Blue Velvet
|
00:01:49 |
Blue velvet |
00:01:53 |
Whoa- Whoa |
00:01:59 |
She wore blue velvet |
00:02:05 |
Whoa- Whoa |
00:02:06 |
Bluer than velvet was the night |
00:02:10 |
Whoa- Whoa- Whoa |
00:02:12 |
Softer than satin was the light |
00:02:17 |
From the stars |
00:02:22 |
She wore blue velvet |
00:02:28 |
Whoa- Whoa |
00:02:29 |
Bluer than velvet were her eyes |
00:02:33 |
Whoa- Whoa- Whoa |
00:02:35 |
Warmer than May her tender sighs |
00:02:40 |
Love was ours |
00:02:46 |
Ours a love I held tightly |
00:02:52 |
Feeling the rapture grow |
00:02:58 |
Like a flame burning brightly |
00:03:04 |
But when she left |
00:03:07 |
Gone was the glow of blue velvet |
00:03:14 |
Whoa- Whoa |
00:03:16 |
But in my heart there'll always be |
00:03:19 |
Whoa- Whoa- Whoa |
00:03:21 |
Precious and warm a memory |
00:03:26 |
Through the years... |
00:03:55 |
Logs, logs, logs |
00:03:58 |
Glamour in the pines |
00:04:01 |
Lumberton |
00:04:05 |
USA |
00:04:09 |
It's a sunny, woodsy day in Lumberton, |
00:04:13 |
This is the mighty W-O-O-D, |
00:04:17 |
At the sound of the falling tree... |
00:04:21 |
it's 9.30! |
00:04:24 |
There's a whole lotta wood |
00:04:53 |
Mr Beaumont? |
00:04:56 |
Your son Jeffrey's here to see you. |
00:05:10 |
Hey, Dad. |
00:07:06 |
Do you have a Detective Williams |
00:07:10 |
Yes, he's up in room 221. |
00:07:13 |
- Right up the stairs, through that door. |
00:07:31 |
Detective Williams? |
00:07:39 |
Yes? |
00:07:40 |
My name is Jeffrey Beaumont. I live near |
00:07:45 |
- Beaumont's Hardware Store? |
00:07:48 |
- How's he doing? |
00:07:52 |
They're doing tests. |
00:07:56 |
and, coming home through |
00:08:01 |
I... found an ear. |
00:08:04 |
You did? A human ear? |
00:08:07 |
Yeah. I thought I should bring it to you. |
00:08:10 |
Yeah, that's right. Let's take a look at it. |
00:08:17 |
Yes, that's a human ear, all right. |
00:08:21 |
Let's see what the coroner makes of it. |
00:08:23 |
Then I want you to show me |
00:08:26 |
All right. |
00:08:30 |
We'll check the morgue records, |
00:08:35 |
The person may very well |
00:08:38 |
What can you tell about the person |
00:08:41 |
Once the tests are done, quite a lot. |
00:08:44 |
Sex, blood type, |
00:08:48 |
Also, it looks like |
00:09:22 |
- I'm goin' out for a while. |
00:09:25 |
- No, I'm just gonna walk around. |
00:09:27 |
You're not going down by Lincoln, |
00:09:30 |
No, just around the neighbourhood. |
00:09:34 |
OK, honey. |
00:10:49 |
Hello. My name is Jeffrey Beaumont. |
00:10:54 |
- Oh, yes. Yes, Jeffrey, come on in. |
00:11:04 |
Well, Jeffrey, you found |
00:11:08 |
Very interesting. I know you must |
00:11:12 |
But I have to ask you not only |
00:11:17 |
but also not to ask more about the case. |
00:11:20 |
One day when it's all sewed up, |
00:11:23 |
I'll let you know all the details. |
00:11:25 |
Right now, though, I can't. |
00:11:28 |
I understand. |
00:11:33 |
I was the same way myself |
00:11:37 |
- That's what got me into this business. |
00:11:41 |
It's horrible, too. |
00:11:45 |
I'm sorry, Jeffrey. |
00:11:48 |
Anyway, I know you do understand. |
00:11:51 |
Sure. |
00:11:56 |
- Thanks for the card for Dad. |
00:12:00 |
You, too. |
00:12:06 |
- Say hello to Sandy for me. |
00:12:10 |
- Good night, Jeffrey. |
00:12:25 |
Are you the one that found the ear? |
00:12:47 |
How did you know? |
00:12:53 |
I just know, that's all. |
00:12:56 |
- I remember you from Central. |
00:13:00 |
Yup. |
00:13:01 |
- How is Central these days? |
00:13:04 |
- I don't know... Boring. |
00:13:07 |
So what are you doin' now? |
00:13:09 |
I'm home from school. |
00:13:12 |
- That's too bad. |
00:13:14 |
What do you know about the ear? |
00:13:16 |
- Didn't Dad say not to talk about it? |
00:13:20 |
You know anything? |
00:13:22 |
I don't know much but bits |
00:13:25 |
Yeah? |
00:13:27 |
- My room is above my father's office so... |
00:13:32 |
- So I heard a few things about the ear. |
00:13:35 |
Well... there are a couple of cases |
00:13:40 |
But one name that keeps coming up |
00:13:43 |
She lives in an apartment |
00:13:46 |
Close to the field |
00:13:49 |
It's a strange world, isn't it? |
00:13:52 |
- Yeah. |
00:13:55 |
It's really close by. |
00:13:57 |
They had her under surveillance, |
00:14:00 |
'cept I don't know what they found out |
00:14:05 |
I guess you gotta get |
00:14:08 |
Not really. Why? |
00:14:10 |
Well... |
00:14:12 |
- You... wanna see the building. |
00:14:16 |
- Come on, I'll show you. |
00:14:21 |
Hey, baby. Hey, babe. |
