Bitter Moon
|
00:01:52 |
I still can't believe |
00:01:54 |
Nor can I. |
00:01:56 |
It's so fantastic. |
00:01:58 |
Thank you, darling. |
00:02:08 |
Don't run away. |
00:03:04 |
Fiona. |
00:03:11 |
Blimey. |
00:03:13 |
What's the matter? |
00:03:14 |
Can you give me a hand? |
00:03:18 |
There we are. |
00:03:20 |
God. |
00:03:24 |
There we go, that's better. |
00:03:27 |
I'm going to wipe away |
00:03:35 |
God. |
00:03:41 |
Take a deep breath. |
00:03:43 |
You'll feel better. |
00:03:45 |
A deep breath of fresh air, |
00:03:48 |
Here. |
00:03:50 |
- There. |
00:03:55 |
There we are. |
00:03:57 |
There. |
00:04:02 |
Are you going to Istanbul? |
00:04:04 |
Yes. Then we're flying |
00:04:07 |
How far are you going? |
00:04:11 |
Further. |
00:04:15 |
Much further. |
00:04:19 |
But why on earth go to India? |
00:04:22 |
I think we needed a break |
00:04:25 |
and India's got so much |
00:04:28 |
Really? What, for example? |
00:04:30 |
Well, you know, inner serenity, |
00:04:34 |
The Karma-Nirvana syndrome. |
00:04:37 |
No, India's all flies, |
00:04:40 |
and as for serenity, it's |
00:04:43 |
If you say so, I'm sure. |
00:04:46 |
Now, I'm sure Mr. Singh |
00:04:48 |
about his own part |
00:04:50 |
I can't wait to get there. |
00:04:52 |
It's my anniversary treat. |
00:04:53 |
We've been married |
00:04:56 |
So it's a form |
00:04:58 |
It's quite unnecessary, |
00:04:59 |
With a wife as beautiful |
00:05:01 |
any man would be proof |
00:05:09 |
You tired, sweetheart? |
00:05:10 |
Absolutely whacked. |
00:05:12 |
Must be all this sea air. |
00:05:17 |
How about a nightcap? |
00:05:18 |
How about bed? |
00:05:19 |
Come on, just one. |
00:05:21 |
No, honestly not. You go. |
00:05:23 |
Just take me to my cabin. |
00:05:26 |
If you're sure. |
00:05:27 |
I'm certain. |
00:05:28 |
Anyway, it's bad |
00:05:30 |
to be glued together |
00:06:10 |
What will it be, sir? |
00:06:13 |
Whiskey and soda, please. |
00:06:45 |
You feeling better? |
00:06:47 |
Better than what? |
00:06:48 |
You remember the... |
00:06:50 |
this afternoon in the... |
00:06:53 |
in the loo. |
00:06:54 |
The loo? |
00:06:56 |
Is it your usual pickup routine? |
00:07:06 |
Of course I remember. |
00:07:08 |
I have a perfect memory... |
00:07:11 |
when I feel like it. |
00:07:13 |
Right. |
00:07:16 |
Is this some kind of game? |
00:07:20 |
You want to dance? |
00:07:23 |
I'm not much of a dancer. |
00:07:27 |
That figures. |
00:07:35 |
What's your name? |
00:07:37 |
Nigel Dobson. |
00:07:42 |
OK, Nigel, amuse me. |
00:07:45 |
Say something funny. |
00:07:50 |
Blimey. |
00:07:53 |
You're French, aren't you? |
00:07:56 |
Your English is very, very good, |
00:07:58 |
I can always tell |
00:08:01 |
Sorry. Stupid thing to say. |
00:08:03 |
Just slipped out. |
00:08:05 |
Comes from working in the city. |
00:08:07 |
We're always |
00:08:11 |
You're right. Boring. |
00:08:12 |
But, anyway, you call us |
00:08:17 |
They're roast beef. |
00:08:18 |
I think that's how you |
00:08:21 |
You're too funny for me, Nigel. |
00:08:23 |
I'm choking with laughter. |
00:08:28 |
So long. |
00:08:29 |
I leave you to your magnetic, |
00:08:42 |
Romantic, isn't it? |
00:08:45 |
Yeah, it is. Splendid. |
00:08:53 |
You're Nigel, aren't you? |
00:08:57 |
Sorry. Do I know you? |
00:09:02 |
Beware of her. |
00:09:06 |
Right. |
00:09:09 |
She's a walking man trap. |
00:09:11 |
Sorry, I don't know |
00:09:13 |
Sure, you do. |
00:09:16 |
I'm her husband. |
00:09:19 |
Look what she did to me. |
00:09:23 |
I'm sorry. |
00:09:25 |
Let me ask you something, Nigel. |
00:09:28 |
You don't mind |
00:09:31 |
What do you think of her? |
00:09:34 |
If you mean |
00:09:36 |
she's very good-looking. |
00:09:38 |
Yeah, sure, |
00:09:40 |
She gives you a hard-on, |
00:09:43 |
- Beg your pardon? |
00:09:46 |
You'd like to fuck her. |
00:09:49 |
I've no idea |
00:09:51 |
Cut the crap! |
00:09:53 |
You're itching to know |
00:09:57 |
Well, aren't you? |
00:09:59 |
Here. |
00:10:01 |
Do me a favor, would you? |
00:10:03 |
Help me over |
00:10:06 |
They don't design these boats |
00:10:09 |
Yeah, sure. |
00:10:12 |
Get inside there. |
00:10:15 |
Grab the wheels. The wheels. |
00:10:18 |
Up. |
00:10:26 |
I hate these fucking boats. |
00:10:35 |
It's good of you to take pity |
00:10:40 |
I don't know you at all... |
00:10:42 |
but somehow |
00:10:44 |
that you're exactly the listener |
00:10:48 |
I hope you'll find |
00:10:51 |
I realize it's hard |
00:10:55 |
that doesn't concern you. |
00:10:57 |
Or maybe it already does. |
00:11:08 |
We have the place to ourselves. |
00:11:11 |
Mimi has her own cabin. |
00:11:20 |
Thanks. |
00:11:31 |
Eternity for me began |
00:11:35 |
aboard the 96 bus... |
00:11:37 |
which shuttles |
00:11:40 |
and Porte des Lilas. |
00:12:19 |
Controle des billets, |
00:12:24 |
Mademoiselle. |
00:12:42 |
Madame. |
00:12:50 |
Merci. |
00:12:59 |
Monsieur, votre billet, |
00:13:03 |
Je ne I'ai pas. |
00:13:36 |
I'd been granted |
00:13:39 |
then dumped on the sidewalk |
00:13:42 |
I still have no idea |
00:13:45 |
I'd always wanted |
00:13:48 |
My grandfather... |
00:13:50 |
made a fortune in the surgical |
00:13:53 |
and set up a trust fund for me. |
00:13:56 |
On his death, |
00:13:58 |
of sufficient allowance |
00:14:08 |
Paris... |
00:14:09 |
my dream city. |
00:14:11 |
Hemingway, Miller... |
00:14:13 |
Scott Fitzgerald. |
00:14:15 |
I was determined to follow |
00:14:18 |
maybe too determined |
00:14:21 |
Maybe that's what killed any |
00:14:26 |
After eight years, |
00:14:28 |
for my literary exertions were |
00:14:32 |
and a stack |
00:14:35 |
But who cared? |
00:14:37 |
Sidewalk cafes... |
00:14:39 |
fluttering skirts... |
00:14:41 |
fleeting affairs. |
00:14:42 |
Paris was heaven |
00:15:11 |
Et tu m'aides? |
00:15:21 |
It was no good. |
00:15:24 |
I couldn't write, |
00:15:27 |
couldn't get her out of my mind. |
00:15:30 |
She was somewhere out there... |
00:15:33 |
my sorceress in white sneakers. |
00:15:36 |
But where? |
00:15:44 |
I haunted that 96 bus route. |
00:15:47 |
It became an obsession. |
00:15:49 |
Even the drivers |
00:15:52 |
Ca va? |
00:17:07 |
Désirez un apéritif? |
00:17:09 |
Moi, je meurs de faun. |
00:17:10 |
Ouais, ouais moi aussi. |
00:17:12 |
Alors on commande tout de suite. |
00:17:15 |
Alors, mois, |
00:17:18 |
- Voilà. |
00:17:23 |
Non attendez plutot |
00:17:31 |
Non finalement. |
00:17:32 |
J'vais prendre un avocat |
00:17:40 |
J'aurais un apéritif après tout. |
00:17:44 |
Heu martini. |
00:17:46 |
Double. |
00:17:48 |
Et vous? |
00:17:49 |
Moi je prendrai un kir royal, |
00:17:56 |
Excusez-moi. |
00:18:03 |
Je suis desole... |
00:18:04 |
je ne pouvais pas vous |
00:18:06 |
C'est pas grave. |
00:18:07 |
Vous rappelez? |
00:18:09 |
You're American? |
00:18:10 |
You remember me? |
00:18:11 |
Of course I remember. |
00:18:14 |
Now it's your turn |
00:18:16 |
Have dinner with me sometime. |
00:18:18 |
You ever get a night off? |
00:18:20 |
- Yes. |
