|
Beautiful Mind A
|
| 00:01:26 |
Mathematicians |
| 00:01:29 |
Mathematicians broke |
| 00:01:32 |
and built the A-bomb. |
| 00:01:34 |
Mathematicians... |
| 00:01:38 |
The stated goal of the Soviets |
| 00:01:42 |
In medicine or economics, |
| 00:01:44 |
in technology or space, |
| 00:01:47 |
battle lines are being drawn. |
| 00:01:49 |
To triumph, |
| 00:01:52 |
publishable, |
| 00:01:55 |
Now who among you |
| 00:01:59 |
The next Einstein? |
| 00:02:01 |
Who among you will be |
| 00:02:04 |
of democracy, freedom, |
| 00:02:07 |
Today, we bequeath |
| 00:02:09 |
into your able hands. |
| 00:02:13 |
Welcome to Princeton, |
| 00:02:32 |
It's not enough Hansen won |
| 00:02:34 |
No, he has to have it |
| 00:02:37 |
It's the first time |
| 00:02:38 |
has been split. |
| 00:02:40 |
Rumor is he's got his sights |
| 00:02:42 |
the new military |
| 00:02:45 |
They're only taking |
| 00:02:47 |
Hansen's used |
| 00:02:50 |
Oh, yeah, |
| 00:02:51 |
He should be running |
| 00:03:02 |
There could be |
| 00:03:03 |
for how bad your tie is. |
| 00:03:11 |
Thank you. |
| 00:03:13 |
Neilson, |
| 00:03:16 |
Neils here broke |
| 00:03:17 |
Helped rid the world |
| 00:03:18 |
At least that's what |
| 00:03:22 |
The name's Bender. |
| 00:03:23 |
- And you are? |
| 00:03:26 |
Yes. |
| 00:03:27 |
Oh, good. |
| 00:03:30 |
- Sol. Richard Sol. |
| 00:03:32 |
- There he is. |
| 00:03:34 |
Mr. Sol. |
| 00:03:36 |
Ah, Bender. |
| 00:03:37 |
Congratulations, Mr. Hansen. |
| 00:03:41 |
I'll take another. |
| 00:03:43 |
Excuse me? |
| 00:03:44 |
A thousand pardons. |
| 00:03:47 |
Play nice, Hansen. |
| 00:03:49 |
Honest mistake. |
| 00:03:51 |
Well, Martin Hansen. |
| 00:03:54 |
It is Martin, isn't it? |
| 00:03:57 |
I imagine you're getting |
| 00:04:03 |
I've read your pre-prints- |
| 00:04:06 |
both of them. |
| 00:04:08 |
The one on Nazi ciphers, |
| 00:04:09 |
and the other one |
| 00:04:12 |
and I am |
| 00:04:14 |
that there is not |
| 00:04:15 |
or innovative idea |
| 00:04:21 |
Enjoy your punch. |
| 00:04:27 |
Gentlemen, meet John Nash, |
| 00:04:29 |
the mysterious |
| 00:04:31 |
The other winner |
| 00:04:35 |
Oh, okay. Oh, yeah? |
| 00:04:36 |
Of course. |
| 00:05:07 |
Oh, Christ. |
| 00:05:10 |
The prodigal |
| 00:05:13 |
Roommate? |
| 00:05:15 |
Oh, God, no. |
| 00:05:16 |
Ugh. |
| 00:05:19 |
Did you know that having |
| 00:05:22 |
is not having enough water |
| 00:05:24 |
to run your Krebs cycles? |
| 00:05:26 |
Which is exactly |
| 00:05:29 |
when you're dying |
| 00:05:31 |
So, dying |
| 00:05:34 |
would probably feel... |
| 00:05:37 |
pretty much like |
| 00:05:40 |
that finally |
| 00:05:43 |
John Nash? |
| 00:05:45 |
Hello. |
| 00:05:46 |
Charles Herman. |
| 00:05:48 |
Pleased to meet you. |
| 00:05:59 |
All right, well done. |
| 00:06:06 |
Well, it's official. |
| 00:06:08 |
I'm almost human again. |
| 00:06:10 |
Officer, I saw |
| 00:06:11 |
His name was Johnny Walker. |
| 00:06:16 |
Whew. |
| 00:06:19 |
Well, I got in last night |
| 00:06:22 |
English department |
| 00:06:24 |
Cock was mine, |
| 00:06:25 |
the tail belonged |
| 00:06:27 |
with a passion for... |
| 00:06:30 |
D.H. Lawrence. |
| 00:06:33 |
I'm here to work. |
| 00:06:36 |
I see. |
| 00:06:47 |
Is my roommate a dick? |
| 00:06:50 |
Hmm? |
| 00:06:53 |
Listen. |
| 00:06:55 |
If we can't break the ice, |
| 00:06:57 |
how about we drown it? |
| 00:07:09 |
So what's your story? |
| 00:07:11 |
You the poor kid |
| 00:07:16 |
Despite my privileged |
| 00:07:17 |
I'm actually |
| 00:07:18 |
I have a chip |
| 00:07:22 |
Maybe you're |
| 00:07:24 |
with the old integers |
| 00:07:26 |
My first grade teacher, |
| 00:07:27 |
that I was born |
| 00:07:29 |
but only half |
| 00:07:32 |
Wow! |
| 00:07:35 |
The truth is that l- |
| 00:07:37 |
I don't like people much. |
| 00:07:40 |
And they don't |
| 00:07:42 |
But why, |
| 00:07:43 |
with all your obvious |
| 00:07:47 |
Seriously, John. |
| 00:07:50 |
Mathematics- |
| 00:07:52 |
Mathematics is |
| 00:07:56 |
And you know why? |
| 00:07:58 |
'Cause it's boring. |
| 00:07:59 |
It's really boring. |
| 00:08:01 |
You know half these schoolboys |
| 00:08:06 |
I cannot waste time |
| 00:08:09 |
and these books. |
| 00:08:13 |
Memorizing |
| 00:08:17 |
I need to look through... |
| 00:08:20 |
to the governing dynamics. |
| 00:08:26 |
Find a truly original idea. |
| 00:08:28 |
That's the only way |
| 00:08:30 |
It's the only way |
| 00:08:32 |
Matter. |
| 00:08:35 |
Yes. |
| 00:08:39 |
All right, |
| 00:08:40 |
No, I've played enough "Go" |
| 00:08:42 |
Come on. |
| 00:08:44 |
Cowards, all of you! |
| 00:08:46 |
None of you rise |
| 00:08:48 |
Come on, Bender. |
| 00:08:49 |
Sol does his laundry |
| 00:08:51 |
Does that seem unfair |
| 00:08:56 |
- Look at him. |
| 00:08:58 |
Taking a reverse |
| 00:09:00 |
I'm hoping to extract |
| 00:09:02 |
to define |
| 00:09:06 |
Oh. |
| 00:09:10 |
Hey, Nash, I thought |
| 00:09:12 |
You ever going |
| 00:09:13 |
Classes will |
| 00:09:16 |
Destroy the potential |
| 00:09:19 |
Oh, oh, I didn't |
| 00:09:21 |
Nash is going to stun us all |
| 00:09:23 |
Which is another way |
| 00:09:25 |
he doesn't have |
| 00:09:28 |
You scared? |
| 00:09:30 |
Terrified. |
| 00:09:31 |
Mortified. |
| 00:09:32 |
Stupefied... by you. |
| 00:09:35 |
No starch. |
| 00:09:37 |
Pressed and folded. |
| 00:09:41 |
Let me ask |
| 00:09:43 |
Be my guest, Martin. |
| 00:09:45 |
Bender and Sol here |
| 00:09:47 |
Allen's proof |
| 00:09:49 |
Adequate work... |
| 00:09:51 |
without innovation. |
| 00:09:53 |
Oh. I'm flattered. |
| 00:09:54 |
Flattered. |
| 00:09:56 |
And I've got |
| 00:09:58 |
under security review |
| 00:10:00 |
Derivative drivel. |
| 00:10:03 |
But Nash achievements: |
| 00:10:05 |
zero. |
| 00:10:06 |
I'm a patient man, Martin. |
| 00:10:09 |
What if you never come up |
| 00:10:14 |
Huh? |
| 00:10:16 |
How will it feel |
| 00:10:18 |
and you're not? |
| 00:10:23 |
What if you lose? |
| 00:10:28 |
Ah, there it is. |
| 00:10:36 |
You should not have won. |
| 00:10:37 |
Hmmm. |
| 00:10:39 |
I had the first move, |
| 00:10:41 |
The hubris |
| 00:10:43 |
The game is flawed. |
| 00:10:51 |
Gentlemen, |
| 00:10:59 |
You've been in here |
| 00:11:05 |
You know Hansen's |
| 00:11:08 |
I can't even find a topic |
| 00:11:12 |
Well, on the bright side, |
| 00:11:17 |
This is a group |
| 00:11:19 |
This is a cluster of pigeons |
| 00:11:25 |
And this here is a woman |
| 00:11:29 |
John, you watched |
| 00:11:31 |
That's weird. |
| 00:11:33 |
In competitive behavior |
| 00:11:35 |
Well, my niece knows that, |
| 00:11:39 |
See, if I could derive |
| 00:11:42 |
where prevalence is |
| 00:11:45 |
