Bordertown

en
00:01:11 More murders in Juarez!
00:01:14 Juarez terrorized
00:01:21 Three more womens' bodies found!
00:01:31 More murders in Juarez!
00:01:33 Juarez terrorized
00:01:36 Three more womens' bodies found!
00:01:40 Get the truth,
00:02:06 MORE MURDERS IN JUAREZ!
00:02:08 Out of the way!
00:02:12 Get all this trash out of here!
00:02:16 Move it! Take it all!
00:02:50 The first shift is now ending.
00:03:07 Thank goodness we're done.
00:03:18 I have to go downtown
00:03:21 What are you going to get her?
00:03:23 A doll.
00:04:09 - How much for the doll?
00:04:16 - Will you take less?
00:04:21 Fine. I'll take it.
00:04:55 Stop!
00:05:00 - Are you going to Colonia Anapara?
00:05:37 Do you mind if I get some gas?
00:05:40 No, that's okay.
00:05:42 Yes.
00:06:16 There is no gas station.
00:06:18 Everything is alright.
00:06:42 Stop! I don't want
00:06:55 Help me, please! Help me!
00:08:11 Over the last few years...
00:08:13 375 Mexican women
00:08:16 An additional 700 Mexican women
00:08:20 No one knows who,
00:08:23 You wanna find out?
00:08:24 - Nobody gives a shit about Mexico.
00:08:28 - Okay!
00:08:30 You used to work
00:08:32 - What does that have to do with it?
00:08:34 I don't speak Spanish.
00:08:37 - What was the name of your partner?
00:08:39 Alfonso Diaz. You guys
00:08:41 You won the JFK medal, right?
00:08:44 - But you're so goddamned mighty!
00:08:48 I'll do it. But when I do...
00:08:50 I want the foreign
00:08:54 Yeah, why not?
00:08:56 I'll leave tonight.
00:11:00 Ma'am? We've arrived.
00:11:14 How are you, Lauren?
00:11:16 - Hey, Frank.
00:11:19 George is looking for you.
00:11:21 You were supposed to call him
00:11:23 Hope you're having a blast down there.
00:11:27 What the hell is going on?
00:11:29 George. Did you know that they are
00:11:32 The police have some guy in custody.
00:11:38 Al-Awar.
00:11:39 It's bullshit. It's different
00:11:44 Some are strangled
00:11:46 Others have bite marks
00:11:49 - You know, it's not anything.
00:11:51 Don't forget what you promised me.
00:11:55 One job at a time, kid.
00:11:59 We'll talk about it
00:12:57 Hi, can I speak
00:13:01 This is the Chicago Sentinel.
00:13:09 - Diaz?
00:13:14 This is Lauren.
00:13:16 Lauren Adrian?
00:13:21 - Lauren?
00:13:23 I mean, it can't be.
00:13:26 Where are you calling from?
00:13:31 Actually I'm here.
00:13:35 I'm in Juarez.
00:14:16 My...
00:14:18 Fuck.
00:14:30 Excuse me? Excuse me?
00:14:33 Lotte Bravo?
00:14:37 Straight? Okay.
00:15:21 Lauren? Is that you?
00:15:24 It's me.
00:15:27 It's you.
00:15:31 I can't believe it.
00:15:32 - You look good.
00:15:36 I was surprised when you called.
00:15:40 Maybe you're on CNN
00:15:45 It has been a long time,
00:15:54 - What are they doing?
00:15:56 Their daughters.
00:15:58 They're the only ones who can find
00:16:02 Authorities, well, they're trying
00:16:05 - Yeah.
00:16:08 What are you doing here?
00:16:12 I'm doing a story on the murders.
00:16:14 - There's always a story with you.
00:16:16 - Yeah, you always want something.
00:16:19 It's something that I think
00:16:22 - I gotta go and find these pictures.
00:16:26 Team up with me.
00:16:28 It'll be like old times.
00:16:32 Old times?
00:16:35 That is exactly
00:16:42 Shit.
00:16:45 Diaz!
00:16:52 You have to do something.
00:16:57 People know about this.
00:17:01 I know. But, who can we go to?
00:17:07 They won't protect us.
00:17:09 The government...
00:17:14 The newspaper El Sol.
00:17:18 Alfonso Diaz can help us.
