Bone Collector The

en
00:02:34 - Paulie, how's it look?
00:02:36 about 300 yards down
00:02:40 - Howie?
00:02:42 Keep back till I process the scene.
00:04:01 Watch out below!
00:05:14 - So where the hell is the car?
00:05:18 - That's the last time I take a red-eye.
00:05:23 I'm gonna fire this son of a bitch.
00:05:25 He's always got an excuse.
00:05:33 Come on, we'll be home
00:05:36 Yeah.
00:06:16 Excuse me. Excuse me,
00:06:23 Honey, honey, wake up. We're lost,
00:06:29 We're in the middle of nowhere.
00:06:31 Where the hell you going?
00:06:37 We're not tourists here, man.
00:06:40 Hey, where are you going?
00:06:50 Let us out.
00:06:54 - Stop this car, man!
00:07:07 Shit.
00:07:08 - Oh, my God.
00:07:12 Stop the goddamn car!
00:07:24 - Stop it, please.
00:07:27 Stop this car, goddamn it!
00:07:34 Good morning.
00:07:37 You look a little dehydrated.
00:07:39 - How about some juice?
00:07:43 Isn't it a little early for vodka?
00:07:45 Time, as you well know,
00:07:49 -Juice.
00:07:54 - Coming!
00:07:57 I'd love to, but a med tech with
00:08:00 - Thanks.
00:08:03 I'm better than
00:08:06 Every time I'm here, it's skewed further
00:08:10 I really need a new body.
00:08:12 I'm afraid I can't help you
00:08:14 - I'll bring you a new unit tomorrow.
00:08:17 - This one'll be stable till then.
00:08:20 - Take it easy.
00:08:24 - How's he doing this morning?
00:08:27 - Give him any?
00:08:30 - Good morning, Doctor.
00:08:33 Hey, would you look at this!
00:08:39 Yep.
00:08:44 Yeah, there was a piece about them
00:08:46 nesting all over the city.
00:08:48 Something to do with architecture
00:08:52 I thought he liked my company.
00:08:59 They're a little shy.
00:09:02 - Drink, Doc?
00:09:06 Bed mode.
00:09:17 - Got vodka in there?
00:09:19 You ain't getting any either.
00:09:22 All right, I'll let you guys talk.
00:09:28 So, Linc, you can imagine how much
00:09:32 considering your request.
00:09:34 That's funny. Since I made my decision,
00:09:38 After all you have survived,
00:09:41 you know as well as I do, there's work
00:09:44 One finger, two shoulders and a brain.
00:09:51 These dysreflexia seizures
00:09:54 Build-up of fluid in my spine
00:09:58 We both know I'm waiting for the seizure
00:10:04 I don't wanna be a vegetable, Barry.
00:10:09 I wanna make the final transition
00:10:15 I'll get it done
00:10:19 Oh, yeah,
00:10:27 So?
00:10:33 - Okay.
00:10:40 Okay, I'll assist you...
00:10:42 in your final transition.
00:10:44 - What about today?
00:10:47 This is not a flu shot.
00:10:49 My business is in order.
00:10:51 Besides, I've got a medical conference
00:10:56 You're lying.
00:10:59 When do you get back?
00:11:02 Sunday.
00:11:03 Okay. Sunday.
00:11:10 - I'll see you then.
00:11:16 Don't bother to get up.
00:11:19 Yeah, I'll race you to the door.
00:11:25 You are...
00:11:28 a very good friend.
00:12:21 Amelia.
00:12:23 - Hey.
00:12:29 You okay?
00:12:30 Yeah, I'm fine.
00:12:37 - What time is it?
00:12:49 I'm gonna be late for work.
00:12:51 - No, you don't. Stay here.
00:13:08 - Hey, I'll make breakfast?
00:13:12 Another
00:13:18 Look--
00:13:21 My therapist tells me...
00:13:23 I might not be getting what I need
00:13:26 What are we doing here?
00:13:32 You know where I stand on this.
00:13:36 Steve, we've been through this.
00:13:39 I care about you. You know that.
00:13:53 Go to work then.
00:13:56 Go ahead.
00:14:11 So, Amelia, is it true
00:14:14 - No, transferring to Youth Services.
00:14:16 You must have one hell
00:14:18 - We're gonna miss you here.
00:14:21 - Frightened child at Amtrak site.
00:14:24 Some kid found something
00:14:27 - Finish eating. I'll check it out.
00:14:57 Three-post-eleven,
00:15:00 Nothing yet.
00:15:04 Wait, I think I see him.
00:15:06 Are you the one
00:15:52 Wait there, okay?
00:17:00 - Are you out of your mind?
00:17:03 There's been a homicide.
00:17:19 - My name is Amelia. What's yours?
00:17:21 Chris, hey. I got a job foryou.
00:17:26 I need you to buy me one of those
00:17:30 the ones you can throw away.
00:17:32 Okay. Fast as you can.
00:17:41 Three-post-eleven to central.
00:19:32 Get Amtrak to send a bus over here.
00:19:37 Captain Cheney, Detective Solomon.
00:19:40 - Anything else?
00:19:43 I found strange stuff near the body. I
00:19:51 - I also took some pictures.
00:19:54 - You the one who stopped the train?
00:19:59 So why not shut down Grand Central while
00:20:03 - Is that right?
00:20:06 - A rookie, I take it?
00:20:09 Pretty dumb.
00:20:12 Captain, guess who
00:20:15 - Talk to me.
00:20:22 Listen, I don't want anybody
00:20:25 - Okay?
00:20:37 Knight to H-6. Check.
00:20:41 - You got company. Cops.
00:20:45 - They said it was urgent.
00:20:48 She's too polite for that, Linc.
00:20:51 Hey, looky who's here.
00:20:56 - I got a serious situation.
