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Be Kind Rewind en
00:00:31	Everyone thinks Harlem
00:00:36	That all of New York flooded uptown
00:00:40	Nice story. but unfortunately.
00:00:44	It was all happening in the little town
00:00:50	Passaic was the capital of jazz
00:00:52	. . . because of its own native son. . .
00:00:55	. . . Thomas ''Fats'' Waller. . .
00:00:57	. . . one of the greatest entertainers
00:00:59	Chapter 1. the birth of Fats Waller.
00:01:02	It all began right here.
00:01:07	. . .in Passaic. New Jersey.
00:01:09	Right here. on this block.
00:01:11	It was a different neighborhood then.
00:01:13	. . . he was born at 2 6 1 Main Street.
00:01:15	When he was young. he used to follow
00:01:18	. . . because his father
00:01:21	He started playing piano. as I understand.
00:01:25	. . . on a harmonium.
00:01:26	Poor boy put on pounds
00:01:29	One-forty-seven.
00:01:33	Thomas. you're gonna break
00:01:35	You're getting worse.
00:01:37	Maybe that's why he would have to play
00:01:41	So he would spend nights here.
00:01:44	Fats used the church
00:01:46	And soon. all of Passaic
00:01:51	Fats lived his life all in excess.
00:01:53	Loads of music. loads of food
00:01:58	Who would expect a simple influenza virus
00:02:03	A sleeping-train bed. though.
00:02:05	But still. the train had been stopped
00:02:10	. . .in the train station in Kansas City.
00:02:12	Fats. are you okay? Fats? You okay?
00:02:17	Is there a doctor on the train?
00:02:25	Fats was the star
00:02:39	Hey, Jerry, hand me Number 9.
00:02:43	I will give you
00:02:46	-Okay. All right.
00:02:50	Handing you number
00:02:52	-Would you shut up?
00:02:55	Could you just paint
00:02:57	Knock it off.
00:03:00	lt's terrible.
00:03:10	-What the duck, Jerry?
00:03:13	l asked you to give me Number 9,
00:03:15	Yeah, that's what l did.
00:03:16	No, you didn't. this is Number 6.
00:03:19	All right, well, how am l supposed to tell
00:03:23	Because we did both the eyes already,
00:03:26	Come on, get organized.
00:03:27	l told you, put the finished ones
00:03:29	Look, what's the difference, man?
00:03:31	A nostril and an upside-down eye
00:03:34	Oh, is that supposed to be funny?
00:03:38	-Jerry.
00:03:41	Look what happened. Last night,
00:03:44	-Oh, really?
00:03:46	-Here we go again.
00:03:49	-l hate graffiti.
00:03:52	that's, like, evidence.
00:03:55	-Catch them.
00:03:57	You're getting on my nerves.
00:03:59	You keep this up,
00:04:03	-Okay.
00:04:05	lf-- lf they come back for the ladder,
00:04:07	Hey, fellas, is that supposed to be
00:04:11	No, man, that's that dead old blues guy,
00:04:14	No, my ignorant little buddies,
00:04:18	-Really?
00:04:20	He was born in my building
00:04:28	-Ice cream. anyone?
00:04:30	that's what l'm talking about.
00:04:34	Mr. Fletcher, you know,
00:04:36	. . .if you don't like the painting,
00:04:39	l know that there's something wrong
00:04:44	What about the authorities, Mike?
00:04:46	the city already has issues
00:04:49	Mr. Fletcher, you don't have
00:04:51	-l worked my magic on them.
00:04:54	Okay, they think some gangsters did it.
00:04:56	-And you confused them?
00:04:59	Yeah, l feel great. You sure
00:05:02	l hope so. l mean, anyway, don't you think
00:05:05	. . .started to learn a bit little about, you
00:05:09	l mean, people don't even know
00:05:11	-lt's a little embarrassing.
00:05:15	-We know who Fats Waller is.
00:05:17	Bet you can't sing a jazz song.
00:05:20	-Oh, challenge.
00:05:24	that's not jazz.
00:05:26	Fuzzy. oh. oh
00:05:27	Fuzzy wuzzy was a bear
00:05:31	Fuzzy wuzzy wasn 't fuzzy. was he?
00:05:33	Yes. he was. he was Fuzzy
00:05:37	Check this out and let me say
00:05:42	Watch me play my fuzzy bass
00:05:48	Standup bass.
00:05:53	l'm sorry, Mr. Fletcher.
00:05:54	lt's all right, Jerry. l got it.
00:05:56	Actually, you gotta go back to work.
00:05:58	Duty calls. You gotta
00:06:00	l think l saw one of your creations
00:06:02	-turn the microwave on high.
00:06:05	Let me tell you, you're gonna
00:06:07	-All of you guys are.
00:06:10	Man, what's her problem?
00:06:11	She said she wanted a sporty car,
00:06:14	You did that?
00:06:19	-l don't want this.
00:06:21	l told you she wouldn't be
00:06:24	Polish or not, she's still a girl.
00:06:26	Come on, Wilson.
00:06:28	Well, she could have went through
00:06:31	these damn helmets.
00:06:34	l don't think they're helping
00:06:37	Oh, you'll thank me.
00:06:38	-All right, l'll see you in the morning.
00:06:57	Good night, Mike.
00:07:00	Good night, Mr. Fletcher.
00:07:16	A rent party was the place to be
00:07:19	they were jumping.
00:07:20	lf you didn't have enough money
00:07:23	. . .you'd invite a few musicians,
00:07:27	Everybody would throw
00:07:30	A dollar. whatever they could spare.
00:07:32	Jerry doesn't believe you've ever been
00:07:34	What are you talking about?
00:07:36	Oh, man, l used to go to all of them.
00:07:38	that's where l'd meet
00:07:40	l can't imagine you with a girl,
00:07:43	Oh, nice, that's great. that's perfect.
00:07:46	Yeah, what about you, Jerry?
00:07:48	l don't see much action
00:07:52	When l was your age,
00:07:55	. . . l had to scrape them off the ground
00:07:58	-Come on, balls.
00:08:01	Come on. that's hilarious.
00:08:03	What about you, Mike?
00:08:04	When was the last time you heard
00:08:06	Why are you all worried about me for?
00:08:08	l heard some action sometime.
00:08:10	Now, it's more like a trumpet solo.
00:08:15	trumpet solo.
00:08:16	Could you close your mouth
00:08:18	How come you never got married,
00:08:20	Well, the common story is. . .
00:08:24	. . .the girl that you was gonna ask,
00:08:28	. . .and she went on
00:08:30	And then you can't find anybody
00:08:33	So, what happens? You get old.
00:08:46	Obviously we're looking
00:08:48	these brand-new condominiums
00:08:51	. . .the fresh blood
00:08:53	. . .and transform this slum forever.
00:08:56	''Slum''? Hey, this is not a slum.
00:08:59	Hey, sure, the place needs a few repairs,
00:09:04	Look, look,
00:09:06	l can feel it.
00:09:07	l'm sorry, Mr. Fletcher,
00:09:11	lt violates structural,
00:09:15	l don't see wheelchair access.
00:09:17	Your video store is a tenement.
00:09:20	You have 60 days from this notice
00:09:23	. . .to bring it up to code,
00:09:26	-But we will relocate you. . .
00:09:29	. . .to a property
00:09:32	Projects aren't so bad, you know.
00:09:33	Move to the projects?
00:09:38	How am l gonna tell Mike?
00:09:39	Look, l just wanna improve the life
00:09:46	You know, you don't have to pay me
00:09:50	Don't worry about the money, Mike.
00:09:54	l n fact, l-- l need for you
00:09:59	-You're retiring?
00:10:01	this year's the 60th anniversary
00:10:04	And there's a ceremony
00:10:08	We gonna all get together
00:10:11	. . .and we're gonna play his records
00:10:13	-Oh, wow.
00:10:15	l wanna come. Can l come with you?
00:10:17	No.
00:10:18	l just told you,
00:10:20	Oh, right, right. l'm sorry. l'm sorry.
00:10:24	You want me to just run the shop
00:10:27	You think l could do that?
00:10:28	You tell me.
00:10:31	l'm not gonna let you down,
00:10:33	Good, just don't set the place on fire.
00:10:35	Oh, no. Service, quality, safety,
00:10:39	Excellent.
00:10:41	Here's something really important
00:10:43	You must never--
00:10:44	Slam the door, because
00:10:46	No, Mike. l mean, yes,
00:10:51	-You must never--
00:10:53	No. Why do you always
00:10:56	-Okay, just listen.
00:10:58	Okay, you must-- Damn it.
00:11:02	Now l forgot what l had to say.
00:11:04	-But it's very--
00:11:07	-Mr. Fletcher, have a good trip.
00:11:10	take some pictures and call me.
00:11:11	Oh, yes, yes. l-- l remember.
00:11:14	See, you wanted to finish my sentence.
00:11:15	-l lost my focus. l can't--
00:11:19	Hey, Mike. Mike. Keep Jerry--
00:11:22	l can't hear you.
00:11:27	Keep Jerry out. Out, out.
00:11:30	What? l don't know what that means.
00:11:32	''Peek your edge too.
00:11:35	''tuo. too. Peek your edge too. ''
00:11:40	that's what it is.
00:11:42	l just found out something sad today.
00:11:46	Mr. Fletcher can't spell.
00:11:51	Maybe his parents
00:11:53	Did he have parents?
00:11:56	-Yeah.
00:11:58	Don't mention this to anybody.
00:12:01	-Just keep this between us. Don't--
00:12:04	Peek your-- Pick.
00:12:08	Your age. Pick your age.
00:12:10	He's talking gibberish.
00:12:12	lt's nonsense, but it's not his fault.
00:12:16	the power plant's controlling us.
