|
Black Moon Rising
|
| 00:01:25 |
COFFEE ? |
| 00:01:34 |
ALL RIGHT, FREEZE ! |
| 00:01:37 |
YOU HEAR ME, ASSHOLE ? |
| 00:01:40 |
THIS SOMETHING NEW FOR YOU ? |
| 00:01:44 |
HEY, FINE. NO PROBLEM. |
| 00:01:46 |
AND RIGHT UP THERE'S |
| 00:01:49 |
AND THERE'S A NICE FULL-FACE |
| 00:01:54 |
- LOOK, THERE'S A COUPLE |
| 00:01:57 |
FINE. I'M JUST SAYING YOU GOTTA |
| 00:02:00 |
YOU DON'T JUST COME |
| 00:02:02 |
WAVIN' A GUN AROUND AND EXPECT |
| 00:02:05 |
-IT'S NOT ACCEPTABLE BEHAVIOR. |
| 00:02:08 |
HELL, NO. |
| 00:02:12 |
YOU PROBABLY GOT |
| 00:02:16 |
[ Siren Wailing ] |
| 00:02:20 |
JUST TRYING TO HELP YOU, SON. |
| 00:02:23 |
[ Siren Continues ] |
| 00:02:28 |
[ Sighs ] |
| 00:02:30 |
THAT BOY'S GOT |
| 00:03:48 |
[ Engine Stops ] |
| 00:04:35 |
[ Door Buzzes ] |
| 00:05:19 |
[ Whispering ] |
| 00:05:23 |
[ Door Buzzes ] |
| 00:06:09 |
[ Alarm Blaring ] |
| 00:06:24 |
[ Alarm Continues ] |
| 00:06:50 |
HOLD IT RIGHT THERE ! |
| 00:06:53 |
HEY, QUINT. |
| 00:07:21 |
KNOW THAT GUY ? |
| 00:07:35 |
[ Rumbling ] |
| 00:07:47 |
[ Man On Radio ] |
| 00:07:50 |
[ Driver ] |
| 00:07:53 |
STANDING BY. |
| 00:07:58 |
SECONDARY BOOST. CHECK. |
| 00:08:02 |
APPROACHING RED LEVELS. |
| 00:08:05 |
- [ Driver ] |
| 00:08:12 |
[ Computer Beeping ] |
| 00:08:18 |
YEEHAHA ! |
| 00:08:28 |
THAT'S IT ! THAT'S IT. |
| 00:08:55 |
[ Shouting, Hooting ] |
| 00:09:01 |
[ Radio News Announcer ] |
| 00:09:05 |
SECURITY GUARDS SHOT IT OUT |
| 00:09:10 |
THE LUCKY DOLLAR CORPORATION |
| 00:09:13 |
LOOKING INTO POSSIBLE |
| 00:09:21 |
[ Bells Ding ] |
| 00:09:28 |
OH. AH. |
| 00:09:31 |
MORNIN'. |
| 00:09:34 |
SAY, YOU HEADED TO L.A. ? |
| 00:09:37 |
COULD YOU GIVE ME A LIFT ? |
| 00:09:42 |
I DON'T THINK SO. |
| 00:09:44 |
[ Man ] HEY, |
| 00:09:48 |
DO YOU KNOW WHICH FREEWAY |
| 00:09:51 |
I'M LOOKING FOR THIS PLACE |
| 00:09:54 |
WELL, HOLLYWOOD'S THAT WAY. |
| 00:09:59 |
WHAT DO YOU NEED ? |
| 00:10:01 |
LOOKING FOR THIS PLACE |
| 00:10:05 |
SHOWIN' OFF |
| 00:10:09 |
WELL, IT'S RIGHT THERE, |
| 00:10:12 |
YOU BEEN THERE ? |
| 00:10:16 |
THANKS A LOT. |
| 00:10:55 |
HEY, CAN I HELP YOU ? |
| 00:10:59 |
JUST LOOKIN'. |
| 00:11:02 |
GLAD YOU LIKE IT. |
| 00:11:16 |
TYKE, CHECK THE BACK. |
| 00:11:39 |
[ Engine Starts ] |
| 00:11:54 |
[ Engine Starts ] |
| 00:11:59 |
[ Car Approaches ] |
| 00:12:07 |
GOOD MORNING. |
| 00:12:09 |
YOU HEADED FOR L.A. ? |
| 00:12:12 |
[ Cars Approaching ] |
| 00:12:22 |
- HOW ARE YOU DOING, QUINT ? |
| 00:12:25 |
- YEAH, I SEE. |
| 00:12:28 |
WHY DO I THINK YOU DO ? |
| 00:12:30 |
YOU HAVE BAD INFORMATION. |
| 00:12:33 |
MR. QUINT AND I GO BACK A-WAYS. |
| 00:12:37 |
WE USED TO BE... |
| 00:12:39 |
I NEVER CONSIDERED YOU |
| 00:12:41 |
OH, THAT'S NOT NICE, QUINT. |
| 00:12:44 |
YOU MUST'VE HAD YOURS |
| 00:12:48 |
COUPLE OF WAYS |
| 00:13:16 |
** [ Jukebox: Rock ] |
| 00:13:18 |
[ Pool Balls Cracking ] |
| 00:13:43 |
I'M GETTIN' TOO OLD |
| 00:13:51 |
PUT IT AWAY AND GET OUT. |
| 00:14:00 |
THINGS HAVE CHANGED. |
| 00:14:04 |
WHERE'S THE CASSETTE ? |
| 00:14:09 |
YOU WOULDN'T BE THINKING |
| 00:14:13 |
