|
Box The
|
| 00:00:10 |
LANGLEY AFB, VA-CLASSIFIED |
| 00:00:13 |
INTERNAL MEMORANDUM TO: MARTIN TEAGUE |
| 00:00:19 |
Resuscitation of patient |
| 00:00:25 |
Patient was released from burn |
| 00:00:29 |
to undisclosed location. |
| 00:00:32 |
Patient has constructed a |
| 00:00:37 |
Design specifications |
| 00:00:42 |
Patient is delivering the |
| 00:00:47 |
More information forthcoming. |
| 00:01:29 |
Do you hear something? |
| 00:01:32 |
It's the door bell. |
| 00:01:35 |
- You sure? |
| 00:01:39 |
What time is it? |
| 00:01:44 |
Quarter to six. |
| 00:02:40 |
What is it? |
| 00:02:41 |
- Someone left a box. |
| 00:02:45 |
I don't know, there was |
| 00:02:48 |
Did Santa come early this year? |
| 00:02:56 |
- I guess we were right. |
| 00:03:04 |
You never really believed |
| 00:03:06 |
Not really. |
| 00:03:07 |
You should have come up |
| 00:03:09 |
than a fat guy coming |
| 00:03:10 |
- It's so illogical. |
| 00:03:12 |
It's breaking and entering. |
| 00:03:16 |
What kinds of car was it? |
| 00:03:18 |
Well... |
| 00:03:20 |
It was black. |
| 00:03:23 |
OK. |
| 00:03:24 |
Why would they just drive off? |
| 00:03:27 |
I don't know, sweetie |
| 00:03:31 |
Take the box. |
| 00:03:35 |
What is it? |
| 00:03:40 |
Never seen anything like |
| 00:03:42 |
You need a key to open it. |
| 00:03:48 |
There's a note. |
| 00:03:51 |
It's like a wedding invitation. |
| 00:03:55 |
It's some sort of bridesmaid |
| 00:03:59 |
Mr. Steward will call upon you at 5 p.m. |
| 00:04:03 |
Do you know Mr. Steward? |
| 00:04:05 |
Well, I don't. |
| 00:04:06 |
Do you? |
| 00:04:45 |
- Where's Mullen? |
| 00:04:48 |
Hey, pb and j. |
| 00:04:51 |
Did you cut the breads in squares? |
| 00:04:52 |
Of course, like always. |
| 00:04:53 |
Don't do that, |
| 00:04:56 |
- Hi Mrs. Lewis. |
| 00:04:59 |
Feel free to call me Norma, |
| 00:05:01 |
make me feel old. |
| 00:05:03 |
You are old. |
| 00:05:05 |
I'm only 35. |
| 00:05:07 |
Yeah, to us...that's old. |
| 00:05:09 |
You're kind of a geezer. |
| 00:05:10 |
You'll be a geezer one day too, |
| 00:05:14 |
Why does the bus stop has to |
| 00:05:19 |
So I can watch my little |
| 00:05:22 |
and one piece. |
| 00:05:23 |
Please go inside, |
| 00:05:25 |
My love embarrasses you? |
| 00:05:27 |
Yes, it does. |
| 00:05:28 |
What if I give my big strong |
| 00:05:31 |
right before he gets on the |
| 00:05:33 |
- Do it, do it! |
| 00:05:38 |
Bye Walter, see you boys later. |
| 00:06:05 |
Little early for a mid-life crisis, |
| 00:06:09 |
So who's Mr. Steward? |
| 00:06:13 |
I have no idea. |
| 00:06:16 |
Is someone from school? |
| 00:06:19 |
I don't know. |
| 00:06:20 |
Is he your secret lover? |
| 00:06:23 |
I hate you! |
| 00:06:25 |
I hate you too. |
| 00:06:43 |
3 strangers, |
| 00:06:45 |
Trapped a room for all eternity |
| 00:06:49 |
Each wanted something from the other |
| 00:06:52 |
A wish unfulfilled |
| 00:06:56 |
This is Sartre's vision of hell. |
| 00:06:59 |
Hell is other people? |
| 00:07:01 |
Yes. |
| 00:07:02 |
Hell is other people seeing |
| 00:07:08 |
So what is this mean for Estelle? |
| 00:07:11 |
It means she's going to rot in hell. |
| 00:07:14 |
She's a slut who marry |
| 00:07:18 |