00:14:26 |
That's her building right there. |
00:14:29 |
She lives on the seventh floor. |
00:14:39 |
Come on. |
00:14:55 |
So... what are you gonna do |
00:14:59 |
Help out at my father's hardware store. |
00:15:02 |
They're giving me my own hours, |
00:15:08 |
I used to know a kid that lived there. |
00:15:10 |
Had the biggest tongue in the world. |
00:15:15 |
What happened to him? |
00:15:18 |
I don't know. He moved away. |
00:15:21 |
All my old friends are gone. |
00:15:30 |
- You know the chicken walk? |
00:15:39 |
That's kind of interesting. |
00:16:01 |
Coffee time. |
00:16:04 |
Hey, Double Ed, where are the overalls? |
00:16:06 |
They're on the bottom shelf, rolled up, |
00:16:12 |
Hey, Ed, how many fingers? |
00:16:15 |
Four. |
00:16:18 |
I still don't know how you do that. |
00:16:21 |
Now listen. You sure you don't |
00:16:24 |
If you wanna spray for bugs, |
00:16:29 |
Okey-dokey, Double Ed. |
00:16:31 |
- Oh, it's so good to have you back. |
00:16:55 |
You hungry or thirsty, or both? |
00:16:59 |
- I don't know. |
00:17:04 |
Wait just a minute. |
00:17:07 |
Listen. Don't you guys |
00:17:10 |
- Sure. |
00:17:13 |
- Promise? |
00:17:19 |
- I don't wanna cause trouble. |
00:17:22 |
- He is nice-lookin'. |
00:17:30 |
You ever been to Arlene's? |
00:17:32 |
Of course. |
00:17:47 |
Now are you gonna tell me |
00:17:55 |
There are opportunities in life |
00:18:00 |
Sometimes it's necessary to take a risk. |
00:18:04 |
I'll bet someone could learn a lot |
00:18:09 |
You know, sneak in, hide, and observe. |
00:18:13 |
- Sneak into her apartment? |
00:18:16 |
Are you crazy? |
00:18:18 |
Jeffrey, she's possibly involved in murder. |
00:18:22 |
Now just settle down. |
00:18:26 |
There's very little for you to do, |
00:18:30 |
Don't you even wanna hear the plan? |
00:18:34 |
Tell me any plan you want, but it's not |
00:18:39 |
Sandy, |
00:18:40 |
don't take that attitude. |
00:18:45 |
All right. The first thing I need |
00:18:49 |
- And open a window to crawl into later. |
00:18:53 |
Right out in the car I happen to have |
00:18:59 |
I will go to her apartment as a pest-control |
00:19:04 |
You knock on the door, draw her attention |
00:19:10 |
- And what do I say to her at the door? |
00:19:15 |
I have some Awake! magazines for you. |
00:19:18 |
I don't need very much time, |
00:19:24 |
I don't know. |
00:19:26 |
I mean, it sounds like a good daydream, |
00:19:32 |
- It's too dangerous. |
00:19:41 |
No one will suspect us. |
00:19:43 |
No one would think two people like us |
00:19:49 |
You have a point there. |
00:20:03 |
Give me at least three minutes. |
00:20:06 |
I can stall if it's more, but I need time |
00:20:11 |
All right. |
00:20:13 |
Let's go. |
00:20:27 |
Here I go. |
00:20:30 |
Wait a minute. What's her name? |
00:20:32 |
Oh, brother, Jeffrey. |
00:20:35 |
Dorothy Vallens, seventh floor. |
00:20:39 |
Look on her mailbox |
00:20:44 |
Thanks. |
00:20:46 |
Dorothy Vallens, seventh floor. |
00:20:49 |
OK. Good luck. |
00:20:53 |
Good luck yourself. |
00:20:56 |
Three minutes. No sooner. |
00:22:46 |
Yes? What is it? |
00:22:48 |
Pest control. I gotta do your apartment. |
00:22:53 |
- That stuff stinks. |
00:22:57 |
Good. |
00:23:12 |
Just need to do the kitchen. |
00:23:42 |
Grand Central Station. |
00:23:58 |
It's only the bug man. |
00:24:28 |
- That should do it. |
00:24:38 |
- Are you all right? |
00:24:40 |
I was about to go to the door |
00:24:43 |
- Was it all right? |
00:24:46 |
I only saw his back. I think |
00:24:50 |
I didn't get a good look at him either, |
00:24:54 |
I didn't have time to get a window, |
00:24:58 |
Yeah, if they open the door. |
00:25:01 |
Yeah. |
00:25:19 |
So, what's next? |
00:25:22 |
- Are you game for more? |
00:25:27 |
You didn't goof it up. |
00:25:37 |
I'm gonna try and sneak in tonight. |
00:25:41 |
It's Friday. Do you have a date? |
00:25:44 |
Yeah. I do. |
00:25:54 |
Well, that does that. |
00:26:11 |
- You really wanna do this, don't you? |
00:26:16 |
I do, but if something went wrong... |
00:26:18 |
Like you said, |
00:26:27 |
OK. I'll tell Mike I'm sick. |
00:26:31 |
Just so the record |
00:26:35 |
I love Mike. |
00:26:39 |
What do you want me to do? |
00:26:44 |
First we'll have a really nice dinner. Try |
00:26:49 |
I already know. |
00:26:53 |
Great. I'll pick you up about eight? |
00:26:55 |
Don't pick me up. |
00:26:59 |
I'll walk over to your house. |
00:27:03 |
You better get out |
00:27:14 |
See ya! |
00:27:41 |
Wait. Here's to an interesting |