00:21:00 Chief Murphy sent me.
00:21:04 The good chief.
00:21:07 Hear about the couple at the airport,
00:21:11 - Never made it home.
00:21:13 He used to read four papers a day,
00:21:17 Yeah, and now I just hit
00:21:20 Things never change.
00:21:21 Yeah, well, that was Alan Rubin
00:21:25 Found him dead, buried,
00:21:28 hand sticking out of the ground with his
00:21:32 which was skinned to the bone.
00:21:34 She's still missing.
00:21:36 Excuse me while you catch up, okay?
00:21:38 Don't go too far, Thelma. These nice
00:21:43 Sounds like you got yourself
00:21:46 - I don't think so.
00:21:48 A man worth millions found dead...
00:21:50 with his wife's wedding band
00:21:54 What does that tell you?
00:21:56 The doer is saying he's got her.
00:21:59 He's probably contacting the family
00:22:02 - I would've been paged if he had.
00:22:06 It's definitely a ransom.
00:22:10 Excuse me, Mr. Rhyme,
00:22:13 I've read all your books--
00:22:15 at least a dozen times.
00:22:19 It's great to actually meet you.
00:22:22 - Where do you find these guys?
00:22:25 I guess now you're gonna ask me to
00:22:30 In fact, we got a bunch
00:22:33 that doesn't exactly make sense.
00:22:36 Some seriously weird stuff.
00:22:42 You okay?
00:22:46 - You okay?
00:22:47 - Anything we can do?
00:22:51 We're gonna get you some air.
00:22:56 I said, out!
00:22:57 Come on, deep breaths.
00:23:02 Deep breaths. I'm getting a B.P. on you.
00:23:05 Look at me. Breathe.
00:23:11 Look at me. Deep breaths.
00:23:13 Come on, come on.
00:23:16 Come on, Rhyme,
00:23:19 Come on, you can do it.
00:23:22 Come on, look at me.
00:23:55 You okay?
00:23:56 I would be okay if your powers
00:24:02 Not on my shift, all right.
00:24:04 If you have a problem with that,
00:24:07 You know I provide generously for you
00:24:11 Rhyme, I'm not interested
00:24:16 Okay.
00:24:20 would you load those photos
00:24:23 View scan.
00:24:31 Okay, let's take a look
00:24:35 Where it says location--
00:24:39 What's it say about that newspaper?
00:24:42 ''Newspaper found beneath a coarse-thread
00:24:47 4:00 p.m.
00:24:49 Zoom.
00:24:55 What about the little piece of paper?
00:24:59 - Torn book page with 119 on it.
00:25:11 - What's today's date?
00:25:15 Phone mode. Sellitto, Paulie.
00:25:24 What?
00:25:27 Sad fact is, a huge percentage
00:25:31 are having their first drug experiences
00:25:36 Now, here are some of the drugs
00:25:44 Marijuana.
00:25:46 Wouldn't you like to get your hands
00:25:50 Barbiturates, amphetamines.
00:25:54 Cocaine.
00:25:57 Rock cocaine.
00:26:08 - What is this about?
00:26:11 - Textbook guy?
00:26:13 - What does that have to do with me?
00:26:21 Come on in.
00:26:26 A patrol cop took these pictures?
00:26:28 Yeah, first one on the scene.
00:26:31 Smart guy.
00:26:33 Also had the balls to stop an Amtrak
00:26:36 Here she is now.
00:26:39 meet Lincoln Rhyme.
00:26:41 Donaghy.
00:26:47 You took some terrific
00:26:50 - You know who I am?
00:26:55 - What'd you think of it?
00:26:59 - But you found it useful?
00:27:02 Guess so? Sure, you did.
00:27:04 Photos you took.
00:27:08 I'd say you have a natural instinct
00:27:11 So what do we got, Paulie?
00:27:15 We have footprints, size ten,
00:27:18 using a dollar bill
00:27:21 We have asbestos on the track bed
00:27:24 and an iron bolt holding down
00:27:28 with a book page with 119
00:27:31 Decaying oxidation on the bolt's head,
00:27:34 which says to me that someone
00:27:38 and placed it there recently.
00:27:39 Wouldn't you agree, Officer?
00:27:48 Paulie, I'm convinced
00:27:51 - Perp's trying to tell us something.
00:27:54 Book page 11.
00:27:57 - Newspaper, 4:00 p.m. What time is it?
00:28:02 She's alive.
00:28:04 - And he's gonna kill her at 4:00.
00:28:09 We have your interest yet, Officer?
00:28:15 - I want you to work the case with us.
00:28:20 Are you being modest...
00:28:22 or are you a little uneasy
00:28:27 - Excuse me?
00:28:30 Youth Services Division.
00:28:33 I see, youth services.
00:28:35 I waited over a year to get that
00:28:38 Jeopardize what? Cushy deskjob?
00:28:43 - Forensics is not my area.
00:28:46 You can't force me
00:28:51 I can.
00:28:54 - And if I refuse?
00:28:57 You think, because of your condition,
00:29:00 I'm sorry.
00:29:04 - Truly?
00:29:07 Well, forgive me, truly...
00:29:10 if I insist on having someone with
00:29:14 There's a life
00:29:18 We're gonna need some key people
00:29:21 - I know the guy.
00:29:24 What the hell are you smiling at?
00:29:36 Pull up a chair. Tell me everything
00:29:42 - You saw my report.
00:29:45 I wanna know what you felt.
00:29:48 What you feel...
00:29:50 in the deepest recesses
00:29:52 You are in love with the sound
00:29:56 It's your voice I yearn to hear.
00:30:28 The rifling on the.38 slug
00:30:31 is consistent with a Webley, a very
00:30:35 Thank you, Kenny.
00:30:37 - What do you got on that bolt?