00:18:21 |
- Tomorrow. |
00:18:22 |
Mimi, magnes le cul? |
00:18:28 |
Mimi. |
00:18:33 |
She told me to meet her... |
00:18:35 |
at the Centre du Marais |
00:18:38 |
I was so wound up... |
00:18:40 |
I'd gotten there |
00:18:43 |
My nerve ends |
00:19:32 |
Here's to old bus route 96. |
00:19:44 |
Voilà, voilà, voilà. |
00:19:45 |
Bonsoir, bonsoir, |
00:19:48 |
vous allez bien qu'est-ce |
00:19:52 |
Should we just let him decide? |
00:19:54 |
Ecoutez m'sieur mi char... |
00:19:56 |
ce soir on vous laisse |
00:19:58 |
Alors, alors. |
00:20:00 |
Permettez-moi |
00:20:02 |
"Perle du Blue Elephant. " |
00:20:03 |
Non, non, non. |
00:20:05 |
Très bien, très bien, monsieur. |
00:20:07 |
Faites moi confiance. |
00:20:08 |
I hope, I hope |
00:20:11 |
by letting him order... |
00:20:12 |
because I don't speak Thai |
00:20:15 |
and we might have wound up |
00:20:21 |
Do you mind if I do? |
00:21:29 |
There was a freshness |
00:21:33 |
an almost disconcerting blend... |
00:21:35 |
of sexual maturity |
00:21:38 |
that touched |
00:21:40 |
and effaced the age difference |
00:21:43 |
My roommate is American. Cindy. |
00:21:48 |
I met her |
00:21:50 |
How long were you there? |
00:21:51 |
Till my money ran out. |
00:21:53 |
Meaning? |
00:21:55 |
Six months. I love New York. |
00:21:57 |
It's the best place |
00:22:00 |
Not this one. |
00:22:03 |
Is that what you write about, |
00:22:06 |
Paris and people. |
00:22:08 |
Would you let me |
00:22:10 |
Would you dance for me sometime? |
00:22:12 |
If you like. |
00:22:14 |
Promise? |
00:22:15 |
Promise. |
00:23:01 |
I looked all over for you, |
00:23:04 |
Did you ever think |
00:23:08 |
Really? |
00:23:09 |
Really. |
00:23:11 |
Really? |
00:23:19 |
You kept it. |
00:23:33 |
My feet are cold. |
00:24:22 |
Oh, you have a fireplace. |
00:24:24 |
Does it work? |
00:24:25 |
It sure does. |
00:24:27 |
Why don't you relax |
00:24:29 |
I'll make coffee. |
00:24:31 |
- Would you like a hot chocolate? |
00:24:33 |
Could we make a fire? |
00:24:35 |
Why not? |
00:24:37 |
You make the fire, |
00:24:40 |
and the chocolate. |
00:26:58 |
Nothing ever surpassed |
00:27:00 |
of that first awakening. |
00:27:02 |
I might have been Adam... |
00:27:04 |
with the taste of apple |
00:27:06 |
I was looking at all the beauty |
00:27:10 |
embodied in a single |
00:27:12 |
and I knew, with sudden |
00:27:16 |
this was it. |
00:27:45 |
We didn't leave the apartment |
00:27:49 |
We were inseparable by day |
00:27:53 |
Just lived on love |
00:27:57 |
She chucked her job. |
00:27:59 |
I couldn't bear |
00:28:01 |
"I'd been granted |
00:28:04 |
"then dumped on the sidewalk |
00:28:06 |
"The gates of paradise |
00:28:08 |
"only to slam in my face. " |
00:28:10 |
But they opened again, no? |
00:28:13 |
They sure did, baby. |
00:28:14 |
Pretty wide, at that. |
00:28:16 |
Go on. Don't stop. |
00:28:18 |
That's all there is. |
00:28:19 |
What a pity. |
00:28:42 |
Bravo! Monsieur a gagné |
00:28:44 |
pour la p'tite dame. |
00:28:45 |
C'est bravo ca m'sieur! |
00:28:48 |
V'zavez I'choix avec |
00:28:51 |
Y vous plait... celui-ci! |
00:28:54 |
Voilà! Celui-ci! |
00:28:57 |
Madame prend le plus |
00:29:00 |
Madame est une connaisseuse... |
00:29:01 |
et monsieur c'est |
00:29:32 |
I love you. |
00:29:33 |
What? |
00:29:35 |
You heard me. |
00:29:36 |
You love me? |
00:32:39 |
Isn't it dangerous? |
00:32:42 |
Not if you know |
00:32:45 |
Why don't you use an electric? |
00:32:47 |
Americans like electric things. |
00:32:51 |
Not this American. |
00:32:53 |
I know. It makes you feel macho. |
00:32:58 |
You're a real tiger. |
00:33:01 |
You think you're Hemingway. |
00:33:03 |
Hemingway had a beard. |
00:33:05 |
Let me try it. |
00:33:07 |
No way. No way! |
00:33:10 |
Please? |
00:33:12 |
Please. |
00:33:16 |
Who can refuse you anything? |
00:33:22 |
Like this. |
00:33:26 |
Not too much of an angle. |
00:34:10 |
Her pussy was a neat, |
00:34:14 |
but as soon |
00:34:17 |
was roused by my caresses, |
00:34:20 |
draw aside the silken curtain |
00:34:24 |
and become |
00:34:26 |
a baby's mouth... |
00:34:28 |
greedily sucking my finger. |
00:34:30 |
I loved to tease her clitoris |
00:34:34 |
and then abandon it... |
00:34:36 |
wet and glistening... |
00:34:38 |
like a little duck dabbling |
00:34:45 |
Nigel, come on. |
00:34:49 |
Steady on, old boy. |
00:34:50 |
I'm only going |
00:34:52 |
to show you how completely |
00:34:55 |
body and soul... |
00:34:57 |
by this creature |
00:34:59 |
have made such an impression |
00:35:01 |
- Why do you keep saying that? |
00:35:05 |
All right. |
00:35:08 |
Let it go. |
00:35:11 |
If it in some way helps you get |
00:35:16 |
What a compassionate fellow |
00:35:19 |
Actually, to tell the truth, |
00:35:21 |
My wife will think |
00:35:24 |
You'd have made |
00:35:27 |
Not many men would have listened |
00:35:32 |
Well, anyway, |
00:36:27 |
I can't understand why he'd |
00:36:30 |
in all these sordid details. |
00:36:32 |
I haven't a clue. |
00:36:33 |
Probably lets his hair down... |
00:36:34 |
every time he corners |
00:36:36 |
Poor chap. |
00:36:40 |
It's his wife I feel sorry for. |
00:36:42 |
Yeah. Did I mention I met her |
00:36:45 |
- No. |
00:36:47 |
- Was she feeling better? |
00:36:50 |
She's not bad-looking, actually. |
00:36:55 |
Thank you. |
00:36:56 |
They're coming. |
00:36:58 |
What? |
00:36:59 |
Your American friend |
00:37:04 |
God. Just as long as he |
00:37:07 |
After what he |
00:37:09 |
He wouldn't dare, would he? |
00:37:10 |
Nigel, old chap. |
00:37:13 |
This must be |
00:37:15 |
Hi there, I'm Oscar. Mimi |
00:37:20 |
So do you, Nigel, right? |
00:37:23 |
I hate to break up a twosome... |
00:37:25 |
but would you mind |
00:37:27 |
We had an invitation |
00:37:29 |
Trouble is, |
00:37:31 |
Are you allergic to cripples? |
00:37:34 |
After an intro like that, |
00:37:37 |
Fine. It's settled, then. |
00:37:38 |
Off you go, baby. |
00:37:40 |
Thanks. Have fun. |
00:37:43 |
Mimi doesn't share my aversion. |
00:37:45 |
In fact, |
00:37:48 |
Can't be, or she couldn't |
00:37:53 |
What a girl. |
00:37:56 |
Knockin' 'em dead as usual. |
00:37:58 |
Just wine for me. White. |
00:38:00 |
Anything, |
00:38:03 |
Yes, Mimi's very lovely, |
00:38:06 |
I still don't know your name, |
00:38:08 |
Fiona. |
00:38:09 |
Fiona. I hope you won't |
00:38:12 |
but I find your own brand |
00:38:15 |
It has that inimitably |
00:38:17 |
a kind of reticence that hints |
00:38:21 |
Nigel's been tapping |
00:38:24 |
haven't you, Nigel? |
00:38:26 |
Well, Nigel? |
00:38:29 |
Come on, your lovely wife |
00:38:31 |
that she's lost |
00:38:34 |
True or false? |
00:38:35 |
I think there's probably |
00:38:38 |
that remains to be explored. |
00:38:41 |
Halfhearted, |
00:38:44 |
Well, Fiona, they'll |
00:38:47 |
He's right, though. Everyone |
00:38:51 |
Every relationship, |
00:38:53 |
contains seeds of farce |
00:39:03 |
I do not like |
00:39:05 |
I'm not sure if the weather's |
00:39:06 |
Jesus, don't tell me you're |
