Young Yakuza
|
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there were 86 301 Yakuzas in Japan, |
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spread over a number |
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Yakuza is a |
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Literally ya-ku-za means |
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So, how is your son |
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At the moment, he's at home. |
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But I did want to |
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I thought so. |
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In trouble again? |
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He's always in trouble. |
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The police keep calling. |
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I don't know what to do. |
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He doesn't even have a job? |
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No, he does nothing all day. |
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Here's what I propose... |
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You may think it odd but, |
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He's a yakuza, no? |
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Yes, he is. |
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No, I don't want that. |
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If it were another |
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I would never have |
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But everyone knows |
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We've all known him forever, |
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we know how he climbed |
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You can't go wrong. |
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But I could never admit |
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or the people I know. |
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The yakuza world |
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where he can learn |
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Then he can decide |
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He's no longer a child. |
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He can decide himself |
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In any case, this apprenticeship |
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It goes by quickly. |
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I would never do anything |
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without your permission. |
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But if you wish, |
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- I'll go. |
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May we come in? |
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Please excuse me. |
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This is Naoki, Mrs. Watanabe's son. |
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Delighted. |
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Sit down. |
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He told me about you. |
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You know your mother, you and I, |
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are all from the same neighbourhood. |
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It's as if we were |
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But tell me, |
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To be honest... |
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I don't really know any yakuzas. |
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I have friends who are familiar |
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with yakuzas from films or books. |
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But I'm not really. |
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Until now, I know |
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At the moment, |
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I don't have a steady job. |
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I do nothing all day. |
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I spoke with M. Imai |
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who said this was |
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He advised me to come here |
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I was just thinking |
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I couldn't just go on |
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So, I thought that this was |
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During your apprenticeship, |
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you will see many things. |
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I am warning you, |
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they will not all be positive. |
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Human relations are |
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Of course, |
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and your first experience. |
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And everything you see, |
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every experience you have... |
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whether it is good or bad, |
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What you deem to be good, |
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and what you deem to be bad, |
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You will be your own judge. |
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Trust your instinct. |
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Good luck. |
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By the way, how old are you? |
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20. |
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20? |
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And that haircut is fashionable, |
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for young men of your age? |
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No, not really. |
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But I didn't have time |
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If you want to be |
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you need to be free to move. |
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You can't have messy hair. |
