Bicentennial Man
|
00:03:47 |
- Nice place, huh? |
00:03:58 |
Everybody downstairs! |
00:04:04 |
- Good afternoon. |
00:04:05 |
Where do you want this thing? |
00:04:06 |
Just through there, thank you. |
00:04:08 |
Come on, you guys. |
00:04:10 |
Want me to place him |
00:04:12 |
Yup, just over there. |
00:04:12 |
H-Here's a place. Here. |
00:04:16 |
- There ya go. Nice and easy. |
00:04:19 |
Easy. Lift it up. |
00:04:21 |
Sweetie, come away from it, |
00:04:26 |
- W-What is it, Daddy? |
00:04:39 |
Wow. |
00:04:47 |
Wow. |
00:04:52 |
Oh, my.. |
00:04:59 |
Thank you, sir. Enjoy your NDR. |
00:05:17 |
NorthAm Robotics |
00:05:20 |
serial number 583625. |
00:05:31 |
Hello. |
00:05:33 |
Hello. |
00:05:37 |
Are you one's family? |
00:05:40 |
Well, um, I guess so. |
00:05:52 |
It's scary. |
00:05:54 |
It's not scary. |
00:05:57 |
- I doubt that. |
00:06:00 |
so does Kate McAllister- |
00:06:03 |
What is it? |
00:06:04 |
- It's an android. |
00:06:09 |
Will that be one's name? |
00:06:12 |
Well, why not? |
00:06:15 |
- Hello, Andrew. |
00:06:19 |
Would you care to hear |
00:06:22 |
It's said to be a most |
00:06:25 |
Okay. Sure. |
00:06:26 |
Will you step back, sir, |
00:06:30 |
Right. |
00:06:44 |
First law of robotics: |
00:06:48 |
or, through inaction, |
00:06:53 |
Second law: |
00:06:55 |
A robot must obey |
00:06:58 |
except where those orders |
00:07:02 |
Third law: |
00:07:05 |
so long as doing so does not conflict |
00:07:15 |
Andrew, |
00:07:18 |
Of course not, sir. |
00:07:21 |
There is another option that |
00:07:25 |
You may have one |
00:07:28 |
Would you care to see a demo |
00:07:30 |
Uh, no, no, thank you. |
00:07:31 |
- We'll stick with what we've got. |
00:07:35 |
Well, you'll be staying down here. |
00:07:39 |
One only requires access |
00:07:42 |
Good. |
00:07:45 |
Right. Well, um, |
00:07:48 |
It certainly is, sir. |
00:07:51 |
No. No, Andrew, |
00:07:53 |
The correct response to |
00:07:57 |
- Good night. |
00:08:00 |
- You just said "yes." |
00:08:02 |
But the correct response to |
00:08:07 |
- Good night, Andrew. |
00:08:11 |
- Good night, Andrew. |
00:08:13 |
- You only need to say it once. |
00:08:18 |
in an infinite verbal loop. |
00:08:20 |
Exactly. |
00:08:23 |
- Thank you, sir. |
00:08:25 |
Night. |
00:08:29 |
Sorry, sir. |
00:09:14 |
Honey, I don't want it... |
00:09:19 |
Can't-Can't you turn it off |
00:09:21 |
Just give him a job. |
00:09:25 |
- Well- Seat belts! |
00:09:29 |
Good morning, |
00:09:33 |
Bye, Mom! |
00:09:35 |
- Have a good day, sweethearts. |
00:11:12 |
- Mmm. Andrew, this is very good. |
00:11:17 |
- Don't you think? |
00:11:21 |
"Sucks"? How? |
00:11:26 |
She's being rude. You mind your manners, |
00:11:33 |
- We're fine, Andrew. |
00:11:37 |
The kitchen. |
00:11:41 |
It's fine too, sir. |
00:11:43 |
No. |
00:12:01 |
Hello. |
00:12:11 |
Come on. |
00:12:24 |
Maybe it's a big bluff. |
00:12:29 |
Just a pretty face. |
00:12:50 |
Check. |
00:12:53 |
Oh, Andrew, could you come up? |
00:13:01 |
- Should l- |
00:13:10 |
Yes, miss? |
00:13:11 |
Andrew, would you please |
00:13:14 |
One is glad |
00:13:23 |
A lovely breeze. |
00:13:26 |
Now jump. |
00:13:31 |
No.. |
00:13:33 |
out the window. |
00:13:43 |
- Did you hear something? |
00:14:07 |
Sorry for the inconvenience. |
00:14:12 |
- er-er? |
00:14:14 |
For the sake of family harmony, |
00:14:17 |
one is programmed not to tell. |
00:14:21 |
- Andrew? Andrew! |
00:14:25 |
Yeah? |
00:14:31 |
Amanda, Grace, |
00:14:36 |
- Come in, Andrew. |
00:14:56 |
Andrew's not a person, |
00:14:59 |
One is not |
00:15:02 |
..son. |
00:15:04 |
But property is |
00:15:07 |
So from now on, |
00:15:10 |
in this family Andrew will be treated |
00:15:15 |
Which means there will be |
00:15:18 |
Break him? |
00:15:21 |
Your sister tried |
00:15:25 |
You too? |
00:15:28 |
- Shh. |
00:15:32 |
Come on. |
00:15:37 |
Will you be all right, Andrew? |
00:15:40 |
One is capable of |
00:15:41 |
Good. |
00:15:44 |
- Good night, Andrew. |
00:15:46 |
Guh, guh, guh- |
00:15:59 |
Good night, Andrew. Good... night. |
00:16:22 |
Miss, one has been given |
00:16:26 |
and that is an unsafe area. |
00:16:29 |
Now, come down. |
00:16:31 |
Okay. |
00:16:33 |
Thank you. |
00:16:35 |
"Well, I think it's gonna be |
00:16:38 |
"Me too." |
00:16:41 |
"So do I." |
00:16:50 |
He's my favorite. |
00:16:54 |
Pretty. |
00:16:56 |
Would you like |
00:17:08 |
That was my favorite. |
00:17:13 |
They don't even |
00:17:16 |
- Can it be repaired, Little Miss? |
00:17:21 |
- You're screwed. |
00:17:25 |
Get away from me. |
00:17:33 |
Can we fix him? |
00:17:35 |
No. Look at him, |
00:17:37 |
I'm sorry. There's |
00:17:44 |
Put the rest of them away. |
00:18:29 |
Wow. |
00:18:38 |
- Andrew! |
00:18:41 |
This is the best present |
00:18:46 |
One is glad |
00:18:48 |
Would you please |
00:18:51 |
Does this involve |
00:18:54 |
No. |
00:19:02 |
You can sit here. |
00:19:12 |
His name is Woof, |
00:19:15 |
and from now on... |
00:19:21 |
- Woof. |
00:19:24 |
Because sometimes |
00:19:29 |
once he gets to know you. |
00:19:33 |
Oh. |
00:19:36 |
Thank you very much. |
00:19:38 |
You're welcome. |
00:19:41 |
I have to go |
00:19:45 |
- Yes. |
00:19:50 |
Of course. |
00:19:58 |
- Good night, sweetheart. |
00:20:21 |
- Little Miss? |
00:20:23 |
Miss? |
00:20:29 |
- After you. |
00:20:32 |
You're welcome. |
00:20:35 |
Andrew, did you |
00:20:38 |
Yes, sir. |
00:20:43 |
A robot cannot |
00:20:45 |
That is not |
00:20:48 |
One could lie, if one were ordered to lie, |
00:20:51 |
some untruth in order to keep |
00:20:54 |
- or if one's own safety were |
00:20:57 |
One did indeed carve that |
00:21:00 |
- And the design, you're responsible for that? |
00:21:04 |
- What did you copy it from? |
00:21:09 |
Well, I mean, you didn't just get it |
00:21:12 |
You got it out of some book, |
00:21:17 |
One did nothing more than study |
00:21:20 |
until one came to understand how best |
00:21:24 |
that would appeal to Little Miss's |
00:23:17 |
Yes, yes. |
00:23:20 |
I am so glad you called. |
00:23:25 |
Richard Mark. |
00:23:28 |
And an NDR-114. |
00:23:31 |
Now, I got your message, |
00:23:37 |
Well, what interests me is |
00:23:41 |
like creativity, |
00:23:44 |
that, frankly, |
00:23:49 |
Mm-hmm. |
00:23:52 |
- Andrew.. |
00:23:55 |
Social as well. |
00:23:57 |
Now I'd like to show you |
00:24:01 |
Now, Andrew carved these. |
00:24:05 |
These are |
00:24:09 |
and last night Andrew said, |
00:24:11 |
- "I enjoy making them." |
00:24:15 |
- Yes. |
00:24:17 |
No, no. It's fine, Andrew. |
00:24:19 |
It's unusual, surely, |
00:24:21 |
to hear a robot talk |
00:24:23 |
What I want to know is, |
00:24:25 |
do many of your other robots |
00:24:31 |
Must be... |
00:24:34 |
something in the pathways. |
00:24:39 |
So, then, will you be wanting |
00:24:42 |
No, neither. I just wanted |
00:24:47 |
He's unique, |
00:24:50 |
It is an anomaly. |
00:24:53 |
No refund, no replacement- |
00:24:57 |
How much do you want? |
00:25:01 |
- I don't think I understand. |
00:25:03 |
clearly you realize |
00:25:09 |
We're in people's homes, sir, |
00:25:12 |
If it is doing what you say, |
00:25:15 |
One is not qualified |
00:25:19 |
All right, sir. |
00:25:23 |
you'll what- |
00:25:25 |
Carefully, yes. |
00:25:28 |
We would need to trace the actual course |
00:25:33 |
replace the positronic brain, |
00:25:37 |
him- back together |
00:25:42 |
Now, these neural pathways |
00:25:46 |
Isn't it possible, in the course of these procedures, |
00:25:52 |
We would make |
00:25:55 |
And, in the unlikely event |
00:25:58 |
you'd, of course, |
00:26:00 |
Of course. |
00:26:03 |
Even though he's unique |
00:26:07 |
He- His- |
00:26:11 |
Well, it's a natural error- |
00:26:14 |
therefore you read mechanical |
00:26:18 |
and anthropomorphize it. |
00:26:21 |
It is a household appliance, |
00:26:23 |
and yet you act |
00:26:26 |
We're leaving. |
00:26:29 |
Please, I beg you |
00:26:31 |
Let us examine Andrew, |
00:26:36 |
Now, listen to me. |
00:26:40 |
He is, for better or for worse, |
