|
Bikur Ha Tizmoret The Band s Visit
|
| 00:00:49 |
A film by Eran Kolirin |
| 00:01:36 |
Once, not long ago, a small Egyptian |
| 00:01:42 |
Not many remember this, |
| 00:02:30 |
It's not them... |
| 00:02:43 |
There's a bus, we have the address, |
| 00:02:47 |
And manage on our own? |
| 00:02:50 |
Why not call the Embassy? |
| 00:02:54 |
This band has managed on its own |
| 00:02:57 |
I have no intention |
| 00:03:01 |
Especially not now... |
| 00:03:12 |
Picture please, |
| 00:03:14 |
We're taking a photo. |
| 00:03:45 |
THE BAND'S VISIT |
| 00:03:58 |
Municipality, good morning. |
| 00:03:59 |
Good morning. |
| 00:04:00 |
This is Tewfiq Zakaria, commander of |
| 00:04:04 |
What? |
| 00:04:06 |
It is Tewfiq Zakaria, from the |
| 00:04:09 |
Who do you need? |
| 00:04:12 |
As I said, |
| 00:04:15 |
it is Tewfiq Zakaria |
| 00:04:16 |
from the Alexandria Ceremonial |
| 00:04:40 |
Municipality, good morning. |
| 00:04:41 |
This is Colonel Tewfiq Zakaria |
| 00:05:07 |
Do you see it? |
| 00:05:18 |
Get Khaled, tell him |
| 00:05:39 |
Do you mind asking |
| 00:05:42 |
Bet Hatikva. |
| 00:05:44 |
You'd better send someone else. |
| 00:05:49 |
Do you want to be part |
| 00:05:51 |
Then learn to take responsibility. |
| 00:05:58 |
Just watch out, okay? |
| 00:06:02 |
Of what? |
| 00:06:03 |
I don't know, |
| 00:06:31 |
Bet Hatikva? |
| 00:06:34 |
Yes, Bet Hatikva. |
| 00:06:44 |
You have eyes... |
| 00:06:46 |
Very beautiful eyes. |
| 00:06:50 |
Do you like Chet Baker? |
| 00:06:52 |
What? |
| 00:06:53 |
Chet Baker. |
| 00:07:16 |
I play violin... |
| 00:07:19 |
But I play trumpet... |
| 00:07:22 |
also. |
| 00:07:48 |
About the new piece |
| 00:07:51 |
do you want me to conduct? |
| 00:07:54 |
If you do, I'll need to work |
| 00:07:59 |
We're in enough trouble as it is, |
| 00:08:02 |
Some other time. |
| 00:08:08 |
Of course. |
| 00:08:10 |
But... |
| 00:08:11 |
If their plan at headquarters |
| 00:08:16 |
there might not be another time. |
| 00:08:19 |
Their plan |
| 00:08:23 |
That's why we're here, |
| 00:08:25 |
isn't that so? |
| 00:08:32 |
We had three concerts |
| 00:08:35 |
two in June. |
| 00:08:37 |
No one should speak to us |
| 00:08:41 |
The Alexandria Police Ceremonial |
| 00:10:27 |
Line them up. |
| 00:10:44 |
Good afternoon. |
| 00:10:46 |
Dina, come here. |
| 00:10:48 |
Some General |
| 00:11:01 |
Good afternoon. |
| 00:11:02 |
Good afternoon to you, too. |
| 00:11:04 |
I wonder if you could be so kind to |
| 00:11:09 |
Excuse me? |
| 00:11:10 |
We've been invited by the |
| 00:11:13 |
at the initiation ceremony |
| 00:11:16 |
What? |
| 00:11:18 |
Where are you from? |
| 00:11:19 |
We are from Egypt. |
| 00:11:21 |
Egypt? |
| 00:11:24 |
We are the Alexandria |
| 00:11:27 |
There is no Arab Center here. |
| 00:11:31 |
No Arab Culture Center? |
| 00:11:32 |
No culture. Not Israeli culture, |
| 00:11:37 |
Bloody nowhere. |
| 00:11:47 |
Who invited you? |
| 00:11:57 |
The Betah Tikva Cultural Department. |
| 00:12:00 |
Petah Tikva? |
| 00:12:02 |
I think he needs Petah Tikva. |
| 00:12:04 |
Betah Tikva. |
