|
Besouro
|
| 00:02:27 |
It's forbidden |
| 00:02:30 |
It's forbidden |
| 00:02:32 |
It's forbidden |
| 00:02:34 |
Boy, one day |
| 00:02:38 |
Poor? Well, tomorrow |
| 00:02:42 |
Now, you're black for life, |
| 00:02:46 |
Black and proud of it. |
| 00:02:49 |
And don't let anyone |
| 00:02:52 |
Will you teach me |
| 00:02:54 |
I've been learning |
| 00:02:59 |
To teach you all of it, |
| 00:03:03 |
Come here, |
| 00:03:04 |
who taught you |
| 00:03:06 |
- My mom and my dad. |
| 00:03:09 |
Your body |
| 00:03:12 |
You've started walking |
| 00:03:16 |
Manoel, |
| 00:03:20 |
People don't realize |
| 00:03:24 |
He's heavy |
| 00:03:28 |
Even science is sure |
| 00:03:35 |
but... |
| 00:03:38 |
Iook how wonderful it is. |
| 00:04:13 |
When the boy's eyes |
| 00:04:15 |
lit up watching |
| 00:04:18 |
as black as himself, |
| 00:04:20 |
but having |
| 00:04:26 |
he made a choice. |
| 00:04:29 |
The choice |
| 00:04:32 |
And he stopped |
| 00:04:37 |
to become Besouro. |
| 00:04:43 |
Besouro |
| 00:04:45 |
Golden belt |
| 00:04:49 |
A JOÃO DANIEL TIKHOMIROFF FILM |
| 00:04:52 |
A JOÃO DANIEL TIKHOMIROFF FILM |
| 00:04:55 |
Recôncavo Baiano, |
| 00:04:58 |
1924. |
| 00:05:00 |
Brazil abolished slavery |
| 00:05:06 |
and black people |
| 00:05:12 |
African religions |
| 00:05:14 |
and Capoeira |
| 00:05:17 |
Black people |
| 00:05:19 |
start to get organized |
| 00:05:23 |
At the Recôncavo |
| 00:05:25 |
Master Alípio is the leader |
| 00:05:29 |
Due to his struggle, |
| 00:05:31 |
Master Alípio |
| 00:05:34 |
and gets protection |
| 00:05:37 |
and his main protégé, |
| 00:05:52 |
JANUARY 21, 1924 |
| 00:06:07 |
- Good morning, Master Alípio. |
| 00:06:21 |
Go for it, Besouro! |
| 00:06:27 |
Besouro, shouldn't you |
| 00:06:35 |
Good morning, master. |
| 00:06:36 |
- 'Morning. |
| 00:06:45 |
We can't rely on you, man. |
| 00:06:55 |
Don't stop the music. |
| 00:06:57 |
Come on, play it. |
| 00:06:58 |
Let's practice. |
| 00:07:30 |
- Good morning, master. |
| 00:07:36 |
Hi, boys. |
| 00:07:41 |
Do it. |
| 00:07:53 |
You're so handsome! |
| 00:07:57 |
Come on. |
| 00:07:58 |
Let's go. |
| 00:08:09 |
Yes, sir. |
| 00:08:31 |
Very good! |
| 00:08:53 |
Besouro! |
| 00:09:15 |
Besouro! Besouro! |
| 00:09:17 |
Master Alípio isn't home. |
| 00:09:37 |
Master? |
| 00:09:40 |
- Master? |
| 00:09:45 |
Besouro, |
| 00:09:47 |
take me |
| 00:09:50 |
Just you. |
| 00:09:55 |
It was my fault, master. |
| 00:09:59 |
This was bound to happen. |
| 00:10:06 |
No, master. |
| 00:10:18 |
I chose you... |
| 00:10:22 |
to continue... |
| 00:10:25 |
what I started. |
| 00:12:06 |
Colonel... |
| 00:12:09 |
Noca, |
| 00:12:11 |
move this filth |
| 00:12:17 |
Genival and Serafim, |
| 00:12:20 |
- Moron, bastard. |
| 00:12:24 |
serve me a dose. |
| 00:12:44 |
7 DAYS LATER |
| 00:12:57 |
That's a nice berimbau. |
| 00:12:59 |
It belongs to Dinorá. |
| 00:13:02 |
You'll end up |
| 00:13:04 |
We always liked |
| 00:13:07 |
Since we were kids. |
| 00:13:09 |
Since you |
| 00:13:11 |
Besouro was "Manoel", |
| 00:13:12 |
and Dinorá was a tomboy |
| 00:13:14 |
playing over there |
| 00:13:19 |
That's your opinion. |
| 00:13:20 |
For me, |
| 00:13:23 |
She looked like a goddess... |
| 00:13:25 |
with her curly hair. |
| 00:13:32 |
How about Besouro? |
| 00:13:35 |
What about him? |
| 00:13:37 |
He must be in great pain. |
| 00:13:39 |
We all are. |
| 00:13:41 |
The people, and all of us. |
| 00:13:44 |
But Besouro even more. |
| 00:13:47 |
He knows what he's done. |
| 00:13:50 |
Besouro... |
| 00:13:51 |
what a proud fella. |
| 00:13:57 |
Will Besouro come |
| 00:14:02 |
He'd better not. |
| 00:14:39 |
Master Alípio |
| 00:14:47 |
Pray for our bonding's |