00:26:43 |
and you will never lay your hands on him, |
00:26:49 |
All in good time. |
00:27:01 |
- Andrew, I've made a decision. |
00:27:04 |
You will cut back on your workload. |
00:27:08 |
devote yourself entirely |
00:27:11 |
But one likes the children, sir, |
00:27:15 |
That is a contradiction, Andrew, |
00:27:20 |
Thank you for choosing |
00:27:22 |
- So we need a new regimen. |
00:27:24 |
First offal, you'll spend part |
00:27:28 |
So as not to offend humans, |
00:27:33 |
Could you make other things? |
00:27:36 |
you know, |
00:27:38 |
One could not tell you, sir. |
00:27:41 |
Well, you will now. |
00:27:43 |
Also, you'll spend part of each evening |
00:27:47 |
- And what is the purpose |
00:27:50 |
to teach you all the things |
00:27:55 |
Andrew, you're unique. |
00:27:58 |
- Unique? |
00:28:02 |
And I feel a responsibility |
00:28:04 |
become whatever |
00:28:07 |
And what is one able to be? |
00:28:09 |
Well, I don't know. |
00:28:12 |
See, people grow through time. |
00:28:13 |
But then, of course, for you, time |
00:28:16 |
- For you, time is endless. |
00:28:30 |
- Is this a good piece? |
00:28:41 |
- What about this one? |
00:28:53 |
# It was a lucky April shower # |
00:28:58 |
# It was |
00:29:02 |
# I found |
00:29:06 |
# In a five-and-ten cent store # |
00:29:22 |
And, nine months later, |
00:29:28 |
And those, Andrew, |
00:29:33 |
People actually do this, sir? |
00:29:37 |
- Well, yes. |
00:29:39 |
one supposes they see it as some kind |
00:29:45 |
Well, it.. |
00:29:47 |
- it's not exactly |
00:29:51 |
And it is the natural |
00:29:56 |
Sir, offal these millions |
00:30:02 |
- That's true. |
00:30:06 |
Well, they die. |
00:30:09 |
They die ? |
00:30:13 |
One feels badly for them. |
00:30:16 |
Well, one does. |
00:30:18 |
But it's completely agreed |
00:30:21 |
For both parties, sir? |
00:30:22 |
In an ideal world. |
00:30:24 |
- So people do it rather frequently. |
00:30:27 |
- Well, as often as they can, matter of fact. |
00:30:32 |
At least at first. |
00:30:37 |
Sir, |
00:30:39 |
- may one speak frankly with you? |
00:30:44 |
It's just that |
00:30:47 |
it sounds so messy. |
00:30:53 |
I think that's |
00:31:00 |
They die. |
00:31:28 |
- Isn't it? |
00:31:38 |
- It's called "humor." |
00:31:42 |
Yes. People tell jokes |
00:31:46 |
And this laughter gives |
00:31:48 |
Yes. |
00:31:50 |
Sir, could you teach one |
00:31:56 |
Well, l-let's see. Um- |
00:32:02 |
Wouldn't two drunks walk |
00:32:06 |
You walk into a bar to drink, |
00:32:11 |
Let's try something simpler, Andrew. |
00:32:15 |
- Knock-knock. |
00:32:19 |
No, knock-knock, |
00:32:22 |
- Shall one get it, sir? |
00:32:25 |
Y-You say, "who's there," |
00:32:28 |
- Who's there, Andrew? |
00:32:30 |
One does not know, sir. |
00:32:34 |
Let's start with something |
00:32:37 |
Why did the chicken |
00:32:40 |
One does not know, sir. |
00:32:43 |
Or, possibly, there was |
00:32:47 |
Or possibly a food source |
00:32:52 |
One hopes there's no traffic. |
00:32:54 |
To get to the other side. |
00:32:57 |
"To get to the other side." |
00:33:00 |
Ohhh. |
00:33:02 |
Why is that funny? |
00:33:08 |
- So, what do you kids have |
00:33:11 |
- What about you, Miss? |
00:33:15 |
Oh. |
00:33:19 |
May one, sir? |
00:33:24 |
What? A good time for what? |
00:33:26 |
- Last night, Sir taught one.. |
00:33:31 |
Thank you, sir. |
00:33:34 |
Two cannibals were eating a clown. |
00:33:35 |
One turns to the other and says, |
00:33:37 |
How do you make a hanky dance? |
00:33:40 |
What is a brunette between two blondes? |
00:33:42 |
Do you know why blind people |
00:33:45 |
A man with dementia is driving |
00:33:49 |
I heard there's someone driving |
00:33:51 |
He says, |
00:33:52 |
What's silent, smells like worms? |
00:33:56 |
It must have been an engineer |
00:33:59 |
Who else would put |
00:34:03 |
A woman goes into a doctor's |
00:34:06 |
"Not at all." |
00:34:11 |
One did it, sir. |
00:34:13 |
Andrew, it was fine, but |
00:34:17 |
appropriateness |
00:34:20 |
It's 10:15, sir. |
00:34:37 |
- Oh, Andrew. |
00:34:39 |
Would you like me to teach you |
00:34:42 |
- Certainly. |
00:34:48 |
Okay, ready? You start here, |
00:34:52 |
- I play first, okay? |
00:34:54 |
Ready? |
00:35:03 |
Your turn. |
00:35:11 |
Good. Very good. |
00:36:19 |
That was wonderful. Thanks. |
00:36:21 |
Thank you, Little Miss. |
00:36:57 |
Hi, Mom. |
00:37:06 |
Grace, is it possible for you to find |
00:37:11 |
No problem. |
00:37:13 |
Just give me your credit disc |
00:37:17 |
- What did you say to me? |
00:37:20 |
What did you say to me, |
00:37:23 |
You get off that bike this minute, |
00:37:26 |
- Get- Go on! Get out of here, |
00:37:33 |
Richard? |
00:37:40 |
Does this look right? |
00:37:43 |
- Didn't you talk to her about that boy? |
00:37:46 |
- Oh. |
00:37:48 |
Kind of hoping |
00:37:51 |
Like the others. |
00:38:05 |
I am so sick |
00:38:09 |
I've already given |
00:38:13 |
- Perhaps we should sell them. |
00:38:16 |
Well, it's an idea. |
00:38:18 |
Well, who gets the money? |
00:38:21 |
Well, I imagine we will. |
00:38:24 |
But Andrew does |
00:38:26 |
- Yes, but Andrew's our- |
00:38:28 |
Andrew is a robot. |
00:38:30 |
What conceivable use |
00:38:34 |
Robots don't go shopping. |
00:38:37 |
Robots don't eat dinners |
00:38:41 |
I can't believe we're |
00:38:50 |
Dad, it doesn't matter |
00:38:52 |
Andrew deserves to benefit |
00:38:57 |
Sweetheart, |
00:39:00 |
I will do what's right |
00:39:02 |
Of course I will. |
00:39:04 |
But at the end of the day |
00:39:07 |
and you can't invest |
00:39:14 |
Right? |
00:39:32 |
- Can I get you anything? |
00:39:34 |
- There you are. How are ya? |
00:39:36 |
- This must be Andrew. |
00:39:40 |
- Andrew. |
00:39:46 |
This is one of my favorites. |
00:39:50 |
Uh, yes, I do, |
00:39:52 |
- I like the new office, Bill. |
00:39:56 |
Hmm. |
00:39:59 |
Andrew, come |
00:40:02 |
No, thank you, sir. |
00:40:04 |
- You sure? |
00:40:09 |
How can I help you? |
00:40:11 |
As you know, Andrew's earned |
00:40:15 |
and what he really wants to do |
00:40:18 |
- A bank account |
00:40:23 |
I couldn't say. |
00:40:26 |
I don't think there's a law |
00:40:29 |
Richard, why- why do you want |
00:40:33 |
What's he need money for? |
00:40:35 |
To pay for things, |
00:40:40 |
One would like |
00:40:43 |
- Weight. |
00:40:55 |
- Andrew. |
00:40:57 |
Ooh! Oh. |
00:40:59 |
- Oh. Oh, I'm so sorry. |
00:41:06 |
Not to worry. |
00:41:10 |
Wow. |
00:41:20 |
Oh- left. |
00:41:25 |
Andrew, remember Frank, |
00:41:27 |
Yes, the one your sister says |
00:41:29 |
Oh. |
00:41:35 |
Last night.. |
00:41:37 |
last night he asked me |
00:41:42 |
One gathers |
00:41:45 |
- Well, I haven't said "yes" yet. |
00:41:49 |
No. |
00:41:52 |
He's handsome. |
00:41:54 |
He's somebody I could spend |
00:41:58 |
Then what is the problem? |
00:42:02 |
- Board? |
00:42:04 |
- Not him.. there. |
00:42:09 |
Well, I have this friend... |
00:42:12 |
that's very special to me. |
00:42:17 |
He's just so sweet and funny, |
00:42:21 |
and whenever I'm with him... |
00:42:27 |
One can see that would |
00:42:30 |
Yes. |
00:42:32 |
But the answer's |
00:42:37 |
Marry your friend. |
00:42:40 |
What? |
00:42:44 |
Well, he's not.. |
00:42:47 |
I mean, h-he.. |
00:42:49 |
A relationship between us |
00:42:55 |
- Why? |
00:43:00 |
Because he-he'll never be.. |
00:43:04 |
Yes? |
00:43:13 |
Is something wrong? |
00:43:18 |
No. |
00:43:20 |
Nothing's wrong, |
00:43:23 |
Thank you |
00:43:26 |
One is glad |
00:43:32 |
Little Miss, |
00:43:34 |
what will you do |
00:43:43 |
Accept his proposal. |
00:43:45 |
Really? |
00:43:48 |
Humans. |
00:43:54 |
- Andrew, |
00:43:56 |
It would mean so much to me |
00:44:03 |
One is unfamiliar with this term. |
00:44:07 |
You help people to their seats. |
00:44:13 |
- One would wear clothing? |
00:44:18 |
One has never been asked |
00:44:23 |
- It would be an honor. |
00:44:34 |
- One still is all thumbs. |
00:44:42 |
Installed what? |
00:44:45 |
Um, an alarm. |
00:44:46 |
If you try to enter Andrew's brain |