| 00:12:47 |
As soon as we get back, you are to |
| 00:12:50 |
I'll make sure you will not stay |
| 00:12:54 |
Is that clear? |
| 00:12:56 |
Clear? |
| 00:13:28 |
General, you need help, General? |
| 00:13:40 |
Assholes! |
| 00:14:00 |
Aren't we eating today? |
| 00:14:08 |
Excuse me? |
| 00:14:10 |
I asked if we're going to eat. |
| 00:14:12 |
I did not join the police |
| 00:14:15 |
And anyhow, I'm not really sure |
| 00:14:21 |
Pardon me? |
| 00:14:26 |
Does anyone else feel like Khaled? |
| 00:14:29 |
We haven't eaten |
| 00:14:32 |
All of us. |
| 00:14:37 |
Just a second... |
| 00:14:41 |
Khaled, would you mind... |
| 00:14:49 |
They haven't eaten |
| 00:14:51 |
this might affect their playing. |
| 00:14:54 |
Perhaps we could organize something |
| 00:14:57 |
After that, |
| 00:15:17 |
Hello again, General. |
| 00:15:20 |
Madame, I would like... |
| 00:15:23 |
on behalf of the Alexandria |
| 00:15:31 |
we shall be grateful if you |
| 00:15:35 |
in light of the circumstances. |
| 00:15:39 |
How can I help you? |
| 00:15:42 |
Would it be possible to dine here? |
| 00:15:46 |
It's a restaurant here, no? |
| 00:15:48 |
Yes, but... |
| 00:15:50 |
we have little Israeli money left. |
| 00:15:54 |
just some bread, something light. |
| 00:15:56 |
Could we pay with Egyptian money? |
| 00:16:09 |
Don't take this disciplinary |
| 00:16:12 |
It's all bullshit. |
| 00:16:14 |
Say you're sorry and you'll |
| 00:16:17 |
He can fire me for all I care. |
| 00:16:20 |
Did I spend five years |
| 00:16:24 |
Playing marches in the desert? |
| 00:16:28 |
How can you stand him? |
| 00:16:33 |
Ask Simon what it's like to be |
| 00:16:36 |
Simon, are you conducting |
| 00:17:41 |
Why did you stop? |
| 00:17:42 |
I didn't finish it. |
| 00:17:48 |
You wrote this? |
| 00:17:49 |
Yes. |
| 00:17:51 |
It's an overture for a concerto |
| 00:17:55 |
but I didn't finish it. |
| 00:18:48 |
Backgammon? |
| 00:18:55 |
What do you say about that? |
| 00:19:03 |
We shall be going soon. |
| 00:19:09 |
You're welcome. |
| 00:19:12 |
You decided what to do? |
| 00:19:14 |
We shall manage. |
| 00:19:17 |
There is no more bus today. |
| 00:19:20 |
No more bus? |
| 00:19:21 |
No. Finished. |
| 00:19:25 |
Hotel? |
| 00:19:27 |
Hotel? Here? |
| 00:19:31 |
Of course. |
| 00:19:36 |
When is your show? |
| 00:19:38 |
It is tomorrow evening. |
| 00:19:46 |
Say, ltzik... |
| 00:19:49 |
Can you take three of them? |
| 00:19:51 |
What? |
| 00:19:53 |
Musicians. |
| 00:19:56 |
Take them where? |
| 00:19:58 |
What's the big deal? Two |
| 00:20:01 |
I'll take three, four here, |
| 00:20:04 |
I don't know. |
| 00:20:06 |
We'll manage something. |
| 00:20:08 |
Give me a break, |
| 00:20:11 |
Even better. |
| 00:20:18 |
You know what, General? |
| 00:20:19 |
You can stay here with us |
| 00:20:23 |
What do you mean, here? |
| 00:20:24 |
Here, with us. |
| 00:20:28 |
I can take some, |
| 00:20:30 |
Papi can make room here, |
| 00:20:32 |
I have some room in the restaurant |
| 00:20:35 |
It's okay, |
| 00:20:37 |
Tomorrow morning you take |
| 00:20:41 |
No, no, thank you. |
