|
Bean Bean The Ultimate Disaster Movie
|
| 00:01:27 |
We could just fire him. |
| 00:02:10 |
He'll need |
| 00:02:12 |
Stuff and nonsense. |
| 00:02:14 |
I'll talk to the chairman and |
| 00:02:20 |
Back to the agenda. |
| 00:02:22 |
The Grierson Gallery of |
| 00:02:25 |
a private donation |
| 00:02:28 |
to buy Whistler's |
| 00:02:31 |
from the Musee D'Orsay |
| 00:02:34 |
It is simply the most |
| 00:02:37 |
made by an American gallery |
| 00:02:44 |
It's as simple as this. |
| 00:02:46 |
The greatest painting ever |
| 00:02:49 |
is returning to America. |
| 00:02:51 |
From now on, Whistler's Mother |
| 00:02:56 |
where she belongs! |
| 00:02:57 |
When will we actually see her? |
| 00:03:00 |
The unveiling will be in about |
| 00:03:04 |
They've asked us |
| 00:03:07 |
of great weight and substance |
| 00:03:11 |
and stay on |
| 00:03:15 |
Dr Rosenblum... |
| 00:03:16 |
Dr Cutler... |
| 00:03:18 |
You both hold high claim |
| 00:03:25 |
- The chairman's here, sir. |
| 00:03:29 |
Run and fetch Mr Bean, will you? |
| 00:03:32 |
- We're about to fire him. |
| 00:03:35 |
Mr Bean is the worst employee |
| 00:04:21 |
Good afternoon, sir. |
| 00:04:25 |
Sit down. |
| 00:04:28 |
Before moving on |
| 00:04:31 |
I'd like to broach |
| 00:04:34 |
Mr Bean has worked |
| 00:04:37 |
And will for many more. |
| 00:04:38 |
I employed |
| 00:04:42 |
when I did YOUR job, |
| 00:04:44 |
and I'll resign |
| 00:05:48 |
He's a fine young fellow. |
| 00:05:49 |
Absolutely. Quite right. |
| 00:05:54 |
Moving on... um... |
| 00:05:57 |
The Grierson Gallery |
| 00:05:59 |
needs a representative |
| 00:06:02 |
They are looking for a scholar |
| 00:06:06 |
I have therefore decided |
| 00:06:10 |
and the three months' |
| 00:06:15 |
that splendid employee - |
| 00:06:18 |
Mr Bean! |
| 00:06:21 |
Yes! |
| 00:06:24 |
- All in favour? |
| 00:06:26 |
Excellent! Carried. |
| 00:06:30 |
Our loss is America's gain. |
| 00:06:33 |
David, the Royal National |
| 00:06:39 |
to represent them. |
| 00:06:41 |
Can't say I've heard of him. |
| 00:06:44 |
The letter's signed |
| 00:06:47 |
That's impressive. |
| 00:06:48 |
They say "he's a man |
| 00:06:53 |
Rosenblum and Cutler |
| 00:06:55 |
You asked for England's top man. |
| 00:06:58 |
It sounds like it. |
| 00:07:01 |
However, before we confirm, |
| 00:07:03 |
Bernice feels |
| 00:07:06 |
with someone from |
| 00:07:09 |
I believe we could get... |
| 00:07:11 |
Jon Bon Jovi. |
| 00:07:14 |
Jon Bon Jovi? |
| 00:07:15 |
- To unveil Whistler's Mother? |
| 00:07:20 |
I have nothing |
| 00:07:23 |
He's had two great |
| 00:07:26 |
an achievement |
| 00:07:29 |
But, so far as I know, |
| 00:07:32 |
about 19th-Century |
| 00:07:34 |
It isn't mentioned in his songs. |
| 00:07:36 |
- But David... |
| 00:07:39 |
This is a great |
| 00:07:43 |
and Dr Bean will give |
| 00:07:47 |
You're right. |
| 00:07:50 |
- But, George... |
| 00:07:55 |
It's his decision, |
| 00:07:58 |
ultimately, his neck. |
| 00:08:02 |
- Where will he stay? |
| 00:08:06 |
Here? In our house? |
| 00:08:10 |
For two months? |
| 00:08:11 |
Oh-ho, David ... suddenly there's |
| 00:08:16 |
No need to get excited. |