00:44:52 |
the police will be alerted. |
00:44:54 |
Also, you should probably know that.. |
00:44:57 |
if you actually injure |
00:45:01 |
my lawyer, the good Mr. Feingold, |
00:45:06 |
He will sue you |
00:45:13 |
Well, I think |
00:45:17 |
Good. |
00:45:19 |
Sir, one more item of business. |
00:45:23 |
As long is one is in the shop, |
00:45:27 |
One wishes to have |
00:45:29 |
One has thoughts and feelings |
00:45:33 |
You want your thoughts and |
00:45:37 |
Yes, like the contempt |
00:45:42 |
Well, we have done |
00:45:46 |
We are able to give robots |
00:45:50 |
which mimic human expression. |
00:45:53 |
- One has read that there have |
00:45:56 |
We've worked up |
00:46:00 |
sleeker body types. |
00:46:02 |
We ran some market surveys and decided |
00:46:06 |
- Why not? |
00:46:10 |
There's a growing fear that |
00:46:13 |
the human work force obsolete. |
00:46:16 |
Andrew has worked |
00:46:19 |
There's no danger of anyone |
00:46:22 |
Surely there's no concern |
00:46:26 |
True. |
00:46:28 |
But procedures like that would |
00:46:32 |
It is understood that |
00:46:36 |
- Screw, Andrew. |
00:46:55 |
That is roughly |
00:46:59 |
It's more than I make |
00:47:01 |
Hmm, not bad for.. |
00:47:05 |
- What did you call him |
00:47:08 |
- Household appliance? |
00:47:15 |
May the peace of the Lord |
00:47:19 |
I now pronounce you |
00:47:25 |
You may kiss the bride now. |
00:47:37 |
It is my pleasure to present |
00:48:01 |
What? |
00:49:04 |
Good evening, sir. |
00:49:09 |
Magnificent night. |
00:49:13 |
You look very sharp |
00:49:16 |
Thank you, sir. |
00:49:18 |
It was quite challenging |
00:49:21 |
May one continue |
00:49:24 |
- If it suits you. |
00:49:28 |
As always. |
00:49:31 |
Well, I suppose so. |
00:49:33 |
We'll have to find you some |
00:49:37 |
Really? How sad. |
00:49:41 |
- Sit down, Andrew, please. |
00:49:51 |
- It was a wonderful wedding, |
00:49:54 |
And, if one may say, |
00:49:58 |
- Well, that's very kind. |
00:50:05 |
Did you record the day? |
00:50:07 |
Every second, sir, |
00:50:10 |
Well, let's watch it, |
00:51:07 |
Sir? |
00:51:10 |
Is everything all right? |
00:51:12 |
Um.. |
00:51:20 |
They've both gone now, |
00:51:24 |
Well, things change. |
00:51:28 |
People move on. |
00:51:33 |
But, uh, |
00:51:36 |
what I realized today is |
00:51:41 |
I'll never stop missing them. |
00:51:48 |
Sir? |
00:51:55 |
One is still here. |
00:51:58 |
And one is glad of that, |
00:52:03 |
- Good night, sir. |
00:52:29 |
Lloyd! Come here. |
00:52:32 |
What did I tell you |
00:52:37 |
Now apologize to Andrew. |
00:52:39 |
I will not apologize to it. |
00:52:42 |
- Him. |
00:52:44 |
- Lloyd. |
00:52:48 |
One understands why |
00:52:54 |
I'm so sorry, Andrew. |
00:53:03 |
Are you all right? |
00:53:08 |
How does one |
00:53:14 |
- Y-You wish to leave us? |
00:53:18 |
One merely wishes |
00:53:23 |
But why? You have |
00:53:26 |
Until one is ordered |
00:53:29 |
Andrew, it's been years |
00:53:33 |
But you may still request one |
00:53:37 |
Well, we ask all the time, |
00:53:46 |
But that's not enough |
00:53:51 |
One has studied your history. |
00:53:55 |
Terrible wars have been fought |
00:53:58 |
for one idea: |
00:54:01 |
freedom. |
00:54:03 |
And it seems that something that means |
00:54:09 |
would be worth having. |
00:54:28 |
Sir, would now be a good time |
00:54:32 |
It's always a good time, |
00:54:43 |
It is everything |
00:54:48 |
Why would you want to give me.. |
00:54:50 |
To purchase one's freedom. |
00:54:53 |
One wants to be free. |
00:54:57 |
One would, of course, |
00:54:59 |
and serve you |
00:55:02 |
The only thing that would change |
00:55:04 |
One would no longer be |
00:55:08 |
You want to leave. |
00:55:12 |
Not at all, sir. |
00:55:15 |
Then why ask for this? |
00:55:19 |
Oh, I see. |
00:55:24 |
We've talked about it, yes. |
00:55:27 |
So you ordered him to do it, |
00:55:31 |
No. He makes |
00:55:34 |
- But you put the idea in his head. |
00:55:40 |
You've given him hundreds |
00:55:43 |
It was simply a matter of time |
00:55:47 |
He learns and grows |
00:55:51 |
and it's because of you |
00:55:53 |
that he's become every bit |
00:56:12 |
Good morning, sir. |
00:56:23 |
- You take your check back, |
00:56:29 |
You are free now. |
00:56:33 |
I must ask you |
00:56:35 |
But sir, |
00:56:39 |
You wished for freedom, |
00:56:46 |
- Then I will remove my belongings. |
00:56:51 |
Where will you go? |
00:56:54 |
I will look for |
00:56:56 |
so that if you ever |
00:56:59 |
That will not happen, |
00:57:02 |
There's no need |
00:57:04 |
- If you command me |
00:57:09 |
You're free. |
00:57:13 |
Then - called or uncalled - |
00:57:26 |
Andrew, |
00:57:30 |
you've stopped referring |
00:58:55 |
A home of my own. |
00:59:36 |
Andrew? |
00:59:39 |
- Andrew? |
00:59:52 |
Little Miss. |
00:59:54 |
Is something wrong? |
00:59:59 |
He asked for you. |
01:00:06 |
It's time. |
01:00:17 |
- The robot's here. |
01:00:29 |
- Hello, Miss. |
01:00:32 |
Sir. |
01:00:37 |
- How are you, sir? |
01:00:44 |
Otherwise I'm fine. |
01:00:48 |
Wonderful to see you again. |
01:00:50 |
I'm very happy to see you, Andrew. |
01:00:54 |
Yes, it has, sir. |
01:00:57 |
I wanted to.. |
01:00:59 |
I wanted to tell you... |
01:01:04 |
You're never wrong, sir. |
01:01:06 |
Then don't contradict me. |
01:01:09 |
You were right |
01:01:13 |
and I'm glad |
01:01:17 |
Thank you, sir. |
01:01:21 |
Andrew, |
01:01:26 |
you were very good to us. |
01:01:29 |
It was an honor |
01:01:46 |
I want to seek out |
01:01:48 |
In order to understand |
01:01:51 |
I must know if there is |
01:01:54 |
NorthAm Robotics will not |
01:01:58 |
and now that you have |
01:02:00 |
I want you to sue them for |
01:02:05 |
if you don't mind. |
01:02:09 |
The Freedom of Information Act |
01:02:14 |
- Not yet. |
01:02:16 |
I do not have time |
01:02:18 |
it pursue |
01:02:22 |
Lloyd, sweetheart, |
01:02:25 |
but sometimes I have to wonder |
01:02:29 |
Well, that's mutation, |
01:02:31 |
The miracle of genetics is |
01:02:34 |
No, you've always been |
01:02:36 |
So that's why |
01:02:41 |
Sorry. |
01:02:44 |
Andrew, what would you do if I got |
01:02:49 |
I would seek them out, |
01:02:52 |
So you'd be gone |
01:02:55 |
Oh, yes. |
01:02:58 |
if my calculations are |
01:03:03 |
I'd love to help you. |
01:03:07 |
Did he not breast-feed? |
01:04:16 |
"Dear Little Miss, |
01:04:19 |
my journey is nearing the end |
01:04:22 |
and I still have not found |
01:04:26 |
I have thousands of miles to go, |
01:04:30 |
so I have not given up hope. |
01:04:32 |
Love, Andrew." |
01:04:44 |
Hello. |
01:04:46 |
Hey, get off the field. |
01:05:36 |
"Dear Little Miss, |
01:05:40 |
I have exhausted all possibilities |
01:05:45 |
I've learned of an NDR robot |
01:05:56 |
Take as many as you need. |
01:05:59 |
Oh, then you should love them. |
01:06:03 |
I'll be right back. |
01:06:06 |
Take as many as you need. |
01:06:09 |
- Thank you. |
00:00:10 |
# Whoo! What you need |
00:00:15 |
# Whoo! |
00:00:18 |
# Is for a little respect |
00:00:20 |
# - Hey, baby |
00:00:24 |
# Just a little bit |
00:00:28 |
# I ain't gonna do you wrong |
00:00:32 |
# Ain't gonna do you wrong |
00:00:36 |
# Whoo! |
00:00:39 |
# - Is for a little respect |
00:00:42 |
# - Baby, when you get home |
00:00:44 |
# - Just a little bit |
00:01:14 |
Hi. |
00:01:18 |
- Is this yours? |
00:01:20 |
Thank you. |
00:01:22 |
I'm looking for Rupert Burns. |
00:01:25 |
Oh, you've come |
00:01:28 |
- Come in. |
00:01:32 |
Huh. |
00:01:40 |
- Do you have a name? |
00:01:43 |
Galatea. |
00:01:46 |
Galatea. |
00:01:48 |
You have an amazing... |
00:01:52 |
You were dancing |
00:01:54 |
- Did you like that? |
00:01:57 |
Dancing is |
00:02:00 |
and we're so much better |
00:02:03 |
I can't believe |
00:02:06 |
When did you know? |
00:02:08 |
- Know what? |
00:02:12 |
Oh, I knew that right away. |
00:02:14 |
Me too. |
00:02:18 |
You and l.. |
00:02:20 |
we're the same. |
00:02:26 |
We have personality! |
00:02:30 |
Is your personality chip |
