|
Zerkalo The Mirror
|
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MOSFILM |
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Fourth Artists' Association |
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What is your first name, |
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My name is Yuri Zhary. |
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Where did you come from? |
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I came from Kharkov. |
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What school do you go to? |
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I go to a technical school. |
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Now we're going |
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You just look at me. |
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Look me in the eye. |
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Look in front of you. |
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Turn around, with your back to me. |
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Concentrate on my hand. |
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My hand is drawing you back. |
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Spread your hands. |
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Concentrate. All your tension |
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Your hands are strained! |
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Concentrate all of your |
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your big desire to win, |
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Your hands are getting |
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They're very tense. |
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Look at your fingers. |
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From here the tension passes on |
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Look at your hands. |
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On my count of three |
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One, two, three! |
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You can't move them. |
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You're trying to move your hands, |
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It's very hard for you |
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Now I'm going to lift |
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and you'll be able to speak |
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From now on you will speak |
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Look at me. |
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I'm lifting the tension |
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One, two, three! |
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Go ahead, say loudly and clearly: |
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MIRROR |
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Margarita TEREKHOVA |
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Written by Alexander MISHARIN |
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Directed by Andrei TARKOVSKY |
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Director of Photography |
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Production Designer |
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Music by Eduard ARTEMYEV |
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Sound by Semyon LITVINOV |
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English Subtitles by |
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Also starring |
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I. DANILTSEV |
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A. SOLONITSYN |
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T. OGORODNIKOVA |
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F. YANKOVSKY |
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Author's text narrated by |
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Verses by Arseny TARKOVSKY |
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Playing in the film music by |
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MIRROR |
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The road from the station |
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then swerved near the farm |
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we had lived on each summer |
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and through a dense oak forest |
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Usually we spotted our people |
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as soon as they appeared from |
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If he turned from the bush |
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If not, it meant it was not father |
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and that father would never come. |
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Am I going the right way |
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You shouldn't have taken a turn |
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- And this... What's this? |
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Why are you sitting here? |
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- I live here. |
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Are you interested in the way to |
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I brought all the instruments, |
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Do you happen to have a nail |
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I don't have any nails. |
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Why are you so nervous? |
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Give me your hand. I'm a doctor. |
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You're bothering me. |
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Do you want me to call my husband? |
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You haven't got any husband. |
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Though people don't wear rings |
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May I have a cigarette? |
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Why do you look so sad? |
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And why do you look so happy? |
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It's a pleasure to fall down |
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You know, I fell and found |