| 00:08:18 |
This is the Royal |
| 00:08:21 |
I thought it'd be exciting |
| 00:08:24 |
to have him around |
| 00:08:26 |
What do we know about him? |
| 00:08:29 |
They'd mention |
| 00:08:32 |
Are you feeling lucky, punk? |
| 00:08:36 |
- David, over my dead body! |
| 00:08:40 |
I'd like to put it |
| 00:08:44 |
This is a once-in-a-lifetime |
| 00:08:46 |
It'll be great for the kids. |
| 00:08:49 |
You're kidding! |
| 00:08:52 |
It's gonna be great! |
| 00:08:53 |
Let's say there is a chart |
| 00:08:56 |
of the most intelligent |
| 00:08:59 |
Number one is Dr Bean. |
| 00:09:01 |
Kevin, sometimes you ask me |
| 00:09:04 |
Like, "What's an IUD?" |
| 00:09:06 |
More like, |
| 00:09:10 |
- I never asked you that. |
| 00:09:13 |
What I'm saying is, |
| 00:09:18 |
He could be cute. |
| 00:09:23 |
The guy's gonna be a creep! |
| 00:09:25 |
All Englishmen are ugly - |
| 00:09:27 |
I look at Prince Charles |
| 00:09:30 |
So he looks |
| 00:09:31 |
If we get lucky. |
| 00:09:34 |
Jennifer, nobody is |
| 00:09:37 |
Why have a family conference? |
| 00:09:40 |
Perceptive child. |
| 00:09:41 |
What's wrong |
| 00:09:43 |
C'mon, it'll be great. |
| 00:09:45 |
Dr Bean is a genius |
| 00:09:49 |
Good evening. |
| 00:09:51 |
No, sir. |
| 00:09:55 |
Good evening. |
| 00:10:09 |
Good evening, sir. |
| 00:10:51 |
- Simple poster. Nice and big. |
| 00:10:56 |
- Spencer? |
| 00:10:59 |
Bath towel. |
| 00:11:03 |
Pushing your luck a little. |
| 00:11:05 |
It'll sell. |
| 00:11:12 |
It's Whistler's Sister. |
| 00:11:13 |
You are kidding. |
| 00:11:14 |
No, sir. We have a range |
| 00:11:19 |
Whistler's Mother's cookies. |
| 00:11:21 |
Whistler's Father's beer mug. |
| 00:11:26 |
Here's one |
| 00:11:28 |
Whistler's whistle. |
| 00:11:31 |
Here, try. |
| 00:11:38 |
I don't feel well. |
| 00:12:02 |
I think I'm gonna be sick. |
| 00:12:33 |
I think we're looking |
| 00:13:19 |
Police! |
| 00:13:21 |
Move on him now! |
| 00:13:25 |
Watch it! Out of the way! |
| 00:13:27 |
A 415, man with a gun |
| 00:13:31 |
Get some people here! |
| 00:13:34 |
Police coming through! |
| 00:13:39 |
Lady, watch it! |
| 00:13:41 |
There he is! |
| 00:13:47 |
Everyone on the floor! Now! |
| 00:13:50 |
- Not you, sweetie. |
| 00:13:58 |
Carefully take out your weapon, |
| 00:14:01 |
holding the butt |
| 00:14:04 |
Slowly place it on the floor |
| 00:14:32 |
- What is this? |
| 00:14:58 |
Mr Bean, |
| 00:15:00 |
are you on any medication? |
| 00:15:02 |
Not that I know of. |
| 00:15:05 |
Well, you could |
| 00:15:23 |
So, Doctor... |
| 00:15:25 |
Bean. |
| 00:15:27 |
Yes, OK, Dr Bean. |
| 00:15:29 |
Well, you... you made it. |
| 00:15:34 |
- Nice flight? |
| 00:15:43 |
This is Kevin. |
| 00:15:45 |
This is Jennifer. She's very |
| 00:15:50 |
My wife, Alison. |
| 00:15:55 |
David, could I have |
| 00:15:59 |
All right. We just... |
| 00:16:06 |
I appreciate he seems |
| 00:16:09 |
There are Martians exiled |
| 00:16:13 |
who look less weird than him. |
| 00:16:16 |
- He has an original quality. |
| 00:16:31 |
Wow! That was amazing! |
| 00:16:32 |
Can you do this? |
| 00:16:39 |
No, but I can do this. |
| 00:16:45 |