00:27:46 |
I'll drink to that. |
00:27:54 |
Man, I like Heineken! |
00:27:57 |
- I never really had Heineken before. |
00:28:02 |
My dad drinks Bud. |
00:28:05 |
- King of beers. |
00:28:09 |
the Blue Lady, Miss Dorothy Vallens. |
00:28:31 |
She |
00:28:33 |
Wore |
00:28:40 |
Blue velvet |
00:28:48 |
Bluer than velvet was the night |
00:28:55 |
Softer than satin was the light |
00:29:01 |
From the stars |
00:29:09 |
She wore blue velvet |
00:29:19 |
Bluer than velvet were her eyes |
00:29:27 |
Shadows |
00:29:31 |
Fall so blue |
00:29:37 |
As lonely as a blue |
00:29:44 |
Blue |
00:29:46 |
Star |
00:30:15 |
- Jeffrey, you shouldn't do this. |
00:30:19 |
Cos it's crazy... and dangerous. |
00:30:24 |
- My God, I should have never told you. |
00:30:27 |
I don't think you should stay. I think you |
00:30:32 |
- Yeah, but I... |
00:30:36 |
OK. |
00:30:37 |
I'll see ya tomorrow |
00:30:42 |
I don't wanna see you tomorrow. |
00:30:44 |
- Mike's coming over. |
00:30:50 |
OK, yeah, call. |
00:30:53 |
I hope you sneak out OK. |
00:30:59 |
- I'm gonna wait here until she comes. |
00:31:03 |
I'm gonna honk four times. |
00:31:05 |
I'll go one, two, three, four, |
00:31:10 |
- And you'll know she's on her way up. |
00:31:17 |
I don't know if you're |
00:31:21 |
Well, that's for me to know |
00:31:39 |
See ya. |
00:31:41 |
Bye. |
00:34:04 |
Heineken. |
00:34:31 |
I hope you're OK, Jeffrey. |
00:34:53 |
Thank you, Jimmy. |
00:35:25 |
Hello? Yes, sir. Frank? |
00:35:31 |
Please, Frank... sir. |
00:35:36 |
I like to sing "Blue Velvet". |
00:35:40 |
Don... Don, it's all right, don't worry. |
00:35:47 |
Is little Donny all right? |
00:35:51 |
Is he there with you? |
00:35:55 |
Don? |
00:36:00 |
You mean Meadow Lane? |
00:36:07 |
I know. I'll be sweet. |
00:36:12 |
Mommy loves you. |
00:36:16 |
OK, Frank... sir. |
00:38:27 |
Get out of there! Get out! |
00:38:30 |
Put your hands up! On your head! Do it! |
00:38:33 |
Get on your knees! Do it! |
00:38:36 |
What are you doing? |
00:38:38 |
- Who are you? What's your name? |
00:38:42 |
- Jeffrey what? |
00:38:47 |
Give me your wallet. |
00:38:56 |
Jeffrey Beaumont. What are you doing |
00:39:01 |
- I wanted to see you. |
00:39:05 |
- Who sent you here? |
00:39:07 |
- I've seen you before. |
00:39:10 |
I took your key. I didn't mean |
00:39:15 |
What did you see, tonight? |
00:39:17 |
- Tell me! |
00:39:21 |
- And then? |
00:39:26 |
Do you sneak in girls' apartments |
00:39:30 |
No, never before this. |
00:39:33 |
- Get undressed. I want to see you. |
00:39:37 |
No way! I want to see you! Get undressed! |
00:39:58 |
Stand up. |
00:40:14 |
Come closer. |
00:40:26 |
Closer. |
00:40:36 |
What do you want? |
00:40:41 |
I don't know. |
00:40:55 |
Don't move. Don't look at me. |
00:41:11 |
- Do you like that? |
00:41:16 |
Don't touch me! Or I'll kill you! |
00:41:20 |
Do you like talk like that? |
00:41:23 |
No. |
00:41:27 |
Get over there on that couch. |
00:41:35 |
Lie down. |
00:41:55 |
Shut up! Don't say anything. |
00:41:58 |
Don't say anything, or I'll kill you. |
00:42:33 |
- Hello, baby. |
00:42:36 |
It's Daddy, you shithead! |
00:42:42 |
Can't you fuckin' remember anything? |
00:42:59 |
Now it's dark. |
00:43:09 |
Spread your legs. |
00:43:22 |
Wider. |
00:43:26 |
Now show it to me. |
00:43:48 |
Don't you fuckin' look at me. |
00:44:19 |
Mommy... |
00:44:29 |
Mommy! Mommy! |
00:44:33 |
- Mommy... |
00:44:36 |
Baby wants to fuck! |
00:44:42 |
All right, get ready to fuck! |
00:44:48 |
Don't you fuckin' look at me! |
00:45:08 |
Baby wants blue velvet. |
00:45:33 |
Don't you fuckin' look at me! |
00:45:41 |
Look at me. Daddy's coming home. |
00:45:48 |
Daddy's comin' home. |
00:45:52 |
Don't you fuckin' look at me! |
00:45:58 |
Daddy's comin' home. |
00:46:15 |
Mommy! Mommy! |
00:46:37 |
Don't you fuckin' look at me! |
00:46:40 |
Don't you fuckin' look at me! |
00:47:01 |
Now it's dark. |
00:47:17 |
You stay alive, baby. |
00:47:21 |
Do it for Van Gogh. |
00:47:58 |
Why don't you lie down? |
00:48:01 |
Come on, I'll help you. |
00:48:13 |
I don't like that. |
00:48:15 |
What do you want? |
00:48:17 |
Nothing. |
00:48:20 |
Are you all right? |
00:48:25 |
Yeah, I'm all right. |
00:48:30 |
I'm all right. |
00:48:32 |
I'll go, then. |
00:48:35 |
Don? |
00:48:37 |
- Oh, Don! |
00:48:39 |
Oh, Don, hold me. Hold me. |
00:48:42 |
I'm scared. I'm scared. |
00:48:46 |
I'm scared! |
00:48:49 |
It's OK. It's OK. |
00:48:51 |
Don? Don? |
00:48:56 |
Are you back? |
00:49:08 |
Do you like me? |