00:30:42 And the bolt's not steel,
00:30:44 Iron? Iron.
00:30:47 Making it old-- like the Webley.
00:30:51 Officer Donaghy,
00:30:54 - It kills hard-working Americans daily.
00:30:57 - You computer literate?
00:31:02 - Where's my Thelma?
00:31:06 Thelma, meet Amelia.
00:31:08 Amelia hates my books and computers, but
00:31:12 so I want you to give her a crash course
00:31:17 Check if there's any large asbestos
00:31:21 A.S.A.P.
00:31:24 - Where the hell is Eddie Ortiz?
00:31:30 How's the world's
00:31:32 Playing beat the clock.
00:31:34 Everybody's worst nightmare.
00:31:36 You get into a cab, and there's
00:31:39 We don't know he's from Jersey.
00:31:41 Yeah, Bayonne. It's the toxins
00:31:45 - What'd you do, bring the whole lab?
00:31:48 - Where do you want this?
00:31:51 How is your mother?
00:31:53 She's 76, and she's schtupping some guy
00:31:57 - God bless her.
00:32:00 He's 79, with a tricky ticker
00:32:12 Afternoon.
00:32:14 What's your address?
00:32:16 There's about a dozen cleanups
00:32:19 Put it up on the viewer for me,
00:32:21 Narrow it down to the oldest location
00:32:24 - How you doing, Howard?
00:32:26 - How's it going?
00:32:29 Hey, Linc, look what I found
00:32:35 Look, I was hoping
00:32:37 - If you don't mind.
00:32:40 Sorry.
00:32:41 We got Officer Donaghy to thank here
00:32:46 Crucial evidence?
00:32:49 I just stopped by to make sure
00:32:53 I'm putting the full resources
00:32:58 And I appreciate it, Howie,
00:33:00 But the thing is, Linc...
00:33:02 I've formalized department standard
00:33:07 Eddie, could you put whatyou got
00:33:09 so I'd appreciate it
00:33:13 Absolutely.
00:33:15 At all times.
00:33:17 At all-- Eddie, what the hell
00:33:23 Old paper.
00:33:25 Coarse grade.
00:33:27 I say, 80, 90 years old.
00:33:31 Turn of the century,
00:33:35 This perp likes old.
00:33:39 - I'll be in my office if you need me.
00:33:44 Good.
00:33:49 Old paper.
00:33:51 Old gun.
00:33:55 Buried his victim in a vintage
00:34:00 Sand.
00:34:03 Eddie, what do you got
00:34:06 Doesn't really look like sand.
00:34:10 - I'm not sure.
00:34:13 - If I had E.D.X., I could do anything.
00:34:18 Look who forgot their chill pill
00:34:22 Come on, I'm all over
00:34:25 We're talking pearly looking.
00:34:30 Some kind of shellfish or something.
00:34:37 Oysters shells, maybe?
00:34:40 Could be.
00:34:43 Definitely. If I had to bet on it,
00:34:50 I got it. The oldest asbestos sites
00:35:23 In 1913, when the Woolworth Building
00:35:28 workmen found the body of this rich
00:35:32 He'd been kidnapped the year before,
00:35:35 in what they thought was white sand
00:35:39 Crushed oyster shells-- That's what they
00:35:43 That's how Pearl Street got its name.
00:35:46 somewhere downtown.
00:35:49 She's gonna be underground.
00:35:51 She's gonna be in a basement...
00:35:54 near or in the Woolworth Building.
00:35:56 Paulie, call Emergency Services Unit
00:36:02 Tell them to start their search.
00:36:04 Okay? Eddie,
00:36:06 - It's downstairs.
00:36:08 Throw your keys to Amelia.
00:36:11 - Shouldn't I go too?
00:36:15 - That's the missing piece.
00:36:18 Fuck him.
00:36:27 Just trust me.
00:36:28 Just follow those instincts
00:36:33 every step ofthe way.
00:36:46 Jesus, 25 minutes left.
00:36:49 - How did Rhyme get to be that way?
00:36:54 I mean the physical part.
00:36:57 About four years ago, he was working
00:37:00 found shot in a subway tunnel.
00:37:03 Beam came down
00:37:07 Jesus.
00:37:10 - Family?
00:37:14 He never sees her.
00:37:18 Technically, he's still active duty
00:37:21 P.B.A. insurance picks up
00:37:24 On weekends, always one or two cops
00:37:27 - Tough deal winding up like that.
00:37:31 He gets too much pleasure
00:37:33 In your case,
00:37:36 You gotta learn to relax
00:37:38 especially one from Rhyme.
00:37:40 - You can be a little grating.
00:37:43 Kiddo, if you were any more wound up,
00:37:51 He was a human dynamo. Writing books,
00:37:55 giving expert opinion in trials...
00:37:58 working half the crimes scenes
00:38:00 - You know what he did on his downtime?
00:38:03 He'd collect things--
00:38:06 hubcaps, plants, musical strings...
00:38:10 medical tools--
00:38:12 Obsessive.
00:38:13 He'd have it all analyzed
00:38:19 Jesus Christ! I'd like to get there
00:38:50 Yeah, find out about that.
00:38:52 Nicholas Steven Gerard,
00:38:54 - Gotta be underground.
00:38:57 - Subway builder's out.
00:39:02 Bought by Eastern Gas and Electric
00:39:05 The six-inch iron bolt was used
00:39:56 Forty-five, you got 11 minutes left.
00:39:58 We just hit the financial district.
00:40:01 There's a steam junction
00:40:05 That's where our victim's gonna be.
00:40:13 Has E.S.U. been notified?
00:40:15 Yeah, they're on their way.
00:40:16 E.S.U. says that steam is released
00:40:21 Shit, what's this asshole up to?
00:40:24 I don'tknow, but it's gonna happen
00:40:28 All right, Linc, we're here.