00:39:09 |
You know what I hope? |
00:39:10 |
I hope the ship goes down... |
00:39:12 |
and we're all marooned |
00:39:14 |
I'd wind up |
00:39:15 |
That's charming. |
00:39:18 |
Because |
00:39:19 |
to cannibalize |
00:39:40 |
I hope he hasn't |
00:39:43 |
No, not at all. |
00:39:44 |
Your husband |
00:39:46 |
Black humor, but still, |
00:39:49 |
thoroughly entertained. |
00:39:50 |
- See, baby? |
00:39:52 |
Our British friends |
00:39:54 |
In small doses, perhaps. |
00:39:56 |
But now we must leave them |
00:39:58 |
Ah. Indeed. |
00:40:01 |
Thanks for taking care of him. |
00:40:03 |
Not at all. |
00:40:05 |
Ah, Fiona, I've already |
00:40:08 |
but may I beg a favor? |
00:40:10 |
As I'm sure he told you... |
00:40:11 |
Nigel and I |
00:40:14 |
I found him |
00:40:16 |
Could I borrow him again |
00:40:19 |
Just for an hour or so. |
00:40:20 |
He's quite grown up. He doesn't |
00:40:36 |
The seasons came and went. |
00:40:38 |
Mimi's face still held |
00:40:42 |
her body |
00:40:45 |
But lurking |
00:40:47 |
was an unspoken fear that we'd |
00:40:50 |
of our relationship... |
00:40:52 |
that it would all be downhill |
00:40:55 |
And then something happened. |
00:40:59 |
Something that would put things |
00:41:05 |
We were at Kitzbuhel, |
00:41:09 |
I'd rented a chalet there. |
00:41:11 |
It was one of those nights- |
00:41:13 |
warm and cozy inside... |
00:41:16 |
great, fat snowflakes... |
00:41:18 |
drifting down in the blackness |
00:41:22 |
No light but the glow |
00:41:26 |
Mimi on the floor wearing |
00:41:29 |
watching some old American soap |
00:41:33 |
and me on the couch |
00:41:36 |
sprawled in a sort |
00:41:39 |
All at once she got up... |
00:41:42 |
stalked over to the set... |
00:41:45 |
spread her legs... |
00:41:48 |
and pissed on the screen... |
00:41:50 |
like she wanted to blot it out. |
00:41:53 |
Time stood still for an instant, |
00:41:57 |
I crawled over like a lunatic. |
00:41:59 |
I wormed my way |
00:42:02 |
and I turned over. |
00:42:04 |
And right away... |
00:42:05 |
I was engulfed with this warm, |
00:42:11 |
It spattered my cheeks... |
00:42:13 |
it filled my nostrils, |
00:42:16 |
and then something |
00:42:19 |
with multi-megavolt intensity. |
00:42:22 |
There was this blinding flash |
00:42:27 |
I experienced |
00:42:30 |
For God's sake, man! |
00:42:32 |
It was like a white-hot blade |
00:42:36 |
This was my Nile, |
00:42:39 |
my Fountain of Youth, |
00:42:41 |
I think I'm probably |
00:42:44 |
as the next man... |
00:42:46 |
there are limits. |
00:42:48 |
Stop twittering, Nigel. |
00:42:49 |
I'm sharing a revelation |
00:42:53 |
I'm trying to expand |
00:42:55 |
I see. And what makes you |
00:42:57 |
I'm sure your tumbles with Fiona |
00:43:02 |
very sanitary and hygienic |
00:43:04 |
You bloody well |
00:43:07 |
At least we've got some decency. |
00:43:09 |
What do you think |
00:43:11 |
sharing the details |
00:43:14 |
with a total stranger? |
00:43:16 |
It's just downright obscene. |
00:43:17 |
Obscene? |
00:43:18 |
Have you ever felt real, |
00:43:22 |
Have you ever truly |
00:43:24 |
Nothing can be obscene |
00:43:27 |
Everything that occurs |
00:43:29 |
becomes a sacrament, |
00:43:34 |
Come on. Sit down. |
00:43:35 |
Have another cup of tea. |
00:43:38 |
It'll steady your nerves. |
00:43:42 |
So, anyway... |
00:43:46 |
that was our sexual Rubicon. |
00:43:49 |
It opened up all sorts |
00:44:33 |
I always had a suspicion... |
00:44:35 |
it might be |
00:44:38 |
to be humiliated |
00:44:42 |
but it was only now |
00:44:45 |
what this could entail. |
00:46:54 |
We shut ourselves up with |
00:46:58 |
never going out... |
00:47:00 |
seeing no one but each other. |
00:47:03 |
I guess it was asking |
00:47:06 |
Oscar? |
00:47:07 |
Just a minute. |
00:47:10 |
Did you really have |
00:47:13 |
What women? |
00:47:14 |
The ones you write about. |
00:47:19 |
Does it matter? |
00:47:20 |
It's a book, for Christ's sake. |
00:47:22 |
I know. I'm just curious. |
00:47:24 |
Do you like it? |
00:47:27 |
It's very sexy. |
00:47:29 |
Forget about sex |
00:47:32 |
What do you think of the quality |
00:47:34 |
I can't judge. |
00:47:37 |
"My English isn't good enough. " |
00:47:39 |
Why read the fucking book |
00:47:41 |
Because I love you. |
00:47:43 |
Because I love everything |
00:47:45 |
It's a pity |
00:47:48 |
I'd be at the top |
00:47:51 |
When will it be published? |
00:47:53 |
You tell me. |
00:47:56 |
I'm working on it. |
00:47:58 |
We were getting to be |
00:48:02 |
"Come on," I told her, |
00:48:05 |
"Let's each round up |
00:48:37 |
You know it. |
00:49:55 |
Hey, what's the matter? |
00:50:01 |
I'd always found infidelity... |
00:50:03 |
the most titillating aspect |
00:50:07 |
That scene |
00:50:10 |
So why didn't it? |
00:50:13 |
Why did I feel so hurt? |
00:50:18 |
Pas de cigarette, |
00:50:47 |
Why did you do it? |
00:50:53 |
Why don't you say something? |
00:50:56 |
What do you want me to say? |
00:50:58 |
Why did you walk out on me |
00:51:01 |
You don't know? |
00:51:02 |
Well, you started it. |
00:51:04 |
Flirting with my own roommate. |
00:51:07 |
You were all over her. |
00:51:08 |
Bullshit. We were having |
00:51:11 |
And we were just having a dance. |
00:51:12 |
Some dance. Decent of you |
00:51:16 |
I'm sorry. |
00:51:20 |
Please, please forgive me. |
00:51:22 |
You're my Tiger. |
00:51:23 |
I don't want anyone but you... |
00:51:26 |
not ever. |
00:51:28 |
I love you. I love you. |
00:51:32 |
I loved her, too, |
00:51:36 |
We were headed |
00:51:52 |
I smell pig. |
00:51:59 |
Don't laugh. |
00:52:00 |
Don't talk. |
00:52:02 |
Come, piggy. |
00:52:05 |
Where is he? |
00:52:07 |
Come, piggy-wiggy. |
00:52:11 |
Where are you? |
00:52:26 |
Get off. Get off. |
00:52:29 |
How dare you try to fuck me, |
00:52:34 |
Take that. |
00:52:41 |
Harder. |
00:52:42 |
Shut up. |
00:52:46 |
Oh, you spoiled it. |
00:52:50 |
Pigs don't talk. |
00:52:51 |
How can I believe |
00:52:59 |
You know something? |
00:53:03 |
I don't believe in it, either. |
00:53:07 |
Not anymore. |
00:53:17 |
That was it. |
00:53:19 |
The spell was broken at last. |
00:53:21 |
Jolly good thing, too, |
00:53:24 |
I dread to think |
00:53:26 |
Don't worry. |
00:53:30 |
What makes you think |
00:53:32 |
I still don't know |
00:53:34 |
that I enjoy being used |
00:53:36 |
for your unsavory reminiscences. |
00:53:37 |
Don't you? |
00:53:40 |
Don't you really, Nigel? |
00:53:45 |
He's still here? |
00:53:47 |
Afraid I am, yes, |
00:53:52 |
You know, Nigel has been |
00:53:57 |
We don't see eye-to-eye |
00:54:00 |
but we share at least |
00:54:04 |
you, baby. |
00:54:05 |
I suppose that's why he |
00:54:10 |
Anyway, as I say, I'm just off. |
00:54:13 |
So, thanks very much |
00:54:15 |
Toodle-oo. |
00:54:36 |
Oh. Sorry. |
00:54:37 |
You were gone long enough. |
00:54:39 |
I'm really sorry, darling. |
00:54:41 |
I was going to go to dinner |
00:54:43 |
It's just incredibly hard |
00:54:44 |
