Ziegfeld Girl

en
00:02:08 Girls, girls, girls.
00:02:10 Mr. Sage, where do you find
00:02:13 - You follow Mr. Ziegfeld sometime.
00:02:17 - I almost forgot. Mr. Zieg...
00:02:20 What is it about a telephone
00:02:27 - Good morning, Mr. Sage.
00:02:30 Mr. Ziegfeld's been calling you
00:02:32 What have I done
00:02:34 - I don't mind telegrams. They don't ring.
00:02:38 I don't mind him calling.
00:02:40 - Be here tomorrow at 11.
00:02:42 ...and gets me up at 2 in the morning
00:02:46 Take off your hat, smile winningly.
00:02:48 - Mr. Slayton, Miss Sawyer.
00:02:51 - How do?
00:02:53 Yes, sir.
00:02:56 - Just my hat?
00:02:58 You think you're picking them.
00:03:00 The boss is on one of the greatest
00:03:03 ...since the days of Americus Vespucci.
00:03:05 He found one on a Staten Island Ferry,
00:03:08 ...two in an all-night laundry.
00:03:11 Oh, well, don't you want to see
00:03:14 That's not our department, honey.
00:03:17 - Did you call me "honey"?
00:03:21 - What's biting you, honey?
00:03:24 I've been warned.
00:03:26 Look, kid, the Follies are life,
00:03:29 You look at the pretty dishes, pick out
00:03:33 There are signs up all over the place,
00:03:37 Get it, honey?
00:03:39 Yes. Yes, I do.
00:03:41 Are you sure you know
00:03:44 - It's kind of subtle.
00:03:46 Keep on saying that
00:03:52 Hello? Yes, Mr. Ziegfeld.
00:03:55 It's for you, Mr. Sage.
00:03:57 I'll be there in 20 minutes.
00:03:59 Where are you?
00:04:07 - Suits and furs.
00:04:11 So he looks me over,
00:04:14 "You'll do,
00:04:16 - Yeah, and how'd you come back?
00:04:20 - Gee, that's terrific.
00:04:24 What a nerve!
00:04:26 When you're quite ready, miss.
00:04:30 Hey, wait for papa!
00:04:35 - Surprised to see me, Red?
00:04:39 Mezzanine.
00:04:40 - Stationery?
00:04:42 I mean, two aisles over.
00:04:48 If this happens, it's the biggest thing
00:04:51 - Second floor. Coats, furs, Paris gowns.
00:05:04 - Gil, stop. Listen...
00:05:08 There, we're stopped.
00:05:10 Baby, I'm practically a success.
00:05:14 - "I've been watching..."
00:05:18 What? Anyways, he says,
00:05:21 You're slated for a job that's twice as good
00:05:24 And I says, "Twice?"
00:05:25 He says, "Next week, you go from
00:05:30 - Oh, that's great, Gil.
00:05:32 Listen, a man came in here
00:05:35 ...and said he was Florenz Ziegfeld.
00:05:37 Well, I thought he was just being fresh,
00:05:41 Well, now, honey, what would he
00:05:44 I don't know.
00:05:45 Maybe going up and down
00:05:47 Why?
00:05:49 If a girl gets into the Ziegfeld Follies,
00:05:54 Oh, Gil, I'm sorry.
00:05:57 - I think it's swell about the truck.
00:06:09 Wouldn't you think I'd get used
00:06:13 But when you kiss me...
00:06:15 No kidding? You feel like
00:06:19 How do you feel when I kiss you?
00:06:21 Feel like I'm going up in an elevator.
00:06:35 - What's the matter, stuck?
00:06:38 Miss Regan, come with me, please.
00:06:44 This gentleman wants to speak to you.
00:06:47 - Hey, that wasn't her fault back there.
00:06:51 - What's your full name, Miss Regan?
00:06:55 Too full for Mr. Ziegfeld,
00:06:57 Where do you live?
00:07:00 Brace yourself, pal. Brooklyn.
00:07:04 What is your phone number?
00:07:06 Flatbush 7098.
00:07:08 I suppose Mr. Ziegfeld
00:07:11 - Yes, to Butterfield, pal.
00:07:15 You will be at Mr. Ziegfeld's office
00:07:21 Nod once if you've heard me.
00:07:23 Very lucky girl, my dear.
00:07:35 Hey, what's the matter?
00:07:38 Well, tomorrow morning at 11:00...
00:07:42 ...l'm a Ziegfeld girl.
00:07:45 Just like that.
00:07:48 Hey! Order me three of these
00:07:51 They don't come in different colors.
00:07:53 Think the leopard will change
00:07:55 What else?
00:07:57 Well, Gil, how do I look?
00:08:02 You look all right, Red.
00:08:20 Thank you.
00:08:22 Yes, Mr. Ziegfeld.
00:08:25 Miss Gallagher of Ed Gallagher
00:08:27 That's me!
00:08:29 Mr. Ziegfeld will try to see
00:08:32 He'll try.
00:08:36 You'd think he had to fight his way
00:08:39 It'll take a miracle
00:08:41 This is the place they dish
00:08:44 They ran a fresh one up for me.
00:08:46 Mind if I touch you?
00:08:48 Maybe those miracles
00:08:51 - Oh, Miss Gallagher?
00:08:53 Mr. Ziegfeld wants to know
00:08:57 Oh, the...
00:09:00 ...Harlem Opera House.
00:10:52 Well, I'll give that Ziegfeld bird
00:10:56 - lf he doesn't show, he's lost me.
00:10:59 Not a second. When he gets here,
00:11:04 - Right now, I feel awful easy to get.
00:11:08 You got everything your mother had,
00:11:11 ...after I ironed out the kinks
00:11:13 Gosh, I hope he liked our act.
00:11:15 I'm getting so tired of tank towns
00:11:19 For you and me both.
00:11:21 Not that I haven't known some
00:11:25 - It's him! That's him.
00:11:34 Won't you come in?
00:11:38 You're Ed Gallagher and Company?
00:11:39 In the flesh, my man.
00:11:42 I'm Noble Sage,
00:11:45 Oh, come on in, come on in.
00:11:48 Here, have a chair.
00:11:50 Thanks. I've got one.
00:11:53 Mr. Ziegfeld saw
00:11:55 Did he like it?
00:11:58 How is Ziggy?
00:11:59 - You know Mr. Ziegfeld?
00:12:04 You're very lucky. Mr. Ziegfeld would
00:12:08 Right! What time?
00:12:10 - How about 11:00?
00:12:13 - That's the New Amsterdam Theatre.
00:12:16 - 42nd Street.
00:12:18 And say, tell Ziggy he's getting
00:12:22 - Who should know better than me?
00:12:25 ...Mr. Ziegfeld isn't interested in the act,
00:12:36 - Right.
00:12:39 I won't be there at 11:00,
00:12:42 I couldn't. Not without my father.
00:12:44 Why, without him, I'm nothing at all.
00:12:47 If Mr. Ziegfeld can't understand that,
00:12:52 I couldn't respect him.
00:12:55 No. Tell him thanks very much,
00:13:00 Susie. I said, right.
00:13:04 My kid will be there.
00:13:06 Right.
00:13:07 And tell Ziggy he's getting a break
00:13:10 I'll be right behind her showing her how
00:13:14 Right!
00:13:21 Oh, Pop.
00:13:22 Don't worry, baby.
00:13:25 Our act's like a snake. You cut it
00:13:32 Chin up, shoulders relaxed...
00:13:33 ...and don't forget to smile.
00:13:48 I'm so sorry.
00:13:50 Oh, I'm sorry.
00:13:52 Hey, hey, hey!
00:13:55 - You're not a showgirl.
00:14:15 Good thing you outgrew
00:14:17 Jerry!
00:14:19 I hate to admit it,
00:14:22 - Jerry, this is Susan Gallagher.
00:14:25 Hiya, Susie.
00:14:27 Pony-size, huh?
00:14:29 Ma made you lunch.
00:14:32 You'll need it to fight off
00:14:35 What do you know about them?