00:17:23 Hold on. Wait up!
00:17:26 You can't come here for six years
00:17:28 - You're happy to see me, I can tell.
00:17:31 I need an inside contact, someone
00:17:35 My God, what happened here?
00:17:38 The price for telling the truth
00:17:41 You are a great
00:17:43 One of the best when we
00:17:45 - What are you doing in this place?
00:17:50 They're saying the devil took a girl
00:17:53 The rumors are flying.
00:17:55 - This is getting crazy.
00:17:57 The Indians believe that the devil
00:17:59 - The devil?
00:18:00 And they hand us
00:18:03 It changes shape every night.
00:18:05 Some nights he's a dandy.
00:18:09 Keeps the women,
00:18:12 According to this new report,
00:18:16 Escaped?
00:18:19 Who knows? There's nothing
00:18:24 Women are being used
00:18:26 People kill women, take their organs.
00:18:30 You wanna kill a woman
00:18:33 Is there any evidence
00:18:35 Of course. There's evidence
00:18:37 They may all be true.
00:18:42 the number of women killed
00:18:46 It's just a number
00:18:49 But the real number is
00:18:53 Five thousand?
00:19:03 Maybe it is the devil.
00:19:12 I brought you something.
00:19:18 Remember this?
00:19:21 What?
00:19:24 I know.
00:19:25 - Take it.
00:19:28 - You sure?
00:19:39 - This is your family?
00:19:43 Your wife?
00:19:47 - My wife.
00:19:54 Your boy. He looks like you.
00:20:01 Those bastards are trying
00:20:05 You see? It is trying
00:20:07 They are trying to shut me down.
00:20:09 I'm fighting just to keep
00:20:13 - You don't mean that.
00:20:15 Another fire in Colonia Anapra.
00:20:19 - A fire, what?
00:20:21 There's no fire department,
00:20:23 What. Fire trucks?
00:20:26 Take those papers off the truck!
00:20:29 Diaz, listen to me.
00:20:31 Think about it.
00:20:34 What is this? More promises
00:20:38 That's what you left me,
00:20:40 The answer is no.
00:20:43 Get more men to help!
00:20:48 You're blowing it, Diaz!
00:20:53 What's going on over there?
00:20:55 That girl says that she was in hell
00:20:58 It's all nonsense.
00:21:44 Open the door! Open the door!
00:21:55 You say your attacker
00:22:00 Could you identify him?
00:22:03 Yes... and the other man too.
00:22:07 Ask her if she has any marks
00:22:10 or a bite mark on her breast.
00:22:25 I don't need to ask.
00:22:28 I have already seen... she does.
00:22:37 Do you know what this means?
00:22:40 A lot of our victims had
00:22:44 It all happened in Lotte Bravo.
00:22:46 Almost all the killings
00:22:49 Has any other woman
00:22:52 No, never.
00:22:54 This could blow the whole lid over
00:23:03 Have you told this
00:23:06 - No, senorita.
00:23:09 Will you help me?
00:23:12 Si. We'll help.
00:23:14 Alfonso, the police are here.
00:23:21 You hear that, right? We can't
00:23:23 Don't worry. I don't have intentions
00:23:26 We've got to get them out of here,
00:23:28 I'm gonna go with them. This could be
00:23:31 She could never disappear in a crowd
00:23:36 You're going to put her life
00:23:38 But her life is already in danger.
00:23:42 The police have assembled
00:23:47 - Over here.
00:23:51 That's the first place
00:23:54 Shit!
00:24:00 Diaz!
00:24:09 Mr. Lopez? I'm Lauren Adrian
00:24:13 - A woman reporter?
00:24:17 I'm doing a story...
00:24:20 I'm doing a story on the murders.
00:24:24 You did get my interview request?
00:24:25 - You've heard of me in Chicago?
00:24:28 - Can I get your picture for my piece?
00:24:33 - Is that okay?
00:24:34 Why don't you guys get together?
00:24:36 You know what?
00:24:39 and act like you're having
00:24:41 Perfect. That's it.
00:24:45 You look handsome, Eduardo.
00:24:47 I see you've met my old friend.
00:24:49 I need to talk with you
00:24:51 You can't stop delivery
00:24:55 I'm not here for that.
00:25:06 - No. Sorry.