00:12:19	-through microwaves.
00:12:21	they're using it to make us do things.
00:12:24	to buy things, to accept things.
00:12:26	And who--? Who--? Who are they?
00:12:29	the government, the FBl , of course.
00:12:32	-And l say no more.
00:12:34	l'm gonna sabotage
00:12:37	. . .and you're gonna help me.
00:12:38	Look, l got a map.
00:12:41	We short-circuit this
00:12:43	And that blows up the transformer.
00:12:45	All we gotta do is climb the fence. . .
00:12:47	. . .and throw this sweet grappling hook
00:12:52	You know what l mean?
00:12:53	Yeah.
00:12:55	this, my friend, is your camouflage.
00:12:57	Camouflage.
00:12:59	Bones.
00:13:00	We need that electricity.
00:13:01	You know, we got the machines, we--
00:13:05	-this is more important than that.
00:13:07	that's the lamest excuse
00:13:09	lt's totally non-sequitury,
00:13:12	-lt's a lame excuse?
00:13:14	Really? And the power plant
00:13:16	that's not nonsense?
00:13:18	Okay, it sounds crazy,
00:13:20	-Because it's affecting my brain too.
00:13:23	lt's paranizing it.
00:13:24	Mr. Fletcher left me
00:13:27	Me. He trusted me with the store.
00:13:30	No, actually l don't.
00:13:33	-lt means that l'm not doing this.
00:13:35	-l'm not doing this with you.
00:13:36	So you'll just do anything
00:13:38	. . .even though, by the way,
00:13:40	-So-- So what?
00:13:42	-He's not--
00:13:44	. . .your best friend,
00:13:46	Can l--? Can l--? Can l help you
00:13:49	. . . l'm gonna have to ask you
00:13:53	Oh, sorry, l didn't realize
00:13:55	l won't bother you anymore.
00:13:57	You know, it does get busy unexpectedly.
00:14:00	And you know, he's not illiterate.
00:14:01	First of all, because if he was illiterate,
00:14:04	. . . he wouldn't be able to write
00:14:06	''Peek your edge too. ''
00:14:08	Which is-- lt's probably Buddhist
00:14:11	lt's like-- Like a chant.
00:14:13	''Peek your-- Pick your edge too. ''
00:14:16	-Smart guy.
00:14:18	l mean, he could just use some
00:14:22	Just go.
00:14:24	Slow. Slower.
00:14:32	You all right?
00:14:34	Come on over. lt's easy.
00:14:41	Freeze.
00:14:47	they always come at night
00:14:50	-Oh, come on, it's my turn tonight.
00:14:55	Department of Homeland Security.
00:14:57	Wake up.
00:14:59	Be invisible.
00:15:00	Shh, did you hear something?
00:15:02	Yeah.
00:15:07	there's that ladder again.
00:15:11	What do you think?
00:15:12	l don't know, some kind of ladder gang
00:15:15	Oh, the ladder gang.
00:15:17	Let's go get some ice cream.
00:15:29	-''Peek your edge too. ''
00:15:32	''Keep Jerry out. ''
00:15:34	-Who cares about that right now?
00:15:38	-He's not illiterate.
00:15:40	-What are you doing?
00:15:42	What are you doing? Mike, no. Mike.
00:15:44	-Mike, put that ladder back.
00:15:47	-Mike, you're coming over the thing.
00:15:50	Mr. Fletcher's not gonna yell at you,
00:15:52	l know he's not gonna yell at me.
00:15:55	He's very good to me. l can't
00:15:57	Listen, you don't need me.
00:15:58	-You're almost there.
00:16:00	l will never speak to you again.
00:16:02	Mike! Mike!
00:16:06	traitor.
00:16:08	l'll do it alone, baby.
00:16:09	Solo mission.
00:16:12	Solo sabotage.
00:16:22	Mike! Come back!
00:16:42	No, Jerry, no.
00:16:44	No. No. You have to go.
00:16:48	You see the signs? ''Keep Jerry out. ''
00:16:51	this is in, that's out.
00:16:53	Go home, take a shower, lie down.
00:17:10	Oh, come on.
00:17:17	Get out of the street.
00:17:19	Wipe your face.
00:17:22	l'll get you some water.
00:17:24	Don't move, just wait a minute.
00:17:36	Oh, you feeling better now?
00:17:39	Mike, aren't you gonna ask me
00:17:45	No, l wasn't, actually.
00:17:46	Oh, come on,
00:17:49	Okay, how'd the sabotage go?
00:17:51	terrible. lt was a two-man operation.
00:17:55	-lt was a two-person sabotage.
00:17:57	Ma'am, if you need any help,
00:18:01	How about if l need any help?
00:18:03	-l wasn't talking to you.
00:18:06	thanks.
00:18:13	Oh, that's not in alphabetical order.
00:18:16	l know that, it's the new order.
00:18:18	-Do you work here? l don't think so.
00:18:20	Haven't you heard
00:18:22	. . .more efficient,
00:18:25	. . . Miss l-Know-Where-to-Put-the-videos?
00:18:30	No, it's time for me
00:18:33	Do you put everything in your house
00:18:35	-Like all of your food in the refrigerator?
00:18:38	-Apples, bananas, carrots.
00:18:41	-Ding-Dongs.
00:18:43	You know what l just realized?
00:18:46	She's really like
00:18:49	-You are incredibly rude.
00:18:51	-You're incredibly rude, mister.
00:18:54	-l'm sorry, ma'am.
00:18:55	Did l put your forks
00:18:57	-Go home.
00:18:59	-Why don't you just go, go, go?
00:19:01	-Lunatic!
00:19:02	Don't put the shoes in the refrigerator,
00:19:06	-Wow. . . .
00:19:08	-l am really, really sorry.
00:19:11	He's a veteran, actually.
00:19:12	He's had a lot of exposure to,
00:19:15	lf there's anything you need, we got--
00:19:19	l got some refreshments
00:19:22	Okay, l appreciate it.
00:19:23	You're welcome.
00:19:36	Fletcher. . .
00:19:39	. . .you'll pull through. Every time you think
00:19:44	Look here, look here, Mo.
00:19:47	But not this time.
00:19:48	l can't adapt, and that's why l'm broke.
00:19:51	Fletcher, this is America.
00:19:54	Anybody can make money.
00:19:57	But you--
00:20:00	We made a ton of money
00:20:03	-What, this is a dish-squirting brush?
00:20:06	-And the soap goes in here?
00:20:09	-A great idea.
00:20:11	. . . has been around for years.
00:20:13	But we didn't make squat
00:20:16	A stainless-steel cover on the handle.
00:20:18	People going crazy over it.
00:20:20	-Man, our sales increased 800 percent.
00:20:24	And we expanded our market share
00:20:29	You need to go visit all
00:20:33	. . .and learn and adapt.
00:20:36	Adapt. then just give the people
00:20:39	-that's all you gotta do.
00:21:04	Hello?
00:21:05	Hello, Miss Falewicz? lt's--
00:21:07	l-- l know who this is, Mr. Fletcher.
00:21:09	l-- l was hoping to hear from you.
00:21:12	l was calling regarding the tape
00:21:16	Mike told me you still have it.
00:21:17	Oh. do I?
00:21:19	Well, l'll find it and--
00:21:22	Oh, no hurry.
00:21:24	l'm doing a little work
00:21:27	Oh? Well. how long will you be gone?
00:21:30	-A week at the most.
00:21:32	-Can l ask a favor?
00:21:34	Would you keep an eye out on Jerry
00:21:37	He destroys everything he touches.
00:21:49	Hi, good morning.
00:21:51	-lt's blank.
00:21:53	Rewound this tape all over,
00:21:56	Really? Did you check the--?
00:21:58	Sure did. Checked that.
00:22:00	You know, sometimes
00:22:02	Okay. l did that, actually.
00:22:03	lt'll eat the tapes.
00:22:05	l'll just pop it in, see what's going on.
00:22:07	Excuse me, this video don't work.
00:22:08	-Sorry?
00:22:10	lt does-- lt won't play?
00:22:12	No, l rewound it,
00:22:14	lt's nothing but fuzz. Yeah, like that.
00:22:17	Huh. ls your v CR NtSC?
00:22:20	No, it's brand-new.
00:22:21	Do you always blame
00:22:23	-No, not at all.
00:22:25	Where's--? Where's Mr. Fletcher?
00:22:26	He's away on a--
00:22:30	. . .so he left me in charge
00:22:34	So you know what l'm gonna do?
00:22:36	Both of you, free of charge, can have
00:22:41	No, thanks. What l would like
00:22:45	-Okay.
00:22:47	Okay. ls there anything
00:22:49	No, just my dollar.
00:22:51	l'll just-- l was just. . . .
00:22:54	-l'm really sorry about all this.
00:22:56	Yeah, the whole thing is unfortunate.
00:22:58	this button-- l'm really-- Okay.
00:23:00	that one right there.
00:23:01	l tried-- Oh, that's not it either.
00:23:04	You know what?
00:23:05	-Okay, there it is.
00:23:07	l'm really very sorry about that.
00:23:09	thank you.
00:23:10	You don't have to mention this
00:23:12	-Give me my dollar.
00:23:14	Okay, not-- Not a problem.
00:23:16	-Uh-huh.
00:23:18	Okay, that's-- Okay, not a problem.
00:23:30	Stop.
00:23:39	No! No!
00:23:42	All the tapes are blank.
00:23:44	the movies, all of them, they're all. . . .
00:23:49	they're all gone,
00:23:51	Where?
00:23:56	Mr. Fletcher's gonna flip
00:23:58	You know that look he has on his face.
00:24:01	. . .that he left me with this responsibility.
00:24:04	What the duck?
00:24:06	All the tapes.