| 00:20:45 |
We shall call our Embassy, |
| 00:20:52 |
Okay. |
| 00:20:53 |
But just I want you to know that |
| 00:20:57 |
we shall be very honored to have the |
| 00:21:02 |
Really. |
| 00:21:08 |
Will your husband agree to that? |
| 00:21:16 |
Once when I see him I ask him. |
| 00:21:19 |
You're not married. |
| 00:21:21 |
Me? |
| 00:21:22 |
No. |
| 00:21:26 |
By the way, I'm Dina. |
| 00:21:29 |
Tewfiq. |
| 00:21:33 |
What do you say? |
| 00:21:36 |
Please. |
| 00:21:39 |
Please. |
| 00:21:42 |
We'll spend the night here. |
| 00:21:44 |
No shit. |
| 00:21:45 |
Khaled! |
| 00:21:48 |
I hope there's no need to remind you |
| 00:21:52 |
nor of the effect |
| 00:21:56 |
on our struggle over |
| 00:22:00 |
Please bare in mind: |
| 00:22:03 |
and I expect you all to conduct |
| 00:22:07 |
We need to carry out |
| 00:22:10 |
and prove to whoever needs proof |
| 00:22:14 |
Let's all protect the good name of |
| 00:22:20 |
Good luck to you all. |
| 00:22:22 |
Khaled stays with me. |
| 00:22:35 |
We'll spend the night here, |
| 00:22:43 |
So, you come? |
| 00:23:11 |
How are you, Mrs. Maimon? |
| 00:23:33 |
I'm not... |
| 00:23:34 |
I don't open it too much. |
| 00:23:38 |
Do you prefer the wall |
| 00:23:43 |
So... |
| 00:23:45 |
Coffee? |
| 00:23:47 |
Yes. |
| 00:24:15 |
What are you looking at? |
| 00:24:20 |
Come, bring us coffee. |
| 00:24:34 |
Very quiet here. |
| 00:24:36 |
Dead. |
| 00:24:41 |
Alexandria is a big city, yes? |
| 00:24:44 |
A lot of people, and lights. |
| 00:24:46 |
And noise. |
| 00:24:48 |
It's good. You feel you live, |
| 00:24:52 |
You don't like to be here? |
| 00:24:56 |
It's my life. I got used. |
| 00:24:58 |
But sometimes... |
| 00:25:01 |
Sometimes I think maybe I could... |
| 00:25:07 |
Why didn't you? |
| 00:25:09 |
I met my first husband. |
| 00:25:11 |
And you, General? Do you have |
| 00:25:18 |
A wife? |
| 00:25:20 |
No, no. |
| 00:25:39 |
Maybe after, if you want, |
| 00:25:44 |
No thank you, Madame, |
| 00:25:48 |
It's no big deal. |
| 00:25:51 |
There is a place, |
| 00:25:53 |
Nice, some food, some drink. |
| 00:25:57 |
The woman wants to go out, |
| 00:26:02 |
You want to come too, Khaled? |
| 00:26:04 |
No thank you, Madame. |
| 00:26:24 |
How do I look? |
| 00:26:26 |
Very fine, indeed. |
| 00:26:31 |
Would you say |
| 00:26:41 |
Don't you want to take |
| 00:26:43 |
Excuse me? |
| 00:26:45 |
It's very hot with a hat. |
| 00:26:52 |
Yes. |
| 00:26:55 |
It's better, no? |
| 00:26:58 |
A man should not hide |
| 00:27:03 |
Got yourself a General, Dina? |
| 00:27:05 |
What's up? |
| 00:27:06 |
Soon. She'll call |
| 00:27:09 |
God help you. |
| 00:27:19 |
Oh, sorry! |
| 00:27:23 |
It's okay. |
| 00:27:25 |
You saw this boy? |
| 00:27:28 |
Every night he waits |
| 00:27:35 |
Oh, shit! I forgot! |
| 00:27:36 |
Look, can you... |
| 00:27:40 |
With the key. |
| 00:27:54 |
Almost a month it's like this. |
| 00:28:53 |
Sorry. |
| 00:28:59 |
You know, |
| 00:29:02 |
Happy birthday. |
| 00:29:04 |
Thank you. |
| 00:29:05 |
Many happy years. |
| 00:29:06 |
Thank you. |
| 00:29:10 |
See they're alright? |