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Has it ever occurred to you |
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that plants can feel, know, |
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The trees, this hazel-nut bush... |
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- This is the alder-tree. |
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They don't run about. |
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Like us who are rushing, fussing, |
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That's because we don't trust |
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Always this suspiciousness, |
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and no time |
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Look, you seem to be a bit... |
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It's no problem for me. |
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And what about "Ward Number Six"? |
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Oh, Chekhov had made it all up! |
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Come to Tomshino sometime. |
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You've got blood! |
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- Where? |
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Each moment of our dates, not many, |
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We celebrated as an Epiphany. |
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Alone in the whole world. |
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More daring and lighter |
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Down the stairs, like a dizzy |
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You came to take me on your road, |
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To your own possession, |
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As night descended |
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I was blessed with grace, |
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The altar gate opened up, |
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And in the darkness shining |
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And slowly reclining |
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On waking up I said: |
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Although I knew how daring |
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My blessing was: You were fast |
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Your closed eyelids |
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The lilac on the table |
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Touched by the blue, your lids |
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Were quite serene, your hand was |
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And rivers pulsed in crystal slits, |
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Mountains smoked, and oceans |
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You held a sphere in your palm, |
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Of crystal; on your throne |
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And, oh my God! - |
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You woke and at once transformed |
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The language humans speak and think. |
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Speech rushed up sonorously formed, |
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With the word "you" so much |
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As to evolve a new sense meaning |
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And suddenly all changed, |
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Even trivial things, |
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When standing 'tween us, |
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Was water, solid, stratified. |
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It carried us I don't know where. |
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Retreating before us, like some |
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Were cities, miraculously fair. |
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Under our feet the mint grass spread, |
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The birds were following our tread, |
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The fishes came to a river bend, |
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And to our eyes the sky was open. |
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Behind us our fate was groping, |
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Like an insane man with a razor |
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Oh, good heavens! Dounya! |
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What is it, Pasha?! |
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A fire! But be quiet. |
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He'll get it coming to him! |
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And what if Vitya is in there? |
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Where's Klanya? |
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What? |
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Dad! |
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- Alexei? |
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What's wrong with your voice? |
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Nothing serious. |
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I haven't spoken to anyone |
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I even liked it. I think it's good |
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Words can't express everything |
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a person feels. |
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I just dreamed of you in my sleep. |
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As though I were still a child... |
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By the way, what year was it |
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1935. Why? |
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And the fire? Remember the hay-loft |
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That was in '35 too. |
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All right, stop pulling the wool |
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You know... Lisa died. |
