|
Boondock Saints II All Saints Day The
|
| 00:00:16 |
ROCCO: There's 2 kinds of people |
| 00:00:21 |
You've got your talkers |
| 00:00:24 |
Most people are just talkers. |
| 00:00:29 |
But when all is said and done, |
| 00:00:34 |
And when they do that, |
| 00:00:37 |
And that's why |
| 00:00:40 |
So, which one are you? |
| 00:00:42 |
Do you just talk about it |
| 00:00:43 |
or do you stand up |
| 00:00:46 |
Because believe you me, all the rest |
| 00:01:39 |
POPPA: Peace, they say, |
| 00:01:44 |
So it had been for my boys. |
| 00:01:47 |
(THUNDER RUMBLING) |
| 00:01:50 |
For some time now, the past |
| 00:01:55 |
faded and worn. |
| 00:01:59 |
And then suddenly, |
| 00:02:06 |
it was back. |
| 00:02:09 |
I could see it |
| 00:02:12 |
I could feel it, |
| 00:02:19 |
Something calling them back. |
| 00:02:22 |
(RAIN PATTERING) |
| 00:02:40 |
Something's happened. |
| 00:03:05 |
No! Stop! Stop, stop! |
| 00:03:09 |
Please, stop! Oh, God! |
| 00:03:13 |
God, no, stop... |
| 00:03:15 |
(GUN FIRES) |
| 00:03:25 |
A priest? |
| 00:03:30 |
Did they |
| 00:03:32 |
No, but I made a few calls. |
| 00:03:38 |
McKinney. |
| 00:03:44 |
You knew him? |
| 00:03:46 |
Knew of him. |
| 00:03:49 |
He's a good man. |
| 00:03:53 |
He even made it to the papers |
| 00:03:55 |
Look, boys, I think it's best |
| 00:03:58 |
until we try to figure out |
| 00:04:02 |
(DOOR CLOSING) |
| 00:04:05 |
Aren't you at least gonna try |
| 00:04:08 |
For all we know, it could be somebody |
| 00:04:11 |
Aye. |
| 00:04:14 |
Only there's a thousand |
| 00:04:18 |
Trust me. |
| 00:04:20 |
Someone's trying |
| 00:04:23 |
You kill a priest, in a church, |
| 00:04:30 |
Bring them back |
| 00:04:33 |
Someone thinks |
| 00:04:36 |
Only one problem |
| 00:04:39 |
What's that? |
| 00:04:41 |
It worked. |
| 00:04:44 |
(LINE OF BLOOD PLAYING) |
| 00:05:01 |
* Well, it was said |
| 00:05:03 |
* A ghost of a dead man |
| 00:05:12 |
* And my mama |
| 00:05:15 |
* She hates everything |
| 00:05:23 |
* You're so young, |
| 00:05:26 |
* You're wanted |
| 00:05:31 |
* You're so young, |
| 00:05:34 |
* You're wanted |
| 00:05:51 |
(STAMMERING) Exactly |
| 00:05:59 |
Every last motherfucker |
| 00:06:17 |
There is no new information |
| 00:06:20 |
this morning inside |
| 00:06:23 |
As you can see, the size of the crowd |
| 00:06:27 |
as we have confirmed that the body |
| 00:06:31 |
Many remember this |
| 00:06:34 |
of the prolific vigilante killers |
| 00:06:37 |
who went on a murder spree |
| 00:06:40 |
A rampage that ended |
| 00:06:42 |
when the Saints brazenly |
| 00:06:44 |
and executed Mafia don |
| 00:06:47 |
before a courtroom |
| 00:06:49 |
and then simply disappeared |
| 00:06:52 |
As police have yet to confirm |
| 00:06:56 |
the ominous question |
| 00:06:59 |
"Are they back?" |
| 00:07:00 |
(PANTING) |
| 00:07:05 |
We need to keep our heads here. |
| 00:07:08 |
It's probably not even them. |
| 00:07:10 |
Course it ain't them. |
| 00:07:13 |
All our skeletons just came |
| 00:07:16 |
We're fucked! |
| 00:07:17 |
We're not fucked! |
| 00:07:19 |
We are totally fucked! |
| 00:07:23 |
Like elephant-dick-pounded-in-the-ass, |
| 00:07:26 |
jungle-fucked! |
| 00:07:27 |
Now's not the time |
| 00:07:29 |
I disagree! |
| 00:07:30 |
Now is a perfect time to panic. |
| 00:07:33 |
Don't fucking say it! |
| 00:07:35 |
You've got a mouth on you, |
| 00:07:36 |
Both of you calm down. |
| 00:07:38 |
Shut the fuck up! |
| 00:07:40 |
(OFFICER CLEARING THROAT) |
| 00:07:41 |
Her ETA's 10 minutes. |
| 00:07:44 |
Thanks, Seamus. |
| 00:07:49 |
(OFFICER CHATTERING ON PA) |
| 00:07:53 |
It's game time. |
| 00:07:57 |
Feds love to pull the |
| 00:08:00 |
We hardline her. |
| 00:08:03 |
Agreed? |
| 00:08:04 |
Agreed. |
| 00:08:10 |
Let's rock this bitch. |
| 00:08:13 |
* Comin' back, baby, |
| 00:08:15 |
* I'm the real thang |
| 00:08:17 |
CHORUS: |
| 00:08:18 |
* This ain't no pony show |
| 00:08:20 |
* Ain't a pony show |
| 00:08:21 |
* I came to rock the mike |
| 00:08:22 |
* He's going |
| 00:08:24 |
* Come on back, baby, |
| 00:08:25 |
* Let him know |
| 00:08:26 |
* 'Cause I'm the real thang |
| 00:08:29 |
* Ain't no question about it |
| 00:08:32 |
* And I'm gonna stand up |
| 00:08:35 |
* From every stage I sing |
| 00:08:43 |
Eunice Bloom. |
| 00:08:47 |
Now, you have got |
| 00:08:49 |
Smecker always said |
| 00:08:51 |
Well, funny as in |
| 00:08:54 |
not like funny as in "gay," |
| 00:08:56 |
What we're trying to figure out is, |
| 00:09:00 |
"Special." |
| 00:09:02 |
Excuse me? |
| 00:09:03 |
You see, there's a "special" |
| 00:09:07 |
If we're gonna address |
| 00:09:08 |
I'd appreciate |
| 00:09:10 |
because it |
| 00:09:11 |
Of course, I was hoping we could |
| 00:09:13 |
In fact, I'd welcome you to call |
| 00:09:16 |
Okay, Eunice. |
| 00:09:19 |
I don't see why the fuck |
| 00:09:21 |
Whoa, whoa, |
| 00:09:23 |
"Fuck"? This isn't a |
| 00:09:27 |
I mean, I can understand a "goddamn" |
| 00:09:30 |
What is the Fed's |
| 00:09:35 |
Their interest, Detective, |
| 00:09:40 |
for the murders of 22 of Boston's |
| 00:09:43 |
They could have sent anyone. They sent me. |
| 00:09:46 |
Well, since we've already broken the |
| 00:09:50 |
It is because |
| 00:09:53 |
that I make smart people feel |
| 00:10:10 |
(MEN CLAMORING) |
| 00:10:18 |
Motherfuckers! |
| 00:10:20 |
Me first, man, |
| 00:10:24 |
(IN FRENCH) |
| 00:10:26 |
(IN FRENCH) |
| 00:10:33 |
All right! |
| 00:10:38 |
(IN SPANISH) |
| 00:10:41 |
(IN ENGLISH) |
| 00:10:43 |
(IN SPANISH) He says the Frenchman |
| 00:10:47 |
(IN SPANISH) |
| 00:10:48 |
(IN ENGLISH) |
| 00:10:51 |
(IN SPANISH) |
| 00:11:03 |
BOTH: (IN ENGLISH) |
| 00:11:07 |
Never fight |
| 00:11:09 |
Pound for pound, toughest |
| 00:11:16 |
Attaboy! |
| 00:11:17 |
You know why? |
| 00:11:20 |
Come on, come on! |
| 00:11:22 |
Think about it, man. |
| 00:11:25 |
What kind of fucked-up people |
| 00:11:31 |
Get the fuck |
| 00:11:40 |
(IN FRENCH) Whore. |
| 00:11:41 |
Don't be scared, now. |
| 00:11:45 |
I ain't gonna hit you! |
| 00:11:49 |
Found a loophole, bitch! |
| 00:12:09 |
Thank you! |
| 00:12:11 |
(WHISTLING) |
| 00:12:12 |
MAN: Shit, man! |
| 00:12:14 |
(MEN WHOOPING) |
| 00:12:34 |
Please, stop! |
| 00:12:40 |
Please! Oh, God. |
| 00:12:54 |
It wasn't them, but I'm sure |
| 00:12:58 |
All their vics were criminals. |
| 00:13:01 |
So, it wasn't them, |
| 00:13:04 |
and falls under |
| 00:13:06 |
So, with all due respect, we'll see |
| 00:13:10 |
(SIGHING) |
| 00:13:12 |
"With all due respect." |
| 00:13:16 |
because it is inevitably followed by |
| 00:13:20 |
Here, let me |
| 00:13:22 |
With all due respect, Detective, |
| 00:13:25 |
this matter falls under |
| 00:13:30 |
I fucking say it does. |
| 00:13:34 |
You fucking... |
| 00:13:36 |
Let's just... |
| 00:13:38 |
What can you tell us |
| 00:13:41 |
"Shooter." Singular. |
| 00:13:44 |
And I can tell you... |
| 00:13:47 |
How shall I put this delicately? |
| 00:13:54 |
One guy. |
| 00:13:59 |
Let me show you |
| 00:14:03 |
Detective Greenly, |
| 00:14:07 |
you're the victim. |
| 00:14:08 |
David. |
| 00:14:12 |
Very well, David. |
| 00:14:15 |
The Saints' signature stance, |
| 00:14:19 |
2 men of identical height |
| 00:14:22 |
and each dropped iron |
| 00:14:29 |
Power hath descended |
| 00:14:31 |
Eyes front, David. |
| 00:14:35 |
The position of the victim and the |
| 00:14:39 |
created a unique scenario. |
| 00:14:41 |
The bullets crisscrossed in the skull |
| 00:14:43 |
Here, this did not occur. The rounds |
| 00:14:48 |
through the back of the |
| 00:14:51 |
which happens when... |
