Blood Diamond
|
00:01:09 |
Dia. |
00:01:15 |
English boys don't go |
00:02:48 |
Teacher say this country |
00:02:51 |
Do you know |
00:02:54 |
Well, she says someday |
00:02:56 |
...our world will be a paradise. |
00:02:59 |
And all this you learn in one day? |
00:03:02 |
And math and science. |
00:03:04 |
This is too much learning. Tomorrow, |
00:03:08 |
No, Papa. |
00:03:09 |
What? So now you want |
00:03:46 |
- Stay. |
00:03:47 |
- Stay! |
00:04:25 |
Jassie! |
00:04:26 |
Solomon. |
00:04:41 |
Come, come, come. |
00:04:47 |
Pick it up. Quick. |
00:04:50 |
- Papa! Papa! |
00:04:53 |
- Dia, run! |
00:04:59 |
- Papa! Papa! |
00:05:04 |
Papa! |
00:05:22 |
Bring forward the next one. Bastard. |
00:05:24 |
Bring forward the next one. |
00:05:27 |
- Long sleeve or short sleeve? |
00:05:32 |
Young man. You must understand. |
00:05:34 |
The government wants you to vote, okay? |
00:05:37 |
They gonna tell you say, |
00:05:41 |
We now the future. |
00:05:43 |
So we take your hands. |
00:05:45 |
- No. |
00:05:49 |
Chop him. |
00:05:54 |
Spread the word. |
00:06:00 |
- RUF! |
00:06:06 |
Bring forward the next one. |
00:06:12 |
Long sleeve or short sleeve? |
00:06:16 |
- Short sleeve! |
00:06:18 |
Hold on, hold on. Wait, wait, wait. |
00:06:22 |
Not this one. Look at him. |
00:06:25 |
- Put him in the truck. |
00:06:26 |
Bring him to the mines. |
00:06:28 |
He can work. He can work. |
00:06:30 |
Next one, next one, next one. |
00:06:38 |
Throughout the history of Africa... |
00:06:40 |
...whenever a substance |
00:06:44 |
...the locals die |
00:06:47 |
Now, this was true of ivory, |
00:06:53 |
It is now true of diamonds. |
00:06:56 |
According to a devastating report |
00:07:00 |
...these stones are being used |
00:07:05 |
We must act to prohibit... |
00:07:08 |
...the direct or indirect import |
00:07:19 |
May I remind you... |
00:07:20 |
...that the U.S. is responsible for two-thirds |
00:07:25 |
...and I don't anticipate |
00:07:29 |
We must remember |
00:07:31 |
...comprise only a small percentage |
00:07:36 |
...whose trade is crucial to the economies |
00:07:42 |
The Freetown government |
00:07:45 |
...have raped your land |
00:07:48 |
RUF have freed you. |
00:07:50 |
- No more slave and master here. |
00:07:54 |
Current estimates are that conflict stones |
00:07:59 |
But in a multi-billion-dollar-a-year |
00:08:01 |
...that means hundreds of millions |
00:08:05 |
...for weapons in these conflict zones. |
00:08:07 |
RUF is fighting for the people! |
00:08:09 |
RUF is fighting for Sierra Leone! |
00:08:12 |
Any bastard think he would joke |
00:08:19 |
Stop! |
00:08:22 |
And we are joined today |
00:08:26 |
...who wholeheartedly |
00:08:30 |
I hope you join me |
00:08:34 |
Mr. Van De Kaap and Mr. Simmons. |
00:08:46 |
Give it to me. |
00:09:21 |
Don't worry. We'll be fine, huh? |
00:09:25 |
Listen. You take off |
00:09:29 |
You don't land |
00:09:33 |
You be careful, Danny. |
00:09:35 |
Don't worry. They want these guns |
00:09:53 |
Where is Commander Zero? |
00:09:57 |
I am Captain Rambo. |
00:10:00 |
Right. Right, I've seen your films, huh? |
00:10:07 |
I'm looking for Commander Zero, huh? |
00:10:10 |
He's inside. You talk to me. |
00:10:12 |
You are here to help us |
00:10:15 |
I'm here to do business |
00:10:34 |
All right. |
00:10:35 |
You are the man, huh? |
00:10:43 |
Here, huh? |
00:10:56 |
Hey. I'm talking to you! Stop! |
00:10:59 |
- Commander Zero. |
00:11:01 |
- I go kill you, eh? |
00:11:04 |
Commander Zero. Commander Zero. |
00:11:08 |
Mr. Archer, come here. |
00:11:18 |
You get something for me? |
00:11:20 |
And yourself get something for me, huh? |
00:11:24 |
Are you craze? |
00:11:45 |
This no fine, huh? |
00:11:47 |
This no fine. |
00:11:55 |
...and their new weapons, huh? |
00:11:57 |
Maybe I could kill you |
00:12:00 |
Then you get one more dead body... |
00:12:02 |
...instead of airplane |
00:12:05 |
So I'm think I'm gonna go |
00:12:08 |
Them government, |
00:12:10 |
Wait, wait. Wait, my friend. |
00:12:17 |
This is the thing you want? Here. |
00:12:20 |
So many I not know |
00:12:22 |
Hey, Archer, next time, |
00:12:26 |
- I wanna see Baywatch. |
00:12:29 |
Yeah. Yeah. |
00:12:54 |
Hello, hello, hello. |
00:12:57 |
Papers, please. |
00:12:59 |
Danny Archer, National Geographic. |
00:13:04 |
You crossing into Liberia. |
00:13:06 |
I've got a letter from the minister of interior |
00:13:10 |
I'm doing a story on the Marrakaz, |
00:13:12 |
...are allowed to cross the border |
00:13:16 |
You ever read National Geographic, huh? |
00:14:00 |
- You're under arrest for smuggling. |
00:14:02 |
Listen here, my friend. |
00:14:05 |
I am good friends |
00:14:08 |
Colonel Coetzee would not be pleased |
00:14:12 |
Now, you know who I am, all right? |
00:14:14 |
You don't wanna make trouble for me |
00:14:17 |
Now, look, why don't I just |
00:14:21 |
You take one or two of those stones |
00:14:25 |
...or maybe the mistress, all right? |
00:14:29 |
We'll go back to Freetown |
00:14:32 |
...how he wishes |
00:14:35 |
Guys, take him away. |
00:15:23 |
Hey! What the fuck? |
00:15:26 |
Come on! Fix that shit now! |
00:15:28 |
Wasting my time here! |
00:15:32 |
Fuck that stuff! Fix that shit! |
00:15:35 |
- Can't work. What's going on there? |
00:15:37 |
- Fix that thing. |
00:15:40 |
- I can't hold it in, boss. |
00:15:44 |
Get to work. Go to work, go to work. |
00:15:46 |
Fuckheads wasting my time now. |
00:15:56 |
Stop! |
00:15:59 |
Spread your fingers. |
00:16:02 |
Open. |
00:16:19 |
Make it quick. |
00:16:57 |
Give it to me. |
00:17:01 |
Give it to me. |
00:17:03 |
The government troops are coming! |
00:17:10 |
Go, go, go--! |
00:17:44 |
No, no, no! |
00:17:45 |
No! I'm not a rebel! |
00:18:27 |
RUF is coming! RUF is coming! |
00:18:30 |
RUF is coming! RUF is coming! |
00:18:34 |
RUF is coming! RUF is coming! |
00:18:38 |
RUF is coming! RUF is coming! |
00:18:49 |
RUF! RUF! RUF! |
00:18:51 |
RUF! RUF! RUF! |
00:18:54 |
RUF! RUF! RUF! |
00:18:57 |
RUF! RUF! RUF! |
00:19:05 |
Hey. |
00:19:07 |
What did you do with it? |
00:19:09 |
I'm talking to you, you hear me? |
00:19:13 |
Where the diamond? The pink one. |
00:19:16 |
- I saw you take it. |
00:19:19 |
Liar! I saw it with my own eyes. |
00:19:24 |
This big. Biggest I have ever seen. |
00:19:29 |
My brothers, I go give $1000... |
00:19:33 |
...to the man who cuts the diamond |
00:19:36 |
You the craze! You the craze! |
00:19:40 |