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The one I worked in the printing |
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- Oh God... When? |
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And what time is it now? |
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- Almost six. |
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What's the matter with you? |
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Mom, why do we have to fight |
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I'm sorry if I did anything wrong. |
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Printing-house. |
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What's the rush? |
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Hello. |
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Where're the proofs |
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I don't know. Just a minute. |
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Yelizaveta Pavlovna is here. |
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Marousia, what's wrong? |
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Something in yesterday's proofs? |
| 00:24:30 |
In the Goslit edition? |
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We should look in the typesetting |
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Nothing terrible has happened. |
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It's such an important edition! |
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Although misprints have no place |
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Shut up, you idiot. |
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- What happened? |
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I just want to check something. |
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Let's start from the beginning. |
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I'd rather do it myself. |
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Everybody's rushing, |
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You think I'm afraid? |
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No, let other people |
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Some people should work, |
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Well, nothing awful has happened. |
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If it happened, it happened. |
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I waited for you since yesterday's |
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That you won't come they probably |
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Remember what a beautiful weather |
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A holiday weather! |
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Today you're here, and they have |
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An utterly gloomy and cloudy day, |
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It rains, and it's getting unusually |
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The rain drops run down the cold |
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Unsoothable by word, unwipable |
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You see, it wasn't there, was it? |
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It wasn't... |
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Why are you crying then? |
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I even saw that word typeset. |
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What word? |
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Great! |
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This is pure alcohol. |
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You've got all drenched up. |
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Really, I'm all wet. |
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I guess I'll go and take a shower. |
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You know who you resemble now? |
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- Who? |
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What Maria Timofeyevna? |
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Here. You've been looking for |
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Tell me, who's Maria Timofeyevna? |
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There was such a woman, |
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You're the spitting image |
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In what way do I resemble her? |
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Yes, Fyodor Mikhailovich was... |
| 00:31:15 |
What? |
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Lebyadkin, bring some water! |
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The difference is her brother would |
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Explain it. I don't understand. |
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All your life is just that |
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Just an appearance of independence. |
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If something doesn't suit you, |
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you pretend |
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What nonsense you're talking! |
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I'm amazed at the patience |
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He should have run away |
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What do you want from me? |
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Have you ever admitted |
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You just made up |
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As long as you haven't succeeded |
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to this nonsensical emancipated |
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then you can be sure |
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As for your children, you will |
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Stop this idiocy! |
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Come on now, Masha! |
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Leave me alone! |
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My earthly life traversed but |
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I found myself lost in a twilight |
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I always said |
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Apparently, that's the reason |