where nobody loses, |
| 00:11:47 |
can you imagine the effect |
| 00:11:49 |
on conflict scenarios, |
| 00:11:53 |
When did you last eat? |
| 00:11:55 |
You know, food. |
| 00:11:58 |
You have no respect |
| 00:12:01 |
Yes. But pizza- |
| 00:12:05 |
Now, pizza I have |
| 00:12:08 |
And of course beer. |
| 00:12:16 |
I have respect for beer. |
| 00:12:20 |
I have respect for beer! |
| 00:12:29 |
Good evening, Neils.Hey, Nash. |
| 00:12:32 |
Who's winning? You or you? |
| 00:12:34 |
Evening, Nash.Hey, guys. |
| 00:12:36 |
Hey, Nash. |
| 00:12:38 |
He's looking |
| 00:12:45 |
Hey, Nash. |
| 00:12:47 |
Neils is trying |
| 00:12:48 |
You're joking. Oh, no. |
| 00:12:56 |
Go with God. |
| 00:13:00 |
Fortune favors the brave. |
| 00:13:04 |
Gentlemen, might I remind you |
| 00:13:08 |
dramatically improve |
| 00:13:19 |
This is going |
| 00:13:50 |
Maybe you want |
| 00:13:57 |
I don't exactly know |
| 00:13:59 |
in order for you |
| 00:14:02 |
but could we assume |
| 00:14:05 |
Essentially we're talking |
| 00:14:08 |
So, could we just |
| 00:14:10 |
Oh, that was sweet. |
| 00:14:14 |
Have a nice night, |
| 00:14:16 |
Ladies, wait! |
| 00:14:19 |
l- |
| 00:14:21 |
I especially liked |
| 00:14:23 |
It was really charming. |
| 00:14:30 |
Walk with me, John. |
| 00:14:32 |
I've been meaning |
| 00:14:34 |
The faculty is completing |
| 00:14:38 |
We're deciding which placement |
| 00:14:40 |
Wheeler, sir. |
| 00:14:42 |
And actually, |
| 00:14:44 |
John, your fellows |
| 00:14:47 |
They've written papers. |
| 00:14:49 |
I'm still searching, sir, |
| 00:14:52 |
Your original idea, I know. |
| 00:14:53 |
It's very clever, John, |
| 00:14:55 |
it's just not nearly |
| 00:15:03 |
May l? |
| 00:15:06 |
I've been working |
| 00:15:08 |
My bargaining stratagems |
| 00:15:10 |
If you could just |
| 00:15:11 |
if you'd be kind enough, |
| 00:15:13 |
I've repeatedly asked |
| 00:15:15 |
I'd be able to show him |
| 00:15:21 |
Do you see what they're |
| 00:15:22 |
Congratulations. Thank you so much. |
| 00:15:25 |
Congratulations, |
| 00:15:28 |
Thank you, sir. |
| 00:15:31 |
It's the pens. |
| 00:15:32 |
Reserved for a member |
| 00:15:35 |
that makes the achievement |
| 00:15:37 |
Now, what do you see, John? |
| 00:15:41 |
Recognition. |
| 00:15:42 |
Well done, Professor. |
| 00:15:45 |
Well, try seeing |
| 00:15:47 |
Is there a difference? |
| 00:15:49 |
John, |
| 00:15:50 |
you haven't focused. |
| 00:15:54 |
I'm sorry, |
| 00:15:56 |
your record doesn't warrant |
| 00:16:02 |
Good day. |
| 00:16:13 |
And my compliments |
| 00:16:16 |
Thank you so much. |
| 00:16:34 |
I can't see it. |
| 00:16:42 |
- Aah! |
| 00:16:45 |
I can't fail. |
| 00:16:48 |
This is all I am. |
| 00:16:50 |
I got to get |
| 00:16:52 |
- I can't keep |
| 00:16:55 |
Got to face the wall, |
| 00:16:58 |
You want to do |
| 00:16:59 |
But don't mess around. |
| 00:17:01 |
Come on! |
| 00:17:03 |
Kill yourself. |
| 00:17:05 |
Don't do it. |
| 00:17:07 |
Bust your head! |
| 00:17:09 |
bust that worthless head |
| 00:17:11 |
Goddamn it, Charles! |
| 00:17:17 |
It's not my problem. |
| 00:17:20 |
And it's not your problem. |
| 00:17:25 |
It's their problem. |
| 00:17:27 |
Your answer isn't |
| 00:17:30 |
It's out there... |
| 00:17:33 |
where you've been working. |
| 00:17:55 |
That was heavy. |
| 00:18:00 |
That Isaac Newton fellow |
| 00:18:02 |
He was onto something. |
| 00:18:05 |
Don't worry, that's mine. |
| 00:18:09 |
Oh, God. |
| 00:18:13 |
Incoming, gentlemen.Ay-yi-yi. |
| 00:18:19 |
Deep breaths. |
| 00:18:23 |
Nash, you might |
| 00:18:24 |
shuffling your papers |
| 00:18:31 |
I will not buy |
| 00:18:33 |
Oh, we're not here |
| 00:18:36 |
Oh. |
| 00:18:40 |
Does anyone else feel |
| 00:18:43 |
Will she want |
| 00:18:45 |
Shall we say swords, |
| 00:18:47 |
Pistols at dawn? |
| 00:18:50 |
Recall the lessons |
| 00:18:52 |
the father |
| 00:18:54 |
"In competition... |
| 00:18:56 |
individual ambition |
| 00:18:58 |
- Exactly. |
| 00:19:01 |
And those who strike out |
| 00:19:04 |
I'm not gonna strike out. |
| 00:19:05 |
You can lead a blonde to water, |
| 00:19:08 |
- I don't think he said that. |
| 00:19:10 |
She's looking over here. |
| 00:19:12 |
Oh, God. He may have |
| 00:19:15 |
but wait until he |
| 00:19:17 |
Remember the last time? |
| 00:19:19 |
Oh, yes, that was one |
| 00:19:27 |
- Adam Smith needs revision. |
| 00:19:30 |
If we all go for the blonde, |
| 00:19:37 |
we block each other. |
| 00:19:39 |
Not a single one of us |
| 00:19:43 |
So then we go |
| 00:19:47 |
but they will all |
| 00:19:48 |
because nobody likes |
| 00:19:51 |
Well, what if no one goes |
| 00:19:55 |
We don't get |
| 00:19:57 |
and we don't insult |
| 00:20:01 |
That's the only way we win. |
| 00:20:05 |
That's the only |
| 00:20:13 |
Adam Smith said... |
| 00:20:15 |
the best result comes... |
| 00:20:16 |
from everyone |
| 00:20:18 |
what's best |
| 00:20:20 |
That's what he |
| 00:20:21 |
Right. |
| 00:20:22 |
Incomplete, okay? |
| 00:20:24 |
Because the best result |
| 00:20:26 |
from everyone |
| 00:20:29 |
doing what's best |
| 00:20:31 |
and the group. |
| 00:20:33 |
Nash, if this is some way |
| 00:20:35 |
you can go to hell. |
| 00:20:38 |
Governing dynamics. |
| 00:20:41 |
was wrong. |
| 00:20:43 |
Oh, here we go. Careful, careful. |
| 00:20:48 |
Thank you. |
| 00:21:01 |
"C" of "S" equals "C" of "T." |
| 00:22:03 |
You do realize this |
| 00:22:05 |
of a 1 50 years |
| 00:22:08 |
That's rather presumptuous, |
| 00:22:10 |
It is, sir. |
| 00:22:18 |
Well, Mr. Nash, |
| 00:22:20 |
with a breakthrough |
| 00:22:23 |
I'm confident you will get |
| 00:22:33 |
Wheeler Labs, |
| 00:22:35 |
they'll ask you to recommend |
| 00:22:38 |
Yes! |
| 00:22:41 |
Stills and Frank |
| 00:22:44 |
Sol and Bender, sir. |
| 00:22:46 |
Sol and Bender are |
| 00:22:49 |
Has it occurred to you |
| 00:22:51 |
might have plans |
| 00:22:56 |
We made it! |
| 00:22:58 |
Wheeler, we made it! |
| 00:23:01 |
Cheers, cheers, cheers! |
| 00:23:06 |
Okay, awkward moment, |
| 00:23:27 |
Umm... |
| 00:23:29 |
Hmm. |
| 00:23:32 |
Governing dynamics. |
| 00:23:36 |
Congratulations, John. |
| 00:23:38 |
Toast! |
| 00:23:40 |
To Wheeler! |
| 00:24:05 |
General, the analyst |
| 00:24:07 |
Dr. Nash, your coat? |
| 00:24:09 |
Thank you, sir. |
| 00:24:11 |
Doctor. General, this is |
| 00:24:15 |
Glad you could |
| 00:24:17 |
Hello. |
| 00:24:18 |
Right this way. |
| 00:24:20 |
We've been intercepting |
| 00:24:24 |
The computer can't |
| 00:24:26 |
but I'm sure |
| 00:24:28 |
Why is that, General? |
| 00:24:30 |
Ever just know |
| 00:24:35 |
Constantly. |
| 00:24:39 |
We've developed several ciphers. |