00:14:36 I was born in a theatrical trunk,
00:14:39 I think my pop left it open on purpose.
00:14:41 He says it's what you don't know
00:14:45 Now, what could you learn
00:14:50 - Hiya, John.
00:14:52 That's Frank Merton.
00:14:55 - He's got the most beautiful voice.
00:14:59 Cucaracha. Look at that one.
00:15:01 She looks better all wrapped up
00:15:04 Auditions. All ready for the auditions.
00:15:11 Don't be so nervous, darling.
00:15:16 But he can also say,
00:15:19 Musical director is ready
00:15:21 No, Franz. The job
00:15:25 I ask you, can such an artist as you
00:15:30 - Yes.
00:15:32 No. It's a disgrace to your violin
00:15:37 - Where is your violin?
00:15:40 ...the pawnbroker is holding it for ransom.
00:15:44 It was a question of food or music.
00:15:46 Franz was too hungry to play,
00:15:52 - All right. Use mine.
00:15:57 Wear this for luck, darling.
00:16:00 How can the heart be so full
00:16:03 I don't understand it.
00:16:11 - What are you waiting for?
00:16:13 Oh, Sage, come here.
00:16:17 What is the matter?
00:16:19 Mr. Zieg...
00:16:22 - Well! Well, what are you doing here?
00:16:27 You're waiting?
00:16:29 - Oh, but I can't...
00:16:39 - Darling.
00:16:41 I was so worried, I didn't even realize
00:16:47 Well?
00:16:49 - I didn't get the job.
00:16:52 - The job wasn't good enough for you.
00:16:55 Oh, he was very kind.
00:16:58 I play well, he said.
00:17:01 I am a classicist, he said.
00:17:05 That's like being dead and buried,
00:17:08 Oh, but we're not dead yet. Look!
00:17:11 But, Sandra,
00:17:14 An advance. I have a job.
00:17:17 I'm going to be a showgirl
00:17:19 The Follies? A showgirl?
00:17:23 It is a little silly. You just
00:17:27 ...and walk up and down.
00:17:29 Like this. See?
00:17:33 Now.
00:17:35 That's all. Just like that.
00:17:37 And people pay money
00:17:40 - How did all this happen?
00:17:42 ...I was standing there,
00:17:45 Oh, darling, you played beautifully.
00:17:47 When a funny little man...
00:17:49 The one I saw didn't look
00:17:52 Oh, not that one. There were two.
00:17:55 ...but the funniest one
00:17:57 ...and there I was
00:18:01 ...and deep carpet...
00:18:04 ...and...
00:18:06 And then I heard a voice
00:18:09 "Figure, okay. Face, okay. Smile, okay.
00:18:14 Next?
00:18:15 - What's next?
00:18:18 ...next you congratulate me.
00:18:21 I should congratulate myself.
00:18:25 Franz, you're ridiculous.
00:18:27 - All failures are ridiculous.
00:18:32 No?
00:18:35 Well, what is it you want me to do,
00:18:43 I know it's a rather foolish way
00:18:48 Do you really imagine I would stand by
00:18:53 Why, Franz...
00:18:57 ...you're jealous.
00:19:00 Don't you think I see the men who look
00:19:04 Do you think I'm jealous
00:19:08 I'm afraid.
00:19:10 That's not fear.
00:19:13 If I weren't always beside you,
00:19:17 They would stop. They would talk to you.
00:19:23 They could stop and talk to me,
00:19:26 ...but, darling,
00:19:29 I know. Pretty soon,
00:19:36 So we never really had the thing
00:19:41 ...faith in each other.
00:19:43 If you have that,
00:19:46 You don't even know
00:19:49 All of a sudden,
00:19:52 All right! Take the job!
00:19:56 But, Franz...
00:19:59 It's one or the other, Sandra.
00:20:23 Nervous?
00:20:25 Oh, Jenny, I can't even
00:20:27 Relax, honey.
00:20:36 - Well!
00:20:37 I've been peeking at the audience.
00:20:39 The women look like Christmas trees,
00:20:44 Why should you be worried, baby?
00:20:47 At the Harlem Opera House, I had
00:20:50 - Here, it's once and out.
00:20:52 It's walking down stairs
00:20:55 Take lots of time walking down,
00:20:59 Coming in, girls!
00:21:01 Let me fix that, Flatbush!
00:21:04 - Having trouble, Flatbush?
00:21:08 Listen, kids!
00:21:10 I've got something important
00:21:14 Except for a couple of hardened veterans,
00:21:19 In a few minutes, you're going on
00:21:22 Do you know what that means?
00:21:26 You're going to have
00:21:29 ...crowded into a couple of hours.
00:21:34 Some of you are gonna wind up
00:21:38 Some of you are gonna wind up
00:21:41 And some of you
00:21:44 Well, not so good.
00:21:46 I know what I'm talking about
00:21:49 Whatever it is,
00:21:52 ...because it would've happened even if you
00:21:56 It just might have taken a little longer.
00:21:59 So remember this, kids,
00:22:03 "The Follies is life in one stiff jolt,
00:22:08 ...life speeded up to a mile a minute.
00:22:11 But if you've got the right stuff,
00:22:17 And if you haven't,
00:22:21 It's strictly up to you."
00:22:28 Dream number.
00:22:30 All right, girls!
00:22:34 And good luck.
00:29:07 So you like paprika too, eh, Geoffrey?
00:29:10 That's Sheila Hale.
00:29:11 Want to meet the young lady,
00:29:13 She'll be met.
00:29:20 Well, my little brood,
00:29:24 Oh, Susie, run out and rescue the actors
00:29:28 He's trying to explain to our comics
00:29:32 If they listen to Pop, they're in.
00:29:35 - Hello.
00:29:37 - We're stepping out and high!
00:29:39 Well, he's going along.
00:29:42 - Name your poison.
00:29:44 Oh, big shot!
00:29:46 - All right, all right, cut me down.
00:29:51 Girls, the boss is throwing a big
00:29:56 - I know we can count on you.
00:29:58 Will you be there, lovely?
00:30:03 Frank is waiting for you.
00:30:05 When that canary holds out his hand,
00:30:08 How about you, Flatbush?
00:30:09 No, no. My boyfriend's waiting outside,
00:30:14 Well, maybe even a 5-ton job,
00:30:17 You've got the right angle, honey.
00:30:20 - I did.
00:30:22 - And you still have another arm.
00:30:26 You are.
00:30:29 Slip me that handcuff, will you, honey?
00:30:37 For you, Flatbush.
00:30:39 For me?
00:30:45 - Who's Geoffrey Collis?
00:30:48 ...and a guy with more potatoes
00:30:51 Good hunting, kid. Only...
00:30:54 ...don't shoot until you see the whites
00:31:06 Here's one, Pa,
00:31:09 "Another new glorified girl
00:31:13 This one used to run an elevator.
00:31:16 Sheila Hale.
00:31:18 How can I brag to the boys
00:31:21 Well, maybe we could
00:31:24 Ma! Pa! She's up. Sheila's up.
00:31:27 I fed her some grapefruit juice.
00:31:29 Gee, Ma, you should have seen her
00:31:35 Well! I hope I didn't raise my boy
00:31:39 You should have heard the tune
00:31:41 Here it is. Listen.
00:32:14 I'm as proud of you
00:32:17 Well, you can put it away
00:32:19 From now on,
00:32:21 ...potatoes.
00:32:23 Sure. Only kind I'd eat if I could eat any.
00:32:27 - Fine, if it's for building you up.
00:32:30 He says if I don't watch my figure,
00:32:32 Sheila, look at me being an actress!
00:32:36 Would you walk me to the corner,
00:32:41 You're gonna put away
00:32:43 And you can tell that Mr. Ziegfeld
00:32:45 Diet!
00:33:11 Showgirls should be seen and not heard.
00:33:13 You'll pull in your ears
00:33:15 I pulled them in when I heard you
00:33:18 There she is.
00:33:20 - Gil, you've got it. You got your truck.
00:33:25 - Did you get the raise?