| 00:29:14 |
Nice people, right? |
| 00:29:16 |
Why shouldn't they be? |
| 00:29:17 |
So you're awake? |
| 00:29:20 |
Very nice. |
| 00:29:21 |
Too bad they don't visit |
| 00:29:23 |
You should invite them more often. |
| 00:29:28 |
So what do you do in the |
| 00:29:31 |
I play the clarinet, |
| 00:29:41 |
Well, sometimes. |
| 00:29:43 |
You know, Avrum, |
| 00:29:46 |
A concerto? |
| 00:29:48 |
Before, in the restaurant, |
| 00:29:51 |
Well, it's not really a concerto, |
| 00:29:56 |
We're all going to cry now... |
| 00:29:59 |
Schubert. |
| 00:30:02 |
Why not finish? |
| 00:30:04 |
I started to write this after |
| 00:30:09 |
but then, my wife, |
| 00:30:12 |
time, and... |
| 00:30:18 |
Do you work in the restaurant? |
| 00:30:24 |
Not really. I'm between works now. |
| 00:30:27 |
Between for almost a year. |
| 00:30:33 |
It's clean, okay? |
| 00:30:38 |
He should be saying thank you, |
| 00:30:43 |
You know, I also played |
| 00:30:48 |
There he goes again. |
| 00:30:50 |
I used to play at... |
| 00:30:53 |
weddings, celebrations... |
| 00:30:57 |
That's how I met my wife. |
| 00:30:59 |
That story again... We didn't meet |
| 00:31:02 |
Come on, didn't we meet |
| 00:31:04 |
We met at your aunt's. |
| 00:31:05 |
Okay, but where did love start? |
| 00:31:07 |
What love? |
| 00:31:08 |
Besides, why do you |
| 00:31:12 |
Do you really care if they'll |
| 00:31:14 |
It doesn't matter. |
| 00:31:16 |
I don't care what they think. |
| 00:31:20 |
I used to play there with a band. |
| 00:31:25 |
Beatles, Rolling Stones, Klezmers, |
| 00:31:30 |
Then one day I was playing |
| 00:31:35 |
And I looked... |
| 00:31:37 |
and maybe for three or four minutes |
| 00:31:53 |
I was like a stone. |
| 00:31:56 |
And of course I was dressed |
| 00:32:01 |
so she was in love. |
| 00:32:06 |
You know that? |
| 00:33:38 |
Good evening. |
| 00:33:39 |
Egyptian Embassy? |
| 00:33:43 |
This is Kamal Abdel Azim of |
| 00:33:47 |
We're in trouble. |
| 00:33:50 |
Kamal Abdel Azim of the |
| 00:33:56 |
We're in trouble. |
| 00:33:59 |
The Alexandria Police Orchestra! |
| 00:34:03 |
Yes, please. |
| 00:34:05 |
08-6583000. |
| 00:34:10 |
Yes, please. |
| 00:34:13 |
Good bye, sir. |
| 00:34:30 |
Arab salad, |
| 00:34:33 |
tahini sauce, |
| 00:34:35 |
fries, lots. |
| 00:34:39 |
Put some more. |
| 00:34:48 |
You sure you don't want something? |
| 00:34:51 |
Coffee, maybe? |
| 00:34:53 |
Yes, maybe coffee. Thank you. |
| 00:34:57 |
Coffee. Get us a coffee. |
| 00:35:07 |
Tewfiq, tell me something |
| 00:35:11 |
What? |
| 00:35:12 |
Something. I don't know, |
| 00:35:26 |
What does it mean? |
| 00:35:28 |
In wintertime, take an umbrella, |
| 00:35:30 |
in summertime, put a hat |
| 00:35:34 |
in autumn time stay at home. |
| 00:35:50 |
Everything is okay? |
| 00:35:52 |
Yes, it's just... |
| 00:35:55 |
Leave it. People here |
| 00:36:14 |
So what do you play |
| 00:36:17 |
You play like army music? |
| 00:36:26 |
We are a traditional orchestra. |
| 00:36:31 |
What, like Um Kulthoum? Farid? |
| 00:36:34 |
Yes. |
| 00:36:37 |
Why police needs to play |