| 00:14:56 |
You taught us to be proud |
| 00:15:04 |
And to have no fear at all |
| 00:15:13 |
Our race's greatness |
| 00:15:21 |
Capoeira bonds us all |
| 00:15:28 |
Set free |
| 00:15:32 |
Our hearts |
| 00:15:43 |
Go. |
| 00:16:25 |
- Master Alípio, here's my lament |
| 00:16:28 |
- For our master. |
| 00:16:30 |
You taught us to be proud |
| 00:16:32 |
And to have no fear at all |
| 00:16:34 |
Our race's greatness |
| 00:16:37 |
Capoeira bonds us all |
| 00:16:40 |
Set our hearts free |
| 00:16:44 |
And to have no fear at all |
| 00:16:50 |
Enough of this, |
| 00:16:52 |
bunch of lowlifes! |
| 00:16:54 |
It's forbidden to fight |
| 00:16:56 |
Get out of here. |
| 00:16:59 |
Everybody quiet! |
| 00:17:02 |
I thought you were a literate man, |
| 00:17:06 |
Who said |
| 00:17:09 |
Capoeira is a dance. |
| 00:17:10 |
Look who's talking! |
| 00:17:12 |
It's the fish |
| 00:17:16 |
Is it a dance, |
| 00:17:19 |
Your leaps and mummeries |
| 00:17:21 |
- Then you're forbidden to dance. |
| 00:17:25 |
- Who? |
| 00:17:28 |
Beat up the niggers! |
| 00:17:29 |
Go! Go! Go! |
| 00:17:32 |
Run! |
| 00:17:50 |
What are you thinking? |
| 00:17:53 |
That your dance scares us? |
| 00:17:56 |
Your make-believe fight? |
| 00:18:00 |
These niggers |
| 00:18:02 |
They came up with Capoeira |
| 00:18:06 |
Are you performing |
| 00:18:09 |
Are you wearing |
| 00:18:12 |
In a nigger's grave |
| 00:18:14 |
- we can fit 2 or 3. |
| 00:18:16 |
Fuck off. |
| 00:18:18 |
- Big man with a gun! |
| 00:18:20 |
There you go, |
| 00:18:23 |
Now I'll disarm you |
| 00:18:27 |
You are wasting your time, Noca. |
| 00:18:32 |
You have a different |
| 00:18:51 |
Dance now, nigger. |
| 00:19:01 |
Let's go. |
| 00:19:03 |
Hold on tight, Chico. |
| 00:19:05 |
Olorum Ojubaré. |
| 00:19:08 |
Ossaim Ojubaré. |
| 00:19:09 |
Hold on, Chico. |
| 00:19:12 |
Hold on, you're strong. |
| 00:19:15 |
Chico, soon the pain |
| 00:19:26 |
Let us practice, |
| 00:19:29 |
The Blessing, |
| 00:19:31 |
the Cartwheel, |
| 00:19:32 |
the Warned, |
| 00:19:36 |
the Half-Moon |
| 00:19:41 |
The Hammer kick... |
| 00:19:43 |
You're getting good, |
| 00:19:45 |
You're getting good. |
| 00:19:48 |
- Master, may I practice? |
| 00:19:50 |
- Yes. |
| 00:19:51 |
- No! |
| 00:19:53 |
Let's practice. |
| 00:19:58 |
Hold on, Quero-Quero. |
| 00:20:01 |
Get up, Besouro. |
| 00:20:04 |
You must learn something. |
| 00:20:06 |
Alone, you can be strong |
| 00:20:09 |
and brave, |
| 00:20:10 |
but two are stronger. |
| 00:20:12 |
And three, even stronger. |
| 00:20:15 |
Together we are |
| 00:20:19 |
And don't let anything |
| 00:20:22 |
Anything. |
| 00:20:25 |
Noca is a coward. |
| 00:20:28 |
If the master was here, |
| 00:20:32 |
He knew how to make them |
| 00:20:36 |
That's true. |
| 00:20:44 |
Besouro screwed up, honey. |
| 00:20:46 |
It wasn't his fault. |
| 00:20:52 |
May I walk you home? |
| 00:20:55 |
There's no need for that. |
| 00:20:57 |
I need to be alone |
| 00:20:59 |
To think about |
| 00:21:03 |
I'm going |
| 00:21:20 |
Take care of yourself. |
| 00:21:22 |
Clear the way! |
| 00:21:24 |
Let's go! |
| 00:21:25 |
Go! |
| 00:21:28 |
Let's go! |
| 00:21:29 |
Get to work! |
| 00:21:32 |
Put the millstone in gear. |
| 00:21:40 |
People are saying |
| 00:21:43 |
he ran to the forest. |
| 00:21:45 |
Why did he leave? |
| 00:21:48 |
He yellowed. |
| 00:21:51 |
The black man |
| 00:21:56 |
Everything |
| 00:21:58 |
There are no |
| 00:22:00 |
and no more |
| 00:22:02 |
The niggers are carrying loads |
| 00:22:06 |
Everything is quiet now. |
| 00:22:09 |
Much too quiet. |
| 00:22:24 |
Come in. |
| 00:22:30 |
Close the door. |
| 00:22:50 |
Don't be afraid, Besouro. |
