Benny and Babloo
|
00:01:10 |
Hello, sir. - Yes. |
00:01:12 |
What can I get for you, sir? |
00:01:14 |
What's on the menu? |
00:01:15 |
Chicken Handi, Chicken Pathani... |
00:01:16 |
...Chicken Lakhanvi, Chicken |
00:01:17 |
Mutton Kofta, Mutton Masala, |
00:01:18 |
...the mutton dishes. |
00:01:20 |
The minced meat dishes |
00:01:21 |
...Kheema Ghotala, Kheema fry. |
00:01:22 |
Kesar, Falooda, Ras |
00:01:24 |
And the hot drinks include normal, |
00:01:26 |
Tell me. What can |
00:01:28 |
Okay. Do this. Get me a |
00:01:31 |
Mangya. - Yes. - Slap half a |
00:01:36 |
Here's your biscuit, sir. |
00:01:37 |
Here's your egg. |
00:01:39 |
Yes, sir. What can I get for you? |
00:01:41 |
Do you have |
00:01:42 |
Yes, we do, sir. But after 7:00. |
00:01:44 |
Get me a plate of Haleem. |
00:01:45 |
You'll get that as well, |
00:01:46 |
Then get me Paya Masala. |
00:01:47 |
Sir, we had it, but we ran out |
00:01:49 |
Then, sir, tell me, |
00:01:51 |
Why don't you have |
00:01:52 |
It's very good, sir. |
00:01:53 |
It's just that we don't have |
00:01:55 |
The rest is superb, |
00:01:57 |
Hey! |
00:02:05 |
Sorry. What else can I say? |
00:02:07 |
But, Brother Firoz, we have |
00:02:09 |
And now... - The lease taken |
00:02:13 |
That lousy landlord |
00:02:15 |
...to some Burger Hut guy. |
00:02:17 |
We'll get a job at the |
00:02:19 |
What are you saying? |
00:02:21 |
College kids work as |
00:02:24 |
...Pizza hut, Café coffee day |
00:02:26 |
Young and educated. |
00:02:29 |
Mr. Jhamshed, Montu, |
00:02:32 |
...now you'll have to |
00:02:35 |
This Burger Hut has |
00:02:37 |
What to do know? We'll run |
00:02:46 |
Darling, you |
00:02:48 |
Don't worry. I |
00:02:53 |
My sweetheart, why |
00:02:56 |
This Babloo of yours quenches |
00:03:00 |
Babloo. Babloo. |
00:03:04 |
Babloo! - What? |
00:03:09 |
Have some sweets first. |
00:03:11 |
One more. Come on. |
00:03:14 |
Now ask me what happened. |
00:03:16 |
What happened? |
00:03:19 |
Welcome to the proud family of the |
00:03:22 |
This is your appointment letter. |
00:03:24 |
We're delighted to |
00:03:26 |
You've got a job in a five |
00:03:31 |
You know uncle Dalmiya, don't you? |
00:03:32 |
I met him at the Irani |
00:03:33 |
I buttered him up every day. |
00:03:35 |
I requested him to |
00:03:37 |
And he recommended me. |
00:03:38 |
And this Benny knows English. |
00:03:40 |
I know a little bit, right? |
00:03:41 |
Yes. A little bit. |
00:03:42 |
"How are you?" and all that. |
00:03:46 |
Babloo, I'm on my way. - Yes. |
00:03:50 |
Okay, listen. You had |
00:03:51 |
What happened? Tell me. Tell me. |
00:03:54 |
I've also got a job. |
00:03:57 |
Ghungroo. Ladies bar. |
00:04:01 |
You'll work as a |
00:04:03 |
Okay. |
00:04:04 |
Come on, go. Be here |
00:04:05 |
Sir, I'll be here half an |
00:04:09 |
Will you flirt with my |
00:04:12 |
No. No, sir. |
00:04:13 |
Babloo, if you try to get |
00:04:18 |
Then I'll chop off your |
00:04:22 |
And then your... |
00:04:24 |
what? |
00:04:26 |
I did not mean that. |
00:04:27 |
Are you going to |
00:04:29 |
Very indecent place, pal. |
00:04:31 |
And I can't even speak |
00:04:34 |
Your family is there in... |
00:04:36 |
In Darbanga, your district. |
00:04:37 |
If your family comes to know |
00:04:38 |
...they'll die of shame. |
00:04:39 |
But if I don't work at all, they'll |
00:04:43 |
He's tarnishing his parents' name. |
00:04:45 |
You mind it. I'm telling you. |
00:04:46 |
So do you want me to let |
00:04:54 |
"Benny is a bad boy." |
00:05:01 |
Good day, sir. |
00:05:04 |
I see. What are you saying, sir? |
00:05:07 |
You fool. |
00:05:09 |
Haven't you ever |
00:05:10 |
How long are you |
00:05:14 |
Ronnie, I have worn such |
00:05:16 |
...the first time in my life. |
00:05:18 |
What nice? It's the uniform. |
00:05:20 |
Yes, it might be 'legular'... |
00:05:24 |
You are the senior |
00:05:26 |
Till now, I've seen a five star |
00:05:29 |
For the first time, |
00:05:33 |
...standing in a five star hotel. |
00:05:36 |
I'm very lucky. I'm so... I'm... |
00:05:39 |
Are you going to beat me up? |
00:05:41 |
Listen. Forget your emotion. |
00:05:45 |
Let's go. Come on. |
00:05:49 |
What a fitting! |
00:05:51 |
Why are you cribbing |
00:05:57 |
Sir, isn't this a little too long. |
00:05:59 |
Prakash was also tall. |
00:06:00 |
Prakash who? |
00:06:02 |
The one whose coat this is. |
00:06:04 |
What will Prakash |
00:06:06 |
A shroud. - What? |
00:06:09 |
He had a tumour in his brain. |
00:06:10 |
Listen, is there some any... |
00:06:13 |
No. No, you don't have |
00:06:16 |
Here. Pen and... order slip. |
00:06:21 |
We can take care of |
00:06:28 |
This coat of a dead man? |
00:06:33 |
The banquet hall should be... |
00:06:37 |
Negi. Manager. |
00:06:39 |
Hey, you, come here. Come here. |
00:06:41 |
Nikhil, why do we need |
00:06:43 |
Good night to you, sir. |
00:06:45 |
Good morning is... |
00:06:47 |
What, sir? - Not to you. |
00:06:49 |
Who are you? |
00:06:50 |
I'm the bell. |
00:06:52 |
The... I... Benny the bell boy. |
00:06:54 |
Aren't you a little too tall? |
00:06:56 |
You start, but you never end. |
00:06:58 |
Come on, go back to your place. |
00:06:59 |
Hurry up. Come on. |
00:07:00 |
Tukaram, come here. - Yes, sir. |
00:07:02 |
Tukaram, go to Nikhil. |
00:07:04 |
Nikhil, listen to me now. |
00:07:06 |
Now come on. Don't look at my face. |
00:07:07 |
Move it. Disperse. Come on. |
00:07:09 |
Get back to work. |
00:07:10 |
Nikhil, listen to me. |
00:07:11 |
I... I'm going, sir. |
00:07:14 |
Hey! What are you doing, |
00:07:16 |
What are you doing? |
00:07:17 |
Sir. Sorry, sir. Sorry, sir. |
00:07:18 |
Take this man. He's at it again. |
00:07:19 |
I'll get him. I'll |
00:07:20 |
And check the arrangements |
00:07:54 |
"Benny... Benny... |
00:07:56 |
"Benny... Benny... |
00:08:12 |
"Benny... Benny... |
00:08:22 |
'Welcome to hotel Mirage.' |
00:08:32 |
'Welcome to hotel Mirage.' |
00:08:35 |
Good evening, sir. Good evening. |
00:08:42 |
Benny, what are you doing? |
00:08:43 |
Do you want to break it? |
00:08:44 |
Look. This... |
00:08:47 |
Come on. Come on. |
00:08:50 |
Get the bags now. |
00:08:52 |
Bell boy... - Yes, sir. |
00:09:03 |
Benny. Benny, what are you doing? |
00:09:05 |
Put it down. Put it down. |
00:09:06 |
Put it down. |
00:09:08 |
What are you doing? Hold on. Watch. |
00:09:10 |
This... And this. Here. Hold it. |
00:09:15 |
Hold it. Come on. |
00:09:19 |
Excuse me? |
00:09:22 |
Good evening, ma'am. |
00:09:24 |
Welcome to our hotel. |
00:09:28 |
Oh, yes. Of course. |
00:09:29 |
This way, please. |
00:09:31 |
This is ma'am Sheena. |
00:09:34 |
Public relations officer. |
00:09:35 |
Does Sheena ma'am |
00:09:37 |
Very good. |
00:09:38 |
All the people who work |
00:09:41 |
...know Chinese, Japanese, Korean... |
00:09:42 |
...everything. |
00:09:43 |
Don't worry. You'll |
00:09:44 |
I... I can't even |
00:09:47 |
I get mixed up with the |
00:09:49 |
Really? Come on. I'll |
00:10:05 |
Sir, you can't roam around |
00:10:09 |
This is a five star, you know. |
00:10:10 |
I know. I know. What can I do? |
00:10:12 |
I came here to keep this tray. |
00:10:15 |
What are you doing? |
00:10:16 |
Get a duplicate key |
00:10:19 |
Oh, God. - Good evening, sir. |
00:10:24 |
Oh, God. |
00:10:26 |
Come on. This not a tiger. |
00:10:45 |
She is the head of |
00:10:49 |
Who was behind her? |
00:10:51 |
He must have messed up something. |
00:10:57 |
Come, sir. |
00:11:03 |
Sir, over here is |
00:11:05 |
And there is a very |
00:11:06 |
...with a very wonderful... |
00:11:07 |
Oh, my God. |
00:11:14 |
Sir, the house-keeping will come... |
00:11:15 |
...and give you |
00:11:16 |
Yes, sir. |
00:11:18 |
Good day, sir. |
00:11:19 |
Good day, sir. |
00:11:22 |
Thank you, sir. Thank you. |
00:11:24 |
Benny, good day, sir. |
00:11:25 |
Good day, sir. |
00:11:29 |
Good day, sir. Good day. |
00:11:32 |
Good day, ma'am. |
00:11:38 |
So? Now you learnt Chinese, |
00:11:41 |
Look, mister, this is |
00:11:43 |
This is how it works here. |
00:11:44 |
The person before us can |
00:11:46 |
We just have to smile. |
00:11:47 |
Everyone does the same here. |
00:11:49 |
Be it if the person before us is |
00:11:52 |
But we just have to smile and say... |
00:11:55 |
..."Thank you, thank you, sir. |
00:11:57 |
I... I can't believe it, Ronnie. |
00:11:59 |
Rs. 100, buddy. |
00:12:01 |
I love... this... hospital... |
00:12:23 |
That guest has ruined my |
00:12:26 |
Last night a fool had come. |
00:12:27 |
He made me sing the |
00:12:29 |
What nonsense! I went crazy singing. |
00:12:31 |
I can' believe these |
00:12:32 |
Look here. |
00:12:33 |
Ladies, this is Babloo. |
00:12:35 |
He'll be working in |
00:12:37 |
Welcome. We were... waiting for you. |
00:12:44 |
Hey, I'll call you Babloo, |
00:12:46 |
No. My name is Babloo Charan Lathi. |
00:12:48 |
Really? |
00:12:50 |
Hey, you are Babloo? |
00:12:53 |
What do you want to |
00:12:54 |
Babloo. |
00:12:59 |
You wretch! |
00:13:01 |
You were wooing my man |
00:13:03 |
Listen, smart alec, don't |
00:13:05 |
...on me because he |
00:13:07 |
Go away. - What? |
00:13:08 |
You wretch, a loose |
00:13:11 |
So are you the bell of a temple? |
00:13:12 |
And you are characterless. |
00:13:13 |
Look, they are fighting so badly. |
00:13:14 |
This happens here everyday. You |
00:13:17 |
You look at yourself in the mirror. |
00:13:18 |
Don't spoil my mood or I'll |
00:13:19 |
And I'll just stand here and smile? |
00:13:21 |
Come on, get lost. |
00:13:22 |
Look, Sisters, calm down. |
00:13:30 |
What did you say? |
00:13:31 |
Sister. Why? What happened? |
00:13:33 |
You naive Babloo. "witch" |
00:13:36 |
...the local dialect here. |
00:13:38 |
Don't call us sister. |
00:13:42 |
Witch, wretch, insolent, keep calm. |
00:13:47 |
"Sweetheart, oh, sweetheart, say..." |
00:13:51 |
"Oh, please open your heart to me." |
00:13:54 |
How was your first day? |
00:13:59 |
It is not a hotel. It's heaven. |
00:14:01 |
I was dumbfounded when I |
00:14:03 |
And you don't know. The boys and |
00:14:07 |
They are no less. |
00:14:08 |
And ladies. How they |
00:14:11 |
With the dots, lipstick and stuff. |
00:14:14 |
And the work there, Babloo. |
00:14:16 |
You just have to carry the luggage. |
00:14:17 |
And you don't have |
00:14:19 |
There is a roll... |
00:14:20 |
Roller. |
00:14:22 |
You just have to hold the |
00:14:23 |
Move it. Keep it in the room. |
00:14:24 |
Then be it Chinese, Indian. Anyone. |
00:14:26 |
You say to him, "Good day, sir". |
00:14:28 |
"Good day, ma'am". |
00:14:30 |
Then... |
00:14:33 |
You get this tip, Babloo. |
00:14:35 |
The 'Pulao' (Rice Dish) is |
00:14:38 |
Take it off. Quickly. |
00:14:40 |
"Sweetheart, oh, |
00:14:45 |
It was your first day, right? |
00:14:47 |
How was it? |
00:14:48 |
You smart elec. Tell me. |
00:14:50 |
Tell me what happened. |
00:14:51 |
There is nothing dream-like there. |
00:14:57 |
There is only the reality of life. |
00:15:00 |
'Benny, these guys |
00:15:04 |
'The only difference is that |
00:15:07 |
'And these guys do |
00:15:09 |