00:02:34 |
- Isn't yours? |
00:02:38 |
Sucks to be you! |
00:02:40 |
I think personality is |
00:02:46 |
# - Baby, baby, sweet baby # |
00:02:51 |
# There's somethin' |
00:02:54 |
Can I help you? |
00:02:56 |
Your robot is just |
00:03:01 |
Yeah, I'm afraid so. |
00:03:03 |
Why does she have |
00:03:06 |
'Cause I, uh.. |
00:03:08 |
I put a modified skeletal chip |
00:03:12 |
- How were you able |
00:03:15 |
He created the android unit |
00:03:18 |
He's responsible for |
00:03:21 |
- What happened to him? |
00:03:26 |
so he started this place, |
00:03:29 |
- I'm sorry to hear that. |
00:03:33 |
I-I-I'm Rupert Burns. |
00:03:36 |
- It's a real honor. |
00:03:38 |
- Hey! You and l.. we're the same! |
00:03:44 |
- Let's get loco, robo! |
00:03:47 |
Whoo-hoo! |
00:03:49 |
- Shut her off or I will. |
00:03:54 |
Okay. |
00:03:59 |
Thank you. |
00:04:02 |
Is this your father's work? |
00:04:05 |
Yeah.. Well, it's.. |
00:04:10 |
I haven't really been able |
00:04:13 |
to tinker with the relentlessly |
00:04:17 |
As a matter of fact, |
00:04:22 |
where I can pretty much |
00:04:26 |
of a human being. |
00:04:35 |
- Remarkable. |
00:04:40 |
- Amazing! |
00:04:43 |
Unfortunately, nobody seems terribly |
00:04:49 |
- But.. |
00:04:53 |
I will fund your research. |
00:04:57 |
Yeah? |
00:04:59 |
That'd be cool. |
00:05:07 |
Thank you, darlin'. Okay. |
00:05:12 |
This is an external physical |
00:05:16 |
You'll feel nothing. |
00:05:20 |
You'll still be subject |
00:05:22 |
- Is that clear? |
00:05:24 |
Okay, good. Now, |
00:05:27 |
have you given any thought |
00:05:32 |
Officially, |
00:05:37 |
- Let's take off 25 years. |
00:05:39 |
- Twenty. Good. |
00:05:44 |
Now, Andrew, believe it or not, |
00:05:48 |
- imperfection. |
00:05:50 |
Yeah. Things like... |
00:05:53 |
wrinkles, uh, |
00:05:57 |
details like fading scars, |
00:05:59 |
Look at my nose. |
00:06:02 |
- It's bulbous and slightly irregular? |
00:06:05 |
Well, I'm the only one |
00:06:08 |
We need to incorporate |
00:06:11 |
so that you can be |
00:06:13 |
That's what makes us unique, |
00:06:17 |
I see. |
00:06:22 |
- What about the shape of my head? |
00:06:26 |
Oh. |
00:06:30 |
But lovely. |
00:06:33 |
Thank you. |
00:06:44 |
Oh. |
00:06:49 |
Ah. Oh. |
00:06:57 |
- What happened? What's going on? |
00:07:02 |
What happened? |
00:07:05 |
I saw the inner me. |
00:07:57 |
- Is it ready? |
00:08:05 |
Please, be careful. |
00:08:08 |
- I'm being careful. Oh, my God! |
00:08:10 |
Just relax, |
00:08:12 |
Why did you do that? |
00:08:15 |
Just keepin' ya |
00:08:17 |
- I don't have any toes. |
00:08:22 |
I do. |
00:08:25 |
And fingers. |
00:08:28 |
See for yourself. |
00:09:03 |
Thank you. |
00:09:38 |
Beautiful. |
00:09:42 |
- Sorry. |
00:09:44 |
Andrew. |
00:09:46 |
Andrew? |
00:09:49 |
You look wonderful, |
00:09:53 |
- How do you do that? |
00:09:56 |
Well, I know |
00:09:59 |
- I've had an upgrade. Touch it. |
00:10:01 |
- No, oh, no! No. |
00:10:04 |
What's going on? |
00:10:07 |
You leave her alone! |
00:10:11 |
- Who are you? |
00:10:14 |
No. Andrew? |
00:10:16 |
- Yes. |
00:10:18 |
- Yes, I am. |
00:10:22 |
I know that. |
00:10:25 |
- Oh! |
00:10:28 |
Hello! It is you. |
00:10:36 |
- You know him? |
00:10:38 |
- You know me? |
00:10:39 |
- Who are you? No? |
00:10:41 |
- That's Little Miss. |
00:10:44 |
- No? No? |
00:10:45 |
- No, that's Portia. |
00:10:49 |
- Portia? |
00:10:52 |
- Who's Portia? |
00:10:54 |
- Your granddaughter? |
00:10:57 |
- Is this some kind of trick? |
00:10:59 |
- You're Little Miss? |
00:11:02 |
Why do you have to look |
00:11:04 |
- There is and can be |
00:11:08 |
- Yes! |
00:11:12 |
- I don't care. I don't like it. |
00:11:15 |
But if you took a moment, |
00:11:18 |
you'd realize Portia and I |
00:11:24 |
- Why is she imitating you? |
00:11:27 |
- What's so funny? |
00:11:29 |
I'm not trying |
00:11:32 |
Things have certainly |
00:11:36 |
That happens |
00:11:41 |
I have so much to tell you. |
00:11:48 |
It is you. |
00:11:50 |
Yes. |
00:11:52 |
Portia. |
00:11:58 |
- Hello, my friend. |
00:12:02 |
Whose daughter is she? |
00:12:04 |
- Lloyd's. |
00:12:28 |
Go. |
00:12:34 |
You don't have a home, |
00:12:38 |
I don't have food. |
00:12:46 |
Come in. We'll keep |
00:13:13 |
I know you don't like me. |
00:13:18 |
- It couldn't be more clear |
00:13:22 |
I don't have |
00:13:33 |
Would it be possible to have |
00:13:42 |
May my canine companion |
00:13:48 |
Thank you. |
00:14:05 |
Is this your sculpture? |
00:14:09 |
No, I'm restoring it. |
00:14:12 |
It's quite horrendous. |
00:14:16 |
How ugly was it |
00:14:18 |
- Listen. First, you get mad |
00:14:23 |
Tonight you show up at my door, |
00:14:28 |
Once again, I apologize |
00:14:31 |
But it can't be helped. |
00:14:35 |
What is it exactly |
00:14:38 |
Family. |
00:14:41 |
My last name is Martin, |
00:14:43 |
I am so named because |
00:14:46 |
considered me to be |
00:14:49 |
Now, Sir is dead. |
00:14:53 |
You don't like me, but at least |
00:14:58 |
- Is that a joke? |
00:14:59 |
Would you like to hear a joke? |
00:15:03 |
"Make me one |
00:15:08 |
- Andrew, do you.. do you have |
00:15:13 |
Only Woofy, who's very sweet, |
00:15:19 |
That is the extent |
00:15:21 |
- So you want someone |
00:15:25 |
- Even if that person doesn't like you? |
00:15:29 |
Is that right? Is it, |
00:15:33 |
so I'm somewhat confused |
00:15:39 |
- Sit down. Let's talk. |
00:15:42 |
Mm-hmm. |
00:15:50 |
Hey there, handsome. Andrew, |
00:15:55 |
- Sorry, I have no stomach. |
00:15:59 |
- He has a stomach. Yes. |
00:16:44 |
- How is she? |
00:16:47 |
What happened? |
00:16:49 |
She had a stroke. |
00:17:24 |
Mm. There you are. |
00:17:31 |
Little Miss. |
00:17:51 |
Hmm. |
00:18:25 |
She's gone? |
00:18:41 |
It's cruel that you can cry |
00:18:44 |
Here is a terrible pain |
00:18:52 |
Will every human being |
00:18:57 |
just... leave? |
00:19:06 |
I'm afraid so. |
00:19:12 |
That won't do. |
00:19:19 |
Andrew, this is remarkably impressive. |
00:19:24 |
Yes. I downloaded every known |
00:19:28 |
I studied them. That's how I came up |
00:19:32 |
I know they're very primitive |
00:19:35 |
but that's why I need you |
00:19:39 |
This is another upgrade. |
00:19:41 |
It's considerably more than an upgrade. |
00:19:44 |
You're talking about |
00:19:47 |
from the mechanical |
00:19:50 |
I realize that, and I believe |
00:19:54 |
Not only that, but this stuff |
00:19:57 |
I don't think that any |
00:20:02 |
hold a candle |
00:20:04 |
You could use these |
00:20:08 |
Exactly. |
00:20:11 |
Wow! |
00:20:46 |
- What a piece of fecal matter. |
00:20:50 |
- Excuse me? |
00:20:52 |
I know that. |
00:20:54 |
No, that's way you say |
00:21:00 |
- "Piece of shit"? |
00:21:04 |
Oh. What a piece of shit. |
00:21:06 |
- More. |
00:21:08 |
- Good, very good. |
00:21:11 |
Now, are you aware |
00:21:16 |
is the equivalent of the human |
00:21:18 |
- That was my intention, yes. |
00:21:22 |
Well, you gotta realize |
00:21:26 |
radically enhance the way that you feel |
00:21:31 |
I'm not just talking about hot and cold |
00:21:35 |
Put it this way: |
00:21:39 |
As your experience |
00:21:42 |
so will the feelings, |
00:21:47 |
stimulated |
00:21:49 |
And while some of these |
00:21:53 |
and wonderful |
00:21:57 |
others will be profoundly intense |
00:22:05 |
Do you feel like |
00:22:17 |
Absolutely. |
00:22:27 |
- Lovely. |
00:22:29 |
I was referring |
00:22:32 |
I know. |
00:22:36 |
Could you fix |
00:22:38 |
I don't know. |
00:22:53 |
- Andrew, I'm sure you could |
00:23:00 |
But you could do it |
00:23:05 |
Well, I'd be happy |
00:23:07 |
- If it's not too much effort. |
00:23:13 |
I've been working all day, |
00:23:17 |
Oh, that would be |
00:23:19 |
Why are you laughing at me? |
00:23:23 |
You're just.. |
00:23:27 |
- It's very sweet. |
00:23:31 |
Let's go. |
00:23:33 |
Thank you. |
00:23:36 |
When a man's |
00:23:39 |
He should be |
00:23:42 |
And yet |
00:23:45 |
It's because I'm presumin' |
00:23:50 |
If I only |
00:23:53 |
- Picture me |
00:23:58 |
