	My name is Willie Willoughby,
00:01:25	I play piano in a run-of-the-mill
00:01:28	Kind of monotonous.
00:01:30	But there were times when I got my kicks.
00:01:35	Like when I palled around with Rick Martin,
00:01:41	What a guy.
00:01:43	We were in the thankless business
00:01:46	...and phrases of music together
00:01:49	...that somehow turned out to be jazz.
00:01:52	Strictly off-the-cuff, but a lot of fun.
00:01:56	Of course, Rick is practically
00:02:00	People ask me about him
00:02:04	Ordinarily, I don't talk much about it.
00:02:08	But I think a lot about it.
00:02:11	He had a lot of friends.
00:02:15	He was a lonely kind of guy.
00:02:17	Always, I guess from the time
00:02:19	He never knew his father.
00:02:21	And his mother died
00:02:26	So he went to live with his sister.
00:02:32	He did a lot of traveling
00:02:36	From Missouri...
00:02:38	... on through Texas...
00:02:40	... Oklahoma...
00:02:42	... and finally, California.
00:02:46	He never did get much out of school, and
00:02:59	Why don't you go play
00:03:01	Hanging around the house day after day.
00:03:05	- You hungry?
00:03:07	After you eat, don't forget to put
00:03:11	Yes.
00:03:13	- What's wrong with you?
00:03:15	I haven't got time.
00:03:18	But I'll tell you one thing, either you gotta
00:03:22	You just can't do nothing.
00:03:25	Hey, Marge, that man's here.
00:03:29	- I told you I'd be ready, didn't I?
00:03:34	Don't forget, the bread in the box.
00:03:37	So long. There's a little Chinese place
00:03:41	...I was thinking of tonight.
00:05:35	And now, my friends...
00:05:37	...the good Lord has provided.
00:05:39	And there'll be a hot meal served
00:06:30	The story goes that by the time it got dark,
00:06:33	He could play the whole song.
00:06:35	After that, he had a place to go to
00:06:40	And for a while, he wasn't
00:06:51	Hey, you've been banging
00:06:54	Now, get out of here.
00:06:55	Excuse me.
00:07:26	Hello, sir. Which one's the cheapest?
00:07:30	- You mean, the instruments?
00:07:32	Well, let me see. I think the trumpet.
00:07:36	I can let you have this one for about $9.
00:07:39	- You play a trumpet?
00:07:43	I started to learn piano.
00:07:45	Well, the piano's a little different.
00:07:47	So you're a musician, eh?
00:07:49	If I had one, I could carry it with me
00:07:53	- You got the money?
00:07:58	Well, now. I think maybe
00:08:02	Yes, sir.
00:10:06	And that kid out there...
00:10:08	... he had a perfect ear for it.
00:10:11	He could hear it, and he could feel it.
00:10:14	It hit that boy right where he lived.
00:10:39	Well, look at this.
00:10:42	- How about that.
00:10:44	Let's take a breather for a few.
00:10:47	- What do you want?
00:10:49	I was just listening to the music.
00:10:51	- Well, do you like the way we play?
00:10:58	- Kind of late for you to be out, isn't it?
00:11:04	Well, you'd better come on in
00:11:08	- Thanks.
00:11:12	- A ham sandwich, perhaps, Mr...
00:11:16	Oh, but you gotta.
00:11:18	You can't listen to music
00:11:22	Thanks.
00:11:25	You sure your folks won't care?
00:11:27	I don't have any real folks.
00:11:30	My sister wouldn't know
00:11:33	Oh, I see.
00:11:37	Gentlemen, this is Mr. Martin.
00:11:40	- Pleased to meet you.
00:11:42	- Mr. Martin, what would you like to hear?
00:11:45	I don't know what you'd call it,
00:11:51	You know, where you start off, and then
00:11:56	- But you finish alone.
00:11:58	But how do you know
00:12:01	I can hardly remember myself most times.
00:12:05	You a musician, Mr. Martin?
00:12:06	Oh, I kind of play the piano a little.
00:12:10	Piano player, huh?
00:12:11	Yes, but what I really wanna learn
00:12:15	You hear that? Mr. Martin knows talent
00:12:19	What are we waiting for?
00:12:22	Have a chair, Mr. Martin. Sit down.
00:12:24	Thank you, Mr. Hazzard.
00:13:16	- Good luck, maestro.
00:13:23	Have a cigar, Mr. Hazzard.
00:13:26	- It's a two-bit one.
00:13:30	Thank you, Mr. Martin.
00:13:43	If he had to be a trumpet player,
00:13:46	... because he couldn't have bought
00:13:57	That's the way it started. There was no way
00:14:01	He couldn't see anything but notes and
00:14:05	He was cut out to be a jazzman the way
00:14:09	You're playing sharp on the high notes.
00:14:12	You're getting a roll.
00:14:14	What do I do wrong?
00:14:16	You're dropping your mouthpiece
00:14:19	Once you get that roll, it closes your lips,
00:14:23	And you get tired after a half-hour
00:15:05	And it was about then that
00:15:09	One way for money,
00:15:12	... and one way for himself.
00:15:14	That was his way of talking.
00:15:35	Well, hello, Mr. Hazzard.
00:15:37	- How am I doing?
00:15:41	You don't sound as if you mean it.
00:15:44	Nothing.
00:15:46	What's the matter, pops?
00:15:49	- Did you know we're going on the road?
00:15:52	How long will you be gone?
00:15:54	Booker's got a good deal for us
00:15:56	We've been figuring on staying there,
00:15:59	- Hey, swell. I'll go with you.
00:16:04	- Even if you could, you shouldn't.
00:16:06	You've got to think about
00:16:09	- What you're going to be.
00:16:12	I'm gonna be a trumpet man like you,
00:16:15	You think that's all there is to it?
00:16:18	Well, you... You taught me to play
00:16:22	You play a fine trumpet.
