Zodiac
|
00:01:06 |
Where have you been? |
00:01:08 |
Get in. I had to find fireworks. |
00:01:11 |
Let me drive. |
00:01:12 |
Get in. I haven't eaten in 24 hours. |
00:01:17 |
Are you coming or not? |
00:01:40 |
It's too crowded. |
00:01:42 |
I thought you were starving. |
00:01:45 |
Let's go someplace quiet. |
00:01:49 |
Okay. |
00:02:02 |
What are we doing? |
00:02:05 |
Sitting. Listening to music. Talking. |
00:02:10 |
- You seem weird. Is everything okay? |
00:02:22 |
It's July. |
00:02:25 |
- I'm cold. |
00:02:32 |
Fuck off and die! |
00:02:41 |
- What? |
00:02:46 |
Shut up. |
00:03:12 |
Was that car at the drive-in? |
00:03:17 |
I saw that car at Mr. Ed's. |
00:03:25 |
- Do you want me to tell him to leave? |
00:03:44 |
- Was that your husband? |
00:03:50 |
Who was that, Darlene? |
00:03:53 |
Don't worry about it. |
00:03:55 |
- Don't tell me not to worry. Who was it? |
00:04:18 |
Oh, shit. |
00:04:23 |
Let's go. |
00:04:28 |
Now, D. |
00:04:42 |
Get your wallet. |
00:04:52 |
Man, you really creeped us out. |
00:05:56 |
- Vallejo Police Department. |
00:05:59 |
May I have your name |
00:06:01 |
If you go one mile east |
00:06:03 |
a public park, |
00:06:07 |
They were shot with a 9mm Luger. |
00:06:11 |
I also killed those kids last year. |
00:06:15 |
Goodbye. |
00:06:35 |
Spit. |
00:06:36 |
Come on, buddy. |
00:06:38 |
- I swallowed it. |
00:06:41 |
It was minty. |
00:06:44 |
You can't do that. It's not good for you. |
00:06:47 |
Lunch box. |
00:06:49 |
- Why am I not going on the bus? |
00:06:54 |
Okay, you're staying |
00:06:58 |
So, you don't like |
00:07:00 |
- No, not really. |
00:07:06 |
Learn a lot. |
00:07:11 |
There will be a test tonight! |
00:07:48 |
Morning. |
00:07:52 |
- Morning. |
00:08:14 |
How's the coffee today, Shorty? |
00:09:03 |
Editorial in two. |
00:09:34 |
Good morning, gentlemen. |
00:09:35 |
- Good morning. |
00:09:37 |
Well, Stanton, tell Mr. Howe |
00:09:39 |
the draft board piece |
00:09:43 |
Mr. Graysmith. |
00:09:46 |
Horrid. |
00:09:47 |
Horrid. |
00:09:48 |
Not so horrid. |
00:09:51 |
All right. |
00:09:56 |
Paul, what's on the crime beat? |
00:09:59 |
Janice in Datebook left the fondue party |
00:10:03 |
That's a crime. |
00:10:04 |
Have you seen her? Wouldn't kid you. |
00:10:07 |
It may be the beginning of a crime wave. |
00:10:10 |
You need to see this. |
00:10:18 |
Go get the publisher. |
00:10:19 |
"Dear Editor, |
00:10:21 |
"This is the murderer |
00:10:22 |
"of the two teenagers |
00:10:24 |
"and the girl on the Fourth of July |
00:10:27 |
"To prove I killed them, |
00:10:29 |
"I shall state some facts |
00:10:32 |
"Christmas, |
00:10:36 |
"Ten shots were fired. |
00:10:38 |
"The boy was on his back |
00:10:41 |
"The girl... " |
00:10:44 |
Would you read that, please? |
00:10:49 |
"The girl was on her right side, |
00:10:51 |
"Fourth of July. |
00:10:53 |
"One, girl was |
00:10:56 |
"The boy was also shot in the knee. |
00:10:58 |
"Brand name of ammo was Western. |
00:11:01 |
"Here is part of a cipher. |
00:11:03 |
"The other two parts of this cipher |
00:11:07 |
"the Vallejo Times and S.F. Examiner. |
00:11:10 |
"I want you to print this cipher |
00:11:14 |
"In this cipher is my identity. |
00:11:16 |
"If you do not print this cipher |
00:11:19 |
F- R-Y, "First of Aug '69 |
00:11:25 |
"I will cruise around all weekend |
00:11:29 |
"then move on to kill again |
00:11:31 |
"until I end up with |
00:11:35 |
It's unsigned except for a symbol. |
00:11:38 |
Is it me, |
00:11:43 |
Today's August first. |
00:11:45 |
He wants his code |
00:11:47 |
If the Examiner doesn't have |
00:11:50 |
Al, this man is talking about |
00:11:52 |
And not running this |
00:11:54 |
If we run it, we might be setting |
00:11:56 |
Oh, come on, now, it's newsworthy. |
00:11:58 |
Well, giving some sick bastard |
00:12:00 |
what does that say to people? |
00:12:01 |
Back up. Is this Vallejo story true? |
00:12:04 |
- Paul? |
00:12:08 |
Yeah, I cover crime in Vallejo. |
00:12:11 |
Let's shoot the code and call SFPD. |
00:12:13 |
If it turns out to be real, |
00:12:17 |
All right. |
00:12:19 |
Graysmith, |
00:12:22 |
Oh, yeah. |
00:12:30 |
Hi, this is Paul Avery |
00:12:32 |
I'm looking for someone to |
00:12:36 |
Thank you. |
00:12:37 |
Sergeant Mulanax. |
00:12:39 |
Sergeant, Paul Avery from |
00:12:40 |
I just wanted to check |
00:12:42 |
if you had an unsolved |
00:12:44 |
on Christmas and |
00:12:46 |
Shit. |
00:12:48 |
You guys got one, too? |
00:12:51 |
Confirmed. |
00:12:54 |
Al's on the phone with the Examiner. |
00:12:55 |
They got the same letter |
00:12:57 |
So did Times-Herald. |
00:12:58 |
Christmas, two teenagers |
00:13:00 |
David Faraday and Betty Jensen. |
00:13:02 |
July fourth, |
00:13:05 |
I think it's "Mayhew. " |
00:13:06 |
The murder weapons? |
00:13:08 |
Ballistics, everything he said |
00:13:11 |
I mean, I think the Times-Herald's |
00:13:14 |
The Examiner's going, |
00:13:17 |
I say let's go front page. |
00:13:22 |
Robert! We need the cartoon. |
00:13:26 |
- You're not finished? |
00:13:29 |
Thieriot's still here. |
00:13:31 |
Really? |
00:13:33 |
The first edition |
00:13:39 |
Give us a sec. |
00:13:44 |
Okay, re-plate. |
00:13:46 |
We'll go on page four. |
00:13:50 |
What do you say, 20 bucks |
00:13:53 |
He won't give his name. |
00:13:57 |
Morti's? Anyone? |
00:13:58 |
- That's where I'm heading. |
00:14:27 |
Put those on my desk. Turn on the light. |
00:14:41 |
Grab your book. |
00:14:46 |
Now go get your jammies on. |
00:14:50 |
All right, people, listen up. |
00:14:52 |
The cipher's broken into three sections, |
00:14:58 |
No breaks between the symbols |
00:15:00 |
No numbers or clues |
00:15:03 |
And you got symbols |
00:15:06 |
Greek, Morse code, Navy semaphore, |
00:15:17 |
- Hey, take a gander at this code thing. |
00:15:25 |
You wanna give it a go? |
00:15:29 |
Guy who used to sit there |
00:15:32 |
Now he's doing public television. |
00:15:37 |
Paul Avery. |
00:15:40 |
Robert Graysmith. |
00:15:46 |
You were right, by the way. |
00:15:48 |
Who cracked it? |
00:15:49 |
A history teacher |
00:15:51 |
"I like killing people |
00:15:55 |
"It is more fun |
00:15:59 |
"because man is the most |
00:16:03 |
"Something gives me |
00:16:06 |
"It is even better |
00:16:10 |
"The best part of it is that when I die, |
00:16:14 |
"I will be reborn in paradise. |
00:16:17 |
"And all that I have killed |
00:16:20 |
"I will not give you my name |
00:16:24 |
"or stop my collecting of slaves |
00:16:28 |
Methinks our friend's |
00:16:30 |
I heard he even sent Vallejo |
00:16:34 |
- What is that at the bottom? |
00:16:36 |
Maybe an anagram. |
00:16:54 |
How does one do that? |
00:16:58 |
I like puzzles. I do them a lot. |
00:17:01 |
How did you know |
00:17:05 |
Dangerous animal. |
00:17:07 |
Dangerous animal. |
00:17:10 |
What dangerous animal? |
00:17:20 |
- Paul. |
00:17:22 |
- Editorial, now. |
00:17:26 |
Another letter. |
00:17:28 |
More of the same. |
00:17:32 |
He taped a flashlight to the gun. |
00:17:36 |
And he gave himself a name. |
00:17:59 |
You know this used to be |
00:18:03 |
But at some point, |
00:18:04 |
the county decided that the land |
00:18:07 |
So they flooded it. |
00:18:10 |
- But there's an entire... |
00:18:14 |
We were here last spring, remember? |
00:18:16 |
Oh, yeah. |
00:18:24 |
Somebody else is here. |
00:18:26 |
It is a public park. |
00:18:30 |
I think he's watching us. |
00:18:33 |
Well, we're very good-looking. |
00:18:40 |
Where'd he go? |
00:18:45 |
He went behind that tree. |
00:18:46 |
All right. So he's taking a leak. |
00:18:56 |
He's coming towards us. |
00:19:00 |
Oh, my God, he has a gun. |
00:19:03 |
Don't move. |
00:19:04 |
- I want your money and your car keys. |
00:19:08 |
We're not gonna do anything, okay? |
00:19:09 |
We're gonna cooperate. |
00:19:17 |
Here. |
00:19:20 |
You're welcome to everything I have. |
00:19:26 |
If there's anything else |
00:19:29 |
Maybe I could write you a check? |
00:19:34 |
Okay, I could give you |
00:19:37 |
You know, I might be able to help you. |
00:19:40 |
Even more than you might think. |
00:19:42 |
He's a sociology major. |
00:19:45 |
Pre-law, actually. |
00:19:50 |
Oh, keys. |
00:19:52 |
You know, I'm sorry, I don't know exactly |
00:19:54 |
They might be on the blanket. |
00:20:02 |
Here's the keys. |
00:20:05 |
Don't get up. |
00:20:07 |
I want her to tie you up. |
00:20:13 |
Okay. |
00:20:34 |
You know, if he comes any closer, |
00:20:37 |
- Don't get any ideas. |
00:20:39 |
I killed a guard |
00:20:42 |
I'm not doing anything, okay? |
00:20:44 |
I'm not afraid to kill again. |
00:20:48 |
Look away. |
00:20:56 |
What was the name of that prison? |
00:21:02 |
Hey, you said it was in Montana, right? |
00:21:06 |
I'm taking your car. |
00:21:08 |
I'm going to Mexico. |
00:21:10 |
We didn't complain |
00:21:12 |
Okay, you have everything that I have. |
00:21:14 |
We have done everything |
00:21:17 |
It's okay. It's okay. |
00:21:19 |
She tied you loose, didn't she? |
00:21:24 |
Get on your stomach |
00:21:26 |
Okay. |
00:21:29 |
We could freeze. |
00:21:39 |
Okay, you all done? |
00:21:42 |
You know, |
00:21:44 |
was that thing even loaded? |
00:21:57 |
It's okay. |
00:21:59 |
This is all gonna be okay. |
00:22:30 |
Dispatch, this is 43L2, |
00:22:34 |
I've got an abandoned white |
00:22:52 |
Napa Police Department. |
00:22:54 |
I want to report a murder. |
00:23:00 |
They are two miles north |
00:23:03 |
They were in a white |
00:23:08 |
I'm the one that did it. |
00:23:10 |
43L2 has a male victim with him. |
00:23:12 |
Piner's ambulance |
00:23:16 |
Boy lived, the girl didn't. Again. |
00:23:18 |
God, can you imagine |
00:23:21 |
Writing the dates on the side of the car. |
00:23:22 |
We got two Vallejo killings, |
00:23:25 |
What the hell is he doing out of Vallejo? |
00:23:27 |
Sweet mother of Christ, |
00:23:31 |
Kid at the lake. |
00:23:33 |
This is what he said |
00:23:35 |
God, that's a hell of a get-up. |
00:23:36 |
- Paul, what are you doing? |
00:23:38 |
Now I just got to type it up. |
00:23:40 |
Type it up? |
00:23:42 |
We've got to read it. |
00:23:46 |
- What's that? |
00:23:49 |
What's the story with the kid? |
00:23:51 |
He seems a little touched |
00:23:53 |
- Graysmith? |
00:23:54 |
He's a fucking boy scout. |
00:23:56 |
He doesn't smoke, |
00:23:58 |
- And he's back. |
00:24:00 |
"Man is the most |
00:24:01 |
I knew that |
00:24:03 |
The Most Dangerous Game. |
00:24:05 |
It's a movie about a Count |
00:24:08 |
People. |
00:24:09 |
The Most Dangerous Game. |
00:24:12 |
- Who's that? |
00:24:14 |
Zaroff? With a "Z"? |
00:24:19 |
And that will be |
00:24:21 |
We've got curfews in effect tonight |
00:24:23 |
Napa, Solano, Contra Costa, |
00:24:28 |
So please, everyone, stay safe. |
00:24:30 |
Vic in San Francisco, you're on the line. |
00:24:33 |
Heck no, |
00:24:37 |
What scares me |
00:24:39 |
with their free love and weird clothes. |
00:24:41 |
We've got Alfred from Vacaville. |
00:24:43 |
You know, I think |
00:24:46 |
It's not just farm kids. |
00:24:47 |
These are nice, clean-cut young people. |
00:24:49 |
Hey, nobody's downplaying |
00:24:52 |
Well, that last guy was. |
00:24:54 |
We have good solid communities |
00:24:57 |
Unlike in the city where you have |
00:25:01 |
Well, you bring up a good question. |
00:25:04 |
Amber from Oakland, |
00:25:06 |
I don't really know, |
00:25:07 |
but I thought that code |
00:25:10 |
But I think the bigger problem |
00:25:13 |
anything that the Zodiac |
00:25:15 |
That they're just printing |
00:25:18 |
Well, the Zodiac did demand |
00:25:21 |
or he'd kill more people. |
00:25:22 |
Yeah, but he would have |
00:25:24 |
whether they printed it or not, I think. |
00:25:25 |
An interesting point. |
00:25:27 |
So, what do you think he'll do next? |
00:25:50 |