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I notice with horror how much |
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Why with horror? |
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We two could never talk |
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When I recall my childhood |
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somehow she always has your face. |
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I know why though. |
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I pity you both, |
| 00:35:22 |
Why? |
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Ignat, put the glass down! |
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You won't be able to live |
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Probably. |
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Don't feel offended. |
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that the very fact |
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will make everybody happy. |
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You only know how to demand. |
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That's because I was brought up |
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If you don't want Ignat |
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get married as soon as possible. |
| 00:36:06 |
- Get married to whom? |
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Or give Ignat to me. |
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Why didn't you make it up with |
| 00:36:21 |
What fault? |
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She's convinced herself she knows |
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That she can make me happy. |
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As far as mother is concerned, |
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What can you feel better? |
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That we're getting more and more |
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and I can't do anything |
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Natalya, try to distract him. |
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It will end up in a scandal. |
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I wanted to ask you for a favor... |
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Ignat wants to live with you |
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I will be very happy. |
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What does he say? |
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He's showing the great matador |
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Most of all he was excited |
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The whole town came to see him off. |
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His mother couldn't come, |
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And his father stood aside, |
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He knew they were thinking |
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that they probably will never |
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Are you mocking at us or what? |
| 00:39:40 |
We taught you and taught |
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Now it turns out you can! |
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He went to Spain and didn't |
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Did you ever want |
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I can't go, I've got a Russian |
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And Russian children. |
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I'll talk to her myself! |
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Ignat! |
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Come here. I'm leaving. |
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Always in a hurry... |
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Don't put it together, just give it |
| 00:45:02 |
- Oh, I felt an electric shock. |
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As if it had already happened... |
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But I've never been here before. |
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Come on, give me the money |
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Clean up a bit, |
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Don't touch anything here. |
| 00:46:15 |
If Maria Nikolaevna comes |
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Come in. How are you? |
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May we have another cup |
| 00:47:05 |
Take the notebook from the third |
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Read from the page that is marked |
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"To the question how sciences |
| 00:47:36 |
people's morals, Rousseau answered: |
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Read only what is underlined |
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"Notwithstanding the..." |
| 00:47:50 |
"The division of churches |
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We remained excluded |
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from every great event |
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However, we had our own, |
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Russia, with her immense territory, |
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had swallowed up the Mongol |
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The Tartars didn't dare |
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They retreated to their wilderness |
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and Christian civilization |
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To attain that goal |
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a special kind of life |
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had made us alien |
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As for our historic |
| 00:48:53 |
I cannot agree with you on that. |
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Don't you find |
| 00:49:01 |
in today's situation in Russia |
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that would strike |
| 00:49:08 |
Although I'm heartily attached |
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I'm not at all delighted with |
| 00:49:19 |
As a man of letters, |
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but I swear that for nothing |