Where is the diamond? |
00:19:42 |
Where is the diamond? |
00:19:46 |
You devils have taken my family! |
00:19:52 |
Here, look. What is left? |
00:19:56 |
What is left? |
00:19:58 |
If there is a diamond, |
00:20:00 |
Liar! The man is a liar! |
00:20:03 |
I know your name, Solomon Vandy! |
00:20:07 |
You have a family! |
00:20:11 |
And I'll find them! |
00:20:30 |
Please tell me you brought me |
00:20:33 |
I just have to tell you, Danny. |
00:20:35 |
The colonel's not going to be happy |
00:20:38 |
Forget the colonel. |
00:20:41 |
He might've found a pink. Big one. |
00:20:44 |
What about the colonel? |
00:20:46 |
Screw the colonel. |
00:20:49 |
If this stone is as big as I think, |
00:20:53 |
What? What? |
00:20:56 |
London wants nothing more |
00:20:59 |
"Arrest in Sierra Leone of Daniel Archer, |
00:21:04 |
"Retains close ties |
00:21:06 |
Sources say they deny |
00:21:10 |
Fucking hell. |
00:21:13 |
Listen, his name |
00:21:16 |
Van De Kaap is gonna want that stone, |
00:21:19 |
Get him out. |
00:21:24 |
Yeah, can you tell Mr. Simmons |
00:21:29 |
Archer. A-R-C-H-E-R. |
00:21:57 |
Afternoon, darling, huh? |
00:21:59 |
Big white man all alone. |
00:22:03 |
- I'm safe, huh? No HIV. |
00:22:08 |
Archer, I know where to get |
00:22:11 |
- Not now, next time. |
00:22:13 |
I said not now, next time. Bugger off. |
00:23:08 |
Solomon Vandy? |
00:23:11 |
What do you want? |
00:23:13 |
It seems you made a friend in prison. |
00:23:41 |
- Hey. |
00:23:43 |
The body fine, M'Ed. |
00:23:50 |
So you want something nice, huh? |
00:23:52 |
The best you can get ahold of, all right? |
00:23:55 |
Take me a few days, |
00:23:59 |
All right. You hear |
00:24:03 |
- Really? |
00:24:05 |
You know every move they make. |
00:24:08 |
Oh, I imagine they come |
00:24:12 |
Yeah, yeah. |
00:24:16 |
Yeah. |
00:24:26 |
Who's that, huh? |
00:24:29 |
All right. |
00:24:37 |
- Can I offer you a cigarette? |
00:24:41 |
You listening to this? |
00:24:43 |
I am profoundly sorry. |
00:24:46 |
The world is falling apart, |
00:24:50 |
I believe he's sorry. |
00:24:52 |
When was the last time the world |
00:24:57 |
A cynic. Why don't you sit down |
00:25:03 |
- Danny Archer. |
00:25:06 |
- Pleased to meet you. |
00:25:08 |
- American, huh? |
00:25:11 |
Well, Americans usually are. |
00:25:13 |
Says the white South African? |
00:25:17 |
I'm from Rhodesia. |
00:25:21 |
We say Zimbabwe now, |
00:25:23 |
- Do we? |
00:25:27 |
Don't tell me, |
00:25:29 |
- And you're here to make a buck? |
00:25:33 |
- That's a shame. |
00:25:35 |
Peace Corps types only |
00:25:37 |
...to realize they're not helping anyone. |
00:25:40 |
Government only wants |
00:25:42 |
...until they've stolen enough |
00:25:45 |
And the rebels, they're not sure |
00:25:47 |
Otherwise, |
00:25:50 |
- But TIA, right, M'Ed? |
00:25:52 |
What's TIA? |
00:25:54 |
- "This is Africa," huh? |
00:25:59 |
- You want another? |
00:26:05 |
So which one are you? |
00:26:09 |
- Smuggler? |
00:26:12 |
Somehow you don't strike me |
00:26:16 |
How about soldier of fortune? |
00:26:19 |
Or is that too much of a cliché? |
00:26:22 |
Diamonds? |
00:26:24 |
- If I told you I was a missionary...? |
00:26:29 |
Better watch that type of talk, |
00:26:32 |
In America, it's bling-bling, |
00:26:35 |
I wouldn't want you |
00:26:39 |
How much trouble |
00:26:42 |
...for talking about blood diamonds? |
00:26:48 |
- You're a journalist. |
00:26:55 |
Piss off, huh? |
00:27:01 |
For five years, this country has reported |
00:27:04 |
...while Liberia, right next door, |
00:27:08 |
Very odd, considering that Liberia |
00:27:11 |
I'm shocked. |
00:27:13 |
Van De Kaap denies trading blood |
00:27:16 |
...to tell where a diamond comes from |
00:27:21 |
What do you want from me, huh? |
00:27:22 |
You know all about Van De Kaap. |
00:27:27 |
Well, off the record, I like to get kissed |
00:27:34 |
Shit. |
00:28:09 |
- Cordell. How is it, Shona? |
00:28:12 |
- How's Alice? |
00:28:16 |
Tim must be in school, right? |
00:28:18 |
- Big kids, big problems, you know? |
00:28:21 |
I heard you got into a spot of trouble |
00:28:23 |
Well, you know the bush, right, bru? |
00:28:26 |
- Company doing well? |
00:28:29 |
Eleven wars in the continent. |
00:28:32 |
So, what, you're here on holiday, huh? |
00:28:36 |
- How's the colonel? |
00:28:38 |
Good, good. Score us a loose, huh? |
00:28:43 |
Smoking will kill you, bru. |
00:28:45 |
Only if I live, right? |
00:28:52 |
That's for breaking my TV, bru. |
00:28:59 |
Tell the colonel he'll get his money. |
00:29:09 |
Ten more. |
00:29:11 |
Come. Come. |
00:29:20 |
Go on. |
00:29:35 |
Dia. Dia. Come here. |
00:29:40 |
Go. Go, Mama. |
00:29:43 |
Stay down. |
00:30:03 |
Excuse me, |
00:30:04 |
- Check the list. |
00:30:07 |
- File papers at the Office for Refugees. |
00:30:11 |
Then God help you, |
00:30:14 |
- Please, sir-- |
00:30:15 |
- Sir-- Sir, no, please. |
00:30:17 |
Husband here. One year we look. |
00:30:25 |
Hurry, Mom. Go. |
00:30:33 |
Dia! Dia! |
00:30:34 |
- Jassie! |
00:30:35 |
- Mama! |
00:30:37 |
Jassie! Mama! |
00:31:02 |
He's been waiting. |
00:31:05 |
What are you gonna do, |
00:31:09 |
Now, don't be a wanker, man. Get in. |
00:31:44 |
- Hello, Danny. |
00:31:46 |
You look well. |
00:31:48 |
Clean living and a pure heart, |
00:31:52 |
Walk with me. |
00:31:55 |
It seems the rebels have taken back |
00:31:58 |
The government |
00:32:01 |
...to go in there |
00:32:03 |
So you sell the rebels weapons... |
00:32:05 |
...the government hires you |
00:32:08 |
I assume you're asking |
00:32:11 |
We save the government, |
00:32:14 |
And you get rich, right? |
00:32:21 |
How long have I known you, Danny? |
00:32:23 |
I was... I was 19, sir. |
00:32:26 |
And you survived. |
00:32:32 |
Just lucky, I guess. |
00:32:37 |
No, you were a good soldier. |
00:32:45 |
Yes, sir. Yes, you did. |
00:32:47 |
And over the years, |
00:32:50 |
...teach you about diamonds, |
00:32:54 |
- Some might call it that, yeah. |
00:32:59 |
...because you done with me now, eh? |
00:33:06 |
I need a man that knows |
00:33:08 |
Unless, of course, |
00:33:13 |
Sir... |
00:33:15 |
Our deal went bad, |
00:33:17 |
I'll take a stone as payment. |
00:33:19 |
Look, do you think if I found a stone |
00:33:23 |
- Come on. |
00:33:30 |
That's red earth. It's in our skin. |
00:33:34 |
The Shona say the color |
00:33:37 |
...that's being spilled |
00:33:41 |
This is home. |
00:33:49 |
If you say so, sir. |
00:34:07 |