You saw what he's like. |
00:54:46 |
- Was she there, too? |
00:54:49 |
Wrong answer, Nigel. |
00:54:50 |
"Yes" or "no" would have |
00:54:53 |
You know perfectly well |
00:54:55 |
Right, Mimi. Yeah, she rolled up |
00:54:59 |
Odd creature. |
00:55:01 |
So you said- |
00:55:03 |
Most men would find her |
00:55:05 |
Most women, too, |
00:55:06 |
Well, look, I am not "most men. " |
00:55:10 |
I'm your husband. Right? |
00:55:13 |
There we go. |
00:55:15 |
Here they are, all locked up. |
00:55:18 |
I say, |
00:55:20 |
It is, indeed. Amrita, say hello |
00:55:22 |
Hello, Amrita. |
00:55:24 |
It's almost as pretty |
00:55:25 |
She's enchanting. |
00:55:28 |
I have a nanny |
00:55:30 |
- And your wife? |
00:55:33 |
Oh, I'm so sorry. |
00:55:35 |
Anyway, it's lovely |
00:55:38 |
It makes a change |
00:55:40 |
And you? Have you provided |
00:55:43 |
Sorry? |
00:55:44 |
You have a wife |
00:55:46 |
I was just wondering if |
00:55:48 |
No, we haven't, actually. |
00:55:50 |
No. Nigel thinks the world's |
00:55:53 |
without us adding |
00:55:55 |
An admirable sentiment in India, |
00:55:58 |
But surely the green fields |
00:56:00 |
can afford to have |
00:56:03 |
I say, look at that. |
00:56:05 |
Oh, look, Amrita, look. See. |
00:56:06 |
- Isn't that beautiful? |
00:56:09 |
Gosh, |
00:56:11 |
Please, allow me. |
00:56:13 |
That's very kind. |
00:56:15 |
- Here we are. |
00:56:18 |
Let's go and I'll fetch you |
00:56:20 |
See you in a sec. |
00:56:23 |
Believe me, dear lady... |
00:56:25 |
children are a better |
00:56:28 |
than any trip to India. |
00:56:43 |
You mustn't believe all he says. |
00:56:45 |
He's a sick man. |
00:56:47 |
He imagines things. |
00:56:53 |
Please, don't think badly of me. |
00:56:57 |
Now, wait a minute. |
00:56:59 |
What are you playing at |
00:57:01 |
It matters to me what you think. |
00:57:05 |
Does it? |
00:57:07 |
Does it really? |
00:57:09 |
I have to talk with you, Nigel. |
00:57:11 |
I have to explain. |
00:57:15 |
All right, go ahead. |
00:57:17 |
No. Not here. |
00:57:19 |
In my cabin. |
00:57:20 |
We won't be disturbed there. |
00:57:23 |
Please. |
00:57:25 |
I'm afraid I can't. Not now. |
00:57:29 |
No. Later. |
00:57:31 |
Five o'clock. |
00:57:33 |
Cabin DS1. |
00:57:48 |
What is it? |
00:57:53 |
A newspaper. |
00:57:55 |
I brought your coat. |
00:57:57 |
Thanks, Mr. Singh. |
00:57:58 |
You're very welcome. |
00:58:02 |
- What a lovely story. |
00:58:04 |
Say thank you, Amrita. |
00:58:06 |
So if your daddy will let me |
00:58:07 |
some other stories sometime. |
00:58:11 |
Two hearts. |
00:58:13 |
I pass. |
00:58:17 |
Four hearts. |
00:58:18 |
Ich passe. |
00:58:20 |
No bid. |
00:58:21 |
Pass. |
00:58:44 |
You won't believe this... |
00:58:45 |
but I've got to see |
00:58:48 |
I thought you'd had enough |
00:58:51 |
I know, it's just... |
00:58:55 |
I'm so sorry, |
00:58:59 |
I wonder, would you like |
00:59:02 |
- I should be delighted. |
00:59:04 |
Bridge is king of games. |
00:59:06 |
I once played |
00:59:09 |
You leave your partner |
00:59:11 |
Excellent. |
00:59:13 |
Please, excuse me. |
00:59:14 |
Entschuldigung and all that. |
00:59:54 |
May I come in? |
01:00:03 |
Close the door. |
01:00:28 |
April Fool! |
01:00:35 |
You pathetic, sick... |
01:00:40 |
Do you want her? |
01:00:43 |
Yes or no. |
01:00:44 |
I don't want anything more to do |
01:00:47 |
Let go. |
01:00:50 |
Let me go |
01:00:53 |
Go on. |
01:00:55 |
Get out. |
01:00:57 |
Crawl back |
01:01:06 |
You know what? I pity you. |
01:01:09 |
I genuinely pity you both... |
01:01:11 |
if this is how |
01:01:13 |
I get no kicks out of this. |
01:01:16 |
Then what was this farce? |
01:01:18 |
How else could we get you here? |
01:01:23 |
Why is that suddenly |
01:01:27 |
Mimi wants you to hear |
01:01:30 |
She thinks it'll help |
01:01:33 |
What are you, her pimp? |
01:01:36 |
I don't begrudge Mimi |
01:01:38 |
for what I can no longer supply. |
01:01:41 |
I merely supervise her affairs |
01:01:45 |
submitting to them. |
01:01:48 |
You can have her, Nigel... |
01:01:50 |
with my blessings. |
01:01:52 |
On one condition- |
01:01:54 |
you hear me out. |
01:02:01 |
You make me sick. |
01:02:03 |
Why are you still standing here? |
01:02:06 |
Come on, Nigel, it was a joke. |
01:02:10 |
Have a sense of humor, |
01:02:13 |
Come on, sit down. |
01:02:14 |
Make yourself comfortable. |
01:02:16 |
Use my wheelchair. |
01:02:26 |
The brake! The brake! |
01:02:33 |
Have a heart, Nigel. |
01:02:39 |
Don't be too rough... |
01:02:41 |
on a man demolished |
01:02:51 |
Yes, sir. |
01:02:53 |
We should have |
01:02:57 |
Lovers should quit when |
01:03:01 |
not wait until |
01:03:11 |
As it was, my desire for her |
01:03:18 |
There she would lie- |
01:03:19 |
gorgeous, voluptuous... |
01:03:22 |
and it didn't do a thing for me. |
01:03:26 |
I came to resent her failure |
01:03:28 |
the way she used to. |
01:03:37 |
We were developing a narcotic |
01:03:42 |
the marital aid that enables |
01:03:46 |
without having to talk. |
01:03:59 |
A New York editress |
01:04:02 |
on her way |
01:04:04 |
I wanted to show her |
01:04:06 |
It was a PR job... |
01:04:08 |
and I was apprehensive |
01:04:11 |
who tended to upstage |
01:04:14 |
You wearing that? |
01:04:17 |
That dress? |
01:04:18 |
What about it? |
01:04:21 |
Couldn't you wear |
01:04:25 |
What's wrong with it? |
01:04:27 |
Oh, nothing. |
01:04:29 |
What do you mean, nothing? |
01:04:32 |
You think it makes me look fat, |
01:04:37 |
Did I say that? |
01:04:38 |
- You think I've got a fat ass. |
01:04:42 |
So you do think |
01:04:44 |
Give me a break. |
01:04:46 |
You wouldn't have said that |
01:04:49 |
You liked my ass. |
01:04:50 |
I still like your ass. |
01:04:55 |
You don't love me anymore. |
01:04:56 |
Wear what you fucking want. |
01:04:58 |
Wear a fucking bathrobe, |
01:05:09 |
The trouble is, publishing |
01:05:12 |
It's the bottom line |
01:05:14 |
proven track records, |
01:05:17 |
No one's gonna invest |
01:05:18 |
who hasn't proven himself. |
01:05:19 |
So an unknown can't get |
01:05:23 |
Sounds like a Catch-22 to me. |
01:05:24 |
You could call it that. |
01:05:26 |
And your Parisian settings |
01:05:28 |
When are you |
01:05:30 |
back to the United States, |
01:05:31 |
No, he wouldn't do that. |
01:05:33 |
Oscar's a fixture here. |
01:05:36 |
He's right, Beverly. |
01:05:38 |
- I feel at home. |
01:05:40 |
Come on, get a life. |
01:05:43 |
It's a literary mausoleum. |
01:05:45 |
Henry Miller |
01:05:48 |
God, I don't think France |
01:05:50 |
since they gave up absinthe. |
01:05:54 |
It's all right. |
01:05:56 |
I'm fine. I'm fine. |
01:06:01 |
You know what? |
01:06:05 |
That would solve |
01:06:07 |
"Paris is out. Vieux jeu. " |
01:06:09 |
You really did me |
01:06:12 |
like I don't have enough trouble |
01:06:14 |
I couldn't bear to see you |
01:06:17 |
I'll crawl up the ass of anyone |
01:06:19 |
Yours isn't the only one |
01:06:21 |
Is that how you feel? |
01:06:23 |