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You need to have short hair |
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Go to the barber tomorrow, |
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- Is that clear? |
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We will leave you now. |
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Goodbye. |
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- Good luck. |
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- How old are you? |
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You're so lucky! |
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- You think? |
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At 20, I was |
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Is that so? |
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What about you? |
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- Yes, when I was 16. |
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- Just for a day. |
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In fact, what happened was... |
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my friends absolutely |
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They kept bugging me... |
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I was going to say yes. |
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But then they wanted me |
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A perm? |
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I didn't want to. |
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I said if that was the condition, |
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And you left after one day? |
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Get changed. You can't wear |
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You wear this uniform. |
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"Please excuse me." |
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You have to bow low down. |
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Your arms by your sides, |
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"Please excuse me." |
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Again. |
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Yes, not too bad. |
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When you're leaving you say: |
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Yes, that's it. |
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In the morning, when the boss arrives: |
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"Good morning, boss." |
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In here, are the boss's |
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cups and glasses. |
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- All these? |
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Here, are the guest glasses, |
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the H.Q. chief's things. |
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Here, are the guest cups, |
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and here, are our ones. |
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And all the dishes above, |
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belong to the boss. |
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The shibori below right |
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Those are for the deputy chief, |
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Here, there are less than usual. |
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That's the boss's kettle. |
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This one is for us. |
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- Be very careful. |
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That's the boss's fridge. |
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Everything in there, |
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Can you get me a coaster? |
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Is there a special way |
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Yes. |
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We'll go in together. |
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"Please excuse me." |
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First, |
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The name should be on this side. |
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- The name on the cup? |
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You place the shibori on the right. |
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Then you say: |
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- How old are you? |
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I'm only 20. |
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You look older. |
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I get that a lot. |
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You look much older. |
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Really? |
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That old? |
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- Have I met everyone yet? |
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It's stressful. |
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At the start, that's normal. |
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It's stressful. |
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Are there any scary ones? |
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Scary ones? |
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Really? |
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You'd think in a place like this, |
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- Really... |
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It happens in the dirty city |
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The concrete jungle |
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You wander, bad boy solitaire |
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Full of dreams |
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In a state |
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Freezing wind whips your cheeks |
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In this shitty town |
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You fight your demons |
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Life or death |
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Your life on the line |
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In this concrete valley |
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You lose your bet |