00:16:24	- Well, then...
00:16:26	Look at me.
00:16:28	What have I got after 20 years of it?
00:16:32	A wife, kids, money in the bank?
00:16:36	- No.
00:16:41	I guess I'm playing with a heavy mute.
00:16:45	Look, boy.
00:16:47	You've got music in you.
00:16:49	You've got it here.
00:16:51	And you've got it here.
00:16:54	But the way things are, very few people
00:16:58	- Or what you're trying to do.
00:17:02	I play for myself.
00:17:04	Look, boy.
00:17:07	A man's got a lot of living to do
00:17:10	But you, you're kind of locked up
00:17:15	You're like a... Like a bird trying to fly
00:17:20	You'll stay up for a while.
00:17:24	Then you're going to fall.
00:17:28	Have a drink of milk.
00:17:34	I'm gonna miss you, pops.
00:17:38	Oh, I almost forgot.
00:17:47	Thank you, Mr. Martin.
00:17:55	- Take care of yourself.
00:18:20	Finally, he got his first good job.
00:18:49	And that was when I met him.
00:18:53	... searching expression on anybody else.
00:18:56	Even then, he looked like a guy
00:19:02	Hello.
00:19:09	- Better get your skates sharpened.
00:19:14	- Here, let me help you with that thing.
00:19:20	Thanks a lot.
00:19:21	- What kind of hotel towels you got in here?
00:19:26	Mostly Art Hazzard.
00:19:28	I got just about every one
00:19:30	- Really?
00:19:34	- Taught me how to play.
00:19:37	Yeah.
00:19:38	Oh, my name's Martin. Rick Martin.
00:19:41	I'm Willie Willoughby.
00:19:43	They call me Smoke.
00:19:45	Never could figure out why.
00:19:47	Me neither.
00:19:53	You know Art Hazzard?
00:19:56	Boy, he's the greatest trumpet player
00:20:30	Glad to know you.
00:20:41	- Hi.
00:20:42	- Hi, Smoke.
00:20:44	Honey, will you hand out
00:20:46	- How are you, Mr. Chandler?
00:20:49	Oh, you're over there. All right,
00:20:55	Kenny, hand those out, please.
00:20:59	- Graham.
00:21:01	- Jack Flanagan. This is Tommy.
00:21:06	- Tommy.
00:21:07	Hello, my name's Jo Jordan.
00:21:10	How do you do?
00:21:13	All right, boys, let's get with it.
00:21:15	As you know,
00:21:17	First, I want you to remember...
00:21:19	...we're a dance orchestra. Our job
00:21:23	No blues and no low-down jive.
00:21:27	And that's what we're gonna give them.
00:21:31	Number three in the new books,
00:21:34	We'll take yours first, Josie,
00:21:38	One, two...
00:22:05	Wait a minute. Wait a minute.
00:22:07	Hold it. Hold it.
00:22:12	What's the matter, Martin,
00:22:14	- Sure.
00:22:17	You want every number played
00:22:20	Exactly. What do you think
00:22:23	I don't know.
00:22:26	I mean, do we have to play every
00:22:29	That's right. This is no jam session,
00:22:33	- I was just asking.
00:22:38	All right, let's take it again
00:22:41	One, two...
00:25:24	That was very good.
00:25:27	Thanks.
00:25:29	You must like it here to stay so late.
00:25:31	It's a good place to play.
00:25:35	Nobody in the next room
00:25:37	Oh, I'm sorry about the mix-up
00:25:40	If I hadn't stopped singing, maybe Jack
00:25:44	It was your number. I didn't have
00:25:49	It seemed kind of right.
00:25:53	Incidentally, you're about the best
00:25:56	Well, thanks. You know something?
00:25:59	There's a guy on records who has a style
00:26:04	- Art Hazzard.
00:26:07	Since I was a kid.
00:26:09	He taught me to play.
00:26:13	He had a lot of trouble with me once.
00:26:16	A what?
00:26:18	When you drop your mouthpiece
00:26:20	Keep playing that way, you get
00:26:24	Worst thing can happen to a trumpet man.
00:26:27	It gets you tired awful easy.
00:26:29	But he straightened me out. He gave me
00:26:37	Boy, it did the trick.
00:26:39	Yeah, he knows. He really knows.
00:26:42	I guess it's his fault I switched to a
00:26:47	...but the trumpet...
00:26:49	I don't know.
00:26:51	Maybe because it's so close to you, huh?
00:26:54	It's like it's a part of you.
00:27:01	How about it? This is a dance hall,
00:27:04	- I gotta lock up.
00:27:08	I was wrong.
00:27:10	There's always somebody in the next room
00:27:15	Well, good night.
00:27:42	Oh, Rick.
00:27:44	- Aren't you going to the party?
00:27:47	Well, Jack's buying drinks for all the boys.
00:27:49	No, thanks, I'm not much for parties.
00:27:55	Oh, sorry.
00:27:57	Thanks.
00:28:02	You know, it's lucky you switched
00:28:06	The way you baby that thing,
00:28:09	Well, it's awful good company.
00:28:11	Whatever you tell it to do, it does.
00:28:15	Never lets you down.
00:28:17	You're kind of sold on it, aren't you?
00:28:20	You gotta be sold, or you got no business
00:28:25	You gotta love it.
00:28:26	Can't just like it and understand it the way
00:28:31	You can't write it down and keep it.
00:28:34	You can only hear it right while
00:28:37	...and you feel it.
00:28:40	Someday, when I'm really good...
00:28:42	...I wanna do things with this trumpet
00:28:46	I'm gonna hit a note
00:28:51	You've got to have some other interest,
00:28:56	You need a hobby, like collecting stamps,
00:29:02	How about a girl?
00:29:03	Don't pick on me, Rick.
00:29:06	Married?
00:29:08	You're married to that trumpet.