00:25:15 It's not about the paper. I'm looking
00:25:20 They're Indian.
00:25:22 There are rumors coming out
00:25:25 They said that they would
00:25:29 I don't know anything about it.
00:25:32 I've been trying to keep my paper
00:25:35 Do you mind if we look around?
00:25:39 - Do I have a choice?
00:25:46 Look outside.
00:26:09 We can't find anybody outside.
00:26:11 Alfonso, you better come with us.
00:26:14 You can't take him anywhere.
00:26:15 It's for questioning. Don't the police
00:26:19 Is all right.
00:26:25 Call me for that interview.
00:26:40 You can come out.
00:26:52 You okay?
00:26:55 My name is Lauren.
00:27:00 - Do you understand?
00:27:02 We work in El Paso.
00:27:05 Maybe with your little English and my
00:27:10 She cannot go home.
00:27:16 - You understand? She cannot go home.
00:27:22 How about we do this?
00:27:24 You tu casa.
00:27:28 And I will take Eva with me.
00:27:31 That's what we'll do.
00:27:33 And if you need anything,
00:27:37 We'll go out the back.
00:27:40 Everything normal.
00:28:01 What's that?
00:28:05 The Virgin.
00:28:13 You like that?
00:28:16 It's Juanes.
00:28:21 Look! There he is!
00:28:24 - He's cute.
00:28:28 Very cute.
00:28:48 George, listen to me.
00:28:49 This girl was attacked,
00:28:51 and left for dead. She crawled out
00:28:55 Does anyone else know
00:28:58 No. I'm sitting on an exclusive.
00:29:11 I can't keep her here by myself.
00:29:13 There's this woman, Teresa Casillas
00:29:18 She started a group
00:29:28 Get this. She wants to find
00:29:31 And I'm going to help her.
00:29:33 Well, it's a great angle, Lauren.
00:29:47 George, I gotta go!
00:29:49 Eva?
00:30:00 Eva!
00:30:11 Do you have my keys?
00:33:16 - Move that piece of junk!
00:33:37 Oh, shit.
00:34:20 Hi, I'm Lauren Adrian,
00:34:23 I need to speak to Senora Casillas?
00:34:25 She's busy now.
00:34:27 It's an emergency.
00:34:28 - Gracias.
00:34:30 Lauren Adrian?
00:34:31 - You Teresa Casillas?
00:34:34 Yeah, but I have a situation.
00:34:37 I have a girl with me.
00:34:40 and almost killed in the desert.
00:34:42 She's weak. She's in my car.
00:34:45 Of course.
00:34:56 This is dangerous.
00:34:59 I don't think you know
00:35:01 The government here doesn't want
00:35:06 If you go around
00:35:10 - then you become their enemy.
00:35:14 A story that I desperately
00:35:16 Even if you find Eva's attackers...
00:35:20 she will have to identify them
00:35:24 before she can have any trial.
00:35:26 The court will not be on her side
00:35:31 She's going to be putting
00:35:37 Will she be able to do this?
00:35:42 She crawled out of her own grave.
00:35:47 She wants to do this, Teresa.
00:35:57 There you are.
00:36:01 This place is so beautiful.
00:36:03 It doesn't seem real.
00:36:06 It's real.
00:36:11 She's gonna let you
00:36:14 so you don't have to go back
00:36:19 He came to me that last night
00:36:25 Who came to you?
00:36:27 The Devil.
00:36:31 Eva, there was nobody
00:36:34 - He was.
00:36:37 The Devil wasn't there.
00:36:42 There's a doctor here to see you.
00:36:47 Are you going to fight for me?
00:36:52 Of course I'm going
00:36:55 Lauren? This is the doctor.
00:36:59 Lauren Adrian.
00:37:00 - Mucho gusto.
00:37:01 - This is Eva.
00:37:05 I'm Doctor Cervantes.
00:37:13 - Lauren?
00:37:15 I'm fine. The police
00:37:18 But the mothers, they found
00:37:22 - Really?
00:37:24 I'm coming right now.
00:37:34 No photographs!
00:37:36 - It's digital.
00:37:42 It's starting to feel like
00:37:45 Did you see? She was strangled
00:37:49 It's one of the patterns.
00:37:51 The Chief of Police right up there.