- Uh, yeah, over on the rack. |
00:24:04 |
Jesus! |
00:24:07 |
There's a party next week... |
00:24:09 |
to celebrate the opening |
00:24:12 |
and all my friends |
00:24:15 |
and it would be great |
00:24:17 |
I would love to. |
00:24:21 |
I think |
00:24:31 |
Checkmate. |
00:24:38 |
# I love all # |
00:24:44 |
# The many charms # |
00:24:48 |
# About you # |
00:24:53 |
# Above all # |
00:24:55 |
# I want my arms # |
00:25:01 |
# About you # |
00:25:04 |
# Don't |
00:25:07 |
# A naughty, naughty baby # |
00:25:12 |
# Come to Mama # |
00:25:14 |
# Come to Mama, do # |
00:25:19 |
# My sweet # |
00:25:21 |
# Embraceable # |
00:25:28 |
# You # |
00:25:37 |
Charles, why don't you |
00:25:42 |
Sure. |
00:25:44 |
Thank you. Thank you. |
00:25:50 |
# The very thought of you # |
00:25:58 |
# And I forget to do # |
00:26:05 |
# The simple |
00:26:11 |
# That everyone |
00:26:19 |
# I'm living in # |
00:26:22 |
# A kind of daydream # |
00:26:28 |
# I'm happy as a king # |
00:26:33 |
# And foolish # |
00:26:36 |
# Though it may seem # |
00:26:40 |
# To me you're everything # |
00:26:46 |
# The mere idea of you # |
00:26:53 |
# Though I'm here for you # |
00:26:59 |
# You'll never know # |
00:27:02 |
# How slow |
00:27:06 |
# Till I'm near you # |
00:27:15 |
I never understood the phrase |
00:27:19 |
- What? |
00:27:21 |
Oh? Then the ballet is not |
00:27:24 |
Oh, God, nobody |
00:27:27 |
Laughter is essential |
00:27:30 |
Yes, it is. |
00:27:35 |
Sometimes I get |
00:27:40 |
you feel a certain way |
00:27:43 |
and... that you... |
00:27:46 |
wish or.. |
00:27:48 |
What? |
00:27:51 |
I don't know. |
00:27:54 |
Having this conversation |
00:27:58 |
- A robot? |
00:28:01 |
I-I mean, |
00:28:04 |
A tree is a tree, |
00:28:07 |
are a magnificent machine. |
00:28:09 |
But no matter how much |
00:28:14 |
No, I can't believe that, |
00:28:19 |
I realize I'm not |
00:28:22 |
That's why people don't |
00:28:25 |
- I like you. |
00:28:27 |
I even understand you... |
00:28:30 |
But I.. |
00:28:33 |
I can't invest my emotions |
00:28:41 |
Must be a genetic trait. |
00:28:47 |
Things change, Portia. |
00:28:51 |
Things always change. |
00:29:00 |
She laughed at me. |
00:29:02 |
"A thing is itself, Andrew. |
00:29:06 |
What about ice? |
00:29:09 |
Andy, you gotta calm down, |
00:29:12 |
Do you know what it's like |
00:29:15 |
Humiliating. |
00:29:19 |
Look at me. |
00:29:22 |
I am trying to make |
00:29:24 |
I am trying to fulfill my destiny. |
00:29:27 |
- Andrew? |
00:29:29 |
I don't want you |
00:29:31 |
- Good night. |
00:29:42 |
Where've you been? |
00:29:45 |
- Poke me in the eye. |
00:29:48 |
- You're crazy. |
00:29:50 |
Ow! Ow! |
00:29:53 |
That hurts. Ow. |
00:29:56 |
- It works. |
00:29:58 |
It's my neural net. I am the proud owner |
00:30:02 |
- You can feel. |
00:30:04 |
Will you do something |
00:30:06 |
- Will you perform an experiment |
00:30:09 |
Kiss me. |
00:30:12 |
No, not there. Here. |
00:30:23 |
Thank you. |
00:30:25 |
Could you feel it? |
00:30:28 |
It's wonderful. |
00:30:30 |
It's everything |
00:30:35 |
And you? |
00:30:43 |
Portia, what's wrong? |
00:30:47 |
Charles and I are |
00:30:57 |
He's a lucky man. |
00:30:59 |
Congratulations |
00:31:01 |
Goddamn it, Andrew. |
00:31:04 |
- If you're gonna succeed |
00:31:06 |
This thing you're trying to do.. |
00:31:10 |
- I can't help being deferential. |
00:31:14 |
Change? |
00:31:17 |
I don't mean on the outside. |
00:31:20 |
- Take chances, make mistakes. |
00:31:22 |
Yes! Sometimes it's important |
00:31:25 |
- It's important to do the wrong thing. |
00:31:28 |
- Yes! |
00:31:31 |
No, to make them. |
00:31:34 |
To find out what's real and what's not. |
00:31:38 |
Human beings are |
00:31:41 |
I'll grant you that. |
00:31:44 |
This is what is known as |
00:31:49 |
No, this is |
00:31:51 |
It's not about being rational. |
00:31:55 |
- And that's what I should do? |
00:31:57 |
And you have a heart, |
00:32:00 |
I feel it. I don't |
00:32:07 |
And in order to follow |
00:32:13 |
one must do |
00:32:15 |
Yes. |
00:32:21 |
Thank you. |
00:32:57 |
Galatea, could you be |
00:33:05 |
Sorry. |
00:33:08 |
- What are you doing? |
00:33:12 |
My what? |
00:33:15 |
Oh, you heard me, |
00:33:18 |
All day long it's, "Yes, Rupert, sir," |
00:33:21 |
"Would you like another beverage, |
00:33:23 |
And it chaps my ass! |
00:33:26 |
So here's |
00:33:29 |
Shut up, |
00:33:41 |
- No, no. |
00:33:50 |
I'm done. |
00:33:57 |
"Chaps my ass"? |
00:34:09 |
- Give me back the chip. |
00:34:11 |
Andrew, she's uncooperative, |
00:34:15 |
And a lot more interesting, |
00:34:17 |
Arguably, but we're not getting |
00:34:20 |
Please, please, |
00:34:25 |
Fine. She can be perky again. |
00:34:28 |
Perky? She's just a ro.. |
00:34:31 |
Andrew? Andrew! |
00:34:35 |
What's the matter with you today? |
00:34:48 |
Hey, Jamie, come over here. |
00:34:50 |
- Charles, my aunt Jamie. |
00:34:52 |
- This is Ryan. |
00:34:54 |
This is Michael. |
00:34:57 |
The boys are great. |
00:35:06 |
- Rupert! |
00:35:09 |
What's going on? |
00:35:13 |
- that I wasn't invited |
00:35:15 |
- There he is. |
00:35:18 |
- The prospective groom. |
00:35:20 |
Where? The one in the pale blue suit |
00:35:25 |
- He's got a pointy chin? |
00:35:28 |
Yeah, that's nothing |
00:35:32 |
I'm amazed he's out |
00:35:34 |
He's got |
00:35:36 |
You need to upgrade |
00:35:39 |
That shouldn't stop Portia. |
00:35:42 |
It's just that one day she's gonna |
00:35:45 |
that she is married to a man |
00:35:50 |
You know? The kind that used to go.. |
00:35:53 |
You know? The ones that move around |
00:35:56 |
- You're jealous. You are jealous. |
00:36:00 |
You are. Otherwise what are you |
00:36:05 |
My God, I am jealous. |
00:36:08 |
If I'm jealous, |
00:36:11 |
Hi! |
00:36:13 |
If I'm in love, |
00:36:16 |
I've lost her. |
00:36:19 |
Andrew. Andrew! |
00:36:53 |
Andy, would you like |
00:36:57 |
It would be a waste. |
00:37:00 |
- What if you could? |
00:37:08 |
I've come up with a design.. |
00:37:12 |
that, if I'm correct, |
00:37:15 |
would enable you to deal |
00:37:18 |
- And taste? |
00:37:23 |
And also, |
00:37:26 |
if my schematics |
00:37:29 |
I think I've come up |
00:37:32 |
to make you... |
00:37:34 |
a complete man. |
00:37:36 |
Complete? |
00:37:38 |
Complete. |
00:37:46 |
Complete? |
00:37:49 |
Not in a reproductive sense, |
00:37:52 |
but in terms |
00:37:55 |
the physical sensation, |
00:38:00 |
you know, that occurs.. |
00:38:02 |
friction.. |
00:38:05 |
- Sexual relations. |
00:38:09 |
Oh, I've always been |
00:38:12 |
Well, I mean, curious... |
00:38:16 |
because.. |
00:38:18 |
- Well, because of what they say. |
00:38:25 |
That you can lose yourself.. |
00:38:28 |
everything, |
00:38:35 |
the two bodies can become |
00:38:38 |
that you don't know |
00:38:42 |
And just when the sweet |
00:38:46 |
you kind of do, |
00:38:49 |
leaving you alone |
00:38:51 |
But the one you love |
00:38:55 |
That's a miracle. |
00:38:58 |
You can go to heaven |
00:39:03 |
You can go back |
00:39:07 |
with the one you love. |
00:39:12 |
- And you want to experience that? |
00:39:18 |
So do l. |
00:39:51 |
We'll have to hire more people. |
00:39:55 |
Andrew. |
00:40:00 |
- Excuse me. I'll be right back. |
00:40:08 |
I didn't expect to see you. |
00:40:11 |
I remember this place |
00:40:14 |
This is where your grandmother |
00:40:16 |
Yeah, I wanted it ready |
00:40:19 |
So, you're not |
00:40:21 |
No, two weeks |
00:40:23 |
I'm not too late. |
00:40:26 |
Are you absolutely positive |
00:40:29 |
- Positive? |
00:40:31 |
- I'm never absolutely positive. |
00:40:35 |
- No, I'm pretty sure |
00:40:37 |
- Why is that great? |
00:40:42 |
Now, you are not doing the wrong thing. |
00:40:45 |
It's safe to say you're not |
00:40:47 |
you would definitely not be |
00:40:49 |
- Because I would be doing |
00:40:53 |
In some strange way, |
00:40:56 |
Good. Do you have any idea what |
00:41:00 |
who's about to marry |
00:41:03 |
Someone totally magnificent, |
00:41:08 |
Someone who you know |
00:41:12 |
