Bourne Identity The
|
00:04:53 |
What the hell |
00:04:58 |
What are you doing? |
00:05:01 |
Goddamn it! Where am I? |
00:05:04 |
A fishing boat. |
00:05:06 |
We pull you out. |
00:05:09 |
You were shot. |
00:05:11 |
Ohh. Look. There is |
00:05:16 |
Why was it in your hip? |
00:05:18 |
My hip? |
00:05:20 |
Yeah. In your hip |
00:05:24 |
You need to rest. |
00:05:28 |
I'm a friend. |
00:05:33 |
My name is Giancarlo. |
00:05:38 |
What's your name? |
00:05:42 |
Uh, I don't know. |
00:05:46 |
Oh, God. |
00:06:15 |
It's been confirmed, sir. |
00:07:38 |
If you want to eat, |
00:07:40 |
Based on these charts, I think |
00:07:43 |
What's this? |
00:07:46 |
So it start |
00:07:48 |
No, it doesn't start to come back. |
00:07:51 |
I just found the rope |
00:07:53 |
The same way I can... |
00:07:56 |
I can add, subtract. |
00:07:59 |
I can set up a chessboard. |
00:08:01 |
No, it's not coming back, |
00:08:05 |
I'm down here |
00:08:09 |
It's not working. I don't |
00:08:16 |
You need to rest. |
00:08:19 |
It will come back. |
00:08:25 |
We get in there tomorrow, |
00:08:59 |
It's not much, |
00:09:06 |
Thank you. |
00:10:46 |
Hey. |
00:10:55 |
All right. |
00:11:00 |
No. I-I don't... |
00:11:03 |
I don't have any papers. |
00:11:38 |
These people have threatened |
00:11:41 |
So I'm telling you, |
00:11:44 |
I will have a nice story |
00:11:46 |
And all my friends out there, |
00:11:50 |
'Cause if you want |
00:11:52 |
after I've been reasonable, |
00:11:55 |
That's Nykwana Wombosi speaking |
00:11:59 |
He was an irritation |
00:12:02 |
he was a problem when |
00:12:05 |
He's writing a book about |
00:12:10 |
It's basically a shakedown. |
00:12:13 |
He wants us to put him back |
00:12:17 |
This interview, and I'll |
00:12:21 |
he goes on to claim |
00:12:25 |
He says it's us. |
00:12:29 |
The director wants to know |
00:12:34 |
I've already assured him |
00:12:45 |
I was recalling a conversation |
00:12:50 |
I seem to remember |
00:12:55 |
I'm not sure |
00:12:57 |
Someone tried to take him out. |
00:13:03 |
Was this Treadstone? |
00:13:05 |
You're asking me |
00:13:08 |
Yes. |
00:13:12 |
What happened? |
00:13:14 |
Well, we, uh, lost |
00:13:20 |
This was almost |
00:13:22 |
We've been working |
00:13:25 |
We've been sleeping down there. |
00:13:28 |
And you don't |
00:13:32 |
You never made |
00:14:09 |
Uh, yes. I'm here about |
00:14:13 |
If you just enter your account |
00:16:18 |
My name is Jason Bourne. |
00:16:27 |
I live in Paris. |
00:18:25 |
Yes. In Paris. Do you have |
00:18:31 |
Yes, sir. Would you |
00:18:33 |
Yes. Please. |
00:18:39 |
This is 4-6-9-9-0-3-8-4. |
00:18:43 |
Leave a message at the beep. |
00:19:50 |
I'm an American. |
00:19:53 |
Hold it. Wait. |
00:19:56 |
You have no jurisdiction here. |
00:20:04 |
No. Excuse me. No. This is |
00:20:07 |
This was my current address |
00:20:09 |
when I started standing |
00:20:11 |
Now, I lose my apartment, |
00:20:16 |
- I still have no visa. |
00:20:20 |
Excuse me. But where's the guy |
00:20:24 |
Every week it's a new person. |
00:20:27 |
I don't know |
00:20:30 |
- I'm sure I have it. Hold on. |
00:20:34 |
It's right here. Look at it. |
00:20:41 |
This is a student visa now. |
00:20:44 |
- It's completely different. |
00:20:47 |
You don't just |
00:20:58 |
You! Red bag! The red bag! |
00:21:02 |
Put your hands up! |
00:21:41 |
I'm on the east... Ohh! |
00:21:49 |
Move it! Now! Now! |
00:22:10 |
Check. Clear! |
00:22:12 |
Bravo Unit moving up staircase. |
00:22:40 |
On the floor! Down! |