00:40:37 Yeah, I'm here.
00:40:38 It's their job to try
00:40:41 It's your job to get ready
00:40:47 There's some things you're gonna need,
00:40:50 You'll see an aluminum suitcase
00:40:57 - See it?
00:41:21 There must be a way in.
00:41:25 - What's the problem here?
00:41:29 Come on, guys, shut it off.
00:41:31 - You there?
00:41:34 - I'm inside the pipe.
00:41:42 Go!
00:41:46 I think I hear something.
00:41:49 What is it? Someone's in there!
00:41:53 Everyone, quiet now.
00:42:06 Mrs. Rubin?
00:42:16 She's in there.
00:42:19 We're on our way in now.
00:42:23 Let's go.
00:42:26 -Jesus Christ.
00:42:29 Somebody cut this thing
00:42:35 Let's dig!
00:42:57 Move back!
00:43:41 Linc, she's gone.
00:43:44 The whole place is scalded in steam.
00:43:47 Let's go. Move away.
00:43:49 Nothing to see here.
00:43:50 E.S.U. are gonna blow a hole in the
00:43:54 I am working with Chief Murphy's
00:43:58 - Yeah, that's right.
00:44:02 rushing in there, trampling the evidence
00:44:06 - What do you want?
00:44:10 Come on, Linc,
00:44:13 We can get our asses in a sling.
00:44:15 My ass has been in a sling
00:44:18 Tell Hanson and his beasts
00:44:21 All right, you got it.
00:44:31 Okay, let's move!
00:44:43 I'm doing this under protest.
00:44:45 The perp could still be in there.
00:44:47 Rhyme's in charge,
00:44:50 You can't handle it in there,
00:44:54 - Amelia, you ready?
00:44:56 You listen to me.
00:44:59 I'm with you every step of the way.
00:45:03 Go on.
00:45:04 Good luck.
00:45:17 - I'm in.
00:45:27 Everything's been boiled to hell.
00:45:35 Oh, God.
00:45:36 What is it?
00:45:39 It's an awful smell.
00:45:42 That means you're close.
00:46:07 - I can't believe I'm doing this.
00:46:11 Just fine. You're doing great.
00:46:16 When you walk,
00:46:19 We don't want to disturb
00:46:22 Yes, assuming he's gone.
00:46:32 There's no footprints.
00:46:51 Oh, God.
00:46:53 What?
00:46:55 Talk tome.
00:47:01 I can see her.
00:47:08 The steam pipe was opened, and she's
00:47:13 Okay. There's nothing
00:47:16 Can't do anything but help her
00:47:21 That's your job.
00:47:22 Open your suitcase,
00:48:09 I can't do this.
00:48:10 You can do it. Yes, you can.
00:48:14 You can do anything you want
00:48:16 Don't work me, Rhyme.
00:48:25 - Just tell me what to do next.
00:48:30 one foot in front of the other.
00:48:38 I want you to look around you now.
00:48:41 crime scenes are three-dimensional--
00:48:54 Yeah, I'm here.
00:48:57 There's something strange.
00:49:00 Things he left for us?
00:49:07 Yes.
00:49:08 - In a cluster again?
00:49:12 and it looks like some hair.
00:49:15 I'm gonna walk you through
00:49:17 You do everything
00:49:31 - Oh,Jesus.
00:49:34 - It's a bloody bone.
00:49:39 It's in my fucking hand.
00:49:42 Human?
00:49:46 I think so, yeah.
00:49:48 Photograph it...
00:49:50 bag it.
00:50:09 Okay, that's it.
00:50:14 One more thing.
00:50:16 We gotta process the body.
00:50:21 What? I'm no medical examiner.
00:50:23 I'm not asking you to do an autopsy.
00:50:24 I just want you to--
00:50:43 They're strange-looking handcuffs.
00:50:45 They look more like
00:50:52 And there's a chain
00:50:55 And her feet are...
00:50:57 bound with a rope.
00:51:02 Hands above her head?
00:51:05 Yeah.
00:51:10 There's also a large piece of flesh
00:51:16 It's right down to the bone,
00:51:21 This is what I want you to do.
00:51:23 We're gonna need those handcuffs.
00:51:26 It's probably our best chance
00:51:29 The M.E. can remove them
00:51:31 The M.E. is all thumbs.
00:51:36 Look in the suitcase.
00:51:48 Okay.
00:51:49 I wantyou to saw her hands off
00:51:53 We gotta have those cuffs
00:52:19 I can't.
00:52:20 Cut her hands off.
00:52:23 I can't. No.
00:52:25 Saw off her hands,
00:52:31 Listen to me. Saw off her h--
00:52:33 I can't!
00:52:34 - Amelia, we need--
00:52:47 If he wants that woman's hands cut off,
00:55:49 Hello?
00:55:51 Who is it?
00:56:26 Jesus.
00:56:49 - Take it easy.
00:56:53 - You okay?
00:56:56 Rhyme has been trying
00:56:59 Your phone's down.
00:57:02 My phone's fine.
00:57:06 He needs you over
00:57:11 I don't work for Lincoln Rhyme.
00:57:15 Rhyme thinks the evidence you collected
00:57:18 And he's laying that at my feet?
00:57:21 Don't shoot the messenger.
00:57:45 - You just move in?
00:57:54 Really?
00:58:13 - You were a model.
00:58:16 Kid model to street cop--
00:58:23 For whatever it's worth...
00:58:27 I thought what you did today
00:00:23 I'm gonna grab a cab.
00:00:26 - I'm just gonna hang.
00:00:47 Taxi!
00:00:58 That bone's definitely not human.
00:01:01 - And the hair?
00:01:04 - Well, what is it?
00:01:10 Glad to see you could join us.