ONLY IF I HAVE TO. |
| 00:14:16 |
LIEUTENANT JONES IN COURT |
| 00:14:20 |
THOSE TAX RECORDS |
| 00:14:22 |
HE WANTS THEM THERE. |
| 00:14:26 |
YOU REMEMBER MARVIN RINGER ? |
| 00:14:29 |
HE WAS THERE LAST NIGHT, AND |
| 00:14:32 |
HOW DID HE SPOT YOU ? |
| 00:14:34 |
- YOU'RE LOSING YOUR TOUCH. |
| 00:14:37 |
YOU WERE SUPPOSED TO HAVE |
| 00:14:40 |
MARVIN RINGER |
| 00:14:42 |
- IF YOU FUCKED UP, |
| 00:14:45 |
- SO WHAT ARE WE TALKING ABOUT ? |
| 00:14:49 |
YOU ARE A THIEF. |
| 00:14:52 |
CALL IT HAZARD PAY. |
| 00:14:57 |
TONIGHT AT 8:30 IN A HIGH-DOLLAR |
| 00:15:04 |
[ Man ] |
| 00:15:06 |
IT'S QUITE A REVOLUTIONARY |
| 00:15:09 |
EARL HERE USED TO BE |
| 00:15:12 |
HOLD IT, BILLY. |
| 00:15:14 |
NOW, AFTER THE MARS PROJECT |
| 00:15:18 |
I'VE ALWAYS HAD AN INTEREST |
| 00:15:21 |
IT INVOLVES |
| 00:15:23 |
OH, NOT A COMPOUND, DOCTOR. |
| 00:15:26 |
BUT ORDINARY TAP WATER. |
| 00:15:30 |
IT'S LIKE SCIENCE FICTION, NO ? |
| 00:15:34 |
UH-- |
| 00:15:36 |
EVEN THE BODY'S UNIQUE. |
| 00:15:39 |
THE SAME MATERIAL THEY USE |
| 00:15:41 |
WHEN WE GO IN THERE, I WANT YOU |
| 00:15:45 |
ANYBODY COMES WITHIN |
| 00:15:49 |
OKAY ? GOOD MAN. |
| 00:16:09 |
SHE'S A BEAUTY, |
| 00:16:13 |
SHE YOURS ? |
| 00:16:15 |
REALLY ? |
| 00:16:19 |
AND I CAN TELL YOU, |
| 00:16:21 |
THAT THIS HERE CAR IS THE SINGLE |
| 00:16:25 |
WOW. COULD I SEE HER ? |
| 00:16:28 |
OH, YEAH. |
| 00:16:45 |
[ Engine Stops ] |
| 00:16:56 |
EXCUSE ME. SORRY. |
| 00:17:22 |
[ Man ] |
| 00:17:25 |
I WANT AN ORDER TO GO. |
| 00:17:29 |
NO, IT'S TOO RIPE. |
| 00:17:32 |
STAND BY. |
| 00:17:49 |
EXCUSE ME. |
| 00:17:51 |
HELL OF A CAR. |
| 00:17:53 |
YES, SIR. HELL OF A CAR. |
| 00:17:57 |
YOU HAVE APPROVAL. |
| 00:18:00 |
THANK YOU. |
| 00:18:07 |
NOW LET US BE FRANK, |
| 00:18:10 |
I APPRECIATE THE INTEREST |
| 00:18:14 |
BUT BEING AN AMERICAN, |
| 00:18:18 |
BUT I UNDERSTAND YOU HAVE |
| 00:18:22 |
I WOULDN'T SAY THAT-- |
| 00:18:26 |
YOUR BLACK MOON |
| 00:18:30 |
MUCH MORE TESTING IS NECESSARY. |
| 00:18:35 |
THEY... HAVE SEEN THE REPORTS, |
| 00:18:38 |
AND HERE THEY WILL LOOK |
| 00:18:41 |
IF THEY SAY YES, |
| 00:18:46 |
THE REST IS UP TO YOU. |
| 00:18:48 |
SCUSI. |
| 00:18:53 |
I APOLOGIZE. |
| 00:18:56 |
YOU'LL ARRANGE FOR FRIDAY ? |
| 00:18:59 |
BUONO. |
| 00:19:04 |
BUONANOTTE. |
| 00:19:11 |
[ Glass Dings ] |
| 00:19:14 |
TO THE BEST DESIGNER |
| 00:19:16 |
SO WHAT DO YOU LIKE ? |
| 00:19:20 |
DRAFT. |
| 00:19:24 |
- I THINK YOU LIKE ACTION. |
| 00:19:27 |
IT'S RIGHT THERE. |
| 00:19:31 |
I BET WHEN YOU WALKED IN HERE, |
| 00:19:33 |
"I WOULDN'T MIND MEETING SOMEONE |
| 00:19:36 |
I NEVER MIND MEETING |
| 00:19:39 |
DO YOU LIVE AROUND HERE ? |
| 00:19:41 |
WHY ? |
| 00:19:45 |
WHAT WOULD YOU SAY IF I TOLD YOU |
| 00:19:49 |
AND FUCK YOUR BRAINS OUT ? |
| 00:19:53 |
I'D SAY YOU'RE IN FOR A LONG |
| 00:19:58 |
WELL, YOU CAN'T BLAME ME |
| 00:20:00 |
I NEVER BLAME ANYONE |
| 00:20:06 |
GIRLS ARE SO NEUROTIC. |
| 00:20:09 |
HELLO. |
| 00:20:16 |
I'LL JUST BE A MINUTE. |
| 00:20:20 |
[ Grunts ] |
| 00:20:22 |
I THINK YOU LIKE ACTION. |
| 00:20:34 |