00:24:08	Relax. lt's the tv, Mike.
00:24:11	the tv's malfunctioning.
00:24:12	-lt's not all the videotapes. think about it.
00:24:15	Show me how-- What was that?
00:24:17	Maybe that's the picture coming back.
00:24:22	Why is it doing that?
00:24:26	Does that happen when you do it?
00:24:28	No, it hasn't done that at all-- Wow.
00:24:33	What is that?
00:24:35	Why is it doing that when you do that?
00:24:37	What is wrong with you?
00:24:40	You're magnetized.
00:24:42	You. . . .
00:24:44	You erased these tapes.
00:24:47	lt's you.
00:24:48	What happened
00:24:54	l didn't sabotage the power plant,
00:24:59	Really? the power plant
00:25:02	-l'm gonna sabotage you.
00:25:04	l'm not gonna get-- Are you serious?
00:25:06	Sabotage a power plant?
00:25:09	Don't do this, man.
00:25:10	You were right.
00:25:13	l did have the Driving Miss Daisy tape
00:25:15	Oh, good, that's really good.
00:25:21	thank you for returning the tape.
00:25:24	l like your ensemble.
00:25:27	Listen, l wanna rent Ghostbusters.
00:25:30	Ghostbusters.
00:25:33	ls that out?
00:25:35	lsn't that a horror movie?
00:25:36	-Really?
00:25:37	-that could be interesting.
00:25:40	-lt's Falewicz.
00:25:44	-So. . . .
00:25:46	You're pulling my leg.
00:25:47	We're right in the middle
00:25:49	that's why all the tapes are there like that.
00:25:52	l think you should know
00:25:55	. . .calls me every night at 8 p.m.
00:25:59	And l think he would not be pleased
00:26:04	. . .because some sort of boxing match
00:26:08	-Oh, no, no, no.
00:26:09	We're not boxing.
00:26:11	lt's just-- You know, it's just buddies. . .
00:26:14	. . .just, you know, horsing around.
00:26:18	-Yeah, well. . . .
00:26:20	What l can do is that l can get that to you
00:26:23	No, l don't think so. Uh-uh.
00:26:25	l'm gonna come back before 7,
00:26:27	-Oh, okay.
00:26:29	-. . .that you get this place in order fast.
00:26:35	-Have a good day.
00:26:42	She's a communist.
00:26:47	-l gotta get some rest, l still feel sick.
00:26:51	Yeah, me too.
00:26:53	What time is it?
00:26:56	this is a message is for Mark.
00:26:57	l was wondering if you had a copy
00:27:00	Hey, bro, is Pablo around?
00:27:02	l'm under a little bit of pressure here.
00:27:04	Do you have a copy of Ghostbusters
00:27:07	You do? Yeah, yeah. Uh-huh.
00:27:09	No, no, no.
00:27:13	l need it on-- l need it on vHS.
00:27:17	Yeah, well, you know,
00:27:20	Okay, take care.
00:27:22	Shit.
00:27:45	A clear image,
00:27:49	lt's as powerful as the sun.
00:27:51	Excuse me. Excuse me, sir, l'm sorry.
00:27:53	Do you--?
00:27:56	there's no vHS here, buddy.
00:28:00	Ho, ho, ho, Little Mikey?
00:28:03	What are you doing here, man?
00:28:05	-You know me?
00:28:07	Oh, l get it.
00:28:09	Old man Fletcher sent you by here
00:28:12	He's too embarrassed to get it himself.
00:28:14	-Now, ain't that right, Little Mikey?
00:28:16	-Yeah, that's right!
00:28:17	-Okay.
00:28:19	-All right, you take-- You take care.
00:28:27	tell me the truth, doc.
00:28:30	ten minutes.
00:28:32	ten minutes?
00:28:34	this should help.
00:29:10	Miss Kobayashi had a fever of. . . .
00:29:13	l'm Bill Murray, you're everybody else.
00:29:16	What, are you crazy?
00:29:19	Yeah, yeah, yeah. She doesn't know
00:29:24	the only thing that she knows
00:29:27	She's never seen it before.
00:29:29	lf we stay 1 0 feet away from the camera
00:29:33	We come up with some special effects,
00:29:36	She's gonna be back in, like,
00:29:39	She's on the phone with Fletcher
00:29:41	the first scene is at the library.
00:29:43	And take that thing off, please.
00:29:46	Okay.
00:29:54	And action.
00:29:59	-Start over. Sorry, cut.
00:30:00	l looked right in the lens.
00:30:02	-We gotta start over.
00:30:03	-l looked right in the lens.
00:30:05	All right? Don't--
00:30:07	-l am doing good, right?
00:30:08	-Yeah, just do the same thing.
00:30:10	-You're doing great, but don't look--
00:30:12	-. . .with the cinematography.
00:30:15	Go check the cards.
00:30:16	Check the cards.
00:30:20	You're doing-- that's good, that's right.
00:30:23	-Put your head down, put your head down.
00:30:25	Go back to the shelf.
00:30:29	Suspecting nothing, and ghosts.
00:30:43	When you're walking down the street
00:30:47	What you gonna
00:30:51	-What? What? What is that?
00:30:55	-No.
00:31:12	-About this stuff. . . .
00:31:14	Let's get a closer look.
00:31:16	Hey, have you talked to Elvis lately?
00:31:22	We're moving on to stage two.
00:31:25	We have the megapixels.
00:31:28	-Okay.
00:31:38	Excuse me.
00:31:42	We got her. We did it,
00:31:46	-All right.
00:31:47	l'm in the hotel reading area
00:31:50	. . .and l'm getting a lot of creepy vibes.
00:31:53	l think l did hear something.
00:31:55	You heard something?
00:32:10	l got-- l got slimed.
00:32:18	Okay, Wilson, go now. Wilson, now!
00:32:22	-Wilson?
00:32:24	-Yes, for duck's sake, now, Wilson.
00:32:26	lf you or any of your family
00:32:31	. . .or heard funny noises in your attic--
00:32:34	Call Ghostbusters.
00:32:35	We're fully staffed and ready
00:32:38	. . .to fulfill your supernatural needs.
00:32:40	-We're ready to believe you.
00:32:43	Look at the refrigerator.
00:32:48	Hello, l need Ghostbusters, fast.
00:32:55	-Okay, go.
00:32:59	-Amazing, very real.
00:33:01	Okay, now, the next scene
00:33:03	-Okay.
00:33:05	. . .because we're not in the night.
00:33:07	No, no, no. All dramatic scenes
00:33:10	You got-- You gotta--
00:33:12	-the day is fine. What are you doing?
00:33:15	-You wet the floor.
00:33:17	that's just a waste of water.
00:33:18	Mike, l'm not gonna botch this job, man.
00:33:20	lf you wanna do it in the day,
00:33:23	Miss Falewicz will be back
00:33:27	We just need a minimum amount
00:33:29	l can shoot a night scene in the day,
00:33:32	-No.
00:33:33	Let me just show you how you--
00:33:36	You-- You cannot touch the camera. You're
00:33:40	Mike, look on the side of the camera.
00:33:44	See? Makes it look like nighttime
00:33:47	-Oh, there it goes.
00:33:49	Your face is negative, though. Don't.
00:33:53	-there's something we can do about that.
00:33:55	-Okay, go.
00:33:59	-Close your eyes.
00:34:01	Sorry. Good job.
00:34:05	Gotta run,
00:34:15	Busting makes me feel good.
00:34:17	Okay, Wilson.
00:34:21	-Ghostbusters, open the door!
00:34:25	Ghostbusters, open the--
00:34:26	Are you the Gatekeeper
00:34:30	Are you the Keymaster?
00:34:33	-Are you menstruating?
00:34:35	Back off, l'm the scientist here.
00:34:38	l'm gonna open that refrigerator door.
00:34:45	Let's show this prehistoric bitch
00:34:50	We ionized it.
00:34:51	lt was a complete particle reversal.
00:34:55	Can l go now?
00:34:56	As the 1 00-foot marshmallow man
00:34:59	. . .they decided to reverse reality
00:35:05	Run, everyone, run.
00:35:12	Okay.
00:35:13	-Nice working with you, Dr. v enkman.
00:35:17	the end. Starring Bill Murray
00:35:22	Written by Dan Aykroyd,
00:35:26	Ghostbusters
00:35:29	Wait, wait. Miss Falewicz,
00:35:32	-l was waiting for you.
00:35:35	By the way, it looks a load better.
00:35:38	-Oh, yeah. We were just--
00:35:42	Yeah, we were doing--
00:35:44	A nice and tidy house.
00:35:48	-to have an optimistic view of the future.
00:35:51	You know what l do
00:35:54	-Oh, what's that?
00:35:56	-Oh, really?
00:35:58	You'll see, in the morning
00:36:01	-Uh-huh.
00:36:04	Here it is, Miss Falewicz, there you go.
00:36:08	When you're walking down the street
00:36:10	-You know what, l--
00:36:12	-All right.
00:36:15	l was gonna say l have a--
00:36:16	-What are you doing? l have a method.
00:36:19	-A foolproof method for fighting depression.
00:36:22	You get a notebook
00:36:25	-And the first column is. . .
00:36:27	-. . .the effort you believe. . .
00:36:28	-. . .the dreaded task will take--
00:36:30	tell me the other two tomorrow,
00:36:33	-Good movie you got there.
00:36:35	Wait a sec, 1 dollar, one tape,
00:36:37	-No, Miss Falewicz, it's not a problem.
00:36:40	-lt's okay. that's on us today.
00:36:42	-Uh-huh.
00:36:43	-You're welcome. take care.
00:36:49	We should've had, like, a premiere
00:36:54	-What?
00:36:56	She's not supposed to know
00:36:58	-. . .because we're not in Ghostbusters.