| 00:24:42 |
If you'd like to review |
| 00:24:47 |
Doctor? |
| 00:24:50 |
0-3-6... |
| 00:25:05 |
8-4-9-4. |
| 00:25:35 |
9-1 -4-0-3-4. |
| 00:25:53 |
I need a map. |
| 00:25:58 |
46-1 3-08, |
| 00:26:00 |
67-46-90. |
| 00:26:04 |
Starkey Corners, Maine. |
| 00:26:07 |
48-03-01 , |
| 00:26:09 |
91 -26-35. |
| 00:26:12 |
Prairie Portage, |
| 00:26:14 |
These are latitudes |
| 00:26:17 |
There are a least 1 0 others. |
| 00:26:19 |
They appear to be routing orders |
| 00:26:23 |
Extraordinary. |
| 00:26:26 |
Gentlemen, we need |
| 00:26:30 |
Who's Big Brother? |
| 00:26:35 |
- Captain! |
| 00:26:38 |
Accompany Dr. Nash. |
| 00:26:40 |
What are the Russians |
| 00:26:43 |
Captain Rogers |
| 00:26:45 |
to the unrestricted |
| 00:26:47 |
Thank you. |
| 00:26:48 |
Dr. Nash, follow me, please. |
| 00:26:57 |
None of those who have |
| 00:27:01 |
have told us |
| 00:27:04 |
And when you hear... It's Dr. Nash. |
| 00:27:07 |
All right. |
| 00:27:21 |
Thank you, sir. |
| 00:27:23 |
Have they actually |
| 00:27:25 |
out of the dictionary? |
| 00:27:27 |
Oh, hi. |
| 00:27:30 |
How am I supposed to be |
| 00:27:32 |
if I'm melting? |
| 00:27:34 |
You know, two trips |
| 00:27:37 |
That's two more |
| 00:27:39 |
It gets better, |
| 00:27:40 |
Just got our latest |
| 00:27:43 |
You know, the Russians |
| 00:27:45 |
the Nazis are repatriating |
| 00:27:47 |
the Chinese have |
| 00:27:50 |
and I am doing |
| 00:27:54 |
You made the cover |
| 00:27:56 |
Please note the use |
| 00:27:59 |
That was supposed |
| 00:28:01 |
Oh. |
| 00:28:05 |
So not only do they rob me |
| 00:28:07 |
now they put me on the cover |
| 00:28:09 |
with these hacks, |
| 00:28:11 |
John, exactly what's |
| 00:28:13 |
between genius |
| 00:28:16 |
Quite a lot. |
| 00:28:17 |
He's your son. |
| 00:28:19 |
Anyway, you've got |
| 00:28:21 |
I've always got 1 0 minutes. |
| 00:28:23 |
Before your new class? |
| 00:28:30 |
Can I not get a note |
| 00:28:32 |
You are a doctor, John, |
| 00:28:36 |
Now, come on, you know the drill, |
| 00:28:39 |
M.I. T. gets America's |
| 00:28:41 |
teaching America's |
| 00:28:43 |
Poor bastards. |
| 00:28:44 |
Now, have a nice |
| 00:28:47 |
The bell's ringing. |
| 00:29:08 |
The eager young minds |
| 00:29:20 |
Can we leave one open, |
| 00:29:22 |
It's really hot, sir. |
| 00:29:25 |
Your comfort comes second... |
| 00:29:27 |
to my ability |
| 00:29:34 |
Personally, |
| 00:29:37 |
I think this class will be |
| 00:29:40 |
and what is |
| 00:29:43 |
my time. |
| 00:29:47 |
However, here we are. |
| 00:29:49 |
So you may attend or not. |
| 00:29:53 |
You may complete |
| 00:29:55 |
We have begun. |
| 00:29:59 |
Miss. |
| 00:30:04 |
Excuse me! |
| 00:30:06 |
Excuse me! |
| 00:30:09 |
Hi! |
| 00:30:10 |
Um, we have |
| 00:30:13 |
It's extremely hot in here |
| 00:30:16 |
and extremely noisy |
| 00:30:19 |
So, I was wondering |
| 00:30:21 |
I don't know, |
| 00:30:23 |
for about 45minutes? |
| 00:30:25 |
- Not a problem. |
| 00:30:27 |
At a break! |
| 00:30:29 |
Let's go. Clean it up a little bit. |
| 00:30:33 |
As you will find |
| 00:30:36 |
there is often... |
| 00:30:38 |
a number of solutions |
| 00:30:44 |
As I was saying, |
| 00:30:46 |
will take some of you |
| 00:30:50 |
For others among you, |
| 00:30:54 |
it will take you the term |
| 00:31:09 |
Professor Nash. |
| 00:31:23 |
William Parcher. |
| 00:31:26 |
Big Brother... |
| 00:31:31 |
What can I do |
| 00:31:34 |
- Are you here to give me a raise? |
| 00:31:38 |
Impressive work |
| 00:31:41 |
Oppenheimer used to say, |
| 00:31:43 |
"Genius sees the answer |
| 00:31:45 |
You knew Oppenheimer? |
| 00:31:47 |
His project was |
| 00:31:50 |
Which project? |
| 00:31:53 |
That project. |
| 00:31:55 |
It's not that simple, |
| 00:31:57 |
Well, you ended |
| 00:31:59 |
We incinerated 1 50,000 people |
| 00:32:02 |
Great deeds come |
| 00:32:05 |
Well, conviction, |
| 00:32:08 |
is a luxury of those |
| 00:32:13 |
I'll try |
| 00:32:18 |
So, John, no family, |
| 00:32:21 |
no close friends- |
| 00:32:23 |
Why is that? |
| 00:32:24 |
I like to think it's |
| 00:32:27 |
But mainly it's because |
| 00:32:32 |
Well, there are |
| 00:32:33 |
where your lack |
| 00:32:35 |
would be considered |
| 00:32:39 |
This is a secure area. |
| 00:32:45 |
Have you ever |
| 00:32:46 |
We were told during |
| 00:32:48 |
that these warehouses |
| 00:32:50 |
That's not |
| 00:33:28 |
By telling you |
| 00:33:30 |
I am increasing |
| 00:33:31 |
to top secret. |
| 00:33:33 |
Disclosure of secure information |
| 00:33:36 |
Get it? |
| 00:33:38 |
What operation? |
| 00:33:45 |
Those are a good idea. |
| 00:33:51 |
This factory is in Berlin. |
| 00:33:54 |
Nazi engineers |
| 00:33:56 |
to build a portable |
| 00:33:59 |
The Soviets reached |
| 00:34:01 |
and we lost the damn thing. |
| 00:34:05 |
The routing orders |
| 00:34:07 |
they were about this, |
| 00:34:09 |
The Soviets aren't |
| 00:34:13 |
A faction of the Red Army |
| 00:34:17 |
"the New Freedom," |
| 00:34:19 |
and intends to detonate it |
| 00:34:23 |
Their plan is to incur |
| 00:34:30 |
Man is capable of as much atrocity |
| 00:34:35 |
New Freedom has sleeper agents |
| 00:34:39 |
McCarthy is an idiot, |
| 00:34:41 |
but unfortunately |
| 00:34:43 |
New Freedom communicates |
| 00:34:47 |
through codes imbedded |
| 00:34:50 |
and that's |
| 00:34:52 |
You see, John, |
| 00:34:56 |
is that you are, |
| 00:34:57 |
quite simply, |
| 00:34:59 |
the best natural code-breaker |
| 00:35:08 |
What exactly is it |
| 00:35:16 |
Commit this list |
| 00:35:20 |
Scan each new issue, |
| 00:35:24 |
decipher them. |
| 00:35:27 |
Place your chin |
| 00:35:29 |
Stare into the light. |
| 00:35:35 |
Okay, this may be |
| 00:35:40 |
That's got |
| 00:35:42 |
He just implanted |
| 00:35:45 |
Don't worry, it's safe. |
| 00:35:49 |
The isotope decays |
| 00:35:50 |
As a result, |
| 00:35:53 |
They're the access codes |
| 00:35:58 |
So what am I now, |
| 00:36:12 |
- Come. |
| 00:36:19 |
Boy, you must be |
| 00:36:29 |
It's all right, Mike. |
| 00:36:39 |
What are you |
| 00:36:44 |
Classified. |
| 00:36:47 |
Everyone waited half an hour. |
| 00:36:49 |
For? |
| 00:36:52 |
You missed class today. |
| 00:36:54 |
Oh. I suspect that... |
| 00:36:57 |
nobody missed me. |
| 00:37:01 |
The problem that you left |
| 00:37:04 |
I solved it. |
| 00:37:06 |
Oh, no you didn't. |
| 00:37:10 |
I never said |
| 00:37:18 |
Your solution is elegant. |
| 00:37:22 |
Though on this |
| 00:37:26 |
ultimately incorrect. |
| 00:37:48 |
- You're still here. |
| 00:37:52 |
Why? |
| 00:37:54 |
I'm wondering, |
| 00:37:59 |
if I can ask you to dinner. |