| 00:14:53 |
One guy's holding 2 guns to |
| 00:14:59 |
One guy. |
| 00:15:02 |
(GUNS FIRE) |
| 00:15:14 |
But you said |
| 00:15:16 |
The Saints were later determined |
| 00:15:20 |
The rounds exit |
| 00:15:24 |
Here, they came out |
| 00:15:27 |
3, 4 inches below the eyes. |
| 00:15:29 |
That puts him at 5'7"-ish. |
| 00:15:35 |
The killer posed as a late-night |
| 00:15:38 |
Once the victim |
| 00:15:40 |
the killer had him isolated. |
| 00:15:43 |
Short stuff comes out |
| 00:15:45 |
kicks in the door of |
| 00:15:47 |
leaving a crescent-shaped |
| 00:15:49 |
which tells us that this cowboy was |
| 00:15:53 |
Gave him a couple inches. |
| 00:15:55 |
We're looking about 5'5", |
| 00:15:58 |
That's wicked short. |
| 00:16:00 |
Wicked. |
| 00:16:02 |
Speculation on the Saints' |
| 00:16:04 |
in the murder of Father Douglas McKinney |
| 00:16:07 |
In fact, it has split the public |
| 00:16:10 |
My cousin was there. |
| 00:16:12 |
His hands were |
| 00:16:13 |
It was them. |
| 00:16:14 |
It wasn't them. |
| 00:16:16 |
You know, maybe the priest |
| 00:16:18 |
There were pennies |
| 00:16:21 |
They didn't do it. |
| 00:16:30 |
RADIO HOST: |
| 00:16:31 |
MAN: Well, finally, |
| 00:16:32 |
This guy was indicted last year |
| 00:16:36 |
And it slid right off his back. |
| 00:16:38 |
Indeed, Boston has been under the |
| 00:16:42 |
Where's |
| 00:16:44 |
Why can't they make anything |
| 00:16:50 |
(CLASSICAL MUSIC PLAYING) |
| 00:16:52 |
I can't believe that none of us |
| 00:16:56 |
The disrespect! |
| 00:16:58 |
We never would have okayed |
| 00:17:03 |
Are we not Catholics? |
| 00:17:07 |
And for what? Revenge? |
| 00:17:12 |
The cops. |
| 00:17:14 |
Forget the cops. |
| 00:17:17 |
These guys were long gone, |
| 00:17:19 |
and now you're trying to bring |
| 00:17:21 |
8 years ago, |
| 00:17:25 |
these vigilante fucks |
| 00:17:30 |
(SPEAKING ITALIAN) |
| 00:17:31 |
and executed him |
| 00:17:35 |
in public. |
| 00:17:41 |
Mi padrino, a blood relative |
| 00:17:52 |
You think that I don't know |
| 00:17:57 |
has been waking up with the |
| 00:18:03 |
These sons of bitches |
| 00:18:09 |
In the ass! |
| 00:18:10 |
And then they wiped their dicks |
| 00:18:16 |
And we have been living |
| 00:18:24 |
We don't talk about it. |
| 00:18:26 |
Rape victims seldom do. |
| 00:18:31 |
(MEN CHUCKLING) |
| 00:18:32 |
Concezio is right. |
| 00:18:38 |
don't solve nothing. |
| 00:18:43 |
Let's take a moment |
| 00:18:46 |
and look at |
| 00:18:49 |
Seren... |
| 00:18:52 |
Serendipitous. |
| 00:18:57 |
...type situation |
| 00:19:01 |
There's a wicked good chance |
| 00:19:06 |
And this time, they don't catch us |
| 00:19:12 |
This time, we deal with them |
| 00:19:20 |
And don't forget |
| 00:19:24 |
With their second bite |
| 00:19:26 |
they've got every reason in |
| 00:19:30 |
And as for |
| 00:19:33 |
fuck them! |
| 00:19:35 |
(GROANING) |
| 00:19:40 |
(CONCEZIO SPEAKING ITALIAN) |
| 00:19:46 |
(SIGHING) |
| 00:19:47 |
Bad luck. |
| 00:19:50 |
How would he even |
| 00:19:52 |
You don't remember the fucking |
| 00:19:54 |
Shit, that's right. |
| 00:19:56 |
You know, every time you see |
| 00:19:57 |
and they catch the guy, |
| 00:20:01 |
But ours... |
| 00:20:02 |
CONNOR: |
| 00:20:04 |
We draw Leonardo fucking |
| 00:20:08 |
And 2 days ago, we looked like |
| 00:20:11 |
What the fuck |
| 00:20:13 |
Yeah, that's right. |
| 00:20:15 |
I don't know, it seemed like the thing |
| 00:20:19 |
Maybe we should dye it. |
| 00:20:22 |
What? |
| 00:20:23 |
Well, they're always dying |
| 00:20:24 |
like The Fugitive. |
| 00:20:26 |
It's covert and shit. |
| 00:20:29 |
What color |
| 00:20:35 |
Lighter, I guess. |
| 00:20:37 |
(LAUGHING) |
| 00:20:39 |
I didn't fucking say that. |
| 00:20:41 |
Like California surfer boy. |
| 00:20:43 |
It's not what I'm saying. |
| 00:20:44 |
Like gay, gay, gay, |
| 00:20:46 |
faggoty blonde. |
| 00:20:47 |
"Stay gold, Ponyboy!" |
| 00:20:49 |
"Stay gold..." |
| 00:20:51 |
You fucking cunt! |
| 00:20:53 |
Jesus fucking Christ! |
| 00:20:54 |
Well, I was fucking mad! |
| 00:20:56 |
What kind of |
| 00:21:00 |
I know who you are. |
| 00:21:03 |
Shut it! |
| 00:21:04 |
This is so |
| 00:21:07 |
I'm from Boston and I love you guys. |
| 00:21:10 |
Maybe I can get on this thing. |
| 00:21:13 |
Hey, is it true that you guys say a |
| 00:21:23 |
(MUFFLED SCREAMING) |
| 00:21:28 |
And an awesome wailing |
| 00:21:31 |
And the terrible hand of the Lord |
| 00:21:35 |
And as Almighty God created you, |
| 00:21:41 |
now he calleth you home! |
| 00:21:49 |
(GUN CLICKS) |
| 00:21:51 |
Oops. |
| 00:21:52 |
Busy signal. |
| 00:21:55 |
(LAUGHING) |
| 00:21:56 |
MURPHY: Let's have a shot |
| 00:22:02 |
CONNOR: |
| 00:22:04 |
That shit was not funny! |
| 00:22:07 |
It just came out |
| 00:22:09 |
(BOTH LAUGHING) |
| 00:22:10 |
(SIGHING) Thank you, Jesus. |
| 00:22:16 |
(SHIP HORN BLOWING) |
| 00:22:22 |
No. |
| 00:22:23 |
I've got connects |
| 00:22:26 |
Romeo will hook you up |
| 00:22:28 |
No. |
| 00:22:29 |
Why not? |
| 00:22:31 |
We don't have to give you |
| 00:22:34 |
It's because I'm Mexican, |
| 00:22:35 |
How dare you, sir, |
| 00:22:38 |
The fact that you're a greasy spic, |
| 00:22:41 |
it's got nothing to do with it. |
| 00:22:43 |
Okay, I'm gonna let you have |
| 00:22:46 |
This isn't |
| 00:22:48 |
You guys find the bad guys doing |
| 00:22:52 |
Well, it's not that simple, actually. |
| 00:22:54 |
Yes, it is. |
| 00:22:55 |
Suppose you're right. |
| 00:22:57 |
I was just hoping that we was |
| 00:23:02 |
Yeah? Well, you ain't. |
| 00:23:05 |
Now, what do you plan on doing |
| 00:23:10 |
We don't really have, you know, |
| 00:23:16 |
Haven't really worked it all out, |
| 00:23:19 |
As it were. |
| 00:23:24 |
You two leprechaun dicks |
| 00:23:26 |
sipping on some Pellegrino and let |
| 00:23:31 |
And you'd better have |
| 00:23:34 |
Because if you wanna kick |
| 00:23:36 |
have him wake up with |
| 00:23:39 |
Romeo's got an ace |
| 00:23:42 |
(BOTH CHUCKLING) |
| 00:23:47 |
And that's all she wrote. |
| 00:23:56 |
Get out. |
| 00:24:00 |
(DOOR CLOSES) |
| 00:24:01 |
Look, I have been stonewalling |
| 00:24:06 |
I've got half of New England thinking |
| 00:24:09 |
and the other half |
| 00:24:12 |
It's a powder keg. |
| 00:24:14 |
And we're talking riot gear |
| 00:24:19 |
Now, I can clear them |
| 00:24:20 |
and take the piss |
| 00:24:24 |
Now, give me one reason why I |
| 00:24:29 |
(SIGHING) |
| 00:24:31 |
Walk with me, Chief. |
| 00:24:39 |
(DOOR CLOSES) |
| 00:24:42 |
This is not good. |
| 00:24:47 |
She's gunning |
| 00:24:48 |
This broad trying to put a feather |
| 00:24:52 |
I mean, this couldn't |
| 00:24:54 |
Just calm down. |
| 00:24:55 |
Calm down? Calm down? You know |
| 00:24:59 |
We put half those deranged |
| 00:25:01 |
I hope you guys |
| 00:25:03 |
because we'll be eating them |
| 00:25:07 |
Now, I understand |
| 00:25:09 |
But this pint-sized killer |
| 00:25:11 |
that puts Yakavetta right |
| 00:25:13 |
And if Concezio even sniffs |
| 00:25:16 |
he puts a bullet |
| 00:25:18 |
plants him at the bottom |
| 00:25:22 |
Now it is imperative |
| 00:25:59 |
You've said some dumb shit in your days, |
| 00:26:03 |
What? We're all "assuming" |
| 00:26:06 |
"Oh, yeah, by the way, |
| 00:26:09 |
"are accessories to murder. |
| 00:26:11 |
Smecker may have been a lot of things, |
| 00:26:13 |
And we took an oath. |
| 00:26:16 |
Yeah! |
| 00:26:17 |
Okay! I was just thinking. |
| 00:26:19 |
Well, don't do that. |
| 00:26:20 |
You're no good at it. |
| 00:26:22 |
You're as dumb |