00:49:14 |
- Do you like me? |
00:49:25 |
Do you like the way I feel? |
00:49:28 |
Yes. |
00:49:37 |
See my breast? |
00:49:42 |
You can feel it. |
00:49:47 |
My nipple is getting hard. |
00:49:53 |
You can touch it. |
00:50:00 |
You can feel it. |
00:50:04 |
Do you like the way I feel? |
00:50:08 |
Yes. |
00:50:12 |
Feel me. |
00:50:19 |
Hit me. |
00:50:22 |
- Dorothy, no. Stop it. |
00:50:25 |
Hit me. |
00:50:27 |
Hit me! |
00:51:07 |
I'm leaving now. |
00:51:10 |
Torned. |
00:51:15 |
Torned. |
00:51:19 |
Help me. |
00:51:45 |
Oh, my God. That hat. |
00:51:50 |
She's married. |
00:51:52 |
"Don." |
00:52:03 |
Help me. |
00:52:48 |
Now it's dark. |
00:52:50 |
Hit me. Hit me. |
00:53:02 |
Man, oh man. |
00:53:10 |
- Sandy, can ya talk? |
00:53:13 |
Oh. I guess I'll talk to you later, then. |
00:53:16 |
- Well, how'd it go? |
00:53:20 |
I'll pick you up at eight. |
00:53:21 |
New axe, 48721. |
00:53:26 |
Twenty-two... |
00:53:28 |
ninety-five. |
00:53:33 |
- I'll see ya then. |
00:53:36 |
- Bye-bye. |
00:54:15 |
Well? |
00:54:18 |
Aren't you gonna tell me about it? |
00:54:22 |
OK. |
00:54:28 |
It's a strange world, Sandy. |
00:54:36 |
Dorothy Vallens is married, |
00:54:41 |
They have a son. |
00:54:45 |
I think the son and the husband have |
00:54:50 |
Frank has done this |
00:54:55 |
I think she wants to die. |
00:55:00 |
I think Frank cut the ear I found |
00:55:02 |
as a warning for her to stay alive. |
00:55:07 |
Frank is... |
00:55:12 |
a very dangerous man. |
00:55:15 |
My God. |
00:55:19 |
- Shouldn't you tell my father? |
00:55:24 |
I can't prove any of this. |
00:55:28 |
You could get into a lot of trouble. |
00:55:32 |
You saw all that in one night? |
00:55:38 |
It is a strange world. |
00:55:47 |
Why are there people like Frank? |
00:55:50 |
Why is there |
00:55:54 |
I don't know. |
00:56:01 |
I had a dream. |
00:56:07 |
In fact, it was the night I met you. |
00:56:17 |
In the dream, there was our world, |
00:56:21 |
and the world was dark |
00:56:26 |
And the robins represented love. |
00:56:31 |
And for the longest time |
00:56:37 |
And all of a sudden |
00:56:39 |
thousands of robins were set free. |
00:56:42 |
And they flew down and |
00:56:49 |
And it seemed like that love |
00:56:53 |
would be the only thing |
00:56:57 |
and it did. |
00:57:09 |
So I guess it means... |
00:57:12 |
there is trouble till the robins come. |
00:57:18 |
You're a neat girl. |
00:57:21 |
So are you. |
00:57:23 |
I mean... you're a neat guy. |
00:57:36 |
I guess we better go. |
00:57:39 |
Yeah. I guess so. |
00:58:08 |
Hi. May I come in? |
00:58:11 |
Yes. |
00:58:15 |
Hurry, though. |
00:58:25 |
Are you all right? |
00:58:27 |
No, I'm not. |
00:58:31 |
Why are you here? |
00:58:33 |
What do you want? |
00:58:38 |
I looked for you in my closet tonight. |
00:58:43 |
It's crazy, I know. |
00:58:48 |
I like you. |
00:58:51 |
It's not crazy. I like you too. |
00:59:00 |
I liked being with you last night. |
00:59:03 |
Same here. |
00:59:10 |
Please be with me. Be with me, please. |
00:59:16 |
Like a flame burning brightly |
00:59:23 |
But when she left |
00:59:27 |
Gone was the glow |
00:59:32 |
Of |
00:59:34 |
Blue velvet |
00:59:42 |
But in my heart there'll always be |
00:59:49 |
Precious and warm a memory |
00:59:55 |
Through the years |
01:00:04 |
And I still can see |
01:00:09 |
Blue velvet |
01:00:14 |
Through my tears |
01:02:10 |
USA |
01:02:13 |
Logs, logs, logs. Lumberton, USA. |
01:02:17 |
At the sound of the falling tree... |
01:02:20 |
it's 1.30. |
01:02:22 |
This is the mighty voice of Lumberton, |
01:02:24 |
the town where people really know |
01:02:29 |
...seven, eight, nine, |
01:02:31 |
10, 1 1, 1 2, |
01:02:34 |
1 3, 1 4, 1 5, |
01:02:36 |
16, 1 7, 18, 1 9, 20... |
01:02:39 |
Keep going. |
01:02:41 |
Sandy. |
01:02:48 |
Oh, great. |
01:02:52 |
- You're late. |
01:02:54 |
- What am I gonna do now? |
01:02:58 |
Yeah, but... |
01:03:02 |
Let's just go. I'll try to talk to him later. |
01:03:14 |
See that clock on the wall? |
01:03:18 |
Yeah. |
01:03:20 |
Five minutes from now, you're not |
01:03:28 |
Number one. |
01:03:31 |
Today I staked out Frank's place |
01:03:36 |
There's another man involved in all this. |
01:03:42 |
You saw his back the other day |
01:03:45 |
Today I saw the Yellow Man go into |
01:03:51 |
Now, the only trouble is, |
01:03:54 |
Nothing, really. But it's interesting. |
01:04:01 |
Number two. |
01:04:03 |
I saw the Yellow Man come out |
01:04:05 |
and meet a well-dressed man |