00:33:27 No, but I got twice as much
00:33:29 Twice as much weight to carry
00:33:32 - Look, Red, we got things to talk about.
00:33:36 I feel different.
00:33:37 You never look different to me. A diamond
00:33:42 ...before I can see it.
00:33:44 I mean those guys that hang
00:33:47 The ones with the moneybags under their
00:33:51 How, Gil?
00:33:53 How did they look?
00:33:54 Well, in such a way as to give me an awful
00:33:58 Here. Yeah, here's a little item
00:34:02 That's "I like you very much.
00:34:07 Hey, where does he get off,
00:34:09 A gent never forces himself on a lady.
00:34:12 Oh, Gil, what are you so sore about?
00:34:14 - You took me home last night, didn't you?
00:34:18 Listen, Red,
00:34:21 - Yeah?
00:34:23 I seen it coming from a long way off.
00:34:25 - You want me to quit, for instance.
00:34:28 Yeah, and for instance, I won't.
00:34:30 Not even if we get married?
00:34:32 Oh, Gil, I'm in it now. I'm a Ziegfeld girl.
00:34:36 You sound like a bottle of milk
00:34:41 Oh, Gil, don't spoil things.
00:34:43 I just gotta see it through, don't I?
00:34:46 What will I tell our grandkids if I don't?
00:34:51 Dames is just like traffic. Sometimes you
00:34:55 Yeah, but a smart driver
00:35:05 Okay. So you know your own strength.
00:35:10 You ain't exactly anemic
00:35:14 Show's out at 11:30.
00:35:17 I'll be there at 11:28.
00:35:21 And if I have to push one of them
00:35:25 ...I can do that too.
00:35:30 Bye.
00:36:42 - Hi, beautiful.
00:36:44 - Hello.
00:36:45 - Good evening, Mr. Collis.
00:36:48 You don't look so bad yourself.
00:36:50 - Shall we dance to our table?
00:36:52 See you later.
00:36:54 - Good evening.
00:36:56 Good evening, Sandra.
00:37:00 How are you, Sandra?
00:37:02 - Hello, Sandra. How are you?
00:37:06 I'm beginning to think I'm quite a guy.
00:37:08 - What delayed you?
00:37:11 Who do you pick to go out with?
00:37:13 - That's because you're so safe.
00:37:16 Certainly. We're both married,
00:37:19 Isn't there a word for it?
00:37:21 Insurance.
00:37:23 I don't feel like such a good risk.
00:37:26 Oh, I wish my husband could know you.
00:37:28 He was so afraid I'd meet
00:37:31 I'm only wolf on my father's side.
00:37:34 - How about it. Hungry?
00:37:37 - Only I suppose the things are fattening.
00:37:40 Enough for a day at least, monsieur.
00:37:43 Perhaps madame would like some
00:37:46 Or perhaps foie gras au porto?
00:37:51 See anything about me that makes
00:37:54 But, yes, madame. Plenty.
00:37:59 Think I better order by ear.
00:38:03 Crepes suzette for the lady.
00:38:05 A stack of wheats for the lady!
00:38:07 They serve them
00:38:10 - Which? The ladies?
00:38:13 Okay. Fold up some for me.
00:38:19 Maybe with a French accent,
00:38:28 You know, I like you.
00:38:31 You're kind of a novelty to me.
00:38:33 Shall we drink to that?
00:38:35 - Oh, no, I have a lot left.
00:38:38 What for? I figure it's always more fun to
00:38:43 And you and Gil have
00:38:46 When we're not battling.
00:38:49 You know, a place like this takes
00:38:52 And after 20 years of developing
00:38:56 Tell me...
00:38:58 ...what are you going to do
00:39:01 Live it. What else is there to do with it?
00:39:04 Don't tell me you're the one woman
00:39:07 Oh, I have talent, all right.
00:39:09 - Being good company.
00:39:20 Here we are. How about this?
00:39:24 Look.
00:39:26 Gee, looks good enough
00:39:30 Well, try it on.
00:39:32 - It'll fit.
00:39:40 Are you making a pass at me?
00:39:43 It appears that I am, Sheila.
00:39:46 A forward pass?
00:39:48 Very forward.
00:39:51 Well?
00:39:53 Do I complete it?
00:39:56 Nobody's blocking you.
00:40:11 Oh, it's time to wake up.
00:40:14 Now, look, honey. You want to see your
00:40:18 Then you've got to give until it hurts, right?
00:40:20 But don't you have to think
00:40:23 It's about time for me and you
00:40:27 - How old are you?
00:40:30 ...you try to shade it.
00:40:31 - How long have you been in show business?
00:40:35 - How old am I?
00:40:38 It's okay. Nobody's listening.
00:40:40 - Fifty-five.
00:40:43 - Fifty-five years.
00:40:44 So when I ask you to peddle a song,
00:40:57 You see how I sock it across?
00:41:14 You see? I got them right in my pocket.
00:41:19 I give all I've got!
00:41:21 But isn't that just a little bit
00:41:24 No? Okay. All right. Well, we'll try
00:41:28 Good!
00:41:38 - Hello, Sandra.
00:41:40 Listen to the kid sling her larynx around.
00:41:53 Susie, you're good!
00:41:55 - Good? You're terrific!
00:41:58 Gosh, I got a public.
00:41:59 If you'd only seen her sell it,
00:42:03 Who's selling what?
00:42:05 - I'm in a buying mood.
00:42:07 - Hello.
00:42:09 You gotta get her to Ziggy. You can do it.
00:42:13 Oh. Well, I don't know about anything,
00:42:16 My best is pretty good, huh?
00:42:20 Say, where did you people
00:42:24 It's cheap and it's near our work.
00:42:27 Say, Sandra, help me pick out
00:42:29 I'd probably wind up with something
00:42:33 You're worried about ruffles,
00:42:38 Come on, you two kids, and I'll buy you
00:42:41 Make mine a cone.
00:42:43 - Too many ruffles on a soda.
00:42:50 Well, Geoffrey says that I ought
00:42:54 I only met Gil once...
00:42:57 ...but I liked him.
00:42:59 Well, what's so smart
00:43:02 I'm not trying to be smart.
00:43:03 With every guy sitting up
00:43:06 ...you pick out one that sings
00:43:10 Oh, honey, I'm sorry.
00:43:13 I only meant you're not going to get
00:43:16 Why do you think he keeps a wife around?
00:43:20 Oh, it's just that I don't want him
00:43:24 It's easy to handle a man...
00:43:27 ...if you're not too much in love with him.
00:43:32 Gee, Sandra, why can't the men
00:43:36 I beg your pardon, Miss Hale.
00:43:40 Oh, all right. Thank you.
00:43:42 See what I mean?
00:43:51 "What little redhead made a world's
00:43:57 ...from Flatbush to Park Avenue?"
00:43:59 When she finished, wonder
00:44:02 That kind of gal always does.
00:44:04 They keep printing that stuff, and a guy's
00:44:10 - Take it down, Buck.
00:44:13 - I thought you liked it. This one anyway.
00:44:18 Hey! Why sock a guy who's
00:44:22 - Anybody else got an eye for pictures?
00:44:26 - Wait a minute!
00:44:28 Come on! Break it up here!
00:44:42 Screwiest way of getting yourself
00:44:48 Not if you've been used
00:44:53 Nothing much, except your folks is coming
00:44:57 They liked the bears all right,
00:45:02 Geysers.
00:45:04 Say, how do you know? Been working
00:45:08 No. You got a telegram
00:45:11 - And you read it?
00:45:16 Say, why didn't your brother
00:45:19 Oh, I don't know.
00:45:22 And I don't pry into them.
00:45:24 Well, that trip must have
00:45:27 Well, what's money for?
00:45:32 Yours, honey.
00:45:40 - Hey! Deliveries in the rear.
00:45:47 - Gil!
00:45:51 Imagine seeing me here.
00:45:55 Where did you get that? Walk into a door
00:45:59 No.
00:46:00 Going-away present from a pal.
00:46:04 - Nice place you've got here.