00:37:56 'Scuse me. Hi, I'm Lauren Adrian
00:37:59 I don't have time
00:38:01 But doesn't this killing prove that
00:38:04 This is not one of the murders.
00:38:08 - Domestic violence?
00:38:11 - His name is Al-Abar.
00:38:15 - since he's been arrested?
00:38:17 he has been masterminding
00:38:19 I'd like an interview with him.
00:38:22 That is totally impossible.
00:38:23 - So no one's allowed to see him.
00:38:27 the man is in total isolation.
00:38:31 Really?
00:38:34 Then how is he masterminding
00:38:40 We're still investigating that.
00:39:05 So, that night you walked
00:39:13 On the street.
00:39:17 I turned down this alley.
00:39:24 This is the way I always
00:39:28 And this is where the man
00:39:33 And then you...
00:39:37 - I went that way.
00:39:39 and that's where you got
00:39:43 Well, we're early.
00:39:48 And when a factory bus comes by,
00:39:57 This city is very ugly.
00:40:01 It's hot.
00:40:03 Not like my home.
00:40:08 It's very green there.
00:40:12 - You miss your home?
00:40:16 Why don't you tell me about it?
00:40:21 I came from Oaxaca.
00:40:24 I love my land.
00:40:27 It's...
00:40:30 my heart, my soul.
00:40:37 But they took the land away.
00:40:40 - Who took the land away?
00:40:44 We cannot pay the taxes, so...
00:40:46 they tell us, go to the border
00:40:53 Make money to keep your land.
00:40:58 But there is no money here.
00:41:02 The government and the factories
00:41:06 All the money is for them.
00:41:10 For us, nothing.
00:41:16 My father went to the U.S. To work.
00:41:21 I haven't seen him in many years.
00:41:26 But what can we do?
00:41:31 We have no land.
00:41:37 Nothing.
00:41:41 I'm sorry.
00:41:45 It's very sad.
00:41:53 But tell me about you.
00:41:55 - About me?
00:41:57 I tell you about me,
00:42:02 All right.
00:42:05 How many children do you have?
00:42:08 I don't have any children.
00:42:11 - No children?
00:42:14 But why?
00:42:18 - 'Cause I work.
00:42:23 I have a different kind of work.
00:42:27 And what is that?
00:42:30 A career. Okay.
00:42:34 A career is a kind of work
00:42:39 and you give up
00:42:42 And when you get it...
00:42:47 you realize that it's not that great
00:42:55 I don't understand.
00:42:58 That makes two of us.
00:43:02 - There it is!
00:43:06 I got it.
00:43:21 Oh, my God.
00:43:23 Oh, God.
00:43:25 It's the end of a shift.
00:43:30 Maybe we'll be able to identify
00:43:34 Then I'll follow the buses,
00:43:38 You can identify them and then,
00:43:55 Ready? Now!
00:44:00 - That's it!
00:44:02 I got it.
00:44:10 Go, go. You got him.
00:44:23 Let's go. Come on.
00:44:27 - So.
00:44:43 You think we could go around
00:44:49 Oh, shit. Come on!
00:45:00 Come on. Come on!
00:45:15 Stay here!
00:45:27 Come here, come here!
00:45:35 Down!
00:45:56 - Teresa!
00:45:58 - Come here, please.
00:46:00 - Lauren'll stay with you tonight.
00:46:03 - She can't go back to her hotel.
00:46:06 I have a party tonight.
00:46:08 At the Salamanca house.
00:46:11 Can you cancel it?
00:46:14 Don't.
00:46:16 No one will know she's there.
00:46:20 Excuse me a second.
00:46:24 Laurie, please, do as I say.
00:46:27 - Are you gonna be safe?
00:46:30 Give me your hotel key.
00:46:34 - I'll see you later. Bye.
00:46:39 I hope you realize how much he's
00:46:43 Yeah, I know.
00:46:46 - Is Eva here?
00:46:49 We should take her with us
00:46:51 - No. We can't.
00:46:53 It's gonna be bad for her.
00:46:56 - No.
00:46:57 You don't understand.
00:47:01 - she's gonna feel so uncomfortable.
00:47:05 I'm not leaving Eva alone tonight.
00:47:08 We can't leave her alone, okay?
00:47:30 Relax.
00:47:33 - Doesn't she look beautiful?