00:01:13 I got Cheney on the line.
00:01:16 Tell him I'll call him back.
00:01:20 Two things:
00:01:23 First, you did a hell of a job
00:01:25 There's no question
00:01:29 Now, as for the other thing...
00:01:31 the--
00:01:35 you know, the victim's hands--
00:01:41 maybe it was too much to handle,
00:01:45 Is that your version
00:01:47 An apology?
00:01:53 - You really are a piece of work.
00:01:58 I think you're terrific.
00:02:04 You got a hell of an arrest record too.
00:02:08 High marks from all your bosses,
00:02:12 Why you want to throw it all away
00:02:17 Oh, I don't feel I have any need
00:02:19 Come on, Amelia. Cop to cop.
00:02:21 Cop to cop, let's just
00:02:25 Okay.
00:02:27 Doesn't have anything to do
00:02:37 Man, you just keep
00:02:40 Stubbornness is something
00:02:43 They say we come into this world
00:02:48 I don't believe it.
00:02:49 For example, neither of my parents had
00:02:53 Never read more
00:02:57 I've read thousands.
00:02:59 - I've written a dozen.
00:03:02 My point is that destiny is
00:03:09 Whatever happened to your father
00:03:12 You're a great cop.
00:03:17 It's a gift.
00:03:20 Don't throw it away.
00:03:29 Report from the taxi commission.
00:03:31 An NYU student was abducted
00:03:34 His girlfriend saw him
00:03:36 as the taxi driver was
00:03:40 No description of the driver.
00:03:42 Okay, everybody.
00:03:44 Yeah, Tony. Paulie here.
00:03:50 Did you get a deadline
00:03:54 Not yet. Something I was hoping
00:05:26 Anyone for some osso buco?
00:05:28 What?
00:05:30 The bone we found
00:05:34 veal shank...
00:05:35 braised and overly salted to boot.
00:05:37 - Cow bone?
00:05:39 And I also found
00:05:43 imbedded in the bone.
00:05:45 Take a look.
00:05:51 What's going on here?
00:05:52 Just do what you need to do
00:05:55 It's about the hair follicles.
00:05:57 A rodent, probably a rat.
00:05:59 And get this:
00:06:01 Oh, now we're looking for
00:06:03 - I really like that.
00:06:06 - How 'bout you, Amelia?
00:06:10 It's consistent with underground,
00:06:13 What's he trying to say to us?
00:06:15 Definitely communicating
00:06:17 leaving clues--
00:06:19 Maybe it's a cop.
00:06:22 Maybe.
00:06:24 Maybe he's trying to share the
00:06:27 If we don't figure out the clues
00:06:30 We don't find the victim in time, we're
00:06:35 What you got on the dirt
00:06:38 I don't have it 100% individuated,
00:06:42 - All set, ready to rock and roll.
00:06:44 - Thanks for rushing. I appreciate it.
00:06:47 Thankyou, Richard.
00:06:48 Nitrogen rich, explosive carbons--
00:06:53 Bomb sites, shooting ranges.
00:06:56 Maybe an old fort or an armory?
00:06:59 Let's not forget
00:07:01 The what?
00:07:03 Manure becomes a nitrate
00:07:05 That's true.
00:07:08 And you got cow bones, huh?
00:07:10 Old cow bones, old manure.
00:07:15 pastures, rats--
00:07:19 Dead cows.
00:07:22 Where do you find--
00:07:26 Slaughterhouses,
00:07:28 Stockyards and slaughterhouses
00:07:31 - Let's start there.
00:07:33 Okay, I want tax records, sanitation
00:07:38 last hundred years, okay?
00:08:23 Man, your blood pressure is
00:08:31 - You're pushing it too hard, Rhyme.
00:08:33 What do we got
00:08:35 - We're almost there.
00:08:38 - You okay?
00:08:41 Can't figure out this damn time line
00:08:45 I don't know what the hell it means.
00:08:46 We got three
00:08:49 There's one on the east side,
00:08:51 Solomon, put the box down, and mark them
00:08:57 Your blood pressure's gonna
00:09:00 My body has a mind of its own.
00:09:03 All right?
00:09:04 What else, Amelia?
00:09:07 Yeah, there's another
00:09:10 Mark it down, Solomon.
00:09:12 Look, your stats are going down. You saw
00:09:16 What else?
00:09:18 There's one underground
00:09:20 - Mark it down, Solomon.
00:09:23 I don't need to knock it off!
00:09:36 What was the first one
00:09:38 Lexington and
00:09:41 - And when did it close?
00:09:43 Okay, what about Houston--
00:09:46 - Houston and Greenwich. When is that?
00:09:49 And the Hudson and 155th was
00:09:53 1906, 1898--
00:09:58 All right, let's--
00:10:02 Houston and Greenwich.
00:10:04 Tell them...
00:10:07 meet us at Houston and Greenwich,
00:10:09 Solomon, you get on to Hanson.
00:10:12 We'll take Eddie's van.
00:10:14 - You go with them.
00:10:37 Linc, are you there?
00:10:40 - Yeah, ready.
00:10:44 Okay. Amelia?
00:10:47 - Yeah.
00:10:53 Let's do it.
00:11:19 Watch yourself, Amelia.
00:11:27 Oh, man, I don't like this.
00:11:29 I don't like this.
00:11:35 Hey, Linc, I got a bad feeling
00:11:38 I think all three of us ought to
00:11:40 Not yet, Paulie.
00:11:49 Going down some stairs.
00:11:54 Cement walls.
00:12:01 Wood crates...
00:12:03 large columns.
00:12:07 Smells like manure down here.
00:12:10 Ortiz sure knows his shit.
00:12:13 Always has.
00:12:17 Metal hooks...
00:12:20 and a pen.
00:12:23 It's a slaughterhouse.