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It's a dead end |
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Left, right? |
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Dead or Alive |
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Wandering |
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Dead or Alive |
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Follow your path to get there... |
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Companies and businesses |
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"No entry |
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The police give them out. |
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The police bring together |
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They're doing it everywhere. |
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They organise meetings |
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in rented halls, |
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Anyway, it doesn't matter... |
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In these meetings, |
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the police... |
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give out information... |
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on the clans operating |
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In addition... |
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the police give instructions |
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They tell them |
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to the demands |
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I think they give people |
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lots of information |
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they wouldn't normally have. |
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The first time I saw that, |
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I was raging. |
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I thought: |
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Now, I don't even |
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They made these stickers, |
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they stick them up |
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Let them! |
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We'll find other ways |
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The first time I came |
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I must have been 9 years old. |
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This shopping mall |
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in all of Shinagawa. |
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At the time, |
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I lived in Oimachi with my family. |
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I remember |
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we would come here by train |
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to do our shopping. |
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I would never have thought |
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I would be the boss here. |
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Your tea. |
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Excuse the interruption. |
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Given his position |
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he can't come to see me |
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to talk about his future. |
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I must make the first move. |
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I'll choose the right time. |
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It doesn't seem like it, |
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but when I'm in the office, |
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I watch the young guys myself. |
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It's stinging my eyes! |
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Ikeda-san, you have a tattoo? |
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Yes. |
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What's it like? |
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Like that? |
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No, mine isn't finished. |
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Only the outline. |
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It's crazy to be so tattooed. |
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It's cool. |
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It's really cool. |
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- Do they mean something? |
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Everyone here has a tattoo? |
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Yes, quite a few. |
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Do you want |
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I don't know yet. |
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I have a small one. |
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- A western one? |
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Please excuse me. |
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That will be all. |
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That's fine. |
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According to my philosophy |
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and that of my clan, |
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there's no point |
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If a young guy wants to leave, |
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it means he has his |
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Sometimes, I ask them |
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It depends on the person. |
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In fact, it depends |
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on his behaviour. |
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If it's a young guy who has |
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who made a real effort, |
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If he's sure, I accept. |
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But in that case, |
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I give him the conditions |
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and he must disappear. |
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He must never use the clan's name, |