00:22:43 |
Clear! |
00:24:10 |
Go! Go! Come on! |
00:25:17 |
He's in Zurich now? |
00:25:22 |
But they're sure? |
00:25:24 |
Our source at the bank, |
00:25:26 |
- Come on. |
00:25:29 |
I don't know. Come on. |
00:25:32 |
I mean, he cleaned out |
00:25:36 |
I said I don't know. |
00:25:38 |
I liked it better |
00:25:50 |
Oh, ScheiÃe. |
00:25:57 |
What are you looking at? |
00:25:59 |
I heard you inside. |
00:26:01 |
The consulate. I heard |
00:26:05 |
How's that? |
00:26:10 |
I'm not running a car service |
00:26:12 |
I'll give you $10,000 |
00:26:23 |
What is this, a joke? |
00:26:25 |
No, it's no scam. |
00:26:28 |
And I'll give you another ten |
00:26:31 |
Jesus. |
00:26:39 |
- Is that for you? |
00:26:45 |
ScheiÃe. |
00:26:49 |
Okay. Can I have |
00:27:07 |
All right, go. |
00:27:12 |
There. Wait. |
00:27:15 |
Oh, come on, folks. |
00:27:17 |
Okay, I'm up. |
00:27:22 |
Did you get the address? |
00:27:24 |
- Here we go. |
00:27:27 |
Is it him? |
00:27:30 |
This is 38 minutes ago. |
00:27:32 |
Hey, Zurich police are looking |
00:27:35 |
He just tore up the embassy, |
00:27:42 |
Get everybody up. Do it now. |
00:27:44 |
All of them? |
00:27:46 |
You heard me. I want Bourne |
00:27:51 |
Let's get a map up here. |
00:27:58 |
Take a look. |
00:29:17 |
Which was fine for me, |
00:29:20 |
You know, because, I mean, |
00:29:23 |
you're not sure if you've been |
00:29:26 |
So I went and I took |
00:29:28 |
and I went in with friends |
00:29:32 |
um, which was |
00:29:36 |
It was just amazing |
00:29:38 |
until it turned out |
00:29:42 |
was actually shining |
00:29:51 |
And what? |
00:29:55 |
What do you mean what? |
00:29:57 |
I've been speed-talking |
00:29:59 |
I talk when I'm nervous. |
00:30:02 |
I'm gonna shut up now. |
00:30:07 |
I haven't talked |
00:30:10 |
Yeah, but we're not talking. |
00:30:13 |
You've said, like, ten words |
00:30:15 |
Well, listening to you, |
00:30:21 |
I haven't slept |
00:30:23 |
and I've had this headache. |
00:30:27 |
It's like a constant thing |
00:30:29 |
And it's just starting |
00:30:32 |
keep going. |
00:30:35 |
Really. If you want, |
00:30:40 |
Okay. |
00:30:43 |
What kind of music |
00:30:47 |
Huh? What do you like? |
00:30:51 |
You know what, never mind. |
00:30:54 |
What do you want |
00:30:56 |
I don't know. |
00:31:00 |
What do you like? |
00:31:02 |
I don't know. |
00:31:14 |
Who pays $20,000 |
00:31:27 |
Fuck it. I can't remember anything |
00:31:34 |
Lucky you. |
00:31:37 |
I don't know who I am. |
00:31:41 |
What, like, amnesia? |
00:31:47 |
Amnesia? |
00:31:53 |
Great. |
00:32:01 |
- That's the best angle of the courtyard? |
00:32:05 |
Well, what do they have |
00:32:08 |
They must |
00:32:12 |
Oh, what is he doing? |
00:32:16 |
Is it a game? |
00:32:20 |
Sir, look at this. |
00:32:24 |
What's that? |
00:32:27 |
Just enhance it. |
00:32:34 |
Who the hell is that? |
00:32:37 |
Marie Helena Kreutz. |
00:32:39 |
She's 26. |
00:32:42 |
Father was a welder. |
00:32:44 |
Still don't have the mother. |
00:32:46 |
The grandmother, |
00:32:48 |
and looks like |
00:32:51 |
And there's a stepbrother. |
00:32:55 |
She pops up on the grid |
00:33:00 |
She paid some electric bills |
00:33:02 |
had a phone in her name for |
00:33:07 |
No taxes, no credit. |
00:33:09 |
I don't like her. |
00:33:12 |
Get a phone log for granny |
00:33:15 |
anybody we can cross-file. |
00:33:18 |
I want to know every place |
00:33:21 |
Have Paris get these |
00:33:52 |
I'm not making this up. |
00:33:55 |
These are real. |
00:34:04 |
