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Zack and Miri Make a Porno
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- ENCODE + SYNC - |
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Vanity Fair named me... |
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...as one of the 30 most powerful |
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Over on the wall there and |
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...where each of you |
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Power is an elusive term, |
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I don't care what they say. |
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You either have it, want it, |
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Where you stand at these things |
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...may not seem like the most |
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- Congratulations. |
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...but I was wondering if some changes |
| 00:01:12 |
- It's... |
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Some of these people |
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..."producer" producers, |
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They just put their names |
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...but they don't really do anything. |
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You see, recently, |
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...my career, hell, my whole life, |
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Let's just say my power credentials |
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In his wacky crazy |
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And it all started in Costa Mesa |
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I can't feel my legs. |
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The movie was titled Fiercely. |
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These test screenings |
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Always a lot of production people, |
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...and of course the studio chief, |
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If the number is high, |
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...if the number is low, |
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...well, let's just say |
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She'll make sure of it. |
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I needed this one to work. |
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WOMAN |
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Go. |
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I'm not gonna beg. |
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You think I care about me? |
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You think it's me I care about? |
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It's you I worry about. |
| 00:03:48 |
I think they should kill him. |
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Your salvation. |
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Father, forgive them, |
| 00:04:11 |
No! |
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Oh, my God. |
| 00:04:18 |
They shot the dog. Poor thing. |
| 00:04:21 |
They shot the dog? |
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Let's go. |
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Excuse me. Excuse me. |
| 00:05:04 |
Okay. How about that, |
| 00:05:06 |
What do you think? Listen, we'll just |
| 00:05:10 |
...for just a few minutes |
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Will you hand out the cards, |
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We appreciate you |
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...give us your thoughts. You are part |
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...and we value whatever it is |
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I want to remind you guys, |
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That's gonna mean |
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When they're done, you want me to put |
| 00:05:31 |
You can, you know how I feel. I don't |
| 00:05:35 |
- You don't think they're relevant? |
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Sure, sure, sure. |
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...right before Sean Penn gets killed |
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Like, the way the dog |
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...it's the same thing |
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It's like he's, you know, he's building |
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Ben. Ben. Ben, thank you for |
| 00:05:59 |
Fantastic. It's fantastic. |
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Jimmy. |
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Ben, I'd like to introduce you to Jimmy. |
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We just met, yes. |
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Jimmy wants to invest |
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Oh, that's good. |
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- Hair. |
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- Hair. |
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- Yeah. More than 70 shops. |
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- Yeah. |
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- Good. Good. Okay. |
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Glad you guys liked the movie. |
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- Thank you. Nice to meet you. |
| 00:06:40 |
The length is the very least |
| 00:06:43 |
- Sitting in there, you hear the people? |
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That was brutal. Unrelenting. |
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The air was sucked out of the |
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I thought the girl was very, very good. |
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Please. |
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Blood, body parts, |
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- How am I supposed to sell this thing? |
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- This could be the year for grief. |
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They shot the dog in the head. |
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Hey, Ben. |
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It's good to see you, Bob. |
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- Dick, what are you doing here? |
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She's gonna be a star. |
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I thought preview policy |
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I snuck in, I'm gonna sneak out. |
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So? |
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Yes? |
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What did you think? |
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Well, I thought there was |
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i loved the music. |
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It's still in my head. |
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Thanks. |
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Here you go. |
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It's almost there, Ben. If Jeremy |
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...and we get lucky with the reviews, |
