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Zift en
00:00:05	in association with
00:00:08	bulgarian National Film Center
00:00:11	bulgarian National Television
00:00:14	present
00:00:17	a Javor Gardev film
00:00:21	based on the novel "Zift"
00:00:25	director of photography
00:00:29	Production designer
00:00:33	Costume designer
00:00:36	Once there was a guy like you
00:00:40	A septic-truck driver, Kalcho.
00:00:44	He got sacked from the Waste
00:00:48	The guy was married,
00:00:51	He was green-eyed jealous.
00:00:55	One day she goes out to eat
00:00:59	Kalcho follows her secretly.
00:01:03	but a pastry-cook, racy as
00:01:09	She does the dirty with him -
00:01:12	he lives on the ground floor
00:01:17	Kalcho drives up the septic truck,
00:01:19	throws the hosepipe
00:01:23	and pumps out
00:01:27	Three tons of feces.
00:01:31	Kalcho drives off - shitless.
00:01:37	The police get on his stinking trail
00:01:41	The investigation report shows
00:01:43	two and half tons of fecal matter
00:01:48	and half a ton more pulverized
00:01:53	A trial begins. They call in
00:01:59	The prosecutor asks him:
00:02:02	""And so you're going home to get
00:02:06	you open, and... shit!
00:02:10	Didn't you feel sickened,
00:02:12	The prosecutor, you see, is trying
00:02:17	not only the material ones.
00:02:20	""No, I didn't.""
00:02:23	""Just like that, comrade prosecutor.
00:02:26	If it were a turd or two,
00:02:32	but two and a half tons of shit
00:02:39	The point is simple:
00:02:42	the bigger the shit,
00:02:50	The moral damage,
00:02:55	ZlFT
00:02:58	Used as filler for road surfaces
00:03:10	Six o'clock. Good morning.
00:03:29	Voltaire's
00:03:34	""Dictionary of Foreign Words"
00:03:40	Man - that sounds dignified.
00:03:43	Zachary Baharov
00:03:46	Tanya llieva
00:03:50	Vladimir Penev
00:03:52	Mihail Mutafov
00:03:57	Djoko Rossich
00:03:59	Snezhina Petrova
00:04:03	Hristo Petkov
00:04:05	Officer on Duty
00:04:07	boyka Velkova
00:04:09	Yosif Shamly
00:04:13	Antoniy Argirov
00:04:16	Stoyan Radev
00:04:20	Tsvetan Dimitrov
00:04:23	Yordan Mutafov
00:04:27	Veselin Mezekliev
00:04:31	Antonia Ara Vladimirova
00:04:34	Ilia Raev
00:04:38	Aleksander Kadiev
00:04:41	Pavlin Petrunov
00:04:45	Danail lvanov Obretenov
00:04:48	Krum Netzov
00:04:54	Ivo Krastev
00:04:58	Yavor Vesselinov
00:05:01	Antonio Dimitrievsky
00:05:06	Rositsa Dicheva
00:05:10	Yordan Bikov
00:05:15	Ivaylo Dragiev
00:05:18	Stefan Goranov
00:05:20	No Work, No Food
00:05:23	Dimiter Dimitrov
00:05:26	Vladislav Todorov
00:05:28	On Your Feet, Toiling Hands.
00:05:30	Lily Abadjieva
00:05:33	Milen Aleksiev
00:05:36	Nikola Toromanov
00:05:40	Rushi Vidinliev
00:05:43	Nikolina Yancheva
00:05:47	Yulian Petrov
00:05:51	Vasil Yordanov
00:05:59	Sound Mind in a Sound Body
00:06:36	Sixteen o'clock.
00:06:39	I'm leaving Sofia Penitentiary
00:06:42	The plan, as the Soviet saying goes,
00:06:47	The release date has come.
00:06:50	The plan is simple:
00:06:54	then make off for the tropics
00:06:57	I was jailed before
00:07:01	They let me go long after it. I'm not
00:07:04	except that The Bible was replaced
00:07:09	It was only with the Thaw of '56
00:07:13	and we began to fraternize freely.
00:07:16	before I split, I need to visit
00:07:20	I never saw him.
00:07:22	He was born
00:07:24	I got the news
00:07:28	before they locked me up,
00:07:30	I lived in the seedy
00:07:33	I barely remember my parents.