- How do you do that? |
| 00:16:49 |
- You'll tell him? |
| 00:16:51 |
- Today? |
| 00:17:17 |
Well, sir. An unorthodox start. |
| 00:17:19 |
I guess I never expected things |
| 00:17:24 |
to be normal. |
| 00:17:28 |
I've never read your writings. |
| 00:17:30 |
What exactly is your position |
| 00:17:35 |
I sit in the corner |
| 00:17:41 |
That is brilliant! |
| 00:17:44 |
If only more scholars |
| 00:17:47 |
just sit and look, |
| 00:17:51 |
just sit and look |
| 00:18:03 |
- Morning, Elmer. |
| 00:18:06 |
- Dr Bean. |
| 00:18:08 |
If you'd like to sign in, sir. |
| 00:18:15 |
Thank you. |
| 00:18:24 |
Welcome to my world. |
| 00:18:31 |
We're expected in |
| 00:18:34 |
He doesn't like |
| 00:18:37 |
- Do you mind...? |
| 00:20:35 |
Doctor, we should go. |
| 00:20:56 |
Oh, we... |
| 00:21:08 |
Ah, David, finally. > |
| 00:21:13 |
Our professor |
| 00:21:15 |
- George Grierson, Dr Bean. |
| 00:21:19 |
- Actually, I'm not... |
| 00:21:22 |
We expect a great deal |
| 00:21:29 |
Bernice is in charge of PR. |
| 00:21:31 |
An absolute honour, Doctor. |
| 00:21:33 |
Walter Huntley, |
| 00:21:37 |
Nice to meet you. |
| 00:21:39 |
Take a seat, Doctor. |
| 00:21:42 |
Let me take that. |
| 00:21:49 |
Before we settle in, |
| 00:22:05 |
I'll be honest with you, Bean. |
| 00:22:07 |
- I like this. |
| 00:22:13 |
- Over here. |
| 00:22:25 |
Yeah, it's a lovely |
| 00:22:30 |
Good, down to business. |
| 00:22:32 |
I've asked Bernice to run |
| 00:22:36 |
Dr Bean, |
| 00:22:40 |
Uh, no, no, I'll just, uh... |
| 00:22:43 |
< Oh, very well. |
| 00:22:45 |
Bernice. |
| 00:22:47 |
Anything pertaining |
| 00:22:50 |
has an asterisk. |
| 00:22:53 |
i. e., glossy stills required |
| 00:22:57 |
that sort of thing. |
| 00:22:59 |
The big day unfolds as follows: |
| 00:23:03 |
our benefactor General Newton |
| 00:23:07 |
then at 10.30 |
| 00:23:11 |
in front of all media. |
| 00:23:13 |
I assume all this merchandising |
| 00:23:16 |
Absolutely. From fridge magnets |
| 00:23:20 |
It will |
| 00:23:23 |
when the stage |
| 00:23:26 |
Yes, right, we really... |
| 00:23:29 |
We should bring in |
| 00:23:40 |
Uh, Dr Bean? |
| 00:23:54 |
Doctor, we've inspected |
| 00:23:57 |
if you would just look |
| 00:24:02 |
The General arrives at 10am |
| 00:24:04 |
and unveils the picture |
| 00:24:07 |
About eleven o'clock |
| 00:24:12 |
I think twenty minutes |
| 00:24:16 |
- Bernice? |
| 00:24:18 |
You could fill hours, Doctor, |
| 00:24:21 |
but it would be best |
| 00:24:24 |
Maybe some anecdotes about |
| 00:24:27 |
and why it is considered |
| 00:24:31 |
Is that going to be enough, |
| 00:24:41 |
If you'll excuse me, |
| 00:24:45 |
Not what I like, but duty calls. |
| 00:24:48 |
Doctor, good to meet you. |
| 00:24:50 |
It's a complex experience. |
| 00:24:53 |
Enjoy your stay with David. |
| 00:24:55 |
They're simple people, but warm. |
| 00:24:58 |
David, may I have |
| 00:25:00 |
OK. Wait for me |
| 00:25:04 |
I'll join you shortly. |
| 00:25:13 |
He's a genius, right? |
| 00:25:15 |
- Yeah, he's eccentric, but... |
| 00:25:22 |
The unveiling |
| 00:25:24 |
is the most important thing |
| 00:25:29 |