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We'll deal with all this tomorrow. |
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Ben. Where's your director? |
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Missed his plane at Heathrow, he's sick |
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It's hard to produce |
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Very. |
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- Sean. Just brilliant. |
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- Brilliant work. |
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You're never not great, |
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- Think we got a shot? |
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- Well, we'll see. |
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I'll see you later. |
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- Did you work out the G5? |
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I gotta smoke on the plane. |
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- We're gonna lose money. |
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- A lot of money. |
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That's right. |
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- Even before the DVD comes out? |
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I did try to call Jeremy |
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You seemed reluctant. |
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He's the director, for God's sakes. |
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"Fuck me, why should this be easy?" |
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- You're feeling good about last night? |
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As I was saying, |
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...and it's a little too soon |
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...but all signs to me say, |
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- Through the roof? That's great. |
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- That's great. |
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- About Jack? |
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- Yeah, I couldn't believe it. |
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Yeah, it's terrible. |
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Who would have guessed? |
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"Ten percenter |
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Bad joke. |
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Yeah, it's page one, that's cold. |
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But you still gotta admit |
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I can see how sympathetic you are. |
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Argh. |
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Oh, come |
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I'm on my way. |
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No, I'm not late at all. |
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I'm not late, they'll be there |
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They will be there on time. Hello? |
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Hello? Hello? |
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Hi, Daddy. |
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- Morning, gorgeouses. |
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Who dresses you guys? |
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We do. |
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Mom wants to ask you something. |
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SOPHIE: She said it's okay |
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- ... instead of using your cell phone. |
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Get in the car |
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SOPHIE: |
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Kelly, I said I would do it. |
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You always say you'll do it, |
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I know, I'm under siege. I realize I |
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- For all of us. |
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A grand total of 90 minutes per day |
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- Or the kids can't stay over. |
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Where's the old sofa chair? |
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- I miss it. |
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I love that chair. |
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I even remember |
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Okay, Ben, let's play by the rules. |
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I thought our last session |
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Yeah, but this therapy is called |
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So we can move on gracefully. |
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Well, I still have feelings. |
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So do I. |
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That dark green velvet |
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What? I felt like a change. |
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Can I call you? |
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Yeah. Of course. |
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Okay. See you later, guys. |
| 00:14:02 |
Hey, Ben. |
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- So how were the numbers last night? |
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Oh, by the way, |
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So, what is it? |
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Come on, don't play hard to get, |
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I'm not gonna tell you. |
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I'm gonna find out anyway. |
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It's about a florist. |
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It's a rich world. |
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A flower shop as a background |
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It's the Rose Bowl Parade meets |
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- It's not a movie. |
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Flowers on the big screen? |
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- Try Leonard, it might be his thing. |
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You went to Leonard |
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He's the coach |
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Scott, come on. Leonard? |
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What difference does it make |
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Loyalty matters to me. |
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There were |
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What did he say? |
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- He said it's not a movie. |
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It's too bad about Jack, huh? |
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Usually agents kill others, |
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- Yeah, but out of the blue? I mean... |
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- Suicide, it happens? |
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See you later. |