00:46:08 - Got the address from Jerry.
00:46:13 I thought maybe I might not have to.
00:46:16 How is Jerry?
00:46:18 Jerry's fine.
00:46:20 Those music lessons sure are taking
00:46:24 I guess Jerry and me
00:46:28 The dumb kind.
00:46:30 I got something here to prove it.
00:46:33 A marriage license.
00:46:36 Remember?
00:46:38 Oh, Gil.
00:46:41 I wasn't sure about exactly
00:46:44 I put down "over the age of consent."
00:46:47 Guess you are, all right.
00:46:50 - Are you making a crack?
00:46:53 Well, I'm getting tired
00:46:59 People who wear glass slippers
00:47:09 Look, Red.
00:47:11 Suppose I was to tell you
00:47:13 Suppose I'm not seeing any of this?
00:47:16 We're not here at all.
00:47:17 We're in Coney Island that first night
00:47:21 You remember?
00:47:23 A pretty good moon,
00:47:27 ...after only slapping me twice.
00:47:29 - Three times.
00:47:33 And then I tell you you'll do for me.
00:47:40 - But this isn't Coney Island, Gil.
00:47:45 Now is it Coney Island, Red?
00:47:52 It's still Park Avenue, Gil.
00:48:01 Gil, come here.
00:48:05 I want to show you something.
00:48:08 I want to show you why it's Park Avenue.
00:48:12 Why it's different from any place
00:48:15 Gil...
00:48:17 ...did you ever go to a party
00:48:20 ...and have them run out of ice cream
00:48:24 Well, that's the way I've felt
00:48:31 Look, Gil.
00:48:34 Take a look at all those shoes.
00:48:37 Why, I don't even have to have
00:48:43 And here.
00:48:46 I mean, frocks. They get dirty,
00:48:53 Gil?
00:48:55 Remember how I saved and scrimped
00:48:59 And then it smelled like
00:49:03 Well...
00:49:04 ...now I can walk on fur if I want to.
00:49:08 But not on me, baby!
00:49:10 I'm no rug. I don't come wrapped up
00:49:15 Gil! Gil!
00:49:18 Annie!
00:49:21 - Annie, did he go?
00:49:25 If that guy's a gent, I'll never get
00:49:30 Do I look like anything's the matter?
00:49:32 You look sunk.
00:49:34 Yeah, he'd like to think I was sunk.
00:49:38 Well, you better come to the surface.
00:49:41 Mr. Geoff's coming over pretty soon.
00:49:43 - I know.
00:49:47 Annie?
00:49:48 What goes on with life anyway?
00:49:51 - Why does it get so messed up?
00:49:56 Neat, but not gaudy.
00:49:58 Now, you know I don't like that stuff.
00:50:01 Old Four Oaks is good for what ails you.
00:50:08 What is it ails me, Annie?
00:50:10 You got two guys and only one address.
00:50:31 Hi there, Gil.
00:50:33 Oh, hello, Nick. What are you
00:50:36 Brooklyn? Where's Brooklyn?
00:50:40 - Have a drink. Waiter.
00:50:43 - Have another.
00:50:45 Okay. Then sit down
00:50:47 All right. Give me a shot of bourbon.
00:50:53 I've been wanting to get next
00:50:56 Ex-truck.
00:50:57 - Bounced?
00:50:59 Yeah, I got this when I hit the ceiling.
00:51:04 I got a truck that ain't
00:51:08 - I got a fleet of trucks.
00:51:11 Also heard what they haul.
00:51:13 - Those loads pay off.
00:51:17 You got a tender belly?
00:51:20 If I can take this,
00:51:26 - What do you get for wheeling a truck?
00:51:29 A day?
00:51:31 No, a week.
00:51:34 How would you like to collect
00:51:40 What, for wheeling a truck?
00:51:42 That and other things.
00:51:45 - Of course, if I'm boring you, I'll...
00:51:49 No, if my mouth was wide open, it wasn't
00:51:57 I got a special use for some big dough.
00:52:08 All right, break it up.
00:52:10 Just because we're taking the show on
00:52:14 You either gotta get me a mink coat
00:52:19 Oh, boy, I wish I was going
00:52:23 That's a cinch, honey.
00:52:27 - Hello, Susie.
00:52:31 Hello, Ed. I heard you were here,
00:52:34 No time for propositions.
00:52:37 This is Susan's big chance.
00:52:40 Listen, Ed, I got a routine
00:52:43 I gotta have a guy to do it with so we can
00:52:47 - Me, naturally.
00:52:48 - How about Mabel?
00:52:51 That's it! Take the best years
00:52:53 Shut up, Mabel.
00:52:56 So I thought maybe if you
00:52:59 I don't know. I've been working
00:53:03 Pop, maybe we'd better go with Al.
00:53:05 Susie! Slayton's waiting, honey,
00:53:08 - Oh, I can't sing!
00:53:11 - My throat's closed up.
00:53:15 Here's the kid that's gonna
00:53:18 - I'll try and keep my feet under me.
00:53:21 Well, commence.
00:53:24 Come on, honey. Louder and bigger does it!
00:53:28 Great performer, my kid. Makes me proud.
00:53:31 Like looking in a mirror.
00:53:34 Quiet, girls. Quiet!
00:53:36 Come on, honey.
00:54:06 Hold it!
00:54:07 Don't you know they quit beating
00:54:11 - Oh, another intellectual.
00:54:15 You don't slug an audience
00:54:17 You kind of sneak up on it from behind.
00:54:21 Say, you're not gonna count this kid out
00:54:25 Wait a minute.
00:54:27 - You know that song, boys.
00:54:30 Give her a little help, will you?
00:54:31 Just... Just a little slower, please.
00:54:35 I understand.
00:56:47 Oh, Susie!
00:56:51 Get Ziegfeld, will you, kid? I found
00:56:54 - You found?
00:56:56 Great stuff, kid.
00:56:58 Thank you.
00:57:00 Susie! That was wonderful!
00:57:02 - Pop!
00:57:04 Thanks. Thanks a lot.
00:57:14 Better take your woolens.
00:57:17 Don't worry, honey. Al and me will frame
00:57:22 Gee, this is the first time we've
00:57:27 Remember when I was
00:57:30 You wouldn't take bookings out of town.
00:57:33 Even when you could get them.
00:57:37 Nobody could ever separate us,
00:57:42 You wouldn't be trying to soften me up,
00:57:45 Give me that armor plate.
00:57:48 Don't you know it's awfully cold
00:58:01 Oh, Pop! Pop!
00:58:06 Take me with you, Pop!
00:58:08 I don't want this job anyway.
00:58:12 Oh, I don't mean that.
00:58:17 But I hope I didn't make
00:58:20 Mr. Slayton liked the way I sang.
00:58:21 Slayton! He's just a Johnny-newcomer.
00:58:24 There's nothing solid
00:58:26 He's a flash in the pan.
00:58:30 Wrong for you maybe, Pop,
00:58:36 Maybe.
00:58:38 - Then you're not mad at me?
00:58:41 How could I be mad at anybody
00:58:45 - Oh, Pop!
00:58:49 You stood there
00:58:52 - So long.
00:58:55 Yeah, just like you had to do
00:58:59 And don't forget,
00:59:01 And I ain't worried about
00:59:04 ...because you're no ordinary kid.
00:59:07 - You know why that is?
00:59:12 - Why?
00:59:15 ...you're no ordinary father.
00:59:19 Right.
00:59:23 Pop?
00:59:27 Pop?
00:59:33 Blow, honey.
00:59:35 Thanks.
00:59:38 What you got to cry about?
00:59:40 By the time you get back from Florida,
00:59:44 You're a cinch for a specialty
00:59:46 I heard Slayton popping off.
00:59:48 - Do you think so?
00:59:52 Hey, Susie?
00:59:53 You suppose you could kind of keep an eye
00:59:58 She needs someone like you around.
01:00:01 Don't worry, Jerry.
01:00:03 Every time I think of you...
01:00:06 ...l'll be looking after Sheila.