And Dr Bean was your choice. |
| 00:25:32 |
Yes, I understand that. |
| 00:25:52 |
Dr Bean, when we get home... |
| 00:25:56 |
I wonder if you would mind |
| 00:25:59 |
giving me a moment |
| 00:26:01 |
There's something |
| 00:26:04 |
No problem. |
| 00:26:16 |
I think just wait |
| 00:26:19 |
Just ignore that. |
| 00:26:21 |
Her mother gave it to us. |
| 00:26:25 |
Just make yourself at home. |
| 00:26:28 |
I'll be just a couple |
| 00:26:37 |
Oh, uh, Doctor... |
| 00:26:38 |
I would actually not do that. |
| 00:26:41 |
That's a limited edition. |
| 00:26:42 |
It's delicate, so if you... |
| 00:26:45 |
Yeah, there would be good. |
| 00:26:47 |
That's fine. |
| 00:26:57 |
No Dr Bean? |
| 00:27:00 |
- Actually, he is still here. |
| 00:27:06 |
Luggage packed? |
| 00:27:09 |
If Dr Bean isn't gone, |
| 00:27:13 |
Screwed up again, Dad? |
| 00:27:15 |
There was no time |
| 00:27:17 |
- Start the car, sweetie. |
| 00:27:21 |
YOU look! |
| 00:27:25 |
but I did ask you |
| 00:27:27 |
You two can stay here |
| 00:27:31 |
and come to grips |
| 00:27:34 |
but I am taking |
| 00:27:37 |
Give him one last chance. |
| 00:27:42 |
Please. |
| 00:27:45 |
OK. |
| 00:27:47 |
- OK. |
| 00:27:49 |
- All right. |
| 00:27:51 |
- Once you know him... |
| 00:27:59 |
- Hello, Doctor. |
| 00:28:05 |
That's not for the TV... |
| 00:28:22 |
Yeah... Well... |
| 00:28:25 |
There they go. |
| 00:28:34 |
Well, Doctor, we got |
| 00:28:39 |
Yeah, get to know |
| 00:28:45 |
I was thinking tomorrow |
| 00:28:48 |
There's the Gallery |
| 00:28:51 |
the California State Gallery... |
| 00:28:53 |
The Rabowitz is THE place |
| 00:28:58 |
Sound good to you? |
| 00:29:04 |
You have something |
| 00:30:14 |
Incredible. You set? |
| 00:30:25 |
Would you get another ticket? |
| 00:30:27 |
Could be more fun |
| 00:30:48 |
OK. |
| 00:30:53 |
Brace yourself! |
| 00:31:10 |
Help me! |
| 00:32:22 |
He's a genius, huh? |
| 00:32:25 |
So they tell me. |
| 00:32:34 |
Well, he looks like |
| 00:32:41 |
You'll take responsibility |
| 00:32:48 |
You're a braver man than me, |
| 00:32:50 |
and I take on gangs |
| 00:32:55 |
Get him out of here. |
| 00:32:57 |
I would love to kick his butt. |
| 00:33:01 |
And the next time, I will. |
| 00:33:07 |
Doctor, there is something |
| 00:33:14 |
I don't quite know |
| 00:33:18 |
What concerns me... |
| 00:33:21 |
Whoever that is, |
| 00:33:25 |
- There he is! |
| 00:33:33 |
Traffic - terrible. |
| 00:33:38 |
It's beautiful - the green! |
| 00:33:40 |
- .. nobody in control. |
| 00:33:42 |
.. He doesn't have to drive! |
| 00:33:45 |
Where is Alison? |
| 00:33:47 |
I've got bad news |
| 00:33:51 |
The bad news is that Alison |
| 00:33:55 |
who is... not well. |
| 00:33:57 |
- That's too bad. |
| 00:34:00 |
The good news is, |
| 00:34:04 |
- That's good news? |
| 00:34:09 |
All the greatest chefs |
| 00:34:12 |
What's on the menu, maestro? |
| 00:34:15 |
How could I forget?! |
| 00:34:18 |
What the hell will we eat? |
| 00:34:22 |
They expect something |
| 00:34:29 |
An onion? On its own? |
| 00:34:34 |
That's for Thanksgiving. |
| 00:34:37 |
There must be something else. |
| 00:34:41 |