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This is Fiercely, cue 4M-2. Take 7. |
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Cal, talk to me' |
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You're not gonna believe it. Bruce |
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He's got a Grizzly Adams beard? |
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Yes, and he's a pig. |
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That's not my job. |
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- He's fat. |
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Overweight, |
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- He's fooling with you. |
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- Don't worry. |
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I will see you this afternoon. |
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I'm at a production meeting right now, |
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- Hey. |
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I think Mom's in the back |
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Do I have to? |
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Your eyes are all red. |
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No. No. |
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- A little bit. |
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If it's boy stuff' |
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I know some things |
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- I'm sure you do. |
| 00:16:14 |
- Okay. Yeah. |
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Okay. I'll be right back. |
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What's with Zoe? |
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Oh' girl stuff. I don't know. |
| 00:16:33 |
Is she dating? Parties or anything? She |
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she just kind of |
| 00:16:38 |
I think she gets that from you. |
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as much about what she does as |
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Secrets seem to be |
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I think it's in the DNA. |
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Boy, this place has gone way up. |
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Yeah, but you don't. |
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Gotta go. |
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- Bye. |
| 00:17:00 |
- Looking good, Ben. |
| 00:17:03 |
Bye. |
| 00:17:05 |
You know, |
| 00:17:06 |
who still has their dad |
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I kind of like it. |
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You are a kid, and I'm a lucky guy. |
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Think you'll still pick me up |
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You bet' if you'll let me. |
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I don't know, |
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I'm a good negotiator. |
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Will you please stop saying' |
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we may have something |
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- I know that. |
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I don't want to get |
| 00:17:50 |
but I made a film that doesn't walloW |
| 00:17:53 |
I don't want to satisfy |
| 00:17:55 |
- by letting them get even. |
| 00:17:57 |
- I didn't do that when you hired me. |
| 00:18:00 |
But let's just say that when those that |
| 00:18:04 |
the bad guys get aWay |
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they get concerned. |
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Look, for my part, |
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If the kids all love it and laugh, |
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Probably that'll never happen. Kids |
| 00:18:22 |
Fucking hell. Didn't you? |
| 00:18:23 |
You said to me, that Lou said' |
| 00:18:25 |
- "It's a good movie"? |
| 00:18:29 |
And that concerns you? |
| 00:18:31 |
- A bit. |
| 00:18:34 |
Jeremy, I don't know what "good" |
| 00:18:37 |
but north of Pico |
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where Lou says "good" three times' |
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bite down hard' |
| 00:18:44 |
I'm not buying it, mate. Come on. |
| 00:18:48 |
I mean, Were you watching |
| 00:18:51 |
- Of course I was. |
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Like they took their kids to Disneyland' |
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douse himself With gasoline |
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I'm actually all right with that. |
| 00:19:04 |
It's like' what? What we got? |
| 00:19:07 |
The festival took the film because they |
| 00:19:11 |
The studio could pull it |
| 00:19:14 |
Now you're overheating, mate. |
| 00:19:16 |
I don't think so. We're gonna have to |
| 00:19:19 |
Throw her a bone, something' |
| 00:19:22 |
What, you're saying |
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I'm gonna protect your cut. |
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That's What Ben does. |
| 00:19:27 |
I just want you to understand |
| 00:19:30 |
- The preview was terrifying. |
| 00:19:33 |
Just stand united and we'll prevail. |
| 00:19:37 |
I'll explain the whole sort of raison |
| 00:19:41 |
- All right? |
| 00:19:44 |
Look, all I'm saying is' and I |
| 00:19:47 |
I think you should be proud. |
| 00:19:51 |
I am proud. |
| 00:19:52 |
Yeah, well, |
| 00:19:54 |
We already got the money' |
| 00:19:59 |
Morning, all. |
| 00:20:18 |
In the end, no director, no stars, |
| 00:20:23 |
A big number. |
| 00:20:28 |
You're really good. |
| 00:20:32 |
My God' kill the dog. |
| 00:20:34 |
Of course. |
| 00:20:36 |
What a brilliant tactical move. |
| 00:20:41 |
You know, Ben' |
| 00:20:44 |
with good instinctive negotiating |
| 00:20:48 |
Well' we wanted |
| 00:20:50 |
What a surprise' eh? No, that's |
| 00:20:52 |
Sometimes you just gotta muss up |
| 00:20:55 |
- . just to make sure they're breathing. |
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A bargaining chip. |
| 00:21:01 |
You figured, leave the dead dog |
| 00:21:04 |
knowing it Wasn't in the script' |
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"Okay' Lou, dog stuff's gone, |
| 00:21:10 |
keep the rest of the stuff as it is, |
| 00:21:13 |
I'm too old for this. |
| 00:21:15 |
Well' Lou, I think there's |
| 00:21:18 |
What are you saying? |
| 00:21:20 |
We've got a problem. |
| 00:21:22 |
Hold on. Hold on' you're not gonna |
| 00:21:25 |
I mean, that's not what I'm hearing, |
| 00:21:28 |
- Did anyone see Amores Perros? |
| 00:21:31 |
Amores Perros, did you see it? |
| 00:21:33 |
I mean, What's that film about? |
| 00:21:37 |
It's about reality, and about loss. |
| 00:21:39 |
And' you know' I mean, look. |
| 00:21:42 |
the simple thing is |
| 00:21:44 |
that has a bit more |
| 00:21:47 |
and something that people |
| 00:21:49 |
or the same old |
| 00:21:51 |
I mean, I thought we were |
| 00:21:55 |
No? I mean' I toned it down. |
| 00:21:58 |
I mean, I toned it way down. |
| 00:22:00 |
- Didn't I? With that scene. |
| 00:22:02 |
Serious problem. |
| 00:22:04 |
Look, the dog has to die. |
| 00:22:09 |
Trust me' kemosabe, |
| 00:22:11 |
I'm sorry, maybe I'm not |
| 00:22:14 |
Sorry' excuse me, I don't think Sean |
| 00:22:18 |
if it weren't hard-hitting |
| 00:22:21 |
- Absolutely. |
| 00:22:28 |
Now' please? |
| 00:22:40 |
Look, I've lost $25 million before. |
| 00:22:44 |
. I'll lose $25 million again. |
| 00:22:47 |
We've managed to put together |
| 00:22:50 |