So, what did you do, bury it? |
00:34:12 |
Yeah. Yeah, I would have |
00:34:15 |
- What are you talking about? |
00:34:20 |
I'm late for work. |
00:34:21 |
Pink, huh? The biggest one |
00:34:24 |
You were in the mining camps, |
00:34:26 |
Why else would that rebel with |
00:34:30 |
Go ask him. |
00:34:46 |
Thank you. |
00:34:57 |
Your mothers and fathers, |
00:35:00 |
- You are dead! You have been reborn. |
00:35:02 |
- We are your family now. |
00:35:13 |
Your parents are weak. |
00:35:16 |
They're the farmers. |
00:35:21 |
They've done nothing |
00:35:26 |
But you are the heroes |
00:35:31 |
You are not children anymore. |
00:35:34 |
You're men. |
00:35:38 |
No one has ever given you respect... |
00:35:41 |
...but with this in your hand, |
00:35:45 |
If you do not get |
00:35:47 |
...you will take it |
00:35:50 |
- Repeat after me, shed their blood. |
00:35:54 |
- Louder! Shed their blood! Shed their blood! |
00:35:57 |
Make them hear you in Freetown. |
00:36:00 |
Shed their blood! Shed their blood! |
00:36:03 |
- Dia Vandy, stand up. |
00:36:06 |
- Shed their blood! Shed their blood! |
00:36:09 |
Shed their blood! |
00:36:11 |
Shed their blood! |
00:36:13 |
- Shed their blood! Shed their blood! |
00:36:16 |
Come on, Dia. Pull the trigger. |
00:36:55 |
I know, I know. |
00:37:00 |
Sit up. Come. |
00:37:03 |
But you are a soldier |
00:37:07 |
And I am your commander. |
00:37:11 |
Whatever you need... |
00:37:13 |
...guns, CDs, food... |
00:37:16 |
...come to me. |
00:37:23 |
Today, you are promoted |
00:37:34 |
Dia Vandy... |
00:37:38 |
...boss man. |
00:37:57 |
How's it, bru? |
00:38:00 |
- You got something for me, huh? |
00:38:04 |
- So, what's new, M'Ed? |
00:38:07 |
Tried to hit the government building |
00:38:10 |
Shit, man, half the people |
00:38:15 |
- Might be time to get your family out, huh? |
00:38:18 |
Just fire up the chopper |
00:38:22 |
This my country, man. |
00:38:24 |
We here long before you came, |
00:38:37 |
- Hi. I'm Maddy Bowen. |
00:38:40 |
- No, I don't dance. |
00:38:49 |
- So, Danny... |
00:38:51 |
Archer. |
00:38:53 |
When did you first start |
00:38:59 |
Then you did the whole |
00:39:05 |
So, what are you? |
00:39:09 |
Maybe I wasn't breast-fed |
00:39:13 |
You think I haven't met |
00:39:16 |
- I think you get off on people like me. |
00:39:22 |
When did you first start |
00:39:25 |
Christ, you never stop, do you? |
00:39:28 |
No, I never stop. |
00:39:32 |
Do you want me to stop? |
00:39:35 |
Why don't we go back to your place, |
00:39:39 |
I'm a print journalist. I drank it. |
00:39:42 |
Is it possible that you don't care |
00:39:45 |
...because of the deals you do? |
00:39:47 |
People here kill each other as a way of life. |
00:39:51 |
So you can just watch it |
00:39:55 |
Maybe we should all just |
00:39:57 |
Look, thanks for the dance, huh? |
00:40:02 |
- And a shot too, huh, M'Ed? |
00:40:09 |
You're a hard case, huh? |
00:40:10 |
Tell me something, |
00:40:14 |
Three months. And before that, |
00:40:17 |
You come here |
00:40:19 |
...and your malaria medicine |
00:40:24 |
Think you're gonna change |
00:40:27 |
Let me tell you something. |
00:40:30 |
- Really? |
00:40:32 |
Tell me, how is that? |
00:40:33 |
Who do you think buys |
00:40:35 |
Dreamy American girls who all want |
00:40:39 |
...like the ones in the advertisements |
00:40:43 |
So, please, don't come here |
00:40:47 |
I provide a service. The world wants what |
00:40:52 |
We're in business together. |
00:40:56 |
Okay, just to clarify, not all American girls |
00:41:00 |
...just like not all Africans kill each other |
00:41:03 |
And yeah, it's a shit, shit world, |
00:41:05 |
Good things are done every day, |
00:41:11 |
This place is about to explode. |
00:41:14 |
I wanna spend my time |
00:41:27 |
You are listening to BBC World Service. |
00:41:31 |
In Sierra Leone, Revolutionary United Front |
00:41:34 |
...within 10 kilometers |
00:41:37 |
The minister of the interior |
00:41:40 |
...that the government troops |
00:41:43 |
All foreign nationals are being advised |
00:41:46 |
There are also unconfirmed reports... |
00:41:48 |
...that atrocities are being committed by |
00:41:53 |
The United Nations has described |
00:42:08 |
Don't tell me you're gonna try |
00:42:11 |
To who? |
00:42:14 |
You need my help, |
00:42:16 |
- What are you talking about? |
00:42:19 |
You hear that? You hear that? |
00:42:23 |
It's started. |
00:42:25 |
Listen, the right stone can buy anything. |
00:42:30 |
But a big stone does not stay secret |
00:42:33 |
The moment you tell anyone about it, |
00:42:36 |
The only reason you're alive is |
00:42:39 |
Am I right? Am I? |
00:42:41 |
Who do you think got you |
00:42:43 |
- That makes us partners. |
00:42:46 |
What if I helped you find your family? |
00:42:49 |
What do you know of my family? |
00:42:51 |
The relief agencies are useless, |
00:42:54 |
- There are other ways, bru. |
00:42:57 |
Look at me. I know people, huh? |
00:43:00 |
Without me, you're just another |
00:43:07 |
Oh, shit. |
00:43:10 |
We got no time. |
00:43:12 |
You would say anything. |
00:43:14 |
I don't give a fuck about you, all right? |
00:43:18 |
We split it, and you get your family. |
00:43:22 |
- Where will we go? Where do we go? |
00:43:56 |
Stay low! |
00:44:00 |
Get your ass over here! |
00:44:12 |
Wait! |
00:44:13 |
Now! |
00:44:20 |
Come on, come on. |
00:44:26 |
Come on! |
00:44:43 |
Come on. |
00:44:45 |
Fuck! |
00:44:56 |
No, this way. |
00:44:58 |
Fire! |
00:45:15 |
Fuck! Go, go, go! |
00:45:17 |
Go! |
00:45:29 |
Shit! |
00:45:31 |
No! No! |
00:45:41 |
This way. |
00:46:03 |
This way. Stay low. |
00:46:16 |
Come on. Go, go, go. Come on. |
00:46:25 |
Come on! |
00:46:32 |
It's okay. It's okay, it's okay. |
00:47:00 |
Fire! |
00:48:44 |
- Is there another way? |
00:48:48 |
So, what do we do? |
00:49:01 |
- You are RUF, huh? And I am your prisoner. |
00:49:06 |
You wanna see your son again, don't you? |
00:49:10 |
Wait, wait. Wait. |
00:49:14 |
Bring that pink chicken skin |
00:49:17 |
Now let me shoot that pink ass, boy. |
00:49:55 |
Where are we going? |
00:49:58 |
Lungi's under government control. |
00:50:01 |
I'm gonna try to locate a sat phone |
00:50:06 |
I have agreed to nothing. |
00:50:09 |
You're in a bit of a conundrum there, |
00:50:11 |
You know what that means? |
00:50:30 |
So you're a fisherman, huh? |
00:50:33 |
- What do you catch mostly? |
00:50:45 |
Come on. |