01:04:23 |
They went to a factory, stood on |
01:04:32 |
Now get this. In the distance, |
01:04:37 |
A drug dealer was shot to death |
01:04:41 |
Jeffrey... |
01:04:46 |
Then two guys told me the police would |
01:04:52 |
I can't believe what you're finding out. |
01:04:57 |
Are you gonna continue with this? |
01:05:00 |
Yeah. |
01:05:03 |
Until when? |
01:05:06 |
Well, I don't know. |
01:05:10 |
You're not going back to her apartment? |
01:05:13 |
Yeah. |
01:05:17 |
Jeffrey, why? |
01:05:21 |
I'm seeing something |
01:05:27 |
I'm involved in a mystery. |
01:05:31 |
And it's all secret. |
01:05:34 |
You like mysteries that much? |
01:05:37 |
Yeah. |
01:05:42 |
You're a mystery. |
01:05:45 |
I like you... |
01:05:48 |
very much. |
01:05:59 |
Yeah? |
01:06:09 |
Jeffrey, don't. Please. |
01:06:21 |
You worry about me? Really? |
01:06:23 |
Yeah. |
01:06:25 |
Is that so surprising? |
01:06:28 |
Yeah, I worry... a lot. |
01:06:33 |
I got you into this. |
01:06:38 |
Blue velvet |
01:06:43 |
Whoa- Whoa |
01:06:47 |
She wore blue velvet |
01:06:54 |
Whoa- Whoa |
01:06:55 |
Bluer than velvet was the night |
01:06:59 |
Whoa- Whoa- Whoa |
01:07:01 |
Softer than satin was the light |
01:07:06 |
From the stars |
01:07:11 |
She wore blue velvet |
01:07:17 |
Whoa- Whoa |
01:07:18 |
Bluer than velvet were her eyes |
01:07:22 |
Whoa- Whoa- Whoa |
01:07:24 |
Warmer than May her tender sighs |
01:07:29 |
Love was ours |
01:07:45 |
Come to my bedroom. |
01:08:04 |
What do you want to do? |
01:08:06 |
I'm doing it. |
01:08:09 |
Are you a bad boy? |
01:08:11 |
What do you mean? |
01:08:13 |
Do you wanna do bad things? |
01:08:17 |
Anything. |
01:08:19 |
Anything. |
01:08:23 |
What do you want? |
01:08:25 |
I want you to hurt me. |
01:08:28 |
No. I don't wanna hurt you. |
01:08:32 |
Dorothy, I know |
01:08:35 |
Frank has your husband and son, |
01:08:39 |
Dorothy, you gotta do something, |
01:08:44 |
No police! |
01:08:46 |
No police! |
01:08:48 |
Don! |
01:08:49 |
- Hit me! |
01:08:52 |
Get away! Get away from my bed! |
01:09:23 |
I have your disease in me now. |
01:09:51 |
It used to make me laugh. |
01:09:54 |
I'm sorry, Dorothy. |
01:09:59 |
- I should go. |
01:10:08 |
You think I'm crazy, don't you? |
01:10:11 |
I want you to stay. |
01:10:13 |
- Don't hate me. |
01:10:18 |
I'm not crazy. |
01:10:20 |
I know the difference |
01:10:24 |
That's good. |
01:10:28 |
You're my special friend. |
01:10:33 |
I still have you inside of me. |
01:10:37 |
It helps me. |
01:10:40 |
I need you. |
01:10:43 |
I'll call you. |
01:10:45 |
OK. |
01:10:48 |
Soon? |
01:10:52 |
- Are you lying to me? |
01:10:56 |
- Are you sure? |
01:11:01 |
Hello, baby. |
01:11:04 |
- Who is this fuck? |
01:11:10 |
We were just talking. |
01:11:15 |
You're from the neighbourhood. |
01:11:18 |
Yeah. |
01:11:19 |
You're a neighbour. |
01:11:23 |
- Well, what's your name, neighbour? |
01:11:27 |
He's a good kid, Frank. |
01:11:30 |
Shut the fuck up! |
01:11:36 |
Hey, you wanna go for a ride? |
01:11:38 |
No, thanks. |
01:11:40 |
"No, thanks"? |
01:11:43 |
- I don't wanna go. |
01:11:45 |
- For a ride. |
01:11:50 |
OK. Let's go. |
01:11:55 |
Let's go. Get your fuckin' robe! |
01:11:58 |
Raymond? |
01:12:00 |
Come on. We're gonna go for a joyride. |
01:12:02 |
Joyride. |
01:12:17 |
All right, where do you wanna go? |
01:12:21 |
Oh, I know. |
01:12:24 |
Oh, right. We've got to see Ben. |
01:12:27 |
Yeah, we got to, got to, got to, got to. |
01:12:29 |
We may all be killed. |
01:12:34 |
- He's a pussy, Frank. |
01:12:39 |
- Right, tits? |
01:12:42 |
You ever been to pussy heaven? |
01:12:45 |
No. |
01:12:46 |
- What'd he say? |
01:12:54 |
- Po-lice call. Po-lice call. |
01:12:59 |
This... |
01:13:00 |
is... |
01:13:02 |
it. |
01:13:04 |
Raymond? |
01:13:07 |
Thank you, Raymond. |
01:13:18 |
Frank's here. |
01:13:22 |
Come on. I want you to meet |
01:13:27 |
Hey, Raymond? |
01:13:31 |
- What beer do you like? |
01:13:33 |
Heineken? Fuck that shit! |
01:13:36 |
Pabst Blue Ribbon! |
01:13:42 |
I brought some friends, |
01:13:45 |
Fine, Frank, fine. |
01:13:55 |
Oh, Frank. This is a fine surprise |
01:13:59 |
I love surprises. |
01:14:02 |
Please, sit down. |
01:14:06 |
Suave... |
01:14:13 |
- You want some beer? |
01:14:16 |
Darling. |
01:14:20 |
Darling, could you bring some glasses? |
01:14:25 |
Thank you. |
01:14:26 |
Please, sit down. |
01:14:31 |
Shit, man. How the shit are ya? |
01:14:34 |
Fine, Frank, fine. How are you? |
01:14:37 |
Fuckin' good. I'm real fuckin' good. |