- San Francisco Police Department. |
00:25:53 |
What is your location? |
00:25:55 |
3398 Washington, |
00:25:58 |
One's drunk and |
00:26:00 |
- Is the crime still in progress? |
00:26:04 |
Oh, my God, look! |
00:26:29 |
Nuts! |
00:26:33 |
Whoever this is, |
00:26:35 |
Cabbie's been shot |
00:26:38 |
Well, it wasn't me. |
00:26:40 |
- She can vouch. |
00:26:43 |
You'll pick me up? |
00:26:45 |
Let me just describe |
00:26:56 |
- I just got to sleep. |
00:26:59 |
Walt's on scene, locked up the cab |
00:27:01 |
Seriously, dead asleep. |
00:27:04 |
Crackers. |
00:27:09 |
You ever try Japanese food? |
00:27:12 |
What do you mean, like teriyaki? |
00:27:14 |
- Raw fish. |
00:27:18 |
- I always wanted to try it. |
00:27:21 |
Haven't got around to it. |
00:27:39 |
Evening, gents. |
00:27:42 |
Yeah, third this week. |
00:27:45 |
I got foot patrols going through the park, |
00:27:48 |
The victim's name is Paul Stine. |
00:27:52 |
Suspect fired one shot |
00:27:54 |
Driver's wallet |
00:27:56 |
How'd you know his name? |
00:27:58 |
Leroy, there, came down |
00:28:01 |
Neighborhood's pretty high-end |
00:28:02 |
so I already set up transpo for the cab. |
00:28:03 |
So I already set up transpo for the cab. |
00:28:05 |
- Coroner's here. |
00:28:06 |
Kids who called it in |
00:28:10 |
- Did they hear a shot? |
00:28:11 |
They first saw him in the front seat, |
00:28:13 |
thought he was a drunk |
00:28:15 |
Oldest kid ran downstairs to get |
00:28:18 |
described him as a white male, glasses, |
00:28:19 |
crew-cut, stocky, |
00:28:22 |
Wait, I thought someone said |
00:28:24 |
That's the description |
00:28:26 |
- We already corrected it. |
00:28:29 |
- You guys need anything else? |
00:28:31 |
Thanks. Happy Birthday. |
00:28:33 |
- Wait, it's your birthday? |
00:28:36 |
- That's great. Happy birthday. |
00:28:38 |
- Body or scene? |
00:28:41 |
Dave, looks like he |
00:28:44 |
- We got some blood over here. |
00:28:46 |
Could very well be. |
00:28:48 |
The odd thing is, we also got gloves. |
00:28:51 |
- Suspect's? |
00:28:55 |
- Hey, Pete? |
00:28:56 |
You through over there, |
00:28:57 |
Yeah, I'm all set. |
00:29:00 |
- Who rolled him? |
00:29:09 |
I got a single 9mm casing. |
00:29:15 |
Yeah, Luger. |
00:29:17 |
Nothing from the crowd. |
00:29:19 |
Okay. |
00:29:22 |
who also happens to be |
00:29:26 |
I flag a cab. I give him this address. |
00:29:28 |
Did I give him this address? |
00:29:31 |
Right here. |
00:29:35 |
Washington and Maple. |
00:29:59 |
Lighting's the same over here, |
00:30:00 |
so maybe I see |
00:30:03 |
You don't want any witnesses |
00:30:06 |
He pulls over. |
00:30:07 |
I wait for him to put it in park |
00:30:09 |
and I don't want him |
00:30:10 |
when I shoot him. May I? |
00:30:12 |
He stops, puts it in park, boom. |
00:30:14 |
I shoot him on the right side, |
00:30:17 |
Maybe you've got your hand |
00:30:19 |
All right. So, either way, |
00:30:20 |
I just dumped a quart of blood |
00:30:22 |
- So, why do you get in the front seat? |
00:30:25 |
But he's dead. |
00:30:26 |
You could just reach over the seat, |
00:30:28 |
You don't have to go |
00:30:30 |
So, why'd he get in the front seat? |
00:30:33 |
- I'm an idiot. |
00:30:35 |
You waited for him to put it in park. |
00:30:37 |
- Right. Thank you. |
00:30:41 |
- Can I see that? |
00:30:43 |
I am an idiot. |
00:30:47 |
It's his third fare of the night. |
00:30:51 |
- Animal crackers? |
00:30:54 |
I'm saving those for later. |
00:30:56 |
Fine. |
00:31:02 |
- Are you a reporter? |
00:31:06 |
Sir, I was wondering |
00:31:08 |
one at a time and preferably alone? |
00:31:10 |
They just saw a man murdered. |
00:31:12 |
I understand. |
00:31:15 |
It looked like |
00:31:16 |
Yeah, and he had a rag. |
00:31:18 |
He came around the side of the car |
00:31:20 |
- Did you get a chance to see his face? |
00:31:23 |
Well, sort of. |
00:31:26 |
Did you remember what he looked like? |
00:31:30 |
- Normal. |
00:31:32 |
"Normal"? |
00:31:56 |
"This is the Zodiac speaking. |
00:31:58 |
"I am the murderer of the taxi driver |
00:32:00 |
"over by Washington Street |
00:32:04 |
"To prove this, here is |
00:32:07 |
"I am the same man who did in |
00:32:12 |
"The S.F. Police could have |
00:32:14 |
"if they had searched the park properly |
00:32:16 |
"instead of holding road races |
00:32:19 |
- Gentlemen. |
00:32:21 |
Paul. Where's the shirt? |
00:32:24 |
Right there, boss. |
00:32:27 |
There's your rag the kids talked about. |
00:32:29 |
So he got in the front seat |
00:32:31 |
- Is this on the record? |
00:32:33 |
He confirms |
00:32:35 |
Gets worse. |
00:32:37 |
Robert, do you have a deadline? |
00:32:39 |
What does he mean, it gets worse? |
00:32:41 |
Read the last part. |
00:32:43 |
"School children make nice targets. |
00:32:45 |
"I think I shall wipe out |
00:32:48 |
"Just shoot out the front tire |
00:32:49 |
"and then pick off the kiddies |
00:32:52 |
Jesus Christ, who's got school buses? |
00:32:55 |
- School board. |
00:32:57 |
I'm gonna need elimination prints |
00:32:59 |
Anyone here didn't touch this letter? |
00:33:05 |
On my way back to my desk. |
00:33:08 |
We need to get matches |
00:33:10 |
I'll call Napa and Vallejo, |
00:33:11 |
get the letters up to Sherwood |
00:33:13 |
Dave, just one thing. |
00:33:17 |
Yeah, we got a partial in blood. |
00:33:20 |
- But that is not for publication. |
00:33:23 |
Hey, it's me. |
00:33:25 |
Did he say they got a print? |
00:33:29 |
Partial. |
00:33:31 |
Whoa. |
00:33:33 |
Dude, he wears his gun like Bullitt. |
00:33:35 |
No, McQueen got that from Toschi. |
00:33:37 |
Does he think that Zodiac's |
00:33:39 |
'Cause I think Zodiac's |
00:33:41 |
Jesus Harold Christ |
00:33:43 |
What are you doing? |
00:33:44 |
You're doing that thing, |
00:33:46 |
the thing that I don't like. |
00:33:48 |
- Oh, looming. |
00:33:50 |
In cooperation with SFPD, |
00:33:53 |
without including the threat |
00:33:56 |
We don't want to start a city-wide panic |
00:33:58 |
so I'm asking all of you |
00:34:01 |
Just go about your daily business. |
00:34:04 |
Thank you. |
00:34:21 |
I packed you your carrots |
00:34:24 |
- Dad, you don't have to wait with me. |
00:34:34 |
You know what? You know what? |
00:34:39 |
Come on. |
00:34:58 |
What's that? |
00:35:00 |
Similarities in the lowercase "r's. " |
00:35:11 |
And that? |
00:35:13 |
It is you waiting in the hall |
00:35:15 |
I have to concentrate. |
00:35:17 |
Sorry. |
00:35:18 |
"Sorry" counts as speaking. |
00:35:31 |
There are similarities |
00:35:38 |
We have to release the bus threat. |
00:35:41 |
- It'll screw us. |
00:35:44 |
We just went from |
00:35:46 |
to "Mass Murderer Targets Kids. " |
00:35:56 |
The Zodiac Killer |
00:35:59 |
Confirmation tonight, from the |
00:36:02 |
that in his latest haunting letter, |
00:36:04 |
which takes credit for the murder |
00:36:08 |
the Zodiac has threatened to, |
00:36:11 |
"and pick off the kiddies |
00:36:18 |
If you think you might know |
00:36:21 |
you can call the San Francisco |
00:36:48 |
Press conference is at 4:00. |
00:36:51 |
We're coordinating |
00:36:53 |
and we expect |
00:36:55 |
- What do we really got? |
00:36:57 |
When they can't get anyone |
00:36:58 |
they call the switchboard |
00:37:00 |
You got any hard suspects? |
00:37:01 |
About 90 an hour. I'm up to around 500. |
00:37:04 |
Well, can't you narrow it down? |
00:37:05 |
I would love to, |
00:37:07 |
- Homicide, please hold. |
00:37:11 |
We're gonna need to tell them |
00:37:13 |
How many men can you give me? |
00:37:14 |
Well, right now, it's you and Bill |
00:37:16 |
Yeah, I know, Chief. |
00:37:18 |
Yeah, I know. Where's Armstrong? |
00:37:20 |
He's on the phone with Vallejo. |
00:37:22 |
We're playing catch up, Jack. |
00:37:24 |
I'd like to set up a meeting |
00:37:27 |
I can't. He skipped town. |
00:37:28 |
The only guy who's seen Zodiac |
00:37:31 |
When he was still in the hospital |
00:37:34 |
As soon as he got out, he split. |
00:37:36 |
Really? Why? |
00:37:37 |
I don't think he wanted |
00:37:39 |
Can you send us everything |
00:37:41 |
Well, the road goes both ways. |
00:37:44 |
Now, we need that print |
00:37:48 |
and we should have been in |
00:37:50 |
I apologize. |
00:37:52 |
Who should I talk to in Napa |
00:37:55 |
Talk to Ken Narlow. |
00:37:56 |
We really should have been in |
00:37:58 |
I apologize. |
00:38:01 |
Listen, we're gonna need |
00:38:02 |
Can't help you. |
00:38:03 |
Ken, I don't want to get into |
00:38:05 |
No, no, no, no, no. |
00:38:08 |
The ranger that found the kids literally |
00:38:11 |
All we have are the Wing Walker prints. |
00:38:13 |
The what? |
00:38:14 |
Boot prints to and from the crime scene |
00:38:16 |
were made by size |
00:38:18 |
military-style boots |
00:38:22 |
designed to walk |
00:38:24 |
And you can't buy at a PX |
00:38:27 |
so our suspect could be military. |
00:38:29 |
Did you guys narrow your list off of this? |
00:38:30 |
- Yeah. |
00:38:33 |
I don't know. I don't work in Vallejo. |
00:38:35 |
Great. I'm gonna need photos |
00:38:37 |
Sure, if you send me the handwriting. |
00:38:39 |
I thought Questioned Documents |
00:38:41 |
Nope. Vallejo's got them, not us. |
00:38:42 |
All right. |
00:38:45 |
Forget it. I'll telefax it to you. |
00:38:47 |
We don't have telefax yet. |
00:38:48 |
- Okay, I'll put it in the mail. |
00:38:51 |
And call Mulanax in Vallejo. |
00:38:53 |
- Maybe he can get you a mimeo. |
00:38:55 |
Why don't you just get a photo |
00:38:57 |
We'd have to wait, |
00:38:59 |
We don't have a fax, either. |
00:39:01 |
Look, I'm just trying |
00:39:03 |
Have you called Solano Sheriff's Office? |
00:39:04 |
Why would I call Solano? |
00:39:06 |
Because the two kids that got killed |
00:39:10 |
I thought they were Vallejo. |
00:39:11 |
No, they were over the county line |
00:39:13 |
so you're gonna need |
00:39:15 |
Okay. |
00:39:16 |
Bill. |
00:39:18 |
Can I have a word with you? |
00:39:23 |
Where did you see this guy? |
00:39:26 |
We got the call to circle the scene |
00:39:28 |
Where was he? |
00:39:30 |
On Jackson. Heading east. |
00:39:33 |
And this is three minutes |
00:39:35 |
Give or take. Yeah. |
00:39:36 |
- And you were heading east or west? |
00:39:38 |
All right, so you're |
00:39:41 |
So the cab was one block |
00:39:44 |
- Correct. |
00:39:46 |
- Of course we slowed down. |
00:39:47 |
Listen, Dispatch said |
00:39:50 |
That was corrected. |
00:39:51 |
No, but at the time |
00:39:54 |
This guy was white. |
00:39:56 |
Right, not in a hurry. |
00:39:58 |
Lumbering? |
00:40:02 |
- Shuffling. |
00:40:06 |
Yeah, that's all correct. |
00:40:08 |
Listen, it was dark. |
00:40:11 |
The guy was wearing a dark jacket. |
00:40:13 |
He would have been covered in blood. |
00:40:17 |
Did you stop him? |
00:40:20 |
Did you talk to him? |
00:40:23 |
- Yes? No? |
00:40:26 |
You need to get with a sketch artist. |
00:40:27 |
We have to put out |
00:40:33 |
Five persons have been murdered |
00:40:36 |
and in each case the killer... |
00:40:38 |
"I shall wipe out a school bus |
00:40:41 |
San Francisco police... |
00:40:44 |
...to see the Stones in concert |
00:40:47 |
The new letters |
00:40:49 |
the City room of the |
00:40:52 |
Looming. No looming. |
00:40:55 |
- Have you considered the water theory? |
00:40:58 |
Geographically, every attack |
00:41:01 |
- or a water-based name. |
00:41:02 |
Lake Berryessa. Blue Rock Springs. |
00:41:05 |
Wash-ington and Cherry? |
00:41:09 |
You think? |
00:41:11 |
No. |
00:41:12 |
I'm reading this book, |
00:41:13 |
Homicide Investigation |
00:41:15 |
- "Leymone. " |
00:41:17 |
- so I'm looking for patterns. |
00:41:19 |
You can't think of this case |
00:41:21 |
- Why not? |
00:41:24 |
Solano, Vallejo, Berryessa, and here. |
00:41:27 |
Not a single usable print |
00:41:31 |
How does our master criminal come |
00:41:34 |