00:07:37	enlisted in the Foreign Legion
00:07:43	I never found out
00:07:45	or because he was fed up with us.
00:07:48	Around that time my mother died.
00:07:52	I wasted my youth in the can
00:08:01	Moth, let's go.
00:08:09	They dubbed me Moth
00:08:13	I used to hide in closets
00:08:17	Once you get a nickname,
00:08:20	Sometime after '44,
00:08:22	I began to exercise vigorously
00:08:25	I read through
00:08:27	to get to the bottom of things
00:08:31	when I'd have to embrace
00:08:35	I'm the push-ups Tsar of the prison.
00:08:38	I'd go watch Dan Kolov
00:08:43	Those who haven't seen Dan Kolov
00:09:06	The zift released its flavor
00:09:11	And that was how
00:09:15	walked out to my freedom.
00:09:17	I got paroled
00:09:19	for introducing communist
00:09:23	I launched a propaganda campaign
00:09:26	and thoughtful idea.
00:09:28	In the corner of the canteen
00:09:30	I stockpiled all sorts of
00:09:33	including plowshares,
00:09:35	The idea suddenly dawned on me,
00:09:38	brand new civilian clothes, a pair of
00:09:42	They said I was reformed,
00:09:44	and let me go before my term was up.
00:09:49	Unfortunately, on my way out,
00:09:51	I bumped into that shit-face
00:09:56	I couldn't let him pass without
00:10:06	I unbuttoned my mouth
00:10:10	""The end starts at the beginning."
00:10:12	""The end starts at the beginning."
00:10:13	That thought I picked up
00:10:15	so I can say it when
00:10:18	I wanted to give the moment its due.
00:10:21	You can't let such moments
00:10:23	one leg after the other
00:10:26	Crossing the threshold is
00:10:28	Iike walking under the rainbow
00:11:20	The car reeks, a funky mixture
00:11:25	The private behind the wheel
00:11:31	Who?
00:11:33	Who?
00:11:35	Private!.
00:11:36	Step on it.
00:11:46	Where are we going?.
00:12:01	Where are we going?.
00:12:12	Who are you?
00:12:56	The public bath.
00:13:03	Seventeen o'clock.
00:13:09	Ladies
00:14:16	What do you want?.
00:14:19	I want you naked.
00:14:22	butt-naked.
00:16:14	During my first year in prison
00:16:20	He was soft and gentle on the inside,
00:16:23	We always took our meals together.
00:16:28	One day, during meal-time,
00:16:30	the Mutant, an asshole and
00:16:35	came up with his personal slave,
00:16:38	and they stood behind our backs.
00:16:40	The rickets took out a sheet of paper
00:16:42	and started reciting at the top
00:16:45	Valentine's love letter
00:16:48	To my master,
00:16:50	brother and dear friend,
00:16:54	my man most of all,
00:16:58	the first and last one
00:17:01	I can never be your bride,
00:17:05	but I love you with
00:17:10	Valentine.
00:17:25	It was then my former cellmate,
00:17:28	advised me not to write any letters,
00:17:32	because they were looking
00:17:34	to pick up a fight with me
00:17:37	Van Wurst-the Eye had a glass eye,
00:17:39	which would often pop out,
00:17:48	Van Wurst, Van Wurst, Van Wurst...
00:18:04	Chew him up.
00:18:35	Kill him!
00:18:47	Yes!
00:19:14	After dinner, before the bedtime
00:19:20	At first, Van Wurst
00:19:23	but with time
00:20:02	You look at the sky, and it looks
00:20:07	You're one dangerous man. With all
00:20:10	being dangerous keeps you safe.
00:20:13	If you're not dangerous in the can,
00:20:16	Is that why you poked your eye out?
00:20:21	No. That was an accident.
00:20:25	I lost it
00:20:29	The jewels were hidden in
00:20:34	I fumbled with it,
00:20:37	but the clock struck midnight.
00:20:40	The spring leaped
00:20:45	It ran out right there.
00:20:48	In Barcelona?
00:20:51	And they locked me up
00:20:54	a panopticon.
00:20:58	This eye here on the top
00:21:01	Panopticon?.
00:21:03	That's right. A round prison.
00:21:08	There was this watchtower
00:21:11	And cells all around it. No doors.