00:47:48 Is that Senator Rawlings?
00:47:52 Celebrating the 15th birthday
00:47:56 And so is the governor,
00:47:59 and the heads of some American
00:48:03 Really? Who is
00:48:06 Let's just say that the Free Trade
00:48:09 without the support
00:48:15 Excuse me.
00:48:20 - This whole party is for her?
00:48:25 She's lucky.
00:48:30 Yeah.
00:48:32 She's lucky.
00:48:37 Perfect.
00:48:51 - What happened?
00:48:53 Oh, my God.
00:49:06 - Why don't you go up there?
00:49:07 - Yes, get close.
00:49:09 - Eva, go meet him.
00:49:11 - I'm gonna take her up there.
00:49:13 Yes.
00:49:53 Particularly extravagant for a girl's
00:49:57 I don't know. The chance
00:50:00 can only come once in a girl's life.
00:50:04 Please allow me to introduce myself.
00:50:07 - People call me just Marco.
00:50:10 I'm a friend of Teresa Casias'.
00:50:13 Thank you for allowing us
00:50:16 - You're American.
00:50:19 - You new to Juarez?
00:50:23 Listen.
00:50:25 I'd love to show you
00:50:29 that I'm sure you've
00:50:32 So, now I'm seeing a sight
00:50:34 But there is another sight...
00:50:38 that is more exciting
00:50:42 - Sounds dangerous.
00:50:45 Just incredibly thrilling.
00:50:51 Well, if I ever have
00:50:56 I know I can find you.
00:51:20 - What's your name?
00:51:54 - Something's wrong.
00:51:58 Hey, you okay?
00:52:06 Let's get her out of here. Teresa.
00:52:13 No!
00:52:14 You're safe! Eva?
00:52:25 Eva? Eva.
00:52:28 It's me.
00:52:32 No. Baby. Baby.
00:53:45 How's she doing today?
00:53:50 She's not well.
00:53:56 - What are these, pictures?
00:53:59 Lauren, I don't think
00:54:04 I wouldn't do that.
00:54:06 And after I saw the second killer,
00:54:09 - We didn't see any killer.
00:54:11 You didn't see any killer
00:54:16 - What are you talking about?
00:54:20 that Eva imagined
00:54:23 I don't care what the doctors say.
00:54:26 She comes from an Indian culture.
00:54:29 often don't distinguish real things
00:54:34 - Are you saying she's crazy?
00:54:37 She believes what she says.
00:54:44 I saw the look on that man's face.
00:54:47 - He recognized her.
00:54:49 - That is the man...
00:54:51 Don't. This is my house and this
00:00:03 - You wanted this story, too.
00:00:05 Your story is destroying her.
00:00:08 And, God, Lauren.
00:00:11 You understand that? They tried it
00:00:18 I cannot do this anymore.
00:00:28 - I'm sorry. Did we wake you up?
00:00:33 - It's not important right now.
00:00:39 - Eva. Please. You need to heal.
00:00:43 The only thing
00:00:47 the only thing that will
00:00:49 is to find my attackers.
00:00:52 Lauren is helping me.
00:00:56 And we are gonna find them
00:01:49 This is the road
00:01:53 This is where I want you to be.
00:01:57 Eva identified the bus driver.
00:02:01 They drive the victims out here
00:02:06 I'll go undercover into the factory
00:02:10 If we know who this Esparza is,
00:02:13 If we have him arrested, we have
00:02:16 He's already seen Eva.
00:02:20 I'm going into the factory as bait.
00:02:23 You can't. We have to warn too many
00:02:28 That's why you'll only tell them
00:02:32 They're not gonna risk having
00:02:34 There must be people
00:02:38 - People who care about the truth.
00:02:41 I think I can trust them.
00:02:44 People get bribed. I'm not going
00:02:48 I'm not gonna gamble with Eva's life.
00:02:52 No, I don't see.
00:02:54 - Diaz, listen to me.
00:02:58 I won't let you. If anything happened
00:03:14 I can't do this.
00:03:32 All right.
00:03:34 You are not going into the factory.
00:03:36 And we will find another way
00:03:39 It's not your choice to make.
00:03:44 I promised Eva that I'd help her
00:03:48 And I pray that you'll help me.
00:03:52 But even if you don't, I'm going
00:04:23 Eva! You've come home.