I mean, assuming the gloves are his, |
00:41:37 |
he shoots the cabbie |
00:41:39 |
So it's not his print? |
00:41:40 |
Maybe, maybe not. |
00:41:42 |
- The point is the first attack... |
00:41:45 |
They both die. |
00:41:46 |
From there on out, |
00:41:49 |
- Not for lack of trying. |
00:41:51 |
Mageau lives, Ferrin dies. |
00:41:55 |
He gets so caught up with the women |
00:41:58 |
Plus, they're all couples |
00:42:00 |
- Paul Stine is not. |
00:42:02 |
Single, male cab driver |
00:42:05 |
Doesn't fit. |
00:42:07 |
So, why does Zodiac kill him? |
00:42:12 |
He's breaking the pattern. |
00:42:23 |
Yeah? |
00:42:24 |
Someone claiming to be Zodiac |
00:42:28 |
He says he's gonna call in on Jim |
00:42:32 |
On television? |
00:42:33 |
He wants Melvin Belli on |
00:42:35 |
All right. All right. |
00:42:40 |
Animal crackers? |
00:42:41 |
Glove box. |
00:42:43 |
Are these windows bulletproof? |
00:42:45 |
Yes, Melvin. |
00:42:47 |
This man is a marksman, |
00:42:49 |
could snuff me out |
00:42:52 |
Are you sure you're up for this? |
00:42:53 |
Don't you worry about me, Inspector. |
00:42:58 |
This man has asked for my help. |
00:42:59 |
The man you're worrying about |
00:43:02 |
What are these, cookies? |
00:43:05 |
Dear Lord, do you ever clean this car? |
00:43:07 |
- Shit. |
00:43:21 |
Get him talking. |
00:43:24 |
If you see an opportunity, |
00:43:25 |
we want you to suggest |
00:43:28 |
You'll be tracing the call? |
00:43:29 |
Pacific Telephone says you need to |
00:43:32 |
We can do that, can't we, Jim? |
00:43:37 |
Fifteen seconds. Clear the set. |
00:43:46 |
Here you go, you drunken reprobate. |
00:43:48 |
We interrupt our regular program |
00:43:52 |
Welcome to this special edition |
00:43:54 |
in which we are joined |
00:43:56 |
who the Zodiac Killer |
00:43:59 |
Finish up, buddy, and put it in the sink. |
00:44:01 |
- Good morning, Melvin. |
00:44:04 |
So, the phone lines are open. |
00:44:08 |
Here to help, Jim. |
00:44:09 |
Yes. Here to help. |
00:44:11 |
And we ask the public not to call in, |
00:44:25 |
I saw your Star Trek, by the way. |
00:44:28 |
A shame about the show. |
00:44:30 |
Good people. |
00:44:32 |
You know, I've often thought of |
00:44:36 |
What was your character's name? |
00:44:37 |
- Gorgon. |
00:44:41 |
Roll the tape. Get the tape. |
00:44:43 |
Jim, we have a call. We're going live. |
00:44:46 |
Hello? |
00:44:51 |
Hello? This is Melvin Belli. |
00:44:55 |
Who am I speaking with? |
00:44:57 |
This is the Zodiac speaking. |
00:45:02 |
Is there something I can call you |
00:45:08 |
Sam. |
00:45:10 |
- Sam. |
00:45:12 |
Sam, do you think |
00:45:16 |
Medical, not mental. |
00:45:18 |
Do you have health problems? |
00:45:20 |
I'm sick. I have headaches. |
00:45:22 |
Headaches? |
00:45:24 |
I have headaches, too, |
00:45:25 |
but a chiropractor stopped them |
00:45:28 |
I think I can help you, Sam. |
00:45:32 |
Sam? |
00:45:35 |
He knows they're tracing his calls. |
00:45:41 |
Sam, we'd like you to know |
00:45:46 |
It's a long, difficult process |
00:45:55 |
Sam? |
00:45:59 |
We're not tracing these calls. |
00:46:03 |
Okay. |
00:46:04 |
Sam, you need to tell me |
00:46:08 |
I don't want to go to the gas chamber. |
00:46:10 |
I have headaches. |
00:46:12 |
That is fucked up! |
00:46:14 |
You want to live, don't you? |
00:46:17 |
How long have you been |
00:46:19 |
Since I killed a kid. |
00:46:22 |
I don't want to be hurt. |
00:46:24 |
- Why is he calling? |
00:46:26 |
You won't get hurt if you talk to me. |
00:46:28 |
And you're not going |
00:46:31 |
I wouldn't think they would ask |
00:46:34 |
We should ask the District Attorney. |
00:46:36 |
Do you want me to do that, Sam? |
00:46:38 |
Do you want me to talk |
00:46:44 |
What was that, Sam? |
00:46:47 |
I did not say anything. |
00:46:49 |
We heard a scream. |
00:46:52 |
That was my headache. |
00:46:55 |
You sound like you're in |
00:46:59 |
My head aches. I'm so sick. |
00:47:04 |
I'm gonna kill them. |
00:47:05 |
- Oh, okay. |
00:47:08 |
Fantastic. |
00:47:12 |
Sam? |
00:47:15 |
- Let's meet and talk. Just us. |
00:47:20 |
How about Old St. Mary's Church |
00:47:23 |
No. |
00:47:24 |
In front of the Daly City |
00:47:28 |
I'll see you there. |
00:47:31 |
Take care of yourself, Sam. |
00:47:58 |
My, my, my. |
00:47:59 |
You fellows certainly know |
00:48:07 |
I don't want to go to the gas chamber. |
00:48:10 |
I kill, I don't get them. |
00:48:12 |
No, it's not him. |
00:48:14 |
It's the voice. |
00:48:18 |
All right. |
00:48:21 |
That's okay. I got it. |
00:48:29 |
They pulled off the trace. |
00:48:31 |
Our Daly City no-show |
00:48:34 |
Oakland PD's operator is sure |
00:48:36 |
the man she talked to |
00:48:38 |
Calmer. |
00:48:40 |
Might have actually been him. |
00:48:49 |
"So I shall change |
00:48:52 |
"I shall no longer announce to anyone |
00:48:56 |
"They shall look like routine robberies, |
00:48:59 |
"and a few fake accidents, et cetera. |
00:49:02 |
"The police shall never catch me |
00:49:04 |
"because I have been |
00:49:06 |
"I look like the description passed out |
00:49:09 |
"The rest of the time |
00:49:13 |
"I shall not tell you what |
00:49:18 |
"As of yet I have left no |
00:49:20 |
"contrary to what the police say. |
00:49:23 |
"I wear transparent fingertips. |
00:49:26 |
"All it is is two coats of airplane cement |
00:49:31 |
"I enjoy needling the blue pigs. |
00:49:36 |
"You were using fire trucks to mask |
00:49:41 |
"Hey, pig, doesn't it rile you up |
00:49:43 |
"to have your nose |
00:49:46 |
"If you cops think I am going to take |
00:49:49 |
"you deserve to have holes |
00:49:54 |
And you need to look at this. |
00:49:59 |
"Take one bag of |
00:50:02 |
"one gallon of stove oil, |
00:50:04 |
"and dump a few bags |
00:50:06 |
- Okay. |
00:50:08 |
Okay. We gotta call the Army |
00:50:09 |
science experiment could actually work. |
00:50:12 |
Another cipher. |
00:50:16 |
- When did these arrive? |
00:50:19 |
Are you planning to publish? |
00:50:20 |
Robert. |
00:50:23 |
We should have a drink. |
00:50:29 |
Thank you. |
00:50:32 |
So, tell me about yourself. |
00:50:35 |
- You married? |
00:50:39 |
What do you do for fun? |
00:50:43 |
I love to read. |
00:50:45 |
- I enjoy books. |
00:50:48 |
Why you been going through my trash? |
00:50:53 |
I'll come back to that. |
00:50:56 |
How did you know |
00:50:57 |
I just guessed. |
00:50:59 |
- Just guessed. |
00:51:01 |
All right, this can no longer be ignored. |
00:51:04 |
- What is that you're drinking? |
00:51:08 |
You wouldn't make fun of it |
00:51:20 |
But who actually cracked the code? |
00:51:23 |
A married couple who like puzzles. |
00:51:26 |
So what's that tell us about the Zodiac? |
00:51:28 |
- He's no expert. |
00:51:29 |
It's just a simple substitution code |
00:51:31 |
like the one that |
00:51:33 |
"A" is one, "B" is two. |
00:51:35 |
We weren't all boy scouts, Robert. |
00:51:36 |
Well, it's not that hard. |
00:51:40 |
In the first cipher... |
00:51:42 |
You actually carry that around with you? |
00:51:43 |
- Why? |
00:51:46 |
What's the most common double |
00:51:50 |
Consonant? |
00:51:51 |
- The double "L." |
00:51:52 |
And what's the one word that we know |
00:51:56 |
- "Kill. " |
00:51:58 |
So the Hardens start looking |
00:51:59 |
which they find here, here, and here. |
00:52:01 |
Each with the same |
00:52:04 |
So now they've got |
00:52:06 |
ending with two symbols |
00:52:08 |
And since they think the whole word |
00:52:10 |
Then you got your "K," you got your "I," |
00:52:13 |
But how do you go |
00:52:15 |
to figuring out this whole code? |
00:52:16 |
Well, same way I did. |
00:52:22 |
In this book, |
00:52:24 |
the author presents a very simple |
00:52:29 |
Eight of the 26 symbols that |
00:52:31 |
Yeah, but there are non-letter symbols |
00:52:33 |
because there's all |
00:52:34 |
I thought they looked medieval, too. |
00:52:38 |
But then I found a code |
00:52:40 |
Guess what it's called? |
00:52:42 |
The Zodiac Alphabet. |
00:52:45 |
Jesus. |
00:52:48 |
What do you want out of this? |
00:52:49 |
- What? |
00:52:51 |
This is good business |
00:52:57 |
How do you mean "business"? |
00:53:02 |
Hey. Come to bed. |
00:53:04 |
I'll be up in a minute. |
00:53:19 |
- Hello? |
00:53:22 |
There's not many basements |
00:53:24 |
"Basement for future use. " |
00:53:26 |
That's right. |
00:53:28 |
I'll have Vallejo and Napa |
00:53:32 |
- Get some sleep. |
00:53:47 |
"Dear Melvin, |
00:53:50 |
"I wish you a happy Christmas. |
00:53:52 |
"The one thing I ask of you is this. |
00:53:56 |
"I cannot reach out for help |
00:53:59 |
Thank you. |
00:54:00 |
"I am finding it extremely difficult |
00:54:04 |
"and I am afraid I will lose control again |
00:54:07 |
"and take my ninth |
00:54:09 |
Melvin, he's reaching out to you. |
00:54:12 |
Absolutely. |
00:54:13 |
Inspectors, he sent this letter |
00:54:17 |
It is a cry for help, |
00:54:20 |
Which is why |
00:54:22 |
The people have a right to know. |
00:54:25 |
- When did the letter arrive? |
00:54:29 |
It is my belief |
00:54:31 |
because he couldn't get through to me |
00:54:34 |
- He tried to contact you here? |
00:54:37 |
I was out, |
00:54:39 |
Didn't leave a number. |
00:54:40 |
He's kind of crafty like that. |
00:54:43 |
Not at all. But the real story is the letter. |
00:54:46 |
- I'll be back. |
00:54:48 |
She's right this way. |
00:54:49 |
Inspector Toschi, it is my belief |
00:54:55 |
Killing is his compulsion. |
00:54:56 |
Even though he tries to ignore it, |
00:54:59 |
It's in his blood. |
00:55:00 |
Could be. |
00:55:47 |
I didn't mean to scare you, |
00:55:53 |
Really? |
00:55:54 |
If you like, |
00:56:00 |
If you don't mind. |
00:56:01 |
Well, you can't be too careful. |
00:56:38 |
- All done. |
00:56:40 |
No problem. Have a good night. |
00:56:48 |
It's okay. |
00:57:43 |
Are you okay? |
00:57:46 |
Yeah. Yeah, we're fine. |
00:57:50 |
Must have been worse than I thought. |
00:57:52 |
I can give you a lift to a service station. |
00:57:57 |
Okay. |
00:58:05 |
It's okay. Come on. |
00:58:15 |
I didn't know you had a baby. |
00:58:19 |
Oh, is that okay? |
00:58:22 |
The more the merrier. |
00:58:33 |
You shouldn't smoke. It's a bad habit. |
00:58:42 |
- I think we just passed a filling station. |
00:58:51 |
Do you always go around |
00:58:55 |
When I'm done with them, |
00:59:00 |
It's okay. |
00:59:03 |
Before I kill you, |
00:59:05 |
I'm gonna throw your baby |
00:59:22 |
No! Help! Please! No! |
00:59:31 |
She was on the side of the road. |
00:59:34 |
- What happened to her? |
00:59:36 |
I found her like this. |
00:59:38 |
- What is it? |
00:59:41 |
- It'll be okay. |
00:59:44 |
My baby! |
00:59:45 |
- Where's her baby? |
00:59:49 |
Where's your baby? |
00:59:57 |
Jesus. |
01:00:06 |
- You hid it? |
01:00:23 |
"This is the Zodiac speaking. |
01:00:25 |
"By the way, have you cracked |
01:00:29 |
"I'm mildly curious as to how much |
01:00:32 |
"I hope you do not think I was the one |
01:00:36 |
"with a bomb at the cop station, |
01:00:38 |
"even though I talked about |
01:00:41 |
"This is the Zodiac speaking. |
01:00:43 |
"I'd like to see some nice Zodiac |
01:00:47 |
"Everyone else has these buttons |
01:00:48 |
"like peace, black power, |
01:00:52 |
"It would cheer me up considerably |
01:00:53 |
"if I saw a lot of people |
01:00:56 |
- "Please no nasty ones. " |
01:00:59 |
"I shot a man |
01:01:02 |
"Zodiac 12, SFPD zero. " |
01:01:05 |
"The map coupled with this code |
01:01:08 |
"You have until next fall to dig it up. " |
01:01:14 |
"This is the Zodiac speaking. |
01:01:15 |
"I'm rather unhappy because you people |
01:01:17 |
"will not wear |
01:01:19 |
"So, I now have a little list, |
01:01:21 |
"that I gave a rather interesting ride |
01:01:23 |
"for a couple of hours one evening, |
01:01:25 |
"that ended in my burning her car |