Estelle are more complicated than that. |
| 00:07:20 |
Charles, see... |
| 00:07:24 |
She was poor and married into |
| 00:07:27 |
What happened to your foot? |
| 00:07:33 |
I beg your pardon? |
| 00:07:35 |
I've seen you limp. |
| 00:07:37 |
Did something happened to you foot? |
| 00:07:44 |
Can we see it? |
| 00:07:46 |
My foot? |
| 00:07:47 |
Yeah! |
| 00:07:48 |
Can we see what it looks like? |
| 00:07:54 |
What? Being embarrassed? |
| 00:08:47 |
- Remember everyone, essay |
| 00:09:16 |
Whether a life has begun or not, |
| 00:09:19 |
it is critical to our concept |
| 00:09:22 |
to determine the path |
| 00:09:26 |
Mars offers the first opportunity, |
| 00:09:29 |
to gain another perspective in the |
| 00:09:35 |
- Are there any questions? |
| 00:09:38 |
Yes...in the back here, Rhonda. |
| 00:09:41 |
Yes... |
| 00:09:42 |
Can you elaborate on the soil tests? |
| 00:09:45 |
The...the gas exchanged experiment |
| 00:09:48 |
or uptake. |
| 00:09:50 |
CO2, nitrogen, methane, |
| 00:09:55 |
...during the incubation of |
| 00:09:58 |
Why's the National |
| 00:10:03 |
The NSA? |
| 00:10:04 |
Yes, Martin T deputy director |
| 00:10:09 |
Why is the NSA here in Langley? |
| 00:10:11 |
Tell us about the test |
| 00:10:12 |
Did the ancient Martian |
| 00:10:15 |
You know... I'm sorry, I have |
| 00:10:17 |
Thank you for the |
| 00:10:18 |
Any other questions? |
| 00:10:21 |
If we find water beneath |
| 00:10:24 |
and the orbiter photos that we |
| 00:10:26 |
there were once rivers on |
| 00:10:29 |
it's quite possible we'll |
| 00:10:32 |
And who are you? |
| 00:10:34 |
Arthur Lewis, used to |
| 00:10:36 |
I have designed the camera. |
| 00:10:41 |
In your short time with us, |
| 00:10:43 |
you've really become part of |
| 00:10:47 |
That's why it's so difficult |
| 00:10:52 |
We cancelled the faculty |
| 00:11:03 |
Starting when? |
| 00:11:05 |
Next semester. |
| 00:11:11 |
I'm real sorry about this, Norma. |
| 00:11:16 |
I don't know what for. |
| 00:11:21 |
You nose's bleeding. |
| 00:11:43 |
Why is your mom limp? |
| 00:11:45 |
None of your business. |
| 00:11:49 |
So what're you gonna do? |
| 00:11:51 |
I don't know. |
| 00:11:52 |
We already lived in |
| 00:11:55 |
What does Arthur think? |
| 00:11:57 |
He doesn't know yet. |
| 00:11:59 |
Oh god, this's gonna devastate him. |
| 00:12:04 |
But then again, |
| 00:12:06 |
he's still living in Mars. |
| 00:12:09 |
Oh man, you know... |
| 00:12:11 |
What's with you and that tie? Third |
| 00:12:13 |
Small lucky tie. |
| 00:12:15 |
God knows you need it. |
| 00:12:17 |
I should loan it to you since |
| 00:12:20 |
- Yep! |
| 00:12:22 |
Planet earth's not good enough for all of |
| 00:12:26 |
- Well...let's not get ahead of |
| 00:12:29 |
Growing too big for them breeches. |
| 00:12:32 |
I guess that I've to go upstairs |
| 00:12:34 |
that you've been work on a |
| 00:12:36 |
What're you gonna do? |
| 00:12:38 |
Absolutely, I'm gonna |
| 00:12:39 |
Hey Terry, don't blow the place up. |
| 00:12:41 |
Yeah, I know. I know! |
| 00:12:42 |
It's a Christmas present for Norma. |
| 00:12:45 |
Tara argue with you? |
| 00:12:46 |
Sweet I guess! |
| 00:12:48 |
Where's my present? |
| 00:12:49 |