Very extensive. If you do the kind of |
| 00:22:54 |
I'll lose a little less. |
| 00:22:57 |
So you're asking me |
| 00:23:00 |
so you can lose |
| 00:23:02 |
- I would be very appreciative. |
| 00:23:05 |
Well' let us chew on this. |
| 00:23:08 |
No, look, the dog dies! |
| 00:23:11 |
- I don't think so. |
| 00:23:14 |
No, not really. |
| 00:23:16 |
Listen' let's not make this |
| 00:23:18 |
- We respect you. Fix it. |
| 00:23:21 |
- My guts are in that cut' mate. Right? |
| 00:23:24 |
Right? |
| 00:23:25 |
Listen' do the right thing. Okay? |
| 00:23:28 |
- Oh' the right thing' now, is it? |
| 00:23:30 |
I'm sorry, does he have final cut? |
| 00:23:33 |
Um Um No. |
| 00:23:35 |
- The right thing. |
| 00:23:37 |
Or your big evening in Cannes |
| 00:23:40 |
and I'll take the movie away |
| 00:24:03 |
Jeremy. Jeremy. Jeremy. |
| 00:24:08 |
Stop. Take it easy, take it easy. |
| 00:24:11 |
Take it easy. Get ahold of yourself. |
| 00:24:12 |
- Get ahold of yourself. |
| 00:24:14 |
Well' he'll come around. He's fine. |
| 00:24:17 |
He'll be fine. It's jet lag. |
| 00:24:21 |
- Get a grip. |
| 00:24:24 |
Let's just Let's just go. |
| 00:24:36 |
- We don't have much time. |
| 00:24:51 |
Do you believe this? |
| 00:24:54 |
Yeah' I saw it. Had 10 percent |
| 00:24:58 |
I'd fuck him. |
| 00:25:07 |
My old bed. God' I love this bed. |
| 00:25:12 |
Are these new sheets? |
| 00:25:15 |
- This is a huge mistake. |
| 00:25:17 |
No, I just I can't do this. |
| 00:25:20 |
And this is as much my fault |
| 00:25:22 |
This is why we're seeing Dr. Randall, |
| 00:25:25 |
Let's not tell her. |
| 00:25:27 |
Why are you so comfortable |
| 00:25:30 |
- Why is that? |
| 00:25:34 |
I appreciate that. |
| 00:25:38 |
You want me to go? |
| 00:25:41 |
- Yes, no. |
| 00:25:44 |
No, I'd like to talk. |
| 00:25:46 |
- Good, let's talk. I'll start. |
| 00:25:49 |
I admit' I do love this bed |
| 00:25:53 |
but only With you in it. |
| 00:25:55 |
Even if only for a moment, |
| 00:25:59 |
- Really? |
| 00:26:03 |
I don't know, all the lawyers |
| 00:26:05 |
- It's awkward, you know? |
| 00:26:09 |
Yeah. I don't know. |
| 00:26:12 |
I just feel like if I could do this, |
| 00:26:15 |
I know how you feel. |
| 00:26:17 |
It's complicated. |
| 00:26:20 |
I understand. |
| 00:26:22 |
- Really? |
| 00:26:28 |
I. |
| 00:26:35 |
- This could be important. |
| 00:26:39 |
- If you could just focus. |
| 00:26:49 |
- Hello? |
| 00:26:50 |
- Who? |
| 00:26:52 |
- Who? |
| 00:26:54 |
Oh' yeah? Okay' good, good. |
| 00:26:56 |
Hello? |
| 00:26:59 |
I heard something. |
| 00:27:00 |
- What? |
| 00:27:02 |
- Or is it buyer's remorse? |
| 00:27:05 |
Hang on a second, wait a second. |
| 00:27:08 |
It's business. |
| 00:27:10 |
- I got issues to resolve. |
| 00:27:12 |
Like shaving the beard' it's like |
| 00:27:14 |
It sounds crazy, but it's a big deal. |
| 00:27:16 |
Tell him you'll call him back. |
| 00:27:18 |
- You're right, you're right. Hello? |
| 00:27:20 |
- Hey' hey' there you are. |
| 00:27:22 |
Listen' did I tell you how truly happy |
| 00:27:26 |
- A lot of actors were circling this' but |
| 00:27:30 |
Can you give me five seconds? |
| 00:27:33 |
- What? N¥eah. |
| 00:27:34 |
- You're kidding' right? |
| 00:27:38 |
Kelly. Kelly. |
| 00:27:40 |
- Hello? Yeah' I'm back. |
| 00:27:42 |
- We should talk about this. |
| 00:27:44 |
No, I think face to face. |
| 00:27:46 |
Face to face is alWays better. |
| 00:27:48 |
Could you just give me five seconds? |
| 00:27:52 |
Kelly? Kelly. Kelly. Kelly. |
| 00:27:57 |
Hello? Hello? |
| 00:28:00 |
Kelly! |
| 00:28:26 |
Kelly. |
| 00:28:28 |
Jeremy' |
| 00:28:30 |
I know we have things to talk about. |
| 00:28:32 |
You know, |
| 00:28:34 |
- You get our star? |
| 00:28:38 |
- What's this? |
| 00:28:42 |
These aren't Hallmark cards, Carl. |
| 00:28:45 |
- This isn't magazine material. |
| 00:28:47 |
- This is private business. |
| 00:28:50 |
- Put them in a drawer, lock them up. |
| 00:28:53 |
You let somebody in the office |
| 00:28:56 |
- No, no |
| 00:28:58 |
- What are we doing? Falling apart. |
| 00:29:01 |
I can't believe this. |
| 00:29:03 |
After one bad screening? |
| 00:29:05 |
Son of a bitch, I can't |
| 00:29:08 |
Ruthless pricks. |
| 00:29:10 |
- Who's moving in here? |
| 00:29:12 |
Who is moving in here? |
| 00:29:15 |
- Who is coming in here, Carl? |
| 00:29:17 |
Yeah, him, him, the guy you let in |
| 00:29:20 |
No' this is for the new carpeting. |
| 00:29:23 |
What new carpeting? When? |
| 00:29:25 |
- The carpet you ordered. |
| 00:29:28 |
Back in February. |
| 00:29:29 |
- So it's? I ordered it in February? |
| 00:29:32 |
It takes three months |
| 00:29:34 |
I badgered them. It was a special order |
| 00:29:38 |
- You know |
| 00:29:40 |
You gotta be kidding me. |
| 00:29:43 |
You said it went well |
| 00:29:45 |
- That's why you ordered white shag. |
| 00:29:48 |
- Really? |
| 00:29:52 |
Oh' fucking...! |
| 00:30:01 |
You may not realize this now. |
| 00:30:03 |
but I Was protecting you |
| 00:30:06 |
I went out' man. I really went out. |
| 00:30:10 |
I can see that' |
| 00:30:12 |
No. No, I Went out. |
| 00:30:15 |
I had 11 months 22 days, |
| 00:30:19 |
I had no drugs, I had no alcohol... |
| 00:30:22 |
till after that meeting |
| 00:30:24 |
and your assassin in training' |
| 00:30:28 |
he decides to give me an Ativan. |
| 00:30:31 |
Well' one Ativan |
| 00:30:33 |
Yeah, right. |
| 00:30:34 |
Try following it up with three Dilaudids |
| 00:30:37 |
and all washed down |
| 00:30:40 |
Okay, then' you needed a release. |
| 00:30:42 |
No, look, look. |
| 00:30:44 |
I was seven days away |
| 00:30:47 |
Right? A cake for a year sober. |
| 00:30:54 |
And you and your diabolical |
| 00:30:59 |
took that away from me. |
| 00:31:00 |
- No, that's not true. |
| 00:31:02 |
- Come on, Jeremy. |
| 00:31:06 |
- Jeremy. |
| 00:31:09 |
- How's that? |
| 00:31:12 |
Shouldn't we save this high drama |
| 00:31:14 |
Yeah, or that one, |
| 00:31:17 |
- I know that, and I'm the producer. |
| 00:31:20 |
Blood that goes all the way back |
| 00:31:24 |
a little shtetl. |
| 00:31:26 |
How could you possibly understand |
| 00:31:31 |
Let me get you a Valium. |
| 00:31:33 |
Just for now. It's not that I don't |
| 00:31:36 |
This is for us, these changes. |
| 00:31:39 |
Can I have a couple of Vicodin |
| 00:31:41 |
Sure' easy. |
| 00:31:42 |
- Go get three of them, Ben. |
| 00:31:49 |
Yeah, get me My office |
| 00:31:51 |
and bring them to the cutting room |
| 00:31:56 |
Let's put that down. |
| 00:32:01 |
Jeremy, look' We're gonna need you |
| 00:32:03 |
You can do it. |
| 00:32:06 |
I get these bastards to spend a lot |
| 00:32:09 |
- You can do it. |
| 00:32:13 |
I mean, you know, it's my work. |
| 00:32:15 |
Trust me' once you make |
| 00:32:17 |
and take out that damn dead dog' |
| 00:32:20 |
You will forget the pain. |
| 00:32:26 |
It's okay. |
| 00:32:29 |
As long as we do a viewing together |
| 00:32:32 |
- Call me anytime you want. |
| 00:32:36 |
Give me a hug. |
| 00:32:39 |
I'm sorry. |
| 00:32:41 |
It's okay. It's okay. |
| 00:32:44 |
- That's okay. |
| 00:32:48 |
No, don't look. |
| 00:32:51 |
I'm so scared, Ben. |
| 00:32:55 |
We're on a deadline, |
| 00:32:58 |
Okay? Let's get to work. |
| 00:33:02 |
Cal, Cal' relax. |
| 00:33:05 |
No, no, you're not listening. |
| 00:33:10 |
Five minutes away. |
| 00:33:12 |
Relax' I'm going over the hill. |
| 00:33:16 |
It doesn't matter. It'll be fine. |
| 00:33:20 |
This is Fiercely. |
| 00:34:32 |
I need grips and I need stand-ins. |
| 00:34:49 |
Ten minutes |
| 00:34:50 |
- We got a crisis here. |
| 00:34:55 |
I saw Moses through the window. |
| 00:34:58 |
I don't know. |
| 00:35:01 |
I'm gonna bring it up' |
| 00:35:03 |
We start shooting Friday. |
| 00:35:05 |
I'm the director' |
| 00:35:07 |
I suppose it took a long time |
| 00:35:09 |
Probably wants to Wait |
| 00:35:11 |
That's what I thought, |