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change my home country |
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than the history of our forbears, |
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such as it was given us by God." |
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From Pushkin's letter to Chaadayev. |
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Go, open up. |
| 00:50:11 |
I'm afraid I've got the wrong |
| 00:51:18 |
Ignat, how are you doing? |
| 00:51:22 |
Did Maria Nikolaevna come? |
| 00:51:25 |
No. Though some woman came, |
| 00:51:30 |
Find something to do |
| 00:51:38 |
Do you know any girls? |
| 00:51:40 |
You mean from my class? |
| 00:51:44 |
At your age I was already in love... |
| 00:51:50 |
With a redhead... |
| 00:51:56 |
Our military instructor was chasing |
| 00:52:01 |
Are you listening to me? |
| 00:53:07 |
What did you fire at? |
| 00:53:15 |
You were firing up! |
| 00:53:18 |
What's wrong with that? |
| 00:53:23 |
And what if somebody was there? |
| 00:53:26 |
There're only trees there. |
| 00:53:28 |
And what if somebody climbed a tree? |
| 00:53:33 |
About face! I commanded |
| 00:53:40 |
Put down your rifle. |
| 00:53:45 |
That's what I did. |
| 00:53:47 |
Did you learn drill regulations? |
| 00:53:55 |
About face in Russian means |
| 00:54:01 |
About face means a turn of |
| 00:54:09 |
What degrees? About face! |
| 00:54:25 |
To the firing position |
| 00:54:34 |
I'm going to send you |
| 00:54:38 |
What parents? |
| 00:54:42 |
You'll know very soon |
| 00:54:48 |
What is the firing position? |
| 00:54:52 |
Down on the floor mat! |
| 00:54:54 |
His parents died during the siege. |
| 00:55:03 |
The firing position is... |
| 00:55:13 |
- Markov! |
| 00:55:17 |
Name the basic elements of... |
| 00:55:24 |
The rifle. |
| 00:55:43 |
The butt. |
| 00:55:48 |
- The muzzle. |
| 00:56:04 |
What is the muzzle then? |
| 00:56:35 |
Guys! A grenade! |
| 00:56:45 |
It's a hand grenade! |
| 00:57:01 |
Don't do it! |
| 00:57:03 |
Down on the ground! |
| 00:57:05 |
You'll be killed! |
| 00:57:46 |
It's only a dummy grenade. |
| 00:58:08 |
And you say you're from Leningrad |
| 01:01:12 |
I don't believe in premonitions. |
| 01:01:16 |
I have no trust in superstitions. |
| 01:01:20 |
I don't run from slander or venom. |
| 01:01:24 |
There's no death on earth. |
| 01:01:26 |
All are immortal, |
| 01:01:29 |
Don't be afraid of death |
| 01:01:32 |
At seventy as well... |
| 01:01:36 |
There's neither death nor darkness |
| 01:01:39 |
At last we all have reached the shore, |
| 01:01:43 |
And I'm the one who casts a fishing |
| 01:01:45 |
When immortality is coming |
| 01:01:48 |
Live in a house, and it'll never |
| 01:01:52 |
To any of the centuries I'd nod |
| 01:01:55 |
And enter it, a house I'd install. |
| 01:01:58 |
That's why with me your children |
| 01:02:01 |
Your wives join me at my table, |
| 01:02:04 |
One table serves both granddad and |
| 01:02:07 |
The future's being made right now. |
| 01:02:10 |
Whenever I'm to raise my hand |
| 01:02:13 |
I all five rays of it on you bestow. |
| 01:02:16 |
With collarbones, as if with |
| 01:02:20 |
I propped up every day of past age. |
| 01:02:23 |
I measured time by a world-wide |
| 01:02:26 |
I passed through it like through |
| 01:02:29 |
I chose the age up to my own measure. |
| 01:02:31 |
We headed south, with dust flying |
| 01:02:36 |
The weeds smoked up, and at his own |
| 01:02:39 |
His feeler on the horseshoe, |
| 01:02:41 |
He prophesied me death, as if |
| 01:02:45 |
But with my fate strapped to my |
| 01:02:48 |
I'm riding now in the time to come |
| 01:02:50 |
And surging on the stirrups to my |
| 01:02:54 |
My immortality is quite enough |
| 01:02:57 |
For my own blood to flow ages |
| 01:03:00 |
For steady warmth and a haven |
| 01:03:03 |
I'd give my life self-willingly and |
| 01:03:06 |
Had not its volatile, needle-like |
| 01:03:09 |
Been leading me, like a thread, |
| 01:06:27 |
Marousia? And the children? |
| 01:06:34 |
Where are the children? |
| 01:06:39 |
I'm going to tell everybody |
| 01:06:45 |
- What? |
| 01:06:52 |
- Now stop it! |
| 01:06:58 |
I will, anyway! |
| 01:07:06 |
Marina! |
| 01:08:32 |
You could have come more often. |
| 01:08:38 |
Let Ignat live with me. |
| 01:08:50 |
Are you serious? |
| 01:08:52 |
You said yourself |
| 01:08:58 |
With you it's better to keep one's |
| 01:09:00 |
You mean I'm inventing this |
| 01:09:05 |
Let's ask him. |
| 01:09:10 |
Besides, it will make your life |
| 01:09:14 |
Why would this make it easier for me? |
| 01:09:21 |
Have you collected your books? |
| 01:09:25 |
Go say goodbye to your father. |
| 01:09:30 |
Your mother and I would like |
| 01:09:35 |
What? |
| 01:09:41 |
Wouldn't it be better if you lived |
| 01:09:43 |
How? |
| 01:09:46 |
You and I will live together. |
| 01:09:53 |
Said what? When? |
| 01:10:31 |
We really look alike, |
| 01:10:34 |
Not at all! |
| 01:10:55 |
What do you want from your mother? |
| 01:11:04 |
The kind of relationship you had |
| 01:11:17 |
You speak of some feeling of |
| 01:11:22 |
of her life being ruined because of |
| 01:11:26 |
Well, you can't get away from it. |
| 01:11:31 |
And what she needs is for you |
| 01:11:34 |
for her to be able to carry you |
| 01:11:41 |
Why on earth am I meddling in it? |
| 01:11:48 |
It's always like this... |
| 01:12:01 |
Why are you whimpering? |
| 01:12:06 |
Should I marry him or not? |
| 01:12:16 |
- Do I know him? |
| 01:12:22 |
Is he Ukrainian? |
| 01:12:24 |
Does it matter? |
| 01:12:28 |
- What is he doing? |
| 01:12:35 |
Doesn't his name happen to be |
| 01:12:38 |
Yes, Dostoyevsky. |
| 01:12:42 |
He hasn't written anything |
| 01:12:46 |
He must be about 40, isn't he? |
| 01:12:52 |
You've changed so much. |
| 01:12:59 |
So, he has no talent, he doesn't write |
| 01:13:03 |
He does write, but they don't |
| 01:13:07 |
Look, our precious flunk |
| 01:13:15 |
No need to be so ironic about |
| 01:13:18 |
If he doesn't finish school, |
| 01:13:21 |
And you will go begging |
| 01:13:27 |
This is all the result of your |
| 01:13:29 |
By the way, the army would be |
| 01:13:33 |
Why don't you call your mother? |
| 01:13:35 |
After Aunt Lisa's death she stayed |
| 01:13:39 |
Wasn't she supposed to come here |
| 01:13:48 |
Is it so difficult |
| 01:13:51 |
We were talking about Ignat. |
| 01:13:57 |
It may be my fault, too. |
| 01:14:03 |
Or is it because we got so bourgeois? |
| 01:14:07 |
And our embourgeoisement is |
| 01:14:14 |
With private ownership nonexistent, |
| 01:14:18 |
Nothing makes any sense anymore. |
| 01:14:20 |
Why do you get so irritated? |
| 01:14:22 |
I know a family |
| 01:14:26 |