00:21:16	The wardens see everything.
00:21:20	Pan-opticon.
00:21:24	The eye that sees all.
00:21:28	The eye is the fastest thing, Moth.
00:21:31	Once you cast a glance,
00:21:34	it travels with the speed of light.
00:21:37	To hide from it,
00:21:40	you have to exceed that speed,
00:21:43	which is impossible by nature.
00:21:53	There I understood
00:21:58	On the way out of the panopticon,
00:22:01	""Abandon all hope, ye who enter here."'
00:22:04	Ha. You get out of the can
00:22:09	Yes, Moth. Hope is a bird
00:22:14	If you let it free, it dies.
00:22:18	There's no hope
00:22:21	You have one?.
00:22:23	What is it?
00:22:25	When you take off for the tropics,
00:22:29	know that corals
00:22:31	They die when the filthy
00:22:36	I need peace.
00:22:39	To find peace, Moth, you have to cut
00:22:44	Especially with women.
00:22:46	Especially with the Woman.
00:22:50	Know that: man is a living coral,
00:22:54	until he's touched by the Woman.
00:22:56	When the Woman touches him,
00:23:01	Hell has already touched me.
00:23:05	In Hell or Paradise,
00:23:10	I fell in love with Ada
00:23:13	A tight-fitting,
00:23:16	the aroma of raw milk,
00:23:21	pupils of jet,
00:23:26	The crotch - invitingly loose,
00:23:32	Her thighs parted shyly,
00:23:40	Her eyes lingered on me,
00:23:52	Her voice was soft and silky
00:23:58	she pulled a hidden trigger
00:24:38	Did you come?
00:24:41	I unloaded,
00:24:46	So began our romance.
00:24:50	Moth, have you heard of
00:24:56	When they wire you up
00:24:59	Yes.
00:25:01	They wire you to a dynamo.
00:25:04	If you lie,
00:25:07	Lies turn the dynamo
00:25:11	The inventor of that wire
00:25:15	used to draw a comic series
00:25:19	who enslaved men
00:25:24	So, the comic-book guy
00:25:26	gave a scientific twist
00:25:31	and came up with the lie detector.
00:25:55	Slug.
00:25:58	The diamond, Moth.
00:26:01	My dick, Slug.
00:26:11	Stand still!.
00:26:15	Where did you hide it, boy?.
00:26:18	You hid it.
00:26:23	Fucking asshole.
00:26:27	Sir, yes, sir.
00:26:30	You found it.
00:26:33	You found it, you piece of shit.
00:26:48	Yes. I shoved it up my ass.
00:26:53	Is that so?
00:26:56	Go ahead. Search me.
00:27:06	Stick it inside.
00:27:09	We'll fix your memory circuit.
00:27:21	I bought a praying mantis in a jar
00:27:28	I wanted to buy a pair,
00:27:32	but the woman warned me that some day
00:27:38	So I dropped the idea.
00:27:42	On my strolls by the Canal,
00:27:46	I'd take her out of the jar
00:27:49	and regain her sense of freedom...
00:28:03	I gave the mantis to Ada
00:28:05	as a proof that I was crazy about her.
00:28:08	She fell in love with the insect.
00:28:28	Moth and Mantis - that's how we
00:28:32	among the local gangs.
00:28:38	I was good at boxing and won
00:28:42	Ada liked to watch me fight,
00:28:44	so we could make love
00:28:47	Fighting turns women on.
00:28:50	For a while we fooled around in
00:28:52	among refuse and excrement.
00:28:55	get our own place
00:28:58	but we needed money.
00:29:02	but dropped out of school
00:29:05	I dreamed about making it big
00:29:07	and writing an autobiography,
00:29:15	We got tattooed by a barber, an old
00:29:21	I asked for a large moth
00:29:26	she wanted a mantis
00:29:35	After that Ada decided
00:29:55	I'm pregnant.
00:29:57	I ripened on the spot.
00:30:00	We decided to rent an apartment.
00:30:03	We needed cash, so I took a day job
00:30:09	but for Ada, we had to see the Slug,
00:30:14	He found odd jobs.
00:30:21	He sent Ada off
00:30:24	His name was
00:30:26	a former white-guard.
00:30:30	He lived close
00:30:33	Slug had a plan.