| 00:23:55 |
You were supposed |
| 00:23:57 |
But you were showing off. |
| 00:24:10 |
You want me to defend |
| 00:24:14 |
I'm not ready yet, Dinorá. |
| 00:24:16 |
You'll never be ready. |
| 00:25:39 |
You are ready to meet the one |
| 00:25:55 |
Chico, |
| 00:25:57 |
that's Exu's offering. |
| 00:26:06 |
Didn't you see what just |
| 00:26:11 |
Don't you know |
| 00:26:14 |
It wasn't |
| 00:26:16 |
It was because |
| 00:26:26 |
I'll go ahead to start |
| 00:26:28 |
- I'll pick up the rest of the stuff. |
| 00:26:34 |
Blessings, lady. |
| 00:26:36 |
God bless you, sweetie. |
| 00:26:38 |
I'd like some |
| 00:26:40 |
This one burns like fire. |
| 00:26:57 |
Jesus, Zulmira, |
| 00:27:08 |
- Howdy. |
| 00:27:15 |
Alright? |
| 00:27:21 |
- Good morning. |
| 00:27:25 |
Look, Zulmira, |
| 00:27:29 |
When did you |
| 00:27:31 |
Early today. |
| 00:27:38 |
How about you? |
| 00:27:40 |
Are you very fresh? |
| 00:27:43 |
Are you looking for trouble |
| 00:27:48 |
Who's that fella |
| 00:27:53 |
What fella? |
| 00:27:59 |
What are you doing, man? |
| 00:28:01 |
What are you doing? |
| 00:28:02 |
You can't do that |
| 00:28:04 |
- Drop my fish, man. |
| 00:28:08 |
You bastard! |
| 00:28:09 |
What will you do now? |
| 00:28:11 |
What's going on |
| 00:28:13 |
Are you a man or a mouse? |
| 00:28:17 |
How will you kill |
| 00:28:18 |
Vicious bastard! |
| 00:28:24 |
Where is he? Where is he? |
| 00:28:28 |
Bastard, where are you? |
| 00:28:31 |
Where are you? Where? |
| 00:28:34 |
Where are you? |
| 00:28:37 |
- I'll get you, bastard. |
| 00:28:39 |
- Go away. |
| 00:28:40 |
- Calm down, Chico. |
| 00:28:42 |
- Calm down, Chico. |
| 00:28:43 |
- Calm down, boy. |
| 00:28:45 |
- What's going on? |
| 00:28:46 |
- What's going on? |
| 00:28:48 |
Are you talking |
| 00:28:49 |
Are you talking to yourself? |
| 00:28:51 |
- Let's go home. |
| 00:29:08 |
Who are you? |
| 00:29:11 |
I'm Exu. |
| 00:29:12 |
I'm good to whoever |
| 00:29:14 |
and evil to those |
| 00:29:17 |
I ruled over your master's head |
| 00:29:21 |
My master was a good man, |
| 00:29:23 |
Is there good |
| 00:29:25 |
Is there death |
| 00:29:30 |
Master Alípio |
| 00:29:37 |
What do you want from me? |
| 00:29:39 |
Respect. |
| 00:29:41 |
Kneel before me. |
| 00:29:43 |
I ain't kneeling. I'm neither yours |
| 00:29:47 |
Jesus! |
| 00:29:58 |
What were you |
| 00:30:03 |
Were you beside him? |
| 00:30:16 |
Who are you to blame me? |
| 00:30:21 |
- What's gotten into Besouro? |
| 00:30:23 |
- Is he crazy? Let's go, Dinorá. |
| 00:30:30 |
You're vain. |
| 00:30:33 |
You let Alípio die. |
| 00:30:49 |
Come on, Besouro, wake up! |
| 00:31:23 |
Wake up! |
| 00:31:33 |
Get him! |
| 00:31:35 |
Run! Run! |
| 00:31:36 |
Come on, run! |
| 00:31:38 |
Shoot him! Shoot him! |
| 00:31:42 |
Run! |
| 00:31:43 |
Run, you bastards! |
| 00:31:45 |
Get him! Come on! |
| 00:31:46 |
Shoot the damn nigger! |
| 00:31:49 |
Fire! Fire! |
| 00:31:52 |
Shoot the bastard! |
| 00:31:54 |
Get him, come on! |
| 00:31:56 |
- Get the nigger! |
| 00:31:59 |
Let's climb here! |
| 00:32:00 |
- Here! |
| 00:32:02 |
Shoot him! |
| 00:32:04 |
- Shoot! |
| 00:32:21 |
The damn nigger sunk. |
| 00:32:42 |
He ran like a cavy, |
| 00:32:45 |
Do you? |
| 00:32:47 |
No one can survive |
| 00:32:48 |
From that height? |
| 00:33:04 |
Some people |
| 00:33:07 |
but thank God |
| 00:33:11 |
Isn't it so? |
| 00:33:19 |
Genival, hold it there. |
| 00:33:21 |
Go, lift it, lift it. |
| 00:33:26 |
No drunken ruffian, |
| 00:33:28 |
stupid and hoodlum |
| 00:33:30 |
will ruin |
| 00:33:33 |
- Did you hear that, Noca? |
| 00:33:36 |
- Now go! |
| 00:33:37 |
Let's go, let's go. |
| 00:33:41 |
Let's go, Genival, |