01:01:28 |
We're really not gonna run |
01:01:30 |
The new policy. Our brothers in blue |
01:01:33 |
and see how he reacts. |
01:01:34 |
Four letters in three months, |
01:01:37 |
and this is the first mention |
01:01:40 |
That's because he's full of shit. |
01:01:44 |
What do you mean? |
01:01:47 |
You don't know? |
01:01:50 |
Welcome. Please put your stuff down. |
01:01:55 |
Looking for the Modesto Bee |
01:01:58 |
I'm going to stand here |
01:02:01 |
- Left. |
01:02:04 |
- What am I looking for? |
01:02:06 |
Also probably you wanna |
01:02:08 |
You know, never mind. I'll see to that. |
01:02:12 |
Okay, look at this letter again. |
01:02:14 |
Tell me what facts he gives. |
01:02:16 |
- A woman and her baby abducted. |
01:02:22 |
- The car on fire. |
01:02:25 |
look at the article from the Bee. |
01:02:29 |
Seen it yet? |
01:02:30 |
Everything in the letter |
01:02:32 |
And he's done it before. |
01:02:35 |
Officer Richard Radetich, |
01:02:38 |
Zodiac claimed that he shot someone |
01:02:40 |
Couple days after this article came out. |
01:02:44 |
The police already had somebody |
01:02:46 |
Zodiac didn't do it, |
01:02:48 |
because he's in it for the press. |
01:02:51 |
He even stole his symbol. |
01:02:52 |
- What? |
01:02:55 |
If I show you something, |
01:02:56 |
- Who would I tell? |
01:03:07 |
That's the only place |
01:03:09 |
ever appeared together |
01:03:11 |
Ever appeared together |
01:03:12 |
The guy stole his logo off a watch. |
01:03:13 |
How can somebody |
01:03:15 |
He claims he's killed 13 people, |
01:03:16 |
but which ones |
01:03:18 |
There's three in Vallejo, |
01:03:23 |
Bobby, you almost look disappointed. |
01:03:27 |
Chief's pulling everybody off buses. |
01:03:30 |
Business as usual. |
01:03:32 |
Something'll shake loose. |
01:03:33 |
Not a peep in four months. |
01:03:36 |
First he won't shut up and now... |
01:03:38 |
Maybe we drove him underground. |
01:03:41 |
Maybe he's gone. |
01:03:44 |
311 at 582 Haight, cross at Biltmore. |
01:03:47 |
- Happy birthday, Bill. |
01:03:59 |
Does it ever bother you |
01:04:02 |
Does it bother you |
01:04:04 |
- Nobody calls me that. |
01:04:07 |
As governor, |
01:04:11 |
to make sure that Darlene Ferrin's killer |
01:04:16 |
I believe some clues were overlooked |
01:04:20 |
- I believe her murder was premeditated. |
01:04:22 |
Florence Douglas, mayor of Vallejo. |
01:04:25 |
I believe that the police department |
01:04:29 |
or, yes, the inclination... |
01:04:30 |
Sayonara, police endorsement. |
01:04:34 |
Does anyone ever call me names, or... |
01:04:38 |
You mean like retard? |
01:04:40 |
Yeah. |
01:04:42 |
No. |
01:04:47 |
Shit. Fuck. Oh, my God. Jesus. |
01:04:55 |
Tell me that's not a piece |
01:04:57 |
Fuck! Holy fucking crap! |
01:04:59 |
"I feel it in my bones, |
01:05:02 |
"and so I'll clue you in. |
01:05:04 |
"But then, why spoil the game? |
01:05:09 |
Paul, you did call him |
01:05:12 |
in at least one of your articles. |
01:05:14 |
Dave. I want a gun. |
01:05:19 |
A gun? |
01:05:25 |
You're in Herb Caen. |
01:05:27 |
"Paul Avery's investigation |
01:05:29 |
"of a message from the Zodiac warning, |
01:05:32 |
"As a result, several crime newsmen |
01:05:36 |
"'I am not Paul Avery. "' |
01:05:38 |
You should sell these. |
01:05:40 |
It's been a windfall, since |
01:05:43 |
I got the leads |
01:05:45 |
There's one guy down in Riverside. |
01:05:47 |
I'm gonna drive down |
01:05:49 |
- You wanna tag along? |
01:05:53 |
- Really? |
01:05:56 |
He wishes to remain anonymous. |
01:06:00 |
So we're going to get along great. |
01:06:11 |
Hi. Good evening. Hi. |
01:06:13 |
Yes. |
01:06:15 |
Thank you. |
01:06:23 |
You must be Melanie. |
01:06:24 |
- Which would make you Robert. |
01:06:26 |
Glynnis told me lots about you. |
01:06:30 |
- And you have wine, great. |
01:06:32 |
Great. How late am I? |
01:06:35 |
Just a few minutes, really. |
01:06:38 |
Traffic's bumper to bumper. |
01:06:41 |
- Glynnis said you were a cartoonist. |
01:06:44 |
Well, what're you doing at a gun range? |
01:06:46 |
Reading. |
01:06:48 |
Get some more... |
01:06:52 |
So, you work with Glynnis. |
01:06:54 |
- For her, actually. |
01:06:56 |
Oh, well... |
01:07:00 |
My children are terrified of Glynnis. |
01:07:02 |
Me, too. |
01:07:07 |
So, the gun range? |
01:07:08 |
We're... I'm working on... |
01:07:11 |
- Yeah. |
01:07:13 |
- Do you know who Paul Avery is? |
01:07:15 |
He's the writer |
01:07:17 |
Oh, yeah, I saw that on TV. |
01:07:18 |
Well, I work near him |
01:07:21 |
to track an anonymous tipster |
01:07:26 |
Where is Riverside? |
01:07:28 |
It's near L.A. |
01:07:30 |
Oh, wow. I don't think Paul knows |
01:07:35 |
Sounds kind of dangerous. |
01:07:39 |
Yeah. How do you mean? |
01:07:42 |
Well, you said it was |
01:07:44 |
Yeah. |
01:07:46 |
So it could be an ambush. |
01:07:51 |
Don't you think it's kind of stupid? |
01:07:53 |
Yeah, yeah. Well, Paul has a gun. |
01:08:00 |
So, do you know what's good here? |
01:08:04 |
I've never been here before. |
01:08:08 |
The pasta, spaghetti? |
01:08:12 |
Are you ready to order yet? |
01:08:15 |
Yeah, I'll have the penne vodka. |
01:08:18 |
Of course. |
01:08:24 |
Maybe give us another minute? |
01:08:28 |
Do you have any change? |
01:08:30 |
Oh, wait, no wait, hold on. |
01:08:33 |
Nope. That's a penny. |
01:08:34 |
Do you have to make a phone call? |
01:08:36 |
Yeah, you know, |
01:08:40 |
You know, when you said it |
01:08:42 |
- that it is dangerous, and it's... |
01:08:44 |
Stupid. And I just thought |
01:08:45 |
that I should call his wife |
01:08:52 |
I have some change. |
01:09:12 |
Okay. Well, she said |
01:09:16 |
- Good. |
01:09:18 |
Melanie, I should really go home |
01:09:25 |
Is this some sleazy plan |
01:09:29 |
What? No. |
01:09:33 |
I'll get the food to go. |
01:09:37 |
Hello! |
01:09:54 |
Hi! I'm supposed |
01:10:15 |
Anything? |
01:10:20 |
You don't have to stay. |
01:10:22 |
Are you kidding? |
01:10:23 |
This is the most interesting date |
01:10:31 |
- Paul? |
01:10:32 |
- Yes. |
01:10:33 |
Yes. |
01:10:35 |
You're not gonna believe this. |
01:10:37 |
Dave! |
01:10:38 |
In a bizarre twist, |
01:10:40 |
San Francisco Chronicle reporter |
01:10:44 |
claims to have uncovered |
01:10:46 |
regarding the only unsolved homicide |
01:10:51 |
a 1966 Southern California murder, |
01:10:54 |
that Avery now believes |
01:10:57 |
What? |
01:10:59 |
- He didn't call you about this? |
01:11:00 |
The Riverside killer |
01:11:01 |
that I then took personally to |
01:11:05 |
And what did this expert tell you? |
01:11:07 |
What I knew in my gut, Ron. |
01:11:09 |
The handwriting matches Zodiac's. |
01:11:12 |
How'd he get the evidence |
01:11:14 |
He took it to Sherwood |
01:11:16 |
You know how bad this looks? |
01:11:18 |
Hey, how do we know |
01:11:20 |
It's very real. You know how I know? |
01:11:22 |
Because I saw it on TV. |
01:11:31 |
Dave. |
01:11:33 |
Hi. |
01:11:34 |
Dave, you know Mel Nicolai. |
01:11:36 |
Good to see you, Mel. |
01:11:38 |
All due respect, |
01:11:40 |
why I'm reading |
01:11:41 |
in the Chronicle instead |
01:11:43 |
We got screwed. |
01:11:44 |
Dave, come on. |
01:11:46 |
You do get your name in the paper a lot. |
01:11:48 |
I don't ever talk about an open |
01:11:51 |
Dave? Hey. Hi. |
01:11:54 |
Paul Avery. Can I catch a ride |
01:11:56 |
Not a good idea, Paul. |
01:11:59 |
He's gonna make me take a cab |
01:12:02 |
Ladies and gentlemen, |
01:12:05 |
- Fair enough. Fair enough. |
01:12:07 |
Remember, smoking is |
01:12:10 |
Enjoy your flight. |
01:12:15 |
Cheri Jo Bates attended |
01:12:18 |
She studies in the library |
01:12:22 |
She leaves with an unidentified male |
01:12:26 |
Her body's found the next morning |
01:12:30 |
A typewritten confession was sent |
01:12:34 |
on November 29th, |
01:12:36 |
They ran it. |
01:12:40 |
"I'm not sick. I am insane. |
01:12:43 |
"This letter should be published |
01:12:45 |
He wants to be published. |
01:12:46 |
I mean, this could be our boy. |
01:12:48 |
Six months later, the police, |
01:12:51 |
they all received these. |
01:12:58 |
Double postage, just like Zodiac. |
01:13:02 |
These are what Sherwood Morrill |
01:13:05 |
These and the desktop. Don. |
01:13:07 |
This was found a couple of months later |
01:13:20 |
Sherwood got |
01:13:25 |
Who etches in their own handwriting? |
01:13:27 |
To be honest with you, |
01:13:28 |
our letters and your letters, |
01:13:31 |
How did Paul Avery |
01:13:33 |
I gave them to him. |
01:13:35 |
We talked on the phone the other day |
01:13:37 |
And I told him you were gonna be here. |
01:13:38 |
- You told him we were meeting? |
01:13:40 |
I also told him |
01:13:42 |
Okay, wait a minute. |
01:13:44 |
- You don't think this is Zodiac? |
01:13:48 |
We don't have enough |
01:13:49 |
but we're pretty sure it's him. |
01:13:51 |
If you don't think this is Zodiac, |
01:13:54 |
I'm trying to cooperate. |
01:13:55 |
Oh, that's how you cooperate? |
01:13:58 |
Look, I don't know |
01:14:00 |
but Sherwood says it's a match, right? |
01:14:01 |
So, let's just say |
01:14:04 |
He types the confession. |
01:14:05 |
Zodiac reads it in the paper, |
01:14:08 |
Now, that's something he's done before. |
01:14:10 |
Look, now you have everything we have. |
01:14:12 |
But, in my opinion, |
01:14:16 |
FUBAR, gentlemen, FUBAR. |
01:14:18 |
I don't care what he says. |
01:14:21 |
The problem is |
01:14:24 |
Well, there's your press agent. |
01:14:30 |
I come in peace. |
01:14:32 |
I really don't want to talk to you |
01:14:34 |
- Just trying to do my job. |
01:14:38 |
We're already screwed with |
01:14:40 |
and you just freaked out the entire state. |
01:14:42 |
I have got Napa, Vallejo, and DOJ |
01:14:46 |
and Riverside's telling me |
01:14:49 |
Jesus. Hey, Cheri Jo Bates was a gift. |
01:14:51 |
You and Armstrong |
01:14:53 |
This may not be Zodiac. |
01:14:55 |
- What if it is? |
01:14:57 |
be able to make a case |
01:14:59 |
Tell it to Sherwood. |
01:15:01 |
trying to draw him out. |
01:15:03 |
No, we're not in anything together, Paul, |
01:15:04 |
because I'm not interested |
01:15:06 |
Oh, boy. He wrote me. |
01:15:09 |
Hey, Bullitt! |
01:15:11 |
Been a year-and-a-half, |
01:15:17 |
- Go fuck yourself. |
01:15:19 |
You should have called me, Paul. |
01:15:27 |
Thank you. |
01:15:41 |
- Did you see this? |
01:15:43 |
Here comes every lunatic in California. |
01:15:47 |
I'm the Zodiac. |
01:15:48 |
And how did you kill your victims? |
01:15:50 |
With a gun. No, with a hammer. |
01:15:52 |
All I'm authorized to tell you |
01:15:54 |
is that he's still under |
01:15:56 |
- And who authorized you to tell me this? |
01:15:59 |
Only a little rat bastard like Andre |
01:16:01 |
could have done something |
01:16:04 |
Zodiac didn't cut off |
01:16:06 |
- Are you sure? |
01:16:08 |
Travis and I worked here |
01:16:11 |
His foot gets crushed in an accident |
01:16:15 |
- Coincidence? |
01:16:16 |
You're a cop, man. Do the math. |
01:16:23 |
Have you considered |
01:16:26 |
Frequently. |
01:16:28 |
He was drinking Coors, |
01:16:30 |
Starts talking about hunting people. |
01:16:33 |
Says how you can put a light |
01:16:36 |
to use as a sight in the dark. |
01:16:37 |
- He said that? |
01:16:40 |
So I asked him, |
01:16:42 |
And he said, "It would be easy |
01:16:44 |
"'cause there'd be no real motive |
01:16:47 |
Then he said he'd write letters |
01:16:49 |
and call himself Zodiac |
01:16:51 |
Leigh liked messing with people. |
01:16:52 |
- You're positive he said "Zodiac"? |
01:16:55 |
I thought it was a stupid name. |
01:16:59 |
He got up all upset and said, |
01:17:02 |
"I've thought about it a long time |
01:17:03 |
"I've thought about it a long time |
01:17:05 |
Did you feel like he'd been |
01:17:08 |
He was raw about losing his job |
01:17:12 |
He talked about shooting out |