| 00:35:14 |
I got the sense |
| 00:35:16 |
- It's an artistic choice. |
| 00:35:19 |
- It can't be. |
| 00:35:21 |
Cal' we got the studio to pay him |
| 00:35:25 |
For that kind of money, |
| 00:35:27 |
They expect a good performance. |
| 00:35:29 |
For that kind of money, |
| 00:35:32 |
to want intercourse with him. |
| 00:35:34 |
Do you understand |
| 00:35:35 |
You want a poster that says' |
| 00:35:39 |
Okay. Okay. |
| 00:35:42 |
We need more 4-by-8 plywood here. |
| 00:35:45 |
Okay. |
| 00:35:48 |
- Okay, let's go tell him to shave. |
| 00:35:51 |
Okay. He'll shave' okay? |
| 00:35:55 |
That's the hope. |
| 00:35:57 |
Motherfuckers! Motherfuckers! |
| 00:36:01 |
Motherfuckers! |
| 00:36:03 |
We are talking about my fucking |
| 00:36:08 |
My artistic integrity, okay? |
| 00:36:14 |
Audiences wanna know it's you, |
| 00:36:17 |
And we're talking about |
| 00:36:19 |
What are you talking about? |
| 00:36:21 |
"Where'd Bruce go' huh? |
| 00:36:24 |
Where's my favorite movie star? |
| 00:36:27 |
I see him right there, |
| 00:36:29 |
Yes, but there's a |
| 00:36:30 |
You know, |
| 00:36:32 |
that has to be served, Bruce. |
| 00:36:34 |
That's the business. |
| 00:36:36 |
I mean, that's just a fact. |
| 00:36:39 |
There's a tradition to this stuff' Bruce, |
| 00:36:43 |
- Oh' I see' We're talking about pussy. |
| 00:36:47 |
I understand, I understand. |
| 00:36:49 |
Let me tell you a funny story. |
| 00:36:52 |
I've been knocking off trim 24/7' |
| 00:36:56 |
- Maybe we should listen to |
| 00:36:58 |
Hollywood producer, my ass. |
| 00:37:01 |
Really, should've seen it coming. |
| 00:37:06 |
Bruce' Bruce, Bruce. |
| 00:37:09 |
Bruce, Bruce' come on. |
| 00:37:11 |
- You Wanna talk about integrity? |
| 00:37:14 |
- Let's talk about fucking integrity. |
| 00:37:18 |
Let's talk about integrity. |
| 00:37:21 |
I'm willing to stack my three |
| 00:37:25 |
How about that' huh? |
| 00:37:28 |
You don't have three pictures. |
| 00:37:31 |
You know why? |
| 00:37:34 |
Well' why don't we start. |
| 00:37:35 |
by giving your overblown salary |
| 00:37:38 |
- That would show me some integrity. |
| 00:37:48 |
Sorry. |
| 00:37:50 |
Motherfuckers. |
| 00:37:58 |
Fucking babies! |
| 00:38:01 |
No, no, no, you shouldn't |
| 00:38:03 |
How about this? |
| 00:38:05 |
Why don't we just not have clothes |
| 00:38:08 |
How about fucking paying for that? |
| 00:38:10 |
I never realized |
| 00:38:14 |
I think he wants it. |
| 00:38:15 |
This here's your fucking chair. |
| 00:38:18 |
You motherfuckers. |
| 00:38:21 |
Will somebody fix this fucking door? |
| 00:38:26 |
You happy now |
| 00:38:29 |
You fucking |
| 00:38:32 |
Well, somehow |
| 00:38:34 |
You know, in a very early draft, |
| 00:38:38 |
- A very early draft. |
| 00:38:40 |
Hey, now that video's done, |
| 00:38:44 |
Blow me' you motherfuckers! |
| 00:38:48 |
- We don't have much of a choice. |
| 00:38:50 |
- The beard's not so bad anyway. |
| 00:38:54 |
This is Fiercely, 6M6, take three. |
| 00:39:03 |
I do, I get it, Sidney' I do. |
| 00:39:05 |
Of all the studio heads, |
| 00:39:07 |
- But listen |
| 00:39:09 |
You're welcome. |
| 00:39:11 |
This is Bruce Willis |
| 00:39:13 |
Maybe we need to bend a little' |
| 00:39:17 |
In fact, I gotta say, he might be right' |
| 00:39:20 |
You never know. |
| 00:39:23 |
- Let's keep it simple. |
| 00:39:24 |
Let's keep it simple, Ben. |
| 00:39:28 |
Yes. |
| 00:39:31 |
If that bastard doesn't shaVe |
| 00:39:34 |
A, we shut the moVie down, |
| 00:39:39 |
. and C, we then sue you |
| 00:39:41 |
Oh' Sidney, come on. |
| 00:39:43 |
Let's sit doWn and have lunch |
| 00:39:45 |
- Come on. |
| 00:39:47 |
- Call my office. |
| 00:39:50 |
Sidney. Hello? |
| 00:39:54 |
Are you |
| 00:39:56 |
You're his agent' |
| 00:39:59 |
We're on the ledge on this one. |
| 00:40:00 |
He's got four days to clean himself up, |
| 00:40:03 |
I'll even personally pay for the trainer. |
| 00:40:06 |
- You have got to be kidding. |
| 00:40:08 |
No, I'm not kidding, Dick' |
| 00:40:10 |
- N¥ou tell me it's happening? |
| 00:40:12 |
- It can't be. |
| 00:40:18 |
What's that? |
| 00:40:21 |
- What's that? Dick. |
| 00:40:24 |
- That's nothing? |
| 00:40:26 |
- How much does he know, huh? |
| 00:40:29 |
We got lathered up. Things might |
| 00:40:32 |
- Tell me exactly what was said. |
| 00:40:36 |
"Fuck you. " "No' no' fuck you. " |
| 00:40:38 |
Why not call me back |
| 00:40:41 |
Tell him he's gonna get fired and sued |
| 00:40:44 |
I don't want to. |
| 00:40:46 |
- You give him the bad news. |
| 00:40:49 |
Delivering bad neWs |
| 00:40:51 |
I can't do it. |
| 00:40:53 |
You know that. I can't. |
| 00:40:55 |
I've been Working with him |
| 00:40:58 |
He's one of my most important clients' |
| 00:41:02 |
- He can snap at any time. |
| 00:41:05 |
I'm not scared of him' |
| 00:41:11 |
- Could you hold a sec? |
| 00:41:14 |
You okay? |
| 00:41:15 |
Dick' you okay? |
| 00:41:18 |
Maybe we should do this later. |
| 00:41:20 |
It's a It's a |
| 00:41:23 |
It's a stomach disorder. |
| 00:41:24 |
It comes and it. |
| 00:41:28 |
. goes. |
| 00:41:30 |
- You sure? |
| 00:41:32 |
Absolutely. They cut me back |
| 00:41:34 |
...so I can get it up. |
| 00:41:36 |
But the withdrawal |
| 00:41:38 |
It sounds worse than it is. |
| 00:41:42 |
- When do you take that? |
| 00:41:44 |
- Whenever I pack. |
| 00:41:47 |
Your client has got to give us |
| 00:41:49 |
Let's figure out |
| 00:41:51 |
Well' to start' why don't we let him |
| 00:41:55 |
What is the big deal? |
| 00:41:57 |
Oh' no' no' no. |
| 00:41:59 |
Do you know the ramifications |
| 00:42:03 |
I do. |
| 00:42:07 |
Jesus, man, |
| 00:42:11 |
You should talk to somebody |
| 00:42:14 |
- Okay, gotta go. |
| 00:42:15 |
- Bye, now. |
| 00:42:22 |
KELLY Hi, leave |
| 00:42:25 |
Kelly, it's Ben' just call me |
| 00:42:29 |
Okay, bye. |
| 00:42:54 |
KELLY Hi, leave |
| 00:42:58 |
Kelly. |
| 00:43:01 |
It's me. I'm on my cell. |
| 00:43:04 |
I'm having dinner |
| 00:43:07 |
but you're more important to me. |
| 00:43:09 |
Call me on my cell |
| 00:43:11 |
Thank you. |
| 00:43:23 |
- The money is in the box. |
| 00:43:26 |
Could you make the movie |
| 00:43:28 |
No. |
| 00:43:33 |
Well, We're sitting there drinking |
| 00:43:37 |
Sly, Sly' Sly. |
| 00:43:39 |
and Don Johnson |
| 00:43:42 |
He'd be very good in this. |
| 00:43:46 |
Ah. |
| 00:43:49 |
Could you excuse me |
| 00:43:55 |
- Where'd he get his money from? |
| 00:43:58 |
He started by cleaning |
| 00:44:00 |
He charged them like $10 a suit. |
| 00:44:03 |
Next time, he charged them $50 a suit. |
| 00:44:07 |
Next time, charged them $100 a suit. |
| 00:44:10 |
He said, "I wanna be in the movie |
| 00:44:15 |
- Kelly. Kelly Oh, Kelly Excuse me. |
| 00:44:19 |
I'll be right back. Yes' Kelly. |
| 00:44:23 |
I'm so glad you called me back. |
| 00:44:25 |
So an actor more important |
| 00:44:28 |
Of course I don't think |
| 00:44:31 |
- Ten times' you called. |
| 00:44:33 |
I did not call you 10 times today' |
| 00:44:36 |
Well' what was so damn important? |
| 00:44:38 |
Look, let me find a quiet place |
| 00:44:41 |
I'll tell you what's so important. |
| 00:44:45 |
I wanted to know... |
| 00:44:46 |
is anyone else other than you |
| 00:44:49 |
What? |
| 00:44:51 |
You lost that privilege |
| 00:44:54 |
Wait a second, I believe 30,000 |
| 00:44:57 |
- You know' I gotta be frank with you. |
| 00:45:00 |
I have never heard you say: |
| 00:45:02 |
"Fuck you"' like that to me |
| 00:45:04 |
- What are you doing? |
| 00:45:06 |
Okay, I'm all done. |
| 00:45:08 |
Can't we discuss this now? |
| 00:45:10 |
- No. No. |
| 00:45:12 |
- No. No. |
| 00:45:14 |
- Ben, no. |
| 00:45:18 |
- You're hurting? |
| 00:45:21 |
- I'm hurting. |
| 00:45:22 |
Yeah, yeah, I am, I am. |
| 00:45:25 |
Oh' hold on. |
| 00:45:27 |
- Yeah, I'm hurting. |
| 00:45:29 |
You're right. I knoW it's a bad habit. |