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and never say he was in the clan. |
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It depends on the clan |
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but I think there's no point |
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That's my philosophy |
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Before, the custom was to |
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But if a yakuza |
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he wouldn't be able to |
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If he's missing a finger, |
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he will have problems |
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I do not follow this practice. |
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But I order the man to |
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Even to forget the name Kumagai. |
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Not to regret his choice. |
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And never to look back. |
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If he is ready to accept |
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He must never pronounce |
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And leave the neighbourhood. |
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Those are the rules to be respected. |
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Compared to before, |
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Head into town |
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Concrete walls bar your way |
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Jump straight in |
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Follow your path |
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Yo mother fuckin' Tokyo |
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To the end of the world |
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Let's go... |
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Hello everyone. |
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We'll start with |
00:23:41 |
To begin the New Year cleanly, |
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and enable our boss |
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to work well, |
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I will ask that you work hard |
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Tomaru, Katsuhisa and Naoki, |
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Someya, Shiraishi, Harada and Takagi, |
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do the living room. |
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Shimoda, Nakahara and Kobayashi, |
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I want everything clean. |
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Hey, Kosuke, |
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do you have posters at home? |
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Before yes, but not anymore. |
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That's not really a poster... |
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But usually, |
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It's unusual to put |
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Well, I think so... |
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But in the offices of the other clans, |
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Would you like |
00:25:12 |
Become like him... |
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Kumagai-gumi New Year's party |
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I am Takashima. |
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Next year, |
00:26:19 |
I am Sato. |
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I am Someya. |
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I will endeavour to take |
00:26:39 |
You may talk among yourselves. |
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I now hand you over |
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to M. Hideyuki Ishii of Kumagai-gumi. |
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It's been a busy year, |
00:27:04 |
and we thank the boss warmly |
00:27:08 |
for the precious time |
00:27:16 |
We will do three rounds of applause. |
00:27:56 |
One of my men who was once |
00:28:01 |
The judge asked his profession, |
00:28:04 |
and he answered yakuza. |
00:28:06 |
He was asked: |
00:28:09 |
The term "yakuza" |
00:28:13 |
but it is not listed |
00:28:22 |
I was happy |
00:28:26 |
In general, in court, |
00:28:31 |
or that we are self-employed. |
00:28:35 |
But when we say that, we get: |
00:28:41 |
Why bother saving face? |
00:28:43 |
It's no better to be |
00:28:46 |
In that case, |
00:28:48 |
you might as well tell the court |
00:28:54 |
"I am a yakuza by trade." |
00:28:59 |
The judge asked him: "What does |
00:29:03 |
"Proving one's manhood." |
00:29:05 |
"You can do that in other jobs", |
00:29:08 |
I thought |
00:29:13 |
Whatever our job. |
00:29:16 |
But I would have liked to know |
00:29:21 |
Our kind ignores the law, |
00:29:26 |
or more precisely, |
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We watch society from the shadows. |
00:29:33 |
Today, yakuzas |
00:29:38 |
they can go on doing what they do. |
00:29:42 |
We yakuzas |
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are now also involved |
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It has become more and more common |
00:29:56 |
in our milieu. |
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Despite this, we are still living |
00:30:03 |
a world of shadows. |
00:30:07 |
And that world... |
00:30:11 |
is still run by its own laws. |
00:30:15 |
Even if national laws are getting |
00:30:21 |
the rules of our society |
00:30:25 |
There is an official society, |
00:30:31 |
From the start of this film, |
00:30:35 |
we agreed |
00:30:38 |
what happens |
00:31:15 |
I wish to begin the year |
00:31:21 |
Year 18 of the Heisei era |
00:31:25 |
begins today. |
00:31:31 |
The situation is not good |
00:31:35 |
that things are getting |
00:31:41 |
But we, the members of |
00:31:46 |
are convinced that |
00:31:53 |
We will all give our |
00:31:56 |
We rely on your advice |
00:32:00 |
and your encouragement. |
00:32:04 |
To finish up, let me wish you |
00:32:08 |
January 1st, |
00:32:12 |
New Year's greetings. |
00:32:14 |
Chiyozo Ishii. |
00:32:18 |
We rely on your goodness. |
00:32:24 |
I'm counting on all of you |
00:32:27 |
to take care of your health |
00:32:31 |
and to do your best. |
00:32:33 |
Come here! |
00:32:35 |
From Aniki. |
00:32:43 |
I'm counting on you. |
00:33:03 |
Now the service men. |
00:33:08 |