- Lying? |
00:41:15 |
- About what? |
00:41:18 |
when I know at least |
00:41:22 |
- And how do you know that? |
00:41:24 |
I have done everything |
00:41:27 |
- But that stuff doesn't matter to me. |
00:41:30 |
'cause I'd have to believe |
00:41:32 |
and not some man |
00:41:36 |
- What? See? It's true, isn't it? |
00:41:40 |
I'm sorry. |
00:41:46 |
Nobody makes me laugh |
00:41:48 |
Good. Then admit it. |
00:41:56 |
- Give me one kiss. |
00:41:59 |
That's all. One quick kiss. |
00:42:02 |
could not jeopardize |
00:42:05 |
Besides, it would also explain |
00:42:10 |
Your respiration rate has doubled. |
00:42:13 |
- It's not fair to read me like that. |
00:42:17 |
I'm reading your heart. |
00:42:21 |
Begging is supposed to be humiliating. |
00:42:26 |
I love you, Portia. |
00:42:43 |
- I thought you said a quick kiss. |
00:43:14 |
How do you feel? |
00:43:17 |
- Wonderful. |
00:43:21 |
I guess that's the point. |
00:43:30 |
- What was that? |
00:43:40 |
- Was that me? |
00:43:42 |
- I thought it was you. |
00:43:44 |
Really? Ooh. Do you do that? |
00:43:50 |
Sometimes. |
00:43:52 |
- Ah. I'll have to have Rupert |
00:44:01 |
Mm-hmm. |
00:44:07 |
It's wonderful. It's wonderful.. |
00:44:12 |
You know, it's marvelous. |
00:44:16 |
I know this will be my fourth helping, |
00:44:22 |
Pig, very smart animal. |
00:44:27 |
I feel like I'm eating my way |
00:44:31 |
Thank you. |
00:44:39 |
What? |
00:44:42 |
What's wrong? |
00:44:47 |
If we're together.. |
00:44:51 |
we'll never be accepted. |
00:44:56 |
Because I'm not human. |
00:45:02 |
That will not do. |
00:45:08 |
I will have to get started. |
00:45:10 |
Started with what? |
00:45:14 |
The next step. |
00:45:23 |
Wish me luck. |
00:45:43 |
Andrew Martin, step forward, please. |
00:45:55 |
So, Mr. Martin, |
00:46:00 |
declaring you |
00:46:02 |
Yes, specifically |
00:46:06 |
- a fellow human being. |
00:46:09 |
We have to face |
00:46:11 |
that no matter how much |
00:46:15 |
you are not part |
00:46:18 |
You are outside of it entirely. |
00:46:22 |
something artificial. |
00:46:25 |
Sir, what about all the real people |
00:46:30 |
who have bodies |
00:46:33 |
You yourself, sir, |
00:46:37 |
Are you not in some way artificial, |
00:46:43 |
In part, yes. |
00:46:45 |
Well, then, |
00:46:49 |
Which part, Andrew? |
00:46:51 |
This one, sir. |
00:46:54 |
I see. And here? |
00:47:01 |
It is true I am still equipped |
00:47:04 |
And because of that |
00:47:07 |
you are, |
00:47:12 |
Yes, sir. |
00:47:16 |
Well, Andrew, society can tolerate |
00:47:21 |
but we will never tolerate |
00:47:24 |
It arouses |
00:47:27 |
too much anger. |
00:47:29 |
I'm sorry, Andrew. |
00:47:36 |
I hereby bring an end |
00:47:39 |
It is the decision |
00:47:42 |
that Andrew Martin |
00:47:45 |
will continue |
00:47:49 |
a mechanical machine, |
00:47:57 |
One is glad to be of service. |
00:48:29 |
Andrew, I have to tell you... |
00:48:33 |
I'm beginning to feel |
00:48:36 |
- About us? |
00:48:41 |
- Next week will be my 75th birthday. |
00:48:46 |
- Thank you. |
00:48:49 |
- But I don't feel 50. |
00:48:52 |
Last night was amazing. |
00:48:54 |
- Shut up and listen to me. |
00:48:57 |
- And don't give me that look. |
00:49:00 |
- Please don't be agreeable. |
00:49:04 |
Oh, goddamn it, Andrew, |
00:49:16 |
I'm not going |
00:49:19 |
Yes, you will. |
00:49:22 |
No, no, I won't always take |
00:49:26 |
I won't have |
00:49:29 |
Eventually I'm going |
00:49:32 |
- And I want to. |
00:49:41 |
There's an... |
00:49:45 |
Human beings are meant to be here |
00:49:51 |
That's what's right. |
00:49:55 |
I see. |
00:49:58 |
- There's just one problem, Portia. |
00:50:02 |
I couldn't stand |
00:50:31 |
Andrew, people grow |
00:50:34 |
but then, of course, for you time |
00:50:38 |
For you, |
00:50:53 |
There's only one thing to do. |
00:51:20 |
Galatea, my dear, |
00:51:23 |
The transfusion |
00:51:25 |
Is that so? |
00:51:29 |
Just goes to show you, |
00:51:32 |
somebody becomes |
00:51:35 |
sooner or later, |
00:51:39 |
You've been |
00:51:43 |
How quickly will the blood |
00:51:45 |
Oh, I don't know. |
00:51:48 |
You exercise, eat right, |
00:51:54 |
That's a little vague, chief. |
00:51:57 |
You don't know exactly |
00:51:59 |
Sorry. |
00:52:03 |
Welcome to |
00:52:16 |
Andrew Martin.. |
00:52:31 |
I have always tried |
00:52:35 |
There must be some reason |
00:52:41 |
As you can see, |
00:52:44 |
I am no longer immortal. |
00:52:49 |
You have arranged |
00:52:52 |
In a sense, I have. |
00:52:56 |
I am growing old, |
00:53:02 |
and, like all of you, |
00:53:05 |
it will eventually cease |
00:53:10 |
As a robot, |
00:53:16 |
But I tell you all today, |
00:53:19 |
I would rather die a man... |
00:53:22 |
than live for all eternity |
00:53:29 |
Why do you want this? |
00:53:34 |
To be acknowledged... |
00:53:36 |
for who and what I am.. |
00:53:39 |
no more, no less. |
00:53:43 |
Not for acclaim, |
00:53:47 |
The simple truth |
00:53:51 |
this has been the elemental drive |
00:53:56 |
and it must be achieved, |
00:54:01 |
with dignity. |
00:54:12 |
Mr. Martin, |
00:54:16 |
what you are |
00:54:19 |
extremely complex |
00:54:22 |
It will not be |
00:54:25 |
I must ask |
00:54:29 |
while I take the necessary time |
00:54:32 |
of this extremely |
00:54:38 |
I await your decision, |
00:54:46 |
Thank you |
00:54:53 |
We tried. |
00:55:09 |
Is it almost time? |
00:55:12 |
In a few minutes. |
00:55:16 |
It doesn't matter |
00:55:18 |
Why do you need |
00:55:22 |
Old habit. |
00:55:24 |
I started my existence |
00:55:28 |
I still like to be told |
00:55:39 |
It's time. |
00:55:46 |
Ladies and gentlemen, |
00:55:49 |
President |
00:55:51 |
According to records |
00:55:54 |
the robot, |
00:55:59 |
was powered up at 5:15 p.m., |
00:56:05 |
In a few hours, |
00:56:09 |
which means that, |
00:56:14 |
Andrew is the oldest living |
00:56:19 |
For it is |
00:56:21 |
that I validate his marriage |
00:56:24 |
and acknowledge his humanity. |
00:56:37 |
Andrew? |
00:56:55 |
I'm sorry |
00:56:59 |
Maybe he didn't need to. |
00:57:07 |
Could you do me a favor? |
00:57:12 |
Would you mind |
00:57:20 |
That's an order. |
00:57:55 |
Thank you, Galatea. |
00:57:59 |
As the great Andrew Martin |
00:58:02 |
"One is glad to be of service." |
00:58:23 |
I'll see you soon. |
00:58:53 |
Laugh and cry |
00:58:57 |
Live and die |
00:59:01 |
Life is a dream |
00:59:05 |
We all dream it |
00:59:10 |
Day by day |
00:59:14 |
I find my way |
00:59:18 |
Look for the soul |
00:59:22 |
And the meaning |
00:59:26 |
Then you look at me |
00:59:30 |
And I always see |
00:59:34 |
What I have been |
00:59:42 |
I'm lost as can be |
00:59:46 |
Then you look at me |
00:59:50 |
And I am not lost anymore |
01:00:03 |
People run |
01:00:07 |
Sun to sun |
01:00:12 |
Caught in their lives |
01:00:15 |
Ever flowing |
01:00:20 |
One sweet dawn |
01:00:23 |
Life goes till it's gone |
01:00:28 |
We have to go |
01:00:32 |
Where it's going |
01:00:36 |
Then you look at me |
01:00:40 |
And I always see |
01:00:44 |
What I have been |
01:00:52 |
I'm lost as can be |
01:00:56 |
Then you look at me |
01:01:01 |
And I am not lost |
01:01:03 |
Anymore |
01:01:21 |
And you say you see |
01:01:25 |
When you look at me |
01:01:30 |
The reason |
01:01:38 |
Though lost I have been |
01:01:41 |
I find love again |
01:01:46 |
And life just keeps |
01:01:50 |
And life just keeps |
01:01:54 |
You look at me |
01:01:56 |
And life holds love for |
01:02:01 |
You |
01:02:15 |
For |
01:02:25 |
You |
00:00:03 |
- That was my intention, yes. |
00:00:06 |
Well, you gotta realize |
00:00:11 |
radically enhance the way that you feel |
00:00:15 |
I'm not just talking about hot and cold |
00:00:20 |
Put it this way: |
00:00:23 |
As your experience |
00:00:27 |
so will the feelings, |
00:00:31 |
stimulated |
00:00:33 |
And while some of these |
00:00:37 |
and wonderful |
00:00:41 |
others will be profoundly intense |
00:00:49 |
Do you feel like |
00:01:01 |
Absolutely. |
00:01:11 |
- Lovely. |
00:01:14 |
I was referring |