01:00:09 That means I'll be looking
01:00:35 Seems the lady's having trouble
01:00:41 I give lessons, you know.
01:00:43 You finish the word like this.
01:00:47 FRANK
01:00:48 Funny. They taught me
01:00:54 You probably drove your teachers crazy.
01:00:58 With my spelling?
01:01:00 No. Not with your spelling.
01:01:03 Sandra, you've gotta make up my mind.
01:01:07 You've gotta tell me whether I'm
01:01:11 Must I worry about your mind too?
01:01:14 I have enough trouble with my own.
01:01:18 I'm glad to hear that.
01:01:21 Sometimes, I think
01:01:25 I believe you will.
01:01:27 You're a pretty smart girl.
01:01:30 If not knowing what you want
01:01:34 ...then I'm smart.
01:01:38 I'm having a little trouble
01:01:42 Write it for me.
01:01:45 A smart girl never puts anything
01:02:02 - Sheila?
01:02:05 Do you mind if I park in here
01:02:08 The girls took over my room
01:02:11 - Another one of those pep talks from Pop?
01:02:14 Says, "Last week, we broke
01:02:17 That means they probably established
01:02:21 To Pop and Al,
01:02:25 You know, when Pop sounds cheerful,
01:02:28 He's going to prove he's a success
01:02:32 Gosh, if I could just hurry
01:02:37 To Pop, Al, Mabel and Susie.
01:02:41 Oh, I can't stand to fret about you too.
01:02:44 Oh, I apologize to your orchids.
01:02:48 Sheila, you've got to keep your head
01:02:51 My head's the one thing I have kept.
01:02:55 So now, if you'll pardon me,
01:03:12 Oh, that's Geoff.
01:03:15 Sure.
01:03:16 Sure.
01:03:23 - Hello, Mr. Collis.
01:03:25 This is Annie's night out. I'm
01:03:28 - Oh, thanks.
01:03:31 Oh, all right.
01:03:37 - Well, how are you, Susie?
01:03:42 - Can I get you a drink or something?
01:03:47 Here, let me.
01:03:52 - There.
01:03:53 It's all right.
01:03:56 - Sit over here. It's much more comfortable.
01:03:59 No, this is more comfortable. You'll like
01:04:07 - You comfortable?
01:04:09 That's good.
01:04:12 You know something?
01:04:14 - Sheila's a swell girl.
01:04:16 She's got a heart of gold.
01:04:18 She's awfully good to her mother.
01:04:20 She takes care of her whole family,
01:04:22 Of course, she's not so good
01:04:30 Well, isn't she?
01:04:32 I don't know. I mean, I always felt...
01:04:34 ...that she kind of needed someone
01:04:38 I don't mean just to buy
01:04:41 I mean to really take care of her.
01:04:46 You know, I've been thinking to myself,
01:04:50 You're an awfully nice man, probably one
01:04:54 - It's very rare, isn't it?
01:04:56 Oh, no. I mean for such a nice man
01:05:01 ...like you and Sheila, I mean.
01:05:06 Oh, oh, I see.
01:05:08 Makes me happy just to know
01:05:11 It's made me very happy too.
01:05:13 Oh, here.
01:05:14 Thanks.
01:05:19 It will be awfully sad, won't it?
01:05:20 - What?
01:05:24 ...like you and Sheila
01:05:28 ...like people do.
01:05:29 That's life, Susie.
01:05:30 It doesn't have to be. There's a way
01:05:34 - What, have they discovered something new?
01:05:39 People have been doing it
01:05:43 Getting married, I mean.
01:05:48 What's so funny about that?
01:05:50 Pop says there's nothing funny
01:05:53 Just ask the man who owns one.
01:05:56 You're a very sweet child, Susie.
01:05:58 You'll make a wonderful father-in-law.
01:06:01 As a matter of fact, I've examined
01:06:04 ...and strangely enough, I find them
01:06:08 What do you mean, "strangely enough"?
01:06:10 I mean, strangely enough,
01:06:13 I'll be a very lucky man
01:06:16 You mean you're proposing? Marriage?
01:06:19 What do you think
01:06:21 Tonight?
01:06:22 Oh, I can't think. I'm so happy!
01:06:26 Do you mind if I say
01:06:30 I don't think I'll mind
01:06:33 Oh, gee.
01:06:44 Give me room. Come on, dice!
01:06:47 There she goes. Come on.
01:06:49 That's it, babies!
01:06:51 Who's the little tomato
01:06:57 Come on, dice.
01:06:58 She's coming out, and it's a six.
01:07:00 It's a cinch.
01:07:06 Whoa, nine, and the lady wins again.
01:07:09 - Luck be a lady. Try it once more?
01:07:11 Next lucky shooter. Get them down.
01:07:13 I hope I'm as lucky as you are, lady.
01:07:15 movie info: XVID 576x416 23.976fps 697.4 MB
01:07:15 How about trying a little chemin de fer?
01:07:17 Oh, no, not me.
01:07:22 Here, Geoff. You go down
01:07:25 All right.
01:07:27 - When did they put in this flight of stairs?
01:07:32 Oh, now, Geoff.
01:07:34 Sheila, I got something
01:07:36 ...something important...
01:07:38 ...so don't drink any more, will you?
01:07:41 Promise?
01:07:43 - Cross my heart.
01:07:48 Double cross it.
01:07:50 - Waiter.
01:07:52 Waiter, the wine list, please.
01:07:54 Yes, madame.
01:08:00 Well, well, and how are you?
01:08:05 - All of a sudden, I got a headache.
01:08:07 I seen you with him at the crap table.
01:08:09 You're the greatest female crapshooter
01:08:12 Thanks.
01:08:13 Now that you know just who I am,
01:08:17 Jimmy Walters...
01:08:18 ...as if you didn't know.
01:08:21 You seen me when I done it.
01:08:23 - Done what?
01:08:26 Well, what do you know?
01:08:29 I seen you when you done it.
01:08:32 How do you know I did?
01:08:33 Because I spotted you in the second row
01:08:36 Had your headache
01:08:38 I hope he ain't chronic.
01:08:40 - What will we drink, huh?
01:08:44 Soon as I saw you, I said to myself,
01:08:49 Well, don't let it throw you, champ.
01:08:51 I'm 20 degrees cooler than you think.
01:08:55 One of them refrigerator dames, huh?
01:08:57 That's right. You're not the guy
01:09:00 Sorry if that's hitting below the belt, but
01:09:20 Chin up, you glorified girl.
01:09:23 The stairs are your specialty.
01:09:25 Shoulders relaxed...
01:09:27 ...and don't forget to smile.
01:09:42 Okay, Al. See you next week.
01:09:47 I want you to tell the skipper
01:09:50 Gil!
01:09:55 Gil.
01:09:57 Hello, Red.
01:10:06 Gil.
01:10:13 Gil!
01:10:16 Gil.
01:10:18 Well, you wouldn't pass up
01:10:22 Boys, Sheila Hale. The Ziegfeld Follies.
01:10:25 - How do you do?
01:10:27 Hello.
01:10:28 The guy with the cigar is Nick Capalini.
01:10:32 - See you at the boat, Gil.
01:10:36 - Gil...
01:10:40 Isn't that Capalini the gangster?
01:10:42 Well, Nick likes "bootlegger" better.
01:10:45 Nick's sensitive.
01:10:47 - Is that what you are?
01:10:49 Bootlegger? Yeah.
01:10:51 - Risky, isn't it?
01:10:56 Have you seen the folks, Gil?
01:10:58 They're okay. They fixed up the house
01:11:02 Every time they get lonesome,
01:11:05 And Jerry. How's Jerry?
01:11:07 Jerry's fine.
01:11:10 Last time I saw him, he asked me how's
01:11:15 Wanted to know what I thought
01:11:19 What do you think?
01:11:21 I didn't tell him.
01:11:24 Big of you.
01:11:27 You look swell, Gil. In the money.
01:11:30 Oh, I look swell, huh?
01:11:31 Me in Palm Beach, in a 100-buck suit,
01:11:37 And it don't mean a thing.