That's exactly how I feel. |
01:06:24 |
In that case, I'd better go. |
01:06:26 |
OK. You do that. |
01:07:03 |
I'm going now. |
01:07:07 |
Are you sad I'm going? |
01:07:12 |
You're not sad. |
01:07:15 |
I am sad, |
01:07:39 |
My keys. |
01:07:41 |
Thanks. |
01:07:46 |
I love you. |
01:07:48 |
Please don't make me go. |
01:07:57 |
Stop crying. |
01:08:01 |
Go make some coffee |
01:08:34 |
I came to dread bedtime. |
01:08:40 |
I would feel this... |
01:08:42 |
overpowering desire to sleep. |
01:08:48 |
I'm bushed. |
01:08:59 |
I'd feel sorry for her... |
01:09:01 |
Good night. |
01:09:03 |
...lying there with her belly |
01:09:06 |
her organs in turmoil. |
01:09:08 |
Kiss me good night. |
01:09:18 |
Not like that. Hold me. |
01:09:21 |
I would crush my lips |
01:09:23 |
like you mash out a butt |
01:09:27 |
but that was only a prelude... |
01:09:28 |
to the most unoriginal act |
01:09:31 |
the process referred to |
01:09:42 |
I felt like a rat in a trap. |
01:09:46 |
Out there, |
01:09:49 |
dancing, making love. |
01:09:52 |
Paris was throbbing |
01:09:55 |
They pounded away in my head, |
01:09:59 |
I craved variety. |
01:10:01 |
I hungered for noise |
01:10:56 |
Holy shit! |
01:11:06 |
Do you have to drink it |
01:11:08 |
Why can't you use a glass? |
01:11:11 |
What's the difference? |
01:11:13 |
It doesn't look the same. |
01:11:15 |
Oh-la-la. I didn't know |
01:11:18 |
- What do you mean, delicate? |
01:11:20 |
I know what you mean... |
01:11:22 |
but it's just not |
01:11:23 |
If you don't know the right word |
01:11:26 |
I don't say it in French because |
01:11:29 |
It's better than your English. |
01:11:31 |
After all these years in Paris, |
01:11:35 |
Maybe your English |
01:11:37 |
Maybe that's why no one wants |
01:11:41 |
So now you're a literary critic? |
01:11:43 |
That's great |
01:11:45 |
I'm not a waitress. |
01:11:48 |
Dancer, hell. |
01:11:50 |
if I hadn't picked you up |
01:12:00 |
You little bitch! |
01:12:09 |
OK, show's over. |
01:12:11 |
You can get up now. |
01:12:30 |
Jesus, don't do this to me. |
01:12:32 |
Baby? |
01:12:33 |
Come on, say something. |
01:12:35 |
Please. |
01:12:41 |
God Almighty. |
01:13:03 |
Sos médecin. Bonjour. |
01:13:04 |
Ma femme, elle est évanouie |
01:13:08 |
Dans quelles circonstances? |
01:13:09 |
Elle est tombée. Tombée. |
01:13:13 |
Sa tete a heurte un meuble. |
01:13:15 |
Saigne-t-elle due nez |
01:13:19 |
Est-ce qu'elle prend |
01:13:22 |
Quel age a-t-elle? |
01:13:32 |
- J'ai mal. |
01:13:37 |
Ou tu as mal? |
01:13:40 |
My head. |
01:13:42 |
Is it bad? |
01:13:45 |
How bad is it? |
01:13:47 |
Tiger. |
01:13:50 |
- Should I call a doctor? |
01:14:00 |
Baby, forgive me, please. |
01:14:02 |
I love you. |
01:14:16 |
Wow. It's great! |
01:14:19 |
Thank you. Thank you. |
01:14:39 |
What a lovely evening. |
01:14:41 |
I wish it would last forever. |
01:14:43 |
Forever's a long time, baby. |
01:14:47 |
I can't think in those terms. |
01:14:49 |
I never could. |
01:14:50 |
But when something is good... |
01:14:52 |
don't you want it |
01:14:55 |
Sure, but good things never do. |
01:14:58 |
Not even us? |
01:15:02 |
Are we so good? |
01:15:04 |
Aren't we? |
01:15:07 |
Well, now that you |
01:15:11 |
Not anymore. |
01:15:15 |
I... |
01:15:18 |
Come on, Mimi, |
01:15:22 |
I don't understand. |
01:15:24 |
Look, |
01:15:27 |
Boy, it was sweet, |
01:15:34 |
Well, isn't it? |
01:15:37 |
I'd been hoping that you'd |
01:15:40 |
but, no, you seem quite happy |
01:15:44 |
Well, I'm not. |
01:15:45 |
I'm degrading myself |
01:15:47 |
We're degrading each other, |
01:15:52 |
Let's not spoil |
01:15:55 |
Let's quit while we still have |
01:16:00 |
But I love you. |
01:16:04 |
I want to marry you. |
01:16:08 |
I want to give you |
01:16:10 |
I don't want the rest |
01:16:12 |
Can't you get it |
01:16:16 |
What did I do wrong? |
01:16:18 |
Did I ever harm you? |
01:16:22 |
Oscar, tell me. |
01:16:25 |
Even a criminal |
01:16:28 |
What did I do? |
01:16:34 |
You didn't do anything. |
01:16:51 |
I understand. |
01:17:10 |
Did I miss her? |
01:17:13 |
Sure, I did... |
01:17:15 |
but I also experienced |
01:17:19 |
The future seemed bright |
01:17:22 |
peopled with a thousand |
01:17:26 |
most of them female. |
01:17:33 |
Oh, shit. |
01:17:43 |
It's me. |
01:17:47 |
I'm here. |
01:17:49 |
I'm scared. |
01:17:50 |
What? |
01:17:51 |
I can't live without you. |
01:17:53 |
I'm afraid |
01:17:55 |
I won't. |
01:17:57 |
We've been through this before, |
01:18:00 |
So why don't we give it a rest? |
01:18:03 |
Look up some friends. |
01:18:06 |
We just went over the top, |
01:18:08 |
In a few days... |
01:18:10 |
you'll be grateful to me |
01:18:21 |
Was she play-acting? |
01:18:23 |
I couldn't be sure. |
01:18:25 |
I called her old roommate. |
01:18:27 |
No dice. |
01:18:29 |
I spent the rest of the day |
01:18:31 |
and half the night drinking. |
01:18:55 |
I was waiting for you. |
01:18:57 |
I can see that. I wonder why. |
01:18:59 |
You know why. |
01:19:00 |
I know I'm wrecked |
01:19:03 |
- No. Wait. |
01:19:05 |
I want to tell you something. |
01:19:07 |
There's nothing more to be said. |
01:19:09 |
- Please! |
01:19:10 |
It's not going to make it |
01:19:11 |
You've got to listen to me. |
01:19:14 |
Oh, for God's sake. |
01:19:20 |
Rita, veux-tu. Rita. |
01:19:24 |
All right. You'd better come in. |
01:19:49 |
Do you want one? |
01:19:55 |
All right. |
01:19:58 |
What's so important? |
01:20:00 |
It's true what I said. |
01:20:02 |
I can't live without you. |
01:20:04 |
If that's all you came |
01:20:06 |
Please, don't throw me out. |
01:20:08 |
Give me one last chance. |
01:20:10 |
I'm ready to live with you |
01:20:14 |
I can bear anything as long |
01:20:20 |
You can shout at me. |
01:20:22 |
You can hit me. |
01:20:23 |
You can have other women. |
01:20:25 |
I don't care what you do, |
01:20:30 |
don't send me away. |
01:20:33 |
Even if you don't |
01:20:36 |
keep me with you out of pity. |
01:20:40 |
There's nothing I wouldn't do |
01:20:43 |
Please. Please. |
01:20:46 |
Please. |
01:20:48 |
I beg you. |
01:20:51 |
Please! Please! |
01:20:55 |
I beg you. |
01:20:56 |
Everyone has a sadistic streak. |
01:20:59 |
Nothing brings it out better... |
01:21:01 |
than the knowledge you've got |
01:21:04 |
If she really fancied |
01:21:08 |
I'd make it so hot, |
01:21:16 |
Yeah, it feels so good. |
01:21:19 |
Yeah, it does, Cindy. |
01:21:23 |
Cindy? |
01:21:25 |
I mean Minnie, uh, Mimi. |
01:22:11 |
Sure, I'm on. |
01:22:13 |
Yeah, why not? |
01:22:15 |
Round up a couple of chicks. |
01:22:19 |
Who? |
01:22:21 |
Oh, you bet. |
01:22:22 |
She's the best piece of ass |
01:22:28 |
All right. |
01:22:31 |
Yeah, I'll see you there. |
01:22:35 |
Dinner's ready. |
01:22:36 |
I'm eating out. |
01:22:38 |
Tonight? |
01:22:40 |
What's so special about tonight? |
01:22:41 |
It's your holiday. |
01:22:43 |
What holiday? |
01:22:44 |
Thanksgiving. |
01:22:46 |
I wanted to surprise you. |
01:22:49 |