| 00:26:23 |
you know that, |
| 00:26:24 |
GREENLY: |
| 00:26:25 |
Jesus Christ! Look! We need to |
| 00:26:29 |
when the boys show and start |
| 00:26:32 |
Because that's when the shit's |
| 00:26:34 |
But everyone is assuming that |
| 00:26:37 |
We got no way of knowing that |
| 00:26:41 |
Yeah, that could totally happen. |
| 00:26:45 |
They could not come back. |
| 00:26:49 |
What dream world did |
| 00:26:53 |
We know the boys. |
| 00:26:55 |
Is there any part of you that thinks |
| 00:27:00 |
Believe this. |
| 00:27:02 |
They're either on their way |
| 00:27:15 |
I thought you said your |
| 00:27:18 |
Yeah, well, I don't like words |
| 00:27:22 |
Besides, it is where I live. |
| 00:27:25 |
Yeah? Where's that? |
| 00:27:28 |
Hey, I hail from a colorful people. |
| 00:27:32 |
Besides, you wouldn't know style |
| 00:27:38 |
ROMEO: |
| 00:27:40 |
Been a lot of chatter about Yakavetta |
| 00:27:44 |
This here is little Yaka's yeyo. |
| 00:27:50 |
All right, here's the plan. |
| 00:28:57 |
Then we skin out, we go to Doc's |
| 00:28:59 |
we're at home in time for tacos. |
| 00:29:02 |
That's what we do. |
| 00:29:06 |
What? |
| 00:29:07 |
Well, it's just |
| 00:29:08 |
What the fuck's wrong with the plan? |
| 00:29:10 |
It's genius. |
| 00:29:13 |
Got my Class D license |
| 00:29:15 |
That's the fucking spirit! |
| 00:29:17 |
I'm gonna need a gun. |
| 00:29:20 |
BOTH: Forget it. |
| 00:29:21 |
What the fuck, man? I'm in |
| 00:29:27 |
Okay. |
| 00:29:28 |
For fuck's sake! |
| 00:29:30 |
Here's what you're gonna do. |
| 00:29:31 |
You're gonna consider yourself a |
| 00:29:40 |
Can I consider myself |
| 00:29:42 |
That's what you get. |
| 00:29:47 |
It's fine. |
| 00:29:50 |
CONNOR: |
| 00:29:51 |
You understand me? |
| 00:29:55 |
Don't you worry, Rome. |
| 00:29:58 |
Yeah, the character |
| 00:30:01 |
(CHUCKLING) |
| 00:30:02 |
Now, that's just unprofessional. |
| 00:30:07 |
So, what do you think? |
| 00:30:10 |
I think Yakavetta killed a good man |
| 00:30:15 |
Well, let's send him |
| 00:30:20 |
(INDISTINCT CHATTERING) |
| 00:30:26 |
(SISTER CHRISTIAN |
| 00:30:32 |
* Motoring |
| 00:30:35 |
(HUMMING) |
| 00:30:37 |
*...night |
| 00:30:43 |
*...right |
| 00:30:45 |
* And something |
| 00:30:52 |
Why? |
| 00:30:57 |
(SIGHING) |
| 00:30:59 |
It's not them. |
| 00:31:04 |
It's them. |
| 00:31:06 |
A wise man |
| 00:31:09 |
"Where a man's actions are firmly |
| 00:31:14 |
"one's worst nightmares become |
| 00:31:20 |
You didn't have to |
| 00:31:22 |
Sorry, man, we got |
| 00:31:25 |
Technically, I was supposed to |
| 00:31:27 |
But they gave me this faggoty little gun, |
| 00:31:31 |
Christ, that's a gun? |
| 00:31:33 |
Why didn't you just point it |
| 00:31:37 |
Scram! Get the fuck |
| 00:31:39 |
You got it! |
| 00:31:41 |
Hey, guys, let's not let this one |
| 00:31:43 |
CONNOR: Shut up and get back |
| 00:31:46 |
Jeez! |
| 00:31:47 |
Well, at least your plan's |
| 00:31:50 |
Go fuck yourself. |
| 00:31:55 |
Oh, fuck. |
| 00:32:13 |
That's heroin. |
| 00:32:18 |
How the fuck would you know? |
| 00:32:19 |
Fuck you. |
| 00:32:22 |
(CLEARING THROAT) |
| 00:32:24 |
What's the symbolism here? |
| 00:32:27 |
Symbolism? |
| 00:32:28 |
Yeah. What does this symbolize? |
| 00:32:32 |
Well, it symbolizes a huge fuck-up. |
| 00:32:36 |
This is a plan that fell to pieces. |
| 00:32:39 |
A lot of it don't make sense, which is |
| 00:32:45 |
MURPHY: Christ, |
| 00:32:47 |
CONNOR: I don't know. |
| 00:32:48 |
Fuck's sake. |
| 00:32:53 |
All right, all right. |
| 00:32:55 |
Christ, he can't fucking see |
| 00:32:59 |
Shit! Turn to the left now! |
| 00:33:03 |
Go left! Go left! |
| 00:33:05 |
What? |
| 00:33:06 |
That way! Go that way! |
| 00:33:07 |
Left? Fuck! |
| 00:33:11 |
I can't believe I let you talk me |
| 00:33:15 |
It's all in the execution. And your |
| 00:33:18 |
What? What the fuck? |
| 00:33:20 |
Negative attitude? |
| 00:33:21 |
My fucking negative attitude? |
| 00:33:22 |
Yeah, your negative attitude! |
| 00:33:23 |
You've got to visualize |
| 00:33:26 |
You've got to force it |
| 00:33:29 |
You've got to fucking believe! |
| 00:33:30 |
I'm about to believe my fist |
| 00:33:32 |
You'll do what? |
| 00:33:34 |
(BOTH GRUNTING) |
| 00:33:36 |
CONNOR: Not a believer! |
| 00:33:37 |
don't be down at me, 'cause |
| 00:33:42 |
CONNOR: |
| 00:33:44 |
This bitch is fast-a-rooney. |
| 00:33:47 |
Wait. |
| 00:33:48 |
(SPEAKING CANTONESE) |
| 00:33:49 |
Wait. Wait, hold on. |
| 00:33:50 |
Uppey-downey! |
| 00:33:53 |
Shit! |
| 00:34:01 |
(SHOUTING IN CANTONESE) |
| 00:34:05 |
Boys, I believe things |
| 00:34:10 |
just got downright biblical. |
| 00:34:17 |
Wait, wait! |
| 00:34:19 |
(SHOUTING IN CANTONESE) |
| 00:34:56 |
(SHOUTING) |
| 00:34:59 |
(SPEAKING CANTONESE) |
| 00:35:00 |
BOTH: And shepherds we shall be, |
| 00:35:03 |
Power hath descended |
| 00:35:06 |
that our feet may swiftly carry out |
| 00:35:08 |
So we shall flow a river forth to Thee |
| 00:35:12 |
(BOTH RECITING IN LATIN) |
| 00:35:14 |
(SHOUTING IN CANTONESE) |
| 00:35:16 |
(GUNS FIRE) |
| 00:35:26 |
POPPA: While the wicked |
| 00:35:31 |
call me with Thy Saints |
| 00:35:39 |
Ballistics just dug it out. |
| 00:35:43 |
A.22? You've got |
| 00:35:47 |
That's like bringing |
| 00:35:49 |
Yeah, or like bringing |
| 00:35:53 |
to a gunfight. |
| 00:35:56 |
I don't know. |
| 00:35:58 |
Ballistics is reading 3 shooters, |
| 00:36:01 |
I find it |
| 00:36:02 |
that one of the 3 most lethal |
| 00:36:05 |
just switched over to birdshot. |
| 00:36:06 |
Maybe we're reading this wrong. |
| 00:36:09 |
Priest was a frame job, right? |
| 00:36:11 |
Yeah, maybe somebody's trying |
| 00:36:15 |
Yeah. |
| 00:36:25 |
No, sir, it's them. |
| 00:36:27 |
Here he comes. |
| 00:36:29 |
(MURPHY AND CONNOR CHUCKLING) |
| 00:36:30 |
Doc! |
| 00:36:32 |
Boys! |
| 00:36:33 |
You're a sight for sore eyes. Come on |
| 00:36:39 |
Get in out of the cold. |
| 00:36:41 |
DOC: |
| 00:36:42 |
(STAMMERING) |
| 00:36:46 |
Are you boys all right? |
| 00:36:47 |
Sound as an Irish pound, Doc. |
| 00:36:49 |
Is it too late for a shot? |
| 00:36:50 |
The Lord told me you'd be coming. |
| 00:36:53 |
"Doc," he said. |
| 00:36:55 |
And I was to have |
| 00:36:57 |
(STAMMERING) And I have. |
| 00:37:01 |
It's all set. |
| 00:37:03 |
(CLEARING THROAT) |
| 00:37:04 |
This is our Mexican. |
| 00:37:07 |
Nice to meet you, lad. |
| 00:37:13 |
How you doing, Fuck Ass? |
| 00:37:17 |
This used to be a speakeasy |
| 00:37:21 |
I only use it |
| 00:37:26 |
Holy shit. |
| 00:37:30 |
This is |
| 00:37:32 |
Nobody knows it's up here. |
| 00:37:35 |
(STUTTERING) |
| 00:37:37 |
You can get in and out |
| 00:37:40 |
Know what this is? |
| 00:37:43 |
We got a fucking hideout, man! |
| 00:37:46 |
What, are you fucking |
| 00:37:49 |
You know, Rome, |
| 00:37:54 |
You can make |
| 00:37:56 |
Fuck the both of you, man. |
| 00:37:58 |
We even got |
| 00:38:01 |
* So let's raise our glass |
| 00:38:06 |
(INAUDIBLE) |
| 00:38:08 |
* Forget the past |
| 00:38:14 |
* Let's sing together |
| 00:38:21 |
* And make this spirit |
| 00:38:23 |
Lobster dick! Look at me! |
| 00:38:27 |
* All night long |
| 00:38:42 |
Not this time, |
| 00:38:45 |
We'll see about that, |
| 00:38:49 |
Would somebody please |
| 00:38:54 |
Fuck! |
| 00:38:56 |
Ass! |
| 00:38:57 |
Yes! That's what he done! |
| 00:38:58 |
That's what he's done |
| 00:39:00 |
I took you down, old man, |
| 00:39:31 |
Are you hungry, lad? |
| 00:39:36 |
I could eat. |
| 00:39:38 |
Decent work. |
| 00:39:40 |
Do you know what I'm thinking |
| 00:39:43 |
That chocolate hide |