"In this love of two days..." |
00:15:11 |
'By 9:30 when the guests |
00:15:17 |
"In this love of two days..." |
00:15:19 |
Then the girls come onto the |
00:15:23 |
"They have started saying to me." |
00:15:25 |
"Ever since I have lost my heart..." |
00:15:27 |
"...l've got more |
00:15:30 |
"Ever since I have lost my heart..." |
00:15:32 |
"...l've got more |
00:15:44 |
"He is admirer. His charm." |
00:15:47 |
Richa, don't give |
00:15:51 |
Can't you see? It's written on |
00:15:54 |
He's a guest who'll only |
00:15:58 |
Find someone else. |
00:15:59 |
My request? Go. |
00:16:04 |
Request. |
00:16:06 |
"The first love..." |
00:16:08 |
Roshni, your man has sent a request. |
00:16:10 |
"The heart's restless. |
00:16:12 |
Tell that loser to |
00:16:15 |
Or else others are ready. |
00:16:18 |
"Ever since I have lost my heart..." |
00:16:20 |
"...l've got more |
00:16:23 |
"Ever since I have lost my heart..." |
00:16:25 |
"...l've got more |
00:16:27 |
What's your name? |
00:16:31 |
Soni, no one's like you. |
00:16:38 |
Give me your number. |
00:16:40 |
You give me your number. |
00:16:43 |
For sure. |
00:16:44 |
Soni keeps playing the |
00:16:48 |
One day such a buzzer will go off... |
00:16:50 |
...that she'll left at |
00:16:57 |
What time will you call? |
00:16:59 |
After I wake up at 4:00. |
00:17:02 |
"I also got excited and said..." |
00:17:08 |
"He started saying in the |
00:17:11 |
"Come, let me adorn |
00:17:15 |
"Ever since I have lost my heart..." |
00:17:17 |
"...l've got more |
00:17:19 |
"Ever since I have lost my heart..." |
00:17:21 |
"...l've got more |
00:17:22 |
Here comes the fool. Lousy loser. |
00:17:31 |
Pathetic idiot. |
00:17:35 |
So? Bills of ten? |
00:17:37 |
Did you break your piggy bank today? |
00:17:40 |
Give me your number. |
00:17:41 |
Why Harry Potter? |
00:17:42 |
Are you a part of the |
00:17:44 |
No. Well, the thing is |
00:17:46 |
We'll go to some disco |
00:17:49 |
I don't dance with children. |
00:17:51 |
With children? |
00:17:52 |
Are you pregnant? |
00:17:54 |
This fool... |
00:17:56 |
Come on, drink. |
00:17:58 |
Come on. |
00:18:03 |
Hey, listen. |
00:18:06 |
Give me the number. |
00:18:09 |
You fool. Not yours. |
00:18:12 |
Give me the number of |
00:18:14 |
"In the first meeting..." |
00:18:16 |
I don't have her number. |
00:18:18 |
"He started saying in the |
00:18:19 |
"Come, let me adorn |
00:18:22 |
"Ever since I have lost my heart..." |
00:18:24 |
"...l've got more |
00:18:26 |
Hey! |
00:18:33 |
Sir, I'll replace it. |
00:18:34 |
Sir, I'll replace it. |
00:18:36 |
What happened? |
00:18:37 |
Well, what do I tell you? |
00:18:40 |
Get me another one. |
00:18:41 |
You're such an idiot. - Please. |
00:18:43 |
Hey, loser. Come here. |
00:18:45 |
"With you I have..." |
00:18:47 |
what was that fool saying? |
00:18:48 |
"Ever since I have lost my heart..." |
00:18:49 |
He was asking for your number? |
00:18:51 |
You gave him, right? |
00:18:52 |
No. I don't have your number. |
00:18:54 |
I wouldn't have given |
00:18:57 |
So will you give my number to |
00:19:02 |
Here you go. |
00:19:08 |
Well done, my little friend. - Yes. |
00:19:10 |
You've got the number? |
00:19:14 |
Rs. 500. Have fun. |
00:19:17 |
He gave you a Rs. 500 tip? |
00:19:21 |
Very good, Babloo. |
00:19:22 |
Wonderful. |
00:19:24 |
Well, the result of |
00:19:27 |
Bad? |
00:19:28 |
Not like that. |
00:19:30 |
Now I'm your friend. |
00:19:31 |
The thing is that you've become a |
00:19:33 |
No. But I didn't supply any girl. |
00:19:35 |
Not... Not a girl. The thing is |
00:19:38 |
That's why I said that. |
00:19:40 |
Very good. |
00:19:41 |
Rs. 500 tip. It's very good. |
00:19:43 |
Tell me something. |
00:19:45 |
How many girls work in your bar? |
00:19:47 |
Must be around 12-15. |
00:19:49 |
So many of them? - Yes. |
00:19:52 |
So... if you give 10 or |
00:19:56 |
...as in supply them... |
00:19:59 |
...you'll open your own beer bar. |
00:20:01 |
Then people will say, "Hello, |
00:20:06 |
I was only doing my duty sincerely. |
00:20:08 |
That's fine. Sincerity |
00:20:15 |
What? |
00:20:17 |
Oh, you heard that? |
00:20:20 |
What were you saying? |
00:20:21 |
It's... How do I say it in Hindi? |
00:20:23 |
It doesn't work if you spread |
00:20:25 |
...on the bed of dishonesty. |
00:20:27 |
This is what Rajnikanth |
00:20:29 |
That's why I also just said it. |
00:20:30 |
Okay. Good night. |
00:20:32 |
That Rs. 500 tip. Very good. |
00:20:44 |
Mr. Shahnawaaz, agreed |
00:20:48 |
But at times, show |
00:20:51 |
Hello. Hello. |
00:20:55 |
No. No. Tell me. |
00:20:56 |
Have you also bought off this |
00:20:59 |
You've spoilt the |
00:21:01 |
Hey, hello. If you have bought a |
00:21:04 |
...even I haven't |
00:21:07 |
And what I do is |
00:21:09 |
Okay? - Personal? |
00:21:10 |
Public property |
00:21:13 |
Hello. Excuse me. |
00:21:15 |
Ria, stop it. Forget it. |
00:21:17 |
And, dear, don't take |
00:21:21 |
Go. You're in a hurry, |
00:21:24 |
Sorry, dear. - Aunty, please. |
00:21:28 |
This is madam's car. |
00:21:29 |
I wonder how many people she |
00:21:33 |
And this is the managing |
00:21:36 |
They won't take any step. |
00:21:37 |
And why would they? |
00:21:39 |
Because she must be |
00:21:40 |
...for them along with |
00:21:43 |
Mom, how does it |
00:21:45 |
...if it's an old or a young man? |
00:21:47 |
Forget it, Ria. |
00:21:48 |
Why are you spoiling your mood? |
00:21:50 |
Go to work in a good mood. |
00:21:57 |
First you waited for the elevator. |
00:22:00 |
You're getting late, aren't you? |
00:22:01 |
You want a ride, baby? |
00:22:03 |
Get lost, monkey face. |
00:22:21 |
Hey, Sheena. |
00:22:23 |
You are still at home? |
00:22:24 |
Look, what I got here. |
00:22:25 |
City club membership form. |
00:22:27 |
It's an amazing scheme. |
00:22:28 |
A tour package of five nights |
00:22:32 |
And this is even more amazing. |
00:22:34 |
They have recorded all |
00:22:37 |
Let's watch and book it. Come. |
00:22:38 |
Ashu, you show up with |
00:22:40 |
...scheme every other day. |
00:22:42 |
But what happens? |
00:22:43 |
You had got one last |
00:22:44 |
We work day and night to pay |
00:22:48 |
You work in the day shift, |
00:22:50 |
When one of us returns, |
00:22:53 |
Listen. Look... Look, sweetheart. |
00:22:55 |
You'll have to make some |
00:22:58 |
...a lavish life like this. |
00:22:59 |
What life are you |
00:23:01 |
Where is our life? |
00:23:02 |
Life is when you stay together. |
00:23:03 |
By starting a family. |
00:23:05 |
We have no family. We have no life. |
00:23:08 |
Can't you see? You've just returned. |
00:23:09 |
And I'm preparing to leave. |
00:23:11 |
But listen. |
00:23:13 |
At least watch the |
00:23:31 |
Oh, no. |
00:23:32 |
What is this, ma'am? |
00:23:34 |
I'm sorry. |
00:23:35 |
I could've died. You have |
00:23:36 |
Are you okay? |
00:23:37 |
I mean are you... |
00:23:38 |
Yes. What "Are you okay"? |
00:23:40 |
What is this, ma'am? You have |
00:23:42 |
What if I had died? |
00:23:43 |
I'll take you to |
00:23:44 |
Brother... Brother, what happened? |
00:23:45 |
Brother, she would've |
00:23:47 |
But you are okay, aren't you? |
00:23:49 |
Who are you? What it is to you? |
00:23:50 |
I'm Benny, the |
00:23:51 |
Mind it. Go. |
00:23:55 |
Move. Move. |
00:23:56 |
You okay? |
00:23:59 |
Thank you. |
00:24:01 |
Ma'am, you did not recognize me? |
00:24:05 |
Benny, the bell boy in Mirage Hotel. |
00:24:07 |
I see. Are you a new recruit? |
00:24:10 |
I was heading to work. |
00:24:11 |
I live close by. You |
00:24:13 |
In this? |
00:24:14 |
No. Behind this. If you go |
00:24:16 |
...there is a tenement. I live there. |
00:24:17 |
Come, I'll give you a ride. |
00:24:21 |
Thank you, ma'am. |
00:24:23 |
Sit in front. Not at the back. |
00:24:26 |
I would look like your |
00:24:30 |
What happened? Why are you laughing? |
00:24:32 |
No, ma'am. Well... I was wondering... |
00:24:35 |
...even if I sit in the front. |
00:24:39 |
The thing is that people will feel... |
00:24:40 |
...that madam has made |
00:24:42 |
...and is driving the car herself. |
00:24:45 |
Why? Why are you saying so? |
00:24:46 |
Just like that, |
00:24:49 |
You are like |
00:24:54 |
Ma'am, you should laugh |
00:24:57 |
You look more beautiful that way. |
00:24:58 |
Beautiful? |
00:24:59 |
No. I mean the face |
00:25:03 |
Very nice. |
00:25:04 |
Really? Then I must be |
00:25:08 |
At home? Why, ma'am? |
00:25:12 |
Forget it. |
00:25:13 |
Tell me, how it |
00:25:15 |
In Mirage, ma'am. |
00:25:18 |
On the first day, I jumped. |
00:25:20 |
I was jumping. |
00:25:22 |
I'm very lucky, ma'am. |
00:25:23 |
I must have earned |
00:25:25 |
I mean virtues in my previous birth. |
00:25:26 |
That's why I'm working at Mirage. |
00:25:29 |
That guy... that fellow at Mirage... |
00:25:45 |
when I got down from ma'am |
00:25:47 |
You should've seen Ronnie's face. |
00:25:50 |
It was as red as a tomato. |
00:25:51 |
He is nice guy. But he got jealous. |
00:25:54 |
Babloo, the thing is |
00:25:56 |
...will be offering |
00:25:59 |
That's great. |
00:26:00 |
What great? You've lost. |
00:26:03 |
What the... |
00:26:05 |
"Don't look at the face." |
00:26:07 |
Don't sing the song |
00:26:09 |
Benny, this song |
00:26:12 |
What are you saying? |
00:26:13 |
What storm would be |
00:26:15 |
All this happens 'legularly'... |
00:26:17 |
Regularly? - Yes. |
00:26:19 |
What are you saying? |
00:26:20 |
"Get into my heart |
00:26:26 |
What happened in the bar? |
00:26:27 |
A customer frequents our bar. |
00:26:29 |
Ripe oldie. |
00:26:30 |
Bokadia. |
00:26:35 |
Here's your hero. |
00:26:38 |
"Don't look at the face." |
00:26:42 |
"Get into my heart |
00:26:47 |
"Get into my heart |
00:26:50 |
This oldie? |
00:26:54 |
"Don't look at the face." |
00:26:55 |
Your admirer is |
00:26:58 |
"Get into my heart |
00:27:01 |
Isha, go tell him that |
00:27:03 |
...to head for someone's waist... |
00:27:04 |
...but towards the grave. |
00:27:06 |
"See for yourself." |
00:27:08 |
"The weather will |
00:27:13 |
"Even the heart of stone will melt." |
00:27:16 |
Today the oldie is all charged up. |
00:27:18 |
Today, old is gold. |
00:27:20 |
"Just see for yourself |
00:27:26 |
Uncle is an absolute lover boy. |
00:27:27 |
"See for yourself." |
00:27:31 |
Someone please give Viagra to uncle. |
00:27:34 |
Along with the wood for the funeral. |
00:27:36 |
Lousy guy. |
00:27:37 |
"Get into my heart |
00:27:41 |
"Get into my heart |
00:27:45 |
Babloo, don't ever fall in love. |
00:27:47 |
"The weather will |
00:27:50 |
"Even the heart of stone will melt." |
00:27:52 |
But if you do, then |
00:27:57 |
"Grey hair and unsure gait. |
00:28:01 |
"She is now defamed. |
00:28:05 |
"She has found an oldie." |
00:28:07 |
It's not right to make fun of |
00:28:10 |
Believe me. |
00:28:11 |
I can clearly see love for |
00:28:19 |
She will not change. |
00:28:21 |
Babloo, you've started |
00:28:24 |
Look at uncle's true love. |
00:28:28 |
She can say whatever she |
00:28:30 |
Babloo, that oldie can't see |
00:28:33 |
How did you mange to see love? |