00:04:33 Come in, come in.
00:04:46 How do I look?
00:04:52 - With just this.
00:04:59 - Like that?
00:05:06 You look pretty.
00:05:09 For good luck.
00:05:15 Now you look like me.
00:05:22 I want to give you something.
00:05:26 - No, it's okay.
00:05:30 She protect me that night.
00:05:36 Now she's gonna protect you.
00:05:40 Let me.
00:05:43 Okay.
00:05:53 You are safe now.
00:05:57 Daughter, Cecilia is here.
00:06:01 - Hi. Lauren.
00:06:05 This is dangerous.
00:06:08 It's too dangerous.
00:06:09 I'll be fine.
00:06:18 Good luck, Lauren.
00:06:30 - This is my cousin, Silvia Rojas.
00:06:33 We've received her paperwork
00:06:36 This is where you'll work.
00:07:01 Lines 1 and 3 are falling
00:07:05 Accelerate production.
00:07:23 Accelerate production.
00:07:58 The shift has ended.
00:08:02 The next shift starts
00:08:09 Please leave quickly.
00:08:11 The next shift starts
00:09:54 Do you mind if I stop for gas?
00:10:38 Attention all units.
00:11:19 Don't be afraid.
00:13:37 We've received a call
00:13:40 She's in a junkyard.
00:13:53 You all right?
00:13:57 A mass grave.
00:14:00 It was a mass grave.
00:14:08 We didn't find the other attacker.
00:14:11 There was nobody there.
00:14:13 Well, he was there.
00:14:16 I'm telling you, he was here.
00:14:21 He can see us.
00:14:23 This isn't over until I find him.
00:14:30 When I was on that bus...
00:14:34 everything was just as Eva told it.
00:14:39 It made me feel like
00:15:08 "The screams of the women
00:15:12 because no one will listen...
00:15:14 not the corporations who make
00:15:19 Not the governments of Mexico
00:15:23 who benefit
00:15:27 No one will listen.
00:15:30 All the evidence points to the fact
00:15:34 A whole culture of murder
00:15:37 the more it's denied
00:15:41 Covering it up is less expensive
00:15:46 Money is
00:15:49 And so the death toll mounts.
00:15:52 Eva Jimenez, 16 years old.
00:15:56 She works in a factory
00:16:01 She makes five dollars a day."
00:16:03 - I finished your story.
00:16:07 Tomorrow it'll be printed
00:16:11 Don't forget that in five days
00:16:14 - I know.
00:16:16 and you'll have
00:16:20 - Can you do this?
00:16:31 The man we saw at the party,
00:16:37 - What?
00:16:39 No, you don't.
00:16:44 He'll take me to Hell.
00:16:48 Eva, please.
00:16:51 You'll be safe.
00:16:53 You have to believe me.
00:16:55 I will not let anything
00:16:57 And I will find this man.
00:16:59 You're gonna be okay.
00:18:02 - Just leave the glass there?
00:18:05 - Here comes the magic.
00:18:09 - You gonna show me something?
00:18:18 It took me two semesters at Harvard
00:18:25 I learned that first week
00:18:28 - I was always a poor student.
00:18:31 - Oh, you do?
00:18:35 What was it like being a Mexican at
00:18:38 But I'm an American citizen.
00:18:42 It's convenient. I can be Mexican
00:18:45 - So, deep down you're just a gringo.
00:18:47 It's the best thing to be.
00:18:51 Come to think of it, there were a lot
00:18:53 - I even saw Senator...
00:18:55 - Right.
00:18:57 my family owns most of the land.
00:19:00 So, he's given us a great
00:19:03 There was somebody else there, too.
00:19:07 So he was tall. He was kind
00:19:12 - Why do you wanna know?
00:19:16 something that Teresa had said.
00:19:22 Aris. Aris Rodriguez.
00:19:26 His family's involved
00:19:28 A very old family, too.
00:19:32 Who's calling me?
00:19:36 George!
00:19:38 Hey can you give a minute?
00:19:45 So, did you read the piece?
00:19:47 Best think you've ever done.
00:19:51 Some incredible humanity.
00:19:53 And this portrait of Eva?
00:19:56 I don't know what to say.
00:20:01 It means the world to me
00:20:03 Frankly, I couldn't have done
00:20:06 Congratulations.