00:37:00	-Maybe l am in Ghostbusters.
00:37:02	-Because l'm proud of my work.
00:37:05	-Oh, my God.
00:37:08	-What's--?
00:37:10	You're gonna be stuck in this dump
00:37:14	Good night.
00:37:17	Wh--? What? What? What's a dump?
00:37:20	What's a dump?
00:37:22	You live in a junkyard.
00:37:23	Not just the store,
00:37:27	-lt's a swamp now?
00:37:31	When you get stuck here,
00:37:34	Come on, Mike, what is so great
00:37:40	-the people.
00:37:42	You're gonna make me cry.
00:37:46	the only reason there's anybody here
00:37:49	Why don't you--? Why don't you
00:37:53	We got a customer. We got a customer.
00:37:56	-Mr.-- Mr. Jack.
00:37:59	Yeah, actually, we're closed.
00:38:01	-l'm actually open later--
00:38:05	-Rush Hour 2. that's all.
00:38:07	lt's out. But you come back tomorrow,
00:38:10	Seen it. Jaws?
00:38:13	-Whoa, what the duck?
00:38:19	How about Towering Inferno?
00:38:22	-l saw it.
00:38:24	. . .if you just come back tomorrow.
00:38:26	l-- l'll take care of all of that tomorrow,
00:38:29	l can't believe you don't have Rush Hour 2.
00:38:32	No, you-- No, you're not.
00:38:34	You don't do that, you--
00:38:37	Just wait till tomorrow.
00:38:41	Good!
00:38:53	Lee, l'm coming.
00:38:58	l'm taking the stairs.
00:39:01	Lee.
00:39:02	Lee.
00:39:03	Cut, that was great.
00:39:19	Lee!
00:39:21	-Over here.
00:39:25	Carter, behind you.
00:39:32	Lee, this Chinese bamboo
00:39:35	Don't worry, Carter,
00:39:47	this Chinese bamboo ain't strong.
00:39:52	Forget about the bamboo.
00:39:58	Go in for the kiss now, Jerry.
00:40:01	Go in for the kiss now.
00:40:03	Hold on.
00:40:06	Why do l have to kiss Wilson?
00:40:08	-She's the bad guy, right?
00:40:10	She's got the detonator--
00:40:13	You have the bomb in your mouth.
00:40:15	You have to press it against her
00:40:18	-l'm not kissing Wilson.
00:40:19	l don't wanna kiss Wilson.
00:40:24	We've been working with him all day.
00:40:27	-Could l just say something?
00:40:28	l quit.
00:40:31	-Amateurs. l hate this movie.
00:40:34	thanks, good work today.
00:40:36	Mike.
00:40:37	Mike, Mike. Listen to me.
00:40:40	Maybe you can understand that
00:40:43	. . .to think l'm having a homosexual,
00:40:47	Oh. Okay.
00:40:48	-So the interracial is the issue.
00:40:52	. . .but kissing my mechanic is disturbing
00:40:56	He could sue me
00:40:59	-Oh, yeah.
00:41:01	Mike, Mike, Mike. l got a better idea.
00:41:04	Follow me.
00:41:07	Right, yeah,
00:41:10	-Okay. Okay.
00:41:12	Excuse me, l'm sorry to interrupt.
00:41:14	We're moviemakers and we're making
00:41:18	And we have a kissing scene,
00:41:20	. . .and you are amazing.
00:41:22	l'm sorry, l can't leave the store.
00:41:25	l have work to do, but my sister can.
00:41:28	-Alma.
00:41:30	Come here.
00:41:32	these guys are making a film
00:41:35	What kind of film are you making?
00:41:37	Actually it's like comedy,
00:41:40	-Like, the types of movies, you know--
00:41:43	-Like what kind?
00:41:45	-We want you to be a movie star.
00:41:48	l can't leave, but she should go,
00:41:51	-l was in the school play.
00:41:54	-A refrigerator?
00:41:56	So check it out.
00:41:59	. . .and this is my door.
00:42:00	And then l had, like, to close my eye
00:42:04	-Okay, we're gonna take a quick meeting.
00:42:06	-A quick producers' meeting.
00:42:07	-You got it.
00:42:09	-What's the matter? She's--
00:42:11	Listen to me, l know a woman. . .
00:42:13	. . .who works across the street
00:42:15	Are you gonna kiss her or Wilson?
00:42:19	-You gonna kiss her?
00:42:21	Okay, we did it.
00:42:23	-Guess what, we just had a meeting.
00:42:25	-You got the part.
00:42:27	-Oh, yeah.
00:42:29	. . .because we're actually--
00:42:30	-We're shooting right now.
00:42:32	lt's gonna be fun.
00:42:34	l'm sorry, can--? Can--? Can--?
00:42:36	-ls this yours?
00:42:37	-Can we use this just really quickly?
00:42:40	-She just dropped this off to be cleaned.
00:42:43	-lt'll be all right.
00:42:44	We'll bring it back.
00:42:47	-What's your name?
00:42:48	Ann. Miss Ann. thank you so much.
00:42:49	We gotta make sure
00:42:51	She will get a credit for sure,
00:42:54	-l'm gonna be thinking about. . .
00:42:55	. . .parts for you in the future
00:42:57	Not you, however. You blew it.
00:42:58	l wanted to make you Marilyn Monroe.
00:43:00	-Now you're just gonna be the cleaner.
00:43:02	-thank you for letting us use your sister.
00:43:06	-We're gonna go down here.
00:43:08	. . .and you're gonna play the girl.
00:43:10	Action, guys.
00:43:14	What--?
00:43:16	-Oh, damn. Damn.
00:43:18	Hold still.
00:43:20	-Stop.
00:43:22	He got exposed to radioactive waves.
00:43:26	Are you radioactive?
00:43:28	ls it contagious?
00:43:30	Not radioactive! Magnetized!
00:43:34	Give me my bottle.
00:43:36	l'm sorry, we didn't have a chance to--
00:43:40	l'm just gonna check--
00:43:43	-this came out pretty good.
00:43:45	-Not magnetized.
00:43:47	-Not magnetized.
00:43:49	Huh?
00:43:52	Hey, Jerry. l'm really sorry
00:43:54	l just, like-- l got really scared
00:43:57	Yeah, l know.
00:44:00	Yeah.
00:44:04	ls that you?
00:44:07	-l took the whole bottle.
00:44:09	l just wanted to go to sleep.
00:44:12	Yeah, it's aspirin, not sleeping pills,
00:44:16	You are not going to die, okay?
00:44:19	-lf you do what l say, okay?
00:44:21	l need you to go to the bathroom. . .
00:44:22	. . .get me a bucket full of salt and water,
00:44:24	-Salt, salt.
00:44:27	Just sit down, relax.
00:44:29	-l'm gonna die.
00:44:32	-l've done it before.
00:44:34	Here, here. Drink it, drink it.
00:44:39	Good.
00:44:42	-You okay?
00:44:45	Hey, look at me, l'm doing good.
00:44:48	Oh, that's me.
00:44:52	Oh, not again.
00:44:55	Why does he have to puke
00:44:59	Oh, good, now he's gonna
00:45:01	-You see?
00:45:04	Hi. Sorry.
00:45:08	Wait, what's he doing now?
00:45:12	Oh, nice, nice. Pee.
00:45:16	-You guys are so weird.
00:45:18	Yeah.
00:45:20	ls his pee making it do that?
00:45:24	thank God for my bladder.
00:45:26	Okay, good. Would you just finish
00:45:28	Alma, l owe you one.
00:45:30	Let's test it out. Let's test it out.
00:45:33	Let's test it out.
00:45:36	-No. No.
00:45:38	-lt worked. lt's working.
00:45:41	-thanks to me.
00:45:42	-Hi, guys.
00:45:45	-What are you looking at?
00:45:47	We were just closing up, actually.
00:45:50	Yeah, so there it is.
00:45:52	l have to pay in mostly pennies.
00:45:56	-Fine. that's-- that's okay.
00:45:57	-thank you.
00:45:59	Your pennies are always good here.
00:46:00	l'm gonna enjoy it, thank you.
00:46:02	Good night.
00:46:04	-Enjoy the movie?
00:46:06	We worked hard on it.
00:46:08	Yo, we gotta find new tapes.
00:46:11	-We can't keep doing this.
00:46:12	lt's going fine. So far, so good.
00:46:14	What? When Miss Falewicz
00:46:17	-Our version is better than the original.
00:46:20	. . .to Mr. Fletcher. First of all,
00:46:24	Yeah, but 20 minutes,
00:46:27	lt's the perfect duration.
00:46:30	-l study this, l know.
00:46:31	And besides, Miss Falewicz has never seen
00:46:34	She might think all of them are 20 minutes
00:46:38	She probably won't even recognize us.
00:46:44	Y'all need to chill out, all right?
00:46:48	Craig?
00:46:50	-What's up, old lady?
00:46:52	Yo, Craig. What's up, man?
00:46:59	Dude, you gotta check this out, man.
00:47:01	My auntie got this
00:47:05	this is Ghostbusters.
00:47:06	-Roshambo.
00:47:08	-Laser.
00:47:10	-Whoa. Uh-oh.
00:47:13	Miss Falewicz gave it to her nephew.
00:47:16	lt looks like they were disappointed
00:47:18	-Come on, guys.
00:47:20	l can clearly see you
00:47:26	We was closed,
00:47:29	-What's wrong with you?
00:47:31	Y'all open now.
00:47:38	that wasn't bad. What else y'all got?
00:47:41	-the whole store.
00:47:44	We actually--
00:47:47	No, man, he said the whole store.
00:47:50	-Why you lie to me, man?
00:47:52	Guys, make your choice.