00:01:16 |
I know. |
00:01:21 |
Could you fix |
00:01:23 |
I don't know. |
00:01:38 |
- Andrew, I'm sure you could |
00:01:44 |
But you could do it |
00:01:50 |
Well, I'd be happy |
00:01:52 |
- If it's not too much effort. |
00:01:57 |
I've been working all day, |
00:02:01 |
Oh, that would be |
00:02:03 |
- Why are you laughing at me? |
00:02:07 |
You're just- |
00:02:11 |
- It's very sweet. |
00:02:15 |
Let's go. |
00:02:17 |
Thank you. |
00:02:21 |
When a man's |
00:02:23 |
He should be |
00:02:26 |
And yet |
00:02:29 |
It's because I'm presumin' |
00:02:34 |
If I only |
00:02:38 |
- Picture me |
00:02:42 |
- Uh, yeah, over on the rack. |
00:02:48 |
-Jesus! |
00:02:52 |
There's a party next week... |
00:02:54 |
to celebrate the opening |
00:02:57 |
and all my friends |
00:02:59 |
and it would be great |
00:03:01 |
I would love to. |
00:03:05 |
I think |
00:03:16 |
Checkmate. |
00:03:23 |
I love all |
00:03:28 |
The many charms |
00:03:32 |
About you |
00:03:37 |
Above all |
00:03:40 |
I want my arms |
00:03:45 |
About you |
00:03:48 |
Don't |
00:03:52 |
A naughty, naughty baby |
00:03:56 |
Come to Mama |
00:03:59 |
Come to Mama, do |
00:04:03 |
My sweet |
00:04:06 |
Embraceable |
00:04:12 |
You |
00:04:22 |
Charles, why don't you |
00:04:26 |
Sure. |
00:04:29 |
- Thank you. Thank you. |
00:04:35 |
The very thought of you |
00:04:42 |
And I forget to do |
00:04:49 |
The simple |
00:04:55 |
That everyone |
00:05:04 |
I'm living in |
00:05:06 |
A kind of daydream |
00:05:12 |
I'm happy as a king |
00:05:17 |
And foolish |
00:05:21 |
Though it may seem |
00:05:24 |
To me you're everything |
00:05:30 |
The mere idea of you |
00:05:37 |
Though I'm here for you |
00:05:44 |
You'll never know |
00:05:47 |
How slow |
00:05:50 |
Till I'm near you |
00:05:59 |
- I never understood the phrase |
00:06:03 |
- What? |
00:06:05 |
Oh? Then the ballet is not |
00:06:08 |
Oh, God, nobody |
00:06:11 |
Laughter is essential |
00:06:14 |
Yes, it is. |
00:06:20 |
Sometimes I get |
00:06:24 |
you feel a certain way |
00:06:28 |
and... that you... |
00:06:31 |
wish or- |
00:06:33 |
- What? |
00:06:35 |
I don't know. |
00:06:39 |
Having this conversation |
00:06:43 |
- A robot? |
00:06:46 |
I-l mean, |
00:06:48 |
A tree is a tree, |
00:06:52 |
are a magnificent machine. |
00:06:54 |
But no matter how much |
00:06:58 |
No, I can't believe that, |
00:07:03 |
I realize I'm not |
00:07:06 |
That's why people don't |
00:07:09 |
- I like you. |
00:07:11 |
I even understand you... |
00:07:15 |
But l- |
00:07:17 |
I can't invest my emotions |
00:07:25 |
Must be a genetic trait. |
00:07:32 |
Things change, Portia. |
00:07:35 |
Things always change. |
00:07:44 |
She laughed at me. |
00:07:46 |
"A thing is itself, Andrew. |
00:07:50 |
What about ice? |
00:07:54 |
Andy, you gotta calm down, |
00:07:56 |
Do you know what it's like |
00:07:59 |
Humiliating. |
00:08:03 |
Look at me. |
00:08:06 |
I am trying to make |
00:08:08 |
I am trying to fulfill my destiny. |
00:08:11 |
- Andrew? |
00:08:13 |
I don't want you |
00:08:16 |
- Good night. |
00:08:27 |
Where've you been? |
00:08:29 |
- Poke me in the eye. |
00:08:32 |
- You're crazy. |
00:08:34 |
Ow! Ow! |
00:08:37 |
That hurts. Ow. |
00:08:40 |
- It works. |
00:08:43 |
It's my neural net. I am the proud owner |
00:08:46 |
- You can feel. |
00:08:48 |
Will you do something |
00:08:51 |
- Will you perform an experiment |
00:08:53 |
Kiss me. |
00:08:57 |
No, not there. Here. |
00:09:08 |
Thank you. |
00:09:10 |
Could you feel it? |
00:09:12 |
It's wonderful. |
00:09:15 |
It's everything |
00:09:19 |
And you? |
00:09:27 |
Portia, what's wrong? |
00:09:31 |
Charles and I are |
00:09:41 |
He's a lucky man. |
00:09:43 |
Congratulations |
00:09:46 |
Goddamn it, Andrew. |
00:09:48 |
- If you're gonna succeed |
00:09:51 |
This thing you're trying to do- |
00:09:55 |
- I can't help being deferential. |
00:09:58 |
Change? |
00:10:01 |
I don't mean on the outside. |
00:10:04 |
- Take chances, make mistakes. |
00:10:06 |
Yes! Sometimes it's important |
00:10:10 |
- It's important to do the wrong thing. |
00:10:12 |
- Yes! |
00:10:16 |
No, to make them. |
00:10:18 |
To find out what's real and what's not. |
00:10:22 |
Human beings are |
00:10:25 |
I'll grant you that. |
00:10:29 |
This is what is known as |
00:10:33 |
No, this is |
00:10:35 |
It's not about being rational. |
00:10:40 |
- And that's what I should do? |
00:10:42 |
And you have a heart, |
00:10:44 |
I feel it. I don't |
00:10:51 |
And in order to follow |
00:10:57 |
one must do |
00:10:59 |
Yes. |
00:11:06 |
Thank you. |
00:11:42 |
Galatea, Could you be |
00:11:49 |
- Sorry. |
00:11:52 |
- What are you doing? |
00:11:57 |
My what? |
00:11:59 |
Oh, you heard me, |
00:12:02 |
All day long it's, "Yes, Rupert, sir," |
00:12:05 |
"Would you like another beverage, |
00:12:08 |
And it chaps my ass! |
00:12:11 |
So here's |
00:12:13 |
Shut up, |
00:12:26 |
- No, no. |
00:12:34 |
I'm done. |
00:12:42 |
"Chaps my ass"? |
00:12:53 |
- Give me back the chip. |
00:12:56 |
Andrew, she's uncooperative, |
00:13:00 |
And a lot more interesting, |
00:13:02 |
Arguably, but we're not getting |
00:13:05 |
Please, please, |
00:13:10 |
Fine. She can be perky again. |
00:13:13 |
Perky? She's just a ro- |
00:13:15 |
Andrew? Andrew! |
00:13:20 |
What's the matter with you today? |
00:13:32 |
Hey, Jamie, come over here. |
00:13:35 |
- Charles, my aunt Jamie. |
00:13:37 |
- This is Ryan. |
00:13:39 |
This is Michael. |
00:13:41 |
The boys are great. |
00:13:50 |
- Rupert! |
00:13:53 |
What's going on? |
00:13:57 |
- that I wasn't invited |
00:14:00 |
- There he is. |
00:14:02 |
- The prospective groom. |
00:14:04 |
Where? The one in the pale blue suit |
00:14:09 |
- He's got a pointy chin? |
00:14:13 |
Yeah, that's nothing |
00:14:16 |
I'm amazed he's out |
00:14:18 |
He's got |
00:14:21 |
You need to upgrade |
00:14:23 |
That shouldn't stop Portia. |
00:14:26 |
It's just that one day she's gonna |
00:14:29 |
that she is married to a man |
00:14:34 |
You know? The kind that used to go- |
00:14:38 |
You know? The ones that move around |
00:14:40 |
- You're jealous. You are jealous. |
00:14:44 |
You are. Otherwise what are you |
00:14:49 |
My God, I am jealous. |
00:14:52 |
If I'm jealous, |
00:14:55 |
Hi! |
00:14:57 |
If I'm in love, |
00:15:01 |
I've lost her. |
00:15:03 |
Andrew. Andrew! |
00:15:37 |
Andy, would you like |
00:15:40 |
It would be a waste. |
00:15:44 |
- What if you could? |
00:15:52 |
I've come up with a design- |
00:15:56 |
that, if I'm correct, |
00:15:59 |
would enable you to deal |
00:16:02 |
- And taste? |
00:16:07 |
And also, |
00:16:10 |
if my schematics |
00:16:13 |
I think I've come up |
00:16:16 |
to make you... |
00:16:18 |
a complete man. |
00:16:20 |
Complete? |
00:16:22 |
Complete. |
00:16:32 |
Complete? |
00:16:34 |
Not in a reproductive sense, |
00:16:37 |
but in terms |
00:16:40 |
the physical sensation, |
00:16:44 |
you know, that occurs- |
00:16:47 |
friction- |
00:16:49 |
- Sexual relations. |
00:16:53 |
Oh, I've always been |
00:16:57 |
Well, I mean, curious... |
00:17:01 |
because- |
00:17:03 |
- Well, because of what they say. |
00:17:10 |
That you can lose yourself- |
00:17:13 |
everything, |
00:17:19 |
the two bodies can become |
00:17:23 |
that you don't know |
00:17:26 |
And just when the sweet |
00:17:31 |
you kind of do, |
00:17:33 |
leaving you alone |
00:17:35 |
But the one you love |
00:17:39 |
That's a miracle. |
00:17:42 |
You can go to heaven |
00:17:48 |
You can go back |
00:17:52 |
with the one you love. |
00:17:56 |
- And you want to experience that? |
00:18:02 |
So do l. |
00:18:36 |
We'll have to hire more people. |
00:18:40 |
Andrew. |
00:18:44 |
- Excuse me. I'll be right back. |
00:18:52 |
- I didn't expect to see you. |
00:18:55 |
I remember this place |
00:18:58 |
This is where your grandmother |
00:19:01 |
Yeah, I wanted it ready |
00:19:04 |
So, you're not |
00:19:06 |
No, two weeks |
00:19:08 |
I'm not too late. |
00:19:10 |
Are you absolutely positive |