Have you cooked one before? |
| 00:34:43 |
Oh, yes. |
| 00:34:46 |
But it'd take five hours! |
| 00:34:49 |
Not necessarily. |
| 00:35:01 |
- What do you think, 20 minutes? |
| 00:35:06 |
You sure this will work? |
| 00:35:09 |
OK, put on some vegetables |
| 00:35:19 |
Maestro, my tastebuds |
| 00:35:32 |
No, thanks. |
| 00:35:36 |
We'll skip the appetiser. |
| 00:35:39 |
So, Bean. Big day Tuesday. |
| 00:35:43 |
Your big day, my big day. |
| 00:35:45 |
I have a question for you. |
| 00:35:56 |
He's attentive to detail. |
| 00:35:58 |
Everything must be... just so. |
| 00:36:20 |
Bean, I think we need |
| 00:36:24 |
I cannot deny |
| 00:36:27 |
some suspicions have begun |
| 00:36:32 |
I would like to ask |
| 00:36:38 |
Number one: are you a doctor? |
| 00:36:49 |
No. |
| 00:36:53 |
Number two. |
| 00:36:57 |
Do you know anything about art? |
| 00:37:01 |
Um... well... |
| 00:37:07 |
Just, for instance... |
| 00:37:10 |
Was Leonardo da Vinci |
| 00:37:27 |
Yes. |
| 00:37:41 |
- Hi, Dad. |
| 00:37:44 |
Hello, Doctor. |
| 00:37:45 |
- Bye, Dad. |
| 00:38:55 |
Hallo-o... |
| 00:38:59 |
He's in the shower with me. |
| 00:39:02 |
Give it to me! |
| 00:39:04 |
Hello, Mr Grierson. |
| 00:39:07 |
No, no, you misunderstood. |
| 00:39:10 |
What time? She is? |
| 00:39:13 |
Thank you for calling me. |
| 00:39:15 |
- OK. Goodbye. |
| 00:39:24 |
Whistler's Mother |
| 00:39:29 |
Listen, I beg you, |
| 00:39:30 |
as a man whose entire |
| 00:39:34 |
behave rationally today. |
| 00:40:10 |
What do you think? |
| 00:40:14 |
Nice frame. |
| 00:40:17 |
Magnificent. |
| 00:40:20 |
David, well done. |
| 00:40:25 |
She's something else, |
| 00:40:29 |
Enjoy her while you can. |
| 00:40:31 |
Soon we'll lock her away |
| 00:40:34 |
until the guy who paid |
| 00:40:38 |
- Elmer, a security meeting? |
| 00:40:41 |
This is your key |
| 00:40:44 |
There are only two - |
| 00:40:47 |
If it turns up missing, |
| 00:40:51 |
If you could all join me |
| 00:40:54 |
Doctor, why don't you |
| 00:40:57 |
Maybe the real thing |
| 00:41:02 |
Don't leave this room |
| 00:41:22 |
This chart maps |
| 00:41:26 |
The operation has a code name: |
| 00:41:29 |
"Operation Whistler's Mother". |
| 00:41:32 |
Not a snazzy title, |
| 00:42:51 |
Fear not, gentlemen. |
| 00:42:53 |
Nothing'll touch that painting, |
| 00:43:22 |
Oooh! |
| 00:44:22 |
We've gotta protect the painting |
| 00:44:24 |
without getting |
| 00:46:37 |
Seems to be |
| 00:46:44 |
door. |
| 00:47:00 |
Where's the picture gone? |
| 00:47:09 |
What, what, what? |
| 00:47:22 |
Oh, Jesus! Oh, God! |
| 00:47:24 |
Jesus, God! Oh, Mary! |
| 00:47:34 |
Why am I worrying? |
| 00:47:37 |
All I have to do |
| 00:47:41 |
Then they'll say, "Who left him |
| 00:47:45 |
I say, "ME"! And they say, |
| 00:47:48 |
I say, "Fine. " |
| 00:47:50 |
They say, "Prosecute him |
| 00:47:53 |
My wife leaves me, my daughter |
| 00:47:58 |
I wind up on Death Row |
| 00:48:01 |
I gotta calm down. |
| 00:48:03 |
OK, give me one more |
| 00:48:09 |
Oh, God! Oh, God! Oh, God! |
| 00:48:12 |
.. rendering the underground |
| 00:48:16 |
- That's good to know. |
| 00:48:41 |
Hey, do you drink, Bean? |