00:29:10	I certainly wouldn't wanna
00:29:13	Sorry.
00:29:16	Well, I guess you wanna get
00:29:22	I think I'd rather breathe some fresh air.
00:29:33	Chandler wouldn't like this, would he?
00:29:36	No. I guess he wouldn't.
00:29:53	- Hey, Smoke, take over the rest of the set.
00:29:57	What do you say we grab a quick drink?
00:29:59	- No, thanks.
00:30:01	- No.
00:30:04	- It's just that I've been busy lately.
00:30:08	Why do you have to say things like that?
00:30:10	Hey, Smoke.
00:30:13	- You're kidding.
00:30:15	Let's have a little change of pace.
00:30:20	- Well, I've been fired before.
00:30:23	Everybody take five, except Frank,
00:30:27	- What's up?
00:30:29	- Play a little jazz?
00:30:31	- Chandler won't like this.
00:30:35	- What will we play?
00:30:37	- Okay, but I ain't.
00:30:40	Well, your answer won't be far off.
00:31:43	Here comes your answer.
00:31:46	I'm used to it. Well...
00:31:48	...it's been nice, fellas.
00:31:52	Thanks very much. See you around, Smoke.
00:31:56	- You're through, Martin.
00:31:59	You better watch your second trumpet.
00:32:08	If the rest of you wanna keep your jobs,
00:32:19	Door's open.
00:32:21	Hi, Rick. I just talked with Chandler,
00:32:25	I know he'll take you back,
00:32:28	- Lf I'm a good boy, you mean?
00:32:32	All right, he doesn't like you.
00:32:34	But he knows you're the best lead
00:32:36	Not in this band. I just couldn't take it.
00:32:40	What made you do it, Rick?
00:32:41	I had to.
00:32:43	Was it that much fun?
00:32:45	- Guess so.
00:32:48	- Why do you live in left field all the time?
00:32:51	If you keep on, you're gonna work
00:32:55	Look, Jo, l...
00:32:57	You like what you're doing. You got a good
00:33:01	I don't know where I'm going. Well,
00:33:05	All right, Rick, you've made your point.
00:33:08	- Thanks a lot anyway.
00:33:13	All the baggage you really need
00:33:16	- Your trumpet.
00:33:20	Can I lend you some money?
00:33:22	Wouldn't know what to do with it.
00:33:24	- You're probably broke.
00:33:29	Young man with a horn.
00:33:31	Crazy young man with a horn.
00:33:36	I'm sorry, Jo, I...
00:33:39	It's all right.
00:33:41	We'll keep in touch, huh?
00:33:43	Sure.
00:33:46	So long, Jo.
00:33:48	So long, Rick.
00:34:17	You know, that piano of mine's been out
00:34:21	How much can an artist take?
00:34:23	Smoke, you'll never amount to anything.
00:34:30	You coming?
00:35:27	Boy.
00:36:08	Maxie.
00:36:10	- Tell them to play something with pep.
00:36:18	Hey, professor, how about
00:36:22	Mike wants something with more pep.
00:36:25	We're all through for the night.
00:36:28	- Hey, you hard of hearing or something?
00:36:41	Maxie!
00:36:46	Max.
00:36:49	Hey, you. Trumpet player. Come here.
00:36:56	You're a handy guy.
00:36:59	Handy with the trumpet
00:37:01	He didn't have to do that.
00:37:03	Sit down.
00:37:09	Play me something snappy.
00:37:12	- You know "Ain't She Sweet"?
00:37:14	Well, play it.
00:37:20	Don't stop. Keep playing.
00:37:31	What? Don't you like my beer?
00:37:33	No.
00:37:35	Try some more, you might
00:37:38	Mike!
00:37:49	- Come on, let's have a drink.
00:37:53	- Deal me in, I feel lucky tonight.
00:38:03	Maybe I'm getting too old
00:38:06	It's not much fun anymore, and you
00:38:11	Sure you won't come with me?
00:38:14	- Indiana's awful nice this time of year.
00:38:18	Oh, stop kidding. You'd like my folks.
00:38:22	No, thanks, I'd only be in the way.
00:38:25	I ought to go see my own folks.
00:38:27	I think I will, honest.
00:38:29	Where do they live?
00:38:31	Texas.
00:38:32	Thought you said you were
00:38:36	I haven't any folks.
00:38:39	You just got one love,
00:38:42	How you fixed for dough?
00:38:44	Oh, loaded. Oh, this is it.
00:38:58	Here.
00:39:00	- Oh, no, Smoke, l...
00:39:03	Well, remember, it's only a loan.
00:39:07	- Will you write?
00:39:10	- So long, kid.
00:39:14	Board!
00:39:16	See you soon, Smoke.
00:42:09	- Thanks for waiting.
00:42:11	I'm impressed. You're better than I thought,
00:42:16	- Say, you look fine.
00:42:18	- Oh, sure.
00:42:21	I'd like to, but I'm anxious to find
00:42:25	Yeah.
00:42:27	He's at a place called Galba's
00:42:30	You haven't heard from him
00:42:33	Why?
00:42:34	Well, he doesn't play the way he
00:42:38	Oh, but he's better now.
00:42:41	- It'll just take me a minute to change.
00:42:58	Hello. I'd like you to meet my friend
00:43:02	- Trumpet player?
00:43:04	I hear lots of trumpets.
00:43:06	- Glad to see you anyway.
00:43:08	Eddie, table for Miss Jordan.
00:43:15	- Hello, Jo.
00:43:17	- Hello, Jo.
00:43:39	I see what you mean.
00:43:43	He was the greatest.
00:43:54	Hi, pops.
00:43:56	- Is this really you?
00:44:00	Well, here.
00:44:01	Don't smoke it all at once.
00:44:03	Brought it all the way from Wheeling,
00:44:08	Shut me up if it isn't.
00:44:10	- Hello, Art.