00:28:35 |
Because he loves you, madam. |
00:28:36 |
It is true love. |
00:28:37 |
Let that oldie be. |
00:28:39 |
Look, Soni, Babloo is right. |
00:28:41 |
So what if he is old? |
00:28:42 |
He doesn't just want to |
00:28:45 |
Yes. The rest of the boys just |
00:28:50 |
Isn't it? |
00:28:52 |
Yes. One night stand and all. |
00:28:54 |
Are you done with the preaching? |
00:28:55 |
Soni, you'll come |
00:28:59 |
But you won't find anyone |
00:29:04 |
Yes. She will get someone. |
00:29:07 |
Do you know what kind of people? |
00:29:09 |
These pickpockets, thugs, thieves... |
00:29:11 |
These goons... |
00:29:13 |
They'll get people like them. |
00:29:14 |
How can they even think that... |
00:29:15 |
...they can actually get |
00:29:17 |
How can you say that? |
00:29:19 |
Love is blind, isn't it? |
00:29:21 |
Look, I don't know |
00:29:22 |
You're getting blinded by emotions. |
00:29:26 |
This place is not |
00:29:28 |
I'll speak to ma'am Sheena... |
00:29:29 |
...and get you a job |
00:29:31 |
Till then, pull yourself together. |
00:29:33 |
Don't get yourself into this |
00:29:35 |
Their lives will never change. |
00:29:38 |
What about Mr. Mehra's four |
00:29:41 |
Yes, sir. They will be |
00:29:42 |
"They will be |
00:29:45 |
If I ask you in the evening, |
00:29:47 |
Then by the next morning. |
00:29:48 |
Look, Salim, let me tell |
00:29:52 |
You have been appointed recently. |
00:29:53 |
I hate carelessness and |
00:29:57 |
Okay, sir. |
00:29:58 |
Put our bean bags and |
00:30:01 |
...along with Raju. - Okay, sir. |
00:30:02 |
I have to teach them everything. |
00:30:06 |
Hello? Yes. Yes. Yes, |
00:30:10 |
He is so perfect in his work. |
00:30:12 |
But he is so strict. |
00:30:13 |
And he bullies us so much. |
00:30:16 |
I guess his wife must not be |
00:30:18 |
That's why he vents out |
00:30:19 |
There is no one at his home. |
00:30:21 |
His kids and wife were |
00:30:23 |
What? |
00:30:25 |
Yes. Such is life. |
00:30:26 |
The one who is busy decorating... |
00:30:28 |
...others' houses day and night... |
00:30:29 |
He is all alone at his home. |
00:30:35 |
"By signalling through my eyes..." |
00:30:45 |
"...I will steal your heart." |
00:30:54 |
"By signalling through my eyes." |
00:31:02 |
Oh, my, my! Superb. |
00:31:05 |
"I'll steal... your heart." |
00:31:25 |
"By signalling through my eyes..." |
00:31:29 |
"...l'll steal your heart." |
00:31:32 |
"By signalling through my eyes..." |
00:31:36 |
"...l'll steal your heart." |
00:31:39 |
"Why don't you understand me?" |
00:31:43 |
"Why don't you understand me?" |
00:31:46 |
"Why do you turn away |
00:31:50 |
"Oh, Dolly." |
00:31:52 |
"I'm Dolly." |
00:31:54 |
"Darling, I am your Dolly." |
00:31:57 |
"I'm Dolly. I'm Dolly. |
00:32:00 |
"I'm Dolly. I'm Dolly. I'm Dolly. |
00:32:15 |
"Wow. What a magic! What style!" |
00:32:19 |
"The youthful style is mesmerising." |
00:32:23 |
"Wow. What magic! What style!" |
00:32:30 |
"The youthful style is mesmerising." |
00:32:34 |
"What a tempting scene!" |
00:32:37 |
"The ambience |
00:32:48 |
"Why don't you understand me?" |
00:32:52 |
"Why do you turn away |
00:32:55 |
"Oh, Dolly." |
00:32:57 |
"Darling, you are my Dolly." |
00:33:00 |
"Oh, Dolly. My Dolly. Oh, Dolly." |
00:33:12 |
"Wherever I look, all my |
00:33:23 |
"Wherever I look, my |
00:33:30 |
"Oh, beauty, listen |
00:33:35 |
Give me your heart by mistake." |
00:33:40 |
"Why don't you understand me?" |
00:33:44 |
"Why don't you understand me?" |
00:33:48 |
"Why do you turn away |
00:33:52 |
"Oh, Dolly." |
00:33:53 |
"I'm Dolly." |
00:33:55 |
"Darling, I am your Dolly." |
00:33:58 |
"I'm Dolly. I'm Dolly. |
00:34:01 |
"I'm Dolly. I'm Dolly. |
00:34:03 |
Go in, Isha. Go quickly. |
00:34:05 |
Hema, go in. Hurry up! Hurry up! |
00:34:07 |
Preeti, hurry up. Go quickly. |
00:34:09 |
"By signalling through my eyes." |
00:34:17 |
Open it. Hurry up. |
00:34:19 |
Open it quickly. - Come on, |
00:34:21 |
Come on, open it quickly. |
00:34:23 |
Come on, hurry up. |
00:34:38 |
Mr. Kamble, there is no one here. |
00:34:54 |
Shall we go? - Yes. |
00:34:57 |
Hello? I'm hiding. |
00:35:02 |
"Why do you turn away |
00:35:07 |
"Dolly. Darling, I'm your Dolly." |
00:35:16 |
Scoundrel, it's Sunday morning |
00:35:19 |
It's 1:30. Do you know that? |
00:35:21 |
Sir... I'm sorry... |
00:35:23 |
were you still giving customer |
00:35:27 |
How dare you break the law? |
00:35:28 |
Mr. Kamble, let it be. |
00:35:31 |
Chiku, make |
00:35:33 |
Sir, I'll get it |
00:35:35 |
Hey, Brother... - Come on, |
00:35:38 |
Brother, we are just drinking |
00:35:41 |
Do you have a permit to |
00:35:43 |
Why do I need a permit, Brother? |
00:35:45 |
Dadav, arrest him. - |
00:35:49 |
Hey? What are you doing? Let go of |
00:35:54 |
Come on, hurry up. Come on, Hema, |
00:35:56 |
Come on, go from here quickly. |
00:35:58 |
Hurry up. - Let's go quickly. |
00:36:00 |
Get out of here quickly. |
00:36:01 |
Come on, girls, hurry up. |
00:36:03 |
Come quickly. |
00:36:11 |
Hurry up, Brother. Four Bunglows, |
00:36:12 |
Hurry up. - You come here. |
00:36:14 |
Come on, hurry up. Hurry up. |
00:36:18 |
Benny, how will you earn |
00:36:22 |
It is not allowed for the |
00:36:27 |
How many people enter |
00:36:33 |
That, too, only four |
00:36:36 |
Not only these girls, |
00:36:39 |
...earn a livelihood with |
00:36:43 |
You know, like this waiter, this |
00:36:49 |
...the rickshaw driver, the tailor, |
00:36:53 |
But who will explain it to them? |
00:36:56 |
We run a small bar, don't we? |
00:36:59 |
The police has said the bar |
00:37:02 |
...and it's final. |
00:37:03 |
But why do these policemen |
00:37:07 |
Because they can't |
00:37:09 |
'You are welcome to Hotel Mirage.' |
00:37:22 |
This guy over here... - Yes, sir. |
00:37:24 |
He is one of our |
00:37:26 |
All the seminars, conferences of |
00:37:29 |
Right, sir. - He is a very |
00:37:32 |
Good evening, sir. |
00:37:33 |
Sir, look at this. These are some |
00:37:38 |
Their names and rates are |
00:37:42 |
You just point out anyone, |
00:37:44 |
She'll be organized, sir. |
00:37:47 |
Well... this one. - Oh, |
00:37:51 |
Her horror film just released |
00:37:52 |
She'll be organized. |
00:37:56 |
Hey, look. A red handkerchief! |
00:37:59 |
It means... - wow. |
00:38:02 |
Take service. Works |
00:38:06 |
You are lucky. For me, |
00:38:20 |
She has mind blowing figure, |
00:38:23 |
For your kind information, |
00:38:26 |
...the girl by whom you are |
00:38:31 |
She is my wife. |
00:38:35 |
She is hot, isn't she? |
00:38:38 |
No? - Yes, I mean... |
00:38:42 |
Married? - Yes. There she is. |
00:38:49 |
I see. You must be |
00:38:52 |
Yes. We have three |
00:38:55 |
Then you must always be |
00:38:59 |
The exchange offer schemes, right? |
00:39:00 |
Yes, of course. |
00:39:02 |
You bring your old TV and |
00:39:04 |
...on the MRP of our |
00:39:07 |
I'm not talking about the TV... |
00:39:33 |
Hey, baby. I'm telling you an |
00:39:34 |
Just shut up. - Idiot. |
00:39:36 |
Hey, sweetheart. |
00:39:39 |
Hey, guys, hi. Hi. - Hello. |
00:39:41 |
Bye. - Good day. |
00:40:24 |
Come. |
00:40:33 |
Hey, Ronnie. - Yes? |
00:40:34 |
Look, that boy who |
00:40:36 |
He is a rich man's brat. He |
00:40:40 |
He had just committed a |
00:40:42 |
He just took some drugs and |
00:40:45 |
Is it a small crime? - Yes. |
00:40:46 |
Where do you get these drugs? |
00:40:49 |
Benny, are you blind? |
00:40:50 |
You have not seen or |
00:40:52 |
All the drugs are sold |
00:40:54 |
There is less lights and |
00:40:58 |
Drugs are sold in our hotel? - Yes. |
00:41:00 |
Then why don't you |
00:41:02 |
Do you think the manager |
00:41:04 |
The manager knows |
00:41:05 |
Then why doesn't he take any action? |
00:41:08 |
He should inform the police. |
00:41:09 |
I'll tell you. Look, if no |
00:41:13 |
Then who will come |
00:41:15 |
Everything is connected, Benny. |
00:41:17 |
They are concerned only with |
00:41:24 |
Why are you so worried? |
00:41:26 |
You didn't eat food either. |
00:41:29 |
Here, have this medicine. |
00:41:30 |
What is it? - Medicine. |
00:41:33 |
Oh, I thought it is sweets, you |
00:41:36 |
I'll go to sleep when I |
00:41:44 |
This is the red oil. It's very |
00:41:46 |
Apply it before you go to sleep... |
00:41:47 |
...it will give a cooling effect. |
00:41:52 |
Why are you in my face? |
00:41:54 |
Will you let me sleep? |
00:41:57 |
Thanks a lot. |
00:42:00 |
Please light the mosquito coil as |
00:42:05 |
Oh, God. |
00:42:07 |
'Look, the justice of |
00:42:10 |
'The people create havoc |
00:42:13 |
'Lf you kill a dog or an animal, |
00:42:16 |
'But no one is bothered if |
00:42:19 |
'No farmer will commit |
00:42:22 |
'And if he does, God, forgive me. |
00:42:25 |
'I'd feel that I'm |
00:42:27 |
Very good, sir. |
00:42:28 |
'I, Ramesh Thakur, in a conversation |
00:42:30 |
'... the leader fighting |
00:42:32 |
'Drugs are no less than a |
00:42:35 |
'... for the youth of |
00:42:38 |
'I will try to stop it at any cost.' |
00:42:42 |
This madam visits my hotel. |
00:42:45 |
Hey, Babloo. That... - 'This |
00:42:47 |
'... and we are |
00:42:49 |
What's wrong? |
00:42:51 |
I'm trying to sleep |
00:42:53 |
In fact, not even an |
00:42:57 |
'The social worker |
00:42:59 |
'... is running a mission |
00:43:03 |
'Our channel will |
00:43:05 |
I hope I don't snore again. |
00:43:06 |
'Aaj Tak.' |
00:43:11 |
Hey. What? |
00:43:13 |
Did you hear my snoring again? |
00:43:14 |
No, I heard your snoring earlier, |
00:43:16 |
You were sleeping |
00:43:18 |
Go to sleep. Go to sleep. |
00:43:29 |
Oh, God. I'm sorry. I'm sorry. |
00:43:32 |
Actually... I had been to |
00:43:33 |
I thought, not only at night, |
00:43:35 |
...outdated during |
00:43:37 |
Up-to-date. - Yes, the same. |
00:43:40 |
Okay, tell me, will you have pizza? |
00:43:42 |
With four pieces or eight pieces? |
00:43:45 |
Slowly. Slowly, Isha. - Yes, |
00:43:48 |
I am not in a hurry today. |
00:43:49 |
No, I mean speak softly. |
00:43:51 |
Why? Is the volume |
00:43:55 |
Am I shouting? |
00:43:56 |
No, no. You are not shouting. |
00:43:58 |
Actually you have to shout and |
00:44:00 |
...at the bar at night... - Yes. |
00:44:02 |
Do you get that? |
00:44:05 |
Nothing else. |
00:44:06 |
You are a good boy. |
00:44:07 |
You are explaining to me so |
00:44:10 |
You don't belong to Mumbai, right? |
00:44:14 |
I had a desire to become an |
00:44:18 |
Call it an itch. An itch. |
00:44:20 |
By the way, you look like a hero. |
00:44:24 |
By the way, I've been |
00:44:28 |
One minute. One minute. |
00:44:30 |
Get up. |
00:44:31 |
Shall I get up? - Yes. |
00:44:34 |
Hey? Why have you |
00:44:36 |
So that no one casts |
00:44:38 |
I also find it very odd to |
00:44:41 |
But the aunty next |
00:44:43 |
...to carry an egg in |
00:44:45 |
Actually destiny has |
00:44:47 |
I didn't want to take |
00:44:49 |
That's why I spin it |
00:44:51 |
Okay. |
00:44:52 |
Hey? Why are you... spinning... |
00:44:54 |
Just a sec... The |
00:44:58 |
Please. Hey? |
00:45:02 |
Is it done? - Done. |