HELLO. I WILL TAKE THE KEYS |
| 00:20:39 |
I BET WHEN YOU WALKED IN HERE |
| 00:20:42 |
"I WOULDN'T MIND MEETING SOMEONE |
| 00:20:45 |
THE ASTON MARTIN |
| 00:20:49 |
WHAT WOULD YOU SAY IF I SAID |
| 00:21:00 |
[ Car Engine Starting ] |
| 00:21:10 |
WHAT IS GOING ON HERE ? |
| 00:21:13 |
OH, MY GOD, |
| 00:21:20 |
[ Chattering, Shouting ] |
| 00:21:22 |
[ Tires Screeching ] |
| 00:21:27 |
STOP THEM ! |
| 00:21:39 |
[ Screeching Continues ] |
| 00:21:42 |
WELL, I GUESS THAT'S IT. |
| 00:21:44 |
THANK YOU FOR YOUR HELP. |
| 00:21:53 |
[ Computers Starting Up ] |
| 00:21:54 |
TURBO PRESSURE. |
| 00:21:57 |
IGNITION. |
| 00:23:56 |
[ Police Dispatcher, |
| 00:24:15 |
[ Horns Honking ] |
| 00:24:24 |
[ Horn Honking ] |
| 00:24:32 |
[ Honking Continues ] |
| 00:25:04 |
[ Engine Dying ] |
| 00:26:13 |
[ Black Moon Engine |
| 00:26:20 |
[ Engine Starting ] |
| 00:27:42 |
[ Engine Stops ] |
| 00:27:44 |
[ Car Door Opens, Closes ] |
| 00:29:25 |
I'M SORRY, MA'AM. |
| 00:29:29 |
[ Police Dispatcher, |
| 00:29:31 |
[ Chattering ] |
| 00:29:40 |
LOOK, IT'S |
| 00:29:44 |
YEAH, WE LOSE 3,000 CARS A DAY. |
| 00:29:48 |
THAT'S 125 EVERY HOUR. |
| 00:29:50 |
OFFICER, WE'VE GOT EVERYTHING |
| 00:29:54 |
LOOK, I'M SORRY, MISTER, BUT |
| 00:30:04 |
YOU'RE A LITTLE LATE. |
| 00:30:10 |
- WHERE'S THE CASSETTE ? |
| 00:30:12 |
SOMEBODY STOLE IT ? |
| 00:30:14 |
I'LL GET IT BACK FOR YOU, |
| 00:30:16 |
- THAT'S NOT THE WAY IT HAPPENS. |
| 00:30:19 |
YOU MOTHERFUCKER. |
| 00:30:21 |
LET ME TELL YOU SOMETHING. |
| 00:30:25 |
WHAT YOU GOT IS EXACTLY 72 HOURS |
| 00:30:29 |
IF YOU DON'T, |
| 00:30:34 |
AND I'M GONNA TRANSFER IT |
| 00:30:37 |
YOU UNDERSTAND |
| 00:30:41 |
FRIDAY MORNING. |
| 00:30:45 |
HEY, WHAT ABOUT MY MONEY ? |
| 00:30:51 |
[ Grunts ] |
| 00:30:55 |
DON'T FUCK WITH THE GOVERNMENT. |
| 00:31:09 |
HOW WOULD YOU GENTLEMEN |
| 00:31:12 |
NOW IF WHAT YOU SAY IS TRUE, |
| 00:31:15 |
LOOK, MISTER, I DON'T HAVE |
| 00:31:19 |
THERE'S NOTHING THEY CAN DO. |
| 00:31:24 |
LOOK AT THOSE TOWERS. |
| 00:31:29 |
THEY MUST HAVE GOTTEN TEN CARS |
| 00:31:32 |
FROM THE LOOKS OF THAT GARAGE, |
| 00:31:38 |
WHICH YOU CAN CRACK. |
| 00:31:40 |
HELL, YES. |
| 00:31:45 |
GOOD LUCK. |
| 00:31:51 |
YOU'LL NEVER SEE THAT CAR |
| 00:32:02 |
DAMN IT, EARL. WHAT ARE |
| 00:32:08 |
EARL, WHAT IF HE'S RIGHT ? |
| 00:33:01 |
KNOCK, KNOCK. |
| 00:33:14 |
[ Hammers Banging, |
| 00:33:31 |
RYLAND WANTS YOU. |
| 00:33:35 |
YEAH. |
| 00:33:39 |
[ Sighs ] |
| 00:33:47 |
RYLAND'S LOOKING FOR YOU. |
| 00:34:48 |
PUT IT WITH THE OTHERS. |
| 00:34:54 |
THIS WILL BE MY SHOWCASE. |
| 00:34:57 |
OFFICES, |
| 00:35:01 |
WHEN THE SECOND TOWER IS OPEN, |
| 00:35:05 |
NOTHING LIKE IT ANYWHERE. |
| 00:35:08 |
THANK YOU. |
| 00:35:11 |
THE PROBLEM IS |
| 00:35:14 |
MY CLIENTS ARE MOST PARTICULAR. |
| 00:35:18 |
WELL, THAT'S |
| 00:35:20 |
AH, MOST OF THE CARS |
| 00:35:23 |
MY PEOPLE INSPECT THEM TOO. |
| 00:35:28 |
ARE YOU ? |
| 00:35:32 |
I WAS TALKING |
| 00:35:34 |
OH, NO, NO, NO. |
| 00:35:39 |
MOLINA IS A BIG CHICO ! |
| 00:35:44 |
THE MAN DOESN'T HAVE |
| 00:35:48 |