00:50:59 |
- Hello. |
00:51:00 |
Listen, I'm from |
00:51:03 |
My wallet, my credentials, |
00:51:06 |
We barely got out with our lives. |
00:51:09 |
Back away from the fence. |
00:51:16 |
But you are not a journalist. |
00:51:18 |
I'm trying to get us to Kono. |
00:51:20 |
- Do you understand that, huh? |
00:51:22 |
Listen, I'm coming back. |
00:51:25 |
How's it, my bru? |
00:51:28 |
- Here. |
00:51:30 |
I'm looking for someone, an American |
00:51:33 |
- If you saw her, you would not forget it. |
00:51:36 |
- Is it? |
00:51:37 |
Can you tell her Danny Archer's looking |
00:51:41 |
Okay, but I'm going out for a bit. |
00:51:45 |
Magic. Listen, we'll be |
00:51:47 |
- Sweet. Cheers, bru. |
00:51:51 |
It is as I said. |
00:52:01 |
- You don't mind waiting? |
00:52:03 |
- Thank you so much. I'll just be a sec. |
00:52:10 |
Hi. |
00:52:12 |
You got out. |
00:52:14 |
Yes. Hello again. |
00:52:17 |
- This is Solomon Vandy. |
00:52:19 |
- Hello. |
00:52:21 |
So I'm on deadline. I've been waiting |
00:52:25 |
- I've got someone holding my place in line. |
00:52:30 |
All right. Here it is. |
00:52:32 |
- There's a company called Tiara Diamonds. |
00:52:35 |
They get the stones |
00:52:38 |
Now, Van De Kaap |
00:52:40 |
...but through a series of cross holdings |
00:52:44 |
- ...they actually own it. |
00:52:47 |
- If you help me out, yeah. |
00:52:51 |
Before you say anything, |
00:52:54 |
His entire village was burned down. |
00:52:59 |
He's been working in the mining camps, |
00:53:02 |
He cannot get through the red tape. |
00:53:04 |
All I'm asking is this, |
00:53:07 |
And how do you know this man? |
00:53:09 |
- I know him. I know him. |
00:53:14 |
You're using him. |
00:53:17 |
I'm using him, and you are using me, |
00:53:21 |
Come on. Look, you've got access |
00:53:24 |
- You can track his family for him. |
00:53:26 |
This whole country's at war. |
00:53:35 |
I can't believe I just said that. |
00:53:40 |
My family's here, in Guinea? |
00:53:43 |
Yes, according to the manifest. |
00:53:46 |
I do not know how to thank you. |
00:54:14 |
Thank you. Thank you. |
00:54:31 |
This is what a million people looks like. |
00:54:37 |
At the moment, the second largest |
00:54:41 |
Might catch a minute of this on CNN, |
00:54:56 |
- Hello. |
00:54:58 |
I've spoken with Colonel Coedoo... |
00:55:01 |
...and highlighted the names |
00:55:04 |
- Move away. |
00:55:05 |
Okay, I'm gonna check for you. |
00:55:07 |
- Wait me there. |
00:55:09 |
We are here to help you. |
00:55:11 |
This woman says she has |
00:55:13 |
An entire country made homeless. |
00:55:20 |
Two multiplied by three |
00:55:23 |
Two multiplied by four |
00:55:27 |
Two multiplied by five |
00:55:31 |
Two multiplied by six |
00:56:12 |
Jassie. |
00:56:14 |
Jassie! |
00:56:16 |
Jassie! |
00:56:18 |
- Jassie. |
00:56:19 |
- Jassie. |
00:56:21 |
Jassie. Jassie. |
00:56:25 |
- Solomon. |
00:56:36 |
- Solomon. |
00:56:39 |
Dia. Dia. |
00:56:42 |
Where is Dia? |
00:56:47 |
Jassie! |
00:56:59 |
They took him. |
00:57:05 |
There are only two children |
00:57:07 |
- Where is my son? |
00:57:10 |
Where is my son? |
00:57:12 |
- Away from the fence. |
00:57:14 |
Move away from the fence. |
00:57:16 |
- Let them out! Let them out! |
00:57:20 |
Let them out! |
00:57:25 |
Away from the fence. |
00:57:28 |
- They'll shoot you! |
00:57:30 |
No! Solo! |
00:57:32 |
Do you want your wife and child |
00:57:35 |
Solo! Solo! |
00:57:47 |
They said they're concerned that |
00:57:53 |
...so they refused to release them |
00:57:58 |
I'm so sorry, Solomon. |
00:58:01 |
What you want, Mr. Archer, |
00:58:04 |
...where I buried it. |
00:58:29 |
You say the mine is on the Sewa River. |
00:58:35 |
Solomon. |
00:58:38 |
I do not need a map. |
00:58:40 |
Yeah, well, I do. |
00:58:44 |
The press convoy |
00:58:46 |
You say the diamond mine is up here. |
00:58:53 |
When we get to Kono, |
00:58:56 |
You damn well better be able to find it. |
00:59:01 |
My son is a very good student. |
00:59:06 |
He walks five kilometers |
00:59:09 |
...every morning to study English. |
00:59:14 |
He's going to be a doctor one day. |
00:59:42 |
"In the 90-degree heat, |
00:59:46 |
...rattling the wire |
00:59:53 |
- What? |
00:59:58 |
Do you think I'm exploiting his grief? |
01:00:02 |
You're right. It's shit. |
01:00:04 |
It's like one of those infomercials. |
01:00:07 |
You know, the little black babies |
01:00:12 |
So here I've got dead mothers, |
01:00:16 |
It might be enough |
01:00:19 |
...maybe even write a check... |
01:00:21 |
...but it's not gonna be enough |
01:00:23 |
I am sick of writing about victims, |
01:00:28 |
Because I need facts. |
01:00:30 |
I need names. I need dates. |
01:00:36 |
People back home |
01:00:39 |
...if they knew it cost |
01:00:42 |
But I can't write that story... |
01:00:44 |
...until I get facts |
01:00:48 |
...which is to say, until I find someone |
01:00:54 |
So if that is not you... |
01:00:56 |
...and you're not really gonna help me, |
01:01:00 |
...then why don't you get the fuck |
01:01:04 |
...and let me do my work? |
01:01:14 |
Do you know that Solomon thinks |
01:01:21 |
Maybe his baby dies in that camp. |
01:01:24 |
Who knows, maybe both. |
01:01:28 |
Do you realize that |
01:01:30 |
...is the only chance he has |
01:01:33 |
- You don't give a rat's ass about his family. |
01:01:43 |
Listen, I need to get to Kono, all right? |
01:01:45 |
The only way |
01:01:47 |
I'm a journalist, |
01:01:50 |
- No. |
01:01:52 |
- Please. |
01:02:07 |
After I smuggle the stones |
01:02:10 |
...local buyers get them |
01:02:17 |
Go on. |
01:02:19 |
He pays off Customs and then certifies |
01:02:24 |
That way, they can be legally exported. |
01:02:27 |
Now, once they've reached |
01:02:31 |
...diamonds are brought |
01:02:33 |
...no more questions are asked. |
01:02:36 |
By the time they get to India... |
01:02:38 |
...the dirty stones are mixed with |
01:02:42 |
...and then they become |
01:02:44 |
And Van De Kaap |
01:02:48 |
Yeah. |
01:02:49 |
When I get to London, |
01:02:53 |
Supply and demand. You control the supply, |
01:02:56 |
- Agreed. |
01:02:58 |
Now, there's an underground vault... |
01:03:00 |
...where they put all the stones |
01:03:04 |
...so they can keep the price high. |
01:03:07 |
If rebels wanna flood the market |
01:03:10 |
...a company like Van De Kaap, |
01:03:13 |
...can't afford to let that happen. |
01:03:15 |
Especially when they're telling |