00:30:35	Ada had to work for Bijou until
00:31:00	The safe is in the wall of the lobby.
00:31:02	The valuables are not in there
00:31:07	How did you find that out?
00:31:10	I eavesdropped.
00:31:13	Spit it out.
00:31:18	Where?.
00:31:25	An African statuette.
00:31:28	You kidding?.
00:31:31	Ever since he got the statuette,
00:31:34	when I tidy up
00:31:37	How big is it?
00:31:41	And the penis?
00:31:45	Is it heavy?.
00:31:47	How come the negro doesn't tip over?
00:31:50	So there's something hidden
00:31:52	That's what I was saying.
00:31:54	The other day I took it in my hands
00:31:59	bijou bristled up, told me
00:32:02	and I shouldn't get anywhere near it.
00:32:11	We'll lift it.
00:32:14	There's a way.
00:32:16	bijou goes
00:32:21	You have two days
00:32:25	In two days, tell me how?
00:32:28	Mount him.
00:32:31	You mount him.
00:32:36	bijou doesn't have a wiener.
00:32:39	I'm not. He told me so.
00:32:41	He told you?.
00:32:44	He was born in Odessa with a wiener.
00:32:46	His sister saw him naked
00:32:48	She asked about the thing
00:32:51	They told her it's something
00:32:54	The sister took a pair of scissors
00:32:58	That's an old story. I've heard it
00:33:03	You watch out they don't tell it
00:33:06	I'll be watching, Moth.
00:33:10	I'll be watching.
00:33:21	The day before the heist, Ada took
00:33:25	On his way out,
00:33:29	and rushed to the toilet,
00:33:39	That same Friday
00:33:41	we waited for Ada to signal
00:33:45	Aside from the statuette, we had
00:33:50	so it would look like a random
00:33:52	and Ada wouldn't be a suspect.
00:34:35	You sing and you live.
00:34:38	Or you float in the jar.
00:34:42	I don't know that song.
00:34:46	The police found the negro's
00:34:52	Empty. I didn't see a penis there.
00:34:56	You found it. There's nobody else.
00:35:00	There was no diamond.
00:35:04	I can make your life a living hell.
00:35:07	Don't push me. Don't.
00:35:11	There was no diamond, Slug.
00:35:15	Dinner.
00:36:29	You're hungry?
00:36:48	You finish it, insect.
00:37:27	Why didn't you rat me out?
00:37:31	Generosity?
00:37:33	I don't give a shit about you, Slug.
00:37:38	Where did you hide it, Moth?
00:37:51	You're finished.
00:38:04	You'll be out soon. What's the plan.
00:38:07	Simple.
00:38:10	I don't want to.
00:38:12	So what's your goal?.
00:38:15	Not to leave this time.
00:38:18	What do you mean?
00:38:21	Don't ask, you won't get it.
00:38:51	Moth, I want to give you something.
00:39:01	He gave me a postcard
00:39:02	with a savage-looking female,
00:39:06	Someone wrote on its back:
00:39:11	For them fornication is a travesty
00:39:15	You wrote that?.
00:39:19	I copied it down from an old book,
00:39:21	""The Witch Hammer".
00:39:32	You look at the sky and it looks
00:39:38	Those were his last words.
00:39:42	the night before
00:39:45	The same night, I was digging
00:39:48	where the mummified leader and
00:39:50	Georgi Dimitrov,
00:39:54	I found the glass eye the next day.
00:39:56	Van Wurst had left it in my mattress
00:40:00	I still remember his words:
00:40:02	""Moth, for the soul the eyes are
00:40:05	Iike peas under a princess's
00:40:10	They don't let her rest.
00:40:13	Van Wurst-The Eye was and remains
00:40:19	His real name was
00:40:23	After he took his life
00:40:28	there was no one left for me to leave
00:40:36	You drank enough poison
00:40:36	You drank enough poison
00:40:40	Slowly but surely.
00:40:43	So why did you have to poison me?.
00:40:48	Listen carefully, Moth.
00:40:52	This poison has an antidote.
00:40:56	And guess who has it?.
00:41:01	I do.
00:41:04	Did you think that up with your ass,
00:41:11	Instead of thinking with your ass,
00:41:13	why don't you play
00:41:17	Mockery of the people's anthems?.
00:41:23	Listen, Moth.