Merry Christmas. |
| 00:12:51 |
Thank you. |
| 00:12:52 |
Don't mention it. |
| 00:13:04 |
Picture from Mars... |
| 00:13:24 |
Roger's mama and his |
| 00:13:28 |
Here the Joe's asking |
| 00:13:31 |
...what's happening? |
| 00:13:32 |
Next Saturday night on ABC. |
| 00:13:40 |
Hello, may I help you? |
| 00:13:43 |
Mrs. Lewis... |
| 00:13:50 |
Yes? |
| 00:13:52 |
Hello... |
| 00:13:53 |
My name is Arlington Steward. |
| 00:13:56 |
I assume you received the |
| 00:14:01 |
Yes! |
| 00:14:02 |
And you've found the |
| 00:14:07 |
Is that you called it, |
| 00:14:10 |
button unit? |
| 00:14:11 |
Yes, we do. |
| 00:14:16 |
Please don't let my |
| 00:14:19 |
I assured you I'm not a monster. |
| 00:14:21 |
I'm just a man with a job to do. |
| 00:14:25 |
May I come in? |
| 00:14:29 |
Sure! |
| 00:14:37 |
Can I offer you anything? |
| 00:14:39 |
Oh no, thank you. |
| 00:14:41 |
I've never have much |
| 00:14:45 |
Shall we sit down? |
| 00:14:55 |
So... |
| 00:14:57 |
are you trying to sell |
| 00:14:59 |
Yes, in a way... |
| 00:15:01 |
I do have an offer to make. |
| 00:15:04 |
What offering? |
| 00:15:06 |
It's a natural opportunity. |
| 00:15:09 |
Let me explain. |
| 00:15:12 |
In this envelope, there is a key. |
| 00:15:15 |
I'll show you. |
| 00:15:18 |
This key opens the glass |
| 00:15:30 |
Now, if you push the button, |
| 00:15:33 |
two things will happen. |
| 00:15:36 |
First... |
| 00:15:37 |
someone, somewhere |
| 00:15:39 |
whom you don't know, |
| 00:15:41 |
...will die. |
| 00:15:45 |
Second... |
| 00:15:48 |
you will receive a |
| 00:15:55 |
Tax free! |
| 00:16:00 |
The payment... |
| 00:16:02 |
will be delivered to you by me, |
| 00:16:06 |
in cash. |
| 00:16:08 |
Just as you see here. |
| 00:16:17 |
And Mrs. Lewis please come |
| 00:16:22 |
this crisp 100 dollar bill, |
| 00:16:26 |
In exchange for your kindness |
| 00:16:35 |
You gonna give me |
| 00:16:39 |
even if i say no? |
| 00:16:40 |
That is correct! |
| 00:16:46 |
Are you for real? |
| 00:16:48 |
Oh I assure you Mrs. Lewis, |
| 00:16:50 |
this offer is quite real. |
| 00:16:56 |
Who do you work for? |
| 00:16:58 |
Guaranteed you payment comes |
| 00:17:05 |
I'm not permitted |
| 00:17:07 |
to disclose any information about |
| 00:17:13 |
Two, you're not permitted to discuss |
| 00:17:16 |
except your husband of course. |
| 00:17:22 |
Three...you have 24 hours. |
| 00:17:26 |
You have until 5 o'clock |
| 00:17:30 |
At which point... |
| 00:17:31 |
I shall return and |
| 00:17:36 |
It will be re-programmed |
| 00:17:39 |
and the offer will be made |
| 00:17:42 |
to someone else. |
| 00:17:46 |
It's been a pleasure |
| 00:18:01 |
It's a new prosthesis for a foot. |
| 00:18:03 |
You got it! |
| 00:18:04 |
What? |
| 00:18:05 |
We're using the new GD |
| 00:18:08 |
- for the pilot chairs for the shuttle. |
| 00:18:10 |
- That's well. |
| 00:18:13 |
What happened to her foot? |
| 00:18:18 |
When she was 17, |
| 00:18:19 |
her brother dropped |
| 00:18:22 |
She didn't want her toes broken, |
| 00:18:26 |
doctor sat her on a chair, |
| 00:18:29 |
then he checked on the |
| 00:18:32 |
and he forgets all about Norma. |
| 00:18:34 |
Leaves that X-ray machine running. |