01:17:15 |
and picking off the little darlings. |
01:17:17 |
- He actually used those words? |
01:17:21 |
Afterwards, I told my wife |
01:17:24 |
And I haven't since. |
01:17:26 |
Other thing is, Leigh's into skin diving. |
01:17:28 |
I know he's been up to that lake |
01:17:30 |
Lake Berryessa? |
01:17:33 |
Couple times. We went fishing |
01:17:37 |
Tell him when you put it together. |
01:17:39 |
About a year ago, in the paper, |
01:17:43 |
And it all comes back. |
01:17:47 |
They blew him off. |
01:17:48 |
And you're sure |
01:17:52 |
took place on January 1st, 1968? |
01:17:56 |
It couldn't have been any later. |
01:17:58 |
I started a new job in L.A. |
01:18:01 |
I had to move. |
01:18:03 |
- This is my problem. This guy... |
01:18:05 |
This guy, Leigh, |
01:18:08 |
to a fishing buddy on New Year's Day? |
01:18:10 |
I don't know. |
01:18:13 |
been thinking about it for a while. |
01:18:15 |
So why didn't Cheney |
01:18:17 |
I checked. He did. |
01:18:19 |
First recorded contact |
01:18:22 |
was in Pomona. January 10th, 1970. |
01:18:25 |
He just got lost in the shuffle. |
01:18:26 |
Did Cheney have anything |
01:18:28 |
Did Allen screw his wife or anything? |
01:18:29 |
We're gonna do |
01:18:31 |
But I got to tell you, I like this guy. |
01:18:35 |
So, let's pull |
01:18:38 |
Hi. I talked to Sherwood. |
01:18:41 |
- What are you having? |
01:18:46 |
So, the check stubs are a wash. |
01:18:49 |
The application's got more, |
01:18:51 |
so he can't rule him in. |
01:18:54 |
- Well, that's vague. |
01:18:58 |
Also, our guy is a pervert. |
01:19:01 |
When Mel got the application |
01:19:03 |
they told him that |
01:19:05 |
- Touching? |
01:19:09 |
- So what do you want to do? |
01:19:12 |
- Are you done with the fries? |
01:19:15 |
Did you and Mr. Cheney have a chance |
01:19:16 |
to look at the copies |
01:19:19 |
Yeah. |
01:19:22 |
- Yeah, we know that. |
01:19:25 |
He misspells words like that. |
01:19:28 |
What about the handwriting? |
01:19:29 |
I don't know. |
01:19:33 |
Our man at Questioned Documents |
01:19:36 |
Maybe he did it with his other hand. |
01:19:38 |
The letters are a little too neat |
01:19:39 |
for someone to have written |
01:19:42 |
But not for Leigh, right. |
01:19:43 |
- What do you mean? |
01:19:45 |
He can write with either hand. |
01:19:49 |
In everyday life, Allen uses his left hand. |
01:19:52 |
Job applications, |
01:19:54 |
But he writes the Zodiac letters |
01:19:57 |
producing a different handwriting |
01:20:01 |
We got to see this guy, Chief. |
01:20:03 |
- Where is he? |
01:20:04 |
He works at Union Oil in Pinole. |
01:20:07 |
See them both. |
01:20:09 |
Make sure you call Mulanax. |
01:20:11 |
Oh, right, because that |
01:20:15 |
Cooperation, that's us, at all costs. |
01:20:27 |
You can talk to him in here. |
01:20:32 |
I'll go get him for you. |
01:20:35 |
So how do you guys wanna do this? |
01:20:38 |
Well, Bill talked to the informants. |
01:20:41 |
It's okay by me. |
01:20:57 |
Mr. Allen, I'm Inspector Bill Armstrong. |
01:21:00 |
This is Inspector Dave Toschi |
01:21:03 |
We're investigating the Zodiac murders |
01:21:07 |
Please, sit down. |
01:21:18 |
The informant notified us |
01:21:20 |
11 months prior |
01:21:23 |
If they're true, |
01:21:26 |
Do you recall |
01:21:28 |
- No. |
01:21:30 |
or heard anything about the Zodiac? |
01:21:31 |
When it was first in the paper. |
01:21:33 |
But I didn't follow it |
01:21:35 |
- Why not? |
01:21:38 |
I told all this to the other officer. |
01:21:41 |
- Which other officer? |
01:21:45 |
Do you remember his name? |
01:21:47 |
No, but it was right after |
01:21:51 |
And what did you tell this officer? |
01:21:55 |
I told him that I'd gone to Salt Point |
01:21:59 |
That I was alone |
01:22:03 |
I have their names at home |
01:22:05 |
That would be great, Arthur. |
01:22:07 |
- Leigh. |
01:22:10 |
Leigh. Nobody calls me Arthur. |
01:22:14 |
Also, that day when I came home, |
01:22:18 |
It was around 4:00. |
01:22:21 |
- Neighbor's name? |
01:22:25 |
He died a week or so afterwards. |
01:22:27 |
Heart attack. |
01:22:33 |
The knives I had in my car |
01:22:35 |
that blood came from a chicken |
01:22:41 |
- What? |
01:22:44 |
Maybe Bill saw them |
01:22:49 |
Well, we'll be checking in on that. |
01:22:52 |
Well, let me ask you something else. |
01:22:54 |
Were you ever in Southern California |
01:22:59 |
- Is this about the Riverside killing? |
01:23:03 |
Well, I guess I was there |
01:23:05 |
I used to go down there a lot. |
01:23:13 |
Informant says that |
01:23:15 |
No, that's untrue. |
01:23:17 |
You can't write with both hands? |
01:23:21 |
My teachers tried to make me |
01:23:24 |
I'm left-handed. |
01:23:26 |
He also said that you made statements |
01:23:31 |
That is... |
01:23:32 |
That is horrible. That is... |
01:23:36 |
So, you weren't angry |
01:23:39 |
for touching your students? |
01:23:51 |
I'm not the Zodiac. |
01:23:53 |
And if I was, I certainly wouldn't tell you. |
01:23:58 |
That's a nice watch. |
01:24:02 |
Thank you. |
01:24:03 |
May I see it? |
01:24:07 |
May I see it? |
01:24:20 |
Where'd you get it? |
01:24:21 |
It was a Christmas gift |
01:24:24 |
That's very sweet. |
01:24:26 |
So, tell me something, Arthur. |
01:24:29 |
You don't remember anyone |
01:24:30 |
you might have had a conversation with |
01:24:35 |
Maybe Ted Kidder or Phil Tucker |
01:24:42 |
But I couldn't be positive. |
01:24:44 |
I used to work there when... |
01:24:50 |
The Most Dangerous Game. |
01:24:53 |
What? |
01:24:54 |
The Most Dangerous Game. |
01:24:57 |
It was my favorite book in high school. |
01:24:59 |
It's about this man who waits for people |
01:25:03 |
Because he was |
01:25:04 |
he hunted the people for the challenge. |
01:25:06 |
And man is the most |
01:25:10 |
That's the whole point of the story. |
01:25:13 |
Great book. |
01:25:16 |
Or, at least, that's what I told Phil. |
01:25:24 |
May I go? |
01:25:29 |
Sure. |
01:25:35 |
- Thanks for your time. |
01:25:39 |
I look forward to the day |
01:25:42 |
when police officers |
01:25:46 |
Thanks. |
01:25:48 |
We'll be in touch. |
01:26:02 |
So does anyone think this suspect |
01:26:06 |
These are copies of some |
01:26:10 |
We'd like you to take a look at them. |
01:26:13 |
You think my brother's the Zodiac. |
01:26:15 |
Well, we're looking at him. |
01:26:17 |
Are you going to arrest him? |
01:26:18 |
Mrs. Allen, we don't arrest people |
01:26:22 |
Well, Leigh's always been troubled. |
01:26:24 |
Is it true about the children? |
01:26:27 |
Unfortunately. |
01:26:28 |
We don't see him much anymore |
01:26:31 |
What are your feelings |
01:26:33 |
Don Cheney? My old roommate? |
01:26:36 |
- Was he the one who contacted you? |
01:26:39 |
Well, Don's a very reliable guy. |
01:26:40 |
If he were to tell you something, |
01:26:43 |
- This one. |
01:26:45 |
Here, where he spells |
01:26:47 |
We got a Christmas card from Leigh |
01:26:49 |
He spelled it the exact same way. |
01:26:52 |
- Would you still have that? |
01:26:55 |
Thank you. That'd be great. |
01:26:58 |
Is there anything else |
01:27:00 |
The brother said |
01:27:02 |
next time he went out of town. |
01:27:03 |
- That gets you around a warrant. |
01:27:06 |
If we do find something, |
01:27:09 |
and we could search the place properly. |
01:27:11 |
Now I got a chance to talk to the cop |
01:27:12 |
who interviewed Leigh Allen |
01:27:15 |
Doesn't remember how he got onto him, |
01:27:17 |
but didn't think he looked like a killer |
01:27:20 |
- But you do? |
01:27:23 |
Take it slow, Dave. |
01:27:26 |
A match'll get us farther |
01:27:28 |
- Avery's on two. |
01:27:32 |
You want me to communicate that |
01:27:43 |
This suspect is not your Zodiac. |
01:27:48 |
This sample matches the canceled |
01:27:50 |
Perfectly. |
01:27:52 |
So we've just retested the left hand. |
01:27:55 |
In 38 years, I've never seen anyone |
01:27:58 |
Both hands would have commonalities. |
01:28:01 |
I'm sorry. |
01:28:03 |
Just not gonna work. |
01:28:06 |
- Homicide, Toschi. |
01:28:09 |
Hey. Mulanax. Yeah. |
01:28:11 |
We struck out with the judge. |
01:28:13 |
He won't sign off on a warrant |
01:28:14 |
- Why not? |
01:28:17 |
Now, unless we bring him a handwriting |
01:28:19 |
How are we gonna get evidence |
01:28:22 |
I don't know. |
01:28:24 |
- I truly am sorry. |
01:28:28 |
What do you wanna do? |
01:28:29 |
Don't know what I can do |
01:28:31 |
We need Allen's right hand. |
01:28:34 |
Are there other guys |
01:28:36 |
Only, what? |
01:28:38 |
Twenty-three hundred? |
01:28:40 |
Okay, then. |
01:28:45 |
Okay, then. |
01:29:14 |
Paul, you wrote the Justice Department |
01:29:17 |
asking to be put in charge |
01:29:22 |
I merely suggested... |
01:29:24 |
On our letterhead? |
01:29:25 |
...that those with intimate knowledge |
01:29:27 |
create an information clearinghouse |
01:29:29 |
to promote an exchange |
01:29:32 |
- And that you run it. |
01:29:36 |
The marked man. |
01:29:38 |
Paul, if you want to work here, |
01:29:40 |
One, stop boozing. |
01:29:42 |
Two, stop doing |
01:29:45 |
And three, cut this nonsense out. |
01:29:49 |
Sweetest of Templetons, if at any time |
01:29:52 |
you feel my excellent work is no longer |
01:29:57 |
I'll more than happily... |
01:29:59 |
More than happily |
01:30:02 |
Paul, I mean it! |
01:30:14 |
- Paul? |
01:30:16 |
- What was that? |
01:30:21 |
- Wanna grab a drink? |
01:30:23 |
Late breakfast? |
01:30:26 |
- Early lunch, or... |
01:30:30 |
Are you okay? |
01:30:32 |
No. |
01:30:37 |
Thank you for asking. |
01:30:41 |
Shorty! Let's go out for one. |
01:30:43 |
Paul, where are you going? |
01:30:47 |
So, you moved off my brother-in-law? |
01:30:50 |
We couldn't get a warrant. |
01:30:53 |
Last year we arranged for Leigh |
01:30:57 |
He only went twice. |
01:30:59 |
We saw him recently for |
01:31:02 |
My mother-in-law brought him by |
01:31:05 |
After he left, |
01:31:08 |
He couldn't talk about a former patient, |
01:31:12 |
if he thought Leigh |
01:31:14 |
- Because of patient confidentiality... |
01:31:19 |
Why hadn't you seen him |
01:31:21 |
He's going to school in Santa Rosa. |
01:31:23 |
- Santa Rosa? Where is he living? |
01:31:27 |
- In Santa Rosa? |
01:31:29 |
We wouldn't have to go |
01:31:31 |
It's been 11 months |
01:31:33 |
and now you wanna search his trailer? |
01:31:35 |
If we find something, great. |
01:31:36 |
If not, we get his prints and |
01:31:40 |
I thought Sherwood shut you down. |
01:31:43 |
What if I can get a second opinion? |
01:31:46 |
I don't wanna step on Sherwood's toes. |
01:31:49 |
Terry, all I need to know |
01:31:51 |
Could he possibly have written |
01:31:57 |
Between you and me? |
01:31:59 |
Because there are differing |
01:32:03 |
Get the samples of his other hand. |
01:32:08 |
That's the current thinking, |
01:32:10 |
Meanwhile, I spoke to a psychologist |
01:32:14 |
that someone who undergoes |
01:32:17 |
would manifest it physically, |
01:32:20 |
Which is why Sherwood couldn't |
01:32:24 |
We got Terry Pascoe, |
01:32:26 |
coupled with Cheney... |
01:32:27 |
It could be enough for a warrant. |
01:32:29 |
Get Cheney on the record. |
01:32:30 |
"And shoot the kiddies |
01:32:33 |
"And that he would call himself Zodiac. " |
01:32:37 |
Yes. |
01:32:38 |
And you're willing to swear |
01:32:42 |
Without any hesitation. |
01:32:43 |
Thank you very much, Mr. Cheney. |
01:32:46 |
Thank you. |
01:32:49 |
Well, looks like you got your man. |
01:33:12 |
Mr. Allen? |
01:33:14 |
This is the |
01:33:16 |
We have a warrant |
01:33:30 |
Hello? |
01:33:39 |
I'll check with the neighbors. |
01:33:43 |
Close the door. |
01:33:44 |
Close the door, |
01:33:59 |
Neighbor said he tore out of here |
01:34:02 |
- You think somebody tipped him? |
01:34:12 |
I'll check the back. |
01:34:27 |
Jesus. |
01:34:28 |
- What? |