| 00:33:42 |
Hold it there, Ênio. |
| 00:33:45 |
Let's help the colonel. |
| 00:33:48 |
We'll do it, Coronel. |
| 00:34:00 |
Ogum iê, patacori Ogum. |
| 00:34:03 |
Orixás |
| 00:34:09 |
Ossain, |
| 00:34:11 |
Lord of leaves. |
| 00:34:15 |
He's the Orixá |
| 00:34:18 |
and the mystery of life. |
| 00:34:24 |
Besouro, you're |
| 00:34:29 |
the ruler of war. |
| 00:34:32 |
Ogum iê, my father! |
| 00:34:43 |
Oxum is loving, |
| 00:34:45 |
vain and alluring. |
| 00:34:52 |
She's the Orixá |
| 00:34:55 |
She's maternal |
| 00:35:30 |
Lansã |
| 00:35:33 |
is the beautiful |
| 00:35:36 |
There's no better |
| 00:36:02 |
Besouro, |
| 00:36:14 |
Are you alright? |
| 00:36:21 |
I dreamt with my master. |
| 00:36:25 |
He was talking... |
| 00:36:31 |
Capoeira alone |
| 00:36:34 |
- won't rid anyone from evil. |
| 00:36:40 |
from Ogum. |
| 00:37:00 |
This is for |
| 00:37:02 |
It was laid to sleep |
| 00:37:09 |
There are 7 leaves |
| 00:37:12 |
which will |
| 00:37:15 |
and close |
| 00:37:23 |
Your body is shielded. |
| 00:38:02 |
That nigger is evil. |
| 00:38:05 |
And evil must be |
| 00:38:08 |
I think even |
| 00:38:10 |
Good afternoon, colonel. |
| 00:38:12 |
- Shameful race! |
| 00:38:17 |
Move, devil's hoof! |
| 00:38:21 |
Now, |
| 00:38:22 |
- you better keep your eyes open. |
| 00:38:27 |
Indeed they are. |
| 00:38:52 |
Fire! Fire! |
| 00:38:54 |
It's on fire! |
| 00:38:55 |
- It's spreading! |
| 00:38:59 |
Don't let it spread! |
| 00:39:04 |
- Run! |
| 00:39:06 |
Who's done this? |
| 00:39:10 |
Put it out! |
| 00:39:14 |
Serafim, fetch water. |
| 00:39:19 |
Put it all out. |
| 00:39:27 |
Who's done this? |
| 00:39:29 |
Come on, run! |
| 00:39:34 |
Noca, I saw who set |
| 00:39:38 |
It was Besouro. |
| 00:40:55 |
It's all surrounded, |
| 00:40:57 |
- Who's on top Jacu hill? |
| 00:41:01 |
Who's at the sandbank? |
| 00:41:03 |
Neno, Zé do Toti |
| 00:41:06 |
- Who's at the river's head? |
| 00:41:08 |
I think the nigger |
| 00:41:22 |
You're a menace. |
| 00:42:15 |
Will you get me a chicken, |
| 00:42:20 |
Will you? |
| 00:42:32 |
Look what you did |
| 00:42:34 |
- I'm sorry. |
| 00:43:03 |
What are you doing there? |
| 00:43:16 |
Let's go! |
| 00:43:19 |
Go. |
| 00:43:35 |
There was nothing |
| 00:43:38 |
The damage was huge. |
| 00:43:45 |
I sold a herd of oxen to make up |
| 00:43:49 |
And forced the niggers |
| 00:43:53 |
I'm going to need |
| 00:43:59 |
And to where has |
| 00:44:01 |
I'm still looking for him. |
| 00:44:10 |
The fish is delicious. |
| 00:44:13 |
Yes. |
| 00:44:35 |
Teresa, |
| 00:44:37 |
go back to the kitchen |
| 00:44:42 |
Later, when we're smoking, |
| 00:44:46 |
to bring us the coffee. |
| 00:44:48 |
- Do you understand, Teresa? |
| 00:45:04 |
Girl, |
| 00:45:07 |
wait 'til the congressman is done |
| 00:45:24 |
Take the cup, girl. |
| 00:45:32 |
Girl, look what |
| 00:45:35 |
Now clean that mess |
| 00:45:48 |
- What's wrong? |
| 00:46:02 |
- Teresa. |
| 00:46:04 |
That girl serving coffee |
| 00:46:08 |
is your daughter, isn't she? |
| 00:46:11 |
Yes. Dinorá. |
| 00:46:15 |
You haven't seen |
| 00:46:17 |
She's all grown up, |
| 00:46:21 |
Tell her to come here. |
| 00:46:26 |
She went home. |
| 00:46:30 |
On whose orders? |
| 00:46:35 |
Answer me. |
| 00:46:40 |
She was feeling very ill |
| 00:46:45 |
I'm sorry. |
| 00:46:57 |
What's the name |
| 00:47:01 |
- Joilda? |
| 00:47:07 |
Tell her to take the congressman |
| 00:47:10 |
because he's very thirsty. |
| 00:47:14 |
Unless she's been |
| 00:47:18 |
She wasn't, sir. |
| 00:47:31 |
Do you want me to spend |
| 00:47:51 |
Getting up early |
| 00:47:54 |
Call upon my friends |
| 00:47:57 |
Getting up early |
| 00:48:00 |