| 00:48:44 |
- No. |
| 00:49:04 |
Bean... |
| 00:49:19 |
Carry on. |
| 00:49:24 |
Do you want to know the reality |
| 00:49:29 |
Because you moved into my house, |
| 00:49:35 |
Yes, she did. |
| 00:49:37 |
She might have |
| 00:49:40 |
That is point one. |
| 00:49:45 |
I've given my LIFE to art. |
| 00:49:47 |
From here on in, the only art |
| 00:49:53 |
are pictures I draw |
| 00:49:56 |
hoping passers-by |
| 00:50:00 |
The long and the short of it... |
| 00:50:03 |
I wish I'd never been born. |
| 00:50:20 |
Yesterday, |
| 00:50:23 |
All my troubles |
| 00:50:31 |
Now it looks as though |
| 00:50:36 |
Oh, I believe |
| 00:50:39 |
In yesterday. |
| 00:50:43 |
Suddenly, |
| 00:50:45 |
I'm not half the man |
| 00:50:49 |
There's a shadow |
| 00:50:55 |
I believe |
| 00:51:01 |
In yesterday. |
| 00:51:02 |
Suddenly, |
| 00:51:09 |
Row, row, row your boat |
| 00:51:14 |
If you see a crocodile, |
| 00:51:22 |
Row, row, row your boat, |
| 00:51:28 |
If you see a crocodile, |
| 00:51:36 |
I can explain everything. |
| 00:51:38 |
< OK, explain everything. |
| 00:51:43 |
It's inexplicable. |
| 00:51:44 |
- Ali, listen... |
| 00:51:47 |
The reason I came home |
| 00:51:51 |
And also because I live here, |
| 00:51:53 |
and they live here. |
| 00:51:56 |
But we've been waiting |
| 00:51:58 |
And we get a drunk and his |
| 00:52:03 |
I know it seems |
| 00:52:06 |
situation... |
| 00:52:08 |
but if you could just hear |
| 00:52:13 |
David, I think I'm gonna |
| 00:52:19 |
You are? |
| 00:52:24 |
Well, then things |
| 00:52:55 |
< Hi, Beanie. |
| 00:53:01 |
- Can't sleep? |
| 00:53:06 |
Me neither. Can't stop |
| 00:53:12 |
- How about you? |
| 00:53:16 |
Whatever turns you on. |
| 00:53:25 |
Catch you around, Moon Man. |
| 00:53:29 |
If you still can't sleep, |
| 00:53:32 |
I've some great posters |
| 00:56:10 |
Come on! |
| 00:56:39 |
Ohhh! Arghhh! God damn it! |
| 00:58:43 |
Oh, my God! Oh, my GOD! |
| 00:58:54 |
Jennifer! No, no, no, no. |
| 00:58:57 |
You're not getting |
| 00:59:00 |
Good morning, everyone. |
| 00:59:05 |
No one's allowed on those |
| 00:59:08 |
You promised |
| 00:59:27 |
Don't talk to me! |
| 00:59:35 |
- Well... |
| 00:59:52 |
There they are. |
| 01:00:10 |
< What a pleasure, sir. |
| 01:00:12 |
Welcome to our humble abode. |
| 01:00:14 |
Not too humble, I hope. |
| 01:00:17 |
- This way. |
| 01:00:25 |
Glad you made it |
| 01:00:28 |
Where the hell have you been? |
| 01:00:32 |
- Sorry, trouble at home. |
| 01:00:34 |
I'd like you |
| 01:00:37 |
- Delighted... |
| 01:00:39 |
Through here, sir. |
| 01:00:53 |
Ladies and gentlemen, this is |
| 01:00:56 |
and for one very special lady - |
| 01:01:04 |
She's here today |
| 01:01:06 |
thanks to our great benefactor. |
| 01:01:09 |
Will you join me |
| 01:01:12 |
philanthropist, |
| 01:01:17 |
.. and extremely generous patron |
| 01:01:24 |
Thank you, ladies and gentlemen. |
| 01:01:26 |
I am not |
| 01:01:29 |
I can't distinguish between |
| 01:01:33 |
But I can't stand the idea |
| 01:01:36 |
of Frenchies owning |
| 01:01:39 |
Let's get on with it. |
| 01:01:50 |
Welcome home, Ma. |
| 01:02:22 |
Whatever you did, you're |