00:47:57	-What is wrong with you?
00:48:02	What you got?
00:48:04	Right. Yeah, that's for--
00:48:05	Hey, man, hand me one of them
00:48:09	We'd love to rent you out
00:48:12	. . .but Mr. Fletcher, right, he called.
00:48:15	-Oh, yeah.
00:48:17	two videos per day, per account, so. . . .
00:48:20	All right then,
00:48:23	Yeah, man. Sign away.
00:48:24	We're gonna need your picture l D,
00:48:28	. . .your last three rent receipts,
00:48:31	. . .a letter from your mother
00:48:33	. . .the last three countries
00:48:35	. . .your 1 0 favorite films
00:48:38	You know, you're real lucky
00:48:40	-Word.
00:48:42	Except Craig's aunt.
00:48:44	Shut up, stupid.
00:48:46	We'll be back
00:48:49	We still have two to choose, right?
00:48:52	Here you go,
00:48:54	that's my choice.
00:48:56	-You guys pick the other one.
00:48:58	You get to pick your choice,
00:49:00	-Yeah.
00:49:02	Man, who told you
00:49:04	Hey, hey, you guys, you guys.
00:49:06	You guys, listen. You guys!
00:49:10	Life without civilization is brutal. . .
00:49:14	. . . nasty and short.
00:49:19	lf you're gonna come around here. . .
00:49:21	. . .and spread pizza
00:49:25	. . .you're gonna miss out
00:49:28	So this is what l'm saying.
00:49:30	l'm gonna put all of these videos
00:49:32	Alma, you're gonna pick out
00:49:36	totally random.
00:49:39	And everyone will survive. Pick it out.
00:49:44	-Here they are.
00:49:47	Done.
00:49:48	How the hell?
00:49:50	Okay, who's the baby
00:49:54	Someone did.
00:50:00	-What?
00:50:01	But we will have them for you
00:50:04	. . .as long as you give us
00:50:07	twenty dollars?
00:50:09	No, no, no.
00:50:12	-Sweded.
00:50:17	-Swede? Like Sweden?
00:50:19	-lt's a country, not a verb.
00:50:23	Because it's a faraway,
00:50:26	-lt's imported.
00:50:29	A toast. twenty bucks in one day.
00:50:34	-that's never happened. Never.
00:50:36	-Nice with the civilization theory.
00:50:38	-l gotta say, that was nice.
00:50:40	l do some thinking at night.
00:50:42	lf l can't sleep,
00:50:45	-Who picked The Lion King?
00:50:48	the big guy, maybe.
00:50:51	lt was me.
00:50:52	-You snuck it in there?
00:50:54	You're a badass.
00:50:56	See, well, Pocahontas used to be,
00:50:58	But then l couldn't find it
00:51:01	. . .so l just picked Lion King instead.
00:51:03	lt is such a good movie too.
00:51:08	Oh, man, l love The Lion King too.
00:51:12	My mom loved it.
00:51:13	-lt's awesome.
00:51:15	-Yeah, it's awesome.
00:51:17	-Oh, yeah.
00:51:19	-. . .kills the nephew's father.
00:51:22	-. . .which is his brother.
00:51:24	He kills his own brother, right?
00:51:28	What's funny?
00:51:29	-Shape-- Nothing.
00:51:31	Does anybody have any ideas,
00:51:34	. . .about how we're supposed to shoot
00:51:38	Roar! l am the king!
00:51:43	Roar! Jerry, l kind of see your head.
00:51:46	-What?
00:51:47	Well, Alma, stay on the voices.
00:51:49	We'll be in charge
00:51:51	-Okay.
00:51:52	''l'm gonna piss on the graves
00:51:56	-lt's important in the story, Alma.
00:51:58	Roar!
00:51:59	l'm going to piss
00:52:02	No, wait. Hold on.
00:52:04	this is the sequel.
00:52:14	Less choice. . .
00:52:16	. . .more copies of the same movie.
00:52:20	Simplified categorization of genre.
00:52:24	Sir?
00:52:26	Hi.
00:52:27	Noticeable outfit
00:52:32	Sir, are you sure l can't help you?
00:52:34	You've been here for the last two hours,
00:52:39	l'm gonna have to ask you to leave.
00:52:40	Do you carry a copy
00:52:44	-What?
00:52:46	. . .knowledge required.
00:52:52	-thank you.
00:52:53	Okay. v ery helpful.
00:52:57	-that's it.
00:52:58	l'm taking you downtown.
00:53:00	-l'm coming to get you now. . .
00:53:03	. . .with my gun.
00:53:05	And there's more
00:53:07	-No!
00:53:11	Y'all still shooting, man?
00:53:12	-Yeah, we--
00:53:13	Y'all were supposed to be done.
00:53:16	-Don't worry. l can handle this guy.
00:53:19	-Let me show you how to do this, man.
00:53:21	l will shoot you
00:53:25	l got something for you, man.
00:53:26	What do you think you're--?
00:53:29	-Robo!
00:53:31	-You want some? Yeah, you want some?
00:53:34	-Stay back.
00:53:36	l'm giving you
00:53:38	-. . .to drop your weapon.
00:53:44	that's not funny, y'all.
00:53:46	-Cut.
00:53:48	-lt's kind of funny.
00:53:51	-that was good.
00:53:52	-l like your badge.
00:53:54	Great. Just-- Who are these people?
00:53:58	-Oh, my God.
00:54:06	Let's go before they see us.
00:54:07	Mike! Mike! Over here!
00:54:10	Lookit, okay? You're gonna smile.
00:54:13	Pretend like you know
00:54:15	-l'm gonna take care of the rest. Yes.
00:54:17	this was really great. . .
00:54:19	. . .but it's too short.
00:54:21	Anyway, l told all my friends,
00:54:24	-they want to join the store.
00:54:26	Okay.
00:54:27	Okay, it's open!
00:54:30	Form two lines.
00:54:31	Rentals on the right
00:54:35	the store policy is also. . .
00:54:36	. . .two rentals per customer.
00:54:38	Maybe you'd like to get a film
00:54:42	Okay, guys, l'm accepting applications
00:54:44	-Hi.
00:54:46	-What would you like?
00:54:48	Okay. Let me just check to see
00:54:51	lt seems like you have a lot of Cs.
00:54:55	l don't even think
00:54:57	So we're gonna need a $20
00:55:00	-Are you insane? twenty dollars?
00:55:02	l don't make the rules,
00:55:03	You're crazy. You're insane.
00:55:05	-l'm leaving.
00:55:07	-Your movies suck anyway!
00:55:09	Next!
00:55:11	-Excuse me.
00:55:14	l am RoboCop.
00:55:16	l heard there was a disturbance. . .
00:55:18	. . .at Be Kind Rewind video store.
00:55:21	Mr. RoboCop,
00:55:24	-For my grandson?
00:55:25	Anything you say
00:55:31	. . .in a court of RoboCop.
00:55:34	Miss Falewicz.
00:55:38	-Hi, Miss Falewicz.
00:55:40	-Can you Swede this for me?
00:55:43	l'd really rather not do this one.
00:55:45	l really never really got this movie.
00:55:48	l thought it was a little condescending.
00:55:50	lt's-- lt's a lovely movie.
00:55:53	-She teaches him to read.
00:55:55	How many movies
00:55:58	Okay.
00:56:00	Hoke, that's the spot.
00:56:03	-Stop the car right-- Hoke!
00:56:05	Are you--? Are you deaf?
00:56:06	-l wish l was deaf.
00:56:08	Who is that hussy chasing after us?
00:56:10	-Be gone, hussy. Hoke--
00:56:14	-We're just scouting.
00:56:16	l'm staying in character.
00:56:18	Let's keep in character, okay?
00:56:20	-All right. Mm-hm.
00:56:22	Help me get out of the car.
00:56:24	-Hoke!
00:56:25	-Jerry, have you ever seen the movie?
00:56:27	She doesn't act like that.
00:56:28	Don't you talk to me like that,
00:56:30	-She doesn't act like that.
00:56:32	Hoke, go and find me the grave
00:56:35	Go like the wind, run.
00:56:36	Run, Hoke. Please.
00:56:39	W-E-R-t-H-E-N.
00:56:43	Hoke, can you hear me?
00:56:46	Oh, no, Hoke.
00:56:48	You're illiterate, aren't you?
00:56:50	-Jerry.
00:56:53	A W is like a mountain upside down.
00:56:57	lsn't that clever?
00:56:58	Now, what happens
00:57:01	-. . .to the W?
00:57:02	-What do you think?
00:57:04	-Wer.
00:57:05	Add a ''then, '' what do you get?
00:57:07	-Okay, Jerry, stop.
00:57:10	-Would you stop?
00:57:12	-Wer. . . .
00:57:14	Werthan, Werthan, Werthan, Werthan!
00:57:16	-Mike.
00:57:17	Mike, what are you doing?
00:57:18	-Are we shooting?
00:57:23	Jerry.
00:57:29	-Hey.
00:57:33	You know, l was in character.
00:57:35	-l know.
00:57:38	Well, apparently he did. Jerry, like,
00:57:42	Don't you think
00:57:44	Who keeps on giving
00:57:46	-Uh-huh.
00:57:48	-Well, l kind of do all the time.
00:57:49	Me. And why should l?
00:57:51	-things have changed.
00:57:52	People recognize me in the street.
00:57:54	-Right, Simon?
00:57:56	Yeah. Yup.
00:57:57	-Yeah.
00:57:59	You have a trailer, okay?
00:58:01	that is where you live.
00:58:02	-ls that spit on there?
00:58:03	-Come on.
00:58:06	. . .because all you do is go from your shop
00:58:09	-lt's true.
00:58:10	they look at me in a different way,
00:58:13	-l'm a star.