| 00:36:42 |
This is like asking |
| 00:36:55 |
I'm sorry. I didn't mean that... |
| 00:37:03 |
It's okay. You're not the only one |
| 00:37:06 |
Music today is not |
| 00:37:10 |
What do you mean? |
| 00:37:12 |
Well, people today care about |
| 00:37:15 |
Money, efficiency, worth. |
| 00:37:19 |
People are stupid, aren't they? |
| 00:37:24 |
Yes, they are, sometimes. |
| 00:37:59 |
Papi... |
| 00:38:01 |
Oh no, not him... |
| 00:38:03 |
Going out? Good time? |
| 00:38:07 |
Don't know. |
| 00:38:08 |
Just going... |
| 00:38:10 |
out. |
| 00:38:13 |
I don't lock. You can go in. |
| 00:38:16 |
I can go too, you know. |
| 00:38:20 |
I don't sleep, so maybe |
| 00:38:25 |
Have a look on the city. |
| 00:38:26 |
No... |
| 00:38:29 |
No, see... |
| 00:38:33 |
One girl. Okay? |
| 00:38:37 |
One girl? |
| 00:38:38 |
Yes. One girl. |
| 00:38:41 |
Okay. I just look on the city. |
| 00:38:46 |
You and the girl do what you want. |
| 00:38:50 |
Khaled. |
| 00:38:52 |
Papi. |
| 00:38:57 |
Well, this raises questions. |
| 00:39:00 |
They're all like that. |
| 00:39:04 |
Very questionable. |
| 00:39:09 |
I like clothes. Clothes nice. |
| 00:39:12 |
Yes. |
| 00:39:14 |
Like Michael Jackson. |
| 00:39:34 |
This is the cousin? |
| 00:39:37 |
Well? |
| 00:39:38 |
No way, |
| 00:39:41 |
You fixed me up |
| 00:39:44 |
Is she gloomy? |
| 00:39:45 |
Of course she's gloomy. |
| 00:39:46 |
She's not gloomy. |
| 00:39:47 |
She is! |
| 00:39:49 |
Come on, you're exaggerating. |
| 00:39:52 |
Hi. |
| 00:39:54 |
Papi, meet my cousin, Julia. |
| 00:39:58 |
Hi. |
| 00:40:01 |
Make some room. |
| 00:40:10 |
I just look on the city. |
| 00:40:31 |
Tewfiq, you see this guy? |
| 00:40:42 |
He's someone that... |
| 00:40:45 |
I mean, me and him, |
| 00:40:53 |
I see. |
| 00:41:06 |
Hi, Sammy. |
| 00:41:09 |
Meet Tewfiq, a good friend |
| 00:41:14 |
Please meet. |
| 00:41:28 |
Tewfiq is a conductor. |
| 00:41:32 |
How do you do? |
| 00:41:40 |
How are you doing? |
| 00:41:46 |
Son of a bitch. |
| 00:41:48 |
A real son of a bitch! |
| 00:41:55 |
One minute. |
| 00:42:26 |
This is for you. |
| 00:45:46 |
Come, Papi. |
| 00:45:49 |
No... |
| 00:45:51 |
This ain't for me. |
| 00:45:53 |
Come on, don't be scared. |
| 00:45:56 |
I'll show you. |
| 00:46:00 |
No, please... |
| 00:46:01 |
Don't be scared. |
| 00:46:02 |
Stop it, get off my back! |
| 00:46:20 |
You don't go with girls a lot, eh? |
| 00:46:23 |
No. |
| 00:46:28 |
I hear the sea in my ears. |
| 00:46:30 |
Sea? In your ears? |
| 00:46:33 |
Yes. |
| 00:46:34 |
I don't know what to say, |
| 00:46:38 |
I want to talk, but I hear |
| 00:46:44 |
Like that... |
| 00:46:55 |
So you and girls, you never... |
| 00:47:00 |
You never? |
| 00:47:05 |
You? |
| 00:47:06 |
Yes. |
| 00:47:10 |
What's it like? |
| 00:47:14 |
I can tell you, but... |
| 00:47:18 |
only in Arabic. |
| 00:48:04 |
This is the park. |
| 00:48:08 |
It doesn't look like a park, |
| 00:48:12 |
You have to imagine. |
| 00:48:15 |
You see? |
| 00:48:17 |
This is the grass. |
| 00:48:20 |
And there is where |
| 00:48:26 |
And this... |