| 00:38:05 |
You do eat, don't you? |
| 00:38:07 |
Oh, on occasion, yeah. |
| 00:38:09 |
Table for one. |
| 00:38:12 |
with the bird |
| 00:38:17 |
No, I expect |
| 00:38:19 |
you wouldn't know, uh- |
| 00:38:23 |
If you leave your address |
| 00:38:26 |
I'll pick you up |
| 00:38:29 |
and we'll eat. |
| 00:38:38 |
One more thing. |
| 00:38:41 |
or should I just |
| 00:38:45 |
Governor, |
| 00:38:46 |
may I present- |
| 00:38:49 |
Miss Alicia Larde. |
| 00:38:50 |
Professor, please. |
| 00:38:55 |
Wait, one second. |
| 00:38:59 |
I want a copy of this. |
| 00:39:00 |
First big date and all, |
| 00:39:02 |
So, you boys need |
| 00:39:07 |
Which is not a state |
| 00:39:08 |
altogether naturally. |
| 00:39:14 |
There. Better. |
| 00:39:18 |
- I'm surprising him. |
| 00:39:21 |
Professor. |
| 00:39:38 |
God must be a painter. |
| 00:39:42 |
Why else would we |
| 00:39:46 |
So you're a painter? |
| 00:39:49 |
That's not actually |
| 00:39:52 |
but, yes- |
| 00:39:54 |
I am. |
| 00:40:04 |
Here. |
| 00:40:07 |
Me. |
| 00:40:08 |
Your date? |
| 00:40:12 |
Practice human interaction |
| 00:40:15 |
That's a plan. |
| 00:40:20 |
Champagne would be lovely. |
| 00:40:24 |
I'll be outside. |
| 00:40:26 |
I will get the champagne. |
| 00:40:36 |
Oh, thank you. |
| 00:40:39 |
Thank you for that. |
| 00:40:40 |
No, keep it. |
| 00:40:43 |
I believe in deciding things |
| 00:40:46 |
Do you? |
| 00:40:48 |
No. |
| 00:40:50 |
I don't believe in luck. |
| 00:40:56 |
But I do believe |
| 00:40:59 |
Oh. |
| 00:41:08 |
I once tried |
| 00:41:12 |
I actually made it |
| 00:41:18 |
You are exceptionally odd. |
| 00:41:20 |
I bet you're very |
| 00:41:28 |
A pair of odd ducks, then. |
| 00:41:31 |
Mmm. |
| 00:41:36 |
Pick a shape. |
| 00:41:39 |
What? |
| 00:41:41 |
Pick a shape. |
| 00:41:46 |
Okay. |
| 00:41:49 |
An umbrella. |
| 00:42:26 |
Do it again. |
| 00:42:29 |
Do it again. |
| 00:42:31 |
What would you like? |
| 00:42:33 |
an octopus. |
| 00:45:18 |
You don't talk much, do you? |
| 00:45:20 |
I can't talk to you |
| 00:45:23 |
I don't mean work. |
| 00:45:29 |
I find that polishing |
| 00:45:32 |
in order to make |
| 00:45:36 |
I have |
| 00:45:41 |
by being direct. |
| 00:45:45 |
I often don't get |
| 00:45:47 |
Try me. |
| 00:45:50 |
All right. |
| 00:45:55 |
I find you attractive. |
| 00:45:58 |
Your aggressive |
| 00:46:00 |
indicate that you |
| 00:46:02 |
But still, |
| 00:46:05 |
continue with a number |
| 00:46:07 |
before we have sex. |
| 00:46:10 |
I am proceeding |
| 00:46:13 |
but in point |
| 00:46:15 |
all I really want to do |
| 00:46:21 |
Are you gonna |
| 00:46:46 |
How was that result? |
| 00:47:05 |
What are you doing? |
| 00:47:10 |
I'm attempting to isolate |
| 00:47:13 |
within periodicals |
| 00:47:16 |
You talk funny, |
| 00:47:22 |
Do I know you? |
| 00:47:24 |
My uncle says |
| 00:47:26 |
but not very nice, |
| 00:47:28 |
so I shouldn't pay no mind |
| 00:47:30 |
And who might |
| 00:47:32 |
The prodigal roommate... |
| 00:47:35 |
returns. |
| 00:47:40 |
Come here. |
| 00:47:47 |
My sister... |
| 00:47:49 |
got herself killed |
| 00:47:53 |
Not too far now, |
| 00:47:56 |
Her cowboy husband |
| 00:47:57 |
to know that he was |
| 00:48:00 |
So, I took her in. |
| 00:48:03 |
She's so small. |
| 00:48:09 |
I'm at Harvard... |
| 00:48:11 |
doing the great |
| 00:48:13 |
D.H. bloody Lawrence. |
| 00:48:15 |
I really do think you should |
| 00:48:20 |
Well, I've been reading |
| 00:48:23 |
How are you, John? |
| 00:48:26 |
At first all my work |
| 00:48:29 |
but a new assignment |
| 00:48:31 |
I can't really tell you |
| 00:48:34 |
Top secret? |
| 00:48:37 |
Something like that. |
| 00:48:39 |
And, uh... |
| 00:48:42 |
Well, l- I met a girl. |
| 00:48:44 |
No! A human girl? |
| 00:48:47 |
A biped? |
| 00:48:49 |
she finds me attractive |
| 00:48:51 |
Really? |
| 00:48:53 |
God, that's wonderful. |
| 00:48:56 |
There's no accounting |
| 00:49:00 |
Should I marry her? |
| 00:49:02 |
Oh, God. Right. |
| 00:49:04 |
I mean, everything's |
| 00:49:07 |
The job is fine. |
| 00:49:09 |
It all seems to add up. |
| 00:49:11 |
But how do you know |
| 00:49:16 |
Nothing's ever for sure, John. |
| 00:49:19 |
That's the only |
| 00:49:28 |
Good evening. |
| 00:49:36 |
Alicia, please don't |
| 00:49:38 |
I just lost track |
| 00:49:41 |
again. |
| 00:49:43 |
I'm sorry. |
| 00:49:46 |
I didn't have time |
| 00:49:48 |
Happy birthday. |
| 00:49:54 |
The refractive faces |
| 00:49:56 |
they create |
| 00:49:58 |
so if you look inside it, |
| 00:50:00 |
- Every possible color. |
| 00:50:03 |
Yeah. |
| 00:50:04 |
Remember you said that time |
| 00:50:07 |
because of all the colors, |
| 00:50:09 |
you said that. |
| 00:50:11 |
I didn't think |
| 00:50:16 |
I'm always listening. |
| 00:50:24 |
It's beautiful. |
| 00:50:41 |
Alicia, does our |
| 00:50:44 |
'Cause I need |
| 00:50:46 |
some kind of verifiable, |
| 00:50:54 |
I'm sorry, |
| 00:50:58 |
to redefine |
| 00:51:04 |
A proof? |
| 00:51:06 |
Verifiable data. |
| 00:51:08 |
Um... okay. |
| 00:51:12 |
Well, how big |
| 00:51:16 |
Infinite. |
| 00:51:18 |
How do you know? |
| 00:51:19 |
I know because |
| 00:51:21 |
But it hasn't |
| 00:51:22 |
You haven't seen it. |
| 00:51:24 |
I don't, I just believe it. |
| 00:51:27 |
Mmm. |
| 00:51:30 |
It's the same |
| 00:51:40 |
Now, |
| 00:51:41 |
the part that |
| 00:51:45 |
is if I want |
| 00:52:08 |
Smile for the camera! |
| 00:52:13 |
Well done! |
| 00:52:15 |
Oh, sweet pea. |
| 00:52:17 |
I love you. |
| 00:52:18 |
Hey, Sol. |
| 00:52:20 |
You look beautiful. |
| 00:52:23 |
Hi, how are you? |
| 00:52:29 |
Hey, Sol. |
| 00:52:31 |
Bye bye. Bye, now. |
| 00:52:33 |
- Bye! |
| 00:52:35 |
Be safe! |
| 00:53:05 |
Get in. |
| 00:53:10 |
They're following us. |
| 00:53:16 |
Who's- |
| 00:53:18 |
The drop's been |
| 00:53:19 |
- Get down! |
| 00:53:22 |
- Stay down. |
| 00:53:50 |
- Here, take this. |
| 00:53:53 |
- Take the goddamn gun! |
| 00:53:56 |
Son of a- |
| 00:54:13 |
You stay back. |
| 00:55:00 |
John? |
| 00:55:08 |
Hi. |
| 00:55:12 |
Where were you? |
| 00:55:17 |
S-Sol- |
| 00:55:19 |
He said you left |
| 00:55:24 |
Why didn't you |
| 00:55:31 |
Are you all right? |
| 00:55:41 |
Honey? |
| 00:55:45 |
John... |
| 00:55:46 |
Please, talk to me. |
| 00:55:50 |
John, |
| 00:55:54 |
Come on, open the door! |
| 00:55:57 |
Talk to me! |
| 00:56:00 |
John! |
| 00:56:01 |
Open the door! |
| 00:56:20 |
Watch for cars, kids. |
| 00:57:02 |
John. |
| 00:57:05 |
William. |
| 00:57:07 |
This is not what |
| 00:57:09 |
Every time |
| 00:57:11 |
I understand- |
| 00:57:24 |
You need |
| 00:57:27 |
Now listen to me. |
| 00:57:29 |