Okay. |
00:34:11 |
money and six passports |
00:34:15 |
Who has a bank account number |
00:34:20 |
I come in here... |
00:34:22 |
and the first thing I'm doing |
00:34:26 |
I see the exit sign too. |
00:34:28 |
I mean, you were shot. |
00:34:30 |
People do all kinds |
00:34:40 |
I can tell you |
00:34:45 |
I can tell that |
00:34:47 |
and the guy sitting up at |
00:34:51 |
I know the best place |
00:34:55 |
And at this altitude, I can |
00:35:03 |
Now why would I know that? |
00:35:08 |
How can I know that |
00:35:52 |
Hey. |
00:35:56 |
Ah, I slept. |
00:35:59 |
I can't believe it. |
00:36:02 |
I haven't slept. |
00:36:09 |
Did you stop for gas? |
00:36:13 |
You were |
00:36:16 |
Yeah. |
00:36:20 |
So, do you think there's, |
00:36:26 |
I don't know. |
00:36:29 |
I haven't thought about it. |
00:36:39 |
Is that it? |
00:36:41 |
104. Yeah, that's it. |
00:36:44 |
No, no. Keep going. |
00:36:47 |
Where? |
00:37:05 |
So this is it, right? |
00:37:10 |
Yeah, but I don't |
00:37:13 |
Okay. You should go. |
00:37:19 |
Jason. |
00:37:23 |
Oh, God. Money. Right. |
00:37:26 |
Yeah. |
00:37:30 |
Danke, okay? |
00:37:32 |
Thanks for the ride. |
00:37:35 |
Anytime. |
00:37:42 |
Well, you could come up |
00:37:45 |
I can go check it out, |
00:37:50 |
Um, with you, you would |
00:37:57 |
How could I forget about you? |
00:38:00 |
You're the only person I know. |
00:38:07 |
Yeah. That's true. |
00:38:24 |
I guess you're not home. |
00:39:02 |
Hello? |
00:39:23 |
You sure this is all yours? |
00:39:26 |
I guess. |
00:39:50 |
This is my kitchen. |
00:40:09 |
- Any clues? |
00:40:14 |
So it's all coming back, huh? |
00:40:22 |
Do you mind |
00:40:26 |
- Uh, sure. |
00:40:53 |
Uh, yeah. Hello? Hello? |
00:40:56 |
Yes, sir. |
00:41:00 |
Yeah. You're in Paris? |
00:41:02 |
I'm looking for |
00:41:05 |
Uh, Jason Bourne. |
00:41:09 |
Thank you. |
00:41:15 |
I'm afraid I have no one |
00:41:20 |
Uh, okay. Uh, thank you. |
00:41:22 |
Uh, wait. No, no, no. |
00:41:26 |
Uh, can you check another, |
00:41:29 |
Uh, bear with me one second. |
00:41:32 |
Um... |
00:41:34 |
uh, John Michael Kane. |
00:41:37 |
One moment, sir. |
00:41:48 |
You call about Monsieur Kane? |
00:41:51 |
Uh, yeah. That's right. |
00:41:55 |
Uh, uh-huh. Yep. |
00:41:58 |
I have some very |
00:42:00 |
I'm terribly sorry |
00:42:02 |
but Monsieur Kane |
00:42:06 |
There was an accident |
00:42:09 |
Apparently, |
00:42:12 |
Really. I'm terribly sorry |
00:42:16 |
When they came for his things, |
00:42:20 |
- Who-Who came? |
00:42:23 |
Did his, uh, brother leave |
00:42:27 |
I think not. |
00:42:30 |
So I'm sorry... |
00:42:53 |
Uh, Jason? |
00:42:56 |
There's no hot water. |
00:42:59 |
Uh, I'll go, uh, try |
00:43:02 |
Why don't you just stay |
00:43:10 |
Yeah, it's really |
00:43:23 |
The water is still cold. |
00:43:27 |
Yeah, it's cold |
00:43:29 |
I got it running though. |
00:43:34 |
So... |
00:43:42 |
What? |
00:43:46 |
Nothing. |
00:43:49 |
- Are you okay? |
00:44:06 |
What is it? |
00:44:48 |
Jason! |
00:45:51 |
Open that! Open that! |
00:45:56 |
Who are you? |
00:46:00 |
Who are you? |
00:46:04 |
Oh, my God. |
00:46:06 |
Ohh. |
00:46:11 |
Answer me! Who are you? |
00:46:13 |
- He's got my picture. |
00:46:15 |
No, no, no! |
00:46:17 |
I don't... How... |
00:46:20 |
How did you get my picture? |
00:46:22 |
Where did you get this from? |
00:46:25 |
Don't do this. I'll do this. |
00:46:29 |
But he... |
00:46:45 |
Where are your shoes? |
00:46:47 |
Sure. Yeah. Sure. |
00:46:50 |