00:44:13	I've been hearing some things
00:44:16	- I hear you're pretty good now.
00:44:22	- I'd like to hear you.
00:44:26	- Come on.
00:44:27	- Now is as good a time as any.
00:44:30	Back this gentleman up,
00:44:32	- Why, sure.
00:44:33	- It's all yours.
00:44:36	I'll think of something,
00:44:39	- Oh, go right ahead.
00:46:14	- What do you think?
00:46:16	- Rick Martin.
00:46:18	He just came in from Chicago.
00:46:20	He's told me about offers. I don't
00:46:23	Boy's good. I could use him.
00:46:26	- I'll bring him over later to meet you.
00:46:29	Ladies and gentleman, this is Rick Martin.
00:46:33	I've known him from the time
00:46:38	I...
00:46:40	I taught him how to hold that
00:46:45	But I didn't teach him how to play it.
00:46:48	Not the way he does.
00:46:51	That's something that you can't learn.
00:46:55	You've got to have it.
00:48:20	Oh, Rick. I just wanted to tell you
00:48:24	Oh, thanks. Thanks a lot.
00:48:25	How you live is your business, but I've been
00:48:30	- No. What's the matter, Mr. Morrison?
00:48:34	Don't you get enough trumpet playing here?
00:48:36	Well, not my kind of playing.
00:48:38	I pay you good money.
00:48:41	You're a big draw there,
00:48:44	- That may be nice...
00:48:47	Okay, okay. It's just that you're
00:48:51	- Staying up all night.
00:48:54	I am, I am. I'm just telling you
00:48:57	Why bother with a bunch of...?
00:48:59	Wait a minute. Where are you going?
00:49:01	Galba's.
00:49:10	Violets, mister?
00:49:26	- Good evening.
00:49:28	There's no need to
00:49:30	It's packed like this every night.
00:49:34	- Good.
00:49:40	This is that crazy musician
00:49:44	Come on, let's sit down.
00:50:18	- Hi, Jo.
00:50:19	- Great.
00:50:21	I want you to meet Amy North.
00:50:24	- Hello.
00:50:27	- Well, what?
00:50:29	Your whole mood.
00:50:30	When you were playing that trumpet,
00:50:35	You've undergone a startling
00:50:38	I'd rather call you Richard.
00:50:41	People try to find security
00:50:44	You've solved your problems. At least
00:50:48	I don't understand a word,
00:50:51	- It's got a rough spot in it.
00:50:54	She talks like a medical book
00:50:58	She's studying to be a psychiatrist.
00:51:00	Oh, well, how do I stack up?
00:51:03	My interest isn't purely professional.
00:51:05	When I meet a great talent,
00:51:08	You don't mind, do you?
00:51:10	Not at all. Go on.
00:51:13	Tell me about jazz.
00:51:16	I don't do much thinking
00:51:19	- Lf you listen to it...
00:51:23	I came to study the people, watch
00:51:27	Something about jazz releases inhibitions.
00:51:30	It's a sort of cheap,
00:51:33	I gather you don't like jazz.
00:51:35	Not particularly.
00:51:37	I know it's supposed to
00:51:39	Cotton fields, the levees,
00:51:43	Excuse me, please.
00:51:46	- I don't like to ask, but...
00:51:49	If you're a singer,
00:51:51	Sure, knock them dead.
00:51:56	- Can I buy you a drink?
00:51:59	You don't like me, do you?
00:52:01	I think you're very charming, Miss North.
00:52:03	You can call me Amy.
00:52:07	I bet I could.
00:52:09	Only if I wanted you to, Mr. Martin.
00:52:13	I know what you're really thinking,
00:52:28	Jo's interesting, isn't she?
00:52:30	So simple and uncomplicated.
00:52:32	Must be wonderful to wake up and know
00:52:37	She's so terribly normal.
00:52:41	She's a good singer too.
00:53:44	Don't get out.
00:53:46	Jo, you're breaking up the party.
00:53:48	You go through with this mad plan,
00:53:52	I've got an early show tomorrow.
00:53:54	Come on, Jo, you can sleep till noon.
00:53:56	I will anyway.
00:54:05	I love your car.
00:54:07	Oh, it's not mine. I just rent it.
00:54:09	Wouldn't it be simpler to buy one?
00:54:13	I don't wanna own a car or anything else.
00:54:18	We should get along beautifully.
00:54:21	I envy you, Richard, but I
00:54:24	As far as you're concerned, doc,
00:54:41	Come in.
00:54:47	Say, it's quite a deal you have here.
00:54:52	Hey, who's this?
00:54:54	Her name's Louise.
00:54:57	You ought to teach her to
00:55:00	Kind of takes you by surprise.
00:55:02	That's why I love her.
00:55:19	We'll put your alter ego away.
00:55:21	- My what?
00:55:23	A dead language that ideally suits me.
00:55:27	It simply means "your other self."
00:55:37	Scotch or bourbon?
00:55:39	Oh, anything.
00:56:08	- This is strong enough, I hope.
00:56:17	Do you play?
00:56:18	That's a silly question, I guess.
00:56:20	No, I play, but the piano doesn't like me.
00:56:25	It stiffens up every time I come near it.
00:56:29	I know how to play one piece.
00:56:34	I used to love it, so I hired a piano
00:56:39	I paid her double rates and kept her
00:56:46	How long have you been playing
00:56:48	Since I was a kid.
00:56:50	- Ever want to do anything else?
00:56:52	- Even when you were a kid?
00:56:55	Because even then you knew you'd play
00:57:00	Me, I've been an intellectual mountain goat,
00:57:06	You don't know how lucky you are.
00:57:10	First, I wanted to be a writer.
00:57:14	Then I took a course in interior decorating.
00:57:17	Then I had an idea I'd fly a plane.
00:57:20	I even tried singing in one
00:57:23	I was bad in all of them.