01:14:42 |
Here today, |
01:14:45 |
gone tomorrow. |
01:14:54 |
That doesn't scare me. |
01:15:01 |
I'm Paul. What's your name? |
01:15:03 |
Jeffrey. |
01:15:16 |
Where's the glasses? |
01:15:19 |
One thing I can't fuckin' stand |
01:15:24 |
Darling, where's the glasses? |
01:15:27 |
Here, Frank. Here come the glasses. |
01:15:30 |
See, here are the glasses. |
01:15:32 |
Raymond, where's the fuckin' beer, man? |
01:15:36 |
It's right here, Frank. |
01:15:39 |
- D'you want me to pour it? |
01:15:42 |
Shit, yes, pour the fuckin' beer! |
01:15:53 |
Thank you. |
01:15:54 |
- Let's drink up. |
01:15:57 |
Shit, let's drink to somethin' else. |
01:16:01 |
Let's drink to fucking. |
01:16:05 |
Yeah, say "Here's to your fuck, Frank." |
01:16:09 |
If you like, Frank. |
01:16:11 |
Here's to your fuck. Cheers. |
01:16:15 |
Cheers. Wow. Suave, man. |
01:16:19 |
You are so fuckin' suave. |
01:16:25 |
- Hey, we love Ben. |
01:16:28 |
- Here's to Ben! |
01:16:34 |
Here's to Ben. |
01:16:38 |
- Here's to Ben. |
01:16:42 |
Here's to Ben. |
01:16:47 |
See that, Ben? |
01:16:50 |
I can make him do anything I please. |
01:16:59 |
Thank you for the toast. |
01:17:03 |
Did he hurt your little face? |
01:17:09 |
That feel better? |
01:17:14 |
Frank, I have something for ya. |
01:17:18 |
Would you excuse us |
01:17:21 |
Excuse us, por favor. |
01:17:24 |
Raymond, do a little baby-sitting. |
01:17:33 |
I'm Paul. |
01:17:53 |
Gordon went right up to 'em in broad |
01:17:58 |
He took those drugs away |
01:18:02 |
A candy-coloured clown |
01:18:09 |
Let Tits see her kid, huh? |
01:18:26 |
A candy-coloured clown |
01:18:29 |
Donny! Donny! |
01:18:32 |
Oh, Donny! |
01:18:34 |
No! No! Donny, Mama loves you! |
01:18:53 |
A candy-coloured clown |
01:18:57 |
Tiptoes to my room every night |
01:19:01 |
Just to sprinkle stardust |
01:19:04 |
"Go to sleep" |
01:19:06 |
"Everything is all right" |
01:19:11 |
I close my eyes |
01:19:15 |
Then I drift away |
01:19:20 |
Into the magic night |
01:19:24 |
I softly say |
01:19:29 |
A silent prayer |
01:19:33 |
Like dreamers do |
01:19:38 |
Then I fall asleep to dream |
01:19:42 |
My dreams of you |
01:19:48 |
In dreams I walk |
01:19:53 |
With you |
01:19:57 |
In dreams I talk |
01:20:02 |
To you |
01:20:06 |
In dreams you're mine |
01:20:12 |
All the time |
01:20:14 |
We're together |
01:20:21 |
All right! Let's hit the fuckin' road! |
01:20:24 |
We're givin' our neighbour a joyride! |
01:20:28 |
Bye, Ben. |
01:20:30 |
Anyone wanna go on a joyride with us? |
01:20:33 |
How about you? Huh? |
01:20:39 |
No smile for Frank? No? |
01:20:44 |
OK, fuck it! Let's go! |
01:20:48 |
You wanna go with Raymond? |
01:20:54 |
I'll see ya Tuesday, Frank. |
01:20:57 |
Right, Ben. |
01:21:01 |
Now it's dark. |
01:21:06 |
Let's fuck! |
01:21:09 |
I'll fuck anything that moves! |
01:21:30 |
Where are we going, Frank? |
01:21:32 |
I'm takin' your neighbour |
01:21:38 |
Hey, do you like to walk? |
01:21:40 |
- Hey, I'm talkin' to you, shithead. |
01:21:43 |
He said "What?", Frank. |
01:21:47 |
What. |
01:21:54 |
Hey! What has this fuck |
01:21:58 |
Jesus, goddamn. |
01:22:07 |
You fuck! |
01:22:10 |
What're you looking at? |
01:22:13 |
Nothing. |
01:22:15 |
Don't you look at me, fuck! |
01:22:18 |
I shoot when I see the whites of the eyes. |
01:22:44 |
You're like me. |
01:22:52 |
Oh, look at those. |
01:22:55 |
What are these? |
01:22:57 |
- Please, Frank, let's go. |
01:23:04 |
Ooh, baby... |
01:23:10 |
What's the matter? Give 'em back. |
01:23:15 |
Ooh, let me feel 'em. Come here. |
01:23:19 |
Leave her alone! |
01:23:28 |
Goddamn! |
01:23:30 |
Next! |
01:23:32 |
You, out of the car, fuck! |
01:23:38 |
- Frank! Frank! He didn't mean anything! |
01:23:57 |
Pretty, pretty. Pretty, pretty. |
01:24:04 |
Frank, leave him alone! |
01:24:06 |
Frank! Frank! |
01:24:13 |
Paul... candy-coloured clown. |
01:24:19 |
You're fuckin' lucky to be alive. |
01:24:21 |
A candy-coloured clown |
01:24:25 |
- Tiptoes to my room every night |
01:24:29 |
Just to sprinkle stardust |
01:24:32 |
- "Go to sleep, everything is all right" |
01:24:39 |
I close my eyes |
01:24:43 |
Then I drift away |
01:24:47 |
Don't be a good neighbour to her. |
01:24:51 |
I'll send you a love letter. |
01:24:55 |
Straight from my heart, fucker! |
01:24:58 |
Do you know what a love letter is? |
01:25:01 |
It's a bullet from a fuckin' gun, fucker. |
01:25:05 |
You receive a love letter from me, |
01:25:11 |
You understand, fuck? |
01:25:16 |