Uh, he went out the window. |
00:46:53 |
We can't stay here. |
00:46:56 |
Look, I can get us out of here, |
00:47:02 |
Okay. Look, uh, you could wait. |
00:47:05 |
You could wait |
00:47:08 |
You just wait for them |
00:47:11 |
Marie? |
00:47:17 |
Marie? |
00:47:25 |
Ohh! Ohh! |
00:47:39 |
Don't look. |
00:47:54 |
Code in. |
00:47:59 |
Yeah? |
00:48:08 |
Hang on. |
00:48:10 |
We got him? Tell me. |
00:48:14 |
What? In the apartment? |
00:48:16 |
Well, you got to clean that up. |
00:48:20 |
There's a body |
00:48:23 |
There's police. |
00:48:25 |
Put up the scanners. |
00:48:30 |
Okay. You stay here. I'll go |
00:50:00 |
Hey. I told you |
00:50:07 |
Jesus Christ. |
00:50:12 |
I needed a drink. |
00:50:15 |
You got to go to the cops. |
00:50:17 |
You got to go before |
00:50:20 |
It's gonna be okay. |
00:50:24 |
You have that picture. |
00:50:26 |
You tell them everything |
00:50:29 |
They have to believe you. |
00:50:34 |
Marie, you can't just sit here. |
00:50:38 |
Safe? This is from |
00:50:41 |
Who can do this? |
00:50:43 |
How can they even know |
00:50:45 |
Look, I'm trying to do |
00:50:48 |
Try... How are you gonna |
00:50:50 |
by sending me there alone? |
00:50:53 |
You think that's good for me? |
00:50:55 |
You go to the cops, I gotta run. |
00:50:57 |
I don't know what happened! |
00:51:00 |
I don't know about that picture! |
00:51:10 |
Look, I'm... You're acting like |
00:51:13 |
- I'm just trying to do the right thing. |
00:51:25 |
Look, I can't |
00:51:30 |
We run... I gotta live |
00:51:32 |
I don't even know |
00:51:35 |
These people know who I am. |
00:51:38 |
I gotta stay here. |
00:51:40 |
So figure it out. |
00:51:59 |
You take care of this car? |
00:52:02 |
What do you mean? |
00:52:06 |
It pulls a little to the right. |
00:52:30 |
Last chance, Marie. |
00:53:56 |
So... |
00:53:58 |
Uh, we got a bump |
00:54:33 |
Turn your head away. |
00:55:53 |
Ohh! |
00:56:47 |
You can never |
00:56:49 |
You understand? |
00:56:51 |
Okay. We're gonna clean it out, |
00:56:55 |
That's it. Okay. |
00:56:57 |
And I'll find a place |
00:57:01 |
Do you have a hat |
00:57:04 |
Yeah. Just until |
00:57:06 |
Yeah. Sure. Okay. |
00:57:16 |
Shh! Shush! Shh! |
00:57:20 |
Shh! Shh! |
00:57:26 |
Monsieur Kane. |
00:57:28 |
Ah, Monsieur Kane. |
00:57:47 |
It's not him. |
00:58:10 |
What do you have? |
00:58:14 |
Wombosi went to the morgue. |
00:58:17 |
He saw the body. |
00:58:20 |
Where is he now? |
00:58:22 |
I told you I'm not staffed for this. |
00:58:25 |
Where is he now? |
00:58:27 |
They were leaving the morgue. |
00:58:37 |
Sir, what do you |
01:00:37 |
I need to get that pile. |
01:02:10 |
Hey. |
01:02:23 |
You've already |
01:02:25 |
I wiped the whole place down |
01:02:32 |
Can I walk around, |
01:02:42 |
You can... walk around. |
01:02:46 |
But we'll just keep track |
01:02:49 |
I just think it's better |
01:02:53 |
Why? Where are we going? |
01:02:57 |
the Hotel Regina. |
01:02:59 |
Um, if I was him... |
01:03:02 |
then they're gonna have |
01:03:04 |
We need that hotel bill. |
01:03:07 |
It gets slightly |
01:03:11 |
Because you're dead. |
01:03:14 |
Right. |
01:03:20 |
Sir, please. |
01:03:22 |
Then we will give them war. |
01:03:27 |
They better kill me dead. |
01:03:29 |
- They better kill me in my sleep. |
01:03:32 |
We need these people. |
01:03:36 |
We need |
01:03:39 |
No, you. |
01:03:43 |
put it in front of this house |
01:04:07 |
I want a reference check |
01:04:11 |
Okay. |
01:04:15 |
What's the pay phone number? |
01:04:17 |
616-2468. |