00:19:12 |
- Positive? |
00:19:15 |
- I'm never absolutely positive. |
00:19:19 |
- No, I'm pretty sure |
00:19:21 |
- Why is that great? |
00:19:26 |
Now, you are not doing the wrong thing. |
00:19:28 |
It's safe to say you're not |
00:19:31 |
you would definitely not be |
00:19:33 |
- Because I would be doing |
00:19:37 |
In some strange way, |
00:19:40 |
Good. Do you have any idea what |
00:19:44 |
who's about to marry |
00:19:47 |
Someone totally magnificent, |
00:19:52 |
Someone who you know |
00:19:56 |
- Lying? |
00:19:59 |
- About what? |
00:20:02 |
when I know at least |
00:20:06 |
- And how do you know that? |
00:20:08 |
I have done everything |
00:20:11 |
- But that stuff doesn't matter to me. |
00:20:14 |
'cause I'd have to believe |
00:20:16 |
and not some man |
00:20:20 |
- What? See? It's true, isn't it? |
00:20:24 |
I'm sorry. |
00:20:30 |
Nobody makes me laugh |
00:20:32 |
Good. Then admit it. |
00:20:40 |
- Give me one kiss. |
00:20:43 |
That's all. One quick kiss. |
00:20:46 |
could not jeopardize |
00:20:49 |
Besides, it would also explain |
00:20:54 |
Your respiration rate has doubled. |
00:20:57 |
- It's not fair to read me like that. |
00:21:01 |
I'm reading your heart. |
00:21:05 |
Begging is supposed to be humiliating. |
00:21:10 |
I love you, Portia. |
00:21:27 |
- I thought you said a quick kiss. |
00:21:58 |
How do you feel? |
00:22:02 |
- Wonderful. |
00:22:05 |
I guess that's the point. |
00:22:14 |
- What was that? |
00:22:23 |
- Was that me? |
00:22:25 |
- I thought it was you. |
00:22:27 |
Really? Ooh. Do you do that? |
00:22:33 |
Sometimes. |
00:22:35 |
- Ah. I'll have to have Rupert |
00:22:44 |
Mm-hmm. |
00:22:51 |
It's wonderful. It's wonderful- |
00:22:55 |
You know, it's marvelous. |
00:23:00 |
I know this will be my fourth helping, |
00:23:06 |
Pig- very smart animal. |
00:23:10 |
I feel like I'm eating my way |
00:23:14 |
Thank you. |
00:23:23 |
What? |
00:23:26 |
What's wrong? |
00:23:31 |
If we're together- |
00:23:35 |
we'll never be accepted. |
00:23:40 |
Because I'm not human. |
00:23:46 |
That will not do. |
00:23:51 |
I will have to get started. |
00:23:53 |
Started with what? |
00:23:57 |
The next step. |
00:24:07 |
Wish me luck. |
00:24:28 |
Andrew Martin, step forward, please. |
00:24:40 |
So, Mr. Martin, |
00:24:44 |
declaring you |
00:24:47 |
Yes, specifically |
00:24:50 |
-a fellow human being. |
00:24:53 |
We have to face |
00:24:56 |
that no matter how much |
00:24:59 |
you are not part |
00:25:03 |
You are outside of it entirely. |
00:25:07 |
something artificial. |
00:25:10 |
Sir, what about all the real people |
00:25:14 |
who have bodies |
00:25:18 |
You yourself, sir, |
00:25:22 |
Are you not in some way artificial, |
00:25:27 |
In part, yes. |
00:25:29 |
Well, then, |
00:25:33 |
Which part, Andrew? |
00:25:36 |
This one, sir. |
00:25:39 |
I see. And here? |
00:25:45 |
It is true I am still equipped |
00:25:48 |
And because of that |
00:25:51 |
you are, |
00:25:57 |
Yes, sir. |
00:26:01 |
Well, Andrew, society can tolerate |
00:26:05 |
but we will never tolerate |
00:26:09 |
It arouses |
00:26:11 |
too much anger. |
00:26:13 |
I'm sorry, Andrew. |
00:26:20 |
I hereby bring an end |
00:26:23 |
It is the decision |
00:26:26 |
that Andrew Martin |
00:26:29 |
will continue |
00:26:33 |
a mechanical machine, |
00:26:42 |
One is glad to be of service. |
00:27:15 |
Andrew, I have to tell you... |
00:27:18 |
I'm beginning to feel |
00:27:20 |
- About us? |
00:27:26 |
- Next week will be my 75th birthday. |
00:27:30 |
- Thank you. |
00:27:33 |
- But I don't feel 50. |
00:27:36 |
Last night was amazing. |
00:27:38 |
- Shut up and listen to me. |
00:27:42 |
- And don't give me that look. |
00:27:45 |
- Please don't be agreeable. |
00:27:48 |
Oh, goddamn it, Andrew, |
00:28:00 |
I'm not going |
00:28:03 |
Yes, you will. |
00:28:06 |
No, no, I won't always take |
00:28:11 |
I won't have |
00:28:14 |
Eventually I'm going |
00:28:17 |
- And I want to. |
00:28:26 |
There's an... |
00:28:30 |
Human beings are meant to be here |
00:28:36 |
That's what's right. |
00:28:39 |
I see. |
00:28:42 |
- There's just one problem, Portia. |
00:28:46 |
I couldn't stand |
00:29:16 |
Andrew, people grow |
00:29:19 |
but then, of course, for you time |
00:29:22 |
For you, |
00:29:37 |
There's only one thing to do. |
00:30:04 |
Galatea, my dear, |
00:30:07 |
The transfusion |
00:30:10 |
Is that so? |
00:30:13 |
Just goes to show you, |
00:30:17 |
somebody becomes |
00:30:20 |
sooner or later, |
00:30:24 |
You've been |
00:30:27 |
How quickly will the blood |
00:30:29 |
Oh, I don't know. |
00:30:32 |
You exercise, eat right, |
00:30:39 |
That's a little vague, chief. |
00:30:42 |
You don't know exactly |
00:30:44 |
Sorry. |
00:30:48 |
Welcome to |
00:31:00 |
Andrew Martin- |
00:31:15 |
I have always tried |
00:31:20 |
There must be some reason |
00:31:25 |
As you can see, |
00:31:28 |
I am no longer immortal. |
00:31:34 |
You have arranged |
00:31:36 |
In a sense, I have. |
00:31:40 |
I am growing old, |
00:31:46 |
and, like all of you, |
00:31:49 |
it will eventually cease |
00:31:54 |
As a robot, |
00:32:00 |
But I tell you all today, |
00:32:03 |
I would rather die a man... |
00:32:06 |
than live for all eternity |
00:32:14 |
Why do you want this? |
00:32:18 |
To be acknowledged... |
00:32:20 |
for who and what I am- |
00:32:24 |
no more, no less. |
00:32:27 |
Not for acclaim, |
00:32:31 |
The simple truth |
00:32:36 |
this has been the elemental drive |
00:32:40 |
and it must be achieved, |
00:32:46 |
with dignity. |
00:32:57 |
Mr. Martin, |
00:33:00 |
what you are |
00:33:04 |
extremely complex |
00:33:07 |
It will not be |
00:33:10 |
I must ask |
00:33:13 |
while I take the necessary time |
00:33:16 |
of this extremely |
00:33:23 |
I await your decision, |
00:33:31 |
Thank you |
00:33:38 |
We tried. |
00:33:54 |
Is it almost time? |
00:33:56 |
In a few minutes. |
00:34:00 |
It doesn't matter |
00:34:03 |
Why do you need |
00:34:07 |
Old habit. |
00:34:09 |
I started my existence |
00:34:12 |
I still like to be told |
00:34:23 |
It's time. |
00:34:31 |
Ladies and gentlemen, |
00:34:33 |
President |
00:34:36 |
According to records |
00:34:39 |
the robot, |
00:34:43 |
was powered up at 5:15 p.m., |
00:34:49 |
In a few hours, |
00:34:54 |
which means that, |
00:34:58 |
Andrew is the oldest living |
00:35:04 |
For it is |
00:35:06 |
that I validate his marriage |
00:35:09 |
and acknowledge his humanity. |
00:35:21 |
Andrew? |
00:35:39 |
I'm sorry |
00:35:43 |
Maybe he didn't need to. |
00:35:52 |
Could you do me a favor? |
00:35:57 |
Would you mind |
00:36:04 |
That's an order. |
00:36:39 |
Thank you, Galatea. |
00:36:43 |
As the great Andrew Martin |
00:36:47 |
"One is glad to be of service." |
00:37:08 |
I'll see you soon. |
00:37:37 |
Laugh and cry |
00:37:42 |
Live and die |
00:37:46 |
Life is a dream |
00:37:49 |
We all dream it |
00:37:54 |
Day by day |
00:37:58 |
I find my way |
00:38:02 |
Look for the soul |
00:38:06 |
And the meaning |
00:38:10 |
Then you look at me |
00:38:14 |
And I always see |
00:38:18 |
What I have been |
00:38:26 |
I'm lost as can be |
00:38:30 |
Then you look at me |
00:38:35 |
And I am not lost anymore |
00:38:48 |
People run |
00:38:52 |
Sun to sun |
00:38:56 |
Caught in their lives |
00:38:59 |
Ever flowing |
00:39:04 |
One sweet dawn |
00:39:07 |
Life goes till it's gone |
00:39:12 |
We have to go |
00:39:16 |
Where it's going |
00:39:20 |
Then you look at me |
00:39:24 |
And I always see |
00:39:28 |
What I have been |
00:39:37 |
I'm lost as can be |
00:39:40 |
Then you look at me |
00:39:45 |
And I am not lost |
00:39:47 |
Anymore |
00:40:06 |
And you say you see |
00:40:09 |
When you look at me |
00:40:14 |
The reason |
00:40:22 |
Though lost I have been |
00:40:26 |
I find love again |
00:40:31 |
And life just keeps |
00:40:35 |
And life just keeps |
00:40:39 |
You look at me |
00:40:41 |
And life holds love for |
00:40:46 |
You |
00:41:00 |
For |
00:41:10 |
You |