00:12:43 - E.S.U. are here.
00:12:45 Don't let them in there
00:12:49 All right, hold it.
00:12:52 - You're not to go in.
00:12:53 - Rhyme's orders.
00:12:58 Crimescene C.O. on air.
00:13:00 Switch to channel22 for E.S.U.
00:13:02 Fuck Rhyme.
00:13:14 Maybe this one's still alive.
00:13:16 Perp didn't leave a deadline.
00:13:18 What does that mean?
00:13:21 It means we're probably too late.
00:13:23 You don't know that, Rhyme.
00:13:25 Get off the line.
00:13:28 Let's move on, Amelia.
00:13:33 You know, there's five basic
00:13:37 I'll skip to the worst one.
00:13:39 Other cops.
00:13:48 I think I hear something.
00:13:54 I hate this shit.
00:14:04 I see something.
00:14:26 I think I found him.
00:14:27 I can't--
00:14:34 Oh, Jesus.
00:14:37 They're all over him.
00:14:50 - We're going in.
00:14:59 Go, go!
00:15:00 Central, we have shots fired.
00:15:12 Oh, God.
00:15:20 You were right.
00:15:25 He cut him up pretty bad
00:15:30 There's also a big cut in his leg,
00:15:33 The blood attracted the rats.
00:15:41 Goddamn son of a bitch.
00:15:52 You okay?
00:16:01 I'm fine.
00:16:04 Wanna step aside
00:16:09 Yeah.
00:16:11 Yeah, all right, let's back 'em up.
00:16:15 Rhyme, I'm gonna walk the grid.
00:16:18 Okay.
00:16:20 You know what to do.
00:16:42 I found it.
00:16:44 Another cluster.
00:16:47 It's a piece of old paper,
00:16:49 And a match box.
00:16:52 Somebody get that black suitcase
00:16:58 Pull out the brown envelope.
00:17:04 Sounds like you're starting
00:17:12 Damn. The press is here.
00:17:18 Right there.
00:17:23 Lincoln Rhyme is no longer working
00:17:27 You can do what you want, Captain, but
00:17:31 Fuck Murphy, and fuck Rhyme.
00:17:33 This has been cleared downtown.
00:17:37 And I for one am not taking the heat
00:17:41 Call Ortiz. Tell him and his crew
00:17:45 Excuse me, but the victim was
00:17:47 And you-- half-assed patrolman
00:17:51 those days are over.
00:17:53 I'll take that evidence bag now,
00:17:55 You can take it
00:18:00 Are you out of your mind?
00:18:07 Let's go.
00:18:09 What, are you arresting me?
00:18:11 You just get in the car,
00:18:29 You're not gonna find any prints.
00:18:40 Well, it looks like we have
00:18:44 Unless, of course, it's yours.
00:18:47 No, I was wearing gloves
00:18:50 We'll know soon enough.
00:18:53 Put this through,
00:18:54 - You got it.
00:19:08 You know, I got a feeling this perp's
00:19:11 Yeah, I hear you,
00:19:15 That's what scares me.
00:19:17 Check if there's been any homicides
00:19:21 involving surgically-removed flesh
00:19:26 No problem.
00:19:29 - Hope so, Eddie.
00:19:31 don't you let him
00:19:34 Stay right, Eddie.
00:19:54 Oh, that print--
00:19:59 Guy has three
00:20:04 Oh, look at that.
00:20:07 We got him.
00:20:09 Way to go, boys.
00:20:29 Now slide out...
00:20:31 nice and easy.
00:20:45 That explains your print, Captain.
00:20:50 He's now the fourth victim of a killing
00:20:54 to launch a special task force
00:20:57 This morning's raid in Queens follows
00:21:03 Detectives at the scene--
00:21:05 I was hoping you'd show up.
00:21:09 - He's been worried about you.
00:21:12 Viewers will know Rhyme
00:21:15 a chronicle of old New York's
00:21:18 that topped the best-seller list
00:21:20 Didn't expect to see you again.
00:21:24 Poor Cheney, huh?
00:21:26 Grabbed the ball with both hands,
00:21:29 - I can't really comment at this time.
00:21:31 Well, I tried to warn him that the perp
00:21:35 How you doing with that stuff?
00:21:38 Not too good.
00:21:40 Two pieces of the puzzle
00:21:46 Maybe this'll help.
00:21:49 Cheney will have your badge
00:21:51 He wouldn't give me a chain of custody
00:21:54 You could bring it back to him.
00:21:57 The man is a living monument
00:22:00 True. Let's take a look.
00:22:03 What do you got there?
00:22:07 Third piece of the puzzle.
00:22:09 There's something really strange
00:22:16 Sure.
00:22:19 - Are you--
00:22:27 Sorry.
00:22:28 Oh, it's okay.
00:22:41 You have to put it closer
00:22:48 What do you think it is?
00:22:51 Kerosene?
00:22:55 Possibly.
00:22:57 Okay, this just came in
00:23:00 Amelia, could you load these
00:23:03 Sorry about that, Thelma.
00:23:06 E.C.U., view scan.
00:23:10 ''Dear Linc, I'm enclosing photos
00:23:14 which took place in the last 12 months.
00:23:16 Flesh has been surgically removed
00:23:20 I miss you. Love, Eddie.''
00:23:22 I'm gonna spare myself the pleasure,
00:23:25 Okay, Thelma.
00:23:29 Zoom.
00:23:32 Same mark.
00:23:35 Right.
00:23:37 Zoom. Zoom.
00:23:46 Same messages.
00:23:52 It's him.
00:23:55 The perp was trying to make contact
00:23:59 But Cheney never put it together.
00:24:08 Dysreflexia seizure, a bad one.
00:24:10 Hang on, hang on.
00:24:13 Come on. Breathe with me.