00:58:15	l want my own trailer
00:58:17	A movie trailer.
00:58:21	Get up, Jerry.
00:58:23	-Everybody's ready.
00:58:25	Ali's the man!
00:58:31	Ali! Ali! Ali!
00:58:36	lt's okay. We're not suggesting--
00:58:38	As far as Foreman goes,
00:58:42	. . .and we writers
00:58:45	-. . .that we were. . . .
00:58:46	the pilots are black, l'm black,
00:58:50	. . .and we're not crashing.
00:58:56	Dave, it's me, HAL.
00:58:59	l'm afraid l can't open
00:59:03	Why don't you take a jog
00:59:07	Okay, l'm ready. Go.
00:59:45	Alma! this is ketchup.
00:59:47	-You said you were gonna use Kool-Aid!
00:59:51	God, Alma.
00:59:54	Oh, where's the driver?
00:59:57	All right.
00:59:58	We gotta stop off
01:00:01	Find out what the aliens are doing.
01:00:03	We're upside down!
01:00:06	the whole universe is in a marble!
01:00:31	l'm glad you have come to your senses.
01:00:34	l have a list of addresses here
01:00:36	Hey, hey. No, no, no.
01:00:38	tomorrow, l am starting
01:00:41	. . .to a modern medium the D vD.
01:00:45	You see, l've found
01:00:48	. . .that l'm going to recommend
01:00:51	Within a couple of months,
01:00:53	. . .will be digital.
01:00:55	Which means more titles
01:00:58	. . .and more business.
01:01:00	Listen, if you don't want
01:01:02	. . .then you're going to have to
01:01:05	. . .with one of the city's
01:01:07	Do you have any idea of the kind of costs
01:01:11	Here's an estimate
01:01:14	And that's the bare minimum
01:01:18	-l just don't see it happening.
01:01:20	Okay, what?
01:01:23	l'll fix the roof.
01:01:26	Fine.
01:01:27	You now have six weeks before
01:01:30	. . .then you're going to have to
01:01:43	Next!
01:01:47	Whoa, whoa, whoa!
01:01:48	Whoa, he cut the line!
01:01:50	-Hey, gramps.
01:01:52	Back of the line.
01:01:54	-Yeah.
01:01:56	New York, for real?
01:01:58	-Mike and Jerry are famous there?
01:01:59	-Hey, back out.
01:02:01	l'm really sorry, sir, but you're going
01:02:05	-l can't afford a riot in the shop.
01:02:07	Can somebody explain to me
01:02:09	-Hey, Mike! Where's Mikey? Mike!
01:02:12	-What's going on, man?
01:02:14	l can-- l can explain everything.
01:02:16	Something terrible happened
01:02:19	they all got erased.
01:02:21	l know you didn't want Jerry
01:02:24	-. . .but--
01:02:25	All right, this is the last autograph.
01:02:28	-Oh, man.
01:02:30	Let me take your bag for you,
01:02:32	Uh-oh, who's back? Mr. Fletchy.
01:02:35	l got the slogan. Check it out
01:02:37	''Be Kind Rewind, videos a la Carte.
01:02:41	You name it, we shoot it.
01:02:42	Be Kind Rewind, videos a la Carte. ''
01:02:44	-Jerry.
01:02:46	-thanks, Jerry.
01:02:49	-We'll just--
01:02:51	-l didn't know that you were the boss.
01:02:54	Listen, kids.
01:02:56	. . .but let's be realistic for a second.
01:02:59	We will never hit that number,
01:03:03	Oh, no, Mr. Fletcher. We can do it.
01:03:05	We've-- We've been doing really,
01:03:07	You know, we've been working hard.
01:03:09	lt's far from enough.
01:03:12	So to hell with documentaries. . .
01:03:15	. . .oldies, cult movies.
01:03:17	We need to simplify.
01:03:19	two sections.
01:03:21	Action-adventures, comedies.
01:03:24	We got to keep the silent movies,
01:03:27	No, no. Quiet. l don't wanna hear
01:03:30	New rules apply
01:03:35	Oh, and l forgot.
01:03:40	D vDs.
01:03:42	D vD, what?
01:03:44	No more tapes.
01:03:46	the entire catalogue has to be on D vD
01:03:49	And our films?
01:03:51	Yours and whatever we rent
01:04:03	l don't know why he's doing this.
01:04:06	lt's like everything
01:04:09	. . .is just nothing? lt's-- Just like. . . .
01:04:12	-We can't keep doing this.
01:04:14	We are doing better business
01:04:19	We're-- We're celebrities now.
01:04:20	We're on the power list.
01:04:23	No. No, he don't.
01:04:26	lt's my fault. l should've known.
01:04:30	lt's worthless to him.
01:04:32	lt's like l'm nothing to him.
01:04:40	Filthy little punk.
01:04:47	No way this punk kid
01:04:57	No. I erased all the tapes.
01:05:00	l'm the little punk.
01:05:03	Why is it always about you guys?
01:05:07	What about me?
01:05:08	What about Alma?
01:05:11	l wanna be a filthy punk too,
01:05:15	these are not just simple remakes.
01:05:19	they are way more creative.
01:05:21	Of course, if the business
01:05:24	. . .we won't hit the objective.
01:05:26	But if we shorten
01:05:29	. . .we can shoot more of them.
01:05:30	And we will incrementally increase
01:05:34	-Can you repeat the last--?
01:05:37	-People will feel swindled.
01:05:41	We'll give them parts to play.
01:05:42	this way A, with their help,
01:05:46	. . . B, the films can be shorter
01:05:48	they're not gonna feel cheated,
01:05:52	-. . .and they'll see their selves as a part. . .
01:05:54	-. . .of the neighborhood.
01:05:56	. . .of their own happiness.
01:05:57	You guys, this is something
01:06:00	lf we do more movies
01:06:03	-We can rent more movies.
01:06:05	-Wait, that's what l just said.
01:06:08	-Doesn't matter who said it first.
01:06:09	We're all saying--
01:06:11	-l agree, l agree.
01:06:14	lt's like-- What do you call that,
01:06:16	-Avalanche.
01:06:18	-Snowballing. Getting bigger and bigger.
01:06:21	And it incrementally increases
01:06:25	-Come on. Right here. l can feel this.
01:06:28	-Go.
01:06:34	Do you really wanna buy these expensive
01:06:39	No. No way.
01:06:42	So for only $ 2 0.
01:06:45	. . .you can simply tape or glue
01:06:49	. . . and then it upgrades
01:06:53	And only then is when
01:06:56	-That is good.
01:06:59	Vacation with Chevy Chase.
01:07:01	-that's not Sweded yet. Sorry.
01:07:03	-Comedy.
01:07:05	Wrong genre. that is a comedy.
01:07:08	l must exclude you for the day.
01:07:10	You can come back tomorrow.
01:07:12	You have to say the right thing.
01:07:14	Man, the new system sucks, man.
01:07:16	l'm sick and tired of all these rules.
01:07:18	-Hey, Lord of the Rings is not a comedy.
01:07:21	Now, listen. l want The Jerk. . .
01:07:23	-. . .Sweden by tomorrow.
01:07:26	-Sweded.
01:07:28	. . .or this little thing that's in your--
01:07:31	Let me see, let me see.
01:07:33	l'd be lying if l said
01:07:36	. . .to teach you a lesson.
01:07:38	Mr. Fletcher,
01:07:40	Listen, l apologize, okay?
01:07:42	-Good, good.
01:07:45	Good. But more importantly. . .
01:07:47	. . .you should never
01:07:50	She works very hard
01:07:52	And these guys. . .
01:07:54	. . .are working very hard to save ours.
01:07:56	-You get my drift?
01:07:58	thank you for the lesson.
01:08:02	Sounds like Fats Waller's
01:08:05	lt's-- lt's his house.
01:08:09	Now. my boy. do you know where
01:08:12	. . . did record most of his tunes
01:08:15	-I know that one.
01:08:16	-I know the answer.
01:08:18	At RC A Studios in Camden.
01:08:20	They liked to drive there on the train on the
01:08:24	Sometimes they didn 't
01:08:25	. . . because they would get in a fight
01:08:28	Mr. Fletcher. I don 't really see
01:08:31	there is none.
01:08:37	Set up the cameras over there.
01:08:39	We wanna get in the red car
01:08:45	We're walking in the rain.
01:08:50	And we're like young lovers.
01:08:53	Wow, these guys are good.
01:08:56	they can shoot any style.
01:08:57	We cast Jack and his friends.
01:09:00	-Whatever, man.
01:09:01	Yo, see. Yeah, yeah, yeah.
01:09:03	Come on.
01:09:05	l'm shooting him.
01:09:07	Oh, no. Derek!
01:09:10	Why?
01:09:12	Look at the pool of blood around him.
01:09:14	He's with Jesus.
01:09:15	What's happening to our 'hood?
01:09:19	It's senseless. the violence.
01:09:35	Kids, l have to admit. . .
01:09:40	. . . l was wrong.
01:09:42	to movies with heart.
01:09:45	-And soul.
01:09:47	-We had pig ears.
01:09:51	-Pig ears and white bread.
01:09:54	You're the number one hunter
01:09:55	When you see that elephant,
01:09:59	-that's great. We did it.
01:10:00	Now we're like animals.
01:10:03	l love you, l love you.
01:10:10	We're nearly there. One more week.
01:10:12	''Jerry and Alma in. . . . ''
01:10:16	Jerry and Alma, Jerry and Alma,
01:10:22	Are you jealous or something?
01:10:24	No. No, l'm not.
01:10:26	Forget about what l even said.
01:10:29	Well-- Well, really. l mean. . .
01:10:31	. . . how come he's always
01:10:35	lt's always him.