Call upon me |
| 00:48:03 |
I will play |
| 00:48:08 |
Besouro |
| 00:48:11 |
Golden belt |
| 00:48:14 |
Besouro |
| 00:48:16 |
Golden belt |
| 00:48:30 |
- Is everything alright here? |
| 00:48:32 |
Good morning. |
| 00:48:36 |
This place looks great. |
| 00:48:50 |
- How are you, sir? |
| 00:48:53 |
- How Do you do? |
| 00:48:56 |
and people |
| 00:48:58 |
Let me know |
| 00:49:11 |
Oxe. |
| 00:49:12 |
Don't you want |
| 00:49:14 |
Look at this, Noca. |
| 00:49:16 |
They don't want |
| 00:49:22 |
- No work. |
| 00:49:26 |
Give me this. |
| 00:49:42 |
You don't understand |
| 00:49:46 |
You don't get |
| 00:49:49 |
I doubted him, |
| 00:49:54 |
but it's obvious, folks. |
| 00:49:56 |
It's obvious he's following |
| 00:50:02 |
- Yes, that's right. |
| 00:50:05 |
He's kicking off |
| 00:50:06 |
the fight that Master Alípio |
| 00:50:38 |
Hurry! |
| 00:50:41 |
Move it, boy! |
| 00:50:59 |
Get out of the way! |
| 00:51:02 |
What is this? |
| 00:51:05 |
Out! Out! |
| 00:51:08 |
What a disaster. |
| 00:51:13 |
What the hell was that? |
| 00:51:30 |
Damn it. |
| 00:51:32 |
Right under our noses. |
| 00:51:35 |
He's in here, he is! |
| 00:51:38 |
They say this nigger |
| 00:51:40 |
plants and stems, |
| 00:51:43 |
Come on, go for it! |
| 00:51:45 |
Genival, move down |
| 00:51:47 |
- Right. |
| 00:51:48 |
The rest of you, |
| 00:51:50 |
We must catch that nigger. |
| 00:51:52 |
Dam it, we must |
| 00:51:53 |
We must catch that nigger |
| 00:51:55 |
When it's time to eat bananas |
| 00:52:02 |
Now, damn it! |
| 00:52:06 |
Cut the banana trees to find out |
| 00:52:11 |
Come on, damn it. |
| 00:52:14 |
Catch that nigger! |
| 00:52:16 |
- Go that way. |
| 00:52:18 |
- Look for him. |
| 00:52:20 |
- Keep your eyes open. |
| 00:52:24 |
Hide yourself! |
| 00:52:48 |
They found the nigger. |
| 00:52:53 |
Zé Moreno hit him. |
| 00:53:00 |
Look, the animal is hurt. |
| 00:53:07 |
Over there. |
| 00:53:10 |
Get out of my way. |
| 00:53:13 |
It better be understood |
| 00:53:15 |
the nigger's shielded body |
| 00:53:18 |
was riddled with |
| 00:53:25 |
- Good God, it's Zé Moreno. |
| 00:53:29 |
Moron, look at him! |
| 00:53:30 |
Look at him. |
| 00:53:34 |
What happened here should |
| 00:53:38 |
He let a nigger fool him, |
| 00:53:43 |
He even allowed |
| 00:53:45 |
Moron! Moron! |
| 00:53:47 |
Do you understand? Now go. |
| 00:53:51 |
- Let's go. |
| 00:53:53 |
- Let's go. |
| 00:54:13 |
So not only we |
| 00:54:16 |
but we missed the target. |
| 00:54:20 |
We lost one of our own? |
| 00:54:24 |
You'd better settle this soon, |
| 00:54:31 |
- It won't be easy, colonel. |
| 00:54:37 |
Because he flies. |
| 00:54:42 |
He what, Noca? |
| 00:55:13 |
Gather around the Capoeira |
| 00:55:17 |
Gather around the Capoeira |
| 00:55:21 |
Gather around the Capoeira |
| 00:55:24 |
- Stop. Hold on, man. |
| 00:55:38 |
I'm sorry. |
| 00:55:41 |
- Sorry about what, boy? |
| 00:55:44 |
I've nothing against your games, |
| 00:55:49 |
I don't like disorder and people |
| 00:55:58 |
What's your name? |
| 00:56:00 |
Quero-Quero. |
| 00:56:04 |
I want to know |
| 00:56:07 |
Come on. |
| 00:56:10 |
Go on, play it. |
| 00:57:02 |
Look at that. |
| 00:57:03 |
That's it, I want |
| 00:57:10 |
Let's do it. |
| 00:57:31 |
Today was my day, |
| 00:57:35 |
I was awesome. |
| 00:57:40 |
Dinorá. |
| 00:57:43 |
- Dinorá? |
| 00:57:47 |
Forget it. |
| 00:57:52 |
You've been weird lately. |
| 00:57:57 |
You're in the clouds. |
| 00:58:11 |
But this time |
| 00:58:16 |
I ain't going |
| 00:58:18 |
I've always defended him, |
| 00:58:22 |
I ain't. |
| 00:58:24 |
Do you think what |
| 00:58:26 |
He is destroying everything |
| 00:58:29 |
Can't you see? |