01:04:20 |
Exits? |
01:04:23 |
Service at the back, |
01:04:27 |
Front is the best. |
01:04:29 |
If I think I'm being followed, |
01:04:33 |
And if there's no taxi? |
01:04:36 |
don't look back |
01:04:41 |
What? |
01:04:46 |
We need this, right? |
01:04:50 |
Okay. |
01:05:03 |
I need distances. |
01:05:07 |
You walk in, you pick a spot... |
01:05:09 |
I want you to count |
01:05:12 |
Because after I call you, |
01:05:17 |
I also need a head count |
01:05:21 |
How many hotel employees are there? |
01:05:24 |
And it might not be that |
01:05:27 |
I'll call you. |
01:05:57 |
What happened? |
01:06:00 |
I've got the records. |
01:06:03 |
This guy at the front desk |
01:06:06 |
I thought... all this trouble... |
01:06:09 |
Do you have the bill? |
01:06:11 |
He made me a photocopy. |
01:06:15 |
You just asked for it? |
01:06:17 |
I said I was Mr. Kane's |
01:06:22 |
Oh. |
01:06:24 |
Okay. Good thinking. |
01:06:36 |
Reschedule a meeting... |
01:06:43 |
Wombosi was assassinated |
01:06:47 |
Yeah, we just heard. |
01:06:50 |
It's him. It's Bourne. |
01:06:53 |
He had an assignment. |
01:06:56 |
He obviously felt compelled |
01:06:58 |
Shit. Jesus. |
01:07:01 |
I mean, it's routine. |
01:07:08 |
He's following a protocol. |
01:07:10 |
Now that he's completed the mission, |
01:07:15 |
They always do. |
01:07:19 |
How long |
01:07:22 |
Twenty-four hours. |
01:07:24 |
Yeah. It's usually |
01:07:27 |
Then what? |
01:07:30 |
I told you we'd clean this up. |
01:07:32 |
It will be clean. |
01:07:38 |
I understand you're a dive shop, |
01:07:42 |
Marseilles? |
01:08:09 |
What specifically |
01:08:13 |
What did you say |
01:08:35 |
What? |
01:08:50 |
You've reached the office |
01:08:53 |
at Alliance Securite, |
01:08:56 |
The Paris office hours |
01:08:59 |
I got a lead in Paris. |
01:09:02 |
The rest were |
01:09:06 |
Uh, Alliance Securite. |
01:09:31 |
Monsieur. |
01:09:33 |
Mr. Kane? |
01:09:35 |
Mr. Kane. |
01:09:39 |
How are you? |
01:09:47 |
Oh, Mr. Kane. |
01:09:49 |
Please, have a seat. |
01:09:52 |
So, this is |
01:09:55 |
I'm assuming you're still in the market. |
01:09:59 |
Yes. |
01:10:24 |
So I'm Kane. |
01:10:26 |
Hey. |
01:10:28 |
They said... |
01:10:32 |
And he knew me as Kane. |
01:10:36 |
This is all just boats. |
01:10:39 |
I just found |
01:10:43 |
In a morgue here in Paris. |
01:10:45 |
But if you are John Michael Kane, |
01:10:57 |
What was name again? |
01:11:00 |
Kane. |
01:11:03 |
John Michael Kane. |
01:11:10 |
Kane. |
01:11:13 |
- I want to see the body. |
01:11:16 |
I'm not supposed to do that. |
01:11:19 |
Come on. |
01:11:36 |
Is this it? |
01:11:39 |
I... I don't know where. |
01:11:50 |
Who are you? |
01:11:52 |
I said someone came last night. |
01:11:56 |
Look, this is not |
01:11:58 |
People call, |
01:12:01 |
Everyone signs in and out. |
01:12:04 |
It's not just to come in |
01:12:08 |
Get the hell out of here. |
01:12:10 |
Fine, fine. |
01:12:16 |
Is this it? |
01:12:18 |
You can't take the book. |
01:12:22 |
Honey, why don't you |
01:12:24 |
Oh, here it is. |
01:12:28 |
Jason, what just |
01:12:31 |
What are you looking for? |
01:12:33 |
Wombosi went to the morgue |
01:12:38 |
See? |
01:12:40 |
So, look. He's in |
01:12:44 |
This guy knows. |
01:13:18 |
My French sucks. I can't... |
01:13:20 |
It says something |
01:13:24 |
I don't understand. |
01:13:27 |
Huh? Tell me. Wha... |
01:13:30 |
It says that three weeks |
01:13:33 |
Mr. Wombosi told police that |
01:13:37 |
five miles off the coast of Marseilles |
01:13:40 |