All right. |
01:23:02 |
Christ, what is that? |
01:23:04 |
Turkey. |
01:23:06 |
I cooked it for you special. |
01:23:10 |
Cremated it, you mean. |
01:23:14 |
That's it. I'm off. |
01:23:17 |
Won't you even try a little? |
01:23:20 |
You're joking. |
01:23:21 |
I have too much respect |
01:23:24 |
Listen, in the future, |
01:23:26 |
Stick to what you can do. |
01:23:28 |
Which reminds me, what happened |
01:23:31 |
Dancing has to come |
01:23:34 |
So? |
01:23:36 |
My heart is broken. |
01:23:45 |
I was getting to her at last. |
01:23:47 |
I'd achieved the impossible. |
01:23:50 |
She was losing her looks |
01:23:52 |
wasting away... |
01:23:54 |
breaking out |
01:23:55 |
developing spots. |
01:24:04 |
We were just admiring |
01:24:07 |
Really? |
01:24:09 |
Susan here thinks it suits you. |
01:24:12 |
I can't put my finger on it, |
01:24:16 |
I know! Rita! |
01:24:19 |
Rita? |
01:24:20 |
You know Rita. |
01:24:22 |
Rita. The neighbor's dog. |
01:24:27 |
Just a minute. Wait. |
01:24:29 |
What's that? |
01:24:32 |
It is. |
01:24:33 |
And your nose is shiny, too. |
01:24:35 |
I'm not a makeup artist, |
01:25:09 |
Hey! I didn't know we were |
01:25:18 |
She was so easy to hurt... |
01:25:21 |
it was getting to be |
01:25:34 |
Not now, for Christ's sake! |
01:25:37 |
Can't you see that |
01:25:42 |
Anyway, have I ever asked you |
01:25:46 |
No. So stop playing the martyr. |
01:25:49 |
Take that thing off your head. |
01:25:51 |
It makes you look |
01:25:54 |
You're really |
01:25:56 |
I'm ashamed to be seen going |
01:26:07 |
What is it now? |
01:26:12 |
I expect... |
01:26:23 |
What do you expect? |
01:26:25 |
A baby. |
01:26:35 |
What did you say? |
01:26:37 |
I'm going to have a baby. |
01:26:41 |
Oh, my God. |
01:26:48 |
How long have you known? |
01:26:50 |
Only since yesterday. |
01:26:52 |
Two months, the doctor says. |
01:27:03 |
What are you going |
01:27:08 |
Do about it? |
01:27:12 |
Look at me. |
01:27:15 |
Do I look like a daddy? |
01:27:19 |
Can you see us bringing up |
01:27:24 |
I'm pushing forty. |
01:27:25 |
I haven't even sold |
01:27:28 |
The world doesn't know I exist. |
01:27:34 |
Not a day goes by that I don't |
01:27:36 |
just to kill myself |
01:27:54 |
Would it be fair to saddle |
01:27:58 |
Be honest. |
01:28:29 |
They'd told me |
01:28:32 |
but I wasn't prepared... |
01:28:33 |
to see her looking |
01:28:37 |
For a moment, I almost weakened. |
01:28:43 |
You came. |
01:28:45 |
Why wouldn't I? |
01:28:49 |
I brought you flowers. |
01:29:00 |
You're here. |
01:29:01 |
Nothing else matters. |
01:29:10 |
I've been thinking, |
01:29:15 |
we'll go away together, |
01:29:18 |
Go away? |
01:29:19 |
Yeah. Far, far away. |
01:29:31 |
Shit. No room. |
01:29:35 |
You look pale, baby. |
01:29:37 |
Feeling all right? |
01:29:39 |
Pardon, madame. |
01:29:41 |
Excuse me. |
01:29:44 |
Oh, pardon. Je m'excuse. |
01:29:56 |
Look. There it is. |
01:30:00 |
That's what you need, baby. |
01:30:02 |
I can just see you luxuriating |
01:30:06 |
with a tall glass in your hand. |
01:30:10 |
Oh, hell, I can't sit through |
01:30:13 |
I'm gonna get them |
01:30:16 |
I'll be right back. |
01:30:32 |
Your baggage |
01:30:34 |
and it can't travel without you. |
01:30:36 |
No. This is all I've got. |
01:30:39 |
Vous n'avez pas de bagage |
01:30:42 |
May I see your ticket, please? |
01:30:48 |
Voulez-vous que |
01:30:51 |
pour savoir s'il |
01:30:55 |
I shall have to check |
01:31:47 |
I could picture her |
01:31:49 |
at that beautiful moon... |
01:31:51 |
the same one I could see... |
01:31:53 |
but I bet it didn't look |
01:31:56 |
Depends on your state of mind, |
01:32:00 |
To her, |
01:32:04 |
To me, sweet as a peach. |
01:32:09 |
I don't know about you. |
01:32:11 |
Sometimes I think you make |
01:32:14 |
I wish you were right. |
01:32:15 |
My imagination |
01:32:19 |
I might have made it |
01:32:21 |
I mean, if even half |
01:32:25 |
you'd be too bloody ashamed |
01:32:30 |
Boy... |
01:32:33 |
you still don't know me at all. |
01:32:50 |
Are you still angry with me? |
01:32:57 |
I don't know. I'm confused. |
01:33:03 |
I wanted you to hear it. |
01:33:08 |
I'd sooner have heard it |
01:33:12 |
I leave the words to him. |
01:33:46 |
When can we be alone together? |
01:33:50 |
I mean, you know, really alone. |
01:33:53 |
First hear the rest |
01:33:58 |
Then we'll see. |
01:34:51 |
Here you are. |
01:34:53 |
You missed dinner. |
01:34:54 |
I completely lost track of time. |
01:34:57 |
Never mind. |
01:35:00 |
Good. How did the bridge go? |
01:35:02 |
- It was a disaster. |
01:35:04 |
We had very, very bad luck. |
01:35:07 |
Never had such terrible hands |
01:35:10 |
Never mind, Dado. |
01:35:13 |
May I offer you a drink? |
01:35:16 |
No, thanks very much. |
01:35:19 |
Are you coming, darling? |
01:35:29 |
Smarmy bugger. |
01:35:31 |
I bet he'd like |
01:35:33 |
You can talk. |
01:35:35 |
What do you mean? |
01:35:37 |
Oh, God, Nigel, |
01:35:40 |
Those sessions |
01:35:42 |
I know what the attraction is. |
01:35:45 |
I'm sorry. I don't follow. |
01:35:46 |
It's his wife you're after. |
01:35:48 |
You've got the hots |
01:35:49 |
What? I feel sorry for the girl, |
01:35:52 |
Yeah, so sorry that |
01:35:58 |
Now, just watch it, Nigel. |
01:36:00 |
Anything you can do, |
01:36:24 |
Oh, God. |
01:36:26 |
Darling, I cannot understand |
01:36:29 |
I told you, they knock me out. |
01:36:31 |
Surely, now, it's better |
01:36:36 |
We look forward |
01:36:37 |
to our gala fancy |
01:36:39 |
I'll be all right. |
01:36:40 |
See the new year in |
01:36:43 |
to the music of |
01:36:46 |
For those without costumes... |
01:36:48 |
the stewards can supply |
01:36:50 |
Funny hats. |
01:36:52 |
Here. |
01:36:59 |
Here, take another. |
01:37:06 |
You like me taking pills, |
01:37:10 |
If it's not one kind, |
01:37:12 |
Don't know why I bother. |
01:37:14 |
Sorry, darling. |
01:37:16 |
The pill, Nigel. The pill. |
01:37:19 |
We don't do it often enough |
01:37:22 |
Oh, really. Come on, please. |
01:37:24 |
What are we doing here? |
01:37:26 |
What are we looking for |
01:37:29 |
Seven years. |
01:37:32 |
I realize something now. |
01:37:34 |
I'll be spending |
01:37:37 |
Sorry, darling. |
01:37:39 |
Too right, you're not. |
01:37:40 |
and I know where! |
01:37:41 |
It's like a drug. |
01:37:43 |
Actually, |
01:37:46 |
If you're so obsessed... |
01:37:47 |
with your dirty-minded little |
01:37:50 |
why don't you just go back |
01:37:52 |
and leave me in peace. |
01:37:53 |
Fine! If that's how you feel, |
01:38:10 |
In time, Mimi became |
01:38:14 |
a closed chapter. |
01:38:16 |
My sense of freedom returned |
01:38:22 |
I hadn't dumped Mimi |
01:38:25 |
I'd swapped her |
01:38:29 |
And I resolved |
01:38:39 |
No more emotional entanglements. |
01:38:42 |
I just wallowed in female flesh |
01:38:47 |
ricocheted from bed to bed... |
01:38:50 |
grabbed whatever was going... |
01:38:52 |
hurried on. |
01:38:56 |
Every day held the promise... |