01:10:36	Well, Jerry said
01:10:40	that is a dirty lie.
01:10:42	l never said a word about your mustache.
01:10:47	l never said my mustache.
01:10:50	Okay, so Jerry was telling the truth.
01:10:52	And that's why you never wanted
01:10:54	No, no. l never complained about that.
01:10:57	Mike, l never said the word,
01:10:59	So how would you know, huh?
01:11:00	Because he complains about it
01:11:03	What's the difference?
01:11:04	-You think l have one, right?
01:11:06	-. . . l don't even think you have one.
01:11:09	Just really quick. Let me see.
01:11:13	You know what? l don't see anything.
01:11:17	-l don't see anything.
01:11:19	No.
01:11:22	thanks.
01:11:23	Maybe l should give you a blind test.
01:11:25	Yeah, l think we need a blind test.
01:11:32	So?
01:11:34	Hey! You're trying to kiss me.
01:11:37	-Why not?
01:11:39	-Are you in love with me?
01:11:41	Mm-hm.
01:11:43	Well, how do l know that?
01:11:44	You know you're in love
01:11:46	. . .when you talk to them for a minimum
01:11:49	What if l talk to a guy in my head
01:11:53	You're in love with Jerry.
01:11:54	-Huh? Ew, no. We're closed.
01:11:57	-No, l'm not.
01:11:59	Not at all. No, that's not-- lt c--
01:12:01	Listen, it could be anybody.
01:12:02	-Mr. t, Fats.
01:12:05	-l know it.
01:12:07	Yes.
01:12:09	to whom it may concern. . .
01:12:11	. . .copyright infringement is punishable
01:12:15	Now, l hold in my hand a restraining order
01:12:17	. . .and, actually, a warrant of seizure
01:12:23	-So you, the defendant. . .
01:12:24	. . . have declined to attend
01:12:27	. . .so the studios are coordinating
01:12:31	. . .the damages from--
01:12:34	-Approximately 200.
01:12:36	Oh, what do we have here?
01:12:37	-A record of rental.
01:12:39	-What?
01:12:42	. . . how many average viewings?
01:12:44	Sixty-three times per tape.
01:12:45	times 250,000 maximum in damages. . .
01:12:49	. . .and/or up to five years in prison. . .
01:12:54	-. . .per offense.
01:12:57	. . .3. 1 5 billion dollars in fines. . .
01:13:01	. . .which would need to be paid back
01:13:02	-l'll write you a check.
01:13:06	. . .63,000 years in prison.
01:13:09	Which, of course, would have to be served
01:13:14	But we made the movies ourselves.
01:13:16	-they're our--
01:13:18	You're-- You're right. But technically,
01:13:21	. . .belong to the studios.
01:13:23	Look, it's written.
01:13:26	lt's at the beginning of the tape
01:13:27	-But we erased that, so. . . .
01:13:32	People come here because
01:13:34	that's why they come here. they're not
01:13:38	they're not interested in them.
01:13:40	Sir. Sir.
01:13:41	Don't listen to them.
01:13:43	-the entire film industry is crumbling. . .
01:13:45	. . .because of pirates and bootleggers.
01:13:46	And we intend to stop it.
01:13:49	We're not selling boots,
01:13:52	-And we don't have viruses.
01:13:54	-Fletcher.
01:13:56	l mean, look.
01:13:58	l didn't say l do. l mean,
01:14:01	Nevertheless,
01:14:04	. . .to destroy all your black-market tapes
01:14:08	. . .and all of these assets
01:14:11	. . .are hereby seized
01:14:14	No, no, no. these are-- No, no, no.
01:14:16	We just want to get in and out. . .
01:14:18	-. . .as painlessly as possible.
01:14:21	Hey, let him go.
01:14:28	Mr. Fletcher?
01:14:29	Mr. Fletcher.
01:14:31	l could save the building.
01:14:33	this is a application to make it
01:14:37	l can't believe
01:14:39	lt's gonna be easy,
01:14:42	No, Mike, it's not so simple.
01:14:45	Why not?
01:14:48	the address has got to be on the birth
01:14:50	No, Mike,
01:14:53	. . .to prove that Fats lived here.
01:14:56	You wanna know why?
01:14:59	Huh? You wanna know why?
01:15:02	-Because--
01:15:04	-No, no, listen.
01:15:05	Now you don't want
01:15:07	Boy, look here. l'll finish it.
01:15:09	We can't prove
01:15:12	. . .because he never did.
01:15:27	l think you should come one more time.
01:15:33	Just tell me why.
01:15:39	Well, they started as bedtime stories.
01:15:42	l was trying to make this place
01:15:46	And then l could never bring myself
01:15:49	Well, why Fats Waller?
01:15:51	You could have picked anybody.
01:15:54	l mean, Duke Ellington
01:15:57	Fats was a happy man.
01:15:59	And l thought
01:16:02	And it's true, l lied.
01:16:06	Now l'm going to hell, upstairs.
01:16:17	Here we are, we're the villains, right?
01:16:54	Hold that.
01:17:11	Mike!
01:17:13	We want more movies.
01:17:16	We want more movies!
01:17:18	Come on, baby.
01:17:20	Mike, wake up, baby.
01:17:23	-What are you doing?
01:17:25	-We want more movies, man.
01:17:27	We cannot do these movies anymore.
01:17:31	You can make your own.
01:17:32	-l don't have ideas for movies, Jerry.
01:17:36	You have got tons of ideas.
01:17:40	l hear them,
01:17:42	Mike, we can make
01:17:45	We don't have to make one-- they can't
01:17:49	Make whatever you want.
01:17:53	You know what l mean?
01:17:55	Let's make Scary Town 5000.
01:17:58	We make it up, baby.
01:18:00	-You're the best director l know.
01:18:02	-Wait a minute.
01:18:03	-. . .that l know.
01:18:05	And together we're a team
01:18:08	Mike. Where did you go? Come back.
01:18:11	Come on, Mike.
01:18:12	l want Mr. Fletcher to see.
01:18:15	Mr. Fletcher.
01:18:18	Mr. Fletcher!
01:18:21	What do you need me for?
01:18:23	to hell with them, Mr. Fletcher.
01:18:24	We don't have to move to the projects
01:18:27	How do we do that, exactly?
01:18:30	We're gonna make a movie, all of us.
01:18:32	All of these people
01:18:34	We're gonna make a movie together.
01:18:36	Like the city that saves itself?
01:18:37	No, no. Check it, check it.
01:18:40	We're gonna do a movie
01:18:43	Your hero, my hero.
01:18:45	And we don't need permission
01:18:49	this is for us to watch.
01:18:51	-the whole town is participating.
01:18:54	the movie could be called
01:18:57	-Yeah!
01:19:00	-You gonna humiliate me again?
01:19:04	No, he's trying to prove you were right.
01:19:06	Our past belongs to us,
01:19:10	Sure. My mom. . . .
01:19:13	My mom saw Fats Waller playing--
01:19:17	Playing the piano right here
01:19:21	Sure. Anybody wanna
01:19:25	Yes, me.
01:19:26	My grandfather used to watch him
01:19:30	-there you go.
01:19:34	He took the train to Camden
01:19:38	He really did take the train to Camden.
01:19:41	that's right!
01:19:42	Mike. We only have a week
01:19:45	lt's not a problem. that's okay.
01:19:46	We'll shoot the whole thing in a week.
01:19:48	And we could take donations
01:19:50	. . .and use the money
01:19:52	-l'll play Fats.
01:19:55	We'll see who plays Fats.
01:19:57	-You're not gonna play Fats.
01:19:59	No, there's not.
01:20:00	-May the best man play Fats.
01:20:02	Anyway, we should do it.
01:20:05	Good idea.
01:20:15	-test, test, test.
01:20:18	-l can't tell if it's working.
01:20:19	-. . .because this is pressed down.
01:20:21	-Test. I can 't tell.
01:20:23	-Yeah, that's-- Okay.
01:20:24	But it all started right here
01:20:28	Miss Falewicz, can you tell us
01:20:33	Fats was born
01:20:36	He was the youngest
01:20:39	. . .and all of them died
01:20:43	-Gangsters killed them all.
01:20:45	-they came low-riding.
01:20:49	-they were like ninjas.
01:20:50	But, boys, there's nothing fun about it.
01:20:52	-they were awful.
01:20:54	. . .if you think about it.
01:20:55	What is the first instrument
01:20:59	-From what l recall it was the piano.
01:21:03	Yes, she's correct.
01:21:06	And he moved on to play one of the
01:21:11	And that's the organ.
01:21:12	He would spend nights here
01:21:16	You know, here at the great organ here.
01:21:20	You guys, listen. there's a lot of
01:21:24	. . .but l'm just putting my vote in,
01:21:28	Boring.
01:21:30	Hey, man. l think we should have the
01:21:33	-With the
01:21:36	Everybody, listen, listen.
01:21:39	-But that's backwards.
01:21:41	that is like Citizen Kane.
01:21:44	lf you're going backwards. . .
01:21:45	. . .then do the people talk, like,
01:22:04	Ain 't misbehavin '
01:22:13	You know. . . . l'm fat. Fats is fat.
01:22:16	that's his name.
01:22:18	You thought wrong.
01:22:23	Just a brief conversation.
01:22:25	He's not even fat.
01:22:28	-Be quiet.
01:22:30	Somebody's about to get knocked out.
01:22:35	Kansas City, the train station,
01:22:37	Mr. Jack, Mr. Jack. lt's going.
01:22:39	lt's good. lt's good.
01:22:42	-What the hell is a ''harmoninium'' anyway?
01:22:44	Okay, what is it, just a weird thing
01:22:47	-lt's fine.
01:22:48	You got the keyboard here already.