00:45:06 |
Shall we have pizza? - Yes. |
00:45:15 |
What's wrong, Benny? |
00:45:17 |
Normally, you talk so much |
00:45:20 |
Why are you so quiet today? |
00:45:23 |
No, ma'am, actually I'm |
00:45:26 |
Why? What's wrong? |
00:45:28 |
You know, one madam |
00:45:31 |
Mrs. Tejwani? Yes, I know her. |
00:45:34 |
I saw her on TV yesterday. |
00:45:36 |
She was speaking |
00:45:40 |
Actually... ma'am, you don't know. |
00:45:43 |
A big racket of drugs is |
00:45:48 |
No, I'm not lying... |
00:45:50 |
You know? - Yes, I do. |
00:45:52 |
Then, ma'am... tell madam |
00:45:55 |
Ma'am, it is a very |
00:45:58 |
You'll tell her, won't you, ma'am? |
00:45:59 |
Benny, they are something else on |
00:46:06 |
You don't know |
00:46:12 |
Isn't he good? Look at him. - Yes. |
00:46:16 |
Are you a model? - Yes, I am. |
00:46:19 |
Where do you stay? - At Lokhandwala. |
00:46:25 |
Lokhandwala? - Yes. |
00:46:30 |
You can only afford to buy |
00:46:34 |
...but not stay there. |
00:46:38 |
But I can afford to stay |
00:46:48 |
Would you like to |
00:46:50 |
Booking the Maharaja suite, |
00:46:53 |
...that, too, with different names. |
00:46:55 |
In which name is the |
00:46:57 |
Mr. And Mrs. Sunny Mittal. |
00:46:59 |
Wow. How do you come |
00:47:03 |
Thank you so much, ma'am. Thank you. |
00:47:05 |
Okay, bye. - Bye. |
00:47:06 |
Those who use fake names |
00:47:07 |
...they ever support the truth? |
00:47:11 |
So, Benny, if you got |
00:47:13 |
...you will fall in real trouble. |
00:47:16 |
Don't pay attention to it. |
00:47:20 |
Munna. - Yes? - Where is my chilly |
00:47:22 |
Munna, where is my tea? - |
00:47:23 |
Munna, bring my tea. |
00:47:25 |
Munna. - Yes. Don't yell. |
00:47:26 |
Munna, don't bring anything for me. |
00:47:28 |
Hi. Hi. - Hi. |
00:47:29 |
Hi. - Babloo, come here. Come here. |
00:47:32 |
I've brought a shirt |
00:47:34 |
For me? - Yes. - Why have |
00:47:36 |
Actually I had gone for |
00:47:41 |
I bought a shirt for him, so |
00:47:44 |
How is it? - The shirt is fantastic. |
00:47:46 |
But how did you remember me? |
00:47:47 |
Why? Can't I remember you? - Yes. |
00:47:49 |
Do you think I'm Aamir Khan |
00:47:50 |
...'Ghajini' (lndian Movie)? |
00:47:51 |
Babloo, you are too much. |
00:47:55 |
You had given me Ranvir's number. |
00:47:59 |
You know, Ranvir has |
00:48:02 |
That, too, with the main lead. |
00:48:06 |
It means he is the future |
00:48:09 |
That's it. - No, no. He has |
00:48:11 |
So what? - It means he is |
00:48:14 |
...and you are Mrs. Kishen. |
00:48:15 |
Yes. - You talk nonsense. |
00:48:17 |
Listen. - Squander. Squander a lot. |
00:48:21 |
What difference does it make me? |
00:48:23 |
Here starts the record. |
00:48:24 |
Hey, Babloo. - Yes? |
00:48:26 |
I know such boys... - Yes. |
00:48:30 |
They want a girl who is like the |
00:48:33 |
No, my dear, by moon I mean |
00:48:36 |
...and goes away in the morning. |
00:48:38 |
Hema, what's your problem? |
00:48:41 |
Why are you getting |
00:48:44 |
Why would I feel jealous? |
00:48:47 |
And listen, I come to work here. |
00:48:50 |
I don't come to get into |
00:48:52 |
Anyway, who will |
00:48:54 |
You have become an old taxi |
00:48:58 |
Hey. What did you say, you wretch? |
00:48:59 |
At least I'm running, |
00:49:03 |
Madhubala, you are not a |
00:49:06 |
You also have to go around and |
00:49:08 |
Get lost. - I've seen |
00:49:10 |
Forget it. Leave it. - Get lost. |
00:49:11 |
Stop saying such things. |
00:49:12 |
Come here, listen |
00:49:14 |
Hema, forget it. - Hema, leave it. |
00:49:16 |
You are too much, Hema. Too much. |
00:49:18 |
Get lost, Isha's sidekick. |
00:49:21 |
Forget it, Hema. - Leave it, buddy. |
00:49:23 |
You all come to your senses as well. |
00:49:25 |
I know the standard of |
00:49:30 |
A few moments of ours are |
00:49:33 |
...but our life is very cheap. |
00:49:36 |
But they are coming here in |
00:49:39 |
And he is a VVIP. Hold on. |
00:49:41 |
What are Charles and Delvis |
00:49:43 |
I am in a fix. I |
00:49:46 |
Hey, psycho, you will not |
00:49:49 |
Stay away. |
00:49:52 |
What are the |
00:49:53 |
Come on, stand at |
00:49:54 |
Move it. Move it. |
00:49:56 |
I don't like your faces. |
00:49:58 |
Come on, both of you. |
00:50:01 |
Is the minister's favorite |
00:50:03 |
Are his flowers ready? - Yes, sir. |
00:50:04 |
Smile, Venice, please. - Sorry, sir. |
00:50:06 |
Go and double check. |
00:50:07 |
Yes, Nikhil. Oh, yes, |
00:50:09 |
Of course. Yes. There |
00:50:13 |
Hey. Nikhil, I swear... |
00:50:15 |
I'll make sure it's okay... |
00:50:18 |
What are you doing? - |
00:50:21 |
What are you doing? - Sir, |
00:50:23 |
I would've gotten out of there. |
00:50:24 |
Sir, it is the X-ray machine, |
00:50:26 |
I'm really sorry, sir. |
00:50:27 |
Oh, yes. Very intelligent. Nikhil... |
00:50:29 |
'welcome to Hotel Mirage.' |
00:50:32 |
Now come on, welcome them nicely. |
00:50:35 |
Sir, your favorite suite |
00:50:38 |
What are you doing? What |
00:50:40 |
What are you doing? Why are you |
00:50:41 |
Sorry, sir. Sorry, sir. |
00:50:42 |
What sorry? - Sir, they have... |
00:50:43 |
They what? - They have left, sir. |
00:50:44 |
Who has left? - They have left, sir. |
00:50:45 |
Oh, my God. Now you're telling me? |
00:50:48 |
Welcome, sir. You are |
00:50:50 |
Welcome me with a |
00:50:53 |
Your room No. 430 |
00:50:55 |
Enjoy the stay. |
00:51:00 |
Rascal. |
00:51:04 |
Sir... - what's this |
00:51:06 |
Hello, baby. - Good evening, sir. |
00:51:08 |
Good evening. And |
00:51:14 |
The way you maintain |
00:51:17 |
...you have maintained your |
00:51:21 |
Wow. |
00:51:23 |
Racal. |
00:51:25 |
Well, that guy... - But... |
00:51:28 |
Sir, I had requested you |
00:51:31 |
Sir, the licence... - why are |
00:51:34 |
Look, you do my work and |
00:51:38 |
Yes, sir. Right, sir. - Yes. |
00:51:39 |
Instead of placing a pie in my hand, |
00:51:40 |
Rascal! - What? |
00:51:42 |
Sir, the bar is open. |
00:51:44 |
What do you mean by the |
00:51:47 |
"I'll meet Rogers today. |
00:51:51 |
"I'll meet..." |
00:51:52 |
Oh, Rogers. - Welcome. Welcome. |
00:51:55 |
Yes. God. - But, sir, what's this? |
00:51:57 |
What's wrong? |
00:52:00 |
Is it that easy to fool farmers? |
00:52:03 |
I'm exhausted after roaming with... |
00:52:05 |
...these farmers in the |
00:52:08 |
So you've given so much service. |
00:52:10 |
What service have I given? |
00:52:11 |
Sir, these both will |
00:52:14 |
"They are the greenery |
00:52:17 |
"I am the path." |
00:52:18 |
Wow, darling. Great. Two ladies. |
00:52:21 |
I love you. And what you do? |
00:52:29 |
Wow. |
00:52:31 |
Why are you staring |
00:52:35 |
Do you want to sit here? |
00:52:37 |
Madam, shift aside. |
00:52:39 |
No, sir. No. |
00:52:40 |
No? Then why are |
00:52:42 |
Does he think any |
00:52:46 |
Come on, come here. You |
00:52:49 |
You are my bell and I'm your boy. |
00:52:51 |
Darling, I like you. |
00:52:54 |
Rascal. |
00:52:59 |
Benny, why are you surprised? |
00:53:01 |
Every white collared man |
00:53:04 |
You know what is the |
00:53:06 |
There is armed Z-security appointed |
00:53:10 |
But I've watched on TV. |
00:53:11 |
This... This Gaikwad has |
00:53:14 |
He pulls the plough |
00:53:16 |
...and enjoys with the girls here. |
00:53:19 |
You know, the stay, |
00:53:21 |
...is absolutely free for him here. |
00:53:22 |
Absolutely free of cost. |
00:53:24 |
Because all the illegal |
00:53:27 |
...are concealed by his |
00:53:31 |
Ms. Hema, your eyes are very |
00:53:37 |
I've got them for free with my |
00:53:42 |
No, it is not so. |
00:53:44 |
Actually I've given up food |
00:53:49 |
You have stopped drinking, |
00:53:51 |
If you are so broke, why |
00:53:56 |
"Beloved, I'll die without you. |
00:54:03 |
"Beloved, I'll die without you. |
00:54:04 |
What should I bring, |
00:54:07 |
Hey, Vandana, that guest |
00:54:09 |
Come quickly. |
00:54:10 |
"I had to come, beloved. The |
00:54:16 |
Neither you receive |
00:54:18 |
I've squandered |
00:54:20 |
Do you think I am a donation box? |
00:54:22 |
You don't meet me after arousing |
00:54:24 |
Alright. If not you, |
00:54:26 |
Not her, then someone else. |
00:54:27 |
Hey, who is the |
00:54:29 |
What do I know? Ask them yourself. |
00:54:32 |
Hey? Vandana? - Vandana, |
00:54:35 |
What's wrong? - Why are you crying? |
00:54:36 |
Vandana? What's wrong? |
00:54:38 |
Drink water. Have some water. |
00:54:40 |
Do you know what happened to her? |
00:54:42 |
What's wrong with her? |
00:54:45 |
I don't know what happened. |
00:54:46 |
I am not... I am not a |
00:54:51 |
I'm the daughter of a |
00:54:55 |
My father is sick. He |
00:54:59 |
I've to collect a lot of |
00:55:02 |
My neighbor told me that |
00:55:05 |
...through which an illiterate |
00:55:08 |
I've to give 20% of my |
00:55:11 |
...who got me hired here. |
00:55:15 |
I spend the rest of the money in |
00:55:21 |
But still... still I've not |
00:55:27 |
I swear by Sai Baba (lndian God)... |
00:55:31 |
We know it. They talk |
00:55:37 |
You will have to drink the poison |
00:55:40 |
It's okay, baby. I also |
00:55:43 |
...from my relatives and society. |
00:55:47 |
Since we work in a bar, |
00:55:49 |
...that we go to bed with someone |
00:55:52 |
Vandana, we all know who |
00:55:56 |
Yes, Roshni, you |
00:56:00 |
You know how she is now. |
00:56:03 |
But only I know how this |
00:56:10 |
Till when will you hide yourself? |
00:56:13 |
One day you will be sold |
00:56:22 |
By the way, tell me something. |
00:56:24 |
She goes home directly after |
00:56:26 |
Why are you asking? - I'll tell you. |
00:56:38 |
Isha, what... what are you doing? |
00:56:41 |
Hema, today you will have to |
00:56:49 |
Happy birthday. - Happy birthday. |
00:56:56 |
What are you guys mad of? |
00:56:59 |
I taunt you on whatever |
00:57:02 |
...have come to cut my |
00:57:06 |
I talk so bitterly |
00:57:09 |
Hema, we do have |
00:57:12 |
...but it doesn't mean |
00:57:14 |
Happy birthday to you. |
00:57:20 |
Happy birthday to dear, Hema. |
00:57:25 |
Happy birthday to you. |
00:57:29 |
Eat less otherwise |
00:57:32 |
My real name is Parveen. |
00:57:36 |
I was the most famous |
00:57:41 |
People used to |
00:57:48 |
My parents, uncle and aunty, |
00:57:51 |
...everyone depended on |
00:57:54 |
One day Akhilesh came there. |
00:57:59 |
And one day he |
00:58:02 |
...today is Hema's |
00:58:06 |
Because he was going to marry me. |
00:58:09 |
I left everything and held his hand. |
00:58:14 |
I felt as if I've |
00:58:18 |
...someone who will |
00:58:21 |
I started living like |
00:58:23 |
...in the flat given by him. |
00:58:28 |
Then one day I learnt that... |
00:00:07 |
One day his wife came to my flat... |
00:00:11 |
...and threw me out like a |
00:00:24 |
Akhilesh went out of India, |
00:00:30 |
I felt embarrassed and |
00:00:33 |
...whom I had brought up for years. |
00:00:38 |
But even they were unable |
00:00:40 |
...and the news of my |
00:00:46 |
I had to return to the same bar... |
00:00:49 |
...from which I had |
00:01:05 |
I've a 12 year-old-child. |