01:34:32 |
Piece of work, this guy. |
01:34:40 |
Not one, but two blue windbreakers. |
01:34:43 |
- Like the Stine scene? |
01:34:47 |
And a pair of black gloves. |
01:34:52 |
Men's seven, |
01:34:55 |
Well, he's got the same size shoes |
01:34:58 |
Probably just a coincidence. |
01:35:00 |
Dave, I got a gun. |
01:35:05 |
They're both. 22s. |
01:35:09 |
Well, that's interesting. |
01:35:10 |
Because he happens to have |
01:35:14 |
For little darlings bouncing off buses. |
01:35:17 |
Someone's here. |
01:35:26 |
Hello, Arthur. Remember us? |
01:35:51 |
No. |
01:35:52 |
On the handwriting? |
01:35:53 |
Ballistics, no match. |
01:35:57 |
On both hands, right? |
01:35:59 |
Because we got handwriting |
01:36:01 |
And neither hand matches. |
01:36:02 |
Forget Sherwood. |
01:36:04 |
Fellas, he's not your guy. |
01:36:12 |
Damn it. |
01:36:21 |
Hey. |
01:36:23 |
What do you want? Time off? |
01:36:28 |
A hug? |
01:36:30 |
Do you know what |
01:36:32 |
I can't tell if I wanted it |
01:36:34 |
because I actually thought it was him, |
01:36:37 |
It's because you thought it was him. |
01:36:39 |
And I did, too. |
01:36:43 |
You know what? Take some time off. |
01:36:45 |
Spend some time with your wife |
01:36:48 |
Go to Candlestick. See a movie. |
01:36:52 |
"To the city of San Francisco, |
01:36:58 |
"until you pay me $100,000. |
01:37:01 |
"If you agree, say so tomorrow morning |
01:37:04 |
"in the personal column |
01:37:08 |
"and I will set up meeting. |
01:37:10 |
"If I do not hear from you, |
01:37:11 |
"it will be my next pleasure |
01:37:18 |
"... Scorpio. " |
01:37:22 |
Who's out of their minds? |
01:37:23 |
I've got to get out of here. |
01:37:25 |
Where the hell does he expect me |
01:37:29 |
You're not thinking of paying him, |
01:37:31 |
The city of San Francisco does not |
01:37:58 |
The killer gets shot in the chest. |
01:38:01 |
That's how it ends. |
01:38:04 |
Do I know you? |
01:38:05 |
I'm Robert Graysmith. |
01:38:08 |
Dave Toschi. Nice to meet you. |
01:38:10 |
Dave! That Harry Callahan |
01:38:13 |
Yeah. No need for due process, right? |
01:38:20 |
- What do you do at the Chronicle? |
01:38:22 |
That's nice. |
01:38:23 |
You're gonna catch him. |
01:38:27 |
Pal, they're already |
01:39:01 |
Hi. We haven't met. |
01:39:03 |
I'm Robert Graysmith. |
01:39:05 |
I'm Duffy Jennings. |
01:39:07 |
- Nice to meet you. |
01:39:11 |
You got a great desk. |
01:39:12 |
Guy who used to work here |
01:39:14 |
Oh, yeah. Oh, I'm sure he was. |
01:39:15 |
I mean, it's a honor |
01:39:18 |
and go work for the Sacramento Bee. |
01:39:21 |
Dare to dream, right, Robert? |
01:39:27 |
- Nice to meet you. |
01:39:30 |
I'm just right down there |
01:39:32 |
- if you need anything, Duffy. |
01:39:38 |
- You sure you don't want the car, Bill? |
01:39:41 |
You could just drop me off at my place |
01:39:44 |
You should keep the car. |
01:39:47 |
Yeah? |
01:39:48 |
I'm not coming in tomorrow. |
01:39:52 |
Why? What's up? |
01:39:55 |
I'm done. |
01:39:58 |
I put in for a transfer. |
01:40:05 |
Where? |
01:40:07 |
Looking at Fraud. |
01:40:11 |
I can't be on call anymore. |
01:40:16 |
I wanna see these kids grow up. |
01:40:19 |
Hey, good for you, Bill. |
01:40:24 |
- You'll be okay. |
01:40:28 |
Hey, |
01:40:30 |
I'm not leaving you |
01:40:35 |
No. |
01:40:39 |
Okay. |
01:40:41 |
Hey, you know what? |
01:40:43 |
Maybe you'll have a chance |
01:40:48 |
Yeah. |
01:41:21 |
I'm not Paul Avery. |
01:41:26 |
The boys need to be tucked in, please, |
01:41:29 |
- I'll flip you for it. |
01:41:35 |
Nobody has more Zodiac crap |
01:42:22 |
- Are you kidding me? |
01:42:26 |
- Permission to come aboard. |
01:42:28 |
Anyway, you got shoes on. |
01:42:31 |
- That's the one. |
01:42:35 |
- See that? Mesmerizing. |
01:42:38 |
My own kids |
01:42:42 |
- How are you? |
01:42:45 |
I mean, admittedly, |
01:42:47 |
the Bee ain't exactly |
01:42:49 |
Do you want a drink? |
01:42:52 |
Don't worry about that. |
01:42:54 |
It's no bother at all. |
01:42:58 |
Cheers. |
01:43:00 |
To your health and mine. |
01:43:04 |
Mostly mine. |
01:43:11 |
So, |
01:43:14 |
what's new? |
01:43:18 |
- I've been thinking. |
01:43:20 |
Somebody should write a book. |
01:43:21 |
Somebody should write a fucking book, |
01:43:24 |
- About what? |
01:43:28 |
It's not new. |
01:43:30 |
I've been thinking that |
01:43:34 |
maybe you could jog something loose. |
01:43:36 |
And then I was thinking that |
01:43:39 |
Yeah. That's true. |
01:43:40 |
You know all the players, |
01:43:43 |
Lost them. |
01:43:44 |
You lost them? |
01:43:46 |
Or I tossed them. I don't know. |
01:43:49 |
You know that we work |
01:43:51 |
As in, today. |
01:43:53 |
What do you think |
01:43:57 |
Do you know that more people die |
01:43:59 |
every three months |
01:44:01 |
He offed a few citizens, |
01:44:02 |
he wrote a few letters, |
01:44:04 |
He wrote a few letters, |
01:44:11 |
Not that I haven't been sitting here idly |
01:44:14 |
waiting for you to drop by |
01:44:21 |
It was four years ago. Let it fucking go. |
01:44:24 |
You're wrong. It was important. |
01:44:28 |
Then, what did you ever do about it? |
01:44:31 |
If it was so fucking important, |
01:44:34 |
You hovered over my desk, |
01:44:36 |
Am I being unkind? |
01:44:39 |
Oh, that's right, I forgot. |
01:44:45 |
I'm sorry I bothered you. |
01:45:09 |
- Hey, hi. |
01:45:12 |
- Where you been? |
01:45:46 |
Thank you! |
01:46:03 |
- Inspector Toschi? |
01:46:10 |
- Hi. |
01:46:13 |
We met at the movies once. |
01:46:15 |
It must have been magical. |
01:46:17 |
I'm Robert Graysmith. |
01:46:19 |
I was wondering if I could buy you lunch. |
01:46:23 |
Sure, why not? |
01:46:25 |
So, you're a friend of Paul Avery's? |
01:46:28 |
He's actually the reason I'm here. |
01:46:32 |
I wanted to ask you about Zodiac. |
01:46:34 |
Well, I appreciate the interest, |
01:46:38 |
Oh, well, what's going on with it, |
01:46:40 |
We're actively pursuing all leads. |
01:46:42 |
And you're the only one on it, right? |
01:46:46 |
Mr. Graysmith, |
01:46:49 |
Zodiac hasn't written in three years. |
01:46:51 |
You know how many murders |
01:46:53 |
- No. |
01:46:55 |
That's a lot of dead people |
01:46:58 |
So, nobody cares. |
01:47:00 |
Excuse me? I care. |
01:47:05 |
Okay. Can I show you something? |
01:47:11 |
I've been doing research |
01:47:14 |
Everything an amateur |
01:47:16 |
can be found in these books. |
01:47:19 |
Now, I started thinking |
01:47:22 |
then maybe you can track the man. |
01:47:25 |
So, I remember you thought |
01:47:28 |
so I went to every base library |
01:47:32 |
who's ever checked out these books |
01:47:40 |
- Missing. |
01:47:44 |
So, almost every book on ciphers |
01:47:47 |
And the Oakland Army Terminal Library. |
01:47:53 |
Somebody didn't want a record |
01:47:57 |
Who are you again? |
01:48:01 |
I just wanna help. |
01:48:06 |
I can't allow you to help. |
01:48:08 |
I can't discuss the case with you. |
01:48:10 |
I can't give you information, |
01:48:13 |
to go see Ken Narlow in Napa. |
01:48:16 |
N- A-R-L-O-W. |
01:48:27 |
I'm sorry, Mr. Graysmith, |
01:48:32 |
Well, I'm not a writer, I'm a cartoonist. |
01:48:35 |
- And Dave Toschi sent you? |
01:48:38 |
- Why? |
01:48:40 |
Maybe he thought |
01:48:43 |
- What are you, some kind of boy scout? |
01:48:48 |
Well, if you wanna do this, |
01:48:53 |
Better start with Vallejo, Jack Mulanax. |
01:48:56 |
I understand what you're trying to do. |
01:48:58 |
But this is an open police investigation. |
01:49:01 |
I'm a friend of Dave Toschi's. |
01:49:03 |
And he said |
01:49:06 |
I mean, the case is dead. |
01:49:10 |
He's yesterday's news, right? |
01:49:13 |
That's what they say. |
01:49:16 |
So, what's the harm? |
01:49:18 |
No pens, no paper. |
01:49:20 |
Anything that you see that's relevant, |
01:49:23 |
Okay. |
01:49:26 |
Okay, here we go. |
01:49:27 |
- Which one? |
01:49:30 |
And there's more in the next room. |
01:49:32 |
243-146. |
01:49:34 |
You don't smoke, do you? |
01:49:36 |
Once. In high school. |
01:49:41 |
What's this? |
01:49:44 |
Thank you. |
01:50:13 |
Man, you really creeped us out. |
01:50:21 |
"Nine millimeter. |
01:50:24 |
"Said nothing and began firing. " |
01:50:36 |
"Most Dangerous Game. |
01:50:37 |
"Do not eliminate this suspect |
01:50:40 |
"Not because of handwriting. |
01:50:43 |
"Darlene's sister, Linda. |
01:50:45 |
"It was all just deep breathing. George. |
01:50:48 |
"It was a strange man. George. |
01:50:52 |
Thank you so much. |
01:50:55 |
Oh, briefcase. Oh, thanks. |
01:51:00 |
- Hey, Jack. |
01:51:03 |
- Who's that? |
01:51:05 |
Some cartoonist. |
01:51:10 |
Well, good for him. |
01:51:41 |
- Thank you for meeting me, Inspector. |
01:51:44 |
We're just two guys |
01:51:45 |
on the same bench at the same time. |
01:51:47 |
I've got five minutes. |
01:51:49 |
Okay. As far as you know, |
01:51:52 |
with Mike Mageau |
01:51:54 |
- and show him suspect photos? |
01:51:56 |
Well, he's the only surviving victim |
01:51:59 |
No, I mean, why are you asking me? |
01:52:00 |
Mageau and Darlene, |
01:52:02 |
Paul Stine is mine. |
01:52:05 |
Darlene Ferrin was being followed. |
01:52:07 |
Now, I know Mulanax says |
01:52:09 |
a George Waters? |
01:52:11 |
But he also said |
01:52:12 |
who would come to |
01:52:14 |
- She was popular. |
01:52:16 |
Yeah. So... |
01:52:18 |
She and her husband, |
01:52:20 |
and one night they throw |
01:52:21 |
And what's a painting party? |
01:52:23 |
It's a party where people come |
01:52:25 |
Sounds like a terrible party. |
01:52:26 |
Well, supposedly, |
01:52:30 |
And Darlene is terrified of him. |
01:52:32 |
So you think that Darlene knew Zodiac? |
01:52:34 |
And if Zodiac knew Darlene, |
01:52:38 |
Maybe. But Mageau's gone. |
01:52:40 |
So if you wanna connect |
01:52:42 |
you're gonna have to find another way. |
01:52:43 |
I have another way. |
01:52:45 |
Phone calls the night |
01:52:46 |
- Yeah, Zodiac called the police. |
01:52:50 |
There were two to Darlene's house, |
01:52:52 |
and one to Darlene's father-in-law. |
01:52:54 |
They started around 1:30 a. m., |
01:52:56 |
and this was before anyone in the family |
01:53:00 |
- This was in the Vallejo files? |
01:53:02 |
God damn it. |
01:53:03 |
It's got to be more |
01:53:05 |
I mean, somebody doesn't just randomly |
01:53:08 |
90 minutes after they were shot. |
01:53:10 |
So, either Zodiac shoots |
01:53:13 |
then he recognizes Darlene... |
01:53:14 |
Or Darlene was shot on purpose. |
01:53:16 |
Either way, |
01:53:21 |
That's good, Robert. |
01:53:24 |
So, I can't find Mageau, |
01:53:27 |
And maybe she can tell me |
01:53:29 |
Try that. I've got to go. She's very cute. |
01:53:36 |
You know, |
01:53:37 |
it's interesting that you should mention |
01:53:41 |
He did that in San Francisco once. |
01:53:42 |
What? Who did he call? |
01:53:44 |
I can't tell you. |
01:53:48 |
But maybe Melvin Belli could. |
01:53:52 |
Melvin Belli. |
01:53:55 |
How do I get to Melvin Belli? |
01:53:57 |
- He should be along soon. |
01:54:00 |
I've really... |
01:54:03 |
He's usually not this late. |
01:54:05 |
Oh, cookies. Thank you. |
01:54:08 |
- You are here on business? |
01:54:12 |
I remember that. I spoke to him. |
01:54:15 |
- You mean to Mr. Belli about the case? |
01:54:20 |
He said he had to kill |
01:54:23 |
He said it... Wait. |
01:54:27 |
Yes. You want something to drink? |
01:54:30 |
- When was this? |
01:54:36 |
Mr. Belli was away for Christmas. |
01:54:39 |
Gone for a week. |
01:54:40 |
The Zodiac called, |
01:54:43 |
I said, "He is not here. " |
01:54:44 |
He said, "I have to kill. |
01:54:47 |
And then he hangs up. |
01:54:49 |
Then the letter arrived. |
01:54:51 |
So, the call came |
01:54:55 |
Mr. Belli was gone for a week? |
01:54:57 |
He came back on Christmas. |
01:55:01 |
So, he left on the 18th. |
01:55:04 |