01:11:42 Look, Gil...
01:11:44 ...make out like it isn't Palm Beach.
01:11:47 It's Coney Island, remember?
01:11:49 No.
01:11:51 It's Coney, and there's
01:11:54 And I let you kiss me.
01:11:56 Only this time,
01:12:01 It's still Palm Beach.
01:12:04 So you want a little of both, huh?
01:12:06 Me and the fur coats.
01:12:08 Well, I could give you the fur coats
01:12:12 I thought I would, but I don't.
01:12:15 So you've got over me, huh?
01:12:19 Well, I'll believe you
01:12:25 Wouldn't be that it's kind of tough to do,
01:12:38 That wasn't any goodbye.
01:12:43 Don't you know
01:12:47 I did.
01:12:59 Sheila.
01:13:02 Yes, Geoffrey?
01:13:07 What do you think I did
01:13:09 Ran them up to 5000.
01:13:14 - Oh, you're sweet, Geoffrey.
01:13:19 - But you look tired.
01:13:23 Old wines are best, they say.
01:13:28 - Only I wouldn't know, would I?
01:13:37 No, don't, Sheila.
01:13:39 Why not?
01:13:42 I get a bang out of you,
01:13:46 Sheila...
01:13:56 Geoffrey, you said you had something
01:14:01 I thought it was important,
01:14:03 Maybe nothing ever is.
01:14:06 You know what I'd like, on account
01:14:09 What?
01:14:11 A nice, long drink.
01:14:25 Okay, break it up, break it up.
01:14:28 And remember, we've got
01:14:31 ...so be back here on time
01:14:38 Tonight's the night, your night.
01:14:42 Oh, I wish Pop was here.
01:14:44 I wish my doctor was here.
01:14:50 Well, well, well.
01:14:52 Oh, I sound like a crow with adenoids.
01:14:56 Sandra, do girls' voices change too?
01:15:00 Only for the better, baby.
01:15:04 I hope you're right.
01:15:09 Well, the town criers were right for once.
01:15:14 You are beautiful.
01:15:17 I'm Mrs. Frank Merton.
01:15:19 - You knew Frank had a wife, didn't you?
01:15:22 And you're Sandra...
01:15:24 ...the current town topic,
01:15:28 You make me sound very silly.
01:15:30 Sour grapes, my dear.
01:15:34 Doesn't Ziggy ever change this setup?
01:15:36 I came down a stairway just like this
01:15:41 - But I'm not here for old home week, am I?
01:15:46 Maybe to say, "Bless you, my children."
01:15:50 You know, I always wanted to play
01:15:54 What makes you think this is
01:15:57 For one thing, I hear you're
01:16:03 - You hear? From whom?
01:16:06 He's crazy about you,
01:16:11 I'll make my sad story short,
01:16:14 Frank and I have been married
01:16:18 I kicked my own career out
01:16:21 And I don't regret it.
01:16:23 He's a great guy, in spots.
01:16:27 He's always played around a little,
01:16:31 It wasn't fun knowing it...
01:16:33 ...but I got by because he
01:16:39 But it looks like he's not coming home
01:16:45 After seeing you, I know why
01:16:52 Mrs. Merton...
01:16:54 ...you love him very much, don't you?
01:16:58 Probably not the way you do.
01:17:01 I love the way he thinks I like his singing
01:17:06 Do you ever listen to his speaking voice?
01:17:08 He can do more to me with that
01:17:13 I love the way he blames me
01:17:16 ...because then I laugh.
01:17:18 He never knows why.
01:17:21 And the funny way his hair curls up
01:17:26 And the way he grumbles
01:17:31 And the way he makes you laugh
01:17:36 And all the crazy little things
01:17:41 ...but that really make him yours.
01:17:45 You're not talking about Frank.
01:17:47 No, I'm not...
01:17:50 ...but we seem to be talking
01:17:56 Maybe I'm the one to say,
01:18:00 We're the same kind of idiot, I guess.
01:18:04 I won't pretend I'm not glad.
01:18:15 Sandra.
01:18:18 Here is Franz's violin.
01:18:21 - Pawnbroker wept to see it go.
01:18:24 All right, I'll do what you told me to,
01:18:28 I'll give the violin back to Franz...
01:18:33 ...and I'll tell him that's your way
01:18:38 No, Mischa, no. That's all wrong.
01:18:40 - Why, are you crazy?
01:18:45 Mischa, did something ever happen
01:18:48 ...that all of a sudden,
01:18:51 You knew what you wanted all at once.
01:18:54 Did that ever happen to you?
01:18:59 Not lately. I've been divorced for years.
01:19:10 Poor Mischa.
01:19:12 - What?
01:19:14 - Why?
01:19:17 - What uncle?
01:19:21 I have no uncle,
01:19:25 - Poor Mischa.
01:19:27 You'll probably lose your job...
01:19:30 ...unless, of course, you have
01:19:35 ...while you're in Philadelphia
01:19:40 Sandra, what are you driving for?
01:19:43 You are crazy.
01:19:46 Oh, Mischa.
01:19:49 And so am I.
01:19:51 All right.
01:19:53 I've got an uncle.
01:19:58 - Hey, Grandpa, did you get Sheila?
01:20:01 She's not here. Get out and find her.
01:20:05 - When I get hold of her, I'll...
01:20:08 But kick her where it won't show.
01:20:09 With that costume she wears,
01:20:14 You have five minutes, miss.
01:20:15 Yeah, I'll have three left over.
01:20:27 Well? A gentleman gets up
01:20:31 This is a room, all right.
01:20:35 Where do you get off
01:20:37 A dumb truck driver in the clink
01:20:40 You've got the nerve to make me
01:20:43 In the old days, when you got sore,
01:20:45 Look, I'm only trying to help you get out.
01:20:48 Yeah, and then when you used to go soft,
01:20:51 Oh, will you stop rolling those things?
01:20:54 They tell me I gotta learn
01:20:57 All right. Go ahead.
01:21:00 Take the rap for those crooks
01:21:02 Your pal Nick Capalini.
01:21:06 Every racket's got its own
01:21:14 Look, why don't you get smart.
01:21:16 You can get out of this.
01:21:19 You can do things in this town
01:21:22 Yeah, yeah. Only I don't. Do you?
01:21:29 I haven't seen Geoffrey Collis
01:21:34 I hear the guy walked out on you.
01:21:36 True or false?
01:21:39 True.
01:21:42 Gil?
01:21:45 Don't you honestly care about me
01:21:47 Yeah, sure.
01:21:49 Only now I can roll a cigarette
01:21:55 Could you believe that
01:21:57 Yeah, why not?
01:21:59 And I can still roll a cigarette.
01:22:04 You know, it's a funny thing.
01:22:07 What's happened to you always happens to
01:22:12 And they wind up not being anyplace.
01:22:17 Gil...
01:22:18 ...Geoff would help us. He's a good guy.
01:22:27 Hey, bud, take me back
01:22:30 - Okay.
01:22:39 - Hey, what's going on in here?
01:22:43 There's a little joint around the corner.
01:22:46 Thanks.
01:22:52 Theater's been calling you all afternoon.
01:22:54 Wants to know why you wasn't there
01:22:58 I can walk down a flight of steps tonight
01:23:05 - Pour me a drink, will you, Annie?
01:23:08 Guess I'm a little low.
01:23:10 You're up, you're down.
01:23:12 What is this, a prize fight?
01:23:15 Don't you know I'm never down?
01:23:18 Geoffrey likes me that way.
01:23:22 Pardon me.
01:23:24 Used to like.
01:23:27 I forgot. Your kid brother's in there.
01:23:30 - Jerry?
01:23:32 Why didn't you tell me?
01:23:40 Well, hello, big boy.
01:23:44 - What are you doing east of Broadway?
01:24:00 I gotta talk to you, Sheila.
01:24:03 All right.
01:24:08 What's the matter?
01:24:11 No, I took it back.
01:24:14 Well, how about the music lessons?
01:24:17 I quit them. I got a job.