01:03:18 |
...he's supposed to shell out |
01:03:20 |
...for an engagement ring. |
01:03:22 |
Now, technically speaking, |
01:03:25 |
...but creating a situation |
01:03:28 |
- You understand? |
01:03:38 |
Names, dates and numbered accounts. |
01:03:44 |
You publish one word of this story |
01:03:47 |
...and I'm dead, huh? |
01:03:49 |
After I give it to them, |
01:03:56 |
If you don't come out |
01:03:58 |
Then write whatever you want. |
01:04:01 |
I'm already dead. |
01:04:10 |
Now, remember. All you say is, |
01:04:14 |
Listen, I cannot do this. |
01:04:16 |
- Why not? |
01:04:19 |
- Of course you're not. |
01:04:22 |
Because you do. Because that's how |
01:04:25 |
Now get on the bus. Go. |
01:04:44 |
I am the cameraman. |
01:04:53 |
You are writing about |
01:04:56 |
Yes. |
01:04:57 |
So when people in your country read it, |
01:05:02 |
Probably not. |
01:05:05 |
- You heard of a Stinger? |
01:05:07 |
Your friend, Maddy. She's like a full-on, |
01:05:12 |
I mean, I saw her go into Afghanistan... |
01:05:15 |
...like about 200 clicks |
01:05:18 |
When the military said no, |
01:05:21 |
Came back with 3000 words, |
01:05:25 |
- Like hot, you know? |
01:05:27 |
Calm down to the frantic now, huh? |
01:05:30 |
- What's that? |
01:05:33 |
Looks like it was an RPG. |
01:05:34 |
Open the door. Let us out. |
01:05:36 |
- Let's go, let's go. |
01:05:40 |
Go, go! Move, move, move! |
01:05:43 |
We've just happened upon |
01:05:47 |
...fifteen kilometers |
01:05:49 |
- ...near the Moa River... |
01:05:52 |
...just a few minutes ago... |
01:05:54 |
- ...an ambulance has... |
01:05:56 |
- Check out the head of the road. |
01:05:58 |
--at this site. |
01:06:01 |
Many are injured. |
01:06:13 |
Get back on the bus, huh? |
01:06:17 |
- Maddy! |
01:06:18 |
Get back on the bus! |
01:06:19 |
Solomon! Solomon! |
01:06:21 |
- Let's go. |
01:06:23 |
- Go, go, go. |
01:06:25 |
- Get in the bus! |
01:06:28 |
- Move! |
01:06:30 |
Get in, get in. |
01:06:32 |
- Let me inside! |
01:06:35 |
- Let them on the bus. |
01:06:37 |
What if we just take your place, huh? |
01:06:40 |
That's enough. He can ride with me. |
01:06:43 |
Maddy! Let's go! |
01:06:59 |
Nothing like a little bang-bang |
01:07:03 |
- Whatever you say, Corbauld. |
01:07:06 |
Story's played out, hasn't it? |
01:07:10 |
No one gives a toss anymore. |
01:07:48 |
This medicine will make you strong... |
01:07:51 |
...make you invisible to your enemies. |
01:07:53 |
Bullets will bounce off you. |
01:08:06 |
Superboy Killer, yes, huh? |
01:08:11 |
Foreigners are the cause of the problems. |
01:08:16 |
Poppy Sankoh say, |
01:08:22 |
I am Baby Killer. |
01:08:27 |
- I am the Master of Disaster. |
01:08:34 |
I am Born Trouble. |
01:08:42 |
I am See Me No More. |
01:08:53 |
You'd think they'd want |
01:08:58 |
I'm gonna have to start charging |
01:09:32 |
Get down! |
01:09:41 |
- Look out! |
01:09:56 |
- You all right? |
01:10:03 |
Shit! |
01:10:07 |
Hold on! |
01:10:19 |
Hold on! |
01:10:31 |
Come on. |
01:10:40 |
- Everyone all right, huh? |
01:10:43 |
Let me see that. You okay? |
01:10:44 |
- Yeah. |
01:10:48 |
Quietly, now. Quietly. |
01:11:12 |
Come on. |
01:11:35 |
Kamajors. Local militia |
01:11:39 |
- Do not look them in the eye. |
01:11:55 |
Excuse me. Excuse me? |
01:11:58 |
Hi, I'm Maddy Bowen |
01:12:01 |
Wonder if I could take your picture. |
01:12:05 |
I've heard about your struggle. |
01:12:08 |
Would you mind if I took your picture? |
01:12:11 |
Everyone could all come in together. |
01:12:16 |
Is that okay? |
01:12:19 |
If you come over here and come in |
01:12:22 |
Yeah. That's great. |
01:12:26 |
There you go. That's perfect. |
01:12:30 |
How about one together? |
01:12:32 |
I'll come in like this, yeah? |
01:12:35 |
Cheese. |
01:12:38 |
So do you think |
01:12:41 |
Shut up. |
01:12:56 |
Hey, get them, get them, get them. |
01:13:00 |
- I got a score. I got a score. |
01:13:04 |
Where have you come from? |
01:13:07 |
- Where did you come from? |
01:13:11 |
That's right. Yeah. |
01:13:14 |
I don't have anything for you. |
01:13:36 |
My name is Benjamin Margai. |
01:13:38 |
Danny Archer. This is Maddy Bowen. |
01:13:41 |
- Hello. How are you? |
01:13:59 |
I'm the cameraman? |
01:14:04 |
The Belgians were the first |
01:14:07 |
King Leopold took one hand |
01:14:11 |
...to keep them in line. |
01:14:14 |
Many of these children |
01:14:17 |
We have taken them back. |
01:14:19 |
Some of them have been |
01:14:22 |
We are trying |
01:14:26 |
Let me show you. |
01:14:29 |
Imagine doing all this, huh? |
01:14:33 |
What's your excuse? |
01:14:36 |
Well, it's gotten hard to go back |
01:14:41 |
So you're an action junkie, huh? |
01:14:45 |
Three out of five ex-boyfriends |
01:14:47 |
...say that I prefer to be |
01:14:52 |
Maybe I just give a shit. |
01:14:58 |
You were good today. |
01:15:02 |
You know that? |
01:15:04 |
You too. |
01:15:08 |
"--that sometimes they forgot |
01:15:12 |
She also wrote |
01:15:15 |
...who was very ill |
01:15:22 |
Cheers. |
01:15:26 |
So how many attacks |
01:15:29 |
I have known most of the rebels |
01:15:32 |
The local commander is still afraid |
01:15:38 |
So you think because your intentions |
01:15:42 |
My heart always told me |
01:15:45 |
My experience suggests otherwise. |
01:15:47 |
But what about you, Mr. Archer? |
01:15:49 |
In your long career as a journalist... |
01:15:52 |
...would you say that people |
01:15:57 |
No. |
01:15:59 |
I'd say they're just people. |
01:16:00 |
Exactly. It is what they do |
01:16:04 |
A moment of love, |
01:16:08 |
...can give meaning to a life. |
01:16:11 |
None of us knows which path |
01:16:17 |
Hey! |
01:17:06 |
It's palm wine. |
01:17:18 |
- Jesus Christ. |
01:17:21 |
God. |
01:17:22 |
- Drank that as a boy. |
01:17:27 |
I take notes. |
01:17:31 |
The Shona... |
01:17:34 |
The Shona have a word for me. |
01:17:38 |
- It means "white boy in Africa." |
01:17:43 |
I didn't leave. |
01:17:44 |
I got sent away to South Africa |
01:17:49 |
Then you joined the army? |
01:17:53 |
Yeah. Yeah, I did my time in Angola. |
01:17:56 |
- The 32 Battalion. |
01:18:01 |
You know, contrary to what |
01:18:04 |
...we fought with the blacks, huh? |
01:18:08 |
There was no apartheid in a foxhole. |
01:18:12 |
- This is Colonel Coetzee? |
01:18:18 |
Then, of course, it's 1994. |
01:18:21 |
No more apartheid. |
01:18:23 |
Truth and reconciliation |
01:18:27 |
Kumbaya. |
01:18:29 |
We fought and died together, |