| 00:45:33 |
Look, can't we please |
| 00:45:36 |
I have to I gotta go. I gotta go. |
| 00:45:37 |
Okay, all right, all right. |
| 00:45:40 |
Thanks for Yeah, we'll speak soon. |
| 00:45:47 |
DICK: |
| 00:45:49 |
I'll order tWo martinis |
| 00:45:51 |
- I could use it. I could use it. |
| 00:45:55 |
DICK: Hi. |
| 00:45:57 |
Huh? |
| 00:45:58 |
- Did you tell him? |
| 00:46:02 |
- "Alluded"? |
| 00:46:04 |
I don't care what you meant. |
| 00:46:07 |
- "Alluded. " A-L-L-U-D-E-D. |
| 00:46:10 |
- Okay. |
| 00:46:12 |
A picture is about to get canceled. |
| 00:46:15 |
I told him I have something |
| 00:46:19 |
- And you told him What it was about? |
| 00:46:23 |
A- B-O-U-T' "about"? |
| 00:46:27 |
- Not yet. |
| 00:46:29 |
- No, no. |
| 00:46:31 |
- What's with the patch? |
| 00:46:33 |
My lid, occasionally it flutters. |
| 00:46:35 |
I'm just glad |
| 00:46:39 |
- Hey' if I went blind' you'd celebrate. |
| 00:46:44 |
I hope you know you're sitting |
| 00:46:46 |
- Yeah. |
| 00:46:48 |
- Yeah. |
| 00:46:50 |
He has lots of time. |
| 00:46:54 |
How could you call |
| 00:46:56 |
There's a logic to these things. |
| 00:46:59 |
When I called him today, |
| 00:47:01 |
That's the wrong time. |
| 00:47:02 |
You gotta do this |
| 00:47:04 |
We don't have that many windows left. |
| 00:47:07 |
- After AA would be an open window. |
| 00:47:09 |
- Two days. |
| 00:47:11 |
- What's tomorrow morning? |
| 00:47:14 |
You don't Wanna mention lawsuit |
| 00:47:17 |
Listen to me. I don't care. |
| 00:47:28 |
I know What you think |
| 00:47:31 |
Johnny did not send me here |
| 00:47:34 |
I wanted to meet you on my own. |
| 00:47:37 |
I know everything you've done. |
| 00:47:39 |
And I'm not just some silly girl |
| 00:47:43 |
- I went to Stanford. |
| 00:47:47 |
I just. |
| 00:47:50 |
Me? |
| 00:47:52 |
What's your name again? |
| 00:47:53 |
- Laura. |
| 00:47:54 |
I respect you and your movies. |
| 00:47:58 |
And I know |
| 00:48:00 |
no matter how aggressive |
| 00:48:03 |
my chance will never |
| 00:48:06 |
That's so flattering. |
| 00:48:08 |
I mean, I guess if I were a tailor, |
| 00:48:13 |
You are such a funny person. |
| 00:48:18 |
And I want you to know that |
| 00:48:24 |
for a chance to see you |
| 00:48:26 |
with no strings attached. |
| 00:48:29 |
Unless you wanna |
| 00:48:31 |
Now? |
| 00:48:35 |
Well, why don't you just |
| 00:48:38 |
Try not to get that Wet. |
| 00:49:09 |
KELLY Hi. Leave |
| 00:50:01 |
Inhale, |
| 00:50:06 |
Exhale to downward dog. |
| 00:50:09 |
Take five deep |
| 00:50:10 |
I can't stay for breakfast. |
| 00:50:13 |
Hm. |
| 00:50:22 |
- You Wanna kiss them one more time? |
| 00:50:25 |
You don't remember a thing' |
| 00:50:27 |
I remember offering you |
| 00:50:30 |
And that was before |
| 00:50:34 |
Before you do that |
| 00:50:36 |
I dig older guys. |
| 00:50:54 |
Seventy-four, 75, 76, 77.. |
| 00:51:01 |
Hello? |
| 00:51:03 |
I'm not here. |
| 00:51:06 |
Man, I hate that thing. |
| 00:51:08 |
Sid wants the Bruce/beard |
| 00:51:13 |
Hey, just got an e-mail. |
| 00:51:16 |
Thirty most powerful producers |
| 00:51:19 |
How about that? |
| 00:51:26 |
Sid's office called again. |
| 00:51:29 |
"I want the beard situation resolVed |
| 00:51:35 |
Can you call Sid's office, tell him |
| 00:51:39 |
I'll talk to him at lunch. |
| 00:51:49 |
WAITRESS: |
| 00:51:50 |
Mr. Voss's office just called |
| 00:51:53 |
They sent over this note. |
| 00:51:55 |
For you. |
| 00:51:57 |
Oh, how are you? |
| 00:52:01 |
I forgot my reading glasses |
| 00:52:04 |
Could you read it to me' please? |
| 00:52:06 |
Of course. |
| 00:52:11 |
"Dear Ben' |
| 00:52:13 |
having lunch was gonna change |
| 00:52:17 |
thing. |
| 00:52:21 |
Unless that fucking beard goes. |
| 00:52:25 |
then we fucking shut. |
| 00:52:28 |
the whole fucking movie down. " |
| 00:52:34 |
Betty, tell Sid I tried |
| 00:52:37 |
I can't get him on the phone. |
| 00:52:40 |
- We start shooting on Friday. |
| 00:52:42 |
I know I'm running out of time. |
| 00:52:44 |
- N¥ou've gotta make it happen. |
| 00:52:46 |
Ben? I got Kelly holding on 2. |
| 00:52:48 |
Okay. |
| 00:52:49 |
- Jeremy's on 3. He says it's urgent. |
| 00:52:55 |
Ben? Ben? |
| 00:52:58 |
- Ben. |
| 00:53:00 |
You better like it, baby. |
| 00:53:02 |
- Get here. Now. Jesus. |
| 00:53:06 |
- Coming. |
| 00:53:12 |
Hi. Kelly? Kelly? Kelly? |
| 00:53:19 |
Gotta go, gotta go' gotta go. |
| 00:53:41 |
What's up? |
| 00:53:42 |
Afternoon. Do I look happy? |
| 00:53:46 |
Enough to scare me. |
| 00:53:49 |
You like it? |
| 00:53:51 |
It's good, I know' but it's the feather |
| 00:53:54 |
You know what I mean? |
| 00:53:56 |
the studio, the Lone Ranger, like. |
| 00:53:58 |
I mean, I'm not gonna |
| 00:54:00 |
A fucking Waste of time. |
| 00:54:02 |
Jeremy, sometimes it takes more guts |
| 00:54:06 |
Have a seat. Come on. |
| 00:54:10 |
Got about 10 minutes out of this |
| 00:54:14 |
And here comes |
| 00:54:26 |
Like the music? It contradicts |
| 00:54:30 |
Here we go. |
| 00:54:36 |
SEAN Father, forgive them. |
| 00:54:55 |
- See? Now dog. |
| 00:54:58 |
Ah. Dog not shot. |
| 00:55:01 |
Runs to master to comfort him. |
| 00:55:08 |
It's great. |
| 00:55:17 |
Yeah. |
| 00:55:21 |
- So? |
| 00:55:37 |
Wow. |
| 00:55:38 |
- Not bad, eh? |
| 00:55:40 |
Lou will come in her pants. |
| 00:55:42 |
- Yeah. Panties. |
| 00:55:45 |
Point taken. I don't know' Jeremy. |
| 00:55:51 |
- How did you figure? |
| 00:55:53 |
We had about 10 of them. |
| 00:55:54 |
You remember? We could never |
| 00:55:57 |
Lovely though he Was. |
| 00:56:00 |
He was always licking his face. |
| 00:56:02 |
- It's brilliant. |
| 00:56:04 |
Quite simple, really. |
| 00:56:06 |
- Brilliant. Brilliant. |
| 00:56:07 |
It certainly |
| 00:56:10 |
Yeah. No, I know what |
| 00:56:12 |
It won't mean nothing now. |
| 00:56:14 |
The truth of it is we can take comfort |
| 00:56:17 |
Jeremy, I don't get it. |
| 00:56:19 |
- This isn't you talking. |
| 00:56:23 |
- I mean, how did you get there? |
| 00:56:27 |
There we go. Oh, Christ. |
| 00:56:29 |
I'll grab them later. |
| 00:56:32 |
And you're meant to take it |
| 00:56:34 |
You could watch your old mom |
| 00:56:38 |
and still appreciate the weather. |
| 00:56:40 |
Apparently the stuff works. |
| 00:56:42 |
I gotta call Lou. |
| 00:56:48 |
Hello? Judy? |
| 00:56:51 |
Hello' Judy? |
| 00:56:53 |
Is Lou there? |
| 00:56:56 |
- Yes, Ben? |
| 00:56:58 |
Lou, Jeremy has done it. |
| 00:57:02 |
Really done it. |
| 00:57:05 |
- I knew you would make this work. |
| 00:57:08 |
Not that I doubt you, |
| 00:57:12 |
- You can see it whenever you Want. |
| 00:57:15 |
Okay, okay, I'll tell him. |
| 00:57:18 |
She'll be by this afternoon |
| 00:57:21 |
Pick out your tux and leisure wear... |
| 00:57:23 |
because we're gonna be heading |
| 00:57:26 |
Where can I kiss you? Where? |
| 00:57:28 |
Name the location. Where? |
| 00:57:33 |
Placidil is not hearing. |
| 00:57:35 |
Thank you, Ben. |
| 00:57:36 |
It's nice to see you happy, mate. |
| 00:57:40 |
Boy. Jeremy, I'm so relieved. |
| 00:57:42 |
- Oh' me too. |
| 00:57:46 |
- Keep up the good Work. |
| 00:57:50 |
Happy? |
| 00:57:52 |
Yep. |
| 00:57:54 |
No. Dick. Dick. |
| 00:57:57 |
You have to face this thing now. |
| 00:57:59 |
You've gotta tell Bruce |
| 00:58:02 |
You understand? Now. |
| 00:58:04 |
Now. Right away. |
| 00:58:06 |
You've gotta tell |
| 00:58:08 |
I can't afford |
| 00:58:11 |
Get back to me. |
| 00:58:12 |
I thought the goal here |
| 00:58:15 |
but to help us feel better |
| 00:58:17 |
You know, moving on gracefully. |
| 00:58:19 |
- We share tWo kids. |
| 00:58:21 |
This is an exercise to help couples |
| 00:58:24 |
instead of acrimony. |
| 00:58:25 |
It's not about trying to control |
| 00:58:28 |
- Okay. |
| 00:58:31 |
Is there anything you can think of |
| 00:58:34 |
while you Were married |
| 00:58:38 |
Well' that question feels so vague. |