ESE HOMBRE, HUH, |
| 00:35:52 |
HE THINKS YOU MIGHT HAVE |
| 00:35:55 |
MY BUSINESS IS OF NO CONCERN |
| 00:35:57 |
WE HAVE AGREEMENTS |
| 00:35:59 |
DON'T COME HERE |
| 00:36:03 |
[ Chuckles ] |
| 00:36:06 |
YOU AND MOLINA. |
| 00:36:09 |
[ Spanish ] |
| 00:36:12 |
YOU DESERVE EACH OTHER. |
| 00:36:14 |
YOU OWE ME $420,000. |
| 00:36:17 |
YOU GIVE ME CARS I CANNOT SELL, |
| 00:36:22 |
I'M GOING TO COLLECT IT. |
| 00:36:26 |
ONE WAY OR ANOTHER. |
| 00:36:35 |
THAT'S A THREAT TO ME ? |
| 00:36:39 |
DON'T THREATEN ME. |
| 00:36:42 |
YOU HAVE MANY BIG DREAMS, BUT |
| 00:36:48 |
[ Spanish ] |
| 00:37:05 |
HE'S CRAZY. LOCO ! |
| 00:37:07 |
WHY DO YOU WORK |
| 00:37:11 |
[ Spanish ] |
| 00:37:18 |
MR. MOLINA CALLED. |
| 00:37:26 |
[ Spanish ] |
| 00:37:35 |
[ Spanish Continues ] |
| 00:37:43 |
[ Elevator Stops ] |
| 00:37:50 |
HE'S WATCHING. |
| 00:38:24 |
[ Men Shouting ] |
| 00:38:30 |
THIS IS FOR THE ELECTRIC, |
| 00:38:35 |
AND I WANT YOU TO SIGN |
| 00:38:38 |
- IRON JOHN. |
| 00:38:40 |
WILL YOU GET |
| 00:38:53 |
[ Gasping ] |
| 00:39:00 |
HOW LONG |
| 00:39:03 |
- I DON'T FREELANCE ANYMORE. |
| 00:39:07 |
[ Laughs ] |
| 00:39:09 |
THEY OFFER A REAL GOOD |
| 00:39:17 |
THAT'S, UH, RYLAND TOWERS. |
| 00:39:20 |
- I BUILT PART OF THE FIRST ONE. |
| 00:39:24 |
THE COMPLEX WAS BUILT OVER |
| 00:39:30 |
THEY GOT PERMITS FOR EVERYTHING. |
| 00:39:33 |
THAT ED RYLAND-- |
| 00:39:35 |
WELL, HE USED A LOT MORE |
| 00:39:38 |
HE GOT, UH, TOO MUCH ELECTRICAL |
| 00:39:43 |
AND HIS FIRST SUBMITTED PLAN |
| 00:39:48 |
OVER HERE HE'S GOT |
| 00:39:52 |
LIKE I SAID, |
| 00:39:56 |
WHAT ARE YOU LOOKING FOR ? |
| 00:39:59 |
THE REAL BLUEPRINTS |
| 00:40:01 |
ESPECIALLY FOR THE LOWER LEVELS |
| 00:40:05 |
PLUS ANYTHING ON THE ALARMS. |
| 00:40:08 |
YEAH, THEY GOT |
| 00:40:11 |
FRENCH. EMILE FRENCH. |
| 00:40:14 |
HE WAS A CONSULTANT |
| 00:40:17 |
[ Whispers ] |
| 00:40:19 |
- SOUNDS LIKE YOU'RE GOING IN. |
| 00:40:24 |
YOU GOT ALL THE TIME |
| 00:40:27 |
[ Gasps ] |
| 00:40:48 |
I'VE NEVER SEEN |
| 00:40:51 |
THIS IS |
| 00:40:56 |
RUNS ON HYDROGEN ? |
| 00:40:58 |
RUNS ON SOMETHING. |
| 00:41:01 |
IT'S SO LIGHT. |
| 00:41:11 |
INTERESTING MACHINE. |
| 00:41:13 |
IT'S AN INTERESTING MACHINE. |
| 00:41:18 |
WHAT AM I SUPPOSED |
| 00:41:21 |
IT'S MINE. |
| 00:41:24 |
YOU'RE MAKING |
| 00:41:28 |
GOOD. FOR A MOMENT, |
| 00:41:35 |
I UNDERSTAND |
| 00:41:37 |
WHAT DO YOU MEAN ? |
| 00:41:40 |
A GUY TRIED TO FOLLOW ME. |
| 00:41:42 |
DID YOU ? |
| 00:41:44 |
THERE WAS A MAN IN THE OUTER |
| 00:41:48 |
COINCIDENCE ? |
| 00:41:51 |
I LOST HIM. |
| 00:41:54 |
SO IT WAS A COINCIDENCE. |
| 00:41:57 |
A CAR LIKE THIS ATTRACTS |
| 00:42:01 |
DID YOU THINK ABOUT THAT ? |
| 00:42:05 |
THIS IS A BUSINESS, NINA. |
| 00:42:08 |
FINE. |
| 00:42:16 |
I HAVE YOUR PERMISSION, |
| 00:42:32 |
QUITE A CAR. |
| 00:43:24 |
WHY IS THAT CAR |
| 00:43:30 |
I ASKED YOU A QUESTION. |
| 00:43:33 |
ASK MR. RYLAND. |
| 00:43:55 |
- OPEN THE DOOR, RICHARD. |
| 00:44:03 |
[ Intercom Beeps ] |
| 00:44:05 |
[ Richard ] |
| 00:44:11 |
WHERE ARE YOU GOING ? |
| 00:44:13 |