| 00:39:45 |
we've been trying to get rid of |
| 00:39:48 |
We'll make a leather man |
| 00:39:53 |
Go to it, lad. |
| 00:40:02 |
I can't help you with that, lads. |
| 00:40:05 |
But if you need something, |
| 00:40:10 |
we'd be happy |
| 00:40:18 |
THUG: How many times |
| 00:40:20 |
How many times do my people |
| 00:40:23 |
This song and dance is over. |
| 00:40:28 |
You didn't see anything! |
| 00:40:30 |
(THUGS LAUGHING) |
| 00:40:39 |
LOUIE: Noah! |
| 00:40:40 |
(LOUIE SHOUTING IN ITALIAN) |
| 00:40:44 |
No, no, no! |
| 00:40:48 |
We got to call the polizia, Noah! |
| 00:40:54 |
Noah! No. |
| 00:40:58 |
(SCREAMING) |
| 00:41:12 |
You young guys |
| 00:41:15 |
(JAZZ MUSIC PLAYING ON STEREO) |
| 00:41:16 |
We always bounce back. |
| 00:41:18 |
(SPEAKS ITALIAN) |
| 00:41:20 |
Besides, better the chinks |
| 00:41:25 |
(SLURPING) |
| 00:41:29 |
This is some serious shit here! |
| 00:41:32 |
(SNICKERING) |
| 00:41:33 |
Something amusing you, |
| 00:41:36 |
No, I was just... |
| 00:41:37 |
You should be focused |
| 00:41:42 |
That shipment of H was gonna square |
| 00:41:48 |
Any thoughts on that? |
| 00:41:50 |
Yeah, I got some |
| 00:41:54 |
I was just thinking, |
| 00:41:57 |
You... |
| 00:41:58 |
(EXCLAIMING) |
| 00:41:59 |
It's like the |
| 00:42:01 |
You even got |
| 00:42:04 |
George. |
| 00:42:08 |
Oh, a little cannoli, |
| 00:42:11 |
I need to see the boss, |
| 00:42:14 |
Jimmy the Gofer, la cortina. |
| 00:42:21 |
Get over here. |
| 00:42:23 |
(EXCLAIMING) |
| 00:42:25 |
Hey, boss, I just came by |
| 00:42:27 |
Push the talk button, |
| 00:42:32 |
Hello, can you |
| 00:42:34 |
I can hear you fine. Now what |
| 00:42:37 |
Copy that. |
| 00:42:39 |
All our guys are gunning for |
| 00:42:42 |
I figure there's no need for me |
| 00:42:45 |
So, which one of these rooms |
| 00:42:47 |
Are your ears fucking painted on? |
| 00:42:49 |
Did I not make it perfectly clear |
| 00:42:52 |
that you're to stay on the streets |
| 00:42:54 |
I was... |
| 00:42:55 |
Now get the fuck out of here! |
| 00:42:57 |
Douche bag! |
| 00:42:59 |
And don't come back till I say you can |
| 00:43:04 |
you fat fucking |
| 00:43:07 |
ROMEO : You wanna find something in |
| 00:43:10 |
my Uncle Cesar is a veterano. |
| 00:43:13 |
Out the game, |
| 00:43:16 |
Yakavetta's gunning for you |
| 00:43:19 |
Even posted a reward, |
| 00:43:25 |
Anyway, any of his guys that |
| 00:43:31 |
250 big ones. |
| 00:43:35 |
(ROMEO WHISTLES) |
| 00:43:37 |
Quarter mil for us? |
| 00:43:39 |
"Us"? What are you |
| 00:43:42 |
(IN SPANISH) Uncle, why do you |
| 00:43:48 |
(IN SPANISH) |
| 00:43:51 |
(IN SPANISH) A year ago you were |
| 00:43:55 |
(IN SPANISH) Well, I don't wash |
| 00:43:58 |
(IN SPANISH) |
| 00:44:01 |
(IN SPANISH) Nephew, this is not |
| 00:44:06 |
(IN SPANISH) |
| 00:44:11 |
(IN ENGLISH) Is he? |
| 00:44:15 |
And is my nephew here |
| 00:44:20 |
(IN SPANISH) A lot of heart. |
| 00:44:23 |
(SPEAKING SPANISH) |
| 00:44:28 |
Ahora, Gorgeous George is running |
| 00:44:34 |
And if anyone knows where he is, |
| 00:44:41 |
I'll get it out on the wire. |
| 00:44:43 |
(SNIFFLING) |
| 00:44:59 |
(SIGHING) |
| 00:45:02 |
Anybody hungry? Maybe |
| 00:45:05 |
Shut up! |
| 00:45:10 |
Fucking assholes! |
| 00:45:16 |
Shut up! |
| 00:45:21 |
(INDISTINCT CHATTERING) |
| 00:45:27 |
Oh, yeah. |
| 00:45:36 |
Yeah, that feels good. |
| 00:45:40 |
(CONTINUES MOANING) |
| 00:45:50 |
Somebody had their |
| 00:45:53 |
Yeah, get after it, girl. |
| 00:45:57 |
Oh, that's good. |
| 00:46:00 |
Hey, let's keep this |
| 00:46:03 |
No offense, but I don't need you |
| 00:46:07 |
(SCREAMING) |
| 00:46:10 |
What the fuck! |
| 00:46:16 |
(EXCLAIMING) |
| 00:46:18 |
What the fuck |
| 00:46:22 |
I'm sorry I called you that. |
| 00:46:24 |
How courteous |
| 00:46:27 |
Courtesy is so important, |
| 00:46:31 |
Yeah. Yeah, |
| 00:46:34 |
Good. Now sit your fat ass down. |
| 00:46:54 |
Where is Concezio Yakavetta? |
| 00:46:58 |
I don't know. |
| 00:46:59 |
Yeah, there's a lot |
| 00:47:03 |
For instance, you're the only |
| 00:47:07 |
Your blood just ain't quite as |
| 00:47:10 |
Explains why you ain't safely |
| 00:47:13 |
with the rest of them bigwigs sucking |
| 00:47:17 |
That's why you're the one he left |
| 00:47:21 |
Like you know shit |
| 00:47:24 |
Somebody's got to run |
| 00:47:26 |
Somebody's got to be |
| 00:47:28 |
Someone's got to |
| 00:47:33 |
Bullshit! And I ain't saying |
| 00:47:37 |
Good. You can just listen. |
| 00:47:39 |
We know Concezio |
| 00:47:43 |
Oh! That's another thing |
| 00:47:47 |
But then why would he |
| 00:47:50 |
You and your boys on the street, |
| 00:47:53 |
y'all is bait. |
| 00:47:55 |
Gorgeous George, huh? |
| 00:47:58 |
Expendable George is more like it. |
| 00:48:04 |
By the by, you've got a pretty |
| 00:48:12 |
A priest. |
| 00:48:14 |
So, until the Saints get popped, |
| 00:48:16 |
we're all lambs to the slaughter. |
| 00:48:17 |
Bing! |
| 00:48:18 |
And he don't care how many of us |
| 00:48:21 |
What do you need me |
| 00:48:25 |
Down the brugliones. |
| 00:48:26 |
What, everyone? |
| 00:48:27 |
North and South? |
| 00:48:29 |
Fuck their old grudges! |
| 00:48:31 |
Grudges have |
| 00:48:32 |
They're all in this! |
| 00:48:33 |
You know I don't take sides. |
| 00:48:34 |
You know I don't. |
| 00:48:35 |
Never me! Never me! |
| 00:48:36 |
You're gonna take my |
| 00:48:38 |
You talk to that mick Jimmy Green. |
| 00:48:40 |
Jimmy'll tell you that! |
| 00:48:42 |
Jimmy Green! |
| 00:48:43 |
I don't care if Jimmy Green hollowed out |
| 00:48:47 |
You're gonna |
| 00:48:49 |
and you're gonna middle-of-the-road |
| 00:48:51 |
and you're not |
| 00:48:53 |
You tell them everything |
| 00:48:56 |
Even the panic room thing? |
| 00:48:59 |
Sure. |
| 00:49:00 |
Good. Because that's a nice icebreaker. |
| 00:49:03 |
You know, I didn't even know |
| 00:49:05 |
I thought they made that up |
| 00:49:07 |
Remember the one |
| 00:49:10 |
The guys in the house? |
| 00:49:12 |
Panic... Panic Room? |
| 00:49:15 |
No, the other one. |
| 00:49:16 |
(LAUGHING) |
| 00:49:17 |
This is serious |
| 00:49:20 |
You tell them |
| 00:49:21 |
(LAUGHING) |
| 00:49:22 |
I'll call you with |
| 00:49:23 |
Okay. |
| 00:49:24 |
Fucking thing. |
| 00:49:33 |
(COUGHING) |
| 00:49:52 |
Come on, kid. |
| 00:49:54 |
It was a fucking accident. |
| 00:49:56 |
We can work this out. |
| 00:50:02 |
He ain't gonna do shit. |
| 00:50:05 |
(IN ITALIAN) |
| 00:50:08 |
(IN ITALIAN) |
| 00:50:09 |
(IN ITALIAN) |
| 00:50:11 |
(IN ITALIAN) |
| 00:50:14 |
(IN ENGLISH) |
| 00:50:16 |
Deal the cards! |
| 00:50:18 |
(MURMURS IN ITALIAN) |
| 00:50:22 |
(SCREAMS) |
| 00:50:29 |
(MAN GAGGING) |
| 00:50:34 |
(IN ITALIAN) |
| 00:50:54 |
(PANTING) |
| 00:51:07 |
(SOFTLY) Connor. |
| 00:51:21 |
God! No! |
| 00:51:29 |
(WHISPERING) |
| 00:51:38 |
Why did they use |
| 00:51:43 |
What? No. |
| 00:51:47 |
Yeah, you remember when he |
| 00:51:50 |
because that fellow had to hold up |
| 00:51:53 |
Aye. |
| 00:51:56 |
That's an arm. |
| 00:52:03 |
(CELL PHONE RINGING) |
| 00:52:05 |
(SPEAKING SPANISH) |
| 00:52:06 |
CESAR: |
| 00:52:08 |
The place is called Tando's |
| 00:52:12 |
That's where the fucking güero |
| 00:52:15 |
(JAZZ MUSIC PLAYING) |
| 00:52:20 |
European cut. |
| 00:52:27 |
* Yeah! You've just been paid |
| 00:52:32 |
(GROANS) |
| 00:52:33 |
Lovely singing voice there, Georgie. |
| 00:52:38 |
Can you do that for me? |
| 00:52:40 |
(SHOUTING) |
| 00:52:47 |
It's getting hard to be a gentleman |
| 00:52:53 |
I want the name of the shooter you |
| 00:52:56 |
What priest? |