- I'll send you straight to hell, fucker! |
01:25:19 |
I walk |
01:25:21 |
- With you |
01:25:25 |
- I walk with you. |
01:25:28 |
- I talk to you |
01:25:35 |
- In dreams you're mine |
01:25:40 |
- All the time |
01:25:43 |
We're together |
01:25:47 |
- In dreams, in dreams |
01:25:55 |
But just |
01:25:57 |
Before the dawn |
01:26:04 |
- I awake and find |
01:26:08 |
You gone |
01:26:13 |
I can't help it |
01:26:15 |
I can't help it |
01:26:17 |
If I cry |
01:26:20 |
Feel my muscles. Huh? |
01:26:23 |
Feel 'em! Huh? You like that? |
01:26:29 |
Hold him tight for me. |
01:26:34 |
Frank, stop it! |
01:26:38 |
Frank, stop it! Frank! Stop! |
01:26:45 |
Frank, stop it! Stop it! |
01:26:50 |
Stop it, Frank! |
01:26:58 |
In dreams you're mine |
01:27:53 |
Hit me. |
01:28:18 |
No, Donny, Mama loves you! |
01:28:42 |
What do you mean, |
01:28:45 |
Things got out of hand. |
01:28:48 |
I know some things. They could help your |
01:28:54 |
Look, forget me. You've got to tell him. |
01:28:57 |
OK. I promise I won't mention you. |
01:29:02 |
Jeffrey, I mean it. It doesn't matter. |
01:29:06 |
- Good. I'll see you Friday, if not before. |
01:29:10 |
- Bye-bye, Sandy. |
01:29:29 |
I don't wanna talk about it. |
01:29:31 |
Everything is OK now. |
01:29:35 |
Sometimes it's good to talk things over. |
01:29:40 |
Aunt Barbara... |
01:30:16 |
Gordon. |
01:30:18 |
Gordon went right up to 'em in broad |
01:30:22 |
He took those drugs away |
01:31:00 |
I got it. |
01:31:04 |
- Jeffrey. Come on in. |
01:31:09 |
- Hi, Sandy. |
01:31:12 |
- Sorry to bother you, but I need to talk. |
01:31:18 |
- Yeah. |
01:31:26 |
I have to show you some photos |
01:31:33 |
This is the first picture. |
01:31:37 |
It's Frank Booth. |
01:31:40 |
He is a very sick and dangerous man. |
01:31:43 |
His address is on the back of the photo. |
01:31:48 |
This photo is of Frank and another man |
01:32:10 |
And then that man came out and met |
01:32:16 |
Here's that photo. |
01:32:22 |
I think a woman named Dorothy Vallens |
01:32:27 |
I think Frank kidnapped her husband |
01:32:34 |
- Is Sandy part of this? |
01:32:40 |
Who else knows you have these photos? |
01:32:43 |
Just you and the photo lab. |
01:32:46 |
- And you're through with this now? |
01:32:54 |
For now, all right, you better be. And |
01:33:04 |
Be prepared to come in |
01:33:08 |
Yes, sir. |
01:33:19 |
- Is everything OK? |
01:33:23 |
- You didn't tell him about me? |
01:33:27 |
Why did I ever |
01:33:34 |
- Of course Friday's still on. |
01:33:39 |
Good night, Detective Williams. |
01:33:46 |
- Night, Sandy. |
01:33:58 |
Dad? |
01:34:00 |
What's wrong? |
01:34:03 |
There better be nothin' wrong. |
01:35:05 |
- I'll get it. |
01:35:12 |
- Jeffrey, come on in. |
01:35:14 |
- She's all ready. |
01:35:18 |
- You look great. |
01:35:22 |
- Hello, Detective Williams. |
01:35:25 |
- You all set? |
01:35:27 |
Hey, John, get a move on. |
01:35:35 |
Just a minute, Tom. |
01:35:39 |
Easy does it, Jeffrey. |
01:35:43 |
Behave yourself. Don't blow it. |
01:35:48 |
Come on, John. Get it in gear, pal. |
01:35:51 |
So long, Jeffrey. |
01:35:54 |
- OK. |
01:35:57 |
Just a little fatherly advice. |
01:35:59 |
That's right, Jeffrey. |
01:36:01 |
Come on. |
01:36:04 |
Bye, Dad. |
01:36:05 |
- Good night, Mom. |
01:36:09 |
- Night, Sandy. |
01:36:18 |
- Jeffrey, what was that all about? |
01:36:23 |
Really. |
01:36:25 |
It's good to see you. |
01:36:28 |
It's good to see you. |
01:36:37 |
You look beautiful. |
01:36:42 |
Thank you. |
01:36:51 |
Hi. |
01:37:17 |
- It's all taken care of. |
01:37:20 |
You want a drink? |
01:37:24 |
Wanna dance? |
01:37:28 |
Yeah. |
01:37:39 |
Sometimes a wind blows |
01:37:47 |
And you and I |
01:37:55 |
Float |
01:38:02 |
In love |
01:38:11 |
And kiss for ever |
01:38:19 |
In a darkness |
01:38:28 |
And the mysteries of love |
01:38:34 |
I love you, Jeffrey. |
01:38:36 |
Come clear |
01:38:40 |
I love you, too. |
01:38:45 |
In you |
01:38:53 |
In me |
01:38:57 |
And show |
01:39:01 |
That we |
01:39:05 |
Are love |
01:39:22 |
Bye. See you later. |
01:40:08 |
- What's goin' on? |
01:40:13 |
They're gonna hit us. |
01:40:16 |
- Oh, my God, what's wrong? |
01:40:25 |
Move it! |
01:40:27 |
Hang on. |
01:40:32 |
I can't outrun this guy. |
01:40:36 |
- Jeffrey, no. |
01:40:44 |
It's Mike! Jeffrey, it's Mike. |
01:40:56 |
Get outta the car! |
01:41:00 |
You stole my girl, you bastard. |
01:41:03 |
Right here, in front of your own |
01:41:07 |
Mike, stop it. |
01:41:08 |
Shut up! Just shut up, all right? |