JESUS CHRIST. OUT. |
| 00:44:16 |
- I WANNA SEE YOU. |
| 00:44:19 |
- NOW. |
| 00:44:23 |
NINA ! NINA ! NINA ! |
| 00:44:28 |
NINA, WHERE THE HELL |
| 00:44:33 |
NINA, ARE YOU OUT OF YOUR MIND ? |
| 00:44:35 |
I'M NOT GOING TO OPEN |
| 00:44:42 |
[ Tires Screeching ] |
| 00:44:48 |
NINA, STOP ! |
| 00:44:50 |
[ Ryland Shouting, |
| 00:44:52 |
I WON'T OPEN IT ! |
| 00:45:20 |
[ Tires Screeching ] |
| 00:46:54 |
[ Car Door Closes ] |
| 00:47:21 |
* ALONE IN A CROWD * |
| 00:47:26 |
* SEARCHING EVERY FACE |
| 00:47:30 |
* WANNA SCREAM YOUR NAME |
| 00:47:34 |
* OH, YOUR LOVE IS SO MUCH |
| 00:47:38 |
* SHOOTING BB's EVERYWHERE * |
| 00:47:42 |
* HE DOESN'T KNOW * |
| 00:47:45 |
* YOU'VE GOT AN OPEN WOUND |
| 00:47:50 |
* AND NOW I'M READY |
| 00:47:53 |
* I WANNA DANCE TONIGHT * |
| 00:47:55 |
* DON'T WANNA TALK TOO MUCH * |
| 00:47:58 |
* I WANNA LOVE TONIGHT * |
| 00:48:00 |
* THIS FEELING DEEP IN ME |
| 00:48:04 |
- * SLEEPING WITH THE ENEMY * |
| 00:48:10 |
* SLEEPING WITH THE ENEMY * |
| 00:48:26 |
[ Engine Starts ] |
| 00:48:43 |
WHERE YOU GOING ? |
| 00:48:47 |
FINE. |
| 00:49:06 |
NICE CAR. |
| 00:49:10 |
MY DAD HAD A STUDEBAKER. |
| 00:49:13 |
HOW ABOUT THAT ? |
| 00:49:15 |
- YOU LIKE CARS, DON'T YOU ? |
| 00:49:19 |
SOME FRIENDS OF MINE |
| 00:49:21 |
REALLY VERY SPECIAL. |
| 00:49:24 |
AW, THAT'S TOO BAD. |
| 00:49:30 |
THEY'RE HOPING TO GET IT BACK. |
| 00:49:33 |
WHAT WILL THEY DO-- |
| 00:49:35 |
I DON'T KNOW. |
| 00:49:39 |
HMM, I KNOW HOW THAT IS. |
| 00:49:42 |
ANY IDEAS ? |
| 00:49:43 |
ME ? WHY ? |
| 00:49:46 |
JUST MAKING CONVERSATION. |
| 00:49:54 |
MUST BE A WAY. |
| 00:49:57 |
MUST BE A COUPLE OF WAYS. |
| 00:50:05 |
WHAT DO YOU WANT ME TO SAY ? |
| 00:50:07 |
[ Ryland ] |
| 00:50:13 |
WHAT'S THIS FOR ? |
| 00:50:16 |
WHERE'S YOUR FAMILY ? |
| 00:50:21 |
YOU'RE NOT IN CONTACT |
| 00:50:24 |
YEAH, RIGHT. |
| 00:50:27 |
SO YOU'RE ALONE HERE. |
| 00:50:29 |
WHEN I WANNA BE. |
| 00:50:32 |
TRY TO RELAX. |
| 00:50:37 |
I KNOW. |
| 00:50:39 |
WHERE DID YOU LEARN |
| 00:50:43 |
BOYFRIEND. |
| 00:50:45 |
OTHER THAN THAT, |
| 00:50:48 |
YOU'RE VERY GOOD. |
| 00:50:50 |
YEAH, I GOT A GREAT FUTURE. |
| 00:50:54 |
YOU SAY THAT |
| 00:50:58 |
YEAH, I DO. |
| 00:51:01 |
I'M SPECIAL, |
| 00:51:04 |
AS A MATTER OF FACT, |
| 00:51:08 |
EVERYONE DOES. |
| 00:53:04 |
JUST HOW MANY NAMES |
| 00:53:07 |
HOW MANY WIGS HAVE YOU GOT ? |
| 00:53:13 |
- TEA ? |
| 00:53:36 |
WHAT EXACTLY DO YOU |
| 00:53:39 |
NOTHING. |
| 00:53:46 |
DON'T LIE... PLEASE. |
| 00:54:09 |
WHY DON'T YOU TELL ME |
| 00:54:12 |
[ Sighs ] |
| 00:54:15 |
DO YOU ? |
| 00:54:20 |
WHAT ABOUT THOSE PEOPLE |
| 00:54:23 |
WHO DO YOU MEAN ? |
| 00:54:26 |
WE HAVE A LOT |
| 00:54:30 |
WE'RE BOTH THIEVES. |
| 00:54:32 |
AND WHAT DO YOU STEAL ? |
| 00:54:36 |
ACTUALLY, AS SOON AS MY CURRENT |
| 00:54:42 |
AND WHAT DO RETIRED |
| 00:54:46 |
THEY GET AWAY. |
| 00:54:51 |
WHERE TO ? |
| 00:54:55 |
HOW ABOUT RIO ? |
| 00:55:00 |
WHY HAVE YOU |
| 00:55:04 |
I NEED THAT FUNNY-LOOKING CAR. |
| 00:55:06 |
WHAT MAKES YOU THINK |
| 00:55:10 |
YOU HAVE AN HONEST FACE. |