| 00:52:58 |
His fucking name! |
| 00:52:59 |
I don't know who it is! |
| 00:53:00 |
That's fucking bullshit! |
| 00:53:02 |
It's the truth! Concezio didn't |
| 00:53:04 |
'cause he knew nobody would |
| 00:53:06 |
The shooter's an independent contractor! |
| 00:53:10 |
Where the fuck is Yakavetta hiding? |
| 00:53:13 |
Prudential Building, |
| 00:53:17 |
(CELL PHONE RINGING) |
| 00:53:23 |
MURPHY: |
| 00:53:26 |
Yakavetta's racket chiefs. |
| 00:53:30 |
Your kind of guys. You could take |
| 00:53:34 |
And I can help you. |
| 00:53:35 |
CONNOR: |
| 00:53:36 |
Nobody forgot what you guys |
| 00:53:39 |
Everybody's hiding indoors. They |
| 00:53:43 |
My uncle's place is closed tonight. |
| 00:53:46 |
How does Mexican work for you, George? |
| 00:53:49 |
Doesn't matter to me. I think |
| 00:53:56 |
What's this? |
| 00:53:58 |
GREENLY: |
| 00:53:59 |
Found it pushed under the carpet |
| 00:54:01 |
Father McKinney wasn't |
| 00:54:03 |
so it's probably |
| 00:54:09 |
The results on all 864 prints |
| 00:54:13 |
All matched churchgoers |
| 00:54:18 |
Partial on the priest's watch |
| 00:54:22 |
No. No, that's horseshit. |
| 00:54:26 |
They even are inking up these |
| 00:54:31 |
It's a brick wall anyway. |
| 00:54:33 |
We know Napoleon |
| 00:54:36 |
The lab got zilch |
| 00:54:38 |
Even the pennies came up clean. |
| 00:54:40 |
I'm gonna go powder my nose. |
| 00:54:44 |
(DOOR CLOSES) |
| 00:54:45 |
Man. Daddy would knock that out |
| 00:54:50 |
EUNICE: Hey! |
| 00:54:51 |
What? I didn't say nothing. |
| 00:54:54 |
McKinney wore his watch on his left wrist. |
| 00:54:58 |
Right here, |
| 00:55:00 |
Just occurred to me that priests |
| 00:55:03 |
She's right. |
| 00:55:05 |
and find out which wrist |
| 00:55:07 |
Duffy, push that partial |
| 00:55:09 |
David, you put it through Interpol |
| 00:55:11 |
Come on, vamoose! |
| 00:55:23 |
You took your gloves off, |
| 00:55:27 |
Now why would you go and do |
| 00:55:59 |
(PANTING) |
| 00:56:12 |
GEORGE: |
| 00:56:14 |
You guys are gonna |
| 00:56:17 |
I guess we'll just have to |
| 00:56:20 |
Jesus Christ, this is some |
| 00:56:25 |
Don't worry. We worked on a |
| 00:56:29 |
Although that is right up there. |
| 00:56:32 |
(EXCLAIMS IN DISGUST) |
| 00:56:36 |
Yo, spicaroo. More nachos |
| 00:56:40 |
Hey, and I need |
| 00:56:43 |
(SPEAKING SPANISH) |
| 00:56:46 |
Whoa! Easy! Jesus! |
| 00:56:50 |
(CELL PHONE RINGING) |
| 00:56:52 |
How do, David? |
| 00:56:54 |
Hey! |
| 00:56:56 |
We just dumped a text message |
| 00:57:00 |
"Silver Peso." It's a Mexican joint |
| 00:57:05 |
Sent it to his enforcer, |
| 00:57:07 |
Guess gangsters |
| 00:57:11 |
I think I'll drop in |
| 00:57:13 |
see if I can |
| 00:57:16 |
Need a bodyguard? |
| 00:57:18 |
No, thank you, Mike Tyson. |
| 00:57:22 |
Bye. |
| 00:57:27 |
(SIGHING) |
| 00:57:31 |
These dagos are |
| 00:57:33 |
I'm getting spicarooed |
| 00:57:36 |
All right, calm the fuck down. |
| 00:57:39 |
You got to stick it out. |
| 00:57:46 |
(IN ITALIAN) |
| 00:57:49 |
(IN ITALIAN) |
| 00:57:52 |
(IN ITALIAN) They have |
| 00:57:54 |
(IN ITALIAN) They will |
| 00:57:57 |
MAN ON PHONE: (IN ITALIAN) |
| 00:57:59 |
(IN ITALIAN) |
| 00:58:02 |
(IN ITALIAN) |
| 00:58:08 |
Gentlemen. |
| 00:58:11 |
All right. The gang's all here. |
| 00:58:16 |
Give me my fucking BB gun. |
| 00:58:19 |
No, Rome. |
| 00:58:28 |
Hey, tighten it up. |
| 00:58:34 |
So? |
| 00:58:40 |
Where's Gorgeous? |
| 00:58:48 |
MAN 1: Is that George? |
| 00:58:53 |
(MAN 2 READING) |
| 00:58:55 |
What the fuck is that? |
| 00:58:57 |
It's Irish for, |
| 00:59:03 |
Que viva México, bitches! |
| 00:59:07 |
(WHOOPING) |
| 00:59:40 |
I've seen the light! |
| 00:59:41 |
You guys have really turned me |
| 00:59:43 |
I'm, like, born again and shit! |
| 00:59:45 |
Should we let him go? |
| 00:59:47 |
(PANTING) |
| 00:59:50 |
You know what |
| 00:59:53 |
I think we should let God decide |
| 00:59:56 |
What the fuck |
| 00:59:58 |
What the... |
| 01:00:02 |
Hey, what the fuck |
| 01:00:07 |
You had best be right |
| 01:00:10 |
(GEORGE WHIMPERING) |
| 01:00:18 |
(GUN CLICKS) |
| 01:00:20 |
Well! Praise be to Jesus! |
| 01:00:26 |
(GASPING IN RELIEF) |
| 01:00:29 |
Georgie. |
| 01:00:31 |
GEORGE: Yeah? |
| 01:00:32 |
You know all good boys |
| 01:00:38 |
You know, that was perhaps one of the |
| 01:00:41 |
I've ever had the good fortune |
| 01:00:43 |
It was wonderful, |
| 01:00:45 |
CONNOR: Mysterious ways, |
| 01:00:47 |
You know, it's about time |
| 00:00:10 |
CONNOR: Put it down! |
| 00:00:11 |
Put the goddamn gun down |
| 00:00:13 |
Easy, fellas. |
| 00:00:20 |
He's gone. |
| 00:00:21 |
Who the fuck are you? |
| 00:00:22 |
My name is Eunice Bloom. |
| 00:00:26 |
The torch was passed to me |
| 00:00:29 |
A mutual friend? |
| 00:00:33 |
EUNICE: Paul Maximillian |
| 00:00:42 |
We heard. |
| 00:00:45 |
Aye. You have |
| 00:00:48 |
And you mine. |
| 00:00:49 |
Well, I'm glad everybody... |
| 00:00:52 |
That, I suspect, was the shooter |
| 00:00:56 |
Who the fuck is this broad? |
| 00:01:00 |
Let's speed this up before your |
| 00:01:03 |
into his impressive |
| 00:01:05 |
Oh, no, you didn't! |
| 00:01:06 |
Oh, yes I did. |
| 00:01:08 |
I am an FBI agent controlling this |
| 00:01:12 |
in order to ensure that you gentlemen |
| 00:01:17 |
Now, I am conspiring to do this |
| 00:01:20 |
who have aided you |
| 00:01:22 |
Though I have yet to inform them |
| 00:01:26 |
well, a girl's gotta have her fun. |
| 00:01:29 |
Dolly, Duffy and Greenly? |
| 00:01:31 |
Hmm, the very same. |
| 00:01:32 |
How are the lads doing? |
| 00:01:34 |
2 of them are scared. |
| 00:01:38 |
Bet you I can tell you |
| 00:01:39 |
Bet you can't. |
| 00:01:42 |
Right now we've got |
| 00:01:43 |
What's that, then? |
| 00:01:45 |
This simply won't do. |
| 00:01:47 |
(ROCK MUSIC PLAYING) |
| 00:02:12 |
(INDISTINCT CHATTERING |
| 00:02:14 |
Here's how |
| 00:02:17 |
A secret gathering of the brugliones. |
| 00:02:23 |
(ALL SHOUTING) |
| 00:02:57 |
Yakavetta's lost control |
| 00:02:59 |
They're fighting |
| 00:03:01 |
This was not the work |
| 00:03:05 |
Interpol came through. |
| 00:03:07 |
You were right. 5'5". |
| 00:03:12 |
That ain't all. |
| 00:03:13 |
Short stuff's work visa was signed |
| 00:03:17 |
Look at the date. |
| 00:03:22 |
What? I don't get it. |
| 00:03:24 |
(INDISTINCT CHATTERING |
| 00:03:29 |
Someone maneuvered it through |
| 00:03:33 |
during the highest alert |
| 00:03:35 |
Yakavetta's just a gangster. |
| 00:03:39 |
You're darn tooting, |
| 00:03:41 |
Irregardless, INS red-flagged it |
| 00:03:45 |
It's a shit storm. |
| 00:03:47 |
Something stinks like a pig's ass |
| 00:03:51 |
Come on. |
| 00:03:53 |
It's, like, 2:00 a.m. |
| 00:03:57 |
It's after hours. I mean, |
| 00:03:59 |
37 bodies later, and we're |
| 00:04:03 |
You boys ever heard of |
| 00:04:05 |
"We have an elephant |
| 00:04:07 |
Hope you fellows |
| 00:04:12 |
What is this? |
| 00:04:14 |
Who the fuck are you? You're either |
| 00:04:17 |
Okay, come on, fucking arrest us! |
| 00:04:22 |
Hands above your head! |
| 00:04:25 |
(ALL SCREAMING) |
| 00:04:27 |
Stop it! |
| 00:04:30 |
You don't write! |
| 00:04:33 |
You should be ashamed |
| 00:04:35 |
Get the fuck out of here! |
| 00:04:37 |
You knew all along? |
| 00:04:40 |
MURPHY: Not keeping in touch |
| 00:04:42 |
Fucking bitch! |
| 00:04:43 |
Shame on you! |
| 00:04:44 |
You're beautiful, babe! |
| 00:04:45 |
(SIGHING) Thank you! |
| 00:04:48 |
This is the fellow? |
| 00:04:49 |
That's the fellow. |
| 00:04:51 |
He's a Sicilian immigrant, |
| 00:04:55 |
He'll be front-page news |