00:20:23 Diaz, I just got off the phone
00:20:25 You want my husband.
00:20:29 - Alfonso, telephone.
00:20:39 Daddy! Kick me the ball.
00:22:47 - Hey, George.
00:22:54 I'm not supposed to tell you this,
00:22:57 He got a visit from some political
00:23:01 After that, it was a no go.
00:23:03 They're not printing it at all?
00:23:05 You don't understand. Rawlings is
00:23:09 to expand the Free Trade agreements
00:23:12 and they don't want
00:23:15 - You dug too deep.
00:23:18 - Your story is too fuckin' hot.
00:23:23 - Put me on the phone with George.
00:23:26 They're gonna say it's temporary
00:23:29 But that's just a smoke screen
00:23:32 If you want the story printed,
00:23:35 - Why are you doing this?
00:23:38 It needs to be printed.
00:24:14 So, Eva, I have something
00:24:21 I have to fight for it.
00:24:25 What do you mean?
00:24:27 No, they will want it.
00:24:30 But, because of that...
00:24:35 - I have to go.
00:24:38 I have to talk to the judge
00:24:40 - I know.
00:24:44 - I'm very afraid. You can't go.
00:24:48 I will return.
00:24:54 And you will not return.
00:24:58 People promise many things,
00:25:01 I will get your story printed
00:25:03 until both of your attackers
00:25:06 And I will be back.
00:25:08 Eva, look at me.
00:25:10 I will return.
00:25:12 I promise.
00:25:55 Teresa!
00:26:01 Teresa! Teresa!
00:26:05 What happened?
00:26:09 - Calm down.
00:26:13 Search her room.
00:26:18 What's the matter?
00:26:21 - The Devil is here.
00:26:23 The Devil!
00:26:28 It's all right. It's all right.
00:26:31 Tell me.
00:26:33 - Nobody is there.
00:26:35 See? No one is there.
00:26:38 It was just a nightmare.
00:26:43 He's not real.
00:26:50 It was just a nightmare.
00:26:53 Everything is all right.
00:27:21 Miss, you can...
00:27:28 - Could you just...
00:27:32 Lauren Adrian,
00:27:35 the C.E.O. Of the publishing
00:27:38 - This is Senator...
00:27:41 Saw you in Juarez last week
00:27:44 - What were you doing there?
00:27:48 I'm head
00:27:50 Congratulations. You're gonna make
00:27:54 We are all very excited.
00:27:56 We're gonna have to let you go, or
00:28:02 - I'll talk to you later.
00:28:03 - Good to see you.
00:28:11 - Foreign correspondent?
00:28:14 - It's unbelievable.
00:28:24 - This is a bribe, isn't it?
00:28:27 You'd do anything for this job.
00:28:29 This can't be you.
00:28:33 - I'm not bowing to anyone.
00:28:35 We cannot print your story.
00:28:37 In three days,
00:28:40 is going into court to face
00:28:42 All because we said
00:28:45 This story could save her life and
00:28:49 This is a fucking important story!
00:28:51 I understand that.
00:28:53 - the Mexican and American governments.
00:28:56 - And the Free Trade Agreement.
00:28:59 It's slave trade. It's a scam.
00:29:03 - to give a shit about these women.
00:29:05 These are very serious accusations,
00:29:09 And this newspaper is not
00:29:11 - and you can't substantiate them.
00:29:13 This is now a matter
00:29:15 Since when do you put corporate
00:29:18 Get off your soapbox. I liked you
00:29:22 I like you better as an editor who
00:29:25 - A man I admire.
00:29:28 are over, Lauren.
00:29:29 The news isn't news anymore. It's
00:29:33 Corporate America
00:29:36 And their news agenda is free trade,
00:29:40 That's our glorious future!
00:29:44 You know what would happen to me
00:29:46 If you don't have the balls
00:29:48 - I will find someone who will.
00:29:53 Read your contract.
00:29:55 The Sentinel owns your story.
00:30:02 Nobody owns me!
00:30:05 That's the difference
00:30:08 Lauren!
00:30:32 Take the job, Lauren.
00:30:34 You got a damn fine career
00:30:36 and you're throwing it all away
00:30:38 Your story about these women
00:30:42 Not worth it?