| 00:55:14 |
FORGET IT. |
| 00:55:20 |
I WON'T LET YOU USE ME. |
| 00:55:26 |
FIRST THE GUY LAST NIGHT, |
| 00:55:29 |
DEAL WITH 'EM. |
| 00:55:34 |
WHAT ARE WE DOING HERE ? |
| 00:55:36 |
HE WAS RIGHT ABOUT |
| 00:55:39 |
[ Earl On Monitor ] |
| 00:55:42 |
NOW, IF WE STAY |
| 00:55:44 |
STOP YOUR DAMN WHINING ! |
| 00:55:51 |
I THOUGHT I TOLD YOU |
| 00:55:54 |
THE DETAILS HAVE GOTTA BE |
| 00:55:58 |
HUH ? IT'S NO GOOD. |
| 00:56:03 |
[ Mutters ] |
| 00:56:05 |
GO. |
| 00:56:07 |
YOU STAY HERE |
| 00:57:01 |
[ No Audio ] |
| 00:57:21 |
[ Screaming ] |
| 00:57:28 |
[ Screams ] |
| 00:58:40 |
WE CHANGED OUR MINDS. |
| 00:58:49 |
[ Quint ] |
| 00:58:52 |
WE'LL GET THE ACCURATE FLOOR |
| 00:58:55 |
HE TOLD US YOU WORKED |
| 00:58:58 |
I CONSULTED. |
| 00:59:01 |
PLUS, UH, WHAT'S HIS NAME ? |
| 00:59:04 |
HE, UH-- HE THREW IN |
| 00:59:07 |
IT'S TIGHT. |
| 00:59:09 |
THAT'S WHY WE'RE HERE. |
| 00:59:19 |
YOU KNOW THAT ONE OF THE TOWERS |
| 00:59:22 |
YEAH. WE'VE BEEN |
| 00:59:25 |
THEY DON'T CONNECT. |
| 00:59:28 |
WE'LL MAKE A DIRECT LINK. |
| 00:59:31 |
I KNOW YOU'RE A HOTSHOT |
| 00:59:34 |
BUT, UH, THIS PLACE-- |
| 00:59:42 |
JUST WHAT IS IT |
| 00:59:45 |
A CAR. |
| 01:00:25 |
JOHN ? |
| 01:00:27 |
[ Machine Humming ] |
| 01:00:41 |
JOHN ? |
| 01:00:51 |
[ Gun Cocks ] |
| 01:00:53 |
- THESE WHAT |
| 01:00:58 |
IT'S TIME TO MAKE |
| 01:01:00 |
YOU BEEN DEALING |
| 01:01:03 |
WE DIDN'T WANT TO. |
| 01:01:07 |
I WANT THAT CASSETTE. YOU KNOW |
| 01:01:14 |
- EVENTUALLY. |
| 01:01:18 |
SO WHY MAKE IT PAINFUL ? |
| 01:01:22 |
[ Grunting Continues ] |
| 01:01:31 |
GET HIM OUTTA HERE. |
| 01:01:37 |
GET HIM ! |
| 01:01:43 |
[ Groaning Continues ] |
| 01:01:47 |
COME ON ! |
| 01:01:50 |
COME ON. |
| 01:01:56 |
[ Indistinct Shout ] |
| 01:02:06 |
[ Chuckles ] |
| 01:02:09 |
QUINT, HOLD OUT A WHILE. |
| 01:02:13 |
KICK HIS BUTT ! |
| 01:02:22 |
[ Grunting, Panting ] |
| 01:02:27 |
GET UP ! |
| 01:02:32 |
[ Grunting Continues ] |
| 01:02:59 |
QUINT, THAT'S PATHETIC. |
| 01:03:03 |
[ Grunts ] |
| 01:03:10 |
WHERE'S HE GOING ? |
| 01:03:13 |
HUH ? |
| 01:03:17 |
DRAG HIM OUT HERE. |
| 01:03:20 |
I TOLD THESE BOYS ALL ABOUT YOU. |
| 01:03:24 |
[ Indistinct Shouting ] |
| 01:04:20 |
[ Gasps, Coughing ] |
| 01:04:34 |
[ Tires Screeching ] |
| 01:04:43 |
[ Tires Screeching ] |
| 01:05:06 |
[ Speaking Italian ] |
| 01:05:12 |
[ Gasping, Coughing ] |
| 01:05:35 |
I WAS DRIVING BY |
| 01:05:38 |
I THOUGHT I'D SAY HELLO. |
| 01:05:44 |
[ Screams ] |
| 01:05:47 |
IT ALREADY HURTS. |
| 01:05:55 |
YOU'RE ENJOYING THIS, |
| 01:05:58 |
A LITTLE. |
| 01:06:00 |
[ Coughing, Gasping ] |
| 01:06:09 |
[ Sighs ] |
| 01:06:14 |
OH, THANK YOU. |
| 01:06:16 |
I HAVEN'T ASKED WHAT HAPPENED |
| 01:06:19 |
I HAVE PROBLEMS OF MY OWN. |
| 01:06:22 |
WITH YOUR BOSS, RYLAND ? |
| 01:06:26 |
NAME KEEPS COMING UP. |
| 01:06:37 |
JUST HOW BADLY |
| 01:06:40 |
LOOK AT ME. |
| 01:07:05 |
[ Door Opens, Closes ] |
| 01:07:20 |
[ Chuckles ] |
| 01:07:22 |
OKAY, YOU'VE BLOWN THE LOCK. |
| 01:07:27 |
THEY'RE ALL A TRAP. |
| 01:07:30 |
SO NOW WHAT ? |
| 01:07:35 |