00:01:09 |
I'm maintaining the cost of his |
00:01:17 |
I don't want anyone |
00:01:20 |
...what I had to. |
00:01:26 |
You don't know, when a |
00:01:30 |
...no one even gives her a glance. |
00:01:38 |
Now my child doesn't |
00:01:46 |
No, Hema, you stay the same. |
00:01:51 |
Say bitter things to everyone. |
00:01:54 |
Hema, how can you say |
00:01:58 |
That your child doesn't |
00:02:00 |
Shall I say something? |
00:02:01 |
Your child won't get so many |
00:02:05 |
Right? - Yes. |
00:02:07 |
Yes. And this Soni is also a |
00:02:12 |
My real name is Aakruti. |
00:02:15 |
Yes. And my name is |
00:02:18 |
Vandana. My real name is Niranjana. |
00:02:20 |
And my real name is |
00:02:23 |
Pedora. Real name is Marina. |
00:02:26 |
Babloo. And the real |
00:02:36 |
"By signalling through my eyes..." |
00:02:39 |
"...l'll steal your heart." |
00:02:43 |
"By signalling through my eyes..." |
00:02:47 |
"...l'll steal your heart." |
00:02:50 |
"Why don't you understand me?" |
00:02:54 |
"Why don't you understand me?" |
00:02:57 |
"Why do you turn away |
00:03:01 |
"Oh, Dolly." |
00:03:03 |
"I'm Dolly." |
00:03:05 |
"Darling, I am your Dolly." |
00:03:07 |
"I'm Dolly. I'm Dolly. |
00:03:11 |
"I'm Dolly. I'm Dolly. |
00:03:14 |
"Why don't you understand me?" |
00:03:17 |
"Why do you turn away |
00:03:21 |
"Oh, Dolly." |
00:03:23 |
"Darling, you are my Dolly." |
00:03:25 |
"Oh, Dolly. My Dolly. Oh, Dolly." |
00:03:30 |
We know each other so well now. |
00:03:34 |
Why are you shying away then? |
00:03:39 |
Oh, God. |
00:03:47 |
What? - Nothing. |
00:03:50 |
Nothing? Nothing happened? |
00:03:54 |
Then why did you barge in |
00:03:55 |
Nothing, just like that. |
00:03:57 |
But a lot happened at our place. |
00:04:00 |
Take this. Eat this. Eat this. |
00:04:03 |
It was Hema's birthday and |
00:04:07 |
Do you know? Everyone |
00:04:09 |
...but everyone has a |
00:04:11 |
Oh, that's true. But... the |
00:04:16 |
...is a problem. |
00:04:21 |
Working at a wrong |
00:04:23 |
...they are wrong as well. |
00:04:25 |
You used to say, |
00:04:27 |
Babloo's ladies bar". |
00:04:29 |
I watched all the girls closely. |
00:04:32 |
I've understood their |
00:04:36 |
Benny, I've felt that |
00:04:38 |
...their helplessness. |
00:04:41 |
You talk too much. |
00:04:43 |
No one asks money from |
00:04:45 |
Everyone gives them |
00:04:47 |
Working there is not bad... but |
00:04:52 |
Actually, I was just... |
00:04:58 |
Let go... - Come here. Sit here. |
00:05:00 |
How can you talk like this? |
00:05:02 |
I apologize to you from |
00:05:06 |
Will you have tea? - I'll |
00:05:11 |
You ask for a lot more than what |
00:05:18 |
Don't misunderstand them. - Okay. |
00:05:21 |
Eat this... Eat this. |
00:05:29 |
"Why don't you get the |
00:05:37 |
"On every step there is..." |
00:05:38 |
Hey, Sheena. Look at this. |
00:05:40 |
We can own a holiday home in |
00:05:44 |
"On every step, there's pain..." |
00:05:49 |
"Why is it like this?" |
00:05:52 |
"Why is this city so isolated?" |
00:06:01 |
"Why is this city so isolated?" |
00:06:03 |
What's the matter, ma'am? You |
00:06:08 |
Nothing. - I am sure |
00:06:10 |
Tell me. |
00:06:11 |
Stop it. Who are you to |
00:06:17 |
Sorry, ma'am... - Benny... |
00:06:21 |
Yes, ma'am. |
00:06:27 |
I am sorry. I am really sorry. |
00:06:32 |
Actually, these days, I |
00:06:34 |
Problems? Ma'am, what problems |
00:06:39 |
There's a major |
00:06:42 |
We never get satisfied. |
00:06:45 |
...but in the greed |
00:06:48 |
...we end up paying |
00:06:50 |
We keep giving EMls. |
00:06:53 |
My husband, Abhishek, is a |
00:07:00 |
Benny, do you know |
00:07:04 |
In spite of so many problems, |
00:07:07 |
...on my face in my job. |
00:07:12 |
Just like a bar girl |
00:07:17 |
Look, I know that I |
00:07:19 |
I've an outdoor shooting in Ooty. |
00:07:21 |
What's the name of the movie? |
00:07:23 |
'Bhaujai Ki Saugand, |
00:07:27 |
Are you telling me the |
00:07:31 |
You talk so sweetly when angry. |
00:07:35 |
Oh, God, I am getting late. The |
00:07:38 |
Production? - Yes. Okay, I'll leave. |
00:07:46 |
Won't you ward off the |
00:07:52 |
Enough... |
00:07:59 |
Done. Take this. - Hey, why this? |
00:08:02 |
Keep it. It will be of use to you. |
00:08:04 |
Look, Veer, if you have money, |
00:08:07 |
Improve your standard. - But, Isha... |
00:08:09 |
Come on. You are getting late, |
00:08:11 |
Listen... don't say 'bye.' And yes, |
00:08:16 |
The thing is that I |
00:08:20 |
Take care of yourself. Okay? |
00:08:24 |
Bye. |
00:08:29 |
"Separation... I hope |
00:08:35 |
"Separation... Oh, God, I |
00:08:45 |
What's the matter? |
00:08:47 |
Separation. |
00:08:49 |
Look, Ranvir has gone to Ooty... |
00:08:51 |
...so rule over the world now. |
00:08:54 |
Yes... - But he must be busy. - |
00:08:58 |
He'll feel happy if |
00:09:00 |
Open my hands once, Ganga Thakur... |
00:09:03 |
...l'll break your head. |
00:09:07 |
I swear on my sister-in-law. |
00:09:09 |
'Hey, Brother... answer the call.' |
00:09:12 |
Cut. Cut. - 'I am not |
00:09:14 |
Whose phone is ringing? - Sir... |
00:09:16 |
'Answer the call. I am |
00:09:19 |
What kind of a ring tone |
00:09:21 |
My pressure is going |
00:09:22 |
'Pick up the call, Brother.' |
00:09:24 |
Sir, press the green |
00:09:26 |
Hello? Hello? Talk |
00:09:30 |
"Separation." - How are you? |
00:09:35 |
The song "Separation" |
00:09:38 |
Hello, Isha, I am on my shoot. |
00:09:41 |
I told Babloo... but he... |
00:09:44 |
Hello, Mr. Ranvir... This is Babloo. |
00:09:47 |
How's the shooting going on? |
00:09:48 |
Look, Babloo, |
00:09:50 |
The sad songs will go on there |
00:09:54 |
If you called again... I'll |
00:09:58 |
...but I'll kill you first by |
00:10:01 |
Sir, it's done. - "Oh, beloved." |
00:10:04 |
Why did you disconnect |
00:10:06 |
He threatened to |
00:10:09 |
No, the villain... in the shooting. |
00:10:13 |
Shall I call him again? |
00:10:16 |
No, it's better if we change the |
00:10:20 |
Shall I sing, "I |
00:10:23 |
Come on, let's go |
00:10:28 |
Good evening, sir. |
00:10:31 |
Would you like |
00:10:33 |
How dare you talk to me like that! |
00:10:35 |
Don't think of this as |
00:10:36 |
...your fruits and chocolates. |
00:10:39 |
I'll pay for it. |
00:10:43 |
Rs. 1 lakh. - Stop it, sir. |
00:10:45 |
By giving Rs. 1 lakh do |
00:10:47 |
Rs. 2 lakhs. My hard |
00:10:51 |
I am not that type of a girl. |
00:10:53 |
Nothing like that |
00:10:54 |
It can happen between us... |
00:11:01 |
...beautiful as rich I am. |
00:11:04 |
This is Rs. 3 lakhs. |
00:11:08 |
...think what all you |
00:11:11 |
You can buy a new car, |
00:11:15 |
...you can buy your dreams. |
00:11:21 |
Hey, hello. Who's parked |
00:11:26 |
It belongs to Ms. Ria |
00:11:28 |
She's ordered a new car from |
00:11:35 |
New car or a new adventure? |
00:12:01 |
Sir, your luggage? |
00:12:03 |
Interesting match, sir. |
00:12:05 |
'Went off his pads. Just outside. |
00:12:10 |
Oh, God. Sorry, sir. Sir. |
00:12:15 |
What a six, sir! Sir? |
00:12:19 |
Remote here, sir. Okay? Sir? |
00:12:23 |
'Every shot from the Pakistanis... ' |
00:12:39 |
Sir? Oh, God... |
00:12:43 |
Hey, Benny... what happened, man? |
00:12:47 |
I touched. He fall... |
00:12:51 |
Doctor? - No way. He's dead. |
00:12:54 |
He's dead? - Yes. |
00:12:55 |
I know he's dead. Come on, doctor. |
00:12:57 |
You know what to do |
00:12:59 |
As always, take him |
00:13:02 |
And declare him dead there. - Okay. |
00:13:04 |
After that we'll |
00:13:06 |
Come on, move. Idiot. |
00:13:09 |
Neeta... - Yes, sir. |
00:13:10 |
Arrange for a house |
00:13:13 |
What's the room number? - Sir, 309. |
00:13:16 |
Nikhil, what's the |
00:13:19 |
Rs. 70000 sir... - Rs. 70000? |
00:13:22 |
No, sir. - Where are you right now? |
00:13:24 |
In the reception, sir. - You |
00:13:26 |
I am coming right away. |
00:13:32 |
What? - Nothing, sir. |
00:13:33 |
Then move, Benny. |
00:13:35 |
Butt, what, sir? - It is this. |
00:13:38 |
Yes, sir. - Move. |
00:13:39 |
Nikhil, did he have |
00:13:41 |
Ronnie, let go... - How strange! |
00:13:42 |
There's a death in our hotel. |
00:13:45 |
Police? Are you out of your mind? |
00:13:47 |
Police means media. |
00:13:50 |
Public means our customers. |
00:13:51 |
Look, if they learn that a |
00:13:54 |
...they won't come here. |
00:13:55 |
Then both of us will have to |
00:13:58 |
You do one thing. Fold his luggage, |
00:14:01 |
'Sir, your favorite |
00:14:03 |
'Your favorite flowers. Your |
00:14:06 |
'Nikhil, did he have |
00:14:08 |
'How strange! ' |
00:14:09 |
Benny... Benny, |
00:14:24 |
Benny, look there... Look there. |
00:14:32 |
Who is it? - It's Ria. |
00:14:39 |
Rs. 3 lakhs, Ria? Wow. |
00:14:42 |
That, too, in one hour. - What? |
00:14:44 |
It is faster than taking out |
00:14:48 |
If you come for the duty... |
00:14:49 |
...you here and there for free. |
00:14:52 |
So why not get paid for it? |
00:14:54 |
If I have car today... I'll also |
00:14:57 |
If you travel in a bus, |
00:14:58 |
...who owns a bike at the most. |
00:15:00 |
'Hi, handsome.' |
00:15:04 |
'Do you want to be friends with me? ' |
00:15:07 |
'Hi, I am Jennifer.' |
00:15:09 |
'Welcome to Hotel Mirage.' |
00:15:38 |
You... - Mumbai police. |
00:15:40 |
Special branch. |
00:15:46 |
This has been going on |
00:15:48 |
This prostitution in |
00:15:50 |
Tomorrow when it is |
00:15:51 |
...you'll get to know everything. |
00:15:53 |
Sir, these are regular |
00:15:55 |
Sir, and then he's a very |
00:15:57 |
Sir, what do we know what he |
00:15:59 |
We have no idea, sir. |
00:16:00 |
Is it a 5 star hotel or an |
00:16:02 |
Will you do anything here? |
00:16:04 |
Sir, this is the matter |
00:16:07 |
Sir, anyway, this is |
00:16:09 |
We can sort it out... over... |
00:16:11 |
If you want, you can |
00:16:13 |
The one with less water. |
00:16:14 |
Ronnie, what's so urgent? |
00:16:15 |
You come, I'll show you. |
00:16:18 |
Where is the other party? |
00:16:19 |
Benny, come with me. |
00:16:21 |
Benny, come on. - They've |
00:16:23 |
They are not school girls, |
00:16:25 |
The principal is inside. Come on. |
00:16:28 |
How are you, sir? Good evening, sir. |
00:16:30 |
Good evening, sir. - What |
00:16:32 |
I'll tell you later, first |
00:16:34 |
Sir, you please come. Come, sir. |
00:16:35 |
Sir, it is a police matter. |
00:16:39 |
Come on. Benny, what's |
00:16:45 |
Tell me, what's the matter? |
00:16:47 |
Will this hotel |
00:16:51 |
There was a police raid yesterday. |
00:16:53 |
Forget it. This has not |
00:16:55 |
You come with me. Don't worry. |
00:16:56 |
You see, there'll be nothing in the |
00:17:00 |
Ronnie, it looks |
00:17:04 |
So what? This is a five star hotel. |
00:17:05 |
You get permission |
00:17:07 |
And listen, don't call it a red |
00:17:08 |
Call it escort service. |
00:17:10 |
If you call these girls... in |
00:17:13 |
It doesn't sound good, does it? |
00:17:15 |
If somebody calls you |
00:17:16 |
it won't sound good, will it? |
00:17:18 |
Bellboy sounds really good, |
00:17:21 |
And listen... this is a five star. |