It says that he chased |
01:13:46 |
It says I'm an assassin. |
01:14:36 |
What's going on? |
01:14:39 |
What are you doing? |
01:14:42 |
Go. Go. |
01:14:45 |
We're blown. |
01:14:55 |
Ow. |
01:14:58 |
What do you think |
01:15:01 |
No, you don't know that. |
01:15:25 |
Are you crazy? |
01:15:29 |
Jason! |
01:15:31 |
This. This is "blown." |
01:15:41 |
Marie. |
01:15:43 |
Marie, stop. |
01:15:45 |
Stop. |
01:15:47 |
Is that what's next? |
01:15:49 |
Whatever we do, |
01:15:54 |
The only thing we had |
01:15:58 |
We're past that now. |
01:16:00 |
The police will find us, |
01:16:03 |
the people who killed Wombosi... |
01:16:06 |
The people who you work for. |
01:16:09 |
I will take you |
01:16:11 |
I will take you there. |
01:16:13 |
You can do whatever you want. |
01:16:16 |
But not here. |
01:16:26 |
Great police work. |
01:16:31 |
Why don't they just |
01:16:35 |
Jesus Christ. |
01:16:44 |
Hmm. |
01:16:47 |
Okay. This was 16 minutes ago. |
01:16:50 |
This is our starting point. |
01:16:52 |
They can't fly. |
01:16:55 |
I need to know everything |
01:17:01 |
You said 24 hours, |
01:17:06 |
No. We've got a good idea |
01:17:09 |
You've got a black ops agent |
01:17:13 |
He's trashed an American consulate. |
01:17:17 |
I've gotta stand before an |
01:17:20 |
You're worried about |
01:17:23 |
We don't take care of this, |
01:17:27 |
Is that clear enough for you? |
01:17:29 |
We will burn for this. |
01:17:32 |
We will both of us burn. |
01:17:36 |
I want two teams. |
01:17:39 |
Brian, Harris, Steve... |
01:17:42 |
I want to work on this girl. |
01:17:46 |
- Uh, we started it. |
01:17:52 |
We cross-referenced |
01:17:56 |
Whenever we found convergence, |
01:18:00 |
with any other data we had on her, |
01:18:03 |
These pins. These are |
01:18:07 |
One, two, three, four, five. |
01:18:18 |
No answer. |
01:18:22 |
Look, if you don't |
01:18:24 |
I said I'd take you. |
01:18:27 |
Those are the targets. |
01:18:29 |
Beg, borrow, hack, tap, bypass... |
01:18:33 |
I don't care what you do. |
01:18:35 |
I want to know everything |
01:18:57 |
How do you know |
01:19:01 |
Eamon always had money. |
01:19:23 |
ScheiÃe. |
01:19:34 |
Marie. |
01:19:39 |
We gotta go. |
01:19:41 |
What? |
01:19:44 |
Oh, ScheiÃe. |
01:19:47 |
I thought... |
01:19:52 |
Oh, shit. That's Eamon. |
01:19:56 |
I'll talk to him. |
01:20:01 |
Eamon. Hey. |
01:20:03 |
Surprise. It's me... Marie. |
01:20:05 |
Wow, uh, God... |
01:20:07 |
There's a really good |
01:20:10 |
There bloody well better be. |
01:20:12 |
Daddy! |
01:20:16 |
I had no idea |
01:20:18 |
Well, why would I be here? |
01:20:23 |
Yeah. |
01:20:29 |
It was just |
01:20:31 |
Daddy, Alan |
01:20:34 |
All right. Come on. |
01:20:40 |
Come on, Alan. |
01:20:43 |
I'm sorry. I thought it was... |
01:20:46 |
But I guess I was wrong. |
01:20:48 |
Let's find Mummy. |
01:20:57 |
You've got yourself |
01:21:03 |
What's he do for a living? |
01:21:07 |
He used to be in shipping. |
01:21:12 |
Is he good for you? |
01:21:16 |
You know me. |
01:21:21 |
Here you go. |
01:21:24 |
Sleep well. |
01:21:29 |
I'll sleep on the floor. |
01:21:37 |
This was when? |
01:21:40 |
Which is definitely within |
01:21:43 |
- The call came from a highway |
01:21:48 |
She spent a couple of months |
01:21:50 |
Closest town is Riome. |
01:21:54 |
We took her family's |
01:21:57 |
They were in Paris |
01:21:59 |
They can't fly. |
01:22:02 |
He knows better than to go |
01:23:05 |
What are you doing here? |
01:23:08 |
I was worried. |
01:23:11 |
We gotta... |