00:41:25	You tell me where you hid the stone,
00:41:29	and you leave this shithole alive.
00:41:34	Otherwise you stay
00:41:38	until you start cramping
00:41:58	Leonid, or Leo, as she called him
00:42:02	died of lockjaw.
00:42:05	Sounds terrible.
00:42:32	Moth?.
00:42:35	Raycho?
00:42:37	Raycho-The Skin - that's
00:42:40	We were great friends.
00:42:42	You're in deep shit, buddy,
00:42:46	very deep.
00:42:49	They told me to rub you sore
00:42:50	and throw you in that barrel
00:42:54	His dream was to become
00:42:56	When he got Snow-White and the Seven
00:42:59	he won the respect of all the kids
00:43:01	One day Raycho disappeared.
00:43:03	He was banging a gypsy girl
00:43:06	and rumor had it, her relatives
00:43:10	It turned out,
00:43:14	I was his best man at the wedding.
00:43:16	Get out of here, man.
00:43:22	Where?.
00:43:26	Run. Get lost.
00:43:30	Hit me with this bench,
00:45:22	Moth.
00:45:25	Enough.
00:45:40	Enjoy you bath, you filthy Moth!
00:45:46	The sergeant major's bosom
00:45:54	Nineteen o'clock.
00:45:59	Well, comrades,
00:46:10	Welcome to the hood.
00:46:53	Whoops, the chewing gum.
00:47:41	Give me some pretzel, comrade.
00:47:44	I need to deliver milk
00:47:59	Twenty o'clock.
00:48:01	Tobacco-stained female voices
00:48:06	Doctor's Office
00:48:12	A heady smell of cheap tobacco,
00:48:23	Comrade, are you drunk?
00:48:27	No.
00:48:30	We're rehearsing "Under the Yoke""
00:48:33	I'm playing Ognyanov,
00:48:36	Ognyanov?.
00:48:41	Look, that's the approach.
00:48:45	Stop shitting me.
00:48:48	Jolly as an old tart.
00:48:52	I mean it. We were rehearsing
00:48:55	Now I feel nauseous.
00:48:57	Ognyanov...
00:49:08	Her gaze scratches
00:49:13	That's one lame story.
00:49:15	We'll need to test you for alcohol.
00:49:20	Nicotine phlegm
00:49:25	Nurse, drain out Ognyanov.
00:49:29	Take his blood sample.
00:49:31	And urine sample.
00:49:34	Let's see
00:49:42	The nurse ogles me,
00:49:47	Follow me into the manipulation room.
00:50:01	You got a medical record?.
00:50:03	You don't think?
00:50:06	I recently moved into this
00:50:10	and now I work in the packaging
00:50:13	""Malchika"?
00:50:32	You've got a large vein, comrade.
00:50:39	We urinate in the glass.
00:50:42	I'll do my best.
00:50:44	You're lucky the lab guy will process
00:50:49	He's an awfully sweet person.
00:50:51	And frankly, it wouldn't hurt at all
00:50:57	Did you hear
00:51:00	Who's that?
00:51:02	The one with the big boobies?
00:51:04	Yes.
00:51:06	who plays
00:51:08	In February she goes skiing.
00:51:11	She climbs the trail
00:51:15	but all of a sudden she needs to pee.
00:51:18	takes down her pants, and squats,
00:51:21	She loses her balance. The skis start
00:51:27	and Stomna goes flying down
00:51:30	She falls and breaks her ankle.
00:51:33	but manages to pull up her pants
00:51:36	and keeps her dignity. Otherwise -
00:51:40	A national actress
00:51:44	Yeah, right. As if I believed you.
00:51:47	A national actress
00:51:58	The Grey Horse
00:51:59	""You are my mermaid,
00:52:03	I'm your drowning sailor.
00:52:07	You are my mermaid,
00:52:11	I'm your drowning sailor.
00:52:19	Weep, heart, oh weep,
00:52:22	weep for your alma
00:52:26	that nowhere else in the world
00:52:30	there are blue eyes
00:52:34	and blond hair like hers. "
00:52:46	Waiter, rum for the young fellow here.
00:52:50	Chug!
00:52:52	They smell of mastic and earwax.
00:52:55	Shit.
00:52:58	Who are you?