00:57:25	Now you're gonna get into people's heads
00:57:29	Yes.
00:57:31	Please don't be angry, but it's late,
00:57:36	Oh, sure. I'm sorry.
00:57:39	Don't run away. Finish your drink.
00:57:41	Stay as long as you like. Only, please don't
00:57:49	You do forgive me, don't you?
00:57:51	And you'll call me?
00:57:53	Sure.
00:58:27	What are you looking at?
00:59:01	Hey. Smoke.
00:59:03	Jo.
00:59:07	- Oh, it's so good to see you.
00:59:10	Oh, he couldn't come. He's sorry,
00:59:13	It's wonderful seeing you.
00:59:17	- I'm real proud of you.
00:59:19	- Rick has done all right too.
00:59:22	It's gonna be like old times.
00:59:25	Let's go to Galba's.
00:59:27	- Good. Can we get a drink?
00:59:33	You know what?
00:59:37	Oh, come on, Jo. Stop worrying.
00:59:39	Rick's a grown boy. If he gets lost,
00:59:44	That mother instinct comes out
00:59:48	You know, I think we've been stood up.
00:59:50	He hasn't changed a bit.
00:59:55	I'm glad about your new job.
00:59:57	Goes to show you, if you work hard
01:00:01	Yes, it was swell of Rick to get
01:00:05	We'd better get home before they
01:00:11	It's no use kidding ourselves,
01:00:13	He hasn't been here in a long time.
01:00:16	You see, Smoke, he has changed.
01:00:19	Who is she?
01:00:22	A friend of mine.
01:00:24	And I introduced them.
01:00:31	Boy, this is the closest I've
01:00:34	Is that why you insisted
01:00:37	Maybe. Maybe it's
01:00:39	...where you spend your time
01:00:44	Hey, it's pretty impressive.
01:00:47	Maybe I could smuggle you
01:00:49	I bet they'd toss a mug like
01:00:54	There's certainly plenty of them.
01:00:56	I think we'd better rest up
01:01:00	Mustn't keep you out too late. You've
01:01:06	Please don't call me "doctor" anymore.
01:01:13	Well, I won't, then, but...
01:01:16	Well, psychiatrists
01:01:19	Why do you want to be one?
01:01:22	Maybe because my father's a doctor.
01:01:24	That makes sense, I guess.
01:01:26	No, it doesn't.
01:01:28	You see, I have no use for my father.
01:01:31	He's very well thought of in the profession,
01:01:35	My mother was something else again.
01:01:38	Something pretty wonderful.
01:01:39	I used to go to pieces when she told
01:01:44	I thought so highly of that lady.
01:01:46	I can hardly remember my mother.
01:01:49	She died when I was a kid.
01:01:51	Yes, but you see, you've got
01:01:55	My mother, when I was 12, started having
01:02:00	My father, who was a doctor,
01:02:04	When it was too late, he stumbled on
01:02:07	But he never did anything about it.
01:02:10	One night, that lovely lady
01:02:14	She fell out of a window.
01:02:16	Only four stories, but it did the trick.
01:02:20	Gee, I'm... I'm sorry.
01:02:23	Thanks. You're very kind.
01:02:26	Anyway, I've been in one school
01:02:29	...memorizing all the wrong answers.
01:02:32	He pays the bills, but I don't see
01:02:36	He's married again.
01:02:41	I don't know how you feel,
01:02:48	Okay.
01:02:54	Good idea, putting a tip on a cigarette.
01:02:56	Tells you where you are.
01:03:00	I was starting to wonder.
01:03:02	Nonsense. You'll always
01:03:09	So steady.
01:03:11	You and that trumpet of yours,
01:03:15	Gives you faith in yourself.
01:03:17	Yes, you know where you are.
01:03:22	Do I?
01:03:24	Where do you live?
01:03:26	Oh, at some high-class creep joint.
01:03:31	I'd like to see it.
01:03:34	Look, Amy, I think I'm in love with you.
01:03:38	Finish your drink.
01:03:53	I told you you wouldn't like it.
01:03:56	I think it's lovely.
01:03:58	It doesn't pretend to be
01:04:02	You mean it's crummy.
01:04:05	Knowing you, I'd say these
01:04:09	Oh, the records.
01:04:12	I've had them a long time.
01:04:15	They've been shipped across
01:04:21	I thought you didn't want
01:04:24	Sure, but that's music.
01:04:26	That's different.
01:04:28	I suppose it is.
01:04:31	How about a drink?
01:04:49	No.
01:04:53	What is it? Have l...?
01:04:55	It's not you.
01:04:57	Are you talking in riddles again, Amy?
01:05:00	I didn't expect you to.
01:05:02	Is this that stuff you learn at school?
01:05:06	- You ought to be grateful.
01:05:09	You caught me off-guard
01:05:11	- I may never be as honest again.
01:05:15	You keep away, Richard.
01:05:16	You and your fine frenzy.
01:05:18	This is my first and last warning.
01:05:21	You think you're falling
01:05:23	Well, don't.
01:05:26	Only people who respect themselves
01:05:30	I don't happen to respect myself.
01:05:32	You sound like something out of a book.
01:05:35	I only know what I feel.
01:05:37	You're lucky. I feel half a dozen things
01:05:43	Will you take me home?
01:05:45	What's the matter?
01:05:48	Please don't make me
01:05:51	I wouldn't try to make you do anything.
01:05:53	- Then take me home.
01:05:56	People either like you or they don't.
01:05:58	They don't act one way and
01:06:01	- They're rather dull, aren't they?
01:06:06	You know, I thought you were something
01:06:11	- Well, you're acting like a cheap...
01:06:14	You're just beginning to be interesting.
01:06:18	You'd better go home, Amy.
01:06:22	Aren't you taking me?
01:06:24	Well, you like riding in cars so much,
01:06:28	Thanks.