| 00:04:56 |
but we have to assume that Yakavetta |
| 00:05:00 |
Can't give him time |
| 00:05:02 |
We're hitting him in 48 hours. |
| 00:05:06 |
Should be. |
| 00:05:09 |
The Pru. |
| 00:05:10 |
The Prudential? |
| 00:05:12 |
Why don't you just do it on center ice |
| 00:05:15 |
That's where the man is, |
| 00:05:18 |
No guts, no glory, |
| 00:05:20 |
In fact, we could use |
| 00:05:22 |
That is, if you boys |
| 00:05:25 |
Hey, I got balls for days, pally. |
| 00:05:30 |
(LAUGHING) Yeah. |
| 00:05:33 |
We're in. |
| 00:05:34 |
All right, you boys have fun. Connor, |
| 00:05:42 |
You sure you don't want to |
| 00:05:44 |
I'm not one to sit here |
| 00:05:47 |
Jesus. |
| 00:05:48 |
...this one's really Picasso. |
| 00:05:50 |
No, I want to critique your |
| 00:05:53 |
Besides, school night. |
| 00:05:54 |
Got some homework to do. |
| 00:05:56 |
What's the matter? |
| 00:05:57 |
Panza knew you guys were in there |
| 00:06:02 |
I mean, if he's working |
| 00:06:03 |
why would he just stand by and |
| 00:06:07 |
What, you think maybe we've got |
| 00:06:10 |
It's starting to look that way. |
| 00:06:12 |
Somebody pushed that visa through. |
| 00:06:14 |
We could have ourselves a genuine |
| 00:06:19 |
(PANZA WHIMPERING) |
| 00:06:24 |
(GROANING) |
| 00:06:29 |
(IN ITALIAN) |
| 00:06:32 |
(IN ITALIAN) What if he does not come? |
| 00:06:33 |
(SHUSHING) |
| 00:06:35 |
(IN ITALIAN) |
| 00:06:43 |
Either that wily old man |
| 00:06:54 |
or he played me from the git. |
| 00:07:05 |
You think he played me? |
| 00:07:07 |
We got a mutiny on our hands. |
| 00:07:10 |
Every 10-cent wannabe with a gun |
| 00:07:15 |
And our fearless leader hasn't even |
| 00:07:20 |
Capo fucking regime! |
| 00:07:25 |
I want each one of you |
| 00:07:30 |
the best that you have. |
| 00:07:33 |
'Cause we are going to |
| 00:07:40 |
Starting tonight, |
| 00:07:43 |
we reconnoiter our strength |
| 00:07:47 |
Starting now, |
| 00:07:50 |
we seize the day. |
| 00:07:53 |
Law enforcement has classified |
| 00:07:57 |
as its prime suspect in the murder |
| 00:08:01 |
An all-points bulletin |
| 00:08:03 |
and it appears, |
| 00:08:05 |
the Saints have been cleared |
| 00:08:25 |
(MAN SPEAKING ITALIAN) |
| 00:08:30 |
(IN ITALIAN) |
| 00:08:41 |
Expanded my operations |
| 00:08:44 |
Word got out who may or |
| 00:08:47 |
Turns out you got quite |
| 00:08:53 |
Please, gentlemen. Preferred customers |
| 00:08:58 |
If I may make a suggestion. |
| 00:09:08 |
* I'm here if you want me |
| 00:09:10 |
* I ain't gonna |
| 00:09:13 |
* 'Cause, baby, |
| 00:09:17 |
* Is balls-deep in your love |
| 00:09:19 |
* Balls-deep in your love |
| 00:09:22 |
* Balls-deep in your love |
| 00:09:24 |
I feel like that kid who found |
| 00:09:27 |
in Willy Wonka & |
| 00:09:30 |
Charlie. |
| 00:09:31 |
(SOFTLY) |
| 00:09:33 |
And I want an Oompa Loompa now, |
| 00:09:38 |
(EXCLAIMING) |
| 00:09:44 |
I'll take these. |
| 00:09:48 |
Have you been crying again? |
| 00:09:49 |
Yeah! Tears of joy. |
| 00:09:53 |
Those are queer. |
| 00:09:55 |
Oh, no, no. |
| 00:09:58 |
Obliged. |
| 00:10:00 |
Well, let's see. |
| 00:10:09 |
ROMEO: What? |
| 00:10:10 |
What, are you saying |
| 00:10:12 |
No, you just hail |
| 00:10:14 |
Hey, you don't know me. |
| 00:10:19 |
You look like you might have |
| 00:10:34 |
On a sultry Saturday in September, |
| 00:10:44 |
Try saying that 5 times fast. |
| 00:10:49 |
Nothing to be afraid of. |
| 00:10:55 |
Fucking pussy. |
| 00:10:58 |
Special Agent Bloom! |
| 00:11:00 |
You are hereby relieved of |
| 00:11:04 |
And as of now, you will all report to me. |
| 00:11:12 |
So, how you doing, |
| 00:11:18 |
Just fine, Kunty. |
| 00:11:22 |
You are suspended. |
| 00:11:25 |
Fine. But I'm gonna |
| 00:11:39 |
EUNICE: They gained access somehow |
| 00:12:20 |
What? |
| 00:12:21 |
Nothing. |
| 00:12:22 |
What is the matter with you? |
| 00:12:23 |
Nothing! |
| 00:12:25 |
This is just some heavy shit, that's all. |
| 00:12:30 |
I'm just having |
| 00:12:32 |
You're about to have a period of |
| 00:12:33 |
(ELEVATOR BELL DINGING) |
| 00:12:35 |
This is you. |
| 00:12:47 |
You ready for this shit, |
| 00:12:54 |
Let's do some |
| 00:12:59 |
Meet! Front and center! |
| 00:13:03 |
Make way. |
| 00:13:12 |
Each one of you |
| 00:13:14 |
is to stick to the guy who |
| 00:13:20 |
Pick your own crews. |
| 00:13:23 |
You arm yourself |
| 00:13:27 |
And when these Bible-banging psychos |
| 00:13:31 |
it is your job to blow their soulless |
| 00:13:43 |
(SIGHING) |
| 00:13:47 |
Okay, here's |
| 00:13:49 |
Me and a couple of friends of mine are |
| 00:13:53 |
I'm talking bullets, blood, |
| 00:13:55 |
You follow me, Lloyd-o? |
| 00:13:57 |
(WHIMPERS) |
| 00:13:58 |
Good. Now, I've run into |
| 00:14:01 |
You see, I'm trying to |
| 00:14:05 |
You know, something cool to say |
| 00:14:06 |
like, "We're gonna need |
| 00:14:10 |
Or, "I'll be back." But mine, you know? |
| 00:14:14 |
It's creative! |
| 00:14:17 |
Fucking ridiculous! |
| 00:14:19 |
Probably based on some |
| 00:14:21 |
And here I am again, all tying |
| 00:14:25 |
What's the deal with you and |
| 00:14:27 |
It happened to be a very |
| 00:14:30 |
You didn't get this from a movie, did you? |
| 00:14:35 |
The Eiger Sanction with Clint Eastwood. |
| 00:14:37 |
And it worked like a charm for him! |
| 00:14:38 |
I fucking knew! |
| 00:14:41 |
Now I'm gonna take the gag off, |
| 00:14:47 |
(GROANING) |
| 00:14:48 |
I know, I know. |
| 00:14:50 |
This fucking hurts this way. |
| 00:14:52 |
Fuck! Fuck... |
| 00:14:54 |
(SHUSHING) |
| 00:14:57 |
Fuck! |
| 00:14:59 |
I know, I know, I know! |
| 00:15:00 |
I can't believe you, man! |
| 00:15:01 |
What do I know about guns |
| 00:15:03 |
Well, then, just... |
| 00:15:04 |
No! I don't care |
| 00:15:05 |
with your fucking friends. |
| 00:15:07 |
I'm just... |
| 00:15:08 |
I have a wife and |
| 00:15:10 |
Actually, they're not |
| 00:15:12 |
I'm taking care of |
| 00:15:13 |
on a fucking janitor's salary! |
| 00:15:15 |
I'm not riffing, Lloyd! |
| 00:15:16 |
Now, I need an hasta la vista line, |
| 00:15:20 |
and you're gonna |
| 00:15:26 |
What the fuck did you do? |
| 00:15:27 |
I don't know, it just stopped. |
| 00:15:28 |
Well, fucking get it going again! |
| 00:15:29 |
GREENLY: It won't turn back on! |
| 00:15:31 |
Shit! |
| 00:15:32 |
GREENLY: Fucking thing! |
| 00:15:34 |
DUFFY: Come on! |
| 00:15:36 |
Starting tonight, each one of you limp-dick |
| 00:15:42 |
earning your daily bread. |
| 00:15:44 |
ALL: Come on, come on! No! |
| 00:15:45 |
Shut the fuck up! |
| 00:15:47 |
(SHOUTING IN ITALIAN) |
| 00:15:48 |
Okay, what about, |
| 00:15:51 |
No, that's not |
| 00:15:53 |
How much time? |
| 00:15:55 |
GREENLY: |
| 00:15:56 |
No, we gotta go right now! |
| 00:15:58 |
DUFFY: What are |
| 00:15:59 |
If we're even a few seconds late, |
| 00:16:01 |
You'd better all dust off your ball bats! |
| 00:16:06 |
"Merry Christmas, |
| 00:16:09 |
That's too sacrilegious. |
| 00:16:11 |
All right, we've got |
| 00:16:13 |
11 more, ball park it! |
| 00:16:14 |
It's about 15 per floor, |
| 00:16:17 |
DUFFY: Dude, wait! |
| 00:16:19 |
5, 10, 15, 20... |
| 00:16:21 |
This is retarded! |
| 00:16:22 |
Fucking |
| 00:16:23 |
Shut it and |
| 00:16:25 |
'Cause you got to break bones! |
| 00:16:29 |
You gotta do |
| 00:16:36 |
You're gonna need those. |
| 00:16:38 |
Bang, bang, bang. |
| 00:16:39 |
You shoot everybody |
| 00:16:40 |
and then you're like, |
| 00:16:45 |
What, are we at |
| 00:16:47 |
(SIGHING) Fuck. |
| 00:16:49 |
You guys can't do this! |
| 00:16:52 |
Time! |