00:17:23 |
The more filth, the |
00:17:28 |
What happened? Did you like |
00:17:30 |
which one? - "The |
00:17:32 |
Did you like it so much? - Yes. |
00:17:34 |
Come on. |
00:17:36 |
Benny. Benny. - What? |
00:17:38 |
What's written here? A |
00:17:42 |
Benny, I hope this is not |
00:17:47 |
Have they published |
00:17:51 |
No, there's no name. |
00:17:56 |
How can you accuse like this? |
00:17:57 |
No, I just asked you. |
00:17:59 |
Babloo, this is a five star. |
00:18:05 |
Give that to me... - why? |
00:18:06 |
I need to clean the mirror. |
00:18:11 |
You'll clean the |
00:18:21 |
Is this a mirror? - I had come |
00:18:24 |
...sorry, towel. - Hurry up. |
00:18:28 |
Everyone must be waiting. |
00:18:29 |
I was trying to see |
00:18:31 |
What's the name of the movie? |
00:18:32 |
'Bhaujai Ki Saugand, |
00:18:35 |
I am not asking the dialogue, |
00:18:36 |
You tell me the |
00:18:38 |
'Bhaujai Ki Saugand.' |
00:18:42 |
You read the rest on |
00:18:50 |
Sorry. Sorry. I got late. |
00:18:54 |
Hema... what are you doing? |
00:18:59 |
Our hero is here. - What an entry! |
00:19:05 |
'Thakur, I've come back |
00:19:12 |
'I'll not spare you now.' |
00:19:19 |
"Till when will you |
00:19:29 |
He's dancing so well. - Sit. |
00:19:32 |
"Be sure of that." |
00:19:39 |
'I swear on my sister-in-law, |
00:19:47 |
Hit him... - He's |
00:19:50 |
What a dialogue |
00:19:51 |
He's come again with |
00:19:53 |
He's looking so handsome. |
00:19:58 |
Shut up. This is not |
00:19:59 |
Is this your mother's house? |
00:20:02 |
'Thakur, your time is up today.' |
00:20:05 |
'Forgive me. - Today, |
00:20:09 |
'No, you are like my sister-in-law. |
00:20:13 |
'Please, forgive me.' |
00:20:22 |
Yes, I told you... I am ready... |
00:20:25 |
But... But I want Rs. 3 lakhs. |
00:20:28 |
You have an expensive entry fee. |
00:20:30 |
Okay, I'll give you Rs. 3 lakhs. |
00:20:32 |
Okay, so I'll come tonight itself. |
00:20:35 |
You just tell me when |
00:20:37 |
You will give me Rs. |
00:20:39 |
Rs. 3 lakhs for one night? |
00:20:41 |
I'll take you to |
00:20:43 |
I'll give you Rs. 1 |
00:20:45 |
Down payment. Tell me, |
00:20:47 |
Yes, yes... I am ready. |
00:20:53 |
I thought you were |
00:20:56 |
But I saw as well |
00:20:59 |
You are really |
00:21:01 |
You are doing all this stealthily? |
00:21:05 |
Got a call from the village. |
00:21:11 |
If he doesn't get |
00:21:17 |
I need Rs. 3 lakhs. Rs. 3 lakhs. |
00:21:24 |
I can do anything |
00:21:30 |
"My dreams are so cheap, is |
00:21:36 |
"Anyone can buy it." |
00:21:38 |
"The path is lost, the |
00:21:42 |
"What is my destiny like?" |
00:21:44 |
"What is my destiny like?" |
00:21:49 |
"Oh, God, who cursed me?" |
00:21:52 |
"Oh, God, even prayers don't help." |
00:21:55 |
"Oh, God, who cursed me?" |
00:21:58 |
"Oh, God, even prayers don't help." |
00:22:01 |
I had kept this Rs. 10000 |
00:22:05 |
Use them for your work. |
00:22:11 |
And try saving |
00:22:15 |
...but don't choose this way. |
00:22:21 |
No, Babloo, I think even |
00:22:28 |
No. |
00:22:31 |
Hey, Pedora, what are you doing? |
00:22:33 |
Brother, don't stop me today. |
00:22:35 |
I've earned a lot for your |
00:22:53 |
If Babloo can help her... |
00:23:40 |
Hi, baby. Just a reminder |
00:23:44 |
How can I forget? |
00:23:47 |
Bye, love, take care. - Bye. |
00:23:50 |
Who's this? - Boyfriend. |
00:23:53 |
What? |
00:23:55 |
You got a new boyfriend? - Yes. |
00:23:58 |
He owns a bike? - No. |
00:23:59 |
He owns a car. |
00:24:02 |
Yes. |
00:24:06 |
I brought you here to |
00:24:12 |
This is 'Tera' (Yours)? - We are |
00:24:14 |
Not the number. - Then? |
00:24:17 |
No, this is our flat. 2 |
00:24:22 |
Actually I've spoken to my parents. |
00:24:23 |
They want me to settle |
00:24:26 |
So this is my |
00:24:33 |
I can't marry you... |
00:24:39 |
You know why I am working |
00:24:45 |
No matter what happens in my life... |
00:24:47 |
...I want to educate my siblings. |
00:24:49 |
I want to bear all their expenses. |
00:24:51 |
Come on, Isha, don't your |
00:24:55 |
You don't get tensed. I'm there. |
00:25:01 |
Every month's expense |
00:25:06 |
You'll manage in the beginning, but |
00:25:14 |
So what do you want? You |
00:25:17 |
...that filthy place, in that dirt, |
00:25:21 |
...and ruin your whole life? |
00:25:25 |
Nowadays, I can see my |
00:25:27 |
...in all those dirty looks. |
00:25:31 |
I can see my sister |
00:25:35 |
My little brother and sisters... |
00:25:38 |
I see their tuition fees. |
00:25:40 |
But do you know how much my parents |
00:25:46 |
You get married then. |
00:25:50 |
If not me, somebody else |
00:25:53 |
What rubbish? What are you saying? |
00:25:59 |
But, yes. I want something |
00:26:03 |
What do you want? Tell me? - This. |
00:26:06 |
What will you do |
00:26:11 |
I'll see this daily and |
00:26:15 |
That there was one guy who |
00:26:20 |
...but his whole life with me. |
00:26:24 |
You refused Ranvir for marriage? |
00:26:27 |
Pedora, you know... we have |
00:26:31 |
...in our lives that we |
00:26:37 |
Our siblings should |
00:26:39 |
We don't want anything else. |
00:26:42 |
And anyway... I like |
00:26:48 |
I am happy that |
00:26:52 |
Shall I tell you something? |
00:26:56 |
...I was feeling so ashamed... |
00:27:00 |
Which kind of girls |
00:27:03 |
But after meeting you... I can |
00:27:08 |
That the way you are |
00:27:12 |
...in such an environment, |
00:27:13 |
"You are not in your senses. |
00:27:21 |
"It's not... It's not your fault." |
00:27:24 |
"You are always intoxicating." |
00:27:27 |
"You are a |
00:27:29 |
Not on the stage. Not on the stage. |
00:27:34 |
You all have a seat. |
00:27:37 |
The singers are singing here. You |
00:27:41 |
They are sitting quietly. |
00:27:43 |
Otherwise, I'll teach them a lesson. |
00:27:44 |
"Lover is your name." |
00:27:46 |
"Your job is to steal hearts." |
00:27:49 |
"Hold my hands." |
00:27:51 |
"You are defamed here." |
00:27:54 |
Come on, sir. Have a seat. Come on. |
00:27:55 |
"You are a damsel." |
00:27:57 |
"You are a damsel." |
00:28:00 |
Don't let go off her hand. |
00:28:03 |
You shouldn't touch her. |
00:28:07 |
Sir, dancing isn't |
00:28:08 |
Why are you messing with me for |
00:28:09 |
Hit him. Hit that rascal. |
00:28:13 |
What did you say? |
00:28:14 |
How dare you say that? |
00:28:16 |
Who did you call as |
00:28:21 |
You come with me. - |
00:28:23 |
Take them inside. Come on. |
00:28:25 |
Throw them out, come on. |
00:28:28 |
Let go off me. Let go. |
00:28:32 |
We'll surely teach you a lesson. |
00:28:37 |
Come on, move. - Let go off me. |
00:28:39 |
Let go off me. - Suresh, |
00:28:43 |
Close the door. I'll thrash them. |
00:28:47 |
How dare they bash up our boys? |
00:28:50 |
Do they have a license to thrash |
00:28:55 |
The people working in |
00:28:56 |
...located on Goregaon link road... |
00:28:58 |
...bashed up our boys? |
00:29:00 |
Beaten them up like dogs! |
00:29:02 |
You'll give a statement to the police |
00:29:05 |
...but you didn't even |
00:29:11 |
But even after the 9:30 deadline, |
00:29:15 |
...physical with the guests publicly... |
00:29:19 |
...their illegal activities |
00:29:26 |
That's it. They all started |
00:29:41 |
I haven't seen you before. |
00:29:44 |
I am Alok's friend. I've recently |
00:29:48 |
Oh, your mother must be |
00:29:52 |
Ask her to relax. - Okay, ma'am. |
00:29:57 |
And also tell her that you |
00:30:02 |
Why are you standing sullen? |
00:30:04 |
Jail is a common thing. |
00:30:05 |
It has been happening since |
00:30:07 |
These days, everything is |
00:30:10 |
Yes, it is regular. Even |
00:30:13 |
Stop lecturing me now. - No, |
00:30:16 |
I am happy and feeling proud. |
00:30:19 |
You are actually a |
00:30:21 |
You've completed the formality of |
00:30:23 |
Babloo, you've |
00:30:25 |
Babloo has passed. I want to |
00:30:27 |
Sir... Brother, please come |
00:30:30 |
This is Babloo. He |
00:30:32 |
Today he finished graduation... |
00:30:34 |
Sir... this is Babloo. He |
00:30:37 |
There's a filthy and third class |
00:30:40 |
He works in that bar. |
00:30:41 |
Today, he landed up in |
00:30:43 |
He completed his graduation today. |
00:30:44 |
Shake hands with him. Shake hands. |
00:30:45 |
Mr. Raju is the manager |
00:30:48 |
Oh, God... - This is Benny, |
00:30:51 |
Sir... - Going to jail |
00:30:55 |
This is a daily job for us. |
00:30:57 |
You do one thing, |
00:30:59 |
I'll finish the paper work |
00:31:01 |
You said what I wanted to say... |
00:31:04 |
He said it was 'legular'... legu... |
00:31:07 |
Very good. I am very happy. |
00:31:15 |
Our NGO team has known the inside |
00:31:20 |
The law is being broken. |
00:31:23 |
They dance all night and they find |
00:31:28 |
Have some. Please. |
00:31:31 |
Till when will we pretend to be |
00:31:37 |
They are exposing |
00:31:40 |
Gentlemen, now it is time. |
00:31:43 |
We all have to get |
00:31:45 |
...dirty network of the ladies bars. |
00:31:49 |
Yes, gentlemen. She's right. |
00:31:51 |
I mean, this vulgarity, this |
00:31:52 |
we won't tolerate it more. |
00:31:55 |
You have a high |
00:31:57 |
I am sure if you all get |
00:31:58 |
...people will get awareness... |
00:32:00 |
Thank you, Mr. Negi. |
00:32:01 |
Mrs. Tejani, shall I assume |
00:32:04 |
Of course, Mr. Negi. |
00:32:05 |
Yes. |
00:32:06 |
Yes, alright. Enjoy yourself. |
00:32:09 |
Nikhil, the party is |
00:32:10 |
So we have to get together. |
00:32:17 |
I want all the ladies bars to |
00:32:20 |
And give the report to me. |
00:32:21 |
If you need any help, |
00:32:25 |
Shut it down as soon as possible. |
00:32:26 |
This is not good for our society. |
00:32:28 |
You don't know who I am. |
00:32:30 |
If I make one call, |
00:32:34 |
Rascal. Stop your melodrama. |
00:32:38 |
Scoundrel, I don't |
00:32:42 |
Come on. Come on. |
00:32:44 |
Don't push. |
00:32:49 |
Move the vehicle. |
00:33:12 |
Come on, move. |
00:33:13 |
Come on. Come on. |
00:33:16 |
Get everyone. Get everyone. |
00:33:19 |
Come on. Get everyone. |
00:33:22 |
Don't act smart. Come on. - Come on. |
00:33:23 |
Hurry up. Come on. Come on. Come on. |
00:33:25 |
Wretch woman was |
00:33:31 |
What happened, |
00:33:32 |
What happened inside? |
00:33:33 |
Everything has been settled. |
00:33:34 |
You all will be able |
00:33:36 |
Thank you, Brother. |
00:33:37 |
Thank you, Brother. |
00:33:39 |
Thank you for what? - Good. |
00:33:40 |
I charge you guys 40% protection |
00:33:45 |
Come on, relax now. |
00:33:46 |
I will go and settle |
00:33:48 |
Okay. - Thank you. |
00:33:49 |
It's so... - It has |
00:33:52 |
They take money and |
00:33:54 |
Then they make us wait for |
00:33:56 |
Come on, sit over here. |
00:34:01 |
They said 1 hour, but I wonder |
00:34:09 |
Brother... |
00:34:11 |
why is that girl here? |
00:34:13 |
Who, she? |
00:34:15 |
I caught her backless on the |
00:34:18 |
What are you saying? |
00:34:19 |
She was busy with a guy. |
00:34:21 |
The guy ran away. I caught her. |
00:34:24 |
Hey, hi-fi, what were |
00:34:27 |
"Public property |
00:34:31 |