00:53:01	Grater
00:53:07	Listen up, buddy, I'll tell you
00:53:10	There was this big time embarrassment
00:53:14	So, Grater stuffs himself full
00:53:16	of fried beans, pickled cabbage,
00:53:19	His little wife
00:53:21	She grabs him at the door,
00:53:24	Ieads him into the dining room,
00:53:29	There's a knock on the door.
00:53:31	She goes to answer it,
00:53:33	Grater is full to bursting,
00:53:37	waiting for the surprise,
00:53:39	He shifts
00:53:42	comes off the chair,
00:53:48	To disperse it, he takes one side
00:53:52	He feels relieved for a moment.
00:53:54	And again... grrr, grrr.
00:53:59	And so he keeps on grating,
00:54:02	takes off his blindfold,
00:54:06	All around the table sit the guests
00:54:12	Imagine the embarrassment.
00:54:17	Have a bite. Have one.
00:54:22	Chug!
00:54:32	Twenty-one o'clock.
00:54:36	Hey, man.
00:55:00	A buddy of mine, Badjo,
00:55:05	He takes it for a test ride
00:55:07	but the front wheel jams.
00:55:11	The bike makes a somersault,
00:55:13	badjo flies off, and crashes into
00:55:22	He's slashed all over,
00:55:23	and... goes straight to the ER
00:55:26	Meanwhile, his wife soaks up
00:55:29	that has spilled on the floor
00:55:32	and throws them into the outhouse.
00:55:35	badjo gets home all bandaged up.
00:55:39	He takes a shot of brandy,
00:55:44	He lights up a cigarette...
00:55:48	and straight back to the ER.
00:55:51	Out of the dark bosom of Chaos.
00:55:54	What a thought!
00:55:57	I'll have it inscribed
00:55:59	and give it to my wife
00:56:02	Take it easy with the 8th of March,
00:56:07	Lom?
00:56:11	Hey, Emko, give them the scoop.
00:56:15	Last year on the 8th of March
00:56:21	a black cat
00:56:25	Down the street comes a truck
00:56:30	The driver sees the cat,
00:56:34	and enters the intersection
00:56:38	but at that moment, kindergarteners
00:56:41	and he rams on the brake.
00:56:43	A metal sheet goes flying out,
00:56:46	breaks the window glass
00:56:51	and chops off an entire row
00:56:56	The driver freezes in horror,
00:57:00	A group of shock-workers
00:57:03	having their hair done
00:57:07	Poor creatures.
00:57:13	Do you know what iridium is?.
00:57:19	Get me the report.
00:57:22	The poison is in your blood.
00:57:26	Do you have an idea when and how
00:57:30	Do you understand how serious this
00:57:33	There's no antidote for this poison.
00:57:37	You have been murdered!
00:57:40	Don't move.
00:57:43	Twenty-two o'clock.
00:57:47	The murdered one is still alive.
00:57:54	I'm done with.
00:57:56	I dash for
00:57:59	I was baptized here.
00:58:01	Ada and I exchanged vows here
00:58:06	Father Todor became our witness,
00:58:11	She wanted me to pledge my love
00:58:45	Man can't leave this place
00:58:49	As the soul takes her due
00:58:52	but leaves the body in return.
00:58:57	I was seized with shame.
00:59:00	Father, I didn't come here to take,
00:59:04	with his crooked finger
00:59:07	No! Whatever's taken stays taken.
00:59:27	You've fallen, son,
00:59:30	You've perished.
00:59:34	What path did you take
00:59:38	He recognized me.
00:59:42	You recognized me, father.
00:59:47	Of course, I recognized you.
00:59:49	It was this hand that baptized you.
00:59:53	Why did you come here?
00:59:57	To repent, father, for I am a goner.
01:00:00	We are all goners.
01:00:03	Where do you come from
01:00:06	I got my freedom today,
01:00:10	I'm going to die.
01:00:15	You talk in riddles. Something's
01:00:20	Confess and you'll feel better.
01:00:26	I have one sin only, which I've been
01:00:29	That sin will finish me.
01:00:33	but I swear I'm not a murderer.
01:00:35	The murderer is another
01:00:36	Why? Who tied your tongue?.
01:00:39	Nobody. It was for her.
01:00:42	She was pregnant. I needed to protect
01:00:46	boy, you're delirious.