| 00:16:53 |
Jesus Christ. |
| 00:16:55 |
Holy shit! |
| 00:16:56 |
5, 4... |
| 00:16:59 |
3, 2... |
| 00:17:00 |
One thing has |
| 00:17:04 |
How quiet it gets. |
| 00:17:08 |
It's hard to imagine |
| 00:17:12 |
it was the goddamn |
| 00:17:39 |
We're gonna have ourselves a |
| 00:19:14 |
BOTH: And shepherds we shall be, |
| 00:19:17 |
Power hath descended |
| 00:19:19 |
that our feet may swiftly carry out |
| 00:19:22 |
So we shall flow a river forth to Thee |
| 00:19:26 |
(RECITING IN LATIN) |
| 00:19:27 |
(SPEAKING ITALIAN) |
| 00:19:30 |
(RECITING IN LATIN) |
| 00:19:34 |
Who ordered |
| 00:19:38 |
That's fucking stupid! |
| 00:19:40 |
It's completely retarded! |
| 00:19:41 |
Was that the best |
| 00:19:47 |
I just... |
| 00:19:49 |
I couldn't... |
| 00:19:50 |
(SHUSHING) |
| 00:19:52 |
Broke down the door, |
| 00:19:58 |
(DOORBELL RINGING) |
| 00:19:59 |
(RECITING IN LATIN) |
| 00:20:02 |
Ding-dong, motherfucker, |
| 00:20:09 |
Fucking A. |
| 00:20:11 |
You said it. |
| 00:20:14 |
And that, gentlemen, |
| 00:20:21 |
Should we clap |
| 00:20:23 |
Shut up. |
| 00:20:25 |
Hey, hey! |
| 00:20:28 |
You hurt her, you piece of shit, |
| 00:20:30 |
She's not on there! |
| 00:20:33 |
Get a hostage negotiator |
| 00:20:36 |
Get off me! |
| 00:20:38 |
He could be in there |
| 00:20:42 |
Fuck! Come on! |
| 00:20:45 |
Look, I was listening |
| 00:20:48 |
And that's, like, |
| 00:20:50 |
And that's what made me think |
| 00:20:58 |
So, Yakavetta |
| 00:21:04 |
Everybody gave Concezio props for |
| 00:21:08 |
"He's such a genius." What bullshit. |
| 00:21:13 |
Old Man? |
| 00:21:16 |
For the last 3 years, every play |
| 00:21:21 |
Teaming up |
| 00:21:23 |
keeping the feud going between |
| 00:21:27 |
Concezio worshipped the Old Man |
| 00:21:32 |
I have no idea what |
| 00:21:33 |
Concezio always |
| 00:21:35 |
Think. I mean, did he ever use a |
| 00:21:41 |
One time. |
| 00:21:43 |
Well, what was it? |
| 00:21:46 |
He called him the Roman. |
| 00:21:51 |
That's just weird. |
| 00:21:55 |
What do you think |
| 00:21:59 |
Feels like our ghost to me. |
| 00:22:01 |
DOLLY: |
| 00:22:03 |
'Cause the brothers ain't going nowhere |
| 00:22:19 |
(ROCK MUSIC PLAYING ON RADIO) |
| 00:22:20 |
(DOOR OPENING) |
| 00:22:23 |
Sack-o-matic, I said! |
| 00:22:32 |
I've got nothing. |
| 00:22:34 |
One in the hole. |
| 00:22:36 |
Fuck you! |
| 00:22:39 |
DOC: Boys! Boys! |
| 00:22:41 |
Put them down! |
| 00:22:45 |
I'll kill the old man! |
| 00:22:52 |
Brothers, huh? |
| 00:22:57 |
So, which one first? |
| 00:23:02 |
This one? |
| 00:23:04 |
(GROANING) |
| 00:23:11 |
(SCREAMING) |
| 00:23:13 |
(COUGHING) |
| 00:23:17 |
Doc! Call a fucking |
| 00:23:24 |
You. |
| 00:23:27 |
Where's the Old Man? |
| 00:23:30 |
Never. |
| 00:23:46 |
MURPHY: |
| 00:23:47 |
Help's on the way, |
| 00:23:51 |
Boys, it's over. |
| 00:23:56 |
It's okay. |
| 00:24:02 |
(COUGHING) |
| 00:24:17 |
Da! |
| 00:24:18 |
Easy, boys. |
| 00:24:30 |
(GUN CLICKS) |
| 00:24:32 |
Jesus fucking Christ! |
| 00:24:34 |
I'm gonna blow this motherfucker's |
| 00:24:36 |
POPPA: Connor! |
| 00:24:38 |
Son, Daddy's working. |
| 00:24:42 |
What the fuck |
| 00:24:50 |
Where is he? |
| 00:24:52 |
No matter how this turns out, |
| 00:24:56 |
Believe it, motherfucker. |
| 00:25:00 |
Where is the Old Man? |
| 00:25:07 |
(GUN CLICKS) |
| 00:25:09 |
(SIGHING) |
| 00:25:12 |
(BOTH WHISPERING PRAYERS) |
| 00:25:17 |
(IN ITALIAN) |
| 00:25:19 |
(REPEATING DIALOGUE) |
| 00:25:23 |
(GUN CLICKS) |
| 00:25:31 |
Where? |
| 00:25:38 |
(SHOUTING) Where is he? |
| 00:25:40 |
(SHOUTING IN ITALIAN) |
| 00:25:43 |
(BOTH SIGHING) |
| 00:26:09 |
(MEOWING) |
| 00:26:19 |
You look good, Roc. |
| 00:26:21 |
You two don't. |
| 00:26:24 |
Yeah, we had a friend... |
| 00:26:26 |
I know. |
| 00:26:28 |
He was a big boy. |
| 00:26:30 |
If it weren't for us, |
| 00:26:32 |
Would what? Would never |
| 00:26:35 |
What are you |
| 00:26:36 |
I made my decision and stood |
| 00:26:41 |
And I wouldn't change that for |
| 00:26:46 |
Now, sláinte. |
| 00:26:51 |
(ALL TOASTING) |
| 00:26:58 |
You know, he was sort of a |
| 00:27:03 |
Shades of Eastwood. |
| 00:27:05 |
Charlie Bronson. |
| 00:27:07 |
Duke fucking Wayne! |
| 00:27:10 |
CONNOR AND MURPHY: |
| 00:27:12 |
Men build things. |
| 00:27:16 |
It's in our fucking DNA! |
| 00:27:21 |
And when it all falls down... |
| 00:27:23 |
We build it right back up again. |
| 00:27:25 |
But this time bigger. Better! |
| 00:27:28 |
Look! Look what we can do. |
| 00:27:30 |
Look how fucking |
| 00:27:33 |
You think the men that |
| 00:27:35 |
Hard men! |
| 00:27:36 |
Doing hard shit! |
| 00:27:37 |
And that gives me |
| 00:27:40 |
But not in a gay way |
| 00:27:41 |
No, no, course not. |
| 00:27:43 |
Yeah, goes without saying. |
| 00:27:45 |
I am so sick of this |
| 00:27:50 |
leftover hippie |
| 00:27:53 |
Now they don't want you to do anything, |
| 00:27:56 |
Don't smoke! |
| 00:27:59 |
ALL: Kiss my ass! |
| 00:28:01 |
Fuck it, do it all, I say! |
| 00:28:03 |
You think Duke Wayne |
| 00:28:05 |
talking about his feelings |
| 00:28:08 |
There's no |
| 00:28:10 |
John Wayne died with 5 pounds of |
| 00:28:16 |
Now that's a man! |
| 00:28:20 |
ALL: Because it's none of |
| 00:28:24 |
Men do not cry, |
| 00:28:27 |
men jack you |
| 00:28:34 |
Thanks for coming out. |
| 00:28:36 |
(BOTH GASPING) |
| 00:28:48 |
I am so sorry, boys. |
| 00:28:55 |
There's a few things your dad |
| 00:28:58 |
Come on, kid, it's good for you, |
| 00:29:02 |
We'll take you right out |
| 00:29:04 |
(SOFTLY) |
| 00:29:05 |
They'll never touch you. |
| 00:29:10 |
Oh! |
| 00:29:12 |
(SPEAKING ITALIAN) |
| 00:29:17 |
What, are you stupid |
| 00:29:38 |
Noah, mio amico. |
| 00:29:52 |
I can't stop. |
| 00:29:59 |
Okay, we think of |
| 00:30:03 |
We think of something. |
| 00:30:05 |
Noah, look. |
| 00:30:11 |
We got something for you. |
| 00:30:15 |
My friend... |
| 00:30:23 |
(INAUDIBLE) |
| 00:30:41 |
LOUIE: |
| 00:30:44 |
Both of them, La Cosa Nostra, |
| 00:31:27 |
(SPEAKING ITALIAN) |
| 00:31:29 |
POPPA: That's how it went |
| 00:31:33 |
Louie would do all the planning |
| 00:31:39 |
MURPHY: Jesus. |
| 00:31:40 |
How'd you end up |
| 00:31:43 |
Back in '75 |
| 00:31:48 |
I come out and the police |
| 00:31:53 |
He set me up. |
| 00:31:58 |
Why did he set you up? |
| 00:32:00 |
I can't wait to ask him. |
| 00:32:03 |
Why didn't you flip on him, Da? |
| 00:32:07 |
POPPA: He had learned |
| 00:32:13 |
* As I turn back the years |
| 00:32:19 |
* There's some things |
| 00:32:24 |
* Just so pure and true |
| 00:32:27 |
* How we loved |
| 00:32:31 |
(IN ITALIAN) |
| 00:32:33 |
(IN ITALIAN) |
| 00:32:38 |
(IN ITALIAN) |
| 00:32:40 |
MAN ON PHONE: (IN ITALIAN) |
| 00:32:43 |
I have run out |
| 00:32:47 |
(IN ITALIAN) |
| 00:32:49 |
how many can you spare? |
| 00:32:52 |
(IN ITALIAN) Don't worry. |
| 00:32:55 |
(IN ITALIAN) |
| 00:32:59 |
(IN ITALIAN) I am |
| 00:33:07 |
Agent Kuntsler, you gotta see this. |
| 00:33:12 |
It's Bloom. She just back-doored |
| 00:33:18 |
Jesus Christ, |
| 00:33:20 |
Get an APB on her! |
| 00:33:21 |
I want that crazy bitch |
| 00:33:23 |
MAN: |
| 00:33:24 |
Jimmy! |
| 00:33:26 |
What the fuck are you doing? |
| 00:33:28 |
Who the fuck is this? |
| 00:33:36 |
He's in York, Maine. About an hour |
| 00:33:40 |
Logged on to an FBI database |
| 00:33:43 |
Only a matter of time |
| 00:33:46 |
Better get a move on or |
| 00:33:50 |
Will they know it's you? |
| 00:33:53 |
Yeah. |
| 00:33:56 |
Will you be |
| 00:34:01 |
I hear Costa Rica's nice. |
| 00:34:10 |