01:38:58 |
of some new, short-lived |
01:39:01 |
the shorter, the better. |
01:39:03 |
Every time I looked |
01:39:06 |
I could see the reflection |
01:39:27 |
After two years |
01:39:30 |
I gave up all pretense |
01:39:32 |
and turned night into day. |
01:39:34 |
Like Dracula... |
01:39:35 |
I rose at dusk |
01:39:58 |
ll faut qu'je rentre. |
01:40:00 |
Mais non, on s'amuser. |
01:40:04 |
Moi, il fatigué. |
01:40:07 |
Arrete tes couneries. |
01:40:10 |
Non! Arrete! |
01:40:24 |
Something's fucked up. |
01:40:33 |
I was luckier than I deserved. |
01:40:35 |
Just a concussion |
01:40:38 |
that had kept me lying there |
01:40:42 |
None of my conquests... |
01:40:43 |
bothered to check |
01:41:00 |
Well, I'll be damned. |
01:41:04 |
Jesus. |
01:41:05 |
So you didn't kill yourself. |
01:41:08 |
What for? |
01:41:09 |
I was dead already. |
01:41:11 |
You're looking great anyway. |
01:41:13 |
I'm feeling great. |
01:41:15 |
Here. I brought you these. |
01:41:17 |
Thanks. |
01:41:22 |
May as well sit down |
01:41:28 |
Where you been all this time? |
01:41:30 |
You bought the tickets. |
01:41:33 |
Martinique? You stayed on? |
01:41:37 |
What have you been doing |
01:41:40 |
- Working at a hotel. |
01:41:44 |
Till the manager |
01:41:46 |
Then he put me in a floor show. |
01:41:48 |
Kind of him. |
01:41:49 |
Yes. He was very kind. |
01:41:52 |
He almost restored my faith |
01:41:55 |
Only almost? |
01:41:56 |
He did... |
01:41:58 |
until I remembered you. |
01:42:02 |
Touché. |
01:42:04 |
What are you doing back here? |
01:42:06 |
Just visiting. |
01:42:09 |
thought I'd see |
01:42:12 |
You know what I really need, |
01:42:15 |
I need you to stay out |
01:42:18 |
You haven't lost your charm, |
01:42:21 |
Well... good-bye. |
01:42:38 |
Remember the carousel? |
01:42:40 |
Sure, I remember the carousel. |
01:42:42 |
I remember it |
01:42:45 |
Easy! Easy! |
01:42:48 |
Stop! |
01:42:54 |
Asshole. |
01:43:12 |
She came to see me when |
01:43:15 |
She said, "There's bad news |
01:43:18 |
"You're paralyzed from |
01:43:21 |
"OK," I said. |
01:43:23 |
"Let's have the good news. " |
01:43:25 |
"That was the good news," |
01:43:28 |
"The bad news |
01:43:31 |
"I'm taking care of you. " |
01:43:39 |
We were a couple once more. |
01:43:41 |
She moved back into my place |
01:43:45 |
with a strange kind of devotion |
01:43:47 |
She was my cook, |
01:43:51 |
and my nurse. |
01:44:02 |
Oh, couldn't you... |
01:44:04 |
I mean, it makes my leg shake... |
01:44:06 |
if you always shoot me |
01:44:09 |
You see? It makes the leg shake. |
01:44:12 |
Couldn't you find |
01:44:15 |
- You want me to have another go? |
01:44:18 |
Look what you made me do, silly. |
01:44:29 |
My God, you're not |
01:44:31 |
None left. |
01:44:33 |
I'll get some more tomorrow. |
01:44:39 |
It crossed my mind |
01:44:43 |
in spite of everything. |
01:44:46 |
After all, it's no fun |
01:44:48 |
who means nothing to you. |
01:44:51 |
Hey, Tiger. Come and get it. |
01:45:03 |
Aren't you having any? |
01:45:04 |
I'm going out. |
01:45:09 |
Nothing in it? |
01:45:10 |
Like what? |
01:45:11 |
I don't know. |
01:45:15 |
Would you like some mushrooms? |
01:45:17 |
Well, yeah. That would be nice. |
01:45:20 |
You want some, go pick some. |
01:45:28 |
Yes, I do. |
01:45:31 |
Oh, no, he's not available. |
01:45:33 |
Who's calling, please? |
01:45:40 |
No. This is his nurse speaking. |
01:45:43 |
What the- |
01:45:47 |
Ah, you heard. |
01:45:50 |
Yeah, very sad. |
01:45:54 |
Who is it? |
01:45:57 |
No. Quite impossible, |
01:45:59 |
He's completely incapacitated. |
01:46:04 |
I will. |
01:46:06 |
You're welcome. Good-bye. |
01:46:08 |
Who was it? |
01:46:10 |
"Paris is out. Vieux jeu. " |
01:46:13 |
Beverly, you mean? |
01:46:19 |
What did she want, |
01:46:21 |
How would I know? |
01:46:23 |
You might have let me |
01:46:28 |
I said, you might have |
01:46:30 |
I heard you. |
01:46:32 |
Jesus, Mimi, I never get to see |
01:46:38 |
It's like I'm in solitary. |
01:46:40 |
Is it? |
01:46:44 |
Look... |
01:46:46 |
I know I deserve all I get. |
01:46:50 |
I treated you like a monster. |
01:46:52 |
I am a monster. |
01:46:54 |
Tiger! You don't have the right |
01:46:58 |
That's my privilege. |
01:46:59 |
- I know. |
01:47:02 |
But I promise, |
01:47:10 |
You... hurt me? |
01:47:13 |
Very funny. |
01:47:18 |
And don't play with your zizi |
01:47:22 |
There is no point. |
01:48:25 |
Thank God you're home. |
01:48:28 |
You missed me? |
01:48:30 |
As much as you missed me |
01:48:33 |
Oh, no, not that again. |
01:48:34 |
Please, let's not have a scene. |
01:48:37 |
Why not? I love scenes. |
01:48:39 |
I've developed a taste for them. |
01:48:41 |
In fact, |
01:48:44 |
What is that? |
01:48:46 |
What do you think it is? |
01:48:49 |
What do you expect if you go out |
01:48:54 |
I wet myself, of course. |
01:48:56 |
Oh, poor Tiger. |
01:48:58 |
I'd better change your diaper. |
01:49:00 |
God, you stink. |
01:49:02 |
Why don't you |
01:49:05 |
Why don't you O.D. me... |
01:49:07 |
or push me down the stairs |
01:49:12 |
I almost forgot. |
01:49:18 |
It's your birthday, isn't it? |
01:49:22 |
Is it? |
01:49:24 |
I didn't remember. |
01:50:05 |
Happy birthday to you |
01:50:08 |
Happy birthday, dear Oscar |
01:50:09 |
Happy birthday to you |
01:50:32 |
Although she kept me |
01:50:35 |
she enjoyed taking me out... |
01:50:37 |
because she knew how much |
01:50:40 |
of the simple little pleasures |
01:50:46 |
Antoine, |
01:50:48 |
tu vois qu'il a bobo. |
01:50:54 |
Funny. You might have |
01:50:57 |
Who knows? |
01:50:58 |
You never will. |
01:51:03 |
It wasn't that I just didn't |
01:51:06 |
I didn't think |
01:51:09 |
You could still have some. |
01:51:11 |
No fear of that. |
01:51:12 |
I'm a safe fuck these days. |
01:51:15 |
What do you mean? |
01:51:18 |
That abortion |
01:51:21 |
left me with an infection. |
01:51:24 |
I was quite ill in Martinique. |
01:51:26 |
Almost died, |
01:51:29 |
You never told me. |
01:51:31 |
Well, I'm telling you now. |
01:51:33 |
Oh, Christ, what a shit I was. |
01:51:37 |
I hate myself. |
01:51:39 |
I hate myself worse |
01:51:42 |
Don't kid yourself, Oscar. |
01:51:44 |
No one could hate you |
01:51:52 |
Why do you stay with me? |
01:51:54 |
You really don't know? |
01:51:56 |
Because you're precious to me, |
01:52:01 |
Here. |
01:52:03 |
So there it was. |
01:52:04 |
We needed each other, she and I. |
01:52:09 |
It's getting awfully cold. |
01:52:14 |
Mimi, the water's getting cold. |
01:52:17 |
Oh, merde. |
01:52:21 |
I must speak to the concierge |
01:52:25 |
Don't go away. |
01:52:31 |
Ouais? Ouais et toi? |
01:52:37 |
Non j'peux pas je suis |
01:52:39 |
Non je voudrais bien mais |
01:52:44 |
Quais m'en plus j'ai rien |
01:52:47 |
Vous bouffez a quelle heure? |
01:52:49 |
Ah, laisse tomber ouf. |
01:52:53 |
C'est wrai? |
01:52:55 |
Ah, c'est cool de I'avoir |
01:53:05 |
Moi remarque j'sais pas |
01:53:17 |
Ouais? |
01:53:19 |
Ah, ca doit etre beau. |