| 00:58:32 |
I played Capoeira, |
| 00:58:34 |
I said you were |
| 00:58:37 |
the colonel saw |
| 00:58:38 |
Me playing |
| 00:58:41 |
Do you know |
| 00:58:42 |
He's rebuilding the market |
| 00:58:45 |
Only you don't see it. |
| 00:58:47 |
Are you crazy, Quero-Quero? |
| 00:58:51 |
I'm getting |
| 00:58:53 |
slowly, |
| 00:58:55 |
but Besouro... |
| 00:58:58 |
- I don't know him anymore. |
| 00:59:01 |
For me, it's over, |
| 00:59:03 |
Hold on, Dinorá. |
| 00:59:05 |
It's over. |
| 00:59:16 |
People are saying |
| 00:59:21 |
shielded body. |
| 00:59:25 |
Everybody is shielded |
| 00:59:31 |
Everything that is closed |
| 00:59:36 |
But it looks like I'm the one |
| 00:59:48 |
Hi, Dinorá. |
| 00:59:49 |
- Why are you dressed like that? |
| 00:59:52 |
And the colonel |
| 00:59:55 |
Do I look good? |
| 00:59:58 |
Came here, Dinorá, |
| 01:00:00 |
- I'm going to fetch oil. |
| 01:00:03 |
- Let me go! Are you crazy? |
| 01:00:07 |
I said it's over. |
| 01:01:06 |
You look different. |
| 01:01:09 |
You are prettier. |
| 01:01:25 |
I knew you were around. |
| 01:01:29 |
But you must be careful. |
| 01:01:31 |
The colonel is furious |
| 01:01:34 |
I'm looking for him too. |
| 01:01:38 |
Quero-Quero has |
| 01:01:41 |
The colonel summoned |
| 01:01:45 |
- What? Quero-Quero? |
| 01:01:49 |
I put an end |
| 01:01:52 |
Where are you living? |
| 01:01:54 |
At the old warehouse. |
| 01:01:56 |
When we were kids |
| 01:01:57 |
we made a mess |
| 01:01:59 |
- Remember? |
| 01:02:01 |
That place is abandoned, |
| 01:02:06 |
Do you want |
| 01:02:09 |
- Get up, so you can fall again. |
| 01:02:14 |
Our master taught us... |
| 01:02:24 |
To elude too. |
| 01:02:26 |
All of this game. |
| 01:02:44 |
I've learned |
| 01:02:48 |
and I can knock you off. |
| 01:03:13 |
Come. |
| 01:05:40 |
Oxe. |
| 01:05:54 |
Serve me some booze. |
| 01:05:58 |
Are you deaf? |
| 01:06:22 |
Give me another. |
| 01:06:24 |
I'll serve the man |
| 01:06:28 |
My body ain't shielded. |
| 01:06:40 |
I know who does though. |
| 01:06:44 |
They say nothing hurts |
| 01:07:00 |
Tucum. |
| 01:07:02 |
A knife made |
| 01:07:04 |
Tucum? I see. |
| 01:07:08 |
I know where |
| 01:07:12 |
As long as you give the vulture |
| 01:07:18 |
They do say, when niggers |
| 01:07:21 |
they do it on the way out. |
| 01:07:24 |
Aren't you going |
| 01:07:27 |
I have to get up |
| 01:07:32 |
You'd better not drink |
| 01:07:33 |
because liquor and black chicken |
| 01:07:40 |
My late mother used to say |
| 01:07:44 |
because they have |
| 01:07:46 |
I say they do |
| 01:07:48 |
in order to carry loads |
| 01:08:08 |
I was waiting... |
| 01:08:13 |
I only talk to niggers |
| 01:08:17 |
- Wait. |
| 01:09:34 |
What's going on, |
| 01:09:39 |
Nothing. |
| 01:09:40 |
Are you sure? |
| 01:09:44 |
Yes. |
| 01:09:51 |
Have you seen |
| 01:09:58 |
Forget about Dinorá. |
| 01:09:59 |
She's mine! |
| 01:10:02 |
- What's going on, brother? |
| 01:10:07 |
Brother. |
| 01:10:11 |
You've always envied me... |
| 01:10:14 |
You ain't better |
| 01:10:19 |
You came to hide in the forest |
| 01:10:22 |
after what you've done, |
| 01:10:26 |
Isn't it? |
| 01:10:30 |
Isn't it? |
| 01:10:32 |
You ain't better |
| 01:10:35 |
You ain't better |
| 01:10:38 |
- Anything! |
| 01:10:40 |
- Stop that. |
| 01:10:46 |
Have you lost your mind, |
| 01:10:49 |
You've always feared me, |
| 01:11:01 |
Fly, Besouro. |
| 01:11:02 |
People say you can fly now. |
| 01:11:06 |
Fly here on top of me. |
| 01:11:15 |
You allowed them |
| 01:11:18 |
You allowed them |
| 01:12:20 |
If you can accomplish |
| 01:12:24 |
it can became |
| 01:12:27 |
Did you accomplish it, |
| 01:12:46 |
I'm going to leave... |