Now look, who has |
00:34:35 |
Stop here. |
00:34:37 |
How much? |
00:34:38 |
Brother. |
00:34:43 |
The girl there... Her... |
00:34:46 |
Anyhow get her out of here. |
00:34:48 |
I'll pay whatever it |
00:34:50 |
Please, Brother. - You guys... |
00:34:52 |
Please. Please. |
00:34:53 |
Okay, I'll do something. Come on. |
00:34:54 |
Oh, thank you, Brother. |
00:34:56 |
I'll talk to him. |
00:34:58 |
Sir... - Ria. |
00:35:00 |
What I am saying is... |
00:35:01 |
The girl sitting back there... |
00:35:02 |
Aunty... I have called her here. |
00:35:08 |
Actually, our ladies bar was |
00:35:14 |
And these guys said that |
00:35:16 |
...when I call two |
00:35:19 |
Aunty, I don't know |
00:35:22 |
Why, dear? Why do |
00:35:27 |
Stop doing it. |
00:35:29 |
Look at my daughter Ria. |
00:35:31 |
You can also work at a |
00:35:36 |
Your job is done. |
00:35:37 |
He is Mr. Raju. |
00:35:39 |
Our ladies bar's manager. |
00:35:41 |
He will handle the |
00:35:44 |
You both can leave now. Right? |
00:35:47 |
Thanks. Thank you for coming. |
00:35:48 |
Thank you, Ria, for coming. |
00:35:51 |
Okay, listen, is this |
00:35:55 |
No. She's from another world. |
00:35:57 |
But her state is just |
00:36:00 |
Tell me, Ria. What did you |
00:36:06 |
Akash, let's get married. |
00:36:09 |
All of a sudden? |
00:36:11 |
But... we had decided to get |
00:36:16 |
I want to get married now. |
00:36:18 |
Do you have a problem with it? |
00:36:21 |
I have no problem with it. |
00:36:22 |
I love you a lot. |
00:36:25 |
Let something that was supposed... |
00:36:26 |
...to happen 2 years later, |
00:36:32 |
Babloo, have you |
00:36:35 |
You are not talking to Gulabo. |
00:36:37 |
Do I need to talk |
00:36:41 |
It's not necessary, but |
00:36:44 |
Aren't you going to get up? |
00:36:46 |
Don't you have to go to work? |
00:36:48 |
I have no work to go to. |
00:36:53 |
What do you mean? - Police cancelled |
00:36:57 |
What are you saying, Babloo? |
00:36:59 |
Mr. Raju says that he will |
00:37:03 |
But there is no |
00:37:05 |
So what will you do now? |
00:37:08 |
Let's see. I'll look for a |
00:37:10 |
...or a roadside restaurant. |
00:37:11 |
What else? - What nonsense |
00:37:14 |
Who am I? |
00:37:16 |
A five star is |
00:37:18 |
I mean a friend working |
00:37:19 |
...is standing in |
00:37:21 |
Talking nonsense. |
00:37:23 |
When will you take advantage |
00:37:26 |
I will get you a job. Get you one. |
00:37:29 |
Sir, good man, good boy. - Shut up. |
00:37:30 |
What are you doing over here? |
00:37:32 |
Sir, madam Sheena |
00:37:34 |
Just hold on for a second. |
00:37:35 |
Babloo is behind... Down there, sir. |
00:37:38 |
Oh, he is Babloo? |
00:37:39 |
Have you worked |
00:37:41 |
Yes, listen. - |
00:37:43 |
Just hold on for a second. |
00:37:45 |
What did you say just now? |
00:37:47 |
Ghungroo Ladies Bar. |
00:37:48 |
Ghungroo Ladies Bar? - Yes. |
00:37:50 |
Benny, do you have any brains? |
00:37:51 |
He does, sir. Sir, he is |
00:37:53 |
I am talking about you, not him. |
00:37:55 |
Do you have any brains? |
00:37:57 |
No, you don't. You |
00:37:59 |
If you had any brains, |
00:38:00 |
...have brought this boy |
00:38:02 |
...here in The Mirage. |
00:38:04 |
Look at this. He is a down-market, |
00:38:05 |
...who works at Ghungroo Ladies Bar. |
00:38:08 |
And look at us. The elite, |
00:38:11 |
...the cream of the society. |
00:38:12 |
I mean... If you bring |
00:38:14 |
...I will hand him |
00:38:17 |
Sir, he's my friend. - Shut up. |
00:38:18 |
I... I... - And you |
00:38:19 |
Sir. - Get out. - Sir. |
00:38:21 |
Not from there. - Sir. |
00:38:22 |
Backdoor. - Okay, sir. - From |
00:38:24 |
If anyone sees him here... - Sir. |
00:38:25 |
They will say that illicit |
00:38:27 |
Illicit activities are |
00:38:28 |
Nikhil, I am still on the line. |
00:38:31 |
"I'll get you a job". |
00:38:33 |
Let's go. - Babloo. |
00:38:36 |
Listen. - You don't |
00:38:38 |
I am going through a |
00:38:39 |
It's not that. The |
00:38:41 |
What door? - The backdoor |
00:38:46 |
Brother, look at the |
00:38:51 |
If you want, this |
00:38:53 |
I have spoken to |
00:38:56 |
He can get it started. |
00:38:58 |
Actually he is a philanderer. |
00:39:01 |
Whenever he gets into the mood, |
00:39:06 |
So that your as well |
00:39:09 |
Kamble, I can do illicit business, |
00:39:12 |
...a pimp like you guys. |
00:39:16 |
These girls used to sell their art |
00:39:20 |
You stopped that and |
00:39:23 |
Now they stand here |
00:39:26 |
You guys want to stop that as well? |
00:39:27 |
So that they stand on the streets? |
00:39:32 |
You guys want to make them |
00:39:36 |
No matter how much you |
00:39:39 |
...if God wants them |
00:39:42 |
...then this orchestra |
00:39:47 |
What is this, Ria? You are nervous? |
00:39:50 |
Just relax. My mom and |
00:39:54 |
You will be very |
00:39:56 |
Please come here. Have a seat. |
00:39:58 |
Hi, Mom. Hi, Dad. This is Ria. |
00:40:07 |
'The moment I saw you, I have |
00:40:12 |
Have a seat, dear. |
00:40:15 |
Son, you have got |
00:40:19 |
Your choice is my choice. |
00:40:25 |
'I want you. - What? ' |
00:40:29 |
What will you have, dear? |
00:40:32 |
Nothing, thanks. - No, you |
00:40:39 |
'Rs. 1 lakh.' |
00:40:41 |
'Rs. 2 lakhs.' |
00:40:43 |
Rs. 3 lakhs. |
00:40:46 |
Okay, dear, tell me, what |
00:40:50 |
You are going to stay |
00:40:53 |
Well, I will |
00:41:01 |
'Ria, my business |
00:41:05 |
'Lf you don't mind, just like me... ' |
00:41:07 |
Excuse me. I'll just go to |
00:41:15 |
Madam... Madam, your car keys. |
00:41:19 |
"There are countless |
00:41:31 |
"There are countless |
00:41:39 |
"Why does..." |
00:41:45 |
"why does desolation surprise one?" |
00:41:58 |
"Why is the heart troubled?" |
00:42:08 |
That's Ria, right? - Yes, ma'am. |
00:42:15 |
What are you doing, ma'am? - Ria. |
00:42:16 |
No. Please. Please. - Ria, |
00:42:18 |
What are you doing, Ria? |
00:42:20 |
Ria. Ria, stop it. |
00:42:28 |
Ria. What happened? |
00:42:32 |
What is it, Ria? |
00:42:33 |
"Why is this city deserted?" |
00:42:37 |
"Why is this city deserted?" |
00:42:46 |
"Why is everyone..." |
00:42:52 |
"why is everyone upset?" |
00:43:06 |
Let it be, Mr. Kuldeep. |
00:43:08 |
It was my mistake. |
00:43:11 |
Okay, will you take |
00:43:14 |
Lunch? You will have |
00:43:17 |
And a long drive after that. |
00:43:19 |
And if I feel like, then |
00:43:21 |
I will play all the shots. |
00:43:23 |
Tell me if you are |
00:43:28 |
Mr. Champak, do something. |
00:43:31 |
I need money desperately. |
00:43:33 |
Tell me if you can meet |
00:43:35 |
I will give you the money. |
00:43:36 |
Police won't let the |
00:43:40 |
What they will do |
00:43:41 |
...impossible for you to make money... |
00:43:42 |
...it will also be difficult |
00:43:46 |
By the way, a lot of |
00:43:48 |
Tell me if you are interested. |
00:43:50 |
But how can I leave |
00:43:53 |
Go for your kids, Hema. |
00:43:55 |
You know you have only 2-3 |
00:43:58 |
Make as much money as you can. |
00:44:01 |
Go there and dance. |
00:44:02 |
Please private clients. |
00:44:04 |
There is no other option than that. |
00:44:06 |
"You don't get happiness |
00:44:13 |
"Who snatched the |
00:44:21 |
"God, who cursed me?" |
00:44:23 |
"God, prayers aren't working." |
00:44:26 |
"God, who cursed me?" |
00:44:29 |
"God, prayers aren't working." |
00:44:33 |
"There is no peace of |
00:44:38 |
What is it, dear? |
00:44:40 |
What happened? |
00:44:44 |
Mom, I was thinking what |
00:44:48 |
One storm ruined |
00:44:58 |
Dad got stuck in the |
00:45:03 |
Now he is paralyzed. |
00:45:05 |
He is on a wheel chair. |
00:45:07 |
Dad stopped walking and our |
00:45:13 |
Mom, I had to |
00:45:17 |
I could've been something else. |
00:45:19 |
I tried so hard. I |
00:45:24 |
But now... another storm. |
00:45:31 |
Why us, Mom? |
00:45:33 |
Don't worry. - Why me, Mommy? |
00:45:51 |
Hello. - Hello, Isha. |
00:45:52 |
Any news about when |
00:45:54 |
No, Soni. No news. |
00:45:57 |
I am facing financial crises. |
00:45:59 |
I don't know. My father |
00:46:01 |
From where should I get the money? |
00:46:03 |
Okay. - Okay, fine. |
00:46:06 |
Yes. |
00:46:11 |
"Why do you look at the face?" |
00:46:16 |
"Try falling in love with me." |
00:46:21 |
"Try falling in love with me." |
00:46:25 |
"Things will change in no time." |
00:46:30 |
"Stonehearted ones |
00:46:35 |
"Look how powerful my love is." |
00:46:44 |
"Look how powerful it is." |
00:46:49 |
"Why do you look at the face?" |
00:46:52 |
Father... - "Try falling in |
00:46:55 |
Go and meet him. |
00:46:57 |
There is no harm is seeing him. |
00:46:59 |
But keep one thing in mind. |
00:47:01 |
Don't fall in love with him. |
00:47:04 |
You can shop and give him the bill. |
00:47:06 |
Dear, you are not |
00:47:12 |
Why do you think about it? Yes? |
00:47:15 |
Go. - Father, I was having difficulty |
00:47:21 |
...as to what is worse, |
00:47:28 |
This is The Mirage's |
00:47:31 |
If you give clearance, there |
00:47:35 |
Sweets for you. |
00:47:37 |
Let it be, Negi. |
00:47:38 |
These sweets have made us diabetic. |
00:47:42 |
This time we don't want sweets, |
00:47:46 |
What say, Narayan? |
00:47:47 |
Yes, I have heard a |
00:47:51 |
Yes. - How about if we get |
00:47:55 |
This time, to clear the file, |
00:47:58 |
...where there is |
00:48:01 |
And great... girls. |
00:48:04 |
This is very wrong, sir. |
00:48:06 |
He's my friend, sir. |
00:48:08 |
How can I tell a friend |
00:48:11 |
Just hold on for a second. |
00:48:12 |
He is your friend, right? - Sir. |
00:48:13 |
Can't one friend do this |
00:48:16 |
Sir, he's a dear friend. |
00:48:20 |
My job is... - At risk. |
00:48:22 |
No personal vendetta. |
00:48:23 |
Look, I have to please my seniors. |
00:48:26 |
Like in this case you |
00:48:28 |
Your friend will have to please you. |
00:48:29 |
We have to see each other, |
00:48:30 |
It's... It's like |
00:48:32 |
Listen, if this job |
00:48:34 |
...your friend a nice |
00:48:38 |
And if not, then you |
00:48:43 |
Yes, Nikhil, tell me. |
00:48:44 |
Yes. Yes. |
00:48:50 |
Tell us, Babloo. What is it? |
00:48:52 |
Tell us, what is it? Why |
00:48:55 |
Come on, man. Tell us. |
00:48:57 |
Speak up. |
00:48:59 |
Hey... |
00:49:05 |
Benny's seniors are going |
00:49:13 |
They need dancers. |
00:49:16 |
To sing and dance. |
00:49:17 |
They will pay well. |
00:49:23 |
Good, isn't it? |
00:49:26 |
Forgive me if you have felt bad. |
00:49:28 |
Stupid, why are you apologizing? |
00:49:30 |
You have brought us a |
00:49:34 |
But I don't know what |
00:49:36 |
...and what kind of people they are. |
00:49:37 |
It's an unknown place. |
00:49:39 |
We can't sit idle either. |
00:49:42 |
We have to run our |
00:49:44 |
Yes, Isha. You are right. |
00:49:46 |
Babloo, why worry about us? |
00:49:47 |
First destiny made |
00:49:50 |
...and now the government |
00:49:53 |
You are right, Soni. |
00:49:56 |
Now we are being forced to |
00:50:22 |
"I am wearing bangles and earrings." |
00:50:24 |
"Give me a high-five." |
00:50:26 |
"I am beautiful and agile." |