00:24:14 The damn catheter's blocked.
00:24:17 Just let me get a B.P. on you.
00:24:19 Stay with me.
00:24:21 Hang on, now. Hang on.
00:24:27 Diastolic's over 125.
00:24:36 Just give it a few seconds to work.
00:24:39 Breathe with me, Rhyme.
00:24:46 Come on, now.
00:24:50 Hang on, Rhyme.
00:24:52 Is he gonna make it?
00:24:55 If he does, he won't be happy.
00:24:59 What are you talking about?
00:25:02 He's already finalized arrangements
00:25:08 He's got a doctor friend to help with
00:25:15 But suicide? I mean--
00:25:16 It's the seizures.
00:25:18 Any one of them could put him
00:25:23 That's what he fears
00:25:30 - Who is it?
00:25:33 What can I help you with?
00:25:35 Police business.
00:25:37 Mr. Rhyme is asleep.
00:25:40 Well, wake him up.
00:25:46 Let me deal with this asshole Cheney.
00:25:48 Anything,just call me.
00:26:00 Look, lady.
00:26:01 Now, I hope you know that
00:26:05 Look, don't ''lady'' me,
00:26:08 Now, unless you have a warrant,
00:26:10 Oh, I'm coming in...
00:26:11 'cause I have reason to believe
00:26:16 What's your full name?
00:26:19 Thelma what?
00:26:23 Well, what did you say
00:26:29 You got a smart mouth, and it's gonna
00:26:33 And it may bite your ass if you don't
00:26:36 I'm gonna leave now,
00:26:39 And when I come back,
00:26:58 And I looked everywhere, and I thought
00:27:03 And I kept on searching everywhere.
00:27:06 And finally,
00:27:13 Grandma can't wait to see you.
00:28:10 - What'd I do?
00:28:13 you're carrying a fare,
00:28:14 And number two, your hack license
00:29:21 There's laws against molesting
00:29:26 Yeah?
00:29:31 I wasn't a pretty sight,
00:29:39 Thelma told me about your plans
00:29:47 Cop to cop, that subject's
00:29:53 Why-- would you miss me?
00:29:56 Well, destiny's what we make it,
00:30:01 Touche.
00:30:02 Now, you seem to have your reasons
00:30:04 I just--
00:30:06 I would have expected more
00:30:08 Well, I might surprise you and...
00:30:12 live forever.
00:30:13 Nothing you could do
00:30:16 Well, look who's still
00:30:20 For the moment.
00:30:22 Cheney was here,
00:30:23 Promised to return with a warrant.
00:30:25 Sorry I missed him.
00:30:28 If that's him,
00:30:30 - Say no more.
00:30:33 Hello?
00:30:35 Oh, hey, Paulie.
00:30:38 Linc, I don't know if this is
00:30:41 but a taxi inspecto rwas killed today
00:30:44 Thing about this taxi--
00:30:47 wouldn't give his name--
00:30:48 saw the taxi speeding away with
00:30:52 Probably the doer that called.
00:30:54 Jesus, he's got a kid.
00:30:57 And an old man.
00:30:58 - Thank you, Paulie.
00:31:02 We better take a closer look
00:31:05 Close.
00:31:07 Three murders,
00:31:12 three pieces of paper.
00:31:15 View scan.
00:31:29 Come on, Thelma. You're the queen
00:31:33 I'm looking.
00:31:35 What if we lower the little one?
00:31:39 That one.
00:31:44 Now twist that big one around.
00:31:58 Now, doesn't that kinda
00:32:00 Mouth, nose, eye.
00:32:03 Enhance.
00:32:06 Fade.
00:32:10 That's a woman's face.
00:32:14 Yes, it is.
00:32:17 It's a logo.
00:32:20 And old, turn-of-the-century...
00:32:24 publisher's logo.
00:32:25 You know it?
00:32:28 I used to own a few of the books--
00:32:30 gothic stories...
00:32:34 crime stories.
00:32:36 The killer is pointing us
00:33:05 Can I help you?
00:33:11 I called before about
00:33:14 Around the corner.
00:33:17 Thanks.
00:34:37 Aviation two to central. We're taking
00:34:43 Report appears unfounded
00:34:47 Will proceed to check
00:34:50 I need more small boats over here
00:34:53 By the heliport, under the pier.
00:34:56 Lincoln, it was the last murder
00:34:59 They've got to be
00:35:01 Listen, the lab says
00:35:03 on the third piece of the puzzle
00:35:07 Now, there's an old boat
00:35:09 at the Staten Island Ferry pier.
00:35:12 Check the pilings under the pier.
00:36:01 Found them!
00:36:03 Over here! Here!
00:36:07 Central, I can see someone
00:36:09 signaling us
00:36:13 There appears tobe two bodies
00:36:24 Be advised subject signaling
00:36:33 Over here! Here!
00:36:43 Under the pilings!
00:36:55 Come over to the ladder.
00:37:00 Central, be advised aideds
00:37:03 and E.M.S. is working on them
00:37:07 - On standby.
00:37:13 Rhyme, are you there?
00:37:15 Yeah.
00:37:17 It looks like we're too late.
00:37:19 Naw, forget it. He's dead.
00:37:21 Bring the chopper in.
00:37:24 The old man is gone.
00:37:27 They're still working on the girl,
00:37:31 We need a level one
00:37:34 - Try again. I know she's still there.
00:37:38 Come on, try.
00:37:41 You can do it. Come on.
00:37:44 Breathe.
00:37:46 Breathe.
00:37:51 - There you go!
00:37:54 I think she's gonna be okay. She's
00:37:57 - I think she's gonna make it.
00:38:02 We got her by the clues
00:38:06 See what you can find
00:38:09 All right.
00:38:34 Lincoln, I found it.