| 01:12:49 |
otherwise I'll |
| 01:13:19 |
In the name of the Father, |
| 01:13:22 |
Our Father, which art in heaven, |
| 01:13:29 |
You may enter. |
| 01:13:40 |
Colonel. |
| 01:13:46 |
That's what I heard. |
| 01:13:47 |
I think |
| 01:13:49 |
- Who? Besouro? |
| 01:13:52 |
Besouro has never |
| 01:13:57 |
What's wrong, kid? |
| 01:14:26 |
Besouro? |
| 01:14:39 |
Besouro? |
| 01:14:42 |
What is it? |
| 01:14:44 |
The colonel is coming |
| 01:14:49 |
I know, Dinorá. |
| 01:15:14 |
Go, Dinorá, |
| 01:15:17 |
Run! |
| 01:16:22 |
Whenever the sun |
| 01:16:25 |
another one |
| 01:16:27 |
Is that voodoo, nigger? |
| 01:16:28 |
- No, sir. |
| 01:16:29 |
A really good |
| 01:16:32 |
walks within the shadows |
| 01:16:35 |
to go unnoticed. |
| 01:16:36 |
Don't look at me that way. |
| 01:16:39 |
- Apologize. |
| 01:16:40 |
- Hold her down. |
| 01:16:42 |
let Zulmira go. |
| 01:16:43 |
We won't put up |
| 01:16:45 |
Hold him down. |
| 01:16:47 |
I'm going to break |
| 01:16:49 |
Hold him down. |
| 01:16:50 |
- Let go of him. |
| 01:16:51 |
- You coward! |
| 01:16:58 |
Chico! |
| 01:17:00 |
Chico, my friend! |
| 01:17:03 |
Oh, Chico! |
| 01:17:05 |
Chico, are you alright? |
| 01:17:08 |
Are you alright? |
| 01:17:10 |
- Come. Everything is fine. |
| 01:17:25 |
What are we going to play? |
| 01:17:27 |
"Colonel against Besouro." |
| 01:17:29 |
You are the colonel |
| 01:17:32 |
Then I'm going to kill you. |
| 01:17:35 |
My name is Besouro. |
| 01:17:39 |
Get up to fall down again. |
| 01:17:41 |
I don't want |
| 01:17:44 |
I'll only play |
| 01:17:46 |
- Let's play. |
| 01:17:48 |
- Let's play. |
| 01:17:49 |
The colonel always loses |
| 01:17:51 |
and he is the bad guy. |
| 01:17:55 |
Pedro, Pedro. |
| 01:18:08 |
Mom's gone out. |
| 01:18:10 |
Where did she go? |
| 01:18:29 |
I asked where did she go! |
| 01:18:34 |
You'd better |
| 01:18:49 |
Don't turn your back on me. |
| 01:18:54 |
Why do I have |
| 01:18:56 |
Your mother is the only reason |
| 01:19:02 |
Let go of me! |
| 01:19:14 |
Right. |
| 01:19:16 |
Submissive |
| 01:19:47 |
Where are you, Besouro? |
| 01:19:51 |
Besouro... |
| 01:19:55 |
why did you leave? |
| 01:19:58 |
Besouro? |
| 01:20:21 |
Don't be afraid, Besouro. |
| 01:20:23 |
The seed has been planted. |
| 01:20:26 |
Our people will awake. |
| 01:20:49 |
Tucum. |
| 01:20:50 |
A knife made |
| 01:22:22 |
There's no such thing as death, |
| 01:22:25 |
Death is to be stepped on |
| 01:22:34 |
No! |
| 01:22:40 |
No! |
| 01:22:54 |
Don't die, Besouro. |
| 01:23:37 |
A hero is born |
| 01:23:41 |
and makes the worst |
| 01:23:44 |
To think he can put |
| 01:23:49 |
But it's at that time |
| 01:23:51 |
that he makes |
| 01:24:03 |
Sway, sway, Junior. |
| 01:24:05 |
That's right, sway, boy. |
| 01:24:07 |
Use your magic, |
| 01:24:10 |
Now show me the Cartwheel. |
| 01:24:13 |
Listen, your mother will be proud |
| 01:24:19 |
Junior, |
| 01:24:22 |
that every Capoeira fighter |
| 01:24:25 |
- No, why? |
| 01:24:28 |
12 men. |
| 01:24:31 |
knocked down 12 men |
| 01:24:34 |
One is called Mangrove Crab, |
| 01:24:39 |
How about you, Junior? |
| 01:24:41 |
Are you going |
| 01:24:44 |
Do you want to? |
| 01:24:45 |
Now think carefully |
| 01:24:50 |
And the afterlife too. |
| 01:24:55 |
There's more |
| 01:24:56 |
- OK. |
| 01:24:59 |
- Yes. |
| 01:25:02 |
- What Is it? |
| 01:25:05 |
Just like my father. |
| 01:25:07 |
Because he's black |
| 01:25:11 |
Let's go. |
| 01:25:18 |
My Capoeira fighter, |
| 01:25:36 |
Besouro's struggle |
| 01:25:39 |
In 1937, Capoeira |
| 01:25:43 |
In 1953, |
| 01:25:48 |
In 2008, |
| 01:25:50 |
Capoeira was declared |
| 01:25:56 |
Besouro is still chanted |
| 01:25:59 |