| 00:48:29 |
This is the sea. |
| 00:48:36 |
Tell me, how does it feel? |
| 00:48:40 |
I mean to do music, to have |
| 00:48:47 |
Well... |
| 00:48:50 |
To have all the people waiting |
| 00:48:54 |
You know... |
| 00:48:57 |
It's... |
| 00:49:00 |
It's... |
| 00:49:02 |
Yes... |
| 00:49:05 |
What? |
| 00:49:31 |
It looks like the most important |
| 00:49:34 |
No, the most important thing |
| 00:49:37 |
What? Fishing? |
| 00:49:40 |
It's so boring! |
| 00:49:42 |
No, it's not boring. |
| 00:49:43 |
To sit whole days like that, |
| 00:49:46 |
until you catch something? |
| 00:49:48 |
It's not boring at all. |
| 00:49:50 |
It's the sound of water, |
| 00:49:55 |
and distant children playing |
| 00:49:59 |
the sound of the bait falling |
| 00:50:02 |
In early hours at sea you can hear |
| 00:50:06 |
Like a symphony. |
| 00:50:12 |
And the fish, you cook it? |
| 00:50:15 |
Well, usually I don't catch. |
| 00:50:19 |
But sometimes I just put them back |
| 00:50:22 |
Really? |
| 00:50:25 |
Before, when my wife was alive |
| 00:50:27 |
and she used to cook... |
| 00:50:32 |
but now I just put them back. |
| 00:50:38 |
Your wife is dead? |
| 00:50:40 |
Yes. |
| 00:50:44 |
Was it a long time ago? |
| 00:50:48 |
Almost 3 years ago. |
| 00:50:50 |
In September, the 21 st. |
| 00:50:56 |
I'm sorry if I'm asking something |
| 00:51:00 |
No, it's okay. They say it's good |
| 00:51:11 |
She was pretty? |
| 00:51:13 |
Yes. |
| 00:51:16 |
Did she like fishing? |
| 00:51:21 |
How did you meet? |
| 00:51:24 |
In the academy, at a friend's house. |
| 00:51:29 |
You know, we talked, |
| 00:51:33 |
I thought she didn't like me, |
| 00:51:36 |
after a few days she came |
| 00:51:45 |
Did you have children? |
| 00:51:49 |
We had one child. |
| 00:51:51 |
One?! |
| 00:51:53 |
One son? |
| 00:51:56 |
What, you, a big man like you, |
| 00:52:01 |
and only one son? |
| 00:52:12 |
I'm joking. |
| 00:52:21 |
Can we please go now? |
| 00:52:25 |
Okay. |
| 00:53:02 |
What? |
| 00:53:03 |
The cousin is crying. |
| 00:53:06 |
Why is she crying? |
| 00:53:07 |
How would I know. |
| 00:53:10 |
Just sort something out. |
| 00:54:30 |
You need a drink. |
| 00:55:28 |
You drink also. |
| 00:55:47 |
Now what? |
| 00:57:06 |
We are going to sleep now. |
| 00:57:10 |
I am sorry if we caused trouble. |
| 00:57:14 |
No, no. It's not you. |
| 00:57:17 |
All the time it's like this now. |
| 00:57:37 |
Stupid, isn't it? |
| 00:58:33 |
You know... |
| 00:58:37 |
maybe this is how your |
| 00:58:40 |
I mean... not a big end |
| 00:58:43 |
with trumpets and violins, |
| 00:58:48 |
maybe this is the finish. |
| 00:58:51 |
Just like that, suddenly. |
| 00:58:53 |
Not sad, not happy. |
| 00:58:57 |
Just... |
| 00:59:02 |
a small room, |
| 00:59:05 |
a lamp, |
| 00:59:08 |
a bed, |
| 00:59:11 |
child sleeps, |
| 00:59:14 |
and... |
| 00:59:24 |
tons of loneliness. |
| 01:01:07 |
Yes? |
| 01:01:09 |
This is me, Kamal. |
| 01:01:11 |
Are you sending a car? |
| 01:01:13 |
Very good. |
| 01:01:15 |
I am at the phone. |
| 01:01:17 |
Very good. |
| 01:01:19 |
Waiting for instructions. |