I never thought I'd ask this of another |
| 00:34:17 |
Kill this man. |
| 00:34:22 |
(MAN RECITING PRAYERS |
| 00:35:19 |
(BUZZING) |
| 00:35:57 |
(SHALL WE MEET |
| 00:36:49 |
Hello, Louie. |
| 00:36:52 |
Noah. |
| 00:36:54 |
We haven't much time. |
| 00:37:02 |
My garden is... |
| 00:37:05 |
She's beautiful, no? |
| 00:37:10 |
But I forget, your eyes are blind |
| 00:37:16 |
You are... |
| 00:37:19 |
You are a destroyer, Noah. |
| 00:37:24 |
You know my reasons. |
| 00:37:27 |
But do you? |
| 00:37:29 |
You think it's... |
| 00:37:35 |
No. You were born a killer. |
| 00:37:42 |
Death, la morte, |
| 00:37:47 |
No. |
| 00:37:49 |
No. |
| 00:37:55 |
This is bullshit. |
| 00:37:59 |
It's only one fucking guy. |
| 00:38:05 |
Explain these. |
| 00:38:18 |
You were not there |
| 00:38:23 |
Not one single day. |
| 00:38:26 |
But how closely they followed |
| 00:38:32 |
They got your blood, |
| 00:38:38 |
Your anger. |
| 00:39:08 |
And you? |
| 00:39:12 |
(IN ITALIAN) |
| 00:39:17 |
(IN ENGLISH) You see, |
| 00:39:20 |
we were opposed. |
| 00:39:23 |
As old as la storia di frog and... |
| 00:39:29 |
(SPEAKING ITALIAN) |
| 00:39:33 |
Scorpion. |
| 00:39:34 |
(AGREEING IN ITALIAN) |
| 00:39:36 |
(IN ENGLISH) Scorpion. |
| 00:39:41 |
Remember, not a scratch |
| 00:39:45 |
Copy that. |
| 00:39:50 |
What the fuck is this place? |
| 00:39:53 |
Why did you sell me out, Louie? |
| 00:39:57 |
You can |
| 00:40:02 |
25 years. |
| 00:40:07 |
Try me. |
| 00:40:09 |
They were building something. |
| 00:40:12 |
They? |
| 00:40:14 |
They were creating something. |
| 00:40:17 |
They? |
| 00:40:19 |
I was helping them! |
| 00:40:21 |
I used you, Noah, |
| 00:40:24 |
to destroy their competition, |
| 00:40:32 |
I earned my place |
| 00:40:39 |
Is this your place amongst them? |
| 00:40:45 |
is an old man |
| 00:40:49 |
sitting in a garden. |
| 00:40:53 |
The scorpion and the frog |
| 00:40:59 |
both lose everything. |
| 00:41:02 |
See, without you, |
| 00:41:11 |
They cast me out! |
| 00:41:17 |
My old man used to tell me |
| 00:41:19 |
Back in the woods, |
| 00:41:23 |
Why the priest, Louie? |
| 00:41:26 |
Why all this? Why now? |
| 00:41:30 |
Because I knew it would |
| 00:41:36 |
You will destroy the Yakavettas |
| 00:41:42 |
And this time, |
| 00:41:49 |
Just a little piccolo pezzo. |
| 00:41:55 |
For my old age. |
| 00:42:00 |
After all, I have never |
| 00:42:17 |
(SHALL WE MEET |
| 00:42:28 |
(INAUDIBLE) |
| 00:44:32 |
ANNOUNCER ON GRAMOPHONE: |
| 00:44:33 |
done by Anthony and Harrison, |
| 00:44:35 |
Connor! |
| 00:44:40 |
Murph! |
| 00:44:44 |
POPPA: Take me to him! |
| 00:44:55 |
(ALL GROANING) |
| 00:45:04 |
I'll see you in a minute, Louie. |
| 00:45:18 |
No, Da! No, please! |
| 00:45:22 |
God, no! |
| 00:45:23 |
(GASPING) |
| 00:45:25 |
Look! Look, boys. |
| 00:45:33 |
It's so beautiful. |
| 00:45:38 |
It's a beautiful day. |
| 00:45:39 |
No. |
| 00:45:44 |
It is, Da. It is. |
| 00:45:55 |
It is beautiful, Da. |
| 00:46:00 |
MURPHY: (SOFTLY) |
| 00:46:59 |
POPPA: And they |
| 00:47:05 |
shall come with |
| 00:47:09 |
and the roiling |
| 00:47:33 |
It's a non-extradition country. |
| 00:47:37 |
Money, contacts and a map |
| 00:47:41 |
Which is? |
| 00:47:42 |
The monastery at Saint Escazú. |
| 00:47:44 |
A monastery? |
| 00:47:45 |
Monasteries enjoy the protection |
| 00:47:48 |
They're not even subject to local laws, |
| 00:47:52 |
A sanctuary |
| 00:47:55 |
He's going to take you by boat to |
| 00:47:58 |
where we have arranged for your travel. |
| 00:48:03 |
Father, I ain't one |
| 00:48:05 |
but you still haven't told me |
| 00:48:08 |
And the second |
| 00:48:09 |
you show up with plans |
| 00:48:13 |
It's like you knew |
| 00:48:17 |
The Lord works in mysterious ways, |
| 00:48:21 |
We wanted you to know |
| 00:48:24 |
We have many resources. |
| 00:48:26 |
You keep saying "we." |
| 00:48:30 |
MAN: You ready to go? |
| 00:48:36 |
Subtitles: Arigon |
| 00:48:43 |
I hear they party pretty hard |
| 00:48:50 |
(SIGHING) |
| 00:49:04 |
Oh. |
| 00:49:06 |
I'm not sure I'm in love with that |
| 00:49:12 |
I attended your funeral, |
| 00:49:15 |
I know. Loved your shoes. |
| 00:49:19 |
The skirt was a little risqué |
| 00:49:24 |
who am I to begrudge someone |
| 00:49:28 |
(SHOUTING) |
| 00:49:30 |
Keep it down. |
| 00:49:32 |
You don't wanna scare away |
| 00:49:38 |
Fuck your fish! |
| 00:49:41 |
You are exposed, |
| 00:49:45 |
You're a very clever little girl, Eunice. |
| 00:49:50 |
Now it's time for you |
| 00:49:58 |
We got all the financial backing |
| 00:50:00 |
of the biggest corporation |
| 00:50:03 |
And 2 CEOs worthy |
| 00:50:09 |
Now, what do you think |
| 00:50:15 |
You wanna get them out. |
| 00:50:16 |
I want to get them out, |
| 00:50:18 |
take this thing to |
| 00:50:21 |
Where're they being held? |
| 00:50:27 |
CROWD: |
| 00:50:43 |
CROWD: Set them free! |
| 00:50:54 |
The Hoag ain't just any prison. |
| 00:50:57 |
Wrong. That's exactly |
| 00:51:01 |
Run by men. |
| 00:51:09 |
EUNICE: Well, whatever we do, |
| 00:51:12 |
Those boys aren't safe in there. |
| 00:51:15 |
SMECKER: Oh, I don't know. |
| 00:51:17 |
A little birdie tells me |
| 00:51:22 |
(THE SAINTS ARE COMING |
| 00:51:25 |
* The saints are coming |
| 00:51:27 |
* The saints are coming |
| 00:51:31 |
* I say no matter how I try, |
| 00:51:34 |
* The saints are coming |
| 00:51:37 |
* The saints are coming |
| 00:51:40 |
* I say no matter how I try, |
| 00:52:12 |
* A drowning sorrow floods |
| 00:52:14 |
* How long now? |
| 00:52:17 |
* Until a weather change |
| 00:52:21 |
* The stone says |
| 00:52:23 |
* This paternal guide |
| 00:52:27 |
* Once had his day |
| 00:52:33 |
* The saints are coming |
| 00:52:36 |
* The saints are coming |
| 00:52:40 |
* I say no matter how I try, |
| 00:52:43 |
* The saints are coming |
| 00:52:46 |
* The saints are coming |
| 00:52:49 |
* I say no matter how I try, |
| 00:52:52 |
* I say no matter how I try, |
| 00:52:55 |
* I say no matter how I try, |
| 00:53:04 |
(HOLY FOOL PLAYING) |
| 00:53:14 |
* I know there's |
| 00:53:19 |
* I know there's something |
| 00:53:24 |
* Do my eyes |
| 00:53:33 |
* Can you feel that, man? |
| 00:53:38 |
* Can you feel that, man? |
| 00:53:43 |
* I sure as hell can |
| 00:53:45 |
* Can you feel that, man? |
| 00:54:07 |
* 2,000 years |
| 00:54:13 |
* As the King of Man |
| 00:54:17 |
* And every morning |
| 00:54:26 |
* What'd you do to deserve me? |
| 00:54:30 |
* I spread my wings |
| 00:54:35 |
* I know you heard it, man |
| 00:54:39 |
* Yet my sun |
| 00:54:43 |
* Your mountains, your sins |
| 00:54:49 |
* You gotta come to me |
| 00:54:54 |
* You gotta come to me |
| 00:54:59 |
* With your arms |
| 00:55:02 |
* You better come to me |
| 00:55:04 |
* And on your knees |
| 00:55:08 |
* 'Cause I'm your holy |
| 00:55:12 |
* Your holy fool |
| 00:55:15 |
* I am your holy fool |
| 00:55:18 |
* Yes, I'm your holy |
| 00:55:22 |
* Your holy fool |
| 00:55:25 |
* I am your holy fool |
| 00:55:35 |
* Power has descended forth |
| 00:55:40 |
* I know you felt it, man |
| 00:55:44 |
* Yet my sun |
| 00:55:48 |
* Your mountains, your sins |
| 00:55:51 |
* Yeah |
| 00:55:53 |
* Yes, I know |
| 00:55:58 |
* I call upon you |
| 00:56:02 |
* Sometimes I ask you to live |
| 00:56:05 |
* Sometimes to kill |
| 00:56:08 |
* Oh, yeah |
| 00:56:10 |
* Sometimes I ask you to kill |
| 00:56:17 |
* You gotta come to me |
| 00:56:21 |
* You gotta come to me |
| 00:56:26 |
* With your arms |
| 00:56:30 |
* You better come to me |
| 00:56:31 |
* And on your knees |
| 00:56:35 |
* 'Cause I'm your holy... |