01:00:49	I have atoned
01:00:53	The time for reckoning has come.
01:00:57	Tonight I'll draw the bottom line.
01:01:01	You're feverish.
01:01:04	Please, father, tell me where she is.
01:01:07	Give it up, boy.
01:01:09	After the communist coup
01:01:15	of a commissar.
01:01:20	Tell me, father, tell me.
01:01:24	With that slimy guy,
01:01:30	and then came out of the underground,
01:01:32	put on a uniform
01:01:38	The truth, father, say it.
01:01:40	Ah. You can't get to the truth, son.
01:01:45	Your truth is not her truth.
01:01:50	Where can I find her?. Where?.
01:01:52	At the cocktail lounge
01:01:56	Malko Tarnovo?.
01:01:59	The steep alleyway behind the palace.
01:02:03	You'll find it.
01:02:09	God be with you, Levo.
01:02:13	Live!
01:02:21	Death and the people's government
01:02:28	when suddenly I saw the city center
01:02:36	I said to myself:
01:02:40	Up there, on top of the world,
01:02:43	the red star shines in the heavens
01:02:47	The words of the prison-cell radio
01:02:51	Iight has conquered darkness.
01:02:55	I notice that I cast no shadow.
01:02:57	Am I dead,
01:03:02	Or am I standing
01:03:06	I feel elated, class conscious.
01:03:14	The mausoleum!
01:03:27	I fall prostrate
01:03:29	the gaps filled with
01:03:34	""The Dictionary of Foreign Words""
01:03:36	helps me grasp the gist
01:03:39	mummy comes from the Arabic word
01:03:45	The Leader's mummy
01:03:48	so that I can taste it
01:03:52	receive it like a blessing,
01:03:58	The mummy -
01:04:14	What shall it be?
01:04:16	White slave?. Just right
01:04:21	Who's singing tonight?
01:04:24	Gilda. The girl in the photo.
01:04:28	She's got one more act
01:04:42	The bar looks dejected,
01:04:47	Cheers.
01:04:51	A bowtie on a bare neck?
01:04:55	No. I lost a bet and now
01:05:00	A bet?. What kind?
01:05:02	With a major from the military
01:05:05	He comes here because of Gilda.
01:05:07	We discuss, how should I say,
01:05:51	""When the Kalirakra earthquake
01:05:56	I was still a young girl.
01:06:01	A great wave split the coast.
01:06:12	We're wicked, people say,
01:06:17	but I don't believe them.
01:06:23	The moon is to blame,
01:06:29	the full moon.
01:06:33	The moon carelessly plays
01:06:39	by the notes of lunar jazz.
01:06:45	The moon is to blame.
01:06:50	The mad moon.
01:07:27	When they killed the boy in Varna
01:07:32	who was in love with me,
01:07:37	they told me
01:07:43	I was a hopeless bitch.
01:07:48	You're wicked, people point at me,
01:07:53	but I don't believe them.
01:07:59	The moon is to blame,
01:08:05	the full moon.
01:08:09	The moon carelessly plays with us
01:08:15	by the notes of lunarjazz.
01:08:21	The moon is to blame,
01:08:26	the mad moon."'
01:08:39	There's this book called ""Candide"".
01:08:43	It asks
01:08:48	to drift around the world
01:08:52	and be raped
01:08:54	or to sit down on your warm butt
01:09:00	What is the human thing to do?
01:09:02	Hmm, you don't get to choose.
01:09:04	Man squats down in life's
01:09:07	but only after he's been raped
01:10:07	Coming in?.
01:10:19	The criminal always returns
01:10:23	Who owns all of this?
01:10:29	Slug?
01:10:33	Yes, but he doesn't live here.
01:10:35	Men don't live in parlors -
01:10:39	Did you sleep with him?.
01:10:44	To cover your rent?.
01:10:53	He believes the stone is here.
01:10:55	That's why nothing gets touched.
01:11:10	White slave.
01:12:26	The praying mantis.
01:12:30	She seems to be praying, while
01:12:37	When in heat, she takes on
01:12:40	and remains exquisitely still until
01:12:50	A little before the male ejaculates,
01:12:56	The beheaded male
01:12:59	in fact, his potency is enhanced.