01:24:21 Not on a truck, by any chance?
01:24:24 No.
01:24:26 I got a job in a pool hall.
01:24:34 Sheila, I'm getting too old to let a woman
01:24:40 Is your old age the only reason?
01:24:44 What else?
01:24:51 Gosh, Sheila, I don't believe a word
01:24:55 Who's saying what about who?
01:24:57 Oh, them cats that hang
01:25:01 Well, that's who.
01:25:03 Now let's have the what.
01:25:06 Things I wouldn't repeat
01:25:09 Thanks.
01:25:10 - Things about me?
01:25:12 And it's sure got me on the jump
01:25:18 So you don't believe it...
01:25:22 ...the folks don't even hear it.
01:25:29 - Did Dad send you here?
01:25:32 Listen, Sheila, I know you got
01:25:36 ...and that you never cared
01:25:38 But if you could just come
01:25:41 - I might stop those cats from meowing?
01:25:44 That'd make it okay again
01:25:46 You know I don't mean that.
01:25:48 We don't want anything
01:25:50 And I'm supposed to believe that!
01:25:52 You've taken things from me
01:25:55 - It was the same then, only more so.
01:25:57 Now I gotta go home
01:26:00 You're yelling me down. The louder
01:26:03 People aren't talking any more now
01:26:06 If I was good enough to support you then,
01:26:10 If you ask me, I think Gil's the one
01:26:15 All right. Let Dad take care of you,
01:26:19 Have the rent collector on your neck
01:26:23 You hanging around pool halls.
01:26:25 And Betty growing up to run an elevator.
01:26:27 You were all right
01:26:30 Okay.
01:26:32 You do it your way.
01:26:36 Let me do it my way.
01:26:38 Now get out!
01:26:40 Go on!
01:26:44 All right.
01:26:57 Here.
01:27:00 You think of everything, don't you?
01:27:02 Show opens in a couple of hours.
01:27:04 What for? I'm full of pep.
01:27:07 I'm always full of pep.
01:27:10 Always full anyway.
01:27:16 Annie...
01:27:18 ...how many fur coats have I got?
01:27:20 Well, counting that new ermine, six.
01:27:24 Yeah, and how many of these
01:27:27 Adding Mr. Geoff's signing-off present
01:27:31 ...I make seven.
01:27:34 Think of it. I'm a very lucky girl.
01:27:37 Six fur coats, seven diamond bracelets,
01:27:42 - What are you trying to do to yourself?
01:27:46 Don't you know?
01:27:50 Counting my blessings!
01:28:00 Overture. Overture.
01:28:03 Overture.
01:28:04 - It's too bad about Mischa's uncle, isn't it?
01:28:42 Little Patsy's picture's out of the lobby,
01:28:46 And this is the first time in five years
01:28:54 But don't fret, Jenny. Patsy's okay.
01:28:57 You know, I think I'll settle down
01:29:02 There's nothing wrong with Patsy
01:29:06 Places for the Trinidad number.
01:29:10 Where do you think you're going? Slayton
01:29:14 Sure I am. And a beautiful pink.
01:29:16 - Listen, you're leading with your chin.
01:29:20 The best horrible example
01:29:22 Yeah, I know I look funny
01:29:26 ...but you're so darn much like
01:29:29 Listen, honey, being a Ziegfeld girl
01:29:32 ...but at most, it's only a few years
01:29:35 And what are you gonna have after that?
01:29:37 I'd give my right arm,
01:29:40 ...for a guy with an ice-cream wagon,
01:29:44 And you've got a guy with a truck.
01:29:47 Come on back, honey.
01:29:49 Back to what?
01:32:54 Why didn't somebody stop her?
01:32:55 I don't know. I just opened my eyes,
01:43:29 - Are you all right?
01:43:31 - You better go on the wagon.
01:43:34 I'm all right.
01:43:38 - Didn't I tell you not to go on?
01:43:41 Sure, sure. That's right.
01:43:43 Pour her back in that bottle
01:43:46 Come on, kids. Don't be so nosy. Make
01:43:51 Gosh! How can a girl
01:43:55 How can a girl do that to herself?
01:43:58 Poor Sheila.
01:44:03 Sandra!
01:44:08 Franz.
01:44:12 Oh, Franz!
01:44:17 - Sandra.
01:44:21 See you in Carnegie Hall.
01:44:25 Did he say Carnegie Hall?
01:44:27 Yes. Why not?
01:44:42 Orders is orders.
01:44:45 ...you looked better falling down them stairs
01:44:56 Do you suppose Prohibition
01:44:59 I'm sorry it never got around to alcohol.
01:45:04 You heard from Sheila yet, Jerry?
01:45:06 Nothing but a loud popping of corks,
01:45:11 How about your dad?
01:45:14 He's still knocking them stiff in Omaha.
01:45:18 That is, stiffer than they were.
01:45:28 I almost forgot.
01:45:31 Funny, I didn't.
01:45:41 - Pinning a blue ribbon on me?
01:45:44 Aren't you the best of your class?
01:46:00 I'm sorry, miss. It's a phony.
01:46:04 I'll give you $ 10 for the setting.
01:46:08 Ten dollars?
01:46:12 Well, what am I kicking about?
01:46:40 I never thought you'd
01:46:42 You can't do this to me, honey.
01:46:46 What's this longhaired husband
01:46:49 A fiddle.
01:46:58 Well, now I've heard everything!
01:47:00 You're walking out on a Ziegfeld
01:47:04 Well there's nothing else I can do.
01:47:05 I've got a name now.
01:47:08 Isn't there any other way of helping your
01:47:12 Try and see it his way.
01:47:14 He's worked all his life to be what he is,
01:47:18 ...what's he got?
01:47:19 Why don't you hire him
01:47:22 And then don't listen to him.
01:47:24 I've tried that.
01:47:27 Then pension him off.
01:47:29 You're talking about my pop,
01:47:32 Get him a little job. Anything.
01:47:36 Like in the Follies, maybe.
01:47:38 - Oh, Mr. Sage!
01:47:41 It would be wonderful! Can't you
01:47:44 - For who?
01:47:49 - Anyway, I'd like him.
01:47:52 Send him?
01:47:57 - We were on our way to Hoboken.
01:48:00 And leave Hoboken where it is.
01:48:02 Might be easier to bring Hoboken here.
01:48:07 You know, honestly, Mr. Sage,
01:48:12 ...but I guess that you're really one
01:48:16 The century is still young.
01:48:19 We couldn't let our star attraction
01:48:22 You're paying a bitter price
01:48:24 That old guy smells with lace on,
01:48:27 - We'd have to fumigate after every show.
01:48:35 Stick him in on the opening night.
01:48:38 Give him two minutes.
01:48:41 And the kid's with him in Hoboken.
01:48:44 Well, I'll have to think
01:48:52 - Hello, kid.
01:48:57 That nag looks like a cinch in the fifth.
01:49:12 Brandy, George.
01:49:14 Cash or credit, Miss Hale?
01:49:18 - Well...
01:49:21 No more credit.
01:49:23 Two Manhattans.
01:49:25 Good try anyway, kid.
01:49:31 Jimmy Walters.
01:49:34 - Remember?
01:49:38 - Seen you when you done it.
01:49:44 You look like you got a different kind
01:49:47 Yeah.
01:49:49 You look good and defrosted.
01:49:51 Yeah...
01:49:53 ...but you're still on ice.
01:49:57 I got enough left for a couple of beers
01:50:05 Okay, champ.
01:50:08 Couple of beers.
01:50:10 Draw two.
01:50:13 They got booths in this dump for ladies.
01:50:36 Two beers.
01:50:58 Now...
01:51:02 ...when I was a champ, you gave me
01:51:06 Now I'm a tramp, you're willing to drink
01:51:12 The only difference between you
01:51:17 I'm not that thirsty.
01:51:20 The winner and still champion!
01:51:26 And still hitting...
01:51:30 ...below the belt.
01:51:40 Somebody give me a hand! Quick!
01:51:42 Somebody come here, quick! Hurry up!