01:41:13 |
Come on, Mike. Look, I don't |
01:41:17 |
- Who's that? Is that your mother? |
01:41:20 |
- No, come here, you lvy League shit. |
01:41:24 |
Dorothy Vallens? |
01:41:35 |
Come on. |
01:41:45 |
I'm really... Hey, I'm sorry. |
01:41:50 |
I'm really sorry. |
01:41:53 |
- It's OK. It's OK. |
01:41:57 |
We've gotta get her outta here. |
01:41:59 |
Go to my house. |
01:42:02 |
- His partner won't be there, will he? |
01:42:06 |
- Nothing. |
01:42:11 |
Oh, God. |
01:42:13 |
Is that you, Jeffrey? |
01:42:15 |
Yeah. It's me. |
01:42:17 |
Oh, Jeffrey... |
01:42:20 |
Jeffrey... |
01:42:28 |
Dad? Mom? |
01:42:31 |
- I'm in here, honey. |
01:42:34 |
All right, I'll be right there. |
01:42:37 |
- Is Dad home? |
01:42:41 |
You better call him. |
01:42:44 |
Where have you been? |
01:42:46 |
Oh, God. |
01:42:49 |
Oh, God, they've hurt him. |
01:42:54 |
- Hold me! Hold me! |
01:43:02 |
My secret lover. |
01:43:06 |
I've called for an ambulance. |
01:43:09 |
Don't get the police! |
01:43:13 |
Stop it! |
01:43:15 |
I love you! Love me! |
01:43:21 |
He put his disease in me. |
01:43:24 |
Tell me it's all right |
01:43:28 |
- Tell me it's all right. |
01:43:32 |
- Sandy? |
01:43:39 |
Jeffrey? What's going on here? |
01:43:42 |
I'll tell you. |
01:43:45 |
They... they've hurt his head. |
01:43:49 |
Who, Dorothy? |
01:43:52 |
Don. Help him. |
01:43:57 |
Help him. |
01:44:00 |
Promise me you'll help him! |
01:44:13 |
He put his disease in me. |
01:44:34 |
Would you like to |
01:44:37 |
I'll be right with you. |
01:44:47 |
I should go. |
01:44:49 |
- Go. |
01:44:59 |
Hold me! I'm falling! |
01:45:02 |
I'm falling! Hold me! |
01:45:11 |
- You lied to me. |
01:45:17 |
I love you. |
01:45:20 |
I forgive you, Jeffrey. |
01:45:27 |
I love you. |
01:45:34 |
I love you. |
01:45:38 |
I... But I couldn't watch that. |
01:45:48 |
- Is she OK? |
01:45:51 |
Get your father. Tell him to send |
01:45:55 |
Tell him to hurry. I'm leaving right now. |
01:45:57 |
- Jeffrey, no. |
01:46:01 |
- I love you. |
01:46:03 |
I will, believe me. |
01:46:17 |
Where... |
01:46:22 |
Where is my dream? |
01:46:38 |
Look, this is an emergency. |
01:46:40 |
He said someone was hurt |
01:46:44 |
We do not know his whereabouts |
01:46:47 |
Well, find him! |
01:48:47 |
Get back and stay down. |
01:48:52 |
He's going to apartment 26. |
01:48:56 |
Lieutenant, we're at Frank's place now. |
01:49:05 |
Stay in place. |
01:49:08 |
Love letters straight from your heart |
01:49:12 |
Number 25 is vacant, |
01:49:19 |
Keep us so near |
01:49:22 |
While apart |
01:49:30 |
I'm not alone |
01:49:33 |
In the night |
01:49:39 |
I'm gonna let them find you on their own. |
01:49:42 |
When I can have |
01:49:45 |
All the love |
01:49:48 |
You write |
01:49:53 |
I memorise |
01:49:56 |
Every line |
01:51:44 |
Detective Williams. |
01:51:46 |
- Detective Williams? |
01:51:50 |
Yeah, it's me. I'm hiding |
01:51:53 |
Frank is on his way in a well-dressed-man |
01:51:59 |
He's got a radio. |
01:52:02 |
Jeffrey! |
01:52:08 |
Detective Williams? |
01:52:12 |
Please hurry. |
01:52:26 |
Hey, neighbour. You shit-for-brains, man! |
01:52:37 |
One well-dressed fuckin' man knows |
01:52:44 |
Stupid fuck. |
01:52:47 |
Fuck with me, man. |
01:53:01 |
Here I come, ready or not. |
01:53:11 |
You fuck! |
01:53:13 |
I can hear your fuckin' radio, |
01:53:18 |
You got about one fuckin' |
01:53:23 |
You're one sorry piece of shit, mister. |
01:53:34 |
Hey, pretty, pretty! |
01:53:45 |
What the fuck... Where are you? |
01:54:57 |
Oh, Jeffrey. |
01:55:07 |
It's all over, Jeffrey. |
01:55:53 |
And kiss for ever |
01:56:00 |
In a darkness |
01:56:09 |
And the mysteries of love |
01:56:17 |
Come clear |
01:56:26 |
And dance |
01:56:34 |
In light |
01:56:43 |
In you |
01:56:45 |
- Jeffrey, lunch is ready. |
01:56:51 |
In me |
01:56:55 |
And show |
01:56:59 |
That we... |
01:57:00 |
- How you guys doin'? |
01:57:03 |
- Hey, Jeff. Feelin' much better now, Jeff. |
01:57:10 |
Sandy, look. |
01:57:18 |
Lunchtime. |
01:57:19 |
- OK, Jeffrey. |
01:57:21 |
Jeffrey, come over here and look at this. |
01:57:26 |
Look. |
01:57:29 |
Yeah, I saw him outside. |
01:57:32 |
Maybe the robins are here. |
01:57:36 |
I don't see how they could do that. |
01:57:43 |
It's a strange world. |
01:57:46 |
Isn't it? |
01:57:53 |
Sometimes a wind blows |
01:58:01 |
And the mysteries of love |
01:58:09 |
Come clear |
01:58:42 |
And I still can see |
01:58:47 |
Blue velvet |
01:58:52 |
Through |
01:58:54 |
My |
01:58:57 |
Tears |