01:13:01	Copulation is the reverse
01:14:24	Suddenly,
01:14:28	with the smell
01:14:39	I"m losing my mind.
01:15:01	Tell me about Leo.
01:15:04	Leo's gone.
01:15:09	Let's run away from here.
01:15:17	We'll need money. I'll take some from
01:15:22	There's no need. I know.
01:15:26	Where the stone is.
01:15:30	The diamond.
01:15:33	Where?.
01:15:36	In Bijou's grave.
01:15:43	So there was a stone after all.
01:15:46	Yes.
01:15:50	Slug had already
01:15:53	There wasn't a trace
01:15:56	A little before
01:15:58	my eyes fell on Lolushikin's ass.
01:16:03	The penis was in...
01:16:10	Slug had shot him in the chest.
01:16:13	He was in his death throes and
01:16:18	The penis fell out.
01:16:21	Just before they stormed in,
01:16:28	They were already knocking off
01:16:30	and Lolushkin was breathing his last.
01:16:34	I dropped the stone inside.
01:16:37	He swallowed it convulsively
01:16:40	And then?
01:16:43	I came to myself in the hospital.
01:16:47	Didn't they ask about the stone?.
01:16:49	No one suspected there was a stone.
01:16:52	Or that I had accomplices.
01:17:26	Gravediggers. Living Quarters.
01:17:26	Gravediggers. Living Quarters.
01:17:27	""Death solves all problems -
01:17:31	Come on, come on.
01:17:32	Wait, wait.
01:17:38	Give me a good one.
01:17:42	Good evening. Who's in charge here?.
01:17:47	Peter Raychev. Deputy gravedigger.
01:17:52	The stench of rubber boots,
01:18:04	Over there.
01:18:06	First we visit the grave of our son
01:18:15	The grave is fresh.
01:18:16	Leonid
01:18:18	Someone was
01:18:21	The obituary says:
01:18:23	""The dark years
01:18:26	were the death of his mother
01:18:32	I'm pregnant.
01:18:34	This is not my son's grave.
01:18:40	If this Leonid's mother
01:18:45	the fraud
01:18:49	I've never had a son.
01:18:53	She was lying to me all along.
01:18:57	She brought me
01:19:14	Moth.
01:19:18	I feel sick.
01:19:21	as if death wants to remove me from
01:19:26	and is now screwing it
01:19:30	Slug is standing next to Ada.
01:19:33	It doesn't matter anymore.
01:19:37	I'm looking at her,
01:19:39	the most volatile variable in life -
01:19:45	the female variable.
01:19:57	To bijou's grave, Moth.
01:19:59	Vladivostok Dmitrievich Lolushkin
01:20:52	Vengeance makes you feel good,
01:21:01	That was the last time I saw her.
01:21:08	The mantis is a special creature,
01:21:12	by which Nature prays
01:21:14	to forgive the fall of man.
01:21:29	It's butt-warm inside.
01:21:35	I overstuffed myself with shit,
01:21:39	It's time for me to go.
01:21:42	Don't worry, man.
01:21:45	The bigger the shit,
01:21:52	The moral damage,
01:21:57	You're a good man,
01:22:00	as earnest as Lenin.
01:22:05	I have one last wish.
01:22:09	Pass me the zift from the pocket,
01:22:12	so I can get a fresh taste
01:23:11	The moth.
01:23:16	Picture him flying.
01:23:20	He doesn't fly,
01:23:26	If you try to map his flight,
01:23:30	you'll get an inscrutable drawing.
01:23:35	My life was something of the sort,
01:23:44	Moth, who lived by chance
01:24:57	Six o'clock. Good morning.
01:25:04	""Where are you,
01:25:07	where are you my homeland?
01:25:11	In front of us - Bulgaria,
01:25:14	behind us - the Danube.
01:25:18	In front of us - Bulgaria,
01:25:21	behind us - the Danube.
01:25:25	We've traveled many leagues
01:25:28	over water and land,
01:25:33	but our Soviet fatherland
01:25:35	we have not forgotten.
01:25:46	And under Balkan stars
01:25:49	we persistently recall
01:25:53	the Yaroslavl, Rezanski,
01:25:57	and Smolensky places.
01:26:07	We recall the brown eyes,
01:26:11	the quiet voices, the merry laughter.
01:26:14	Bulgaria is a nice country

Zift