01:51:47 When you're through,
01:51:51 - I was only looking at the stock market.
01:51:57 - Hello, Gil. How are you?
01:52:01 Gil, we're so glad to see you back.
01:52:04 Sheila will want to see you.
01:52:06 - Wait a minute. I'll tell her you're here.
01:52:09 - Boy, Gil, how's it feel to be out?
01:52:13 - All right.
01:52:14 - You didn't give much over the phone.
01:52:19 - She's gotta stay in bed a couple of days.
01:52:22 Well, a couple of weeks.
01:52:25 You're not a very good liar, are you, kid?
01:52:30 She ain't so good at all, Gil.
01:52:32 Doctor says her heart
01:52:35 All right, Gil.
01:52:38 Gil, Sheila don't know how it is.
01:52:41 Nobody does but me. Now you.
01:52:53 Well, nurse, how's the patient?
01:52:56 She won't take her soup.
01:53:00 You better run along. Time somebody
01:53:04 Won't eat the soup, huh?
01:53:07 Well, yeah.
01:53:11 It's too good for her. Here.
01:53:17 Now open the kisser.
01:53:26 Hello, Red.
01:53:29 Hello, Gil.
01:53:32 I got your flowers.
01:53:35 How'd you know
01:53:37 Well, who else would send a girl
01:53:41 Oh, yeah. Yeah.
01:53:46 There you are.
01:53:51 How's your pal Capalini?
01:53:55 Oh, well...
01:53:56 ...when I came out of the clink,
01:54:00 We nodded.
01:54:02 That could mean a lot of things.
01:54:05 "Hello. Goodbye.
01:54:09 Yeah. Yeah. It can also mean,
01:54:12 Or, "Go break your legs."
01:54:21 What did you miss most in jail, Gil?
01:54:25 Beer.
01:54:29 What next?
01:54:32 Dames.
01:54:35 Any dame in particular?
01:54:38 Oh, yeah. Yeah. Three or four.
01:54:43 Well, did it ever narrow down?
01:54:49 Yeah.
01:54:53 Yeah.
01:54:57 To a razor edge.
01:55:00 Anyone I'd know?
01:55:02 Well, very slightly.
01:55:06 Oh, Red.
01:55:16 I'm still in that elevator...
01:55:20 ...going down.
01:55:22 I'm right with you, Red,
01:55:28 Gil...
01:55:30 ...we're gonna have so much
01:55:36 Or maybe we'd better
01:55:39 Yeah. Yeah.
01:55:41 Kids gotta have some respect for us.
01:55:43 Sure. We wouldn't want them to think
01:55:48 ...that met at a roller coaster.
01:55:52 We won't tell them nothing
01:55:56 - What ducks?
01:56:01 ...aluminum-coated, predigested
01:56:06 You know the kind that
01:56:09 I don't like ducks.
01:56:11 They won't like you very much when
01:56:16 - Am I raising ducks?
01:56:20 Beginning day before yesterday.
01:56:22 Red, there's a fortune in it.
01:56:25 Well, it's a living anyway.
01:56:29 Will they be yellow ducks?
01:56:33 Because if it's gotta be ducks...
01:56:36 ...I want little, yellow, fuzzy ones.
01:56:40 If they don't come in yellow,
01:56:46 Of course, I don't believe
01:56:49 A word of what, honey?
01:56:51 What's happening.
01:56:54 It's too good for me, like Mom's soup.
01:56:58 There's nothing too good for you, Red.
01:57:02 Gil?
01:57:04 - Do you still have the wedding license?
01:57:11 It ran out.
01:57:14 - The poor little thing.
01:57:17 No. I like this one.
01:57:27 Look, Red, you'd better rest now.
01:57:31 I feel fine.
01:57:33 - I'm not tired.
01:57:39 - Put that over here.
01:57:45 Gil, how far away from 42nd Street...
01:57:50 ...would you be if you had a duck farm?
01:57:55 An hour or two maybe.
01:57:58 That's not very far
01:58:02 And it's not very far to get back if
01:58:09 ...like 42nd Street.
01:58:14 You know, don't you, Gil?
01:58:18 You know what's wrong with me.
01:58:22 I'm two people.
01:58:25 And that just makes you twice
01:58:28 No, Gil.
01:58:31 I'm two people.
01:58:34 - Neither one of them is any good.
01:58:40 Maybe you got mixed up
01:58:42 But that's not it, Gil.
01:58:46 The Follies didn't hurt
01:58:51 Slayton told us.
01:58:54 He said that the same things
01:58:58 ...even if we were still where
01:59:04 ...that it was strictly up to us.
01:59:11 You know something, Gil?
01:59:15 I'll hate to miss
01:59:21 You just go to sleep.
01:59:23 Dream about the ducks, huh?
01:59:26 And this?
01:59:30 Yeah.
01:59:38 I love you, Red.
01:59:41 Put that in your dream too, will you?
02:00:33 Come on, girls. Hurry up.
02:00:35 Don't worry, Pop. Take it easy.
02:00:39 - lf you lay an egg, do me a favor.
02:00:41 Cackle. That will be my signal
02:00:43 Say, boy, run out and get a double Bromo.
02:00:48 Hey! There's your music.
02:00:50 Don't worry. He can smell a cue
02:00:53 Hold her for me. If you find her slipping,
02:00:56 - When did the Follies start?
02:00:58 For the first time, they're gonna
02:01:04 Gee! Am I too late?
02:01:06 - Yeah. To stop them.
02:01:08 She's gonna be okay.
02:01:19 It's Mr. Gallagher
02:01:23 As I live
02:01:27 - How long have you been here?
02:01:30 It's the strangest country
02:01:34 Oh, Mr. Shean
02:01:38 Over here
02:01:41 - Yes?
02:01:44 And we'll pay no income tax
02:01:46 - Positively, Mr. Gallagher
02:01:58 But it's in the balcony.
02:02:01 Oh, that's fine, Ted.
02:02:02 Oh, no, I couldn't let you pay
02:02:10 Thanks.
02:02:20 Mr. Gallagher
02:02:24 I understand one day
02:02:28 In a rowboat out at sea
02:02:32 Someone said that
02:02:35 Oh, Mr. Shean
02:02:39 When she sank
02:02:43 Dragged her out upon the shore
02:02:47 - Who, the lady, Mr. Gallagher?
02:02:54 - Could it be that we're wrong?
02:03:00 Oh, Mr. Gallagher
02:03:04 At the Follies
02:03:08 Are you the redhead on the end?
02:03:12 How about a little date with me tonight?
02:03:15 Oh, Mr. Shean
02:03:19 Why, you haven't got a look-in
02:03:22 - Why not?
02:03:25 Who have lavished her with gold
02:03:27 - To keep her friendship, Mr. Gallagher?
02:03:34 Oh, Mr. Gallagher
02:03:37 - Today I paid a visit to a gallery
02:03:41 Of all the statues that they show
02:03:45 Is the greatest in all Greek mythology
02:03:49 Oh, Mr. Shean
02:03:52 - For de Milos' Venus, I'm not very keen.
02:03:56 For the thing that spoils her charms
02:04:00 - I didn't see them, Mr. Gallagher
02:04:09 - Pop!
02:04:11 Take another bow! Take another bow!
02:04:18 Don't leave me holding the bag.
02:04:19 You did it, Pop!
02:04:22 I just softened them up for you.
02:04:25 All right. Oh, I gotta get
02:04:28 - Right?
02:04:30 There's something I wanna ask you
02:04:32 The answer is yes, Mr. Regan.
02:09:47 Mr. Sage, something's happened outside.
02:09:50 Excuse me.
02:09:52 Phone that doctor again
02:09:55 Yes, sir.
02:09:58 Oh, Sheila.
02:10:10 Hello...
02:10:13 ...beautiful.
02:10:15 Hello, Flatbush.
02:10:19 Did you hear about me and Gil?
02:10:22 No. Tell me about it.
02:10:25 We're gonna raise ducks.
02:10:29 And grandkids.
02:10:34 Little, yellow, fuzzy ones.
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