in large part |
| 00:57:32 |
Now don't you think your fear |
| 00:57:34 |
William, my circumstance |
| 00:57:37 |
Alicia's pregnant. |
| 00:57:47 |
I told you attachments |
| 00:57:50 |
You chose to marry |
| 00:57:53 |
I did nothing |
| 00:57:58 |
The best way to ensure |
| 00:58:01 |
is for you to continue |
| 00:58:04 |
Well, I'll just quit. |
| 00:58:05 |
You won't. |
| 00:58:07 |
Why would I not? |
| 00:58:09 |
Because I keep the Russians |
| 00:58:13 |
You quit |
| 00:58:15 |
I quit working for you. |
| 00:58:29 |
Parcher! |
| 00:58:31 |
Parcher! |
| 00:58:37 |
John, you all right? |
| 00:58:59 |
John? |
| 00:59:00 |
Turn it off! |
| 00:59:05 |
Why would you |
| 00:59:07 |
Why would you |
| 00:59:09 |
What is wrong |
| 00:59:10 |
You have to go |
| 00:59:13 |
I left the car out the back. |
| 00:59:15 |
No side streets, |
| 00:59:18 |
When you get to your sister's, |
| 00:59:21 |
No, I'm not going. |
| 00:59:23 |
I'm not leaving- |
| 00:59:25 |
Please, Alicia. |
| 00:59:28 |
I'll explain |
| 01:00:16 |
Uncle John! |
| 01:00:18 |
Uncle John! |
| 01:00:22 |
- Hey, baby girl! |
| 01:00:25 |
Wow, someone |
| 01:00:28 |
I saw you on the slate |
| 01:00:30 |
"How can I miss seeing |
| 01:00:33 |
by the inimitable |
| 01:00:38 |
What's wrong? |
| 01:00:40 |
I got myself into something. |
| 01:00:45 |
Well, now you tell me, |
| 01:00:46 |
Professor Nash! |
| 01:00:49 |
Welcome! |
| 01:00:52 |
After? |
| 01:00:59 |
So, we see that |
| 01:01:03 |
of the Reimann |
| 01:01:06 |
correspond |
| 01:01:09 |
in space-time, |
| 01:01:12 |
singularities |
| 01:01:17 |
and conventional |
| 01:01:22 |
It breaks down in the face |
| 01:01:41 |
Sometimes |
| 01:01:43 |
are betrayed |
| 01:01:46 |
Variables are impossible |
| 01:01:49 |
rational value. |
| 01:02:10 |
Professor Nash! |
| 01:02:21 |
- Hold it! |
| 01:02:26 |
Professor Nash, |
| 01:02:28 |
let's avoid a scene, shall we? |
| 01:02:31 |
What do you want? |
| 01:02:33 |
My name is Rosen, |
| 01:02:36 |
Dr. Rosen. |
| 01:02:38 |
Forgive me |
| 01:02:41 |
I'd like you |
| 01:02:45 |
Just for a chat. |
| 01:02:48 |
It appears I have |
| 01:02:52 |
Oh-hh! |
| 01:03:01 |
Help me! |
| 01:03:06 |
Somebody! |
| 01:03:08 |
Help me! |
| 01:03:11 |
I know who you are! |
| 01:03:13 |
No, no, no, |
| 01:03:15 |
Charles, they're Russians! |
| 01:03:17 |
Call somebody! |
| 01:03:19 |
They're Russians! |
| 01:03:20 |
Get away from me. |
| 01:03:22 |
Stay away from me! |
| 01:03:29 |
There, now. |
| 01:03:31 |
All better. |
| 01:03:36 |
Everything's |
| 01:03:40 |
Watch your head. |
| 01:04:11 |
John? |
| 01:04:14 |
Can you hear me? |
| 01:04:29 |
Go easy now. |
| 01:04:32 |
Thorazine takes |
| 01:04:37 |
Sorry about |
| 01:04:40 |
You've got one hell |
| 01:04:42 |
Where am l? |
| 01:04:45 |
Ahem. |
| 01:04:47 |
MacArthur |
| 01:04:52 |
I find that |
| 01:04:55 |
You made |
| 01:04:56 |
My work is non-military |
| 01:05:00 |
Which work |
| 01:05:05 |
I don't know |
| 01:05:06 |
There's no good |
| 01:05:24 |
Charles? |
| 01:05:28 |
Charles? |
| 01:05:31 |
I didn't mean to get you |
| 01:05:35 |
I'm- I'm sorry. |
| 01:05:41 |
Charles? |
| 01:05:50 |
The prodigal roommate |
| 01:05:55 |
"Saw my name |
| 01:05:57 |
You lying son |
| 01:06:00 |
Who are you talking to? |
| 01:06:02 |
How do you say, |
| 01:06:05 |
How do you say it |
| 01:06:07 |
There's no one there, John. |
| 01:06:11 |
He's right there. |
| 01:06:13 |
Stop! |
| 01:06:16 |
Stop! |
| 01:06:21 |
My name is John Nash. |
| 01:06:23 |
I'm being held |
| 01:06:24 |
Somebody call |
| 01:06:27 |
My name is John Nash. |
| 01:06:29 |
I'm being held |
| 01:06:36 |
What's wrong with him? |
| 01:06:41 |
John has |
| 01:06:43 |
People with this disorder |
| 01:06:49 |
But- |
| 01:06:52 |
He deals |
| 01:06:55 |
Yes, yes, I know. |
| 01:06:57 |
In John's world, |
| 01:07:01 |
encouraged. |
| 01:07:03 |
As such, his illness |
| 01:07:06 |
far longer |
| 01:07:09 |
What do you mean? |
| 01:07:11 |
Possibly since |
| 01:07:13 |
At least that's when |
| 01:07:16 |
What are you |
| 01:07:18 |
One, so far, |
| 01:07:21 |
An imaginary roommate |
| 01:07:25 |
Charles |
| 01:07:27 |
He and John |
| 01:07:30 |
Have you ever met Charles? |
| 01:07:33 |
He's always in town |
| 01:07:36 |
Was he at your wedding? |
| 01:07:38 |
Have you ever |
| 01:07:40 |
talked to him |
| 01:07:42 |
I phoned Princeton. |
| 01:07:45 |
According to their |
| 01:07:46 |
John lived alone. |
| 01:07:51 |
Now, which is more likely- |
| 01:07:54 |
a mathematician |
| 01:07:57 |
is a government spy |
| 01:07:59 |
You're making him |
| 01:08:01 |
...or, that he has |
| 01:08:06 |
Now the only way |
| 01:08:08 |
is to show him |
| 01:08:09 |
between what's real... |
| 01:08:12 |
and what is in his mind. |
| 01:08:17 |
Come on. |
| 01:08:20 |
What's he been |
| 01:08:22 |
His work |
| 01:08:25 |
He mentioned |
| 01:08:27 |
by the name |
| 01:08:30 |
Maybe Mr. Parcher |
| 01:08:33 |
But I can't get to him |
| 01:08:36 |
You want me to help you get... |
| 01:08:38 |
the details |
| 01:08:41 |
John thinks |
| 01:08:43 |
Is that what |
| 01:08:49 |
What did |
| 01:08:52 |
I don't know. |
| 01:08:54 |
I want to see what John's |
| 01:08:55 |
You know you can't |
| 01:08:58 |
Stop. Oh! |
| 01:09:13 |
Oh, my God. |
| 01:09:19 |
Oh, my God. |
| 01:09:27 |
Why didn't you |
| 01:09:30 |
Alicia, |
| 01:09:33 |
a little weird. |
| 01:09:35 |
He said he was |
| 01:09:38 |
that it was eyes-only. |
| 01:09:40 |
Top secret, part |
| 01:09:43 |
Well, |
| 01:09:45 |
Directives come down |
| 01:09:47 |
that some of us |
| 01:09:48 |
- It was possible. |
| 01:09:50 |
not likely. |
| 01:09:54 |
Lately, he'd become |
| 01:09:57 |
and then |
| 01:09:59 |
So, is this all |
| 01:10:01 |
Cutting out |
| 01:10:05 |
Well, not all. |
| 01:11:25 |
I'm so sorry. |
| 01:11:32 |
I missed you. |
| 01:11:36 |
I have to talk |
| 01:11:38 |
Okay. |
| 01:11:45 |
Alicia, I've been |
| 01:11:47 |
and I do realize |
| 01:11:51 |
and my inability to discuss |
| 01:11:54 |
must have appeared |
| 01:11:56 |
I left you |
| 01:11:58 |
I do understand... |
| 01:12:00 |
and I'm truly sorry. |
| 01:12:04 |
Everything's |
| 01:12:08 |
Everything's |
| 01:12:11 |
We just have to talk quietly. |
| 01:12:15 |
They may be listening. |
| 01:12:19 |
I'm gonna tell you |
| 01:12:21 |
It's breaking |
| 01:12:24 |
but you need |
| 01:12:25 |
because you |
| 01:12:31 |
I've been doing |
| 01:12:34 |
There's a threat |
| 01:12:36 |
of catastrophic |
| 01:12:38 |
I think the Russians |
| 01:12:41 |
That's why they simply |
| 01:12:43 |
They're keeping me here |
| 01:12:46 |
from doing my work. |
| 01:12:48 |
You have to find |