COME ON, ARTIE. |
| 01:07:47 |
OKAY. SO NOW |
| 01:07:51 |
NICE GOIN'. |
| 01:07:54 |
JESUS ! WHAT THE HELL |
| 01:08:03 |
[ Quint ] |
| 01:08:07 |
THIS BUILDING |
| 01:08:10 |
THERE'S NO WAY IN. |
| 01:08:13 |
THE UNFINISHED BUILDING |
| 01:08:17 |
IF I CAN GET UP TO THE TOP |
| 01:08:19 |
I CAN GET TO THE TOP |
| 01:08:22 |
AND YOU CAN COME IN |
| 01:08:24 |
[ Earl ] |
| 01:08:27 |
AND WE'LL CUT INTO |
| 01:08:29 |
MAKE A LOOP OF THE EMPTY GARAGE, |
| 01:08:33 |
AND THEN FEED IT BACK |
| 01:08:36 |
THAT'LL GIVE US A CLEAR SHOT |
| 01:08:39 |
[ Quint ] |
| 01:08:42 |
IT SHOULD WORK. |
| 01:09:00 |
I WANT TO SHOW YOU |
| 01:09:13 |
THIS IS THE MAN WHO |
| 01:09:16 |
THE NIGHT |
| 01:09:19 |
DO YOU KNOW THIS MAN ? |
| 01:09:22 |
NOT REALLY. |
| 01:09:27 |
WHAT DO YOU THINK |
| 01:09:29 |
- YOU'RE ASKING ME ? |
| 01:09:32 |
NO. |
| 01:09:37 |
THIS NEXT TAPE WAS JUST |
| 01:09:47 |
YOU BASTARD ! |
| 01:09:51 |
- YOU BETRAYED ME. |
| 01:09:54 |
REAL NINA. |
| 01:09:59 |
STOP IT. STOP IT ! |
| 01:10:02 |
DON'T TURN AWAY, NINA. |
| 01:10:04 |
LET'S SEE HOW YOU REPAID ME |
| 01:10:06 |
I OWE YOU NOTHING ! |
| 01:10:09 |
YOU GAVE ME YOUR LIFE ! |
| 01:10:12 |
I WAS ON THE STREET. |
| 01:10:16 |
SHE WAS SLEEPING |
| 01:10:20 |
MY CAR ! AND SHE |
| 01:10:24 |
SHE WAS A NATURAL. |
| 01:10:28 |
I REMEMBER |
| 01:10:30 |
GET HER OUT OF HERE. |
| 01:10:37 |
GET THE TRUTH OUT OF HER. |
| 01:10:53 |
[ Grunts, Panting ] |
| 01:10:56 |
YOU TRY IT ! |
| 01:10:59 |
[ Earl ] |
| 01:11:01 |
[ Quint ] |
| 01:11:16 |
I HOPE TO HELL |
| 01:11:18 |
LASER BEAM WILL BLIND |
| 01:11:21 |
YOU KNOW, IT'S CRAZY |
| 01:11:24 |
ONE OF US SHOULD BE |
| 01:11:27 |
I'LL NEED BOTH OF YOU |
| 01:11:29 |
WITH THE CAR. |
| 01:11:32 |
I'M THE ONE THAT SHOULD |
| 01:11:37 |
EARL. |
| 01:11:39 |
I DON'T KNOW IF I |
| 01:11:42 |
THEY DID. |
| 01:11:45 |
TIME TO SYNCH UP. |
| 01:11:50 |
GENTLEMEN... |
| 01:11:52 |
WE GO PRECISELY 15 MINUTES... |
| 01:11:56 |
FROM... |
| 01:11:58 |
[ Beeping ] |
| 01:12:12 |
READY ? |
| 01:12:19 |
GO. |
| 01:13:08 |
REPORT TO SECURITY CENTER |
| 01:13:10 |
MAINTENANCE, |
| 01:13:13 |
WHAT IS IT ? |
| 01:13:15 |
WHAT'S WRONG WITH THEM ? |
| 01:13:17 |
RUN A SYSTEMS CHECK. |
| 01:13:22 |
I THINK THEY GOT RATS |
| 01:13:31 |
THERE. THERE IT IS. |
| 01:13:58 |
[ Lock Buzzes ] |
| 01:14:07 |
HEY ! HEY ! |
| 01:14:10 |
HEY ! |
| 01:15:38 |
WHAT DO WE DO NOW ? |
| 01:15:40 |
YOU'LL SEE. |
| 01:17:01 |
[ Quint Gasps ] |
| 01:17:03 |
OH, DAMN. |
| 01:17:10 |
[ Grunting ] |
| 01:17:34 |
[ Gasps ] |
| 01:17:41 |
[ Grunting ] |
| 01:18:13 |
[ Grunting Continues ] |
| 01:18:49 |
THIS IS THE ONE. |
| 01:20:26 |
ALL RIGHT, DO IT. |
| 01:20:37 |
GOT IT. |
| 01:20:46 |
THAT'S ENOUGH FOR A LOOP. |
| 01:20:56 |
GOOD. LET'S GO. |
| 01:21:04 |
ANY TROUBLE |
| 01:21:07 |
- NO. WHAT'S UP ? |
| 01:21:20 |
[ Nina Shouting ] |
| 01:21:26 |
OPEN THIS DOOR ! |
| 01:21:29 |
[ Pounding ] |
| 01:21:39 |
OPEN THIS DOOR ! |
| 01:21:43 |
- WHAT ARE YOU DOIN' ? |
| 01:21:48 |
STAND BACK. |
| 01:21:54 |
[ Grunts ] |
| 01:22:02 |
TAPE THAT GRATE BACK. |
| 01:22:46 |