01:06:36	Call me sometime.
01:06:39	Call you what?
01:07:52	Come in.
01:07:54	Just about finished.
01:08:00	I hope you don't mind my barging in
01:08:03	- Hi, Jo.
01:08:05	Yeah.
01:08:07	I can't say that I blame you,
01:08:10	I thought you were married to this place.
01:08:13	- Sit down, won't you?
01:08:19	- It's been a long time, hasn't it?
01:08:23	- I went out of town for a couple of days.
01:08:26	They've been worried about you
01:08:29	Gee, maybe I can get there tonight.
01:08:33	- Oh, cigarette?
01:08:36	- I've been meaning...
01:08:39	...but you've been seeing a lot of Amy,
01:08:42	I guess so. You see, Jo, l...
01:08:44	If I can make you believe I'm not here
01:08:48	- Don't say that...
01:08:51	I know her better than you do.
01:08:52	She's a strange girl, and you've never
01:08:56	I can understand all that.
01:08:58	But inside, way inside,
01:09:01	She's wrong for you, Rick.
01:09:06	Precisely what I told him myself.
01:09:09	But he wouldn't take no for an answer.
01:09:11	Jo, you didn't give me a chance to tell you,
01:09:17	Thanks for your good wishes.
01:09:19	I don't suppose you'll ever forget
01:10:00	Amy stopped going to her classes
01:10:03	... and they played all night
01:10:06	But they never really
01:10:09	Maybe they were afraid of that.
01:10:12	I don't know.
01:10:46	Oh, here's one that Art cut
01:10:49	Did I have trouble finding it.
01:10:52	I hit Seattle once. There was
01:10:55	Not only had this one, but two more.
01:10:59	Wait till you hear what Art does.
01:11:03	You never heard such playing.
01:11:14	Oh, get a...
01:11:26	Amy.
01:11:29	- What's the idea of walking out on me?
01:11:32	- Not for you.
01:11:36	Hand me my robe, will you, Richard?
01:11:43	Have I done anything to upset you?
01:11:46	Whenever I make a decision you can't
01:11:50	This has nothing to do with you. It's me.
01:11:53	I was off the track for a while.
01:11:56	Hey, I don't get it.
01:11:58	I'm going back to school,
01:12:01	I wanna finish something I started
01:12:04	So from now on, it's going to be
01:12:08	- Hey, aren't you happy?
01:12:11	The world, as it's presently constituted,
01:12:14	Who cares? If you go to school all day, and I
01:12:20	- It'll only be for a few months.
01:12:24	What do you wanna be a doctor for?
01:12:28	I want exactly what you want.
01:12:32	You're not being at all understanding
01:12:35	Not even friendly.
01:12:37	Maybe it's because I'm not your friend.
01:12:42	So you are.
01:12:43	I guess that does rather complicate it.
01:12:47	Rick, don't you see?
01:12:50	I've simply got to amount to something.
01:12:55	I guess you do.
01:13:02	You better take that record off, Richard.
01:14:18	Amy.
01:14:41	Going somewhere?
01:14:44	I wanted to talk to you
01:14:47	It's been a long time.
01:14:49	Can't, Richard, I'm 12 minutes late now.
01:14:52	Besides, talk is vastly overrated.
01:14:55	- It's action that counts.
01:14:57	And don't think I haven't wanted
01:15:01	I don't know why I haven't done it.
01:15:04	- Probably because I'm still in love with you.
01:15:10	But that sort of conflict can lead
01:15:13	My prescription for you
01:15:17	- I am late.
01:15:19	- We've gotta get things straight.
01:15:23	I can't stand it any longer, Amy.
01:15:26	All right, look...
01:15:28	...l'll come home tonight as soon as I can.
01:15:31	Let's have supper together, talk this
01:15:36	Very well, Richard.
01:15:48	- You got changed pretty quick.
01:15:51	A bunch of the guys are going
01:15:54	- Not tonight.
01:15:57	- I know, but...
01:16:01	- How is he?
01:16:03	He's liable to lose the spot.
01:16:05	Well, I can't make it tonight, Smoke.
01:17:14	Good morning, Mr. Martin.
01:17:45	Hi there, Mr. Martin.
01:17:47	Kind of early, even for you, ain't it?
01:17:49	- Who asked you?
01:17:52	- The usual?
01:18:20	Hello, Rick.
01:18:23	Hi.
01:18:24	- What will it be, Mac?
01:18:29	It's been a long time.
01:18:31	Yeah.
01:18:33	- I've been busy.
01:18:36	Listen, I didn't sign a contract
01:18:38	Of course not.
01:18:40	A man's gotta live his own life.
01:18:43	You gotta take the breaks
01:18:46	That's right.
01:18:48	Yeah. I know what you think.
01:18:53	You did a lot for me.
01:18:56	If you're through, you're through. I can't
01:19:02	I know.
01:19:04	A trumpet man, he plays
01:19:08	...then he's done.
01:19:10	I didn't come here to ask for anything.
01:19:13	But people talk.
01:19:15	I heard you had the misery.
01:19:18	And I thought maybe I could help you.
01:19:20	I don't need any help.
01:19:24	Everybody has to stick
01:19:27	Telling me what to do, how to do it
01:19:33	You're right.
01:19:35	People get old, they see things
01:19:39	A man's got to live his own life...
01:19:42	...just like you said.
01:19:45	I'd have felt the same way about it
01:19:52	Everything's gonna turn out all right.
01:19:55	Don't let anybody worry you.
01:19:59	Just...
01:20:02	...take care of yourself.
01:21:02	What do you know,
01:21:06	Somebody got hit.
01:21:09	Let's have some service.
01:21:21	- Tough about Art Hazzard, huh?
01:21:25	Think he's got much of a chance?
01:21:28	- What are you talking about?
01:21:31	He got hit by a car. He's in Bellevue
01:21:47	- Yes?