Thank you. |
00:33:14 |
Excuse the interruption. |
00:34:13 |
Outlook average |
00:34:29 |
You're not eating |
00:34:31 |
- Pass the meat. |
00:34:35 |
Eat the sweet beans instead. |
00:34:42 |
So? |
00:34:43 |
- So? |
00:34:46 |
- Are you happy with your life? |
00:34:48 |
"Pfff"? |
00:34:50 |
- Nothing new. |
00:34:54 |
Housework. |
00:34:57 |
What do you mean, housework? |
00:34:59 |
Where do you clean? |
00:35:00 |
What a question! |
00:35:04 |
Where do you think? |
00:35:06 |
You never cleaned here! |
00:35:11 |
Well sometimes, at night. |
00:35:15 |
I have no choice. |
00:35:17 |
Are you any good? |
00:35:26 |
I do the shopping. |
00:35:29 |
I buy the food... |
00:35:31 |
for the meals. |
00:35:35 |
You cook? |
00:35:39 |
What do you cook? |
00:35:40 |
I don't do the main course. |
00:35:44 |
I couldn't. |
00:35:45 |
You've never cooked, |
00:35:50 |
I cut my finger, |
00:35:52 |
- How? |
00:35:55 |
- Can you do that? |
00:35:59 |
To the right, the one with the gun. |
00:36:01 |
- The old bald guy? |
00:36:05 |
Shhh, be quiet! |
00:36:08 |
How cool! |
00:36:10 |
- You really like Sho Aikawa? |
00:36:13 |
- Really? |
00:36:16 |
- I prefer Riki Takeuchi. |
00:36:19 |
In yakuza movies, |
00:36:21 |
there are never any office scenes. |
00:36:25 |
Just one, in general. |
00:36:28 |
What's a scene? |
00:36:29 |
It's too hard to explain. |
00:36:31 |
You know, there's often a scene |
00:36:33 |
with someone who visits the boss. |
00:36:40 |
But we don't see the yakuzas' |
00:36:46 |
Well, I don't watch |
00:36:50 |
I do. |
00:36:51 |
What do you think? |
00:36:54 |
It's true, you're right. |
00:36:57 |
The action all happens outside... |
00:37:11 |
Does it work? |
00:37:14 |
Naoki, speak to check. |
00:37:16 |
Hello? |
00:37:17 |
Can you hear me? |
00:37:18 |
Yes. |
00:37:20 |
- So it's OK? |
00:37:22 |
Thank you. |
00:37:27 |
It's OK. |
00:37:28 |
You all have one? |
00:37:30 |
Yes, all the security guys. |
00:37:33 |
- You too, one day, you'll have one. |
00:37:36 |
- I'm off. |
00:38:05 |
When we shot the scene |
00:38:08 |
people thought I was an actor. |
00:38:11 |
They asked for autographs. |
00:38:15 |
I signed my name. |
00:38:21 |
You know, Mum, it would be good |
00:38:24 |
if we saw your face |
00:38:35 |
Young people who join our milieu |
00:38:40 |
are often in need of love. |
00:38:45 |
More than a newfather, |
00:38:47 |
what they look for |
00:38:51 |
with whom they have no |
00:38:55 |
is what they didn't get from |
00:39:01 |
For them, we are |
00:39:06 |
like substitution parents. |
00:39:09 |
And in exchange for our affection, |
00:39:14 |
the love we provide, |
00:39:16 |
a feeling of devotion is created |
00:39:19 |
that we call "giri". |
00:39:29 |
Hello, boss. |
00:39:37 |
The Godfather died on May 29th. |
00:39:42 |
As a personal gesture, |
00:39:45 |
on the 29th of each month. |
00:39:52 |
This is a souvenir of the Godfather. |
00:39:54 |
It belonged to him. |
00:40:02 |
The Godfather was born... |
00:40:06 |
in the year of the dragon. |
00:40:08 |
He had a dragon motif |
00:40:13 |
on this sweat suit. |
00:40:16 |
I was given it after his death. |
00:40:21 |
It goes together. |
00:40:23 |
The Godfather was very elegant. |
00:40:26 |
He was better built than me, |
00:40:30 |
but seeing as I have the honour |
00:40:34 |
I've already worn this sports gear, |
00:40:42 |
These souvenirs are dear to me, |
00:40:48 |
but this one... |
00:40:53 |
When I became the "direct son" |
00:41:00 |
It means a lot to me. |
00:41:03 |
Of course, I am not alone. |
00:41:06 |
All of the Godfather's "direct sons" |
00:41:11 |
probably keep their cups carefully. |
00:41:17 |
I imagine that the Godfather |
00:41:21 |
is alive in all our hearts. |
00:41:24 |
I'm sure of it. |
00:41:27 |
In our milieu, it should be so. |
00:41:34 |
When I became a yakuza, |
00:41:37 |
I decided to leave my family, |
00:41:41 |
I gave everything to |
00:41:46 |
The fact of receiving souvenirs... |
00:41:58 |
and keeping them carefully |
00:42:03 |
reminds me of my real father |
00:42:06 |
Even though I own nothing of his. |
00:42:56 |
Thank you. |
00:42:58 |
Thank each other. |
00:43:29 |
It's full downstairs. |
00:43:32 |
Will we tell them to come up? |
00:43:36 |
Go open the door |
00:44:05 |
It's busy. |
00:44:08 |
It's full here. |
00:44:13 |
Go to the foot of the stairs, |
00:44:16 |
open the door and let people up. |
00:45:10 |
Public baths |
00:45:14 |
Hello. |
00:45:16 |
Hello. It's been a while. |
00:45:17 |
Thank you for having the boys. |
00:45:20 |
You're welcome. |
00:45:21 |
I should thank you |
00:45:24 |
They are very happy. |
00:45:26 |
Good. |
00:45:28 |
- Do you have some time? |
00:45:30 |
- Would you like some tea? |
00:45:33 |
Things are bad |
00:45:38 |
I even have time |
00:45:41 |
The clients arrive a little later. |
00:45:48 |
And don't your boys |
00:45:51 |
You know, today, |
00:45:55 |
Well, not all. |
00:45:58 |
In any case, |
00:46:06 |
Come back any time. |
00:46:10 |
You are welcome. |
00:46:13 |
The other day my son told me |
00:46:17 |
he was doing the music for this film. |
00:46:20 |
I really don't understand |
00:46:25 |
They call it hip-hop |
00:46:29 |
What is that music? |
00:46:32 |
I understand. |
00:46:47 |
The boss is leaving. |
00:47:02 |
You realise a person counts |
00:47:05 |
The day you lose them |
00:47:07 |
I was working at fifteen |
00:47:09 |
I took hits and I knew |
00:47:12 |
He showed me the way |
00:47:14 |
He didn't speak, stayed calm |
00:47:17 |
Never easy answers |
00:47:19 |
You had to wait |
00:47:22 |
That was the man's pride |
00:47:25 |
"One day, you'll understand" |
00:47:27 |
He seemed to say |
00:47:29 |
His huge shadow |
00:47:32 |
Now I'm 22 |
00:47:36 |
My name is N.O.F.E.A.R |
00:47:39 |
And I want to say |
00:48:08 |
It's nice today. |
00:48:12 |
It always rains |
00:48:15 |
You know why? |
00:48:16 |
According to the deputy director, |
00:48:19 |
rain symbolises divine water. |
00:48:22 |
The goddess Kannon-sama? |
00:48:26 |
Maybe. |
00:48:28 |
I don't know. |
00:48:32 |
You think she does this |
00:48:36 |
Perhaps... |
00:48:38 |
I don't get it, I'm catholic. |
00:49:02 |
It's about Naoki. |
00:49:05 |
His uncle is not well, |
00:49:08 |
I let him go an hour ago. |
00:49:11 |
He'll keep in touch. |
00:49:13 |
I gave him the day off. |
00:49:16 |
Please excuse him. |
00:49:19 |
It's a pity, |
00:49:22 |
I wanted to bring him |
00:49:27 |
Well, never mind. |
00:49:28 |
I understand. |
00:49:32 |
Yes, boss. |
00:49:50 |
Hey! Which unit are you from? |
00:49:54 |
They are 3rd grade students! |
00:49:56 |
Right, left! |
00:50:00 |
The local police can't handle it. |
00:50:04 |
They've asked for back-up. |
00:50:06 |
Really? |
00:50:08 |
There are buses of riot police. |
00:50:10 |
In any case, they're not funny. |
00:50:14 |
If anything happens on the altar, |