01:23:14 |
Shh. |
01:23:20 |
Come on. We'll... |
01:23:23 |
It's okay. |
01:23:25 |
I don't care who I am |
01:23:30 |
It's okay. |
01:23:33 |
We can hide. |
01:23:37 |
Could we do that? |
01:23:47 |
I don't know. |
01:23:54 |
Come on. |
01:24:03 |
Guy. Guy. |
01:24:05 |
Here, boy. |
01:24:08 |
Here, boy. Here, boy. |
01:24:11 |
Christ, you're up early. |
01:24:23 |
One night. |
01:24:25 |
For a change. |
01:24:27 |
He's not there either. |
01:24:31 |
You looked by the car? |
01:24:33 |
All right. |
01:24:36 |
Who? |
01:24:39 |
Does that happen a lot? |
01:24:41 |
That mutt miss his breakfast? |
01:24:44 |
It's always something, right? |
01:24:47 |
Get in the basement. |
01:24:49 |
What? |
01:24:52 |
- Get everyone in the basement. |
01:24:55 |
We're in danger. |
01:24:59 |
- What the... |
01:25:02 |
What the hell have you done? |
01:25:05 |
You need to get out of sight |
01:25:09 |
Daddy. |
01:25:14 |
I'm sorry. |
01:25:16 |
Let's go. |
01:25:35 |
The phone is dead. |
01:25:37 |
Yeah. |
01:25:40 |
Jason, who's out there? |
01:25:42 |
Who is it? |
01:25:50 |
ScheiÃe. ScheiÃe. |
01:25:59 |
What are you doing? |
01:26:08 |
We should never have |
01:26:10 |
That's not gonna happen. |
01:28:39 |
Where is it? |
01:28:41 |
Where's the weapon? |
01:28:46 |
Who else is out here? |
01:28:48 |
How many you got with you? |
01:28:51 |
I work alone, like you. |
01:28:56 |
We always work alone. |
01:28:58 |
What do you mean? |
01:29:01 |
Paris? |
01:29:05 |
Treadstone... both of us. |
01:29:07 |
Treadstone? |
01:29:09 |
Paris. I live in Paris. |
01:29:12 |
Yeah. |
01:29:14 |
I get such bad headaches. |
01:29:17 |
You know at night |
01:29:19 |
Maybe it's something to do |
01:29:23 |
Treadstone... |
01:29:28 |
They said, "Go to Paris." |
01:29:30 |
Is Treadstone in Paris? |
01:29:34 |
Look at this. |
01:29:37 |
Look at what |
01:30:04 |
All right. All right. |
01:30:07 |
Right, get in the front, |
01:30:10 |
We're just gonna |
01:30:12 |
Get in the front, Polly. |
01:30:19 |
I'm not waiting, Marie. |
01:30:22 |
I'm not waiting! |
01:30:25 |
Take it. |
01:30:27 |
I took out 30 grand. |
01:30:30 |
- That's it? |
01:30:34 |
No, that's not what I meant. |
01:30:37 |
This is not gonna stop, Marie. |
01:30:39 |
You gotta get out now, |
01:30:43 |
You gotta get out. |
01:30:46 |
You get low. You stay low. |
01:30:48 |
No more friends. Nothing familiar. |
01:30:51 |
There's enough in there |
01:30:55 |
Any life. |
01:30:57 |
Hey. |
01:31:01 |
Get in the car. |
01:31:08 |
What are you gonna do? |
01:31:12 |
I'll end it. Go ahead. |
01:31:17 |
Please. |
01:32:37 |
Code in, please. |
01:32:39 |
Code in. |
01:32:45 |
Code in. |
01:32:50 |
Who is this? |
01:32:58 |
Who the hell are you? |
01:33:03 |
The man you sent is dead. |
01:33:05 |
So whoever this is, |
01:33:09 |
Hello, Jason. |
01:33:12 |
So what are we into now? |
01:33:18 |
Come on. It only |
01:33:21 |
Come in and let us make this right, |
01:33:25 |
You mean until you kill me. |
01:33:28 |
I can't fix this if I don't know |
01:33:31 |
So tell me what we're into, |
01:33:42 |
Why don't you talk |
01:33:46 |
Let's ask Marie |
01:33:50 |
She's dead. |
01:34:01 |
I'm sorry to hear that. |
01:34:04 |
She was slowing me down. |
01:34:06 |
Jason, listen. |
01:34:09 |
Enough. Enough. |
01:34:12 |
5:30 p.m. Paris. |
01:34:16 |
You come alone. |
01:34:19 |
You take off your jacket. |
01:34:21 |
I'll redial this number. |
01:34:33 |
First flight out. |
01:34:41 |
So... what are we gonna do? |
01:34:43 |
I told you I'd clean this up. |