01:21:51	- Where is he?
01:21:54	Hazzard.
01:21:57	I'm sorry, no visitors.
01:21:58	- I've gotta see him. Just for a minute.
01:22:03	- I wanna see him. Where is he?
01:22:07	But you can't go up there.
01:22:08	Don't you understand?
01:22:31	- How is he?
01:22:34	I know it's against the rules,
01:22:37	I gotta tell him something. It's important
01:22:41	It's too late. I'm sorry.
01:24:13	Sorry about our date.
01:24:17	It's all right.
01:24:21	How's school?
01:24:23	Fine.
01:24:26	To tell the truth, I don't know.
01:24:30	I had a hunch you hadn't.
01:24:33	Didn't I tell you?
01:24:36	I flunked my finals.
01:24:39	No, you didn't tell me.
01:24:41	- But I'm sorry.
01:24:44	Maybe I'll try again.
01:24:46	Maybe I won't.
01:24:49	Or maybe I'll go to Europe
01:24:53	I met a girl the other day, an artist.
01:24:55	Maybe we'll go to Paris together.
01:24:59	I used to paint when I was a child.
01:25:04	I can do a lot of things very well
01:25:07	Nothing that really matters.
01:25:09	You're tired, Amy.
01:25:11	Why don't you go to bed.
01:25:15	I think I will.
01:25:20	I almost forgot.
01:25:22	I'm having some people over
01:25:25	Have to celebrate my glorious defeat.
01:25:27	You'll be here, won't you?
01:25:29	I want to show off
01:25:32	Your husband.
01:25:35	That's a laugh.
01:25:38	Amy, why did you ever marry me?
01:25:42	It was wonderful experience
01:25:45	Besides...
01:25:46	...how do you know about anything
01:25:54	I don't mean to hurt you, Richard. It's...
01:25:57	It's only that I'm jealous of you.
01:26:00	Jealous?
01:26:03	I'd give anything to have
01:26:05	...to be able to do one thing well
01:26:09	It's the only real security in the world.
01:26:13	Maybe that's really why I married you.
01:26:18	But it hasn't.
01:26:24	Amy. I'm sorry, Amy.
01:26:26	Don't you dare pity me!
01:27:08	We are gathered here not only
01:27:13	...but to remind ourselves of the goodness
01:27:18	...Art Hazzard...
01:27:20	...and to meditate upon
01:27:26	...which was his.
01:27:28	For he was truly a man's friend.
01:27:33	And now a hymn will be given
01:29:01	I've never seen so many characters.
01:29:04	Amy collects characters like
01:29:07	What happened to that
01:29:09	Why, you're Amy's husband, aren't you?
01:29:13	- You certainly are.
01:29:17	Yes, it is.
01:29:20	I'm dying to see the rest
01:29:22	We'll have dinner out
01:29:28	How nice of you to come
01:29:30	This is my husband. Miss Carson.
01:29:34	The girl who paints so well.
01:29:37	- How do you do?
01:29:41	- See you at 9, then, Amy.
01:29:44	It's been a wonderful party.
01:29:59	You certainly made a fool of me.
01:30:02	- Didn't you get my note?
01:30:05	Well, I'm sorry.
01:30:08	I told everyone you were going to be here.
01:30:12	You know why I couldn't.
01:30:14	What could you do for him?
01:30:17	So there's one less trumpet player.
01:30:19	Look, you're drunk, Amy.
01:30:23	Maybe a trumpet player isn't much to be...
01:30:25	...but it's what Art Hazzard was,
01:30:28	- You and your alter ego, that cheap brass.
01:30:33	...so you don't do any of them.
01:30:36	That trumpet's part of me.
01:30:39	You almost made me forget that.
01:30:41	You're so confused yourself,
01:30:46	I'm not confused any longer.
01:30:49	I'm sick of you trying to touch me.
01:30:52	I never want to hear a trumpet again.
01:30:55	Get these records out of here.
01:31:07	You dirty...
01:31:11	What a dope I was.
01:31:13	I thought you were class, like a real
01:31:17	I couldn't understand
01:31:20	Well, you're like those carnival joints.
01:31:23	Big flash on the outside,
01:31:27	- I hate you.
01:31:31	What a swell combination we were.
01:31:33	You said you wanted experiences, Amy.
01:31:35	Well, here's one for you:
01:31:37	- I'm leaving you.
01:31:41	You almost did.
01:31:44	You're a sick girl, Amy.
01:31:47	You'd better see a doctor.
01:32:39	Wrap it up, boys.
01:32:59	That was a fine exhibition
01:33:03	What you do on your own is your business,
01:33:07	- I can't sit sober listening to your music.
01:33:12	Whoever heard of you
01:33:14	- Lay off me tonight, please, Mr. Morrison.
01:33:18	What do you think this is,
01:33:23	Why, you stupid...
01:33:26	If your tin ear could really hear the music
01:33:31	- Watch it, Rick.
01:33:33	You're looking for a new trumpet man.
01:33:36	You sure are.
01:33:41	Little off beat, aren't you?
01:33:44	I don't think he wants
01:33:47	But I do. I don't wanna work with anybody.
01:33:51	From now on, I'm playing it my way.
01:33:53	- You want company?
01:33:56	I don't care if I never get
01:33:59	Music's not a business to me.
01:34:02	Hey, Smoke, how about getting
01:34:05	- Go over to one of the Jersey joints?
01:34:09	You get the car,
01:35:15	- What time is it anyway?
01:35:19	Hey!
01:35:20	What's everybody quitting for?
01:35:22	Oh, come on, Johnny.
01:35:26	But I got a recording date at 10:00,
01:35:29	I'm so tired I can't hold on to my horn.
01:35:32	I got just the other trouble.
01:35:36	I can't shake it off.
01:35:37	- Let's cut out. I'm beat.
01:35:40	- Yeah.