01:18:32 |
Black and white. Most people back home |
01:18:35 |
We thought we were |
01:18:37 |
...but in the end, it was all about |
01:18:41 |
Ivory, oil, gold: |
01:18:45 |
Diamonds. |
01:18:50 |
So one day I decided, |
01:18:54 |
"I'm gonna get mine." |
01:18:56 |
You gonna steal his diamond? |
01:19:05 |
That diamond is my ticket |
01:19:09 |
That doesn't answer the question. |
01:19:21 |
My dad came home |
01:19:28 |
And it took him... |
01:19:31 |
...about 20 years to get right. |
01:19:35 |
What? |
01:19:39 |
You Americans love to talk |
01:19:43 |
So, what does that mean? |
01:19:46 |
- Got a thing for messed-up vets now? |
01:19:50 |
You lost both your parents. |
01:19:52 |
That's a polite way |
01:19:58 |
Mom was raped and shot... |
01:20:03 |
...and Dad was decapitated |
01:20:07 |
I was 9. |
01:20:13 |
Boohoo, right? |
01:20:18 |
Sometimes I wonder... |
01:20:23 |
...will God ever forgive us |
01:20:30 |
Then I look around and I realize... |
01:20:34 |
...God left this place a long time ago. |
01:20:44 |
It's... |
01:20:48 |
What's the point, huh? |
01:21:34 |
Oh, shit. Keep moving, huh? |
01:21:36 |
- What? |
01:21:38 |
Do you know where the word |
01:21:40 |
It means "child soldier." |
01:21:44 |
- Stop! Stop! RUF on the road! |
01:21:49 |
Hello, little brothers. |
01:21:50 |
- RUF on the road! |
01:21:53 |
I'm Dead Body. |
01:21:55 |
We are teachers on our way to Kono. |
01:21:57 |
Only RUF on the road. |
01:22:00 |
- RUF only! |
01:22:02 |
- Only RUF! |
01:22:05 |
Don't move! Don't move! Fuck. |
01:22:09 |
Jesus Christ! Maddy, press your hand |
01:22:13 |
- Got it. |
01:22:15 |
Whatever you do, |
01:22:17 |
Is there any wine left in that jug? |
01:22:19 |
- Here. |
01:22:22 |
The colonel's gonna have a medic |
01:22:26 |
- How far is it? |
01:22:29 |
A comedian, huh? |
01:22:44 |
- How's his pulse? |
01:22:57 |
- Hold it right there. |
01:23:00 |
Papers, please. |
01:23:06 |
Excuse me. |
01:23:07 |
I was just trying |
01:23:10 |
- He's lost a lot of blood. |
01:23:13 |
Will you? |
01:23:15 |
I'll check on him in the tent |
01:23:19 |
Hey. |
01:23:20 |
Look who's alive, eh? |
01:23:23 |
I told the H you'd be back. |
01:23:26 |
I'm afraid we're evacuating |
01:23:29 |
Transport touches down at 1600. |
01:23:31 |
She's with me, all right? |
01:23:33 |
No exceptions, pal. This is gonna be ugly. |
01:23:37 |
Is I.R.'s presence here |
01:23:41 |
- She's with you? |
01:23:44 |
Come on. The colonel's this way. |
01:23:46 |
Give me a minute, huh? |
01:23:51 |
We block their escape |
01:23:55 |
That's correct. |
01:23:58 |
You made it out. Well done. |
01:24:00 |
Negative, Kilo Foxtrot, stand by. |
01:24:03 |
- Colonel, sir. |
01:24:08 |
The pink. |
01:24:10 |
Well, you're part |
01:24:12 |
First we snuff everything that moves |
01:24:16 |
Colonel? |
01:24:18 |
Go get kitted. Yes? |
01:24:27 |
Move, move, move! |
01:24:29 |
- Go get your kit. |
01:24:36 |
It's go time, all right? |
01:24:42 |
How's Benjamin? |
01:24:44 |
They say he'll live. |
01:24:47 |
Good. Good. |
01:24:56 |
Listen, Maddy... |
01:24:59 |
...I need you to do me one last favor. |
01:25:02 |
Yeah? |
01:25:05 |
Tell that guard |
01:25:07 |
...on the cover of Soldier of Fortune |
01:25:15 |
You're going in. |
01:25:21 |
You and Solomon. |
01:25:25 |
You're going in now. |
01:25:27 |
Your plane leaves |
01:25:32 |
You're an idiot. |
01:25:38 |
- What if I wanted to go in with you? |
01:25:41 |
- What if I insist? |
01:25:50 |
It's my story. |
01:25:51 |
Your story is Van De Kaap, all right? |
01:25:54 |
I'm not leaving here without it, |
01:25:59 |
Please, just give me two minutes. |
01:26:19 |
Yeah. |
01:26:32 |
- Hello. |
01:26:34 |
My name is Maddy Bowen. |
01:26:37 |
I was wondering |
01:26:40 |
Well, that depends what they are. |
01:26:41 |
Oh, I see you're familiar |
01:26:46 |
Okay, so I'll start |
01:27:01 |
And before that you were with |
01:27:03 |
- Defense Force, correct. |
01:27:05 |
And was that with Colonel Coetzee? |
01:27:09 |
Angola, yeah. |
01:27:12 |
That is all I really need to know. |
01:27:15 |
- Thank you. |
01:27:27 |
Thank you, huh? |
01:27:28 |
Just keeping my end of the deal. |
01:27:31 |
Good luck to you, Solomon. |
01:27:33 |
Okay. |
01:27:35 |
- I hope you find what you're looking for. |
01:27:47 |
- Listen, I-- |
01:27:54 |
In another life maybe, all right? |
01:27:57 |
Yeah. Sure. |
01:27:59 |
Yeah. |
01:28:05 |
You find yourself a good man, |
01:28:13 |
You know, I've got three sisters. |
01:28:16 |
They're all married to good men. |
01:28:21 |
I prefer my life. |
01:28:25 |
Here is my office phone... |
01:28:29 |
...home phone, cellphone. |
01:28:34 |
I'm used to being pursued, |
01:28:48 |
You better get on that plane, huh? |
01:28:52 |
You should get on that plane. |
01:29:02 |
So should you. |
01:29:10 |
You gonna call me? |
01:29:15 |
Soon as I'm near a phone, yeah. |
01:29:18 |
Yeah, right. |
01:29:42 |
- Where is he? |
01:29:49 |
Oh, shit. |
01:29:51 |
Nabil? Yeah, I'll call you |
01:29:54 |
You keep me posted. Right. |
01:29:57 |
All right. I set the pace, huh? |
01:30:01 |
If I hold my hand up like this, you stop. |
01:30:05 |
If I say go, you move like your life |
01:30:09 |
- Yes, boss. |
01:30:22 |
Tell me about the stone. |
01:30:24 |
Is it clear or is it milky? |
01:30:26 |
Clear. |
01:30:28 |
And the color, is it strong? |
01:30:31 |
Does it hold the light? |
01:30:32 |
It is as you say. |
01:30:35 |
- About the size of a bird's egg? |
01:30:38 |
One hundred carats. |
01:31:24 |
Dia! |
01:31:27 |
Stop the truck! |
01:31:30 |
I thought it was Dia. |
01:32:25 |
Wake up. |
01:32:29 |
Don't worry, they're gone, huh? |
01:32:33 |
You know, I once had this buddy... |
01:32:36 |
...named Mabhoko. |
01:32:39 |
We used to hunt bush meat |
01:32:43 |
Baboons. |
01:32:45 |
Baboons, they were |
01:32:49 |
They're cunning. |
01:32:50 |
Cunning creatures. |
01:32:52 |
Fast, strong. |
01:32:55 |
Got good eyesight. |
01:32:58 |
We would always find them |
01:33:02 |
And that's how we learned to track |
01:33:11 |
By the smell of your shit. |
01:33:14 |
It's not... |
01:33:15 |
It's not the same as a baboon's. |
01:33:20 |
But, you know, after you skin it... |
01:33:25 |
...the flesh of a baboon... |
01:33:28 |
...isn't that much different |
01:33:34 |
I'll tell you, I can track anything. |
01:33:50 |
You risk my life like that again... |
01:33:57 |
...and I'll peel your face |