| 00:58:41 |
I don't know. |
| 00:58:42 |
Okay, here's an example. |
| 00:58:44 |
When you were married' |
| 00:58:46 |
about your whereabouts |
| 00:58:48 |
No. |
| 00:58:50 |
Well' there was. |
| 00:58:53 |
Yeah, there Was one time |
| 00:58:55 |
when I did think of seeing Ann. |
| 00:59:01 |
- Really? |
| 00:59:03 |
- And did you? |
| 00:59:05 |
Yes, I But nothing happened. |
| 00:59:10 |
Well' I guess I wanted to, but, hey. |
| 00:59:13 |
You know, |
| 00:59:15 |
I'm starting to feel |
| 00:59:18 |
- Is that everything on this matter? |
| 00:59:20 |
Not true. |
| 00:59:23 |
The complete truth |
| 00:59:25 |
Well' there was |
| 00:59:28 |
There was one time... |
| 00:59:30 |
I was at a party with |
| 00:59:33 |
I was at a party once with Ann. |
| 00:59:35 |
Where? |
| 00:59:37 |
- Hm? |
| 00:59:39 |
In the bathroom. |
| 00:59:40 |
You fucker. |
| 00:59:41 |
That's very good, Ben. |
| 00:59:43 |
Now' Kelly' it is not for you to judge. |
| 00:59:47 |
We're running short on time. |
| 00:59:50 |
And then next week, |
| 00:59:51 |
- You ready' Kelly? |
| 00:59:54 |
Did you ever use your kids |
| 00:59:58 |
No. |
| 01:00:00 |
Did you ever have an affair |
| 01:00:02 |
Absolutely not. |
| 01:00:04 |
Okay, then. Is that all? |
| 01:00:07 |
Well' there was |
| 01:00:10 |
Alan's son's bar mitzvah. |
| 01:00:11 |
I kissed Alan on the mouth |
| 01:00:14 |
You kissed him on the mouth? |
| 01:00:17 |
- I mean. |
| 01:00:19 |
Alan on the m? |
| 01:00:22 |
What about Sheila? |
| 01:00:23 |
- Oh' please. |
| 01:00:25 |
Please. That's all that happened. |
| 01:00:27 |
- That's very good. |
| 01:00:29 |
I thought about it, actually. |
| 01:00:32 |
That's very good. |
| 01:00:36 |
What about? I mean I mean |
| 01:00:40 |
Aren't we gonna talk about what |
| 01:00:43 |
Why don't we talk about |
| 01:00:45 |
- What? |
| 01:00:49 |
You didn't wanna talk |
| 01:00:51 |
No. Now. |
| 01:00:53 |
You know what. Now. |
| 01:00:55 |
Yeah, but "noW" before was not okay. |
| 01:00:58 |
I have no problem with now. |
| 01:01:01 |
- That is not why we're here. |
| 01:01:03 |
Doctor, is this some classic case |
| 01:01:06 |
I'm sorry, but we're gonna have to |
| 01:01:10 |
What you guys are doing takes guts' |
| 01:01:14 |
I congratulate both of you. |
| 01:01:18 |
You'll see. |
| 01:01:20 |
As we dig deeper, you're gonna |
| 01:01:23 |
that you're never gonna wanna |
| 01:01:30 |
But I'm just You know' why? |
| 01:01:33 |
Can't we just talk about the now |
| 01:01:36 |
- Like what she's doing. |
| 01:01:38 |
She said no. She said no. |
| 01:01:40 |
- Why can't We talk? |
| 01:01:42 |
I know time is up. |
| 01:01:43 |
- We can't stay two more minutes? |
| 01:01:46 |
THERAPIST: |
| 01:01:47 |
Thanks. |
| 01:01:48 |
Let's go. Let's go. |
| 01:01:51 |
Let's go. |
| 01:02:29 |
Thank you. |
| 01:02:48 |
Hey, I've tried Dick's office. |
| 01:02:50 |
and they say that they're gonna try |
| 01:02:53 |
They'll get back to us in 10 or 15. |
| 01:02:55 |
Nobody seems to know where |
| 01:02:59 |
I tried Bruce's office and he told |
| 01:03:03 |
. so I don't Where should I go? |
| 01:03:06 |
Ben, Sidney Voss just called. |
| 01:03:08 |
Not his office. He's |
| 01:03:11 |
You know how important |
| 01:03:13 |
I got alimony, I got child support, |
| 01:03:17 |
I'm fucking drowning. I gotta find. |
| 01:03:31 |
- You talk to Bruce? |
| 01:03:34 |
- I've got to know. |
| 01:03:37 |
- I'm trying to relax. |
| 01:03:39 |
- You should have one. |
| 01:03:42 |
The feet are connected to the soul. |
| 01:03:44 |
I gotta know. I gotta know. |
| 01:03:46 |
I'll be done in 5' 10 minutes. |
| 01:03:50 |
You should have one. |
| 01:03:51 |
- Five minutes. |
| 01:04:00 |
DICK: |
| 01:04:04 |
No, no, no. I'm waiting for him. |
| 01:04:07 |
I'm just |
| 01:04:15 |
DICK: |
| 01:04:31 |
Excuse me. |
| 01:04:34 |
- Yeah. |
| 01:04:36 |
Come on. What's happening? Did |
| 01:04:39 |
- Tell him the consequence if he didn't? |
| 01:04:41 |
What'd he say? |
| 01:04:43 |
He told me that he hopes |
| 01:04:45 |
and die a slow, withering death. |
| 01:04:47 |
He's a beauty. |
| 01:04:50 |
- He said, "You gutless little turd. " |
| 01:04:56 |
"You're fired. " |
| 01:04:57 |
Oh' wow, terrible, terrible. I mean |
| 01:04:59 |
- My biggest client. |
| 01:05:01 |
My biggest paying client' |
| 01:05:06 |
- . hang up the phone. |
| 01:05:09 |
Man' you are strong. I don't know |
| 01:05:12 |
He add anything else about the movie? |
| 01:05:15 |
Can't you let this moment |
| 01:05:17 |
Yeah, okay' it's about you. Right. |
| 01:05:21 |
My moment. Not yours, mine. |
| 01:05:28 |
I lost him, I lost my biggest fucking |
| 01:05:32 |
- He hangs up. The man responsible |
| 01:05:36 |
I'll be right back. |
| 01:05:37 |
DICK: I am not Where you going? |
| 01:05:41 |
- Where you going? Where you going? |
| 01:05:43 |
I'm gonna just go outside |
| 01:05:46 |
DICK: |
| 01:06:12 |
DICK |
| 01:06:13 |
I thought I saw something. |
| 01:06:28 |
It's just business, business, |
| 01:07:19 |
Hi, Zoe. What are you doing here? |
| 01:07:21 |
Oh' God. |
| 01:07:23 |
Terrible, terrible thing. |
| 01:07:26 |
Yeah, it's the worst. |
| 01:07:28 |
I didn't know you knew him. |
| 01:07:32 |
- You knew him? |
| 01:07:36 |
How? |
| 01:07:37 |
Well' it's really not the time. |
| 01:07:48 |
Is that tie Jack's? |
| 01:07:52 |
For God's sakes, it's 10:00 in the |
| 01:07:59 |
- Ben All right. |
| 01:08:01 |
Something important to talk about. |
| 01:08:03 |
Why not.? No, let's do it now. |
| 01:08:06 |
- No, no, no. |
| 01:08:10 |
We'll do it after the service. |
| 01:08:13 |
I mean, When did you and Jack |
| 01:08:19 |
Does that matter now? |
| 01:08:21 |
Honey' I know, I know. |
| 01:08:27 |
Really, what's the difference? |
| 01:08:33 |
It makes a big difference. |
| 01:08:37 |
I'm sorry. That was harsh, but. |
| 01:08:42 |
I mean, I don't know' an agent? |
| 01:08:45 |
He was wonderful. |
| 01:08:48 |
He taught me so much about me. |
| 01:08:52 |
He took drugs. |
| 01:08:58 |
He touched me. |
| 01:09:01 |
Where? |
| 01:09:06 |
Everywhere. |
| 01:09:08 |
You're a kid. |
| 01:09:11 |
Hey, Ben. |
| 01:09:14 |
Nice crowd. |
| 01:09:17 |
Believe me, most of Colombia |
| 01:09:20 |
If I only had one-tenth |
| 01:09:23 |
Where did he find them? |
| 01:09:28 |
- So young. |
| 01:09:33 |
Few people knew and truly |
| 01:09:47 |
Morning. |
| 01:09:48 |
Oh' my God. He looks even thicker |
| 01:09:53 |
So young, so final. |
| 01:09:59 |
Jack Gregory Levine McDonagh. |
| 01:10:04 |
Not just an agent. |
| 01:10:07 |
I see so many people out here. |
| 01:10:11 |
that I'd rather be eulogizing today |
| 01:10:19 |
When a life gets cut short |
| 01:10:23 |
But When it had the promise |
| 01:10:26 |
in an industry that' let's face it. |
| 01:10:29 |
is often known for mercilessly |
| 01:10:35 |
But Jack transcended |
| 01:10:38 |
I have never seen so many agents |
| 01:10:42 |
attend a funeral for one of |
| 01:10:47 |
My first reaction was to assume |
| 01:10:49 |
that most of you were here |
| 01:10:52 |
while they Were still |
| 01:10:54 |
rather than pay your respects. |
| 01:10:58 |
You know that stuff |
| 01:11:02 |
- You know.? |
| 01:11:04 |
If I could have one. |
| 01:11:05 |
But I see true respect and love here. |
| 01:11:10 |
Everybody knows |
| 01:11:14 |
Hunter S. Thompson |
| 01:11:16 |
"Bruce, my boy, the movie business |
| 01:11:21 |
where thieves and pimps run free |
| 01:11:28 |
And then he added, |
| 01:11:34 |
Tomorrow at 4' |
| 01:11:36 |
or the whole picture goes down. |
| 01:11:38 |
when the feared studio head died. |
| 01:11:40 |
The turnout at that funeral |
| 01:11:45 |
And Billy Wilder was asked: |
| 01:11:46 |
"Why did so many people show up |
| 01:11:49 |
And Mr. Wilder said' |
| 01:11:54 |
'Give the audience what they want |
| 01:12:12 |
Hey, Ben. Ben. |
| 01:12:15 |
- Hey. |
| 01:12:17 |
- I think if we talk, you know, terms |