01:22:49	Fats liked to tickle the piano, right?
01:22:51	So my hand touches
01:22:53	-lt's wrong.
01:22:55	-tickle, tickle, tickle.
01:22:57	-You gotta put something there with keys.
01:22:59	lt's cheating. You're just lazy.
01:23:02	Doesn't look very much like the '20s.
01:23:05	-lt's clearly a bathtub.
01:23:06	No, forget it. You know what?
01:23:09	We gotta have a bunch of them anyway.
01:23:11	-What?
01:23:17	Hey, look, this is how
01:23:20	the fan give the impression
01:23:23	And the string is for the scratches.
01:23:25	this is for the voice-over.
01:23:26	Miss Falewicz. can you tell us
01:23:29	And also this is for the music.
01:23:31	Fats was born
01:23:37	And push and breathe.
01:23:39	And make a groaning sound like,
01:23:43	Wilson, send the kids.
01:23:45	-Some gangsters killed them all.
01:23:47	-They came low-riding.
01:23:54	And I heard
01:23:57	The gang was like a pizza gang.
01:23:59	And when they killed you. there was
01:24:02	Fall, fall. Mr. Jack, fall.
01:24:05	When he was young he used to follow
01:24:08	. . . because his father
01:24:10	Even if l ascended to heaven,
01:24:15	Clap your hands.
01:24:17	-Does it look good or what?
01:24:19	Continue to jiggle.
01:24:21	-tickle the keys, Mike.
01:24:23	l can clearly see
01:24:24	-l barely can see--
01:24:27	Yeah. Okay.
01:24:31	Wilson, how do you drive a train?
01:24:33	Push up the switches
01:24:35	Okay. l got it.
01:24:39	Yeah!
01:24:50	Alma, you in position?
01:24:51	We're just crossing the river now.
01:24:54	Yeah. I can see you.
01:24:58	Come on, blow that trombone harder.
01:25:02	You need to act more drunker.
01:25:06	Action!
01:25:16	Let me tell you. rent party
01:25:19	Man. they were jumping.
01:25:25	Clear out, clear out. Cops are coming.
01:25:39	Alma.
01:25:40	Go, go, go.
01:25:42	Aren't you guys being
01:25:43	No. this is what makes the movie.
01:25:45	All right, all right.
01:25:47	-Promise me this is it.
01:25:51	Okay, go, go.
01:25:56	Not the big one, not the big one.
01:25:58	-What's it matter?
01:26:01	-No, no, no. lt says use other door.
01:26:04	-Okay, fine, just shield your. . . .
01:26:17	-What is this? What the crap?
01:26:19	l told you l wanted
01:26:30	Why? lt's like a hall of mirrors.
01:26:32	-What the crap, what is this?
01:26:39	Come on, let's go.
01:26:41	-Be careful. lt's over there.
01:26:47	-You got it?
01:26:48	You got it?
01:26:52	Whoa, whoa, whoa.
01:26:53	What--?
01:26:55	Mike?
01:26:57	-Mike, what are you doing?
01:27:00	-Of course l'm not gonna hurt you.
01:27:03	-l thought you were robbers, man.
01:27:05	Okay, hold on. Hold on, hold on.
01:27:08	Release.
01:27:13	Sorry. Sorry. Sorry.
01:27:17	Are you--? Are you sleeping here?
01:27:20	l n the hardcore-porn room?
01:27:22	temporarily, yes,
01:27:25	l don't want anybody
01:27:27	Fellas, l tell you what.
01:27:29	l'll fix the windows,
01:27:32	-Okay.
01:27:34	We just gonna go.
01:27:35	Okay, let's go. Stealth.
01:27:47	-Don't get involved. Don't get involved.
01:27:52	l tried to hold them back
01:27:54	-We got a job to do.
01:27:55	-lt's on. lt's on.
01:27:58	Come on in. Everybody, don't
01:28:01	-We're trying to raise money.
01:28:04	You know, if you got a 20, that's gonna
01:28:07	thank you. thank you for coming.
01:28:09	Hey there. Yes, sir. thank you.
01:28:11	Make sure you have
01:28:13	l will do. All right then. thank you, sir.
01:28:16	All right.
01:28:17	Can you put the tv a little bit higher?
01:28:21	All right.
01:28:23	this is exciting. Oh, a 20.
01:28:25	lt's gonna work, right?
01:28:27	Well, l took the offer.
01:28:29	lt looks like we're gonna be
01:28:31	the money we collect tonight is not gonna
01:28:35	So, what we gonna do is watch the movie.
01:28:40	-Come on. All right?
01:28:41	-Can you see it now?
01:28:43	-Hey, where's Mike?
01:28:45	Have a little faith, you guys,
01:28:48	lf you can just remain patient,
01:28:52	-Mike. Mike. Mike!
01:28:56	Mike. Mike. Mike!
01:29:10	Who would expect a simple influenza virus
01:29:14	Mike. Mike, stop shooting now.
01:29:17	-What are you doing?
01:29:20	-l have to get the end titles.
01:29:23	Yeah, l know what time it is.
01:29:27	Yeah. No, we-- l didn't start the job.
01:29:30	l can't demolish a building
01:29:35	Right, good idea.
01:29:37	He's coming down.
01:29:40	What is this?
01:29:44	-Mike's here.
01:29:50	Oh, no.
01:29:55	No one could see it,
01:29:58	-You messed up the tv, man.
01:30:00	So how we gonna watch it?
01:30:05	Yo, Fletcher.
01:30:09	Well, right now, we need you, baby.
01:30:13	-Right here, right here.
01:30:15	-ls this what you've been looking for?
01:30:18	-Where shall l put the monster?
01:30:21	Put this right here.
01:30:23	-. . .made for mankind.
01:30:25	-l saved the day.
01:30:27	-Okay. that's good.
01:30:29	to tell you the truth, l don't think people
01:30:32	. . .from the back anyway.
01:30:34	l think everybody should turn around
01:30:35	Oh, yeah, yeah.
01:30:38	We're gonna watch the movie
01:30:40	-Yes, we are.
01:30:42	lt's actually-- lt's a blessing in disguise.
01:30:44	Because the tv--
01:30:46	You ain't gonna see an image
01:30:47	You will never see an image
01:30:49	Now, that's a premiere.
01:30:53	Make it as-- Yeah.
01:30:57	Anything you need. . . .
01:30:59	Just keep your hands off this.
01:31:01	-l will. l promise.
01:31:07	All right, let's get it going.
01:31:09	-Yeah!
01:31:32	Well. it all began right here.
01:31:36	It was a different neighborhood then.
01:31:37	. . . he was born in 2 6 1 Main Street.
01:31:40	It's a boy.
01:31:47	Here's our part. Here's our part.
01:31:48	-Yeah, man.
01:31:52	-Yeah.
01:32:15	Yes. in the Century Theater.
01:32:18	Mr. Fletcher? What's going on?
01:32:20	Oh, hi, Mr. Baker.
01:32:24	-Let's step outside.
01:32:27	l'm sorry, but time is up.
01:32:29	Now, you must evacuate the building
01:32:31	Okay. Mr. Baker, you're right.
01:32:35	We should've evacuated an hour ago.
01:32:37	But, please,
01:32:41	And if you give me just one hour,
01:32:45	An empty building,
01:32:48	lt's all yours.
01:32:51	-Please.
01:32:55	One hour.
01:33:00	Fats' life was on a train.
01:33:04	He had given up flying.
01:33:06	He was tired of being refused entrance
01:33:12	Once. however.
01:33:16	The plane he had been rejected from
01:33:54	Fats. are you okay?
01:33:57	Fats. you okay?
01:33:59	Oh. my God. you're-- Fats. wake up.
01:34:01	Fats.
01:34:04	Is there a doctor on the train?
01:34:07	Help! Help! Help!
01:34:12	We need a doctor!
01:34:14	He 's my friend!
01:34:16	Anybody? This train 's not leaving
01:36:00	Say up in Harlem at a table for two
01:36:05	There were four of us
01:36:10	From your ankle up
01:36:13	From there down
01:36:16	Yes. your feet's too big
01:36:20	Don 't want ya 'cause your feet's too big
01:36:24	Can 't use you 'cause your feet's too big
01:36:28	I really hate ya 'cause your feet's too big
01:36:38	Where 'd ya get 'em?
01:36:42	Your girl. she likes you
01:36:46	Got what it takes to be in paradise
01:36:50	She said she likes your face
01:36:52	She likes your rig
01:36:54	Man. oh. man. them things are too big
01:36:57	Oh. your feet's too big
01:37:01	Don 't want ya 'cause your feet's too big
01:37:04	Mad at you 'cause your feet's too big
01:37:09	I hate ya 'cause your feet's too big
01:37:30	Are you good? Is that good?
01:37:33	this Chinese bamboo ain't strong.
01:37:37	Forget about the bamboo,
01:37:59	There 's more to life
01:38:06	Put your dreams in suitcase
01:38:13	Go to explore another land
01:38:20	Stand in a spot you never planned
01:38:27	You can scoot
01:38:35	Use my boot
01:38:41	You can scoot
01:38:48	Use my boot
01:38:55	You'll meet new folks
01:39:03	This song hits brand-new notes
01:39:10	Our town 's not great
01:39:17	Far from the world where we belong
01:39:24	You can scoot
01:39:31	Use my boot
01:39:38	You can scoot
01:39:45	Use my boot
01:40:06	Sit before me
01:40:14	Now here I'm close to you
01:40:21	Pocket a book
01:40:28	I'll tell it better than you thought
01:40:35	You can scoot
01:40:43	Use my boot
01:40:50	You can scoot
01:40:57	Use my boot
01:41:05	You can scoot
01:41:11	Use my boots

Be Kind Rewind