01:34:46 |
Can you really bring him in? |
01:34:49 |
I think we're past that, don't you? |
01:34:52 |
Do you have a better idea? |
01:34:56 |
I don't think |
01:34:58 |
Why don't you go upstairs |
01:35:01 |
Maybe you can |
01:36:21 |
The bus. The tour bus. |
01:36:24 |
Negative. |
01:36:28 |
Position one. |
01:36:32 |
Position two. |
01:36:49 |
Position three... motorcycle. |
01:36:53 |
Negative. |
01:37:15 |
En position. |
01:37:20 |
- Jason? |
01:37:23 |
I guess that was |
01:37:25 |
So try this... I'm gone. |
01:37:39 |
Get Nicky on the phone. |
01:37:56 |
Yeah. |
01:37:58 |
How long |
01:38:01 |
- Get rid of everything? |
01:38:03 |
Two to three hours. |
01:38:13 |
Listen, no breaks. |
01:38:20 |
- Keep the truck? |
01:38:24 |
We'll move the gear |
01:38:43 |
They were covering Spain, |
01:38:47 |
No. For northern Europe |
01:38:51 |
Yeah. Okay. They're on it. |
01:40:04 |
Where's your field box? |
01:40:11 |
- Where's your field box? |
01:40:14 |
The system's gone haywire. |
01:40:18 |
That's this window right here. |
01:40:20 |
Dining room window? |
01:40:23 |
I don't get... |
01:40:28 |
Dead. |
01:40:31 |
It's Bourne, isn't it? |
01:40:35 |
Just quiet. |
01:41:23 |
You move, you die. |
01:41:26 |
- Bourne. |
01:41:34 |
In there. |
01:41:38 |
Okay, so what do you want? |
01:41:41 |
You better take a look around. |
01:41:43 |
There's not much left. |
01:41:45 |
Am I Treadstone? Me? |
01:41:48 |
He's lost it. |
01:41:50 |
You better start filling in |
01:41:54 |
Whose side is that? |
01:41:58 |
- You don't have a goddamn clue. |
01:42:02 |
You're U.S. Government property. |
01:42:04 |
You're a malfunctioning, |
01:42:07 |
You're a total |
01:42:09 |
By God, you're gonna |
01:42:13 |
- What happened in Marseilles? |
01:42:16 |
You sent me to kill Wombosi. |
01:42:19 |
We can do that anytime we want. |
01:42:25 |
Mr. Wombosi was supposed to |
01:42:27 |
He was supposed to have |
01:42:31 |
that he'd been murdered |
01:42:34 |
I don't send you to kill. |
01:42:38 |
I send you |
01:42:40 |
I want to know what |
01:42:43 |
I don't remember |
01:42:45 |
Bullshit! This is |
01:42:50 |
Unacceptable? |
01:42:53 |
I can't tell you. I don't re... |
01:42:56 |
You put together |
01:43:00 |
You broke into the office. |
01:43:13 |
You picked the boat. |
01:43:16 |
You tracked the crew, |
01:43:19 |
You told us where. |
01:43:21 |
You hid out |
01:43:25 |
You were in, Jason. |
01:44:29 |
No, you do remember. |
01:44:35 |
Don't you? |
01:44:43 |
I don't wanna do this anymore. |
01:44:45 |
I don't think that's |
01:44:53 |
Jason Bourne is dead. |
01:44:56 |
He drowned two weeks ago. |
01:44:58 |
You're gonna go tell 'em |
01:45:01 |
Do you understand? |
01:45:03 |
I swear to God, if I even |
01:45:06 |
there is no measure to how fast |
01:45:11 |
I'm on my own side now. |
01:48:48 |
It's done. |
01:48:50 |
Shut it down. |
01:49:29 |
The Treadstone Project |
01:49:32 |
It was designed primarily as |
01:49:36 |
We'd hoped it might build |
01:49:38 |
but, quite honestly, |
01:49:42 |
the cost-benefit ratio |
01:49:45 |
It's all but decommissioned |
01:49:47 |
All right. |
01:49:49 |
This is... Black Briar. |
01:49:53 |
Black Briar is a joint D.O.D. |
01:49:56 |
that we really feel |
01:49:58 |
It's got legs. |
01:50:01 |
It combines elements of... |
01:50:49 |
This your store? |
01:50:53 |
It's nice. |
01:50:55 |
It's a little hard to find, but... |
01:51:01 |
Think I could rent a scooter? |
01:51:07 |
You have I.D? |
01:51:10 |
Not really. |