| 01:01:22 |
Goodbye, sir. Goodbye. |
| 01:01:48 |
Do you like Arab movies, Tewfiq? |
| 01:01:51 |
Omar Sharif, Faten Hamama... |
| 01:01:54 |
When I was young we used |
| 01:01:57 |
Arab movies, Egyptian movies. |
| 01:01:59 |
Every Friday at noon, |
| 01:02:01 |
all the streets in Israel were empty |
| 01:02:05 |
and me, my mother, my sister, |
| 01:02:08 |
and we cry our eyes out. |
| 01:02:14 |
We were all in love with |
| 01:02:17 |
We were all in love with love. |
| 01:02:22 |
And I think that now, this night, |
| 01:02:25 |
we could live this again, |
| 01:02:28 |
big love in big Arabic words... |
| 01:02:41 |
But I fuck it all up |
| 01:02:46 |
My life is an Arab movie. |
| 01:02:59 |
My wife you have |
| 01:03:02 |
she died because of me. |
| 01:03:04 |
We had a son, |
| 01:03:06 |
a bright and beautiful son, |
| 01:03:09 |
he made some mistakes. |
| 01:03:12 |
I was hard with him, |
| 01:03:15 |
I didn't understand. |
| 01:03:19 |
He was gentle, fragile, like her. |
| 01:03:25 |
I didn't understand him. |
| 01:03:29 |
He took his life. |
| 01:03:34 |
It broke her heart. |
| 01:03:49 |
Do you have children? |
| 01:03:52 |
No. |
| 01:03:56 |
When I could have, I was too |
| 01:03:59 |
When I wanted, I couldn't. |
| 01:04:03 |
Too bad. You are a good woman. |
| 01:04:10 |
You think so? |
| 01:04:14 |
I'm sure. |
| 01:05:07 |
Dina, |
| 01:05:10 |
do you like Chet Baker? |
| 01:05:13 |
Who? |
| 01:05:14 |
Chet Baker. |
| 01:05:32 |
No. I don't know. |
| 01:05:41 |
I like Chet Baker. |
| 01:05:49 |
I have all his recordings. |
| 01:05:52 |
From the beginning, with the |
| 01:05:55 |
To the last concert in '88. |
| 01:07:26 |
A bit weak on the lower key, |
| 01:07:29 |
but not too bad. |
| 01:07:35 |
I know. |
| 01:07:37 |
Wine? |
| 01:07:53 |
I got some left in the fridge. |
| 01:07:56 |
Thank you. |
| 01:07:57 |
But I shall go to sleep now. |
| 01:08:02 |
You're sure? You don't want some? |
| 01:08:05 |
Not tonight... Not for me. |
| 01:08:09 |
We have a long day tomorrow. |
| 01:08:14 |
Okay. |
| 01:08:24 |
You too, don't stay up too late. |
| 01:08:27 |
We shouldn't impose anymore. |
| 01:08:32 |
Go on, son. |
| 01:08:34 |
We have a long day tomorrow. |
| 01:09:39 |
Hello? |
| 01:09:40 |
Hi, Amalia. |
| 01:09:41 |
How are you, sweetie? |
| 01:09:45 |
I'm fine, how are you? |
| 01:09:47 |
Is your mother better? |
| 01:09:50 |
I miss you! |
| 01:09:52 |
No, I put on a sweatshirt. |
| 01:09:57 |
It keeps me warm. |
| 01:09:58 |
Love you... |
| 01:12:47 |
Did you have a quiet night? |
| 01:12:50 |
I guess. Sort of... |
| 01:13:22 |
I would like to thank you |
| 01:13:25 |
We shall be ever grateful |
| 01:13:29 |
My pleasure. |
| 01:14:01 |
This is the place: Petah Tikva. |
| 01:14:17 |
Goodbye. |
| 01:14:19 |
Goodbye, Madame. |
| 01:18:03 |
Sasson Gabai |
| 01:18:12 |
Ronit Elkabetz |
| 01:18:22 |
Saleh Bakri |
| 01:18:30 |
Khalifa Natour |
| 01:18:44 |
To my Grandmother, Shoshana, |
| 01:18:50 |
Written and directed by |
| 01:20:02 |
English: Tal Haran |
| 01:20:06 |
Subtitles: Cinematyp Studios Ltd. |