01:53:23 |
Ouais, tu me la passeras? |
01:53:27 |
Ouais? |
01:53:32 |
Ouais. |
01:53:43 |
That was great. Thank you. |
01:53:44 |
You didn't know |
01:53:47 |
Thought I could |
01:53:49 |
- You shake a leg real good. |
01:53:51 |
Sure-Well, I mean, um, no. |
01:53:54 |
You cook real good, |
01:53:57 |
You don't work at it. |
01:53:59 |
What's the point? |
01:54:00 |
I could never dance |
01:54:01 |
Sure, you could. |
01:54:02 |
Come on. You're special. |
01:54:05 |
Isn't he special, Tiger? |
01:54:08 |
Absolutely. |
01:54:09 |
You see? |
01:54:12 |
He thinks you're gorgeous. |
01:54:13 |
Right, Tiger? |
01:54:15 |
Right. |
01:54:16 |
How about that? |
01:54:19 |
Get a load of that. |
01:54:21 |
Hey, Mims, you're crazy. |
01:54:23 |
Come on. |
01:54:26 |
Isn't that something? |
01:54:28 |
And he's not gay, either. |
01:54:32 |
Show him your extension. |
01:54:34 |
Come on. |
01:54:41 |
How about that, Tiger? |
01:54:43 |
You should try it sometime. |
01:54:45 |
Come on, Basil. |
01:54:49 |
- I don't know. I ate too much. |
01:54:52 |
The poor baby gets so little fun |
01:54:57 |
No entertainment at all. |
01:55:01 |
Well? |
01:55:12 |
Come on! Don't stop! |
01:55:27 |
Dance! Dance! |
01:57:20 |
I'd grown accustomed |
01:57:24 |
but that night, |
01:57:30 |
It was a kind of catharsis, |
01:57:33 |
We both knew |
01:57:35 |
the same extremes |
01:57:39 |
with another living soul. |
01:57:40 |
Monsieur Oscar Benton... |
01:57:42 |
consentez-vous |
01:57:44 |
Mademoiselle Micheline Bouvier? |
01:57:47 |
Mademoiselle |
01:57:49 |
consentez-vous a prendre |
01:57:51 |
Monsieur Oscar Benton? |
01:57:53 |
Conformement a la loi |
01:57:55 |
par les liens du mariage. |
01:57:57 |
We were like the survivors |
01:58:01 |
it formed a bond between us... |
01:58:03 |
shared by no one else |
01:58:27 |
So the relationship |
01:58:30 |
We'd reached a plateau. |
01:58:33 |
The dust has settled since then, |
01:58:38 |
I'm forever afraid of losing |
01:58:41 |
to some lucky bastard. |
01:58:46 |
It feels strange |
01:58:49 |
to someone who's hoping |
01:58:51 |
Now don't deny it. |
01:58:53 |
There's only room in this cabin |
01:58:58 |
If you're not going to stay |
01:59:02 |
you might as well go. |
01:59:04 |
There's no more to tell. |
01:59:19 |
I think I understand you |
01:59:22 |
And her? |
01:59:27 |
Yeah, and her. |
01:59:37 |
Shit, shit, shit. |
01:59:47 |
Look... |
01:59:49 |
Let's be adult about this, |
01:59:54 |
Yeah, adult. That's the word. |
01:59:57 |
Anything I can do, |
02:00:00 |
I won't object |
02:00:03 |
with that Italian, for example. |
02:01:57 |
Taking the plunge at last? |
02:02:39 |
I think I need a drink. |
02:02:44 |
I said, I think I need a drink. |
02:02:55 |
Can I have a whiskey, please? |
02:02:59 |
That was some stunt. |
02:03:01 |
Pretty good for a guy |
02:03:05 |
Well, I don't pretend |
02:03:07 |
Just kidding, Nigel. |
02:03:12 |
Will you look at that |
02:03:21 |
Watch out. He'll snap her up. |
02:03:31 |
Almost time. |
02:03:34 |
Where is that |
02:03:36 |
She'll miss all the fun |
02:03:38 |
Fiona's not much of a sailor. |
02:03:41 |
That is a disappointment. |
02:03:44 |
Yeah, yeah. |
02:03:46 |
Pity. Mimi and I were hoping... |
02:03:49 |
to crack a bottle of champagne |
02:03:51 |
the two of you. |
02:03:53 |
A little farewell get-together |
02:03:55 |
All right, folks, |
02:03:58 |
You got something |
02:03:59 |
you'd better hurry up. |
02:04:00 |
We've got only about |
02:04:04 |
Nine... eight... |
02:04:06 |
seven... six... |
02:04:08 |
five... four... |
02:04:11 |
three... two... |
02:04:13 |
one! |
02:04:31 |
Well, baby? |
02:04:38 |
Happy days, Oscar. |
02:04:40 |
Sure. |
02:04:42 |
Happy days. |
02:04:54 |
Your good health. |
02:04:57 |
You notice that I do not say, |
02:05:00 |
To those whose gaze |
02:05:02 |
one year |
02:05:05 |
You don't say. |
02:05:06 |
In that case, cheers. |
02:05:08 |
Deliver a bottle of champagne |
02:05:12 |
On my tab. |
02:05:14 |
Oscar Benton. OK? |
02:05:31 |
All right, |
02:05:33 |
Come on, stop that. |
02:05:34 |
Is this any way to start |
02:05:37 |
Peace! Let's have some peace! |
02:05:40 |
Shalom! Shalom! |
02:05:44 |
All right, all right. |
02:06:45 |
Why? |
02:06:47 |
I thought- |
02:06:49 |
You thought what? |
02:06:51 |
But you said... |
02:06:54 |
I mean, I know how |
02:06:56 |
No, you don't. |
02:06:58 |
Not yet. |
02:07:00 |
I think... |
02:07:03 |
I think I've fallen |
02:07:06 |
Come on. I'm just a fantasy, |
02:07:13 |
You mean it's still just a game? |
02:07:15 |
Did I ever say it wasn't? |
02:07:19 |
But... |
02:07:21 |
I'm truly, sincerely |
02:07:24 |
That's why you will |
02:07:31 |
You're hurting me terribly. |
02:07:34 |
The way you're |
02:07:36 |
She doesn't know about us. |
02:07:39 |
She's looking right at us. |
02:07:49 |
Having a good time? |
02:07:51 |
Darling, this is wonderful. |
02:07:53 |
- Yes, isn't it? |
02:07:55 |
Good as new, |
02:07:58 |
There. |
02:07:59 |
Now you can make |
02:08:02 |
Do you think it's safe |
02:08:06 |
Who wants to be safe? |
02:08:10 |
I'm feeling dangerous tonight. |
02:08:12 |
That's the spirit, Fiona. |
02:08:14 |
I knew that your presence... |
02:08:16 |
would add a little spice |
02:08:19 |
That was a very kind thought |
02:08:21 |
I've never seen my husband... |
02:08:23 |
in action |
02:08:25 |
Oscar had me woken |
02:08:28 |
You call that action? |
02:08:30 |
I don't think he was |
02:08:36 |
It's a shame. |
02:10:16 |
Maybe I made a mistake |
02:10:19 |
Maybe your wife |
02:10:34 |
Come on, stop sulking, man. |
02:10:35 |
You ought to be glad |
02:10:39 |
Come on. Put a funny hat on. |
02:10:43 |
Throw some streamers at them. |
02:10:52 |
Attaboy! |
02:10:53 |
It's the "Titanic" |
02:10:56 |
Nearer my God to thee |
02:10:59 |
Nearer to thee |
02:11:32 |
I know how you feel, Nigel. |
02:11:34 |
I've been a loser all my life. |
02:11:36 |
Join the club. |
02:11:38 |
Don't touch me! |
02:11:39 |
If you weren't a cripple, |
02:11:42 |
Go ahead if it'll help. |
02:11:44 |
I deserve your hatred. |
02:11:45 |
I'm abominable. I'm pathetic. |
02:11:53 |
No, not that way, Nigel. |
02:11:55 |
Nigel, you better hurry. |
02:11:56 |
There'll be nothing left |
02:12:04 |
Bloody hell! |
02:13:14 |
Is she here? |
02:13:32 |
Did you ever see such |
02:13:37 |
Two nymphs sleeping off |
02:13:43 |
You really missed something, |
02:13:46 |
Fiona was a revelation. |
02:13:50 |
All fire. |
02:13:54 |
I doubt if you've ever really |
02:14:01 |
Swine! |
02:14:02 |
Get your goddamn hands off me. |
02:14:13 |
You prick. |
02:14:19 |
You don't deserve to hear |
02:14:22 |
My. |
02:14:25 |
Here, give it. |
02:14:26 |
Just give me that thing, |
02:14:28 |
Otherwise you're going |
02:14:30 |
Come on, man, |
02:14:31 |
- Give it to me. |
02:14:37 |
Not anymore. |
02:14:46 |
We were just too greedy, baby. |
02:14:51 |
That was all. |
02:15:32 |
Hello, sweetheart. |
02:15:33 |
My father says to wish you |