"I'm leaving you. |
| 01:14:28 |
how you weasel around |
| 01:14:31 |
Good boy. |
| 01:14:37 |
Unfortunately, our boy would never |
| 01:14:39 |
I can imagine that family of yours! |
| 01:14:42 |
They're no worse than we are. |
| 01:14:48 |
And thinks he's a writer, too. |
| 01:14:56 |
Though he's unable to understand |
| 01:14:58 |
that a book is not a way of making |
| 01:15:03 |
A poet is called upon |
| 01:15:06 |
and not to cultivate idolaters. |
| 01:15:17 |
What am I going to do? |
| 01:15:20 |
You're going to get married. |
| 01:15:24 |
Do you happen to remember |
| 01:15:29 |
I mean the angel as a bush? |
| 01:15:32 |
I don't remember. |
| 01:15:37 |
Maybe we should send him |
| 01:15:40 |
An angel as a flame coming from |
| 01:15:47 |
He led his people out across the sea. |
| 01:15:51 |
Why has nothing like that |
| 01:16:06 |
With an amazing regularity |
| 01:16:14 |
It seems to make me return |
| 01:16:20 |
to the place, poignantly dear to my |
| 01:16:22 |
where my grandfather's house |
| 01:16:26 |
in which I was born 40 years ago |
| 01:16:36 |
Each time I try to enter it, something |
| 01:16:43 |
I see this dream again and again. |
| 01:16:50 |
And when I see those walls made of |
| 01:16:57 |
even in my dream I become aware |
| 01:17:01 |
And the overwhelming joy is clouded |
| 01:17:12 |
At times something happens |
| 01:17:15 |
of the house and the pine trees |
| 01:17:21 |
Then I get depressed. |
| 01:17:26 |
And I can't wait to see |
| 01:17:31 |
in which I'll be a child again |
| 01:17:35 |
and feel happy again |
| 01:17:39 |
because everything will be still |
| 01:18:35 |
Mommy! |
| 01:20:49 |
- Mom, they opened up! |
| 01:20:59 |
Hello. |
| 01:21:04 |
Hello. |
| 01:21:15 |
- Are you Nadezhda Petrovna? |
| 01:21:20 |
I'm Matvey Ivanov's stepdaughter. |
| 01:21:24 |
He was a friend of your husband. |
| 01:21:27 |
What Matvey? |
| 01:21:31 |
The doctor. He used to live here. |
| 01:21:35 |
Then he moved to Yurievets |
| 01:21:43 |
Are you from town? |
| 01:21:46 |
We're from Moscow, |
| 01:21:56 |
We were evacuated last fall. |
| 01:22:01 |
The air raids on Moscow began |
| 01:22:06 |
My mother has some old connections |
| 01:22:13 |
My husband is not here, |
| 01:22:22 |
Stop scratching yourself! |
| 01:22:25 |
Actually I came to see you. |
| 01:22:36 |
Come on in. |
| 01:22:46 |
Wipe your feet. |
| 01:23:15 |
Sit here for a while. |
| 01:27:34 |
Why are you sitting in the dark? |
| 01:27:40 |
You should've called us. |
| 01:27:45 |
- What's your name? |
| 01:27:51 |
I've got a son, too. |
| 01:27:55 |
It's not easy having kids now, |
| 01:27:59 |
I wish I had a girl too. |
| 01:28:02 |
Want to have a look? He's asleep. |
| 01:28:06 |
We'll be quiet. |
| 01:28:55 |
The other day he asked his father: |
| 01:28:58 |
"Why is 5 kopecks bigger |
| 01:29:03 |
I was just dumfounded, and |
| 01:29:09 |
He always wanted a daughter. |
| 01:29:16 |
And I prepared a pink layette. |
| 01:29:22 |
Then I had to make everything anew. |
| 01:29:25 |
He put us up to a lot of trouble, |
| 01:29:32 |
We woke you up, didn't we? |
| 01:29:35 |
That's your mommy's fault, |
| 01:29:39 |
See, we've got company. |
| 01:29:44 |
You just wouldn't wake up, |
| 01:29:50 |
All right, honey, go back to sleep. |
| 01:30:04 |
Do they become me? And the ring? |
| 01:30:10 |
- What's wrong? |
| 01:30:15 |
Of course, you've made a long trip. |
| 01:30:20 |
Have a drink. It will warm you up. |
| 01:30:26 |
I just talk and talk |
| 01:30:31 |
Oh please, you don't have to do it. |
| 01:30:34 |
- But I can't let you go like that. |
| 01:30:41 |
I don't like his cough! |
| 01:30:45 |
Well, he runs wild... |
| 01:30:48 |
We must have my husband |
| 01:30:53 |
We can't wait, we have a two-hour |
| 01:30:57 |
And what about the earrings? |
| 01:31:01 |
We're going to have a cock |
| 01:31:07 |
I'm three months pregnant |
| 01:31:11 |
Even when I'm milking a cow, |
| 01:31:14 |
As for the cock... |
| 01:31:21 |
Well, I myself... |
| 01:31:25 |
What, you too? |
| 01:31:27 |
No, but I've never done it before. |
| 01:31:31 |
Oh, it's nothing. Sure, in Moscow |
| 01:31:39 |
I usually do it right here, |
| 01:31:43 |
Here's the axe. My husband |
| 01:31:47 |
- You mean, right in the room? |
| 01:31:51 |
And tomorrow you'll take |
| 01:31:56 |
No, I can't. |
| 01:31:58 |
Maybe we'll ask Alyosha to do that? |
| 01:32:05 |
Why Alyosha? |
| 01:32:07 |
All right, hold it tight. If it breaks |
| 01:32:26 |
Oh no, I don't feel... Well? |
| 01:33:18 |
Calm down. Everything will be |
| 01:33:25 |
I wish I could see you |
| 01:33:27 |
not only when I feel too bad. |
| 01:33:31 |
- Do you hear me? |
| 01:33:41 |
At last I soared up. |
| 01:33:43 |
What's wrong, Marousia? |
| 01:33:46 |
Don't be surprised. |
| 01:33:53 |
Are you leaving already? And the |
| 01:33:59 |
- He's got the money. |
| 01:34:03 |
It's fifteen versts to the town. |
| 01:34:07 |
That's all right, don't worry. |
| 01:34:22 |
A man has but one body, |
| 01:34:26 |
The soul is sick and tired |
| 01:34:29 |
With ears, mouth, eyes |
| 01:34:33 |
And skin all scarred and diced, |
| 01:34:38 |
Through cornea it wings |
| 01:34:41 |
To ice-laden slings, |
| 01:34:46 |
It hears through the grating |
| 01:34:50 |
The fields' and forests' rattling, |
| 01:34:55 |
Without body a soul's nude, |
| 01:34:59 |
No thought's forthcoming, no good, |
| 01:35:05 |
A question that has no answer: |
| 01:35:09 |
From the floor where no dancer |
| 01:35:14 |
I dream of another soul, |
| 01:35:19 |
While shifting between dole |
| 01:35:22 |
Like alcohol, and goes |
| 01:35:27 |
And just leaves as mementoes |
| 01:35:31 |
Run on, my child, do not lament |
| 01:35:37 |
Just keep on driving to globe's end |
| 01:35:41 |
As long as answering to your step, |
| 01:35:46 |
The earth sends signals gay and pep |
| 01:38:35 |
Mom, the kerosene stove is smoking. |
| 01:38:40 |
What? |
| 01:39:00 |
Everything will depend on him. |
| 01:39:02 |
Do you think a sore throat could |
| 01:39:09 |
A sore throat has nothing to do |
| 01:39:15 |
- This is a common case. |
| 01:39:25 |
A mother dies suddenly, |
| 01:39:34 |
A few days and the man is no more, |
| 01:39:38 |
But no one died in his family. |
| 01:39:42 |
There're such things as conscience... |
| 01:39:49 |
What memories have to do it with it? |
| 01:40:01 |
- You think he's guilty of something? |
| 01:40:06 |
Leave me alone. |
| 01:40:12 |
- Did you say something? |
| 01:40:20 |
I just wanted to be happy. |
| 01:40:25 |
And what's going to happen to your |
| 01:40:34 |
It's nothing, everything will be |
| 01:40:41 |
Everything will be... |
| 01:41:59 |
Would you rather have a boy |
| 01:46:07 |
The End |