| 01:12:50 |
He can help us. |
| 01:12:57 |
I went to Wheeler. |
| 01:12:59 |
Good, good. |
| 01:13:01 |
There is no |
| 01:13:03 |
Of course there is. |
| 01:13:05 |
I've been working for him. |
| 01:13:07 |
Breaking codes? |
| 01:13:09 |
Dropping packages |
| 01:13:11 |
for the government |
| 01:13:15 |
How could you |
| 01:13:16 |
Sol followed you. |
| 01:13:19 |
He thought it |
| 01:13:31 |
They've never |
| 01:13:36 |
It isn't real. |
| 01:13:38 |
There is |
| 01:13:44 |
There is |
| 01:13:47 |
It's in your mind. |
| 01:13:51 |
Do you |
| 01:13:55 |
You're sick. |
| 01:14:00 |
You're sick, John. |
| 01:14:02 |
John! |
| 01:14:04 |
John! |
| 01:14:14 |
Code red. |
| 01:14:16 |
Dr. Rosen, code red. |
| 01:14:18 |
Dr. Rosen, code red. |
| 01:14:32 |
John? |
| 01:14:36 |
John? |
| 01:14:39 |
The implant's gone. |
| 01:14:42 |
I can't find it. |
| 01:14:48 |
It's gone. |
| 01:15:20 |
You see, the nightmare |
| 01:15:23 |
is not knowing |
| 01:15:25 |
Imagine... |
| 01:15:28 |
if you had suddenly learned |
| 01:15:31 |
and the moments |
| 01:15:34 |
were not gone, not dead, |
| 01:15:36 |
but worse- |
| 01:15:39 |
had never been. |
| 01:15:43 |
What kind of hell |
| 01:15:51 |
Administering |
| 01:15:54 |
8.42AM. |
| 01:16:51 |
How often? |
| 01:16:55 |
Five times a week |
| 01:17:20 |
John always spoke so fondly |
| 01:17:23 |
And Hansen is running |
| 01:17:26 |
So he keeps reminding us, |
| 01:17:30 |
Yeah. |
| 01:17:31 |
John won't come near |
| 01:17:33 |
I think he's ashamed. |
| 01:17:36 |
Hey. Hey. |
| 01:17:39 |
Want this? |
| 01:17:41 |
So, Alicia, how- |
| 01:17:45 |
Well, the delusions |
| 01:17:47 |
They're saying |
| 01:17:50 |
and low stress |
| 01:17:51 |
No, l- I mean, |
| 01:18:01 |
I think often |
| 01:18:03 |
is obligation. |
| 01:18:08 |
Or guilt |
| 01:18:13 |
Rage against John, |
| 01:18:19 |
But... |
| 01:18:23 |
then I look at him... |
| 01:18:27 |
and I force myself to see |
| 01:18:31 |
And he becomes that man. |
| 01:18:33 |
He's transformed |
| 01:18:40 |
And I'm transformed |
| 01:18:46 |
It's not all the time, |
| 01:18:48 |
but... |
| 01:18:51 |
it's enough. |
| 01:18:52 |
I think John is |
| 01:18:55 |
Alicia. |
| 01:19:01 |
So unlucky. |
| 01:19:07 |
This is us. This is it? |
| 01:19:09 |
It's nice. |
| 01:19:11 |
John? You've a visitor. |
| 01:19:16 |
Hi. |
| 01:19:18 |
Hi. |
| 01:19:20 |
I hope it's okay. |
| 01:19:29 |
Hey ya, chief. |
| 01:19:30 |
- Cigarette? |
| 01:19:34 |
I quit, actually. |
| 01:19:40 |
Hello. |
| 01:19:44 |
Have you met |
| 01:19:46 |
Umm, l... |
| 01:19:49 |
-John, there's no- |
| 01:19:50 |
There's no point |
| 01:19:53 |
Jesus Christ, John. |
| 01:19:55 |
I should have known. |
| 01:19:58 |
Here you go. |
| 01:20:01 |
I can take those later. |
| 01:20:03 |
You're supposed |
| 01:20:06 |
- Can I bring you something? |
| 01:20:09 |
Okay. |
| 01:20:13 |
So, um... yeah. |
| 01:20:16 |
giving a workshop. |
| 01:20:18 |
I go back tonight. |
| 01:20:20 |
You know, Bender, |
| 01:20:22 |
to stop by |
| 01:20:27 |
Squeamish? |
| 01:20:28 |
Yeah. |
| 01:20:31 |
I suppose |
| 01:20:33 |
But alas, |
| 01:20:39 |
I'm trying to solve |
| 01:20:43 |
Oh, yeah? |
| 01:20:45 |
I figured if- |
| 01:20:48 |
they will have |
| 01:20:52 |
But it's difficult |
| 01:20:55 |
because it's hard to... |
| 01:21:00 |
see the solution. |
| 01:21:10 |
You know, John, |
| 01:21:13 |
There are other |
| 01:21:16 |
besides work. |
| 01:21:19 |
What are they? |
| 01:21:39 |
Shh-hh. |
| 01:21:41 |
Shh. |
| 01:21:56 |
What are you |
| 01:22:01 |
What do people do? |
| 01:22:03 |
It's life, John. |
| 01:22:05 |
Activities available, |
| 01:22:07 |
just add meaning. |
| 01:22:17 |
You could try |
| 01:22:19 |
You know, maybe... |
| 01:22:22 |
talk to people. |
| 01:22:29 |
You could try |
| 01:22:52 |
And there's some more- |
| 01:23:07 |
Who- Who were |
| 01:23:09 |
Garbage man. |
| 01:23:20 |
Garbage men don't come |
| 01:23:25 |
I guess around here |
| 01:23:52 |
Sorry. |
| 01:24:57 |
Is it the medication? |
| 01:25:39 |
I don't know |
| 01:25:58 |
My mother's |
| 01:26:02 |
I can get three hours |
| 01:26:29 |
I'm going to bed. |
| 01:26:38 |
- Good night. |
| 01:27:55 |
It's good to see you, John. |
| 01:27:59 |
It's been a while. |
| 01:28:01 |
Parcher? |
| 01:28:03 |
Yes, sir. |
| 01:28:08 |
You're not real! |
| 01:28:10 |
Of course I am. |
| 01:28:17 |
I don't think that I would |
| 01:28:21 |
It's time for you |
| 01:28:23 |
The bomb is in |
| 01:28:26 |
here in the U.S. |
| 01:28:29 |
Knowing |
| 01:28:30 |
requires you keep |
| 01:28:33 |
we've brought |
| 01:28:54 |
We've narrowed the bomb's |
| 01:28:57 |
on the eastern seaboard. |
| 01:28:59 |
But we haven't been able |
| 01:29:05 |
Their codes have grown |
| 01:29:11 |
Here, look at this, John. |
| 01:29:15 |
What? |
| 01:29:17 |
What? |
| 01:29:21 |
- Dr. Rosen said- |
| 01:29:24 |
"Schizophrenic break |
| 01:29:26 |
Psychological bullshit! |
| 01:29:28 |
Look at me, John. |
| 01:29:30 |
John, look at me. |
| 01:29:34 |
Do I look |
| 01:29:38 |
Wheeler has |
| 01:29:40 |
Do you think we list |
| 01:29:45 |
John, I'm sorry you had |
| 01:29:48 |
I've gone to a great deal |
| 01:29:51 |
I can restore |
| 01:29:54 |
I can let the world |
| 01:29:56 |
But I need you now, soldier. |
| 01:30:05 |
I was so scared |
| 01:30:15 |
There's a storm |
| 01:30:17 |
I'm just going to grab |
| 01:30:19 |
I'll draw his bath. |
| 01:30:24 |
It's okay. |
| 01:30:27 |
Okay. |
| 01:32:03 |
John? |
| 01:32:11 |
I've almost got it! |
| 01:32:14 |
I've got one more to close! |
| 01:32:15 |
- No! |
| 01:32:17 |
- Oh, God. |
| 01:32:21 |
I need a towel. |
| 01:32:24 |
Shhh. |
| 01:32:27 |
Charles was watching him. |
| 01:32:29 |
There is no one here. |
| 01:32:32 |
- Charles was watching him. |
| 01:32:34 |
He's been injected |
| 01:32:36 |
I can see him |
| 01:32:37 |
that was released |
| 01:32:39 |
when my implant dissolved. |
| 01:32:43 |
I couldn't tell you, |
| 01:32:47 |
Alicia! |
| 01:32:53 |
- No! |
| 01:32:56 |
You've got |
| 01:32:59 |
You leave her out of this. |
| 01:33:03 |
- Who are you talking to? |
| 01:33:06 |
-John. |
| 01:33:08 |
- No, she won't. |
| 01:33:10 |
-John, answer me! |
| 01:33:12 |
Alicia, please, |
| 01:33:14 |
- I can't let that happen. |
| 01:33:17 |
Hi, I need Dr. Rosen. |
| 01:33:19 |
I'm sorry, John. |
| 01:33:22 |
No-oo! |
| 01:33:26 |
Alicia? |
| 01:33:28 |
You know |
| 01:33:30 |
- Get away from me. |
| 01:33:31 |
Get away! |
| 01:33:34 |
I didn't mean |
| 01:33:37 |
Finish her. |
| 01:33:43 |
Uncle John? |
| 01:33:45 |
Take care of her, |
| 01:33:47 |
or I'll take care of you. |
| 01:33:48 |
John, |