| 01:12:20 |
- Oh' are we negotiating? |
| 01:12:23 |
You wanna negotiate? |
| 01:12:25 |
Later. You wanna talk about |
| 01:12:30 |
- No. What are? What do you mean? |
| 01:12:32 |
You sleep in my ex-fucking-bed |
| 01:12:36 |
in my ex-fucking house, |
| 01:12:39 |
- No, no, no! |
| 01:12:41 |
What's wrong with you, |
| 01:12:47 |
All you'll be able to do is Write |
| 01:12:51 |
Tampon jingles, you fucking hack. |
| 01:12:58 |
- Are you all right? |
| 01:13:03 |
- For a minute I thought you were |
| 01:13:07 |
Nothing. |
| 01:13:09 |
Anyway, so remember |
| 01:13:12 |
There's a star attached now. |
| 01:13:14 |
and frankly' I would much rather |
| 01:13:17 |
No, no. Who do you think I am? |
| 01:13:19 |
I don't understand. You wanna throw |
| 01:13:23 |
Well' my agent thought |
| 01:13:25 |
You're the guy who could get money |
| 01:13:29 |
- Frankly' I agree. |
| 01:13:31 |
- Why? |
| 01:13:35 |
There's a couple of things that |
| 01:13:39 |
- Sure. Like what? |
| 01:13:43 |
You've been divorced. |
| 01:13:44 |
- . for a year and a half. |
| 01:13:46 |
You almost married somebody else |
| 01:13:48 |
So what? It's not right. |
| 01:13:50 |
It's Wrong. I mean' Scott, |
| 01:13:53 |
What difference does that make? |
| 01:13:56 |
Not happy. |
| 01:13:59 |
Is this a feeling |
| 01:14:05 |
- I'm gonna have to think about this. |
| 01:14:12 |
By the way' who's the actor |
| 01:14:15 |
- Brad Pitt. |
| 01:14:16 |
Hundred percent. |
| 01:14:19 |
Sure Would. |
| 01:14:22 |
I already have a couple of thoughts. |
| 01:14:24 |
- Oh' yeah? |
| 01:14:28 |
Ladies and gentlemen' one last |
| 01:14:32 |
I wanna invite all of you |
| 01:14:34 |
to come forWard and to lay |
| 01:14:38 |
That every one of us |
| 01:14:41 |
And after that' we'll sing, |
| 01:14:43 |
Wouldn't stand there if I was you. |
| 01:14:46 |
It couldn't be helped. |
| 01:14:48 |
Look, I'm certain we're both making |
| 01:14:53 |
I told you. AnsWer's no. |
| 01:14:56 |
"No" means the picture |
| 01:14:58 |
That's not good for you or me. |
| 01:15:00 |
We'll see. |
| 01:15:03 |
Look. |
| 01:15:05 |
You're just a producer. |
| 01:15:07 |
You're just the fucking mayonnaise |
| 01:15:10 |
They're gonna crush your nuts. |
| 01:15:13 |
Yeah, I don't think |
| 01:15:18 |
- We'll see. |
| 01:15:22 |
I'd hate to have to fucking |
| 01:16:13 |
He just hit him. |
| 01:16:16 |
Dick. |
| 01:16:18 |
Come on. Lift up. |
| 01:16:23 |
Come on. |
| 01:16:25 |
Dick' come on. |
| 01:16:27 |
- Dick. Dick. |
| 01:16:31 |
Come here. |
| 01:16:52 |
Here's what happened. He went |
| 01:16:56 |
What did he look like? |
| 01:16:58 |
He had a hat, sunglasses |
| 01:17:01 |
That Makeup guy and his assistant |
| 01:17:04 |
- Door's locked. |
| 01:17:07 |
Said he didn't notice. |
| 01:17:08 |
I ran into him yesterday |
| 01:17:10 |
Well? |
| 01:17:12 |
Not good. |
| 01:17:17 |
All right. |
| 01:17:20 |
Sid has asked me to come out |
| 01:17:22 |
But he's adamant' if the status is quo' |
| 01:17:26 |
Let's be patient. |
| 01:17:27 |
We're gonna be ready in 10. |
| 01:17:29 |
Allison, let's make sure |
| 01:17:32 |
- "If the status is quo"? |
| 01:17:35 |
God. |
| 01:17:40 |
Ready on the set, sir. |
| 01:17:49 |
He'll be out in a minute. |
| 01:17:51 |
Huh? |
| 01:17:53 |
Two. |
| 01:17:54 |
We're almost there. |
| 01:18:02 |
I'm betting beard. |
| 01:18:04 |
What kind of remark is that? |
| 01:18:07 |
Make a note: |
| 01:18:28 |
They say, you know, we're measured |
| 01:18:31 |
Okay, you're gonna have to stop it, |
| 01:18:35 |
Have one' calm the nerves. |
| 01:18:38 |
Why not' what the hell? |
| 01:18:50 |
Okay, that's it, here we are! |
| 01:18:54 |
Fuck. |
| 01:19:11 |
Come on! |
| 01:19:34 |
Hey, how about we get this fucker |
| 01:20:54 |
Ben' you did it! |
| 01:21:04 |
Ben' Ben' I'd like to introduce |
| 01:21:07 |
They're kind of young. |
| 01:21:08 |
Not really' 16 and 16 is 32. |
| 01:21:11 |
Aba knows numbers. |
| 01:21:20 |
Hey, how are you? |
| 01:21:23 |
Yes, well, just some nips and tucks. |
| 01:21:25 |
- So long as we kept our edge. |
| 01:21:30 |
Get any sleep on the plane? |
| 01:21:36 |
I'm certainly optimistic. |
| 01:21:41 |
Yeah, no. |
| 01:21:44 |
You haven't seen his cut? |
| 01:21:45 |
- No. |
| 01:21:48 |
- It's finally there. |
| 01:21:50 |
- It's been a long hard one' but |
| 01:21:52 |
No, but you guys |
| 01:21:55 |
Well' thank you. |
| 01:21:59 |
Sean Penn. |
| 01:22:03 |
Thank you. |
| 01:23:54 |
They like him. |
| 01:23:55 |
They do. |
| 01:23:57 |
There's a seat on the jet |
| 01:24:00 |
Wheels up' 2 a. m. sharp. |
| 01:24:01 |
- I'll get you the tail number, the details. |
| 01:24:07 |
- Nice job. |
| 01:25:26 |
Father, forgive them, |
| 01:25:33 |
No! |
| 01:26:42 |
Bravo. |
| 01:26:50 |
Bravo! |
| 01:27:35 |
Too soon. Too soon. |
| 01:27:42 |
You know, Lou... |
| 01:27:46 |
I gotta say |
| 01:27:49 |
And I've given this |
| 01:27:52 |
You've given it a thought. |
| 01:27:54 |
After seeing the movie tonight |
| 01:27:56 |
- . it really kind of grew on me. |
| 01:27:59 |
- And you know What? |
| 01:28:03 |
I think the ending |
| 01:28:07 |
Lot of courage. |
| 01:28:10 |
That's good to know. |
| 01:28:28 |
Excuse me? |
| 01:28:30 |
DRIVER: |
| 01:28:32 |
Yes. |
| 01:28:44 |
- Hello. |
| 01:28:46 |
- Hello. |
| 01:28:48 |
- Ben? |
| 01:28:50 |
Hi. Hi. |
| 01:28:52 |
You know the big sofa chair? It just |
| 01:28:57 |
and when I sat in it' |
| 01:29:00 |
So I thought I'd call and see how |
| 01:29:07 |
Oh' yeah. Yeah. It Was okay. |
| 01:29:11 |
- So the chair came back? |
| 01:29:14 |
What sort of fabric? |
| 01:29:16 |
It's a beautiful |
| 01:29:23 |
Bright red. |
| 01:29:25 |
You know, I always thought |
| 01:29:28 |
I felt like a change. |
| 01:29:31 |
- Passport. |
| 01:29:34 |
Okay. Yeah' hi. |
| 01:29:37 |
Just hold on a second. |
| 01:29:39 |
It's 2112F. Two-one-one-two F. |
| 01:29:51 |
What's he saying? |
| 01:29:53 |
He says the plane already gone. |
| 01:29:56 |
No, it can't be gone |
| 01:30:00 |
DRIVER: But |
| 01:30:04 |
Ben' Ben' Ben. |
| 01:30:08 |
No, no, I can't. |
| 01:30:16 |
Whoa! Whoa! |
| 01:30:19 |
Lou. Lou' it's me. Lou, Lou. Wait. |
| 01:30:27 |
Hey, hey. Lou. |
| 01:30:32 |
Hey, hey' hey. |
| 01:30:48 |
Hello' hello, hello. |
| 01:30:53 |
- Hello, Kelly? |
| 01:30:55 |
Oh' yeah, there's a lot of congestion |
| 01:30:58 |
- You know' a lot of traffic. |
| 01:31:00 |
Yeah. Yeah, you know, I think that |
| 01:31:04 |
I heard about this French bistro |
| 01:31:06 |
I thought' you know' |
| 01:31:10 |
Life's not bad. |
| 01:31:15 |
Well, I'm jealous. |
| 01:31:18 |
- So the chair came back? |
| 01:31:24 |
Yeah, but red, honey' |
| 01:31:27 |
I like it. It's really pretty. |
| 01:31:31 |
No, I just Well' all right. |
| 01:31:33 |
I know that now, I know that. |
| 01:31:35 |
You actually said, |
| 01:31:39 |
That's amazing. |
| 01:31:45 |
So I'll let you go. |
| 01:31:49 |
Okay. I'll see you when I see you. |
| 01:31:53 |
Okay. Okay' I'll call you |
| 01:31:57 |
Bonjour. |
| 01:32:12 |
Remember |
| 01:32:20 |
Hey, Todd. |
| 01:32:21 |
I saw that thing on the Internet |
| 01:32:24 |
- Hey' hang in there. |
| 01:32:27 |
Went like gangbusters. |
| 01:32:29 |
Over on the wall |
| 01:32:31 |
which indicate where |
| 01:32:34 |
I was promised |
| 01:32:37 |
...the O and the W, where Stuart is. |
| 01:32:39 |
But once word leaked out |
| 01:32:41 |
I was sent way over by the P. |
| 01:32:44 |
Inches away from being |
| 01:32:47 |
Actually, Ben, the P. |
| 01:32:50 |
Right. The other way. Yeah. No' left. |
| 01:32:53 |
My left, your right. |
| 01:32:55 |
If you go right on the other side. That's |
| 01:32:59 |
Right. If you'd switch with Todd. |
| 01:33:02 |
Little farther. Little bit more. |
| 01:33:07 |
You're near the P. |
| 01:33:11 |
Great. Yeah, that's right. |
| 01:33:14 |
On the other side. Yeah. |
| 01:33:18 |
- ENCODE + SYNC - |