| 00:18:37 |
Oh Jesus, that's...that's not good. |
| 00:18:40 |
No! |
| 00:18:42 |
The tissue and the former toes's |
| 00:18:45 |
They have to amputate |
| 00:18:48 |
Yup! |
| 00:18:50 |
And then they go on |
| 00:18:51 |
from a inner thigh to |
| 00:18:53 |
But it's about 1958 |
| 00:18:56 |
so they didn't have a skingraft |
| 00:18:58 |
And she had to sit like this. |
| 00:19:01 |
The sitting position, full body cast. |
| 00:19:04 |
For a month, |
| 00:19:07 |
Jesus, I hope she sued this idiot. |
| 00:19:10 |
Oh yeah, her family |
| 00:19:12 |
What was the settlement? |
| 00:19:13 |
10 thousand dollars. |
| 00:19:14 |
God! |
| 00:19:17 |
If this sucker works, |
| 00:19:20 |
I hope so. |
| 00:19:25 |
That's a nice thing |
| 00:19:28 |
Thank you, sir. |
| 00:19:29 |
One good turn deserves another. |
| 00:19:32 |
This just arrived for you, |
| 00:19:37 |
the Astronaut pool. |
| 00:20:06 |
It's a joke. |
| 00:20:08 |
It just came, nobody opened it. |
| 00:20:11 |
It says I was rejected. |
| 00:20:15 |
What? |
| 00:20:19 |
Arthur Lewis! |
| 00:20:21 |
His astronaut application was rejected. |
| 00:20:23 |
Can you tell me why? |
| 00:20:27 |
OK. |
| 00:20:33 |
Arthur, they say you fail |
| 00:20:41 |
You gotta be kidding me. |
| 00:20:43 |
That makes no sense. |
| 00:20:56 |
No, I...I aced it. |
| 00:20:59 |
Every test. |
| 00:21:01 |
I...I...!-- |
| 00:21:06 |
I was counting on this. |
| 00:21:09 |
Yeah? |
| 00:21:12 |
What am I suppose to do |
| 00:21:14 |
There are many great |
| 00:21:17 |
Now we just got a grant |
| 00:21:19 |
more optics for the new |
| 00:21:21 |
You're perfect for it. |
| 00:21:24 |
Cause the manager of |
| 00:21:54 |
We'll always have Mars. |
| 00:21:59 |
Hello sonny. |
| 00:22:01 |
When you and me're |
| 00:22:03 |
When Barry Goldwater gets |
| 00:22:07 |
Before I could ask him |
| 00:22:09 |
he got in his car and |
| 00:22:15 |
What're you doing? |
| 00:22:17 |
Oh come on, are we gonna |
| 00:22:21 |
You got his licence plate? |
| 00:22:23 |
No! |
| 00:22:24 |
If there's a car Norma, always |
| 00:22:26 |
Well, I was a little overwhelmed. |
| 00:22:28 |
OK, so somewhere in the |
| 00:22:31 |
will die. |
| 00:22:32 |
Shh! |
| 00:22:33 |
Yes, those were his exact words. |
| 00:22:36 |
Did he say how they would die? |
| 00:22:38 |
No. |
| 00:22:40 |
Then he offers you |
| 00:22:43 |
Yes he said it was a million |
| 00:22:51 |
What did he looked like? |
| 00:22:54 |
You don't wanna know. |
| 00:22:56 |
What you mean? |
| 00:22:58 |
He must've been |
| 00:23:00 |
Because half of his face |
| 00:23:04 |
- Really? |
| 00:23:08 |
Are you messing with me? |
| 00:23:09 |
- No! |
| 00:23:10 |
No, I'm not. |
| 00:23:14 |
We're gonna be late |
| 00:23:17 |
I'll locked it up downstairs. |
| 00:23:19 |
Alright. |
| 00:23:25 |
I would like to buy |
| 00:23:28 |
OK, Saint Charles place. |
| 00:23:33 |
Hi Mrs. Lewis. |
| 00:23:35 |
Hi Dana. |
| 00:23:38 |
Did Mr. Steward showed up? |
| 00:23:41 |
Yeah, he's stopped by. |
| 00:23:44 |
So what does it do? |
| 00:23:45 |
What happen when |
| 00:23:47 |
Nothing special. |
| 00:23:50 |
Did he give you the |
| 00:23:52 |
I bet it's does |
| 00:23:56 |
You sure do asked a lot |