| 01:33:50 |
Christ, John, |
| 01:33:52 |
Move, soldier. |
| 01:33:55 |
Now. |
| 01:33:56 |
Uncle John? |
| 01:33:58 |
John, please! |
| 01:34:01 |
Now! |
| 01:34:03 |
Alicia and Charles never |
| 01:34:05 |
interactive field. |
| 01:34:14 |
- Let's play! |
| 01:34:16 |
...Charles, and Marcee cannot |
| 01:34:19 |
I understand. |
| 01:34:36 |
She never gets old. |
| 01:34:41 |
Marcee can't be real. |
| 01:35:15 |
You see them now? |
| 01:35:26 |
Yes. |
| 01:35:30 |
Why did you |
| 01:35:34 |
Because I couldn't |
| 01:35:36 |
I couldn't help |
| 01:35:38 |
I couldn't- |
| 01:35:41 |
I couldn't respond |
| 01:35:46 |
You think that's better |
| 01:35:48 |
We'll need to start you |
| 01:35:51 |
of insulin shocks |
| 01:35:53 |
No. |
| 01:35:55 |
There has |
| 01:35:56 |
Schizophrenia is degenerative. |
| 01:36:01 |
but over time, |
| 01:36:02 |
It's a problem. |
| 01:36:05 |
It's a problem |
| 01:36:08 |
And that's what I do, |
| 01:36:10 |
That's what I do best. |
| 01:36:12 |
You can't come up |
| 01:36:13 |
to change the way |
| 01:36:15 |
- All I have to do is apply my mind. |
| 01:36:18 |
- You can't reason |
| 01:36:21 |
Because your mind |
| 01:36:25 |
I can do this. |
| 01:36:27 |
I can work it out. |
| 01:36:34 |
Is that the baby? |
| 01:36:38 |
The baby's at my mother's, John. |
| 01:36:53 |
Without treatment, John, |
| 01:36:56 |
the fantasies |
| 01:36:59 |
entirely. |
| 01:37:18 |
You almost ready? |
| 01:37:22 |
Rosen's waiting outside. |
| 01:37:24 |
I can't go back |
| 01:37:30 |
I won't come home. |
| 01:37:36 |
He said that |
| 01:37:39 |
he has commitment |
| 01:37:45 |
Well, maybe you |
| 01:37:48 |
Maybe you'll just |
| 01:37:53 |
I will try |
| 01:37:57 |
Whatever you do, |
| 01:37:59 |
Rosen is right |
| 01:38:02 |
You shouldn't be here. |
| 01:38:07 |
I'm not safe anymore. |
| 01:38:14 |
Would you have |
| 01:38:25 |
I don't know. |
| 01:38:29 |
Maybe you should let |
| 01:39:34 |
Rosen said to call if you try |
| 01:39:53 |
You want to know |
| 01:40:01 |
This. |
| 01:40:10 |
This. |
| 01:40:17 |
This. |
| 01:40:20 |
This is real. |
| 01:40:25 |
Maybe the part... |
| 01:40:28 |
that knows the waking |
| 01:40:31 |
maybe it isn't here. |
| 01:40:37 |
Maybe it's here. |
| 01:40:44 |
I need to believe... |
| 01:40:46 |
that something |
| 01:41:49 |
Come. |
| 01:41:59 |
Hello, Martin. |
| 01:42:05 |
Jesus Christ. |
| 01:42:09 |
No. I- |
| 01:42:11 |
I don't have that one. |
| 01:42:14 |
takes on a completely |
| 01:42:17 |
I heard what happened |
| 01:42:20 |
I- I wanted to write |
| 01:42:22 |
but you'd left, and I just... |
| 01:42:36 |
This is Helinger's old office. |
| 01:42:38 |
Yeah. |
| 01:42:40 |
Yeah, I stole it from him. |
| 01:42:44 |
Seems that you won |
| 01:42:48 |
They were wrong, John. |
| 01:42:51 |
Please, please have a seat. |
| 01:42:54 |
God, it's so good |
| 01:42:58 |
What brings you |
| 01:43:01 |
John? |
| 01:43:02 |
John, I'm sorry, |
| 01:43:05 |
Tell him you're a genius. |
| 01:43:07 |
Tell him your work is critical. |
| 01:43:09 |
John, please! |
| 01:43:24 |
Is there any chance |
| 01:43:29 |
Of course, |
| 01:43:32 |
Is that what we are, Martin? |
| 01:43:36 |
John, of course. |
| 01:43:38 |
Of course. |
| 01:43:45 |
Alicia and I think that- |
| 01:43:47 |
that fitting in, |
| 01:43:49 |
being part of a community, |
| 01:43:53 |
might do me some good. |
| 01:43:55 |
That a certain level |
| 01:43:57 |
familiar places, |
| 01:44:00 |
might help me... |
| 01:44:02 |
elbow out these- |
| 01:44:07 |
these certain delusions |
| 01:44:15 |
It's a lot to ask, |
| 01:44:20 |
I'm quite certain |
| 01:44:25 |
But I was wondering |
| 01:44:36 |
Huh. |
| 01:44:41 |
Will you be needing an office? |
| 01:44:47 |
No. |
| 01:44:52 |
No, I could just work |
| 01:44:55 |
Well, this guy tries |
| 01:44:57 |
but he doesn't have I.D. |
| 01:45:00 |
Then he goes |
| 01:45:02 |
Not real! You're not real. |
| 01:45:04 |
There's no mission. |
| 01:45:06 |
Oh, shit. Shit. |
| 01:45:10 |
Not real! |
| 01:45:12 |
Is this what you are, soldier? |
| 01:45:14 |
Some useless ghoul? |
| 01:45:15 |
The local madman? |
| 01:45:17 |
I'm not a soldier. |
| 01:45:20 |
Old, worthless, |
| 01:45:22 |
There's no mission. |
| 01:45:23 |
And while you rock |
| 01:45:25 |
the world will |
| 01:45:27 |
You are not real! |
| 01:45:29 |
You're still talking |
| 01:45:31 |
There's no mission! |
| 01:45:34 |
John? John? |
| 01:45:36 |
John, John, John, John. |
| 01:45:37 |
Hey, hey, hey. |
| 01:45:39 |
John, John! |
| 01:45:40 |
I just heard what happened, |
| 01:45:42 |
I'm not a soldier. |
| 01:45:45 |
Nash, hey. |
| 01:45:49 |
Nash, Nash, |
| 01:45:55 |
Ladies and gentlemen, |
| 01:45:58 |
John? |
| 01:46:01 |
You should've seen their faces. |
| 01:46:04 |
Everybody was |
| 01:46:06 |
John... |
| 01:46:08 |
you know that stress |
| 01:46:11 |
I know. |
| 01:46:15 |
But then, |
| 01:46:17 |
Charles was there. |
| 01:46:24 |
Sometimes, I really miss |
| 01:46:30 |
Maybe Rosen's right. |
| 01:46:32 |
Maybe I have to think |
| 01:46:36 |
No. |
| 01:46:38 |
Come here. |
| 01:46:43 |
Maybe try again tomorrow. |
| 01:47:09 |
John, now, you can't |
| 01:47:17 |
Charles, you've been |
| 01:47:19 |
The best. |
| 01:47:23 |
But I won't talk to you again. |
| 01:47:28 |
I just can't. |
| 01:47:36 |
Same goes for you, baby girl. |
| 01:47:45 |
Good-bye. |
| 01:47:54 |
Good-bye. |
| 01:48:09 |
I was wondering if I might |
| 01:48:13 |
It's- It's an honor, |
| 01:48:19 |
Is something wrong? |
| 01:48:22 |
This will be |
| 01:48:27 |
Good morning, |
| 01:48:30 |
eager young minds. |
| 01:48:51 |
It's never |
| 01:48:53 |
You're just |
| 01:48:58 |
It's pathetic! |
| 01:49:00 |
You are being |
| 01:49:02 |
I'm ashamed of you. |
| 01:49:30 |
Oh, man! |
| 01:49:36 |
Are you coming? |
| 01:49:42 |
Dad, you've got my books. |
| 01:49:43 |
You've got my books. |
| 01:49:45 |
Oh, right. |
| 01:49:47 |
Thanks. |
| 01:49:50 |
Good-bye. |
| 01:49:52 |
See you tonight. |
| 01:49:53 |
Bye, honey. |
| 01:51:24 |
Did you just solve Reimann? |
| 01:51:26 |
Well, what |
| 01:51:28 |
Huh. |
| 01:51:31 |
for noncommutative |
| 01:51:34 |
Yes, it is. |
| 01:51:36 |
But it only appears |
| 01:51:39 |
But... |
| 01:51:41 |
I believe I'm |
| 01:51:44 |
You're- |
| 01:51:46 |
You're John Nash, right? |
| 01:51:51 |
Toby Kelly. |
| 01:51:53 |
I've been studying |
| 01:51:55 |
The one you wrote |
| 01:51:57 |
To come up with something |
| 01:52:00 |
You know, I was young. |
| 01:52:01 |
Umm... |
| 01:52:03 |
I've been developing |
| 01:52:19 |
I believe I can prove... |
| 01:52:21 |
that Galois extensions |
| 01:52:24 |
That everything, |