00:50:19 |
They're pretty rough. |
00:50:21 |
They arrest people |
00:50:48 |
You will now head |
00:50:53 |
the 3rd district of Asakusa. |
00:50:57 |
Good luck and be careful |
00:51:00 |
that everything goes well. |
00:52:37 |
Yo mother fuckin' Tokyo |
00:52:40 |
To the end of the world |
00:52:45 |
Let's go... |
00:53:01 |
He's not here. |
00:53:39 |
We're looking for Naoki |
00:53:44 |
in the shopping neighbourhood. |
00:53:53 |
We went to the pachinko, |
00:53:55 |
we looked everywhere, |
00:53:59 |
And the office? |
00:54:02 |
He didn't come back to the office? |
00:54:06 |
No? |
00:54:08 |
I see. |
00:54:10 |
Let us know |
00:54:16 |
- He didn't come back? |
00:54:19 |
Should we keep looking? |
00:54:21 |
Why don't we check the bars? |
00:54:48 |
I haven't seen Naoki |
00:54:53 |
Is there a problem? |
00:54:54 |
I'm sorry. |
00:54:58 |
He was a good worker. |
00:55:03 |
I don't know. |
00:55:07 |
I see. |
00:55:32 |
I don't understand. |
00:55:35 |
He left without saying a word. |
00:55:41 |
I don't get it. |
00:55:44 |
He just left, |
00:55:46 |
not a word. |
00:55:55 |
I don't know... |
00:55:59 |
When a young man takes off, |
00:56:02 |
as we say in the milieu, |
00:56:06 |
in other words, he disappears... |
00:56:12 |
Of course, |
00:56:15 |
if I think about it seriously, |
00:56:18 |
I think there's no point |
00:56:22 |
On the one hand, |
00:56:27 |
At the same time, I feel like |
00:56:31 |
maybe I didn't do |
00:56:38 |
I do some soul searching |
00:56:41 |
he chose to leave |
00:56:46 |
while the others hang on |
00:56:50 |
and do their best. |
00:56:54 |
Rules are rules |
00:56:59 |
So, you could think |
00:57:03 |
but I believe this coldness |
00:57:08 |
is necessary. |
00:57:11 |
When a young guy leaves, |
00:57:15 |
I have to think of the clan first. |
00:57:20 |
A yakuza clan |
00:57:26 |
I am in charge |
00:57:30 |
Even if I don't do everything |
00:57:34 |
I have to think of everyone. |
00:57:41 |
As the boss, |
00:57:43 |
I have to create |
00:57:46 |
If I act too quickly |
00:57:50 |
or if I am wrong |
00:57:54 |
I have to make it right. |
00:58:03 |
As for Naoki, |
00:58:05 |
he was not an official member |
00:58:11 |
His mother sent him |
00:58:13 |
as she didn't know |
00:58:17 |
That's how he ended up here. |
00:58:20 |
He was never a clan member. |
00:58:24 |
His mother was tearing her hair out, |
00:58:29 |
and she asked me to step in. |
00:58:34 |
I met his mother recently |
00:58:38 |
to apologise. |
00:58:41 |
I didn't manage to |
00:58:46 |
when he was my responsibility. |
00:58:50 |
Will he come back or not? |
00:58:53 |
Truly, in this case, |
00:59:00 |
He is part of this new generation. |
00:59:08 |
They are another species. |
00:59:12 |
Young people today have no reason |
00:59:18 |
to be attracted to our milieu. |
00:59:19 |
Here, they have no freedom. |
00:59:24 |
Financially, it's not worth it |
00:59:32 |
And the hierarchy is very strict. |
00:59:38 |
So, we have to reflect on how |
00:59:42 |
we can provide hope and dreams |
00:59:46 |
for the youth of today. |
00:59:48 |
It's a real problem for us. |
01:00:08 |
Summer days |
01:00:11 |
They are far away |
01:00:13 |
Those summer holidays |
01:00:16 |
We are still waiting |
01:00:18 |
Summer days |
01:00:22 |
They are far away |
01:00:24 |
Those carefree summer days of youth |
01:00:27 |
Buried in our memories |
01:00:50 |
The blinding light burns you |
01:00:53 |
The burning sun |
01:00:55 |
Soaring temperatures |
01:00:58 |
I don't care about |
01:01:00 |
And everyone hopes |
01:01:04 |
Nothing around me |
01:01:06 |
Just waiting in silence |
01:01:09 |
For the end of this lonely summer |
01:01:35 |
Sounds and images |
01:01:37 |
Bring back old memories |
01:01:40 |
When I was a kid |
01:01:42 |
Happy without a care |
01:01:45 |
That summer won't be back |
01:01:47 |
You grow up |
01:02:31 |
There they are! |
01:02:32 |
I have them! |
01:02:35 |
He found them. |
01:02:49 |
Thank you. |
01:03:24 |
"Mu": nothing |
01:04:06 |
There have been |
01:04:11 |
Up until now, |
01:04:14 |
I was an executive, |
01:04:18 |
in other words, |
01:04:20 |
I had a management job. |
01:04:25 |
I've always moved up |
01:04:30 |
But with these changes, |
01:04:35 |
I've lost my position |
01:04:44 |
Of course... |
01:04:47 |
the reason I've lost everything, |
01:04:54 |
is because... |
01:05:01 |
of the position I took |
01:05:05 |
that put my job on the line. |
01:05:14 |
I am paying the consequences. |
01:05:16 |
I was an executive and... |
01:05:24 |
I lost everything. |
01:05:28 |
I am nothing now. |
01:05:35 |
I have a clan, |
01:05:38 |
I have men. |
01:05:40 |
I want to start |
01:05:57 |
Perseverance |
01:07:00 |
Father ToccoIi, thank you |
01:07:16 |
Tell me, you applied |
01:07:20 |
to become my secretary, |
01:07:24 |
When one is a man, |
01:07:27 |
The clan leaders discussed |
01:07:32 |
and the deputy director |
01:07:38 |
I answered that |
01:07:41 |
if you were prepared |
01:07:45 |
then I agreed. |
01:07:48 |
I accept your application. |
01:07:51 |
Yes, boss. |
01:07:53 |
So I'm asking you |
01:07:57 |
Good, boss. |
01:07:59 |
Now that you are my secretary, |
01:08:01 |
you see nothing, |
01:08:04 |
I wanted you to know. |
01:08:05 |
I'm counting on you |
01:08:09 |
Thank you, boss. |
01:08:35 |
- I'm back. |
01:08:44 |
The fridge is empty. |
01:08:50 |
Have a rest. |
01:08:56 |
What are you doing? |
01:08:58 |
That's enough, Takahashi. |
01:09:01 |
- Please. |
01:09:18 |
I heard you answering the phone. |
01:09:22 |
It wasn't bad. |
01:09:23 |
But you are answering |
01:09:28 |
You need to be more |
01:09:30 |
and you calmly ask |
01:09:33 |
the caller: |
01:09:36 |
"Who is speaking?" |
01:09:38 |
If you are asked: |
01:09:41 |
You answer confidently: |
01:09:44 |
"Yes, that is the case." |
01:09:48 |
You have a Kansai accent. |
01:09:50 |
There is no need to hide it. |
01:09:53 |
Speak normally. |
01:09:56 |
Be natural and use your own words. |
01:10:00 |
Be sure of yourself. |
01:10:03 |
I'm counting on you. |
01:10:13 |
If today... |
01:10:18 |
a young guy came to the door |
01:10:22 |
and joined the Kumagai-gumi, |
01:10:28 |
I don't think I would change much |
01:10:33 |
in my way of working. |
01:10:34 |
Maybe I would change one thing. |
01:10:41 |
Up until now, I must admit |
01:10:45 |
that I have rarely put myself |
01:10:49 |
even though I was once young myself. |
01:10:56 |
I acted without thinking about them. |
01:11:05 |
As a river flows downstream, |
01:11:12 |
I thought it normal |
01:11:15 |
that decisions came down from the top. |
01:11:18 |
I have to change that. |
01:11:24 |
I think we need to give young people |
01:11:30 |
hopes and dreams |
01:11:35 |
That is the problem |
01:11:39 |
It's not like the old days. |
01:11:43 |
But like I said before, |
01:11:47 |
as clan leader, |
01:11:48 |