| 01:02:26 |
- It's a poster. |
| 01:02:30 |
- David, it's time. |
| 01:02:33 |
- The speech. |
| 01:02:35 |
Dr Bean's speech. |
| 01:02:37 |
Of course, the speech. |
| 01:02:42 |
Doctor, keep it below an hour. |
| 01:02:45 |
A joke in it would be nice. |
| 01:02:47 |
"Good Morning, America" couldn't |
| 01:02:52 |
You know what I mean. |
| 01:02:58 |
- It needn't be long. Just... |
| 01:03:02 |
Just, just, just... |
| 01:03:05 |
For the second |
| 01:03:09 |
Dr Bean, English art scholar, |
| 01:03:13 |
not too long! - |
| 01:03:17 |
Ladies and gentlemen, |
| 01:03:18 |
Dr Bean of the National |
| 01:03:21 |
- Yeah! |
| 01:03:37 |
Well, hello. |
| 01:03:39 |
I'm Dr Bean... apparently... |
| 01:03:45 |
and my job is to sit |
| 01:03:55 |
Just him and the painting? |
| 01:04:03 |
What have I learnt |
| 01:04:05 |
that I can say |
| 01:04:14 |
Well, firstly, it's quite big. |
| 01:04:19 |
Which is excellent. |
| 01:04:23 |
Because if it was really small - |
| 01:04:28 |
then hardly anybody |
| 01:04:32 |
which would be |
| 01:04:34 |
Um, secondly... |
| 01:04:38 |
and I'm getting |
| 01:04:42 |
of this analysis |
| 01:04:47 |
Secondly... |
| 01:04:54 |
Why was it worth this man here |
| 01:04:59 |
spending fifty million |
| 01:05:02 |
on this portrait? |
| 01:05:06 |
The answer is... |
| 01:05:10 |
Well, this picture |
| 01:05:15 |
because... |
| 01:05:20 |
it's a picture... |
| 01:05:23 |
of Whistler's MOTHER. |
| 01:05:28 |
And, as I've learnt |
| 01:05:34 |
David Langley, and his family, |
| 01:05:38 |
families are very important. |
| 01:05:42 |
And even though Mr Whistler |
| 01:05:46 |
was perfectly aware |
| 01:05:48 |
that his mother |
| 01:05:52 |
who looked like she had |
| 01:05:57 |
he stuck with her, |
| 01:06:00 |
and even took the time to paint |
| 01:06:07 |
It's not just a painting. |
| 01:06:10 |
It's a picture of a mad old cow |
| 01:06:14 |
who he thought the world of. |
| 01:06:18 |
And that's marvellous. |
| 01:06:22 |
That's what I think. |
| 01:06:44 |
OK, let's seal it up. |
| 01:06:59 |
Home and dry. |
| 01:07:01 |
Where did you put |
| 01:07:06 |
Mr Langley, may I have a word? |
| 01:07:10 |
Stay here. Shut up. |
| 01:07:12 |
- Mr Langley... |
| 01:07:14 |
- Explain what? |
| 01:07:17 |
- What painting? |
| 01:07:20 |
I'm here as a police officer, |
| 01:07:24 |
Your daughter's been |
| 01:07:55 |
< Damn! |
| 01:07:57 |
Request emergency clearance |
| 01:07:59 |
- No! |
| 01:08:02 |
Suspect male, possibly |
| 01:08:07 |
Keep speeding. If you get |
| 01:08:11 |
Easy, fella, hold it! Halt! |
| 01:08:15 |
Put the gun down. |
| 01:08:22 |
Jennifer Langley's room. |
| 01:08:26 |
Motorcycle accident. |
| 01:08:47 |
Ow! Just... |
| 01:08:49 |
All right. |
| 01:08:55 |
I... Please, just stay here |
| 01:09:01 |
If you do nothing, |
| 01:09:06 |
I've got to |
| 01:09:28 |
The nurse says |
| 01:09:32 |
that she's just |
| 01:09:36 |
But we haven't seen |
| 01:09:47 |
Dr Jacobson, you're needed |
| 01:09:50 |
I'm due in Number 4. |
| 01:09:52 |
A ruptured kidney |
| 01:09:55 |
OK. |
| 01:10:08 |
Yes, it's urgent. |
| 01:10:11 |
- What's happening? |
| 01:10:16 |