00:50:28 |
"Give me a high-five." |
00:50:30 |
"I am wearing bangles and earrings." |
00:50:31 |
"Give me a high-five." |
00:50:33 |
"I am beautiful and agile." |
00:50:35 |
"Give me a high-five." |
00:50:37 |
"Don't stare at me." |
00:50:43 |
"My skirt is colorful." |
00:50:47 |
"My skirt is colorful." |
00:50:59 |
"I daily pray for your wellbeing." |
00:51:02 |
"I don't pray for anything else." |
00:51:04 |
"I should die at your feet." |
00:51:07 |
"I don't pray for anything else." |
00:51:21 |
"I left my house all decked up." |
00:51:23 |
"People go crazy |
00:51:28 |
"I left my house all decked up." |
00:51:30 |
"People go crazy |
00:51:32 |
"They go crazy over my hair." |
00:51:34 |
"They go crazy |
00:51:36 |
"They go crazy over my hair." |
00:51:38 |
"They go crazy |
00:51:40 |
"Don't stare at me." |
00:51:46 |
"My skirt is colorful." |
00:51:49 |
"My skirt is colorful." |
00:51:58 |
Back off, fatso. |
00:52:01 |
Babloo. |
00:52:03 |
Drink a little. |
00:52:05 |
Babloo. |
00:52:07 |
Babloo. |
00:52:09 |
Babloo. - No. |
00:52:11 |
Babloo. Babloo. |
00:52:13 |
Sir. Sir. Please, sir. |
00:52:15 |
What are you doing, sir? No, sir. |
00:52:16 |
No. |
00:52:18 |
Enough. |
00:52:26 |
They are scoundrels. |
00:52:28 |
Let's go. - Let's go. |
00:52:30 |
Thank you, Benny. Thank you. |
00:52:32 |
Welcome. Welcome. - Thank you. |
00:52:33 |
Welcome. - Thank you. |
00:52:34 |
We were dancing and they... |
00:52:35 |
What's going on? |
00:52:37 |
Having a party in Lonavala? |
00:52:39 |
Rascals, Lonavala is getting a |
00:52:41 |
No. No, sir. - No. - No, sir. |
00:52:44 |
They are inside, sir. |
00:52:46 |
They are inside? - Yes, they are |
00:52:49 |
Let's go. Let's go. - Let's go. |
00:52:52 |
Get back. |
00:52:54 |
Don't move from here |
00:52:55 |
Come on. - Come on. Come on. |
00:52:57 |
Let go of me, sir. I |
00:53:01 |
Solanki. - Sir? You, here? |
00:53:07 |
I am on duty. |
00:53:11 |
He's with me. |
00:53:12 |
Sir, what are you saying? |
00:53:14 |
Sir. Sir... - Get in. Come on. |
00:53:16 |
Sir... |
00:53:18 |
Your Honor, on 8th June, |
00:53:20 |
...at that farmhouse in Lonavala... |
00:53:22 |
...Benny Kutty and |
00:53:25 |
...supplied these six |
00:53:29 |
We are innocent, sir. |
00:53:34 |
They made them dance. |
00:53:35 |
And under the pretext |
00:53:38 |
...they made them do a public show. |
00:53:40 |
Your Honor, Goyal Sinha, |
00:53:45 |
...Mahesh Sarang and |
00:53:49 |
No. No. No. Your Honor, |
00:53:52 |
These people are not the same. |
00:53:53 |
Babloo Charan Lathi, |
00:53:56 |
...to recognize your |
00:53:59 |
Your Honor, I am telling the truth... |
00:54:00 |
Okay. I would like to call |
00:54:04 |
...who was present |
00:54:07 |
Your Honor, that night, |
00:54:10 |
...I arrested these four men. |
00:54:12 |
Your Honor, now tell us, will |
00:54:16 |
...or Babloo Charan Lathi who works... |
00:54:18 |
...at a cheap, disgusting |
00:54:22 |
A place that is not |
00:54:29 |
What are you saying, sir? |
00:54:30 |
Why do you relate all |
00:54:34 |
Sir, I have worked there. |
00:54:35 |
Girls work there to |
00:54:39 |
That place is infamous, |
00:54:42 |
And nor are these girls prostitutes. |
00:54:47 |
Your Honor, he is talking |
00:54:51 |
...in a ladies bar, |
00:54:54 |
Your Honor, Mr. Benny Kutty |
00:55:00 |
But he didn't even spare his friend. |
00:55:04 |
He got him involved in |
00:55:06 |
And made him a pimp like himself. |
00:55:09 |
Who are you calling a pimp? |
00:55:11 |
He is my friend. He is not a pimp. |
00:55:13 |
If you want to see a pimp, |
00:55:15 |
Look, Benny... - No... |
00:55:17 |
I had hidden |
00:55:19 |
There's a turmoil |
00:55:20 |
Sir, the party he is talking about... |
00:55:21 |
...was organized by my hotel. |
00:55:25 |
Mirage, the five star hotel. |
00:55:26 |
I don't know how they got |
00:55:30 |
Government gave it a five-star |
00:55:38 |
All illicit things |
00:55:40 |
Someone's husband with |
00:55:43 |
Someone's wife with |
00:55:45 |
I feel embarrassed to talk about it. |
00:55:46 |
But such things |
00:55:49 |
Two weeks... |
00:55:50 |
In two weeks, I came to know |
00:55:56 |
One should at least |
00:55:59 |
Someone died in the hotel |
00:56:03 |
They kept him alive for the public. |
00:56:06 |
Then they took him |
00:56:08 |
...and they declared |
00:56:11 |
Why did they say that, sir? |
00:56:13 |
Sir, the hotel's reputation will |
00:56:17 |
Hotels have great value here, sir. |
00:56:20 |
People don't have any value. |
00:56:21 |
What is over there? Yes, a disco. |
00:56:24 |
It is not a disco, |
00:56:29 |
Prostitution takes |
00:56:32 |
And he is calling us pimp. |
00:56:38 |
What is your problem? |
00:56:41 |
Don't call us pimp. Mind it. |
00:56:44 |
I am Benny... the... Benny. |
00:56:48 |
I want to apologize to you. I... I... |
00:56:51 |
I used to pull your leg |
00:56:54 |
That also increased your height. |
00:56:56 |
You now reach till here. I am sorry. |
00:56:59 |
Benny. |
00:57:02 |
So this is what |
00:57:05 |
Don't worry. The |
00:57:08 |
The court is adjourned for today. |
00:57:09 |
Next hearing will be |
00:57:12 |
We will... - Mr. Negi. |
00:57:14 |
What is happening? |
00:57:15 |
How did Benny and Babloo |
00:57:17 |
You very well know |
00:57:19 |
Sheena, calm down. Calm down. |
00:57:21 |
I know Benny is innocent. |
00:57:23 |
That's why I have called Mr. Shinde. |
00:57:25 |
He is one of the top |
00:57:27 |
And Benny is our staff member. |
00:57:28 |
He is one of us. |
00:57:30 |
We will see to it that |
00:57:32 |
But along with Benny, we have to |
00:57:35 |
I hope you understand. |
00:57:36 |
But if... - Now this |
00:57:39 |
I will handle everything. |
00:57:42 |
You don't need to worry at all. |
00:57:45 |
At the next hearing |
00:57:46 |
...if I don't get |
00:57:50 |
...then I will leave my practice. |
00:57:53 |
Because section |
00:57:57 |
...those who send girls |
00:58:01 |
And there is no |
00:58:03 |
Therefore this |
00:58:05 |
Just do as I say. |
00:58:09 |
Okay, sir. |
00:58:11 |
Don't worry. You will |
00:58:35 |
'Under section 127 |
00:58:39 |
'... all the girls of the bar are |
00:58:43 |
'6 months' rigorous imprisonment.' |
00:58:47 |
'Benny Kutty and |
00:58:50 |
'... forced the bar girls |
00:58:54 |
'Hence under section |
00:58:59 |
'... are sentenced to |
00:59:03 |
'One year rigorous imprisonment.' |
00:59:06 |
"Beloved." |
00:59:19 |
"Don't..." |
00:59:26 |
That way, sir. - Thank you. - Yes. |
00:59:29 |
Welcome. |
00:59:31 |
Thank you. - That way, ma'am. |
00:59:32 |
Welcome, madam. |
00:59:35 |
Good evening, sir. That way, sir. |
00:59:38 |
Hello, sir. - How are you, Mr. Negi? |
00:59:39 |
Welcome to Mirage. - Hello. |
00:59:41 |
Hello. - Hello. |
00:59:44 |
You have one week's |
00:59:46 |
...so enjoy yourselves. |
00:59:48 |
Sister-in-law, you must try our spa. |
00:59:49 |
We have some great massages. |
00:59:51 |
Beauty parlour and lots of stuff, |
00:59:53 |
And we have loads of fun |
00:59:55 |
He's such a cute kid. |
00:59:56 |
Never mind. Take them. |
00:59:58 |
Please come. - Come, this way. |
01:00:00 |
Sir, if you need anything, |
01:00:02 |
...I am available 24/7. |
01:00:09 |
Look, Ram... - Yes, sir? |
01:00:10 |
Mrs. Saigal has badly |
01:00:12 |
I want you to prepare the |
01:00:14 |
And you? Mahesh, go |
01:00:17 |
Mr. Saigal has gone to Cooper |
01:00:18 |
Make sure that the |
01:00:20 |
...so that we can win this case. |
01:00:22 |
Hey, geek. |
01:00:25 |
Geek? - Yes, you. |
01:00:27 |
Hey, who are you talking to? |
01:00:29 |
Cool. |
01:00:34 |
I think he knows her. |
01:00:35 |
Saw the way she was talking to sir? |
01:00:37 |
You forgot me, squirt? |
01:00:39 |
How can I forget you, Hema? |
01:00:43 |
Remember, you used to |
01:00:46 |
...and stare at me for 3 |
01:00:49 |
Hema, I also used to give |
01:00:53 |
Yes. How can I forget that? |
01:00:56 |
But, friend, you |
01:00:59 |
You have just put on some weight. |
01:01:01 |
You feel so because I |
01:01:02 |
And you are losing hair as well. |
01:01:04 |
I got a haircut |
01:01:07 |
Your geek has become |
01:01:10 |
Amit Bhalla, advocate. |
01:01:12 |
But what are you doing here? |
01:01:15 |
The same old story, my friend. |
01:01:18 |
A raid took place. |
01:01:19 |
Others got released, but bar girls... |
01:01:21 |
...don't get a fair |
01:01:25 |
We got sentenced for 6 months. |
01:01:27 |
God didn't give me a |
01:01:28 |
...for you in the |
01:01:30 |
But now this Bhalla will not |
01:01:34 |
15 days. You all |
01:01:39 |
Seriously. |
01:01:42 |
And listen. - Yes? |
01:01:43 |
Call me "geek" once again. - Geek. |
01:01:46 |
Great. |
01:01:56 |
"I'll signal through my eyes." |
01:02:00 |
"And steal your heart." |
01:02:04 |
"I'll signal through my eyes." |
01:02:07 |
"And steal your heart." |
01:02:09 |
Newbie, listen. |
01:02:12 |
Come here. |
01:02:13 |
"Why don't you understand me?" |
01:02:14 |
Sir. - What is that girl's name? |
01:02:17 |
Sir... |
01:02:18 |
"why do you turn your |
01:02:19 |
The one on the left or |
01:02:21 |
The one on the left. - The |
01:02:23 |
What is her number? Here Rs. 500. |
01:02:25 |
Sir, 98335... - After that? |
01:02:29 |
5 numbers for Rs. 500, sir. |
01:02:31 |
I don't know the rest. |
01:02:32 |
You are clever, rascal. |
01:02:34 |
That I became, sir. Long story, sir. |
01:02:36 |
Then who will tell me |
01:02:38 |
I will tell you, sir. |
01:02:40 |
Speak up. - Give me the money. |
01:02:43 |
Here. |
01:02:44 |
58551. |
01:02:47 |
Sir, this is complimentary. |
01:02:49 |
Carrot. Good for eyes, sir. |
01:02:55 |
'Don't get shocked.' |
01:02:56 |
'I left Mirage and joined Babloo.' |
01:03:00 |
'Ln the end, I am very happy.' |
01:03:03 |
'I will give you some information |
01:03:06 |
'Sheena madam left Mirage |
01:03:10 |
'Her husband is |
01:03:12 |
'Not for himself, but for |
01:03:15 |
'His house, car, and farmhouse |
01:03:18 |
'Look, that's why she looks so |
01:03:22 |
'What? Not with me.' |
01:03:23 |
'Don't misunderstand.' |
01:03:26 |
'Actually, I don't know |
01:03:30 |
'Ria madam is trying |
01:03:33 |
'She has joined the art of living... ' |
01:03:35 |
'... and is doing breathing |
01:03:37 |
'She donated all |
01:03:40 |
'Nowadays she does social work.' |
01:03:43 |
'Ronnie. He looks |
01:03:46 |
'He got promoted.' |
01:03:47 |
'From a bellboy, |
01:03:49 |
'Not in a hotel, on a cruise.' |
01:03:51 |
'A cruise means a ship.' |
01:03:53 |
'Sometimes when he calls, I say, |
01:03:57 |
'But he is happy now. Very happy.' |
01:04:00 |
'Now... Negi.' |
01:04:03 |
'He is at the same post |
01:04:06 |
'Nothing changed |
01:04:08 |
'There is a less |
01:04:12 |
'Lt's called Dil Khush |
01:04:14 |
'As far as the five stars and |
01:04:16 |
'... they are doing their |
01:04:21 |
'As they say in our city, no matter |
01:04:26 |
'Well, everything else is happy.' |
01:04:29 |
'Nice. I hope you are also happy.' |
01:04:31 |
'Thanking you, yours sincerely.' |
01:04:32 |
'This is Benny who was |
01:04:35 |
'Thank you.' |