Is that helpful? |
01:55:06 |
She said it was his birthday. |
01:55:07 |
Well, you'd have to confirm that, |
01:55:11 |
How? |
01:55:13 |
Well, I never spoke to her, |
01:55:16 |
- How do I get a hold of him? |
01:55:19 |
As far as I'm concerned, |
01:55:21 |
How do I confirm it? |
01:55:23 |
Well, if my partner |
01:55:25 |
then they would've had |
01:55:27 |
That's standard procedure. |
01:55:29 |
- Okay. |
01:55:31 |
- Thank you. |
01:55:33 |
I just need to confirm a date. |
01:55:36 |
- Mr. Graysmith... |
01:55:37 |
between the 18th and the 20th |
01:55:40 |
Okay, I'll play. |
01:55:43 |
Let's say it really was Zodiac. |
01:55:44 |
Why would he volunteer |
01:55:47 |
Plus, nobody died on December 18th, |
01:55:50 |
just like nobody died over the weekend |
01:55:52 |
or when he was gonna |
01:55:55 |
He's a liar, Mr. Graysmith. |
01:55:56 |
What if he made a mistake? |
01:55:58 |
What if he wasn't lying? |
01:56:00 |
He didn't expect to pick it up, |
01:56:03 |
What if? What if? What if? |
01:56:04 |
Look, off the record, |
01:56:08 |
We took this very seriously. |
01:56:10 |
None of the suspects had the |
01:56:14 |
Bill Armstrong. |
01:56:21 |
Can I give you a piece of advice? |
01:56:23 |
You're looking in the wrong place. |
01:56:25 |
Handwriting, fingerprints, |
01:56:28 |
Stick to the evidence. |
01:56:31 |
Hi. |
01:56:40 |
- Hey. How was your day? |
01:56:49 |
Who's Sherwood Morrill? |
01:56:50 |
He's a handwriting expert |
01:56:53 |
He called. |
01:56:54 |
He said he can meet you |
01:56:56 |
Oh, great. |
01:56:58 |
- So you're taking off work? |
01:57:02 |
Sacramento's two hours away. |
01:57:06 |
- Really? |
01:57:08 |
What's this? |
01:57:10 |
Oh, that's that article. |
01:57:12 |
"Robert Graysmith has quietly been |
01:57:16 |
Yeah. |
01:57:17 |
It talks all about you |
01:57:20 |
Well, that's what the article's about. |
01:57:21 |
I'm not so sure that's something |
01:57:24 |
Why? Are you embarrassed? |
01:57:25 |
Robert, what's the one thing |
01:57:29 |
He reads the Chronicle. |
01:57:30 |
Yeah, but he's never |
01:57:37 |
- Hello. |
01:57:40 |
The Robert Graysmith |
01:57:43 |
- Yeah? |
01:57:49 |
Who is this? |
01:57:51 |
The Zodiac Killer |
01:57:53 |
He recorded his murders on film. |
01:57:56 |
I tried to tell the police, |
01:57:59 |
There's a man you need to find. |
01:58:02 |
- Pen, pen. |
01:58:05 |
He's a friend of the Zodiac's. |
01:58:07 |
Mr. Vaughn does not know |
01:58:09 |
and he is storing |
01:58:12 |
In these canisters is the evidence. |
01:58:14 |
Okay, yeah, friend? Who is this friend? |
01:58:17 |
You have quite enough to get started. |
01:58:19 |
Oh, please. |
01:58:21 |
The Zodiac's name is Rick Marshall. |
01:58:28 |
Your toast is burning. |
01:58:31 |
We choose at some point in our lives |
01:58:37 |
Once we lock that into our brains, |
01:58:39 |
our handwriting may change |
01:58:41 |
but the moves themselves |
01:58:44 |
- Understand? |
01:58:47 |
Except Zodiac's doesn't. |
01:58:51 |
Specifically with his "K." |
01:58:54 |
In his first letters, |
01:58:57 |
Later letters, he did them with three. |
01:58:58 |
- Why? |
01:59:01 |
Excuse me, I've got to spray this. |
01:59:03 |
How many suspects |
01:59:06 |
All of them. |
01:59:08 |
Also the print in the cab. |
01:59:11 |
Is there any way that someone |
01:59:15 |
No. |
01:59:16 |
Whoever the Zodiac is, |
01:59:21 |
About a month ago, a man showed up |
01:59:24 |
His name was Wallace Penny. |
01:59:27 |
He said he knew who the Zodiac was. |
01:59:29 |
Gave me a name. |
01:59:32 |
Rick. Rick somebody. |
01:59:34 |
- Rick Marshall? |
01:59:36 |
I think that the man |
01:59:39 |
After he left, then I checked my files. |
01:59:42 |
I never cleared a Rick Marshall. |
01:59:51 |
Hello? |
01:59:57 |
Hello? Who is this? |
02:00:09 |
It's the wrong number. |
02:00:17 |
Does the name Rick Marshall |
02:00:21 |
What are you after? |
02:00:23 |
What do you got? |
02:00:24 |
Hypothetically, you just named |
02:00:30 |
This is off the record. |
02:00:31 |
Couple years back, |
02:00:34 |
I handed him a photo. |
02:00:36 |
He looks at it. He's about to give it back |
02:00:38 |
"My goodness, |
02:00:41 |
And he wipes them off. |
02:00:43 |
Why didn't you test him for handwriting? |
02:00:45 |
Because when they finally |
02:00:48 |
they cleared him |
02:00:50 |
- So, then, it's not him. |
02:00:52 |
No. What do you mean? |
02:00:54 |
Zodiac left gloves behind at the scene. |
02:00:57 |
If he had the foresight |
02:00:59 |
how the hell's he gonna |
02:01:01 |
But it was in the victim's blood. |
02:01:03 |
Could have been one of the bystanders, |
02:01:05 |
or a cop just reaches out, |
02:01:07 |
Yeah, but that print |
02:01:10 |
Which is why we also used handwriting. |
02:01:11 |
But not for Rick Marshall. |
02:01:12 |
SFPD saw a handwritten sign |
02:01:16 |
Decided it looked nothing |
02:01:19 |
How do they know |
02:01:22 |
My thoughts exactly. |
02:01:24 |
Rick Marshall was a Navy man. |
02:01:28 |
He was also a projectionist |
02:01:30 |
Well, then, how do I get copies |
02:01:33 |
Three ways. |
02:01:37 |
Two, get him to volunteer, |
02:01:39 |
Yeah, and three? |
02:01:41 |
Get creative. |
02:01:42 |
I don't know what to tell you. |
02:01:45 |
Beyond that, you're on your own. |
02:01:47 |
Okay, what about |
02:01:49 |
the one who called me? |
02:01:51 |
You mean Wallace Penny? |
02:01:53 |
Yeah. Did he leave a number? |
02:02:05 |
- Hello? |
02:02:08 |
How did you find me? |
02:02:09 |
I need a sample |
02:02:11 |
I told you. Vaughn is who... |
02:02:13 |
Mr. Penny, |
02:02:16 |
I need a sample of his handwriting |
02:02:19 |
Can you help me or not? |
02:02:22 |
Rick used to draw movie posters |
02:02:27 |
- I'll send one down. |
02:02:38 |
- I'll need to see more samples. |
02:02:41 |
It's as close as I've ever seen. |
02:02:44 |
We're talking about |
02:02:46 |
I can get more. I'll just find Vaughn |
02:02:49 |
I mean, Linda is Darlene's sister. |
02:02:51 |
I've been to the DMV, |
02:02:54 |
but still, nobody knows |
02:02:57 |
Mr. Graysmith, most of the writing |
02:03:02 |
In a way, though, it's the part that |
02:03:05 |
- What do you mean? |
02:03:08 |
the one letter that absolutely, |
02:03:11 |
is the letter "K." |
02:03:14 |
You wouldn't happen to have any |
02:03:18 |
Unit Five. |
02:03:34 |
- Dispatch. |
02:03:36 |
I'll connect you. |
02:03:39 |
- Dave? |
02:03:40 |
Jennings here from the Chronicle. |
02:03:43 |
It came in this morning |
02:03:45 |
See what? |
02:03:46 |
The new Zodiac letter. |
02:03:49 |
Okay, okay. |
02:03:52 |
Shit. All right, come on. |
02:03:55 |
Hall of Justice! |
02:03:57 |
Now! Come on, come on, |
02:04:06 |
Dave! |
02:04:08 |
Do you have it with you? |
02:04:13 |
"This is the Zodiac speaking. |
02:04:16 |
"Tell Herb Caen I am here, |
02:04:19 |
"That city pig Toschi is good, |
02:04:22 |
"He will get tired, then leave me alone. |
02:04:25 |
"I'm waiting for a good movie about me. |
02:04:28 |
"I'm now in control of all things. " |
02:04:31 |
These guys are from Internal Affairs. |
02:04:35 |
We need to talk. |
02:04:37 |
Good evening. Our top story tonight, |
02:04:39 |
the San Francisco Police Department |
02:04:41 |
that the man |
02:04:44 |
and terrorized the Bay Area |
02:04:48 |
In a letter claiming, |
02:04:51 |
the Zodiac makes no overt threats |
02:04:54 |
and muses that his life and times |
02:04:58 |
These carrots are perfect. |
02:04:59 |
The terse 66 word message |
02:05:01 |
Just go. |
02:05:02 |
...to mention San Francisco Chronicle |
02:05:05 |
and the Department's own |
02:05:08 |
- May I be excused? |
02:05:10 |
Fine, but you have to come back |
02:05:11 |
and finish at least half |
02:05:13 |
More team coverage |
02:05:15 |
begins as Alan Freeman has more. |
02:05:17 |
Thank you, Eric. |
02:05:19 |
San Francisco Chronicle columnist |
02:05:21 |
that he thinks not only |
02:05:24 |
but it was written by the very man |
02:05:26 |
trusted to hunt down this killer, |
02:05:30 |
Maupin, a very well-respected author, |
02:05:34 |
that he believes Toschi wrote the letter |
02:05:38 |
Maupin used David |
02:05:41 |
David got a kick out of it |
02:05:43 |
and so he wrote |
02:05:46 |
asking for the character |
02:05:48 |
It was like |
02:05:51 |
But David did not write that letter. |
02:05:53 |
No, I'm sure that he didn't. |
02:05:56 |
Blow over? |
02:05:58 |
They kicked him out of Homicide. |
02:06:00 |
They made him give his handwriting |
02:06:03 |
- May I talk to him? |
02:06:07 |
Okay, can you just ask him |
02:06:08 |
if he ever investigated |
02:06:10 |
Is that all you can think about? |
02:06:12 |
Mr. Graysmith, |
02:06:21 |
This girl, she wants music lessons? |
02:06:23 |
Dave! Dave! |
02:06:27 |
I'll catch up to you. |
02:06:29 |
You stop calling my house. |
02:06:32 |
I just need your help to find Linda. |
02:06:33 |
- Jesus. |
02:06:37 |
Look, we've been |
02:06:40 |
- Who's we? |
02:06:42 |
Sherwood? |
02:06:43 |
Sherwood who was fired |
02:06:46 |
Sherwood who drinks |
02:06:47 |
- He retired. |
02:06:50 |
- What, are you saying he's wrong? |
02:06:55 |
- We ran them on Rick Marshall. |
02:06:56 |
No, I know you don't think it's him. |
02:06:58 |
I mean, no, I am not having |
02:06:59 |
But I think that Marshall knew Darlene, |
02:07:02 |
so I'm gonna talk to Bob Vaughn. |
02:07:03 |
So I'm gonna talk to Bob Vaughn. |
02:07:03 |
- Robert. Robert, stop it! |
02:07:05 |
Okay, the Rick Marshalls |
02:07:07 |
They're blind alleys. |
02:07:08 |
But he said he wasn't gonna announce |
02:07:11 |
He was just gonna do them. |
02:07:12 |
Do you know what the chances |
02:07:15 |
Too much time has gone by, okay? |
02:07:19 |
People get old, Robert. They forget. |
02:07:22 |
Now, I have been a cop for 25 years. |
02:07:27 |
- What do you do for a living? |
02:07:29 |
- You're a cartoonist. |
02:07:31 |
I am saying Zodiac was my job. |
02:07:37 |
- He's still out there, Dave. |
02:07:40 |
I am through with you. |
02:07:48 |
What about September 26, 1970? |
02:07:51 |
- Okay, which one was that? |
02:07:57 |
One day before the vernal equinox. |
02:07:59 |
- Dad? |
02:08:01 |
Got another one. June 19th, 1971. |
02:08:04 |
That's got to be |
02:08:10 |
Oh, guys. |
02:08:11 |
Don't tell Mom about |
02:08:15 |
How come you and Mom |
02:08:22 |
Hello. |
02:08:23 |
Mr. Graysmith, |
02:08:25 |
Oh, Captain Narlow. |
02:08:29 |
Yeah. How can I help? |
02:08:31 |
I called you because we've been |
02:08:34 |
with the Zodiac's timeline. |
02:08:36 |
More often than not, each cycle |
02:08:40 |
or with one of the letters, |
02:08:43 |
- Who's working with you on this? |
02:08:46 |
Dad? |
02:08:48 |
- Ken, can you hold on one second? |
02:08:51 |
- What is it? |
02:08:57 |
In the decade since the Zodiac's |
02:09:00 |
every federal agency |
02:09:04 |
But today, |
02:09:07 |
a cartoonist has succeeded. |
02:09:09 |
How did you do it? |
02:09:11 |
Oh, just a lot of books from the library, |
02:09:19 |
Yeah. The fucking library. |
02:09:21 |
I believe that you can accomplish |
02:09:27 |
That's a "J"? Okay. Honor Camp? |
02:09:31 |
Thank you so much. |
02:09:35 |
Hey, we found Linda. |
02:09:37 |
Why'd you do it? |
02:09:38 |
Because she'll be able to identify Rick... |
02:09:40 |
- What are you talking about? |
02:09:43 |
You put yourself out there |
02:09:45 |
Oh, hon, you're being paranoid. |
02:09:47 |
Then who's been calling our house |
02:09:49 |
at least once a week? |
02:09:50 |
Nobody. |
02:09:53 |
What's it gonna take |
02:09:55 |
I can't talk about this now. |
02:09:58 |
Well, that's too bad, |
02:10:01 |
And when is it gonna be finished? |
02:10:04 |
When you catch him? |
02:10:06 |
- Be serious. |
02:10:10 |
I need to know who he is. |
02:10:13 |
I need to stand there, |
02:10:17 |
I need to look him in the eye |