It's up to me to make the decisions |
01:11:53 |
and I have to make |
01:11:57 |
all my men follow me |
01:12:01 |
At the same time, |
01:12:03 |
I need to show my affection. |
01:12:07 |
It is in that spirit |
01:12:10 |
that I wish to run my clan. |
01:12:15 |
That is what I must do. |
01:12:21 |
Oh! |
01:12:34 |
I shouldn't say "Oh!" |
01:12:36 |
Otherwise, no one will come. |
01:12:41 |
Hey! |
01:12:44 |
- Bring me some tea. |
01:13:51 |
Size XL, |
01:13:53 |
We should get him |
01:14:00 |
- What about the top? |
01:14:13 |
It's better to open them. |
01:14:21 |
It's a real shame about Ikeda. |
01:14:25 |
When you're secretary, |
01:14:31 |
How long has he been secretary? |
01:14:34 |
Three months, I think. |
01:14:38 |
Is that all? |
01:14:40 |
I thought it had been |
01:14:42 |
It's such a shame. |
01:14:45 |
He shouldn't have... |
01:14:48 |
Well, it's hard to say. |
01:14:52 |
It was a personal thing? |
01:14:54 |
Yes, I think so. |
01:14:57 |
But we don't know. |
01:14:59 |
Did the guy |
01:15:01 |
I don't know. |
01:15:03 |
Anyway, I think he went over the top. |
01:15:06 |
It's such a pity. |
01:15:07 |
Let's hope he gets out |
01:15:11 |
It won't be before |
01:15:15 |
And now it's cold. |
01:15:17 |
He'll be fine with this! |
01:15:20 |
Trousers, t-shirts... |
01:15:24 |
Well, let's go? |
01:15:32 |
No Parking |
01:15:47 |
Boss, Ikeda was caught |
01:15:51 |
But what exactly happened, |
01:15:58 |
He told me |
01:16:02 |
that a fight broke out |
01:16:07 |
But he says... |
01:16:08 |
that the victim started the fight. |
01:16:13 |
He knows that... |
01:16:16 |
as he belongs |
01:16:19 |
he must not attack civilians, |
01:16:23 |
or be violent towards them. |
01:16:27 |
But the problem is that the victim |
01:16:31 |
was badly injured |
01:16:34 |
and he's currently in hospital. |
01:16:39 |
Ikeda injured the other party, |
01:16:44 |
So there will be damages. |
01:16:50 |
Counsellor, do you think |
01:16:56 |
will be lengthened |
01:16:58 |
and that there will be a court case? |
01:17:03 |
There's a 99% chance, yes. |
01:17:05 |
Because he's a yakuza. |
01:17:08 |
And of course, because of |
01:17:12 |
Had the guilty party been |
01:17:15 |
in other words, not a yakuza... |
01:17:17 |
for this type of misdemeanour, |
01:17:20 |
he might just have had |
01:17:24 |
Things would have stopped there. |
01:17:26 |
But Ikeda has a 99% chance |
01:17:33 |
Of course, Ikeda did hurt this man, |
01:17:38 |
But did he overtly show |
01:17:42 |
Did he mention the clan's name, |
01:17:46 |
No, not at all. |
01:17:48 |
It seems to me |
01:17:50 |
that the fact that he didn't admit |
01:17:54 |
is an important detail. |
01:17:57 |
There's another problem. |
01:18:02 |
A criminal record? |
01:18:06 |
- He was on parole. |
01:18:10 |
No, recently. |
01:18:14 |
For a misdemeanour he committed |
01:18:17 |
before joining the clan. |
01:18:23 |
What did he do? |
01:18:26 |
Obstructing a public officer. |
01:18:29 |
He spent a year in prison |
01:18:32 |
and had a 3 or 4 year |
01:18:35 |
So he's currently on parole. |
01:18:39 |
He's on parole? |
01:18:43 |
I didn't know that. |
01:18:46 |
Is that all? |
01:18:47 |
He also has an assault |
01:18:50 |
but he just got a fine. |
01:18:53 |
So he's a repeat offender? |
01:18:56 |
And this could have |
01:19:01 |
on the sentence this time. |
01:19:04 |
As you know, I work hard |
01:19:09 |
But they don't always obey. |
01:19:15 |
If we're talking numbers, |
01:19:16 |
day 1 corresponds |
01:19:20 |
and day 22, to the end |
01:19:23 |
I think it all depends on |
01:19:26 |
what we do during this period. |
01:19:33 |
I heard from deputy director |
01:19:37 |
that one of your men was arrested. |
01:19:40 |
I hate to bother you... |
01:19:42 |
What's the problem? |
01:19:43 |
Tomaru, my cadet. |
01:19:48 |
The one with the glasses, |
01:19:53 |
Yes, exactly. |
01:19:56 |
What's this |
01:20:01 |
There's a petrol station |
01:20:03 |
One of the girls there... |
01:20:07 |
got pregnant. |
01:20:10 |
But the man she was seeing |
01:20:13 |
did not accept his responsibility. |
01:20:16 |
She called and called, |
01:20:19 |
So, she asked Tomaru for advice |
01:20:22 |
as she often sees him |
01:20:25 |
Tomaru went to talk to the guy |
01:20:30 |
It's natural, as there are |
01:20:35 |
The police arrested him on the spot |
01:20:39 |
for attempted racketeering. |
01:20:43 |
I am so sorry. |
01:20:48 |
This affair could have |
01:20:51 |
on the other young guys. |
01:20:54 |
Right now, |
01:20:56 |
everyone is worried |
01:21:04 |
I know you, I know how much |
01:21:09 |
But recently, |
01:21:13 |
a number of our young guys |
01:21:18 |
Even Ikeda was arrested |
01:21:28 |
involved in an altercation |
01:21:34 |
He's single. |
01:21:39 |
When you have a family |
01:21:42 |
things take on another dimension. |
01:21:45 |
Does Tomaru have a family? |
01:21:48 |
You know the situation. |
01:21:51 |
And you're close to the young guys, |
01:21:54 |
you have to tell them to be careful |
01:21:58 |
not to be arrested for nothing. |
01:22:05 |
She's here. |
01:22:10 |
Are you OK? |
01:22:13 |
Come in. |
01:22:17 |
- This is for Tomaru's birthday? |
01:22:20 |
- What is it? |
01:22:23 |
Can I borrow it in the meantime? |
01:22:26 |
- No way. |
01:22:28 |
I want it to stay new. |
01:22:31 |
- Can I help myself? |
01:22:34 |
I hope he gets out. |
01:22:36 |
- Are you seeing him Monday? |
01:22:38 |
My men will go with you. |
01:22:43 |
It's the case |
01:22:49 |
And something to clean them. |
01:22:54 |
So, how are you? |
01:22:55 |
Same as ever, OK. |
01:22:58 |
- What do you mean, same as ever? |
01:23:01 |
Even without your man? |
01:23:03 |
I'm just a little lonely. |
01:23:05 |
You feel lonely? |
01:23:06 |
She feels lonely. |
01:23:09 |
Are you eating? |
01:23:11 |
Yes, I'm eating. |
01:23:12 |
- What are you having tonight? |
01:23:16 |
You eat that on your own? |
01:23:19 |
- You grill it? |
01:23:21 |
Let him do it. He's a chef. |
01:23:25 |
- Did you talk to the lawyer? |
01:23:28 |
According to him, it's delicate |
01:23:31 |
as Tomaru admitted openly |
01:23:34 |
Initially, |
01:23:38 |
the prosecutor asked |
01:23:40 |
If there's a suspended sentence, |
01:23:43 |
he will be sentenced immediately. |
01:23:48 |
But because he said he was a yakuza |
01:23:50 |
and he's my adopted son... |
01:23:54 |
it could damage his chances. |
01:24:00 |
We would love to help him, |
01:24:03 |
Yes. |
01:24:07 |
If this happened |
01:24:09 |
he would be the one |
01:24:12 |
He would never have been arrested. |
01:24:14 |
We have to see if we appeal or not. |
01:24:18 |
I need to talk to Aniki. |
01:24:22 |
Whatever happens, this must not |
01:24:31 |
Do you want to move in with us |
01:24:35 |
- No, thank you. |
01:24:40 |
She's refusing tactfully. |
01:24:42 |
Not tactfully, but nicely. |
01:24:52 |
I'm going to the prison. |