01:35:43	Hey, just once more, fellas,
01:35:46	Don't you ever sleep?
01:35:48	Hey, Smoke, you stick by me, huh?
01:35:52	Just a few more licks.
01:35:54	Just a few...
01:36:01	Hey, Rick, what's the matter?
01:36:03	Hey, what's the matter?
01:36:05	- Are you all right? Well, get up.
01:36:09	- Where's my...?
01:36:13	And don't do that again.
01:36:16	It felt like I fell a long, long way.
01:36:21	- Here.
01:36:30	Hey, Smoke.
01:36:32	Hey, you know what we ought to do?
01:36:33	We ought to make our own records.
01:36:37	Boy, we could make records
01:36:41	Make them sit up.
01:36:43	Do some of the old ones Art
01:36:46	..."Dinah" and "Twelfth Street Rag"
01:36:50	They won't buy them.
01:36:53	- Who won't?
01:36:55	You know who buys records?
01:36:58	You know why?
01:37:00	To learn the words. They only buy
01:37:03	I never thought of it that way.
01:37:05	Nobody knows what we're doing
01:37:09	They don't hear us.
01:37:12	We could drop dead tomorrow,
01:37:17	Are you really okay?
01:37:19	- Sure.
01:37:21	You're gonna stay okay.
01:37:23	You come along with me.
01:37:26	- I'm all right.
01:37:29	After this, you better get some sleep.
01:37:32	We got a recording session, remember?
01:37:35	Down again.
01:37:43	Hey. Like giving a dog a bath,
01:37:47	Only you could've told me
01:37:51	You're my pal, Smoke.
01:37:53	You're the only guy left
01:40:15	Rick!
01:40:35	That's all, boys.
01:40:40	Man, he's really washed-up.
01:40:53	All you need is some sleep.
01:40:56	Get out of here, won't you?
01:40:58	Leave me alone.
01:40:59	All right, Rick.
01:41:08	Rick, it was wonderful up to the finish.
01:41:11	We'll get it right.
01:41:12	Come on, we'll try it again.
01:41:14	We'll work till we get it. Here.
01:41:18	I don't want it.
01:41:21	I don't want to ever see it again.
01:41:25	Give it away.
01:41:28	Give it to some kid who wants
01:41:32	Only tell him not to fall in love with it.
01:41:35	That's what you told me once, wasn't it?
01:41:38	But the record's fine, Rick.
01:41:41	They only buy records to learn the words.
01:41:45	Nobody cares about the music.
01:41:48	- All we have to do is cut off the last part.
01:41:53	- I won't let you do this to...
01:41:56	What are you trying to do, Rick?
01:41:59	Because you tried for something
01:42:02	That's what you've done all your life.
01:42:07	That note you were going for.
01:42:11	There is no such thing, Rick.
01:42:14	Not on the trumpet.
01:43:00	He dropped out of sight after that,
01:43:06	The truth is, the only thing in the world
01:43:10	And when that let him down too,
01:43:14	He went to pieces,
01:44:46	Habit is a remarkable thing.
01:44:48	It escapes no one.
01:44:50	Not even Rick, as sick as he was.
01:44:53	Because, at this point,
01:45:00	I'd like to see a trumpet
01:45:04	No, not that one.
01:45:06	That one. On the end there, see?
01:45:09	Oh, on the end.
01:45:12	- This one?
01:45:14	But it's no good, the valves are busted.
01:45:18	- That's the one I want.
01:45:20	It's junk. I've been meaning
01:45:23	- You don't want this one, mister.
01:45:27	Seventy-five cents. It hasn't got a case.
01:45:30	- That's all right.
01:45:44	Remember, I told you it was no good.
01:45:49	Thank you.
01:46:46	Hey. You're drunk.
01:47:13	Hello?
01:47:15	Yeah.
01:47:21	I'll be right down.
01:47:36	A taxi driver brought him in.
01:47:40	It's no fault of ours, obviously.
01:47:42	This is an alcoholic cure. We're not
01:47:57	It's pneumonia.
01:48:00	- Why didn't you send him to one?
01:48:04	You've got it now.
01:48:07	Get an ambulance.
01:48:10	Call these numbers.
01:48:13	- Mrs. Martin, is that his wife?
01:48:16	- And the other one?
01:48:31	- Hi, Smoke.
01:48:36	I don't feel so good.
01:48:41	A funny thing happened to me yesterday.
01:48:45	I got lost.
01:48:46	I'm getting you out of here, kid.
01:48:48	It's gonna be all right too.
01:49:14	He's fine. He's doing fine.
01:49:20	Jo's here.
01:49:23	It's Jo.
01:49:27	Used to work for him.
01:49:29	We couldn't get along.
01:49:32	Never could get along with a band.
01:49:36	You're gonna be all right, Rick.
01:49:40	We have a lot of dates to play.
01:49:44	Sure, we... We can play some
01:49:46	The good ones we used to play.
01:49:50	You and Smoke and me and Art.
01:49:55	Hey, where is it?
01:49:59	We can play for ourselves.
01:50:02	We got no words. We...
01:50:04	We can't say what we mean, we...
01:50:08	...just gotta feel it.
01:50:18	Hear it?
01:50:20	Jo, hear it?
01:50:23	You said I tried for something
01:50:26	There's no such note.
01:50:29	Hear that note, Jo?
01:50:32	It's clean and sweet.
01:50:36	Gee, that's a good note.
01:50:40	You see, Rick was a pretty hard guy
01:50:43	And for a long time,
01:50:46	But the desire to live is a great teacher,
01:50:51	He learned you can't say everything
01:50:55	A man doesn't destroy himself...
01:50:56	...just because he can't hit
01:51:00	Maybe that's why Rick went on
01:51:06	...and an artist second.
01:51:08	And what an artist.
01:52:05	[ENGLISH]

Young Man With A Horn