| 01:52:26 |
That it's all part |
| 01:52:30 |
When was the last time |
| 01:52:31 |
Excuse me? |
| 01:52:34 |
Oh, uh- |
| 01:52:36 |
My wife, |
| 01:52:38 |
she loves mayonnaise. |
| 01:52:40 |
Oh, thank you. |
| 01:52:43 |
Thank you. |
| 01:52:45 |
Go on. |
| 01:52:47 |
The function... |
| 01:52:49 |
is in the two categories. |
| 01:52:55 |
Alicia! |
| 01:52:57 |
Alicia! |
| 01:52:59 |
...coming together |
| 01:53:02 |
Let us say |
| 01:53:04 |
So you have a fly |
| 01:53:08 |
and the fly, who can travel |
| 01:53:11 |
leaves the tire |
| 01:53:12 |
to the tire of bicycle A |
| 01:53:14 |
and so on and so forth |
| 01:53:17 |
and the poor little fly |
| 01:53:18 |
- This is the important thing... |
| 01:53:20 |
about actually focusing in |
| 01:53:23 |
the area that you're |
| 01:53:25 |
Mathematics is very specific, |
| 01:53:27 |
no matter what these |
| 01:53:30 |
especially the people |
| 01:53:31 |
Don't listen to any |
| 01:53:33 |
Let me go back |
| 01:53:35 |
I might want to steal this, |
| 01:53:39 |
I was thinking |
| 01:53:43 |
A classroom |
| 01:53:45 |
can be daunting |
| 01:53:48 |
John, besides, |
| 01:53:52 |
I'm an acquired |
| 01:53:54 |
I was hoping there still |
| 01:53:57 |
What about the- |
| 01:53:59 |
Well, you know. |
| 01:54:01 |
Are they gone? |
| 01:54:09 |
No, they're not gone. |
| 01:54:12 |
And maybe they |
| 01:54:14 |
But I've gotten used |
| 01:54:15 |
and I think as a result |
| 01:54:19 |
You think that's |
| 01:54:21 |
with all our dreams |
| 01:54:24 |
You've got to keep |
| 01:54:27 |
John, they- |
| 01:54:31 |
They're my past, Martin. |
| 01:54:38 |
Well, good-bye. |
| 01:54:40 |
John, I'll talk |
| 01:54:44 |
Maybe |
| 01:54:51 |
Hey, Nash? |
| 01:54:55 |
You- You scared? |
| 01:55:01 |
Terrified. |
| 01:55:03 |
Mortified. |
| 01:55:05 |
Stupefied by you. |
| 01:55:08 |
Now you ought best |
| 01:55:09 |
or you're gonna get me... |
| 01:55:11 |
in an awful |
| 01:55:16 |
Thanks, Professor. |
| 01:55:18 |
Have a nice day. |
| 01:55:20 |
Papers in hand, Mr. Beyer. |
| 01:55:23 |
Professor Nash? |
| 01:55:28 |
Can you see him? |
| 01:55:31 |
You sure? |
| 01:55:32 |
Positive? |
| 01:55:34 |
- Okay. Good. |
| 01:55:36 |
Forgive me, I'm just |
| 01:55:39 |
See you next week, |
| 01:55:42 |
So now that I know |
| 01:55:44 |
who are you, |
| 01:55:46 |
Professor, my name |
| 01:55:50 |
Thomas King? |
| 01:55:51 |
and I'm here |
| 01:55:52 |
that you're |
| 01:56:03 |
Forgive me, but I'm just |
| 01:56:05 |
Over the past few years |
| 01:56:08 |
has become a cornerstone |
| 01:56:10 |
Suddenly everybody |
| 01:56:12 |
What about my work |
| 01:56:17 |
The application |
| 01:56:20 |
to FCC bandwidth auctions |
| 01:56:24 |
Antitrust cases? |
| 01:56:26 |
I never would have |
| 01:56:28 |
Well... |
| 01:56:30 |
some level of honesty |
| 01:56:32 |
No, no, you haven't. |
| 01:56:34 |
'Cause, I wouldn't |
| 01:56:41 |
Shall we have tea? |
| 01:56:45 |
Oh, I don't go in there. |
| 01:56:47 |
take my sandwich |
| 01:56:49 |
Come on, John. |
| 01:56:53 |
M-Most- |
| 01:56:55 |
Most commercially |
| 01:56:57 |
are not suitable |
| 01:56:59 |
I'm not- |
| 01:57:00 |
There are some |
| 01:57:03 |
I enjoy the flavor |
| 01:57:06 |
I have not been |
| 01:57:08 |
for some many years. |
| 01:57:12 |
Why, thank you, |
| 01:57:16 |
Things have certainly |
| 01:57:18 |
I have a son that age. |
| 01:57:20 |
Harvard. |
| 01:57:26 |
Hmm. |
| 01:57:28 |
I would have thought |
| 01:57:31 |
for the Nobel Prize |
| 01:57:33 |
I would have thought |
| 01:57:35 |
if you won or lost. |
| 01:57:37 |
That is generally |
| 01:57:39 |
But these are |
| 01:57:42 |
The awards |
| 01:57:45 |
They require |
| 01:57:49 |
the image |
| 01:57:53 |
I see. You came here |
| 01:57:57 |
Find out if I would... |
| 01:57:59 |
screw everything up |
| 01:58:03 |
Dance around the podium, |
| 01:58:06 |
things of this nature? |
| 01:58:07 |
Something |
| 01:58:11 |
Would I |
| 01:58:16 |
Yes, it is possible. |
| 01:58:21 |
You see, l- |
| 01:58:23 |
I am crazy. |
| 01:58:27 |
I take the newer |
| 01:58:33 |
but I still see things |
| 01:58:38 |
I just choose |
| 01:58:42 |
Like a diet of the mind, |
| 01:58:44 |
I choose not to indulge |
| 01:58:48 |
Like my appetite |
| 01:58:53 |
Perhaps my appetite |
| 01:58:58 |
Professor Nash. |
| 01:59:03 |
It's good to have |
| 01:59:07 |
Thank you. |
| 01:59:13 |
It's an honor, sir. |
| 01:59:17 |
A privilege, |
| 01:59:23 |
Professor. |
| 01:59:29 |
Nicely done, John. |
| 01:59:33 |
Thank you. |
| 01:59:35 |
Thank you. |
| 01:59:45 |
Thank you, Ed. |
| 01:59:55 |
That was certainly |
| 02:00:18 |
Thank you. |
| 02:00:24 |
I've always believed in numbers. |
| 02:00:26 |
In the equations and logics... |
| 02:00:29 |
that lead to reason. |
| 02:00:31 |
But after a lifetime |
| 02:00:33 |
I ask, |
| 02:00:36 |
what truly is logic? |
| 02:00:38 |
Who decides reason? |
| 02:00:43 |
My quest has taken me |
| 02:00:46 |
the metaphysical, |
| 02:00:49 |
the delusional... |
| 02:00:52 |
and back. |
| 02:00:56 |
And I have made |
| 02:01:01 |
The most important discovery |
| 02:01:06 |
It is only in the mysterious |
| 02:01:10 |
that any logical |
| 02:01:16 |
I'm only here tonight |
| 02:01:20 |
You are |
| 02:01:27 |
You are all my reasons. |
| 02:01:33 |
Thank you. |
| 02:02:27 |
So nice to have |
| 02:02:32 |
I'll call |
| 02:02:33 |
Bye bye. |
| 02:02:35 |
Bye bye. |
| 02:02:37 |
Are you ready to go now? |
| 02:02:39 |
Yes, indeed, |
| 02:02:42 |
Thank you so much. |
| 02:02:45 |
Thank you. |
| 02:02:48 |
What is it? |
| 02:02:54 |
Nothing. |
| 02:02:58 |
Nothing at all. |
| 02:03:01 |
Come with me, |
| 02:03:03 |
I have a car outside. |
| 02:03:06 |
Are you interested |
| 02:03:09 |
Where's it going to? |
| 02:03:30 |
l will |
| 02:03:34 |
Watch you |
| 02:03:37 |
in the darkness |
| 02:03:44 |
Show you |
| 02:03:48 |
Love will |
| 02:03:51 |
See you through |
| 02:03:59 |
When the bad dreams |
| 02:04:06 |
Wake you crying |
| 02:04:13 |
I'll show you |
| 02:04:18 |
All love can do |
| 02:04:28 |
What love can do |
| 02:04:34 |
l will watch |
| 02:04:38 |
Hold you in my arms |
| 02:04:42 |
Give you dreams |
| 02:04:44 |
Where none will be |
| 02:04:49 |
l will watch |
| 02:04:53 |
Till the morning comes |
| 02:04:57 |
All the light |
| 02:04:59 |
I'll take you |
| 02:05:02 |
To see |
| 02:05:05 |
The light |
| 02:05:08 |
Showing us all love |
| 02:05:12 |
Can be |
| 02:05:17 |
l will |
| 02:05:21 |
Guard you |
| 02:05:24 |
With my bright wings |
| 02:05:31 |
Stay till your heart |
| 02:05:39 |
Learns to see |
| 02:05:47 |
All love |
| 02:05:52 |
Can... |
| 02:05:57 |
Be |