At last, Dr... Bean. |
| 01:10:19 |
We've got a 45-year-old male |
| 01:10:24 |
He's got a penetrating |
| 01:10:30 |
In there now! |
| 01:10:31 |
Doctor, it looks like |
| 01:10:36 |
There's severe inner bleeding. |
| 01:10:38 |
- He's coming to. |
| 01:10:53 |
Shall I extend |
| 01:10:55 |
from the breastbone |
| 01:11:01 |
Sorry, sir, |
| 01:11:04 |
You're right. |
| 01:11:07 |
Help. We are losing |
| 01:11:14 |
Watch he doesn't go |
| 01:11:25 |
< He's fibrillating! |
| 01:11:32 |
Clear! |
| 01:12:15 |
What's that? |
| 01:12:21 |
Oh, what? |
| 01:12:50 |
Oh, jolly good. Clean it up. |
| 01:13:14 |
Sorry to keep you waiting. |
| 01:13:17 |
We'll clamp it off. |
| 01:13:19 |
We need that J-17 right now. |
| 01:13:22 |
There's too much blood. |
| 01:13:24 |
More suction, |
| 01:13:27 |
Pressure's bottoming out. |
| 01:13:30 |
His heart rate's |
| 01:13:34 |
He's crashing! |
| 01:13:36 |
Where is this bullet? |
| 01:13:41 |
< I am not going to lose him! |
| 01:13:45 |
Sir, I've got to get in there! |
| 01:13:52 |
Doctor, you can't just...! |
| 01:14:09 |
My God! |
| 01:14:13 |
Incredible. |
| 01:14:14 |
Heart rate stabilising. |
| 01:14:33 |
Doctor, thank God. |
| 01:14:36 |
We're desperate |
| 01:14:41 |
Would you mind? |
| 01:14:47 |
- The doctor will check her out. |
| 01:14:56 |
Damage to the brain |
| 01:14:57 |
is sensitive to observe, |
| 01:14:59 |
so maybe we should |
| 01:15:02 |
The first nurse said |
| 01:15:04 |
it's more like a deep sleep |
| 01:15:20 |
Jennifer? |
| 01:15:22 |
Wakey, wakey. |
| 01:15:27 |
Jennifer...? |
| 01:15:29 |
What time is it? |
| 01:15:32 |
It's almost 2. |
| 01:15:34 |
Can you turn the clock back |
| 01:15:39 |
Sure. |
| 01:15:52 |
Wake up, wake up! |
| 01:15:54 |
Wake up! |
| 01:15:57 |
I don't know |
| 01:16:00 |
He's clearly |
| 01:16:04 |
but - God help me! - |
| 01:16:07 |
I like him. |
| 01:16:13 |
Having said that, |
| 01:16:16 |
why any of you should have |
| 01:17:03 |
Mom! Dad! Anyone? |
| 01:17:06 |
My God! Jennifer! |
| 01:17:08 |
Honey! Look at you! |
| 01:17:10 |
- What happened? |
| 01:17:13 |
But everything is gonna be OK. |
| 01:17:16 |
What happened to Stingo? |
| 01:17:18 |
He'll be fine... |
| 01:17:22 |
Doctor, where are you going? |
| 01:17:27 |
You've made us so happy. |
| 01:17:29 |
- We'll do anything. |
| 01:17:42 |
I suppose you could |
| 01:17:54 |
Sunset Boulevard! |
| 01:19:02 |
Hey, what's this all about? |
| 01:19:05 |
Presents! |
| 01:19:06 |
Ooh, this is heavy. |
| 01:19:08 |
Thank you. |
| 01:19:09 |
- Thanks. |
| 01:19:14 |
Oh, look, laxatives. |
| 01:19:18 |
- Oh, hey, there they are! |
| 01:19:24 |
Barbie...! |
| 01:19:27 |
Thanks |
| 01:19:29 |
What did you get? |
| 01:19:43 |
We love it, we love it! |
| 01:19:54 |
Give us a smile. |
| 01:20:00 |
Bye-bye! |
| 01:20:03 |
Bye, Beanie! |
| 01:20:07 |
See ya! |
| 01:20:12 |
Farewell! |
| 01:20:24 |
Well, Beanie, it's been... |
| 01:20:27 |
.. surreal. |
| 01:20:31 |
Er, you can come back |
| 01:20:36 |
in the fairly |
| 01:20:42 |
I know it sounds insane, |
| 01:20:47 |
but I'm really gonna |
| 01:20:51 |
OK... |
| 01:21:11 |
OK. |
| 01:21:12 |
Bye again. |