00:38:37 It's a map of some kind,
00:38:41 and a piece of a medal
00:38:46 There's some initials engraved.
00:38:48 a ''P'' and a ''B,'' or a--
00:38:53 It's a ''D.''
00:38:56 P.D.-- sounds like a cop's badge.
00:38:59 You think he's gonna kill a cop?
00:39:02 Could be.
00:39:05 - Thelma?
00:39:09 Tell me about the map.
00:39:11 Looks like an old subway map.
00:39:14 I don't recognize
00:39:17 You know, when I was scanning
00:39:19 I came across a lot of stations
00:39:22 Okay.
00:39:26 On your map, is there an old station
00:39:34 Navy Street.
00:39:36 - It's right next to the pier.
00:39:40 Cheney's here.
00:39:46 You talking to Rhyme on that thing?
00:39:51 Listen, Linc. This is Cheney, man.
00:39:55 Stealing evidence is a god damn felony.
00:39:58 To my understanding,
00:40:00 Oh, yeah?
00:40:03 You are not a cop anymore.
00:40:05 What you are
00:40:08 Now, I'm gonna place your little
00:40:11 You don't mind that,
00:40:14 Lock her up.
00:40:18 Where'd she go?
00:40:45 I'm inside the Navy Street tunnel.
00:40:47 There's gray dust everywhere.
00:40:56 There's footprints--
00:40:57 one set of footprints.
00:41:00 Amelia?
00:41:01 Hello, Lincoln, hello.
00:41:03 Amelia? Hello?
00:41:05 The mobile unit you've called
00:41:07 or is outside the coverage area.
00:41:09 Recall.
00:42:11 No dust--
00:42:16 78499-- what is it?
00:42:22 What does it mean?
00:42:44 Help me, Rhyme. Help me.
00:43:03 He's gonna kill Rhyme.
00:43:27 Coming.
00:43:34 Hey. What are you doing here?
00:44:01 Is that Amelia?
00:44:05 Bed mode.
00:44:26 Thelma, is that you?
00:44:35 No, it's me, Richard.
00:44:38 Richard. What's up?
00:44:41 Thelma asked me to come by,
00:44:56 - Where is Thelma?
00:45:18 Phone mode.
00:45:28 I thought it was time we had a little
00:45:32 - No interruptions.
00:45:35 What's on your mind, Richard?
00:45:37 I think it's time
00:45:41 Syracuse--
00:45:47 You wrote an expert opinion.
00:45:49 I've written
00:45:51 Don't fucking tell me
00:45:54 They called it an investigation.
00:45:57 There was a forensics cop
00:46:02 Marcus Andrews.
00:46:04 Okay, yeah.
00:46:07 suspected of tampering
00:46:09 in some homicide cases, right?
00:46:11 - Nothing was tampered with.
00:46:14 - One hung himself.
00:46:15 They went to jail because they were
00:46:18 - But he doctored the serology reports.
00:46:22 He planted blood evidence
00:46:23 My work was impeccable.
00:46:27 Where we going with this...
00:46:31 Marcus?
00:46:37 Your report destroyed my life.
00:46:39 You know my report was not
00:46:42 You never gave me the opportunity
00:46:44 - I never even met you.
00:46:48 I spent two more years
00:46:51 Do you know what happens
00:46:54 Every day-- every single day--
00:46:57 over and over, I was brutalized.
00:47:00 I became a human toilet...
00:47:02 because of your expert opinion.
00:47:04 Well, you will never point the finger
00:47:10 You were never as good
00:47:13 I played you.
00:47:16 I gave you every clue.
00:47:18 You and your little helper
00:47:20 Their blood is on your hands.
00:47:23 You failed, you fuck.
00:47:25 Game of chess, Mr. Rhyme.
00:47:29 I win, Mr. Rhyme.
00:47:35 What kind of vegetable
00:47:38 A carrot?
00:47:43 How 'bout a zucchini?
00:47:47 Zucchini?
00:47:51 I'm sorry.
00:47:54 Did you say zucchini?
00:48:33 You wanna play?
00:48:48 Shall we cut out your tongue,
00:48:52 How 'bout your eye?
00:48:54 we'll just pop it
00:48:56 No. Let's leave that for now.
00:48:58 You can watch me.
00:49:03 right down the middle.
00:49:10 What?
00:49:14 What? What?
00:49:53 Can you hear me? Lincoln.
00:49:56 Oh, God.
00:50:02 Step aside now.
00:50:57 I've always loved this view.
00:50:59 I like it too, Doc.
00:51:02 It's looking better every day.
00:51:05 - Hey, how you guys doing?
00:51:07 - Good.
00:51:08 Ho, ho, ho, ho!
00:51:15 Hey, Linc. You got
00:51:17 I got a learner's permit.
00:51:26 - How's your boyfriend, Morris?
00:51:28 - He play golf. He's okay.
00:51:31 - Captain Flash on wheels.
00:51:33 Merry Christmas.
00:51:35 Hey, Linc, if you're gonna be cruisin',
00:51:39 - There you go.
00:51:41 It's nice.
00:51:46 - Come on in.
00:51:48 Merry Christmas.
00:51:53 You're looking real good,
00:51:54 Mr. Rhyme?
00:51:56 It's Lincoln to you.
00:52:02 Oh, my goodness.
00:52:04 Oh, my goodness. Merry Christmas.
00:52:07 - Merry Christmas, Uncle Lincoln.
00:52:11 Merry Christmas, Kimmy.
00:52:13 How you doing, Tony? I didn't know
00:52:17 Wouldn't be a surprise if you knew.
00:52:19 Oh, I'm sorry. Amelia, this is
00:52:22 - Amelia.
00:52:25 - You know?
00:52:28 On the phone.
00:52:33 Merry Christmas, Lincoln.
00:52:47 Merry Christmas.