HOW'RE YA DOIN' ? |
| 01:22:59 |
NO, DON'T. |
| 01:23:12 |
[ Crying ] |
| 01:23:44 |
- LOOK AT THAT. |
| 01:24:01 |
- HI. |
| 01:24:03 |
[ Grunts ] |
| 01:24:09 |
WELL ? |
| 01:24:37 |
OKAY. |
| 01:24:43 |
[ Lock Buzzes ] |
| 01:24:45 |
NINA ? |
| 01:25:22 |
COME ON. |
| 01:25:25 |
IT'S BEEN A WHILE SINCE |
| 01:25:29 |
LET ME TRY. |
| 01:25:37 |
WE'VE STILL GOT PROBLEMS, |
| 01:25:39 |
- THERE SHE IS. |
| 01:25:43 |
THERE'S SOMETHING |
| 01:25:46 |
[ Alarm Blaring ] |
| 01:25:49 |
- THEY'VE SEEN US. |
| 01:25:51 |
WHAT'S THAT ? |
| 01:25:54 |
I GOT IT. |
| 01:25:57 |
[ Alarm Continues ] |
| 01:26:16 |
CAREFUL WITH THOSE BRAKES ! |
| 01:26:37 |
- NOT BAD. |
| 01:26:39 |
[ Tires Screeching ] |
| 01:26:44 |
THREE ! |
| 01:26:52 |
[ Automatic Gunfire ] |
| 01:27:01 |
ARMED. |
| 01:27:03 |
- KEEP THEM AWAY FROM THE DOOR. |
| 01:27:09 |
I HOPE YOU KNOW |
| 01:27:11 |
AND I'VE BEEN HERE BEFORE. |
| 01:27:23 |
[ Tires Skidding ] |
| 01:27:28 |
- YOU TRIED TO BLOW IT ? |
| 01:27:31 |
I TRAPPED HIM. |
| 01:28:00 |
ANY IDEAS ? |
| 01:28:07 |
OH, SHIT ! |
| 01:28:15 |
PUSH THEM BACK. |
| 01:28:18 |
- NO, NOT THIS WAY ! |
| 01:28:20 |
- FREIGHT ELEVATOR ! |
| 01:28:26 |
NOW TAKE THEM |
| 01:28:37 |
HOW DO WE STOP |
| 01:29:18 |
HOLD IT ! STOP ! |
| 01:29:25 |
VERY IMPRESSIVE. |
| 01:29:29 |
WE JUST STAND HERE |
| 01:29:34 |
IT'S OVER. |
| 01:29:37 |
YOU'VE DONE WELL. |
| 01:29:40 |
YOU GAVE MY SECURITY SYSTEM |
| 01:29:43 |
POINTED OUT SOME PROBLEMS. |
| 01:29:46 |
YOU, SIR, |
| 01:29:48 |
WE'VE NEVER MET, BUT I'VE |
| 01:29:51 |
YOU'LL BE REMEMBERED. |
| 01:29:53 |
- I WISH THERE WERE A COUPLE |
| 01:29:58 |
YOU, NINA, STEP OUT OF THE CAR |
| 01:30:05 |
WE'LL CALL THIS EPISODE... |
| 01:30:07 |
AN UNFORTUNATE BREAKDOWN |
| 01:30:10 |
FOR BOTH OF US. |
| 01:30:16 |
GIVE ME YOUR GUN. |
| 01:30:37 |
GET DOWN ! |
| 01:30:46 |
WATCH IT ! |
| 01:31:16 |
[ Engine Winding Down ] |
| 01:31:46 |
CONGRATULATIONS, QUINT. |
| 01:31:49 |
YOU JUST GAVE |
| 01:31:52 |
I'LL BE TAKING THAT. |
| 01:31:56 |
GET HIM. |
| 01:32:00 |
NOW, LET'S SEE. |
| 01:32:02 |
WHERE WAS IT WE LEFT OFF ? |
| 01:32:04 |
[ Both Grunting ] |
| 01:32:21 |
[ Grunts ] |
| 01:32:24 |
SHUT UP, BITCH ! |
| 01:32:36 |
GIVE ME YOUR GUN. |
| 01:33:52 |
YOU'RE JUST NOT |
| 01:33:58 |
YOU'RE NOT EVEN A RUNNER-UP. |
| 01:34:06 |
BETTER WATCH THAT GUY. |
| 01:34:12 |
- NICE JOB, QUINT. |
| 01:34:15 |
HOUR AND A HALF TO SPARE. |
| 01:34:20 |
- NEXT TIME. |
| 01:34:23 |
YEAH ? |
| 01:34:25 |
YEAH... HONEST. |
| 01:34:30 |
HMM. |
| 01:34:39 |
OH, NO ! |
| 01:34:42 |
FORGET THE ITALIANS, EARL. |
| 01:34:45 |
[ Siren Wailing ] |
| 01:34:49 |
[ Sirens Wailing ] |
| 01:34:58 |
[ Groaning ] |
| 01:35:04 |
[ Groaning ] |
| 01:35:12 |
[ Sighs ] |
| 01:35:15 |
ARE YOU SURE |
| 01:35:22 |
THEY BEAT ME UP. |
| 01:35:28 |
[ Groaning Continues ] |
| 01:35:32 |
I THINK... |
| 01:35:34 |
IT MIGHT BE A GOOD IDEA |
| 01:35:37 |
GIVE YOUR BODY |
| 01:35:42 |
[ Sighs ] |
| 01:35:44 |
TELL ME SOMETHING. |
| 01:35:47 |
YEAH. |
| 01:35:49 |
ARE YOU GLAD |
| 01:35:52 |
YEAH. |
| 01:36:02 |
ME TOO. |