00:30:44 I forgot. They're just Mexican women
00:30:46 I didn't mean it that way.
00:30:49 Do you see this?
00:30:52 And this?
00:30:55 And this? And this? And this?
00:31:00 All of it is assembled in Juarez
00:31:04 Would you calm down?
00:31:07 you could never get back in here,
00:31:09 - For God's sakes, let this thing go!
00:31:11 - You think this is your big story.
00:31:13 - You identify with it.
00:31:22 My parents came here
00:31:27 They were killed...
00:31:31 so I was adopted.
00:31:40 I only have vague
00:31:46 I remember a field
00:31:53 My mother.
00:31:56 My father.
00:32:03 I was there when he was killed.
00:32:11 I saw him die.
00:32:15 - I'm sorry.
00:32:19 I've been running away
00:32:27 Because you don't wanna be Mexican,
00:32:34 You see?
00:32:40 I could be one of the women
00:32:47 It could be me
00:32:56 I can't let this go.
00:33:33 Alfonso, hurry.
00:33:36 Just a minute, my love.
00:34:03 Alfonso!
00:34:08 Out of the way!
00:34:25 Get up. Let's go.
00:34:31 Come on. Quickly!
00:34:34 Get in before the Border Patrol
00:34:40 Watch your head.
00:35:03 Can I speak to Diaz?
00:35:06 What?
00:35:56 He's coming back. Let's go!
00:36:39 What?
00:37:13 - Who did this?
00:37:19 Diaz is gone.
00:37:21 And tomorrow the bus driver's
00:37:24 No! With Eva's testimony,
00:37:29 - Eva's gone.
00:37:31 She ran away. Nobody knows
00:37:36 Her mother. To move away
00:37:39 She want to be there for her,
00:37:44 but she doesn't feel safe
00:37:47 How could she? Tomorrow...
00:37:50 Domingo Esparza
00:37:54 - This isn't happening.
00:37:58 It's all over.
00:38:42 Kids, get up.
00:38:45 Oh, jeez. Poor people.
00:39:19 - Lauren.
00:39:22 Would you gentlemen please
00:39:25 Do you believe in anything?
00:39:27 Are you, Mexican? American?
00:39:30 These are limiting terms. They don't
00:39:35 Alfonso Diaz was my friend.
00:39:37 I wanna know what happened to him.
00:39:44 He was reporting things
00:39:47 What did you think
00:39:49 - Who did it?
00:39:52 Do you think I even concern myself
00:39:54 - It gets taken care of.
00:39:58 How many more women is he gonna kill?
00:40:01 And who am I gonna tell?
00:40:05 - Lf they arrest him, nothing'll change.
00:40:09 - He's protected by the authorities.
00:40:12 There are two sets of laws
00:40:14 The laws for rich and powerful people
00:40:18 And don't think it's any different
00:40:20 because I buy politicians on both
00:40:24 What do you think built this?
00:40:30 Now...
00:40:34 when can we get together again?
00:40:35 I can free my schedule anytime.
00:40:39 What do you say?
00:40:46 I wish people like you didn't exist.
00:40:59 And on top of everything else...
00:41:00 you're a lousy god damned fuck.
00:41:05 The first shift has ended.
00:41:13 The second shift
00:41:17 Please leave quickly.
00:41:21 The first shift has ended.
00:41:30 Vamanos. Let's go.
00:41:32 They're shipping you back
00:42:49 Hurry up, Nacho.
00:42:53 Hold on. I'm doing it.
00:43:38 Eva?
00:43:41 Eva?
00:47:42 It's morning and the court
00:47:49 They're gonna be waiting for you.
00:47:55 We're both pretty beat up.
00:48:02 Maybe if we help each other...
00:48:07 well then we can make it.
00:48:45 Eva testified against her attacker,
00:48:49 He is awaiting trial.
00:48:53 Eva was reunited with her mother.
00:48:56 They are being protected
00:49:04 Aris' body was found.
00:49:13 No one was arrested
00:49:23 I took over Diaz's paper.
00:49:26 I continue to write to tell
00:49:32 Congress passed the bill expanding
00:49:34 to Central America.
00:49:38 There are still no provisions
00:49:46 Last week another body
00:49:50 A girl. About seventeen.
00:49:58 She was still dressed
00:50:11 The murder of woman