02:10:22 |
Is that more important |
02:10:25 |
Of course not. |
02:10:28 |
Why? Why do you need to do this? |
02:10:32 |
Why? |
02:10:35 |
Because nobody else will. |
02:10:38 |
That's not good enough. |
02:10:40 |
Are you done? Can I go? |
02:10:57 |
- Mr. Vaughn? |
02:10:59 |
- Yes. |
02:11:00 |
You needed to speak to me? |
02:11:01 |
Yes. There's a coffee shop |
02:11:04 |
- Why don't we just go to my home? |
02:11:07 |
It's no trouble at all. |
02:11:09 |
- Where are you parked? |
02:11:12 |
- You can follow me. |
02:11:34 |
Watch your step. |
02:11:36 |
Come in. |
02:11:40 |
- Very nice house. |
02:11:43 |
It's very rustic. |
02:11:45 |
- Can I take your jacket? |
02:11:48 |
Okay. This way, please. |
02:11:53 |
- Have a seat. |
02:11:55 |
- How about some tea? |
02:11:58 |
- You sure? |
02:12:00 |
I wanted to ask you about a film |
02:12:04 |
while you were the organist there. |
02:12:06 |
The Most Dangerous Game? |
02:12:08 |
Oh, it's a classic. RKO. 1932. |
02:12:12 |
Fay Wray, Joel McCrea, Leslie Banks. |
02:12:16 |
In '68, '69? |
02:12:20 |
I'd have to check my records. Why? |
02:12:22 |
Do you remember the Zodiac? |
02:12:26 |
This is about Rick Marshall, isn't it? |
02:12:29 |
- He was a projectionist there, right? |
02:12:32 |
But I have no occasion |
02:12:36 |
Okay. Well, there is a connection |
02:12:39 |
between one of the Zodiac attacks |
02:12:42 |
You mean the symbol? |
02:12:45 |
Hold on. |
02:12:46 |
The Zodiac symbol on film. |
02:12:54 |
It's trimmed off each reel |
02:12:57 |
but it always arrives with it. |
02:13:00 |
Right there. |
02:13:02 |
The first time I saw it in the papers, |
02:13:06 |
We got a tip |
02:13:08 |
that Rick left a film canister here |
02:13:12 |
A tip about a mysterious film canister? |
02:13:16 |
Is it true? |
02:13:19 |
Yes. |
02:13:21 |
- Did you open it? |
02:13:24 |
- May I see it? |
02:13:30 |
This tip is how you got it in your head |
02:13:34 |
That and the poster. |
02:13:36 |
The poster? |
02:13:39 |
The poster that Rick drew. |
02:13:41 |
The handwriting is the closest |
02:13:45 |
- Rick didn't draw any posters. |
02:13:48 |
Mr. Graysmith, I do the posters myself. |
02:13:53 |
That's my handwriting. |
02:14:03 |
I won't take any more of your time. |
02:14:06 |
Why don't I just go and find out |
02:14:11 |
Oh, that's all right. |
02:14:13 |
It's not a problem. |
02:14:18 |
Not many people |
02:14:24 |
I do. |
02:14:27 |
You coming, Mr. Graysmith? |
02:14:40 |
The original studio one-sheets, |
02:14:46 |
The cheapo knock-offs |
02:14:49 |
I end up tossing into the back alley. |
02:15:06 |
'69. |
02:15:13 |
You live alone? |
02:15:15 |
Most Dangerous Game ran in May '69. |
02:15:21 |
So, that would be about |
02:15:24 |
nine weeks before |
02:15:30 |
Yeah. |
02:15:36 |
Do you think he saw the film |
02:15:46 |
Are you sure |
02:15:51 |
Would you like |
02:15:54 |
No. |
02:15:58 |
Thank you. Thanks for everything. |
02:16:02 |
You're welcome. |
02:16:24 |
It's locked. |
02:16:37 |
Thank you. |
02:16:41 |
Good night, Mr. Graysmith! |
02:17:03 |
Two killers. Got to be two killers. |
02:17:15 |
Guys? |
02:17:49 |
You've got five minutes. |
02:17:59 |
Linda? |
02:18:02 |
Hi, I'm Robert. |
02:18:07 |
Did you get my note? |
02:18:10 |
- What's this about? |
02:18:13 |
Figures. |
02:18:16 |
- You got the look. |
02:18:19 |
I didn't mean anything. |
02:18:22 |
Tell me about this painting party. |
02:18:25 |
I told the cops about that so long ago. |
02:18:32 |
Darlene always had |
02:18:34 |
even though she was married. |
02:18:36 |
And this one guy was weird, though. |
02:18:38 |
He used to bring her presents |
02:18:42 |
I don't know why |
02:18:45 |
She once told me he'd killed somebody. |
02:18:48 |
Really? |
02:18:49 |
Yeah, I think maybe |
02:18:52 |
- Navy? |
02:18:54 |
Was he into movies? |
02:18:56 |
I can tell you that |
02:18:59 |
The party Darlene threw, |
02:19:00 |
people were supposed to |
02:19:03 |
But this guy showed up in a suit, |
02:19:06 |
and just sat in a chair |
02:19:09 |
Didn't talk to anyone. |
02:19:10 |
And Darlene told me |
02:19:12 |
She was scared of him. |
02:19:16 |
And a couple of weeks later, |
02:19:19 |
I'm sorry. Do you remember his name? |
02:19:22 |
I mean, it was short, |
02:19:26 |
- Rick? |
02:19:29 |
- Are you sure? |
02:19:32 |
How can you be sure? |
02:19:34 |
I am thinking hard. |
02:19:37 |
It was Rick. |
02:19:39 |
No, it wasn't. |
02:19:40 |
- It was Rick. It was Rick Marshall. |
02:19:43 |
Just say it! |
02:19:44 |
It wasn't Rick. |
02:19:54 |
It was Leigh. |
02:19:59 |
- Leigh? |
02:20:02 |
Sounds right. |
02:20:09 |
Officer! I need you to let me in. |
02:20:12 |
- Is this an emergency? |
02:20:14 |
No, you need to come back |
02:20:15 |
- One file, just for one second. |
02:20:18 |
Sergeant! Sergeant Mulanax! |
02:20:20 |
Sergeant, I just need to see one file! |
02:20:22 |
Just give me five minutes. |
02:20:26 |
Please! |
02:20:41 |
I shouldn't be talking to you. |
02:20:43 |
- You got five minutes. |
02:20:47 |
Here. Here. |
02:20:48 |
Linda states that some of |
02:20:52 |
who used to bring Darlene |
02:20:55 |
- So what? |
02:20:57 |
Linda said Leigh. This is Leigh. |
02:20:59 |
No. That's just one name in a file |
02:21:02 |
It's nothing. |
02:21:04 |
- Dave Toschi... |
02:21:07 |
Our investigation |
02:21:12 |
I'm sorry. |
02:21:23 |
Hello. |
02:21:39 |
Who's there? |
02:21:44 |
- You didn't return my calls. |
02:21:48 |
Yeah. I can see that. |
02:21:52 |
How's the book coming? |
02:21:57 |
I tried to send you these. |
02:22:00 |
I called the Chron. |
02:22:02 |
Well, I'm not a cartoonist anymore, so... |
02:22:06 |
I heard. |
02:22:12 |
When's the last time |
02:22:17 |
Nothing makes sense anymore. |
02:22:22 |
- Did it ever? |
02:22:26 |
Robert, it was just the date |
02:22:29 |
You don't mean that. |
02:22:33 |
A little. |
02:22:37 |
The kids miss you. |
02:22:39 |
- I can't have them see me like this. |
02:22:42 |
So, do whatever you have to, |
02:22:46 |
but finish this. |
02:23:15 |
Dave! |
02:23:16 |
Dave! It's Robert! |
02:23:20 |
- Dave! |
02:23:22 |
I'm gonna kill him. |
02:23:24 |
I'm calling SFPD. Where's my gun? |
02:23:29 |
Dave! |
02:23:31 |
Robert! Go away! |
02:23:32 |
Dave! He made a mistake! |
02:23:35 |
- Get away from the window. |
02:23:37 |
No, you won't. |
02:23:39 |
- You have to hear this! |
02:23:42 |
The birthday was the one time |
02:23:44 |
The one time |
02:23:46 |
- Robert, I am calling the police. |
02:23:54 |
Where did you get that name? |
02:23:57 |
He called the Bellis' house. |
02:23:58 |
December '69. |
02:24:01 |
It was his birthday. |
02:24:03 |
Arthur Leigh Allen |
02:24:09 |
Get in here. |
02:24:12 |
- Here you go. |
02:24:17 |
He wrote me, you know? |
02:24:20 |
2,500 suspects, |
02:24:21 |
the only one who ever wrote me |
02:24:26 |
They like to help, you know, sometimes. |
02:24:27 |
Yes, Robert, I know. |
02:24:30 |
He was arrested January 1975 |
02:24:33 |
He sent me that when he got out. |
02:24:35 |
"Dear Dave, if I can ever be |
02:24:38 |
"I'm sorry I wasn't your man. " |
02:24:40 |
And it's typewritten. |
02:24:42 |
Using a typewriter is not a crime. |
02:24:45 |
And he knew Darlene. |
02:24:49 |
It's in the Vallejo files. |
02:24:56 |
Mulanax said that |
02:24:59 |
That you spent two years on him, |
02:25:06 |
All the evidence said no. |
02:25:10 |
Sherwood disqualified his handwriting. |
02:25:12 |
The same Sherwood |
02:25:16 |
Yes, you have Sherwood Morrill |
02:25:18 |
"I'm sorry, this just won't work. " |
02:25:19 |
- But you also have Terry Pascoe... |
02:25:21 |
Yeah, fine, it's his protégé, |
02:25:22 |
but he's a handwriting expert |
02:25:24 |
"Do not disqualify this suspect |
02:25:27 |
- So the two cancel each other out. |
02:25:29 |
It was Sherwood's case. |
02:25:30 |
He was the head |
02:25:32 |
If it went to trial, |
02:25:33 |
all the defense would have to do |
02:25:36 |
And there was no way of getting Allen |
02:25:39 |
because there was no evidence, Robert. |
02:25:40 |
What do you mean, |
02:25:42 |
You have him seen with the ciphers. |
02:25:43 |
The military boot prints. |
02:25:45 |
The Most Dangerous Game. |
02:25:48 |
The background with school children. |
02:25:49 |
The misspellings of Christ-mass. |
02:25:51 |
All circumstantial. |
02:25:53 |
Paul Stine's shirt, his wallet, his keys. |
02:25:56 |
We should have found |
02:25:57 |
- We didn't. |
02:26:02 |
Okay. Catherine Allen states that |
02:26:04 |
"Leigh cleaned out his trailer |
02:26:06 |
"and moved it to Santa Rosa |
02:26:10 |
You interviewed him |
02:26:12 |
- Yeah. |
02:26:13 |
he's moving into a different county |
02:26:19 |
Okay. Okay. |
02:26:22 |
All right. |
02:26:23 |
Okay, Arthur Leigh Allen |
02:26:26 |
- When was the first murder in Vallejo? |
02:26:29 |
Eight months before that, |
02:26:31 |
and his family discovers |
02:26:34 |
- Now, when do the letters begin? |
02:26:36 |
After the murder of Darlene Ferrin. |
02:26:38 |
And they continue |
02:26:41 |
Now, after that, do any of the letters |
02:26:44 |
No. Because he dumped them, |
02:26:46 |
Because he knew |
02:26:48 |
- So, when's the next letter from Zodiac? |
02:26:52 |
He is silent for three years. |
02:26:53 |
Then, in '74, he feels comfortable again |
02:26:55 |
because everybody's moved off |
02:26:57 |
And what do we get? |
02:26:58 |
Three new letters from Zodiac |
02:27:03 |
- But then the letters stop. |
02:27:09 |
He's arrested. |
02:27:12 |
January, 1975, |
02:27:15 |
We don't get another letter from Zodiac |
02:27:18 |
- When is he released? |
02:27:21 |
Allen gets out. He types you an apology, |
02:27:25 |
We get our first new Zodiac letter |
02:27:33 |
Okay. Zodiac had to have known |
02:27:37 |
Yes, because of the phone calls |
02:27:39 |
Because of the Vallejo file, |
02:27:42 |
we know that Darlene knew |
02:27:44 |
Yes. |
02:27:45 |
So, all coincidence aside, Robert, |
02:27:47 |
how can you be sure that Leigh Allen |
02:27:50 |
Now, Vallejo is a small town, |
02:27:53 |
How do you put |
02:27:54 |
This is a case that's covered |
02:27:57 |
with victims and suspects |
02:28:00 |
- Would you agree? |
02:28:03 |
Darlene Ferrin worked |
02:28:06 |
on the corner of Tennessee and Caroll. |
02:28:11 |
Arthur Leigh Allen lived in his |
02:28:17 |
Door to door, that is less than 50 yards. |
02:28:24 |
Is that true? |
02:28:27 |
I've walked it. |
02:28:32 |
Jesus Christ. |
02:28:40 |
So? |
02:28:45 |
The prints, the handwriting... |
02:28:47 |
- I'm not asking you as a cop. |
02:28:53 |
I can't prove this. |
02:28:55 |
Just because you can't prove it, |
02:28:58 |
Easy, Dirty Harry. |
02:29:03 |
Finish the book. |
02:29:14 |
Thank you. Thank you for breakfast. |
02:30:24 |
Can I help you? |
02:30:28 |
No. |
02:31:50 |
Mr. Mageau. |
02:31:52 |
Thanks for coming to see me. |
02:31:54 |
You're the one I talked to on the phone? |
02:31:56 |
I'm George Bawart. Vallejo PD. |
02:32:00 |
It's been 22 years. |
02:32:03 |
Well, this is just a formality. |
02:32:05 |
I'm gonna show you |
02:32:06 |
Now, the person that shot you |
02:32:08 |
among these photographs. |
02:32:10 |
You don't have to pick anybody out |
02:32:12 |
just because I'm showing you |
02:32:14 |
Yes, sir, I do. |
02:32:16 |
All right. |
02:32:19 |
Take your time. |
02:32:21 |
If you don't recognize anyone, |
02:32:35 |
That's him. |
02:32:38 |
How sure are you? |
02:32:40 |
Yeah, I'm pretty sure. |
02:32:44 |
He had a round face like this guy. |
02:32:46 |
Wait. Am I to understand |
02:32:47 |
that you're now identifying |
02:32:49 |
No, no. Just that |
02:32:54 |
It's this man. |
02:32:56 |
All right. |
02:32:59 |
Now, on a scale of one to 10, |
02:33:07 |
how sure are you? |
02:33:12 |
At least an eight. |
02:33:16 |
The last time I saw this face |
02:33:24 |
I am very sure |