01:34:02 |
Do you understand? |
01:34:12 |
Make us a fire. |
01:35:25 |
What'd he say? |
01:35:27 |
We are going the right way. |
01:35:36 |
Hold up there, my man. |
01:35:40 |
Where do you think you are going? |
01:35:44 |
Stop! |
01:35:46 |
I said, stop! |
01:35:48 |
He is not down there, all right? |
01:35:52 |
All right. You're gonna need |
01:35:55 |
Now you listen here, my boy, |
01:35:58 |
You are not going down there. |
01:36:00 |
You are not the master. |
01:36:02 |
Right now, that is exactly what I am, |
01:36:21 |
Don't you fucking move, huh? |
01:36:22 |
Don't you move. Don't you move, huh? |
01:36:24 |
- My son is there! |
01:36:27 |
- He is alive! |
01:36:28 |
He's alive! He's there |
01:36:32 |
I am his father! His father! |
01:36:36 |
I must go find him. |
01:36:40 |
Shoot me if you want, but I'm going. |
01:36:44 |
Why should it matter, |
01:36:56 |
We wait until dark, huh? |
01:37:27 |
Are you satisfied? |
01:37:31 |
All right, come on. |
01:37:39 |
--is fighting for Sierra Leone |
01:37:41 |
RUF is fighting for Sierra Leone |
01:37:44 |
Go tell my parents |
01:37:47 |
In the battlefield |
01:37:51 |
Go tell my parents |
01:37:54 |
In the battlefield... |
01:37:58 |
You are how old? |
01:38:00 |
Me? I'm 31. |
01:38:02 |
And you have no wife? |
01:38:04 |
- No. |
01:38:09 |
No. |
01:38:10 |
And no home? |
01:38:12 |
No. |
01:38:14 |
But you have money, yes? |
01:38:17 |
Yeah, some. |
01:38:19 |
But not enough? |
01:38:24 |
No. |
01:38:26 |
If you get this diamond, |
01:38:33 |
Yes. |
01:38:34 |
Then you will get |
01:38:37 |
Probably not, no. |
01:38:40 |
What? |
01:38:43 |
What? |
01:38:45 |
I am confused. |
01:38:48 |
Yeah? |
01:38:50 |
That makes two of us, my bru. |
01:38:55 |
Oh, Christ. |
01:38:59 |
Why don't you? |
01:39:02 |
I'll tell you what, Solomon. |
01:39:04 |
You find me this diamond, |
01:39:16 |
- You were born in Zimbabwe? |
01:39:19 |
- Is it beautiful there? |
01:39:23 |
Because you ask a hell of a lot |
01:39:34 |
My grandfather told |
01:39:38 |
How the Mende fought the Temne. |
01:39:41 |
Or how two tribes would fight |
01:39:55 |
I understand white people |
01:40:01 |
But how can my own people |
01:40:13 |
I know good people... |
01:40:16 |
...who say there is something |
01:40:19 |
...inside our black skin. |
01:40:20 |
That we were better off |
01:40:25 |
But my son is good. |
01:40:30 |
And when he grows up... |
01:40:32 |
...and peace comes... |
01:40:37 |
...this place will be a paradise. |
01:40:48 |
We'll get your son back, huh? |
01:41:32 |
Where is it exactly? |
01:41:36 |
Through the camp, by the river. |
01:41:43 |
Christ. |
01:41:46 |
Okay. |
01:41:48 |
I'm gonna make contact |
01:41:50 |
He'll send in an air strike. |
01:41:52 |
- What is that? |
01:41:55 |
- We use it as a diversion. |
01:41:58 |
- He isn't. |
01:41:59 |
I said we do it my way now, all right? |
01:42:13 |
Cordell, it's Danny. |
01:42:15 |
Yeah, yeah, yeah. |
01:42:18 |
You tell the colonel I've found the stone. |
01:42:21 |
No, I haven't got it in my hands, |
01:42:24 |
It's a major rebel camp, my man. |
01:42:26 |
You tell him to send in the dakadak. |
01:42:29 |
Because I stole a GPS, that's how. |
01:42:32 |
If you shut up and listen, |
01:42:35 |
Zero-nine-zero-five-four-two-four, north. |
01:42:38 |
Three-two-seven-two-nine |
01:42:43 |
I'll call back at midnight to confirm. |
01:42:48 |
You can look all night, |
01:42:51 |
I promise you he is not there. |
01:42:59 |
They're coming in the morning, all right? |
01:43:01 |
No movement, my friend. You stay still. |
01:43:05 |
When it gets dark, |
01:43:30 |
Solomon. Shit. |
01:43:44 |
I can do it. |
01:43:45 |
- Help me. |
01:43:47 |
Thank you, Papa. |
01:44:31 |
Hey, you smell. |
01:44:34 |
That's fine. |
01:44:48 |
- Ready? I'm winning. |
01:44:50 |
Play, man. |
01:44:53 |
- Play. Play the card. |
01:45:23 |
Dia. |
01:45:27 |
Leave me alone. |
01:45:30 |
- Dia. I'm your papa. Come with me. |
01:45:33 |
- Dia. |
01:45:35 |
- Dia. Dia! |
01:45:37 |
- Enemy! Enemy! |
01:45:40 |
- What are you doing? |
01:45:41 |
- What's wrong? |
01:45:43 |
- Dia, come with me! |
01:45:45 |
Get away from me! |
01:45:49 |
- Get him! |
01:45:51 |
- Don't shoot! Don't--! Don't shoot! |
01:45:54 |
- Fisherman! Traitor! |
01:45:56 |
Get away from me! |
01:46:05 |
I knew you would come back. |
01:46:08 |
I have dug and dug and dug, |
01:46:11 |
Nothing. |
01:46:13 |
Dig, dig, dig! |
01:46:15 |
You will find it for me. |
01:46:18 |
You will dig up |
01:46:21 |
No. |
01:46:22 |
Why should the diamond |
01:46:25 |
We will use it |
01:46:29 |
RUF is fighting for the people! |
01:46:34 |
RUF is fighting for Sierra Leone! |
01:46:40 |
Pick it up. |
01:46:43 |
Why? You are going to kill me anyway. |
01:46:46 |
I do not need to kill you, |
01:46:52 |
If you do not bring me the diamond... |
01:46:54 |
...I will find the rest of your family. |
01:46:57 |
Just as I have found your son. |
01:47:00 |
I will rape your wife |
01:47:04 |
...slit her throat... |
01:47:07 |
...and I will keep your daughters |
01:47:15 |
You think I am a devil... |
01:47:18 |
...but only because I have lived in hell. |
01:47:22 |
I want to get out. |
01:47:25 |
You will help me. |
01:47:30 |
I don't remember. |
01:47:31 |
Find it or your family will die! |
01:47:35 |
Now pick it up! |
01:47:53 |
- Go! |
01:47:54 |
Shoot it! |
01:48:01 |
Dia! |
01:48:14 |
Come, boy. Come. This way. This way. |
01:48:17 |
Dia! |
01:48:41 |
Colonel, we think Archer's there. |
01:48:43 |
I don't give a damn who's down there. |
01:48:56 |
Dia! |
01:49:12 |
I'm coming! |
01:49:17 |
- Dia! |
01:49:41 |
No! |
01:50:03 |
Dia! |
01:51:10 |
- We found his digger, sir. |
01:51:15 |
- Danny boy. |
01:51:18 |
- Thanks for calling it in. |
01:51:21 |
So where is it? The stone? |
01:51:25 |
We split, huh? Fifty-fifty, all right? |
01:51:27 |
Look around you, Danny boy. |
01:51:29 |
You're not in a position |
01:51:32 |
Then you will never find it, sir. |
01:51:34 |
That's correct. |
01:51:37 |
- But he will. |
01:51:42 |
Introduce me to your digger. |
01:51:45 |
Solomon Vandy. |
01:51:47 |
This is Colonel Coetzee. |
01:51:50 |
- No more than you. |
01:51:53 |
You gonna show us where it's hidden? |
01:51:57 |
Does he speak English? |
01:51:59 |
He will only tell me, sir. |
01:52:03 |
- Let me talk to him, huh? |
01:52:13 |
All right, my friend. |
01:52:16 |
End of the line here, huh? |
01:52:18 |