01:24:54 |
Come in, please. |
01:24:57 |
Mum, it's Hiro! |
01:25:00 |
What brings you here? |
01:25:02 |
I came to burn some incense |
01:25:07 |
Can I come in? |
01:25:09 |
- Did you remember the package? |
01:25:15 |
May I? |
01:25:39 |
- What time are you going for? |
01:25:41 |
One thirty? |
01:25:43 |
Did you come alone? |
01:25:44 |
No. |
01:25:46 |
Are my men with you? |
01:25:49 |
I'll go out to them. |
01:25:52 |
It's cold. |
01:25:53 |
- Are you OK, holding up? |
01:25:58 |
- And how's Tomaru? |
01:26:00 |
- We went to see him, he was happy. |
01:26:04 |
He was all smiles. |
01:26:06 |
He's put on weight. |
01:26:08 |
He seemed nice and warm, |
01:26:10 |
Everyone's bringing |
01:26:12 |
I hear he's getting tons. |
01:26:15 |
Yes, every day. |
01:26:17 |
He has spots all over his face. |
01:26:21 |
It's disgusting! |
01:26:23 |
It's because |
01:26:26 |
Really? |
01:26:30 |
Typical Tomaru. He's so funny. |
01:26:33 |
I hope he gets out. |
01:26:35 |
It's touch and go. |
01:26:40 |
Tell him I'm really |
01:26:43 |
Yes, I'll tell him. |
01:26:46 |
Lay it on thick. |
01:26:48 |
OK. |
01:26:51 |
That's short. |
01:26:52 |
8 mn alone, |
01:26:55 |
is quite long, no? |
01:26:57 |
There were three of us. |
01:26:59 |
We had no time |
01:27:04 |
I wanted to have a laugh with him. |
01:27:07 |
We had a laugh. |
01:27:09 |
But then, |
01:27:10 |
I went serious, |
01:27:14 |
I told him and the time flew. |
01:27:17 |
What are you talking about so loudly? |
01:27:20 |
About visiting Tomaru. |
01:27:26 |
In any case, |
01:27:27 |
it gives him time to think |
01:27:29 |
and he seems fine. |
01:27:35 |
He's thinking |
01:27:39 |
Cakes. |
01:27:42 |
And he has the best wishes |
01:27:47 |
Bring him this package from them. |
01:27:50 |
Fine. |
01:27:50 |
Tell him not to get down. |
01:27:53 |
And that you are the lonely one. |
01:28:00 |
If I can. I only have 8 mn. |
01:28:08 |
- I have everything. |
01:28:11 |
Playboy, |
01:28:14 |
Mapple |
01:28:16 |
and Shukan Gendai. |
01:28:18 |
- Will I put them in the bag? |
01:28:27 |
Are you coming? |
01:28:30 |
We'll wait here. |
01:28:34 |
And you'll be more comfortable |
01:28:37 |
OK. |
01:28:40 |
See you later. |
01:28:41 |
- Say hello from us. |
01:29:07 |
This is the first time |
01:29:14 |
Recently, the law has become |
01:29:20 |
You've heard? |
01:29:23 |
There's a new law. |
01:29:25 |
When the police see |
01:29:29 |
first, they are asked to split up. |
01:29:33 |
If they don't obey, |
01:29:36 |
they're arrested. |
01:29:40 |
And then we are banned |
01:29:44 |
from public places like hotels. |
01:29:48 |
In other words, |
01:29:53 |
more and more strict |
01:29:59 |
You should be OK. |
01:30:01 |
Me too, of course. |
01:30:02 |
What do you think? |
01:30:05 |
People don't know |
01:30:08 |
I'm much more serious |
01:30:14 |
I don't understand why |
01:30:19 |
We are human beings. |
01:30:20 |
Of course, we're not choir boys. |
01:30:25 |
We do sometimes |
01:30:30 |
Our species is shrinking |
01:30:33 |
and the rope is tightening |
01:30:37 |
When I was your age, |
01:30:42 |
things were different. |
01:30:45 |
At night, we used to |
01:30:49 |
Shopkeepers and businesses |
01:30:54 |
They were the good old days. |
01:30:56 |
If there's one thing I regret, |
01:30:59 |
it's that you never experienced that. |
01:31:05 |
But even if times are hard today, |
01:31:10 |
we have to get by. |
01:31:14 |
The laws change |
01:31:19 |
we need to find solutions. |
01:31:23 |
How do you think |
01:32:39 |
Hi, Naoki. |
01:32:41 |
It's been a while. |
01:32:43 |
- It's good to see you. |
01:32:46 |
- You lost weight? |
01:32:49 |
- 15 kg? |
01:32:52 |
Was it tough on your nerves? |
01:32:55 |
Thanks for coming out here. |
01:32:57 |
I was worried about you. |
01:33:00 |
- What about you? |
01:33:03 |
- Will we go? |
01:33:14 |
- Do you have any smokes? |
01:33:19 |
- Is that tobacco? |
01:33:23 |
You like smoking something else, no? |
01:33:31 |
It's cold, huh? |
01:33:34 |
Are you working at the moment? |
01:33:37 |
Yes, with asbestos. |
01:33:39 |
- Asbestos? |
01:33:42 |
- Still risking your life. |
01:33:44 |
I am covered from head to toe. |
01:33:48 |
From head to toe? |
01:33:52 |
I look like a cosmonaut. |
01:33:55 |
Me too, but rapping at the same time. |
01:33:59 |
Oh yeah, you're a rapper. |
01:34:02 |
I work on a demolition site. |
01:34:04 |
A bit like me then. |
01:34:05 |
I hope to make a living from rap. |
01:34:08 |
I hope for you. |
01:34:11 |
But tell me, |
01:34:14 |
since you left the Mafia, |
01:34:20 |
you must feel freer? |
01:34:24 |
Day to day. |
01:34:25 |
Freer? |
01:34:30 |
No one forced me |
01:34:33 |
When you were in the Mafia? |
01:34:34 |
Let's just say |
01:34:40 |
To hang out with you, |
01:34:44 |
And your mother? |
01:34:51 |
What does she think? |
01:34:55 |
She must have been worried. |
01:35:01 |
Yeah, I'd say so. |
01:35:03 |
I'm sure. |
01:35:06 |
I'd imagine she's relieved |
01:35:11 |
Until now, |
01:35:19 |
But you experienced things |
01:35:25 |
Maybe. |
01:35:29 |
In any case, |
01:35:35 |
In life, there are good |
01:35:40 |
Maybe some day, another shock |
01:35:44 |
Another shock... |
01:35:47 |
Well, in that case... |
01:35:51 |
it's a bit pretentious, |
01:35:56 |
"The empire of beauty is greater |
01:36:01 |
Some will understand. |
01:36:03 |
"The empire of beauty is greater |
01:36:08 |
Yeah, that's cool! |
01:36:10 |
- Can I claim it? |
01:36:13 |
- So, then you can't use it. |
01:36:17 |
Because it's mine. |
01:36:20 |
I'll have to ask permission. |
01:36:24 |
Will we go? |
01:36:30 |
You walk like a yakuza. |
01:36:34 |
It's the Naoki style. |
01:36:35 |
The Naoki style? |
01:36:38 |
I'll do it. |
01:36:40 |
Hey, take it easy! |
01:36:43 |
It's as if I were saying: |
01:36:50 |
Where were you anyway |
01:37:02 |
The empire of beauty |
01:37:06 |
Is greater |
01:37:10 |
Than the moral world |
01:37:12 |
The dream future is far away |
01:37:14 |
Flee reality |
01:37:17 |
To reject and flee everything |
01:37:20 |
He had a dream but he lost |
01:37:22 |
A denouement planned |
01:37:28 |
The dawn of despair |
01:37:33 |
A denouement planned |
01:37:38 |
The dawn of despair |
01:37:41 |
Night falls |
01:37:43 |
He can't take it |
01:37:46 |
He shrinks down |
01:37:49 |
Just waiting for |
01:37:51 |
Till he bleeds |
01:37:54 |
Out of strength |
01:37:57 |
"I'll show them!" |
01:37:59 |
This type of phrase |
01:38:02 |
He bravely faced |
01:38:05 |
And many things happened |
01:38:07 |
Was he wrong in the past? |
01:38:11 |
Would he be shamed? |
01:38:15 |
A denouement planned |
01:38:18 |
Even in confusion |
01:38:20 |
Give him the strength to go on |
01:38:26 |
A denouement planned |
01:38:31 |
The dawn of despair |
01:38:36 |
A denouement planned |
01:38:41 |
The dawn of despair |
01:38:59 |
Adaptation: Tresi Murphy |