all over the world. |
| 01:26:02 |
Besouro |
| 01:26:04 |
Golden belt |
| 01:26:08 |
Besouro |
| 01:26:10 |
Golden belt |
| 01:26:14 |
Besouro |
| 01:26:16 |
Golden belt |
| 01:26:20 |
Besouro |
| 01:26:22 |
Golden belt |
| 01:26:26 |
Besouro |
| 01:26:28 |
Golden belt |
| 01:26:32 |
Besouro |
| 01:26:34 |
Golden belt |
| 01:26:49 |
The unrest begins |
| 01:26:53 |
Bringing in dance and swing |
| 01:26:56 |
Just pull the wire |
| 01:26:57 |
And the wind better |
| 01:27:01 |
The unrest begins |
| 01:27:04 |
Bringing in dance and swing |
| 01:27:08 |
Just pull the wire |
| 01:27:09 |
And the wind better |
| 01:27:19 |
- Kill the hawk |
| 01:27:22 |
Save my friend |
| 01:27:26 |
Your sweat and your blood |
| 01:27:29 |
Without even saying |
| 01:27:31 |
Ambushes |
| 01:27:38 |
The ground better |
| 01:27:40 |
And the wind better |
| 01:27:43 |
Because I know |
| 01:28:01 |
The unrest begins |
| 01:28:05 |
Bringing in dance and swing |
| 01:28:08 |
Just pull the wire |
| 01:28:09 |
And the wind better |
| 01:28:13 |
The unrest begins |
| 01:28:17 |
Bringing in dance and swing |
| 01:28:20 |
Just pull the wire |
| 01:28:21 |
And the wind better |
| 01:28:26 |
Besouro |
| 01:28:28 |
Golden belt |
| 01:28:32 |
Besouro |
| 01:28:34 |
Golden belt |
| 01:28:38 |
Besouro |
| 01:28:40 |
Golden belt |
| 01:28:44 |
Besouro |
| 01:28:46 |
Golden belt |
| 01:28:50 |
English Subtitles |
| 01:29:03 |
I'm going to join |
| 01:29:06 |
Hold on to your skirt |
| 01:29:08 |
I'm going to join |
| 01:29:11 |
Darling, don't leave |
| 01:29:13 |
I'm going to join |
| 01:29:16 |
Don't get in my way |
| 01:29:18 |
Don't get in my way |
| 01:29:23 |
I'm going to join |
| 01:29:26 |
On my supporting foot |
| 01:29:28 |
I'm going to join |
| 01:29:31 |
With your support |
| 01:29:33 |
I'm going to join |
| 01:29:36 |
Just like a yo-yo |
| 01:29:38 |
Yes! |
| 01:29:43 |
With your support |
| 01:29:46 |
I'll prevail |
| 01:29:48 |
Pull out of the circle |
| 01:29:51 |
I will |
| 01:29:52 |
Yes, yes, I will |
| 01:29:55 |
Yes, yes, I will |
| 01:29:59 |
I'm going to join |
| 01:30:02 |
Who knows for how long |
| 01:30:04 |
As long as Oxalá |
| 01:30:07 |
Who knows for how long |
| 01:30:09 |
I'll stay on the circle |
| 01:30:12 |
Your blazing kiss |
| 01:30:14 |
Hot! Hot! Hot! |
| 01:30:19 |
I'm going to join |
| 01:30:22 |
At the right time |
| 01:30:24 |
I'm going to leave |
| 01:30:27 |
The right time |
| 01:30:29 |
When the moon shines |
| 01:30:32 |
The right time |
| 01:30:34 |
Leave the door open |
| 01:30:40 |
With your support |
| 01:30:42 |
I'll prevail |
| 01:30:45 |
Pull out of the circle |
| 01:30:47 |
I will |
| 01:30:48 |
Yes, yes, I will |
| 01:30:51 |
- Yes, yes |
| 01:30:56 |
I'm here on the circle |
| 01:30:58 |
At your command |
| 01:31:01 |
I'm at the confusion |
| 01:31:03 |
At your command |
| 01:31:06 |
I'm going to leave |
| 01:31:08 |
I'm noticing things |
| 01:31:10 |
I will fly |
| 01:31:36 |
I'm going to join |
| 01:31:41 |
I'm going to leave |
| 01:31:46 |
When the moon shines |
| 01:31:56 |
With your support |
| 01:31:58 |
I'll prevail |
| 01:32:01 |
Pull out of the circle |
| 01:32:03 |
I will |
| 01:32:05 |
- Yes, yes |
| 01:32:07 |
- Yes, yes |
| 01:32:12 |
I'm here on the circle |
| 01:32:15 |
At your command |
| 01:32:17 |
I'm at the confusion |
| 01:32:20 |
At your command |
| 01:32:22 |
I'm going to leave |
| 01:32:25 |
I'm noticing things |
| 01:32:27 |
I will fly |
| 01:32:52 |
With your support |
| 01:32:54 |
I'll prevail |
| 01:32:57 |
Pull out of the circle |
| 01:32:59 |
I will |
| 01:33:01 |
- Yes, yes, yes, yes |
| 01:33:04 |
- Yes, yes, yes, yes |
| 01:33:27 |
Done by (c) dCd / February 2010 |