- You just tell him where it is, all right? |
01:52:21 |
I don't trust him either, |
01:52:26 |
I promise you |
01:52:30 |
Right, tell him, huh? |
01:52:33 |
- Go on. Come on. |
01:52:37 |
All right. |
01:52:40 |
I said tell him where it is! |
01:52:43 |
Tell him! |
01:52:46 |
- No. |
01:52:48 |
Danny, there are other ways |
01:52:50 |
Yeah, yeah. |
01:53:00 |
- If he tells us, do we have a deal, sir? |
01:53:03 |
Sixty-forty. I've already lined up a buyer. |
01:53:06 |
Agreed. |
01:53:13 |
Come here. |
01:53:17 |
This is his son. Vandy will do |
01:53:21 |
Danny, you're a pisser, man. Well done. |
01:53:28 |
What do you say, Mr. Vandy? |
01:53:31 |
- You ready to take a walk? |
01:53:40 |
Come on. |
01:53:55 |
So who's the buyer? |
01:53:58 |
Well, they no longer accept |
01:54:01 |
Wouldn't hurt to interest |
01:54:04 |
- Start a bidding war. |
01:54:08 |
I missed you, Danny. |
01:54:10 |
See? It is here. |
01:54:15 |
All right, Mr. Vandy. |
01:54:32 |
Hey, boet, have you got a smoke? |
01:54:35 |
Smoking will kill you. |
01:54:38 |
Sorry. |
01:54:42 |
It's all right. |
01:54:44 |
Time I quit smoking anyway, |
01:55:01 |
- It's gone. |
01:55:03 |
Someone has taken it. |
01:55:06 |
This is where I buried it. |
01:55:10 |
Well, then there's no reason |
01:55:18 |
Wait, wait, wait. |
01:55:20 |
I know, I know. I know where it is. |
01:55:22 |
- I know where it is. |
01:55:29 |
Yes. |
01:55:31 |
Oh, here, here. |
01:55:34 |
- Yeah? Yeah, there it is. |
01:55:37 |
Fuck! |
01:55:57 |
TIA, huh, Danny? |
01:56:00 |
TIA. |
01:56:09 |
Keep digging, huh? |
01:56:15 |
Keep digging. |
01:56:29 |
- It had better be there, huh? |
01:56:34 |
Have you got it? |
01:56:37 |
- Have you got it, huh? |
01:56:42 |
Oh, yes. |
01:56:46 |
Solomon. |
01:56:54 |
Dia, what are you doing? |
01:56:57 |
Dia. |
01:57:01 |
What are you doing? |
01:57:08 |
Of the proud Mende tribe. |
01:57:15 |
You are a good boy |
01:57:22 |
Your mother loves you so much. |
01:57:28 |
She waits by the fire making plantains... |
01:57:31 |
...and red palm oil stew |
01:57:36 |
...and the new baby. |
01:57:47 |
The cows wait for you. |
01:57:50 |
And Babu, the wild dog |
01:57:58 |
I know they made you do bad things... |
01:58:01 |
...but you are not a bad boy. |
01:58:07 |
I am your father... |
01:58:11 |
...who loves you. |
01:58:15 |
And you will come home with me |
01:58:44 |
Solomon, we've got to move, huh? |
01:58:47 |
We've got to-- |
01:58:51 |
Go, go! Move! |
01:58:57 |
Move. Move. |
01:58:58 |
Move, move, move! |
01:59:00 |
Move! Move! Move! |
01:59:05 |
How far? |
01:59:06 |
There's an airstrip |
01:59:08 |
A plane will meet us, huh? |
01:59:11 |
Hey, stop. Stop. |
01:59:15 |
Give it to me. |
01:59:27 |
Keep moving. They'll be tracking us. |
01:59:36 |
Nabil, where are you? |
01:59:39 |
I'm nearly there. |
01:59:42 |
We're about 10 K's out, huh? |
01:59:46 |
- Who is we? |
01:59:48 |
Lose them. |
02:00:04 |
It's at the top of that ridge there, huh? |
02:00:06 |
You must stop and rest. |
02:00:07 |
What? And give up the damn stone? |
02:00:10 |
Keep moving. Come on. |
02:00:47 |
Come. Come, come. |
02:01:37 |
I can't. Stop. |
02:01:39 |
- Okay. |
02:02:10 |
Come on. |
02:02:11 |
No! God, no. Stop. |
02:02:15 |
Christ. No more. No more. |
02:03:02 |
Take it, huh? |
02:03:06 |
- Mr. Archer-- |
02:03:17 |
I thought you would steal it from me. |
02:03:20 |
Yeah, yeah, it occurred to me, huh? |
02:03:35 |
Listen... |
02:03:39 |
...this is Maddy's card, huh? |
02:03:42 |
You call her when |
02:03:48 |
And don't trust that pilot for a second. |
02:03:50 |
You point this at his head |
02:03:54 |
I can carry you. |
02:04:08 |
You take your boy home, huh? |
02:04:15 |
You take him home, huh? |
02:04:22 |
- Go! Go! |
02:04:25 |
Go on! |
02:04:31 |
Come on. Come on. |
02:04:40 |
Archer, you're a dead man! |
02:04:43 |
Yeah, yeah. |
02:05:15 |
Dia. |
02:05:38 |
Hello. Maddy Bowen. |
02:05:39 |
Yeah. |
02:05:41 |
Thought I'd never call, huh? |
02:05:44 |
And I'm so glad you did. |
02:05:50 |
When am I gonna see you? |
02:05:52 |
Maddy, I want you to do me |
02:05:59 |
I want you to go meet Solomon |
02:06:03 |
In Guinea? |
02:06:09 |
We found his son... |
02:06:12 |
...but he's gonna need some help, |
02:06:16 |
Maddy? |
02:06:20 |
You're hurt. |
02:06:23 |
Are you hurt? |
02:06:24 |
Yeah, well, I've got |
02:06:32 |
Okay. You-- |
02:06:39 |
Archer? |
02:06:52 |
I'm looking at an incredible view |
02:06:58 |
I wish you were here, Maddy. |
02:07:00 |
Okay, then I'm coming to be with you. |
02:07:07 |
I don't think so. |
02:07:08 |
Are you still in Kono? Because I can |
02:07:12 |
Maddy, you find someplace safe |
02:07:16 |
And keep him out of sight. |
02:07:19 |
And get Solomon to London. |
02:07:25 |
He's bringing something with him. |
02:07:28 |
But he's gonna need your help. |
02:07:32 |
Why aren't you bringing it yourself? |
02:07:35 |
I'm saying it's a real story now. |
02:07:41 |
And you can write the hell out of it. |
02:07:50 |
I'm really happy I met you. |
02:07:54 |
You know that? |
02:07:58 |
Yeah, I'm... |
02:08:02 |
I'm really happy I met you too. |
02:08:05 |
And I wish I could be there with you. |
02:08:10 |
That's all right. |
02:08:15 |
I'm exactly where I'm supposed to be. |
02:09:11 |
When we get to the stairs, |
02:09:13 |
...and I'll wait for you here. |
02:09:16 |
You're not coming. |
02:09:17 |
I'm not here. Good luck. |
02:09:42 |
You must understand, Mr. Vandy... |
02:09:45 |
...that your diamond could have ended up |
02:09:55 |
- It is not enough. |
02:09:58 |
...is more than anyone else will offer you |
02:10:02 |
I want what was promised to me |
02:10:08 |
- What was promised to you? |
02:10:11 |
When they are here, |
02:10:14 |
I will have the money too. |
02:10:16 |
Well, may I see what I'm buying? |
02:10:18 |
You will get the stone |
02:10:22 |
How do I even know you've got it? |
02:12:31 |
Can you comment on the diamonds |
02:12:34 |
I'm not going to comment |
02:12:38 |
- What about Liberia? |
02:12:41 |
- Mr. Van De Kaap-- |
02:12:44 |
The natural resources |
02:12:47 |
...are the property of its people. |
02:12:51 |
...or exploit in the name of our comfort, |
02:13:07 |
They're ready for you, sir. |
02:13:10 |
The Third World is not a world apart. |
02:13:13 |
And the witness you will hear today |
02:13:18 |
Let us hear the voice of that world. |
02:13:22 |
And let us ignore it no more. |
02:13:26 |
Ladies and gentlemen, |