| 00:24:01 |
And now you're |
| 00:24:03 |
Hey big mouth, |
| 00:24:06 |
In bed by 10 o'clock. |
| 00:24:07 |
- Yes sir. |
| 00:24:10 |
Thanks Dana. |
| 00:24:10 |
- Good night. |
| 00:24:16 |
- That's yours. |
| 00:24:17 |
Fart!! |
| 00:24:20 |
He was very charming. |
| 00:24:22 |
I always believe if he'd gives |
| 00:24:34 |
Forever and ever and ever |
| 00:24:37 |
Well...well |
| 00:24:40 |
Let's get on with it |
| 00:24:56 |
So what are you thinking? |
| 00:24:59 |
Alright! |
| 00:25:00 |
Look, there's absolutely no |
| 00:25:04 |
So he's a con. |
| 00:25:06 |
The bill is a counterfeit. |
| 00:25:08 |
You don't just give someone $100 |
| 00:25:11 |
Maybe he is crazy. |
| 00:25:12 |
I mean maybe he's mentally ill, |
| 00:25:15 |
and he's just using the box as some |
| 00:25:19 |
and he blame us for it. |
| 00:25:21 |
Should we call the police, |
| 00:25:23 |
If you tell anyone, |
| 00:25:24 |
the deal is off. |
| 00:25:26 |
No money! |
| 00:25:27 |
He said that? |
| 00:25:28 |
Yes, we can't tell anyone. |
| 00:25:31 |
Let's go home. |
| 00:25:33 |
Alright, I'll get our coats. |
| 00:25:45 |
Someone spend a lot of |
| 00:25:48 |
Anodized aluminum... M1 glass. |
| 00:25:51 |
It's expensive. |
| 00:25:57 |
Hello... |
| 00:26:05 |
What're you doing? |
| 00:26:07 |
I wanna take a look inside. |
| 00:26:10 |
They sealed it... |
| 00:26:12 |
pretty good. |
| 00:26:36 |
Nothing! |
| 00:26:38 |
No transmitter, no radio. |
| 00:26:39 |
If we push the button right now, |
| 00:26:43 |
OK, just...you know what, |
| 00:26:46 |
I don't want you breaking it. |
| 00:26:47 |
What do you care? |
| 00:26:49 |
Because either way, |
| 00:26:50 |
to retrieve it. He said he takes |
| 00:26:53 |
and then he makes the |
| 00:26:56 |
How is he gonna re-program, |
| 00:27:01 |
People started pollution, |
| 00:27:06 |
So you gonna push it or not? |
| 00:27:11 |
it's not my decision to make, |
| 00:27:16 |
it's ours, I mean I will never |
| 00:27:22 |
Don't forget to turn off |
| 00:27:26 |
No, just leave it on. |
| 00:27:29 |
It's a fire hazard. |
| 00:27:30 |
I like to keep the Christmas |
| 00:27:34 |
We could die. |
| 00:27:36 |
Everybody dies Norma. |
| 00:27:41 |
Fine! |
| 00:27:42 |
Leave them alone. |
| 00:28:01 |
It's strange, you only make |
| 00:28:06 |
What're you thinking? |
| 00:28:10 |
I'm thinking... |
| 00:28:12 |
we're never gonna see |
| 00:28:17 |
Then why you say that? |
| 00:28:22 |
Be realistic, Arthur... |
| 00:28:24 |
you work for the government, |
| 00:28:26 |
God knows we both spend |
| 00:28:31 |
Sure we'll make it easier |
| 00:28:34 |
Honey-- |
| 00:28:37 |
Why do we need a million |
| 00:28:40 |
We don't! |
| 00:28:42 |
But imagine what we |
| 00:28:44 |
we could provide security |
| 00:28:48 |
You know I don't need |
| 00:28:51 |
I could get another job. |
| 00:28:56 |
Are we ever gonna to leave Richmond? |
| 00:29:15 |
Gonna've to postpone my foot surgery. |
| 00:29:19 |
No, we're not doing that, |
| 00:29:21 |
Yeah, I know but |
| 00:29:23 |
we can't afford it. |
| 00:29:26 |
Well then, push the |
| 00:29:31 |
I'm scared! |
| 00:29:36 |
Norma, why are you scared? |
| 00:29:40 |
You didn't see his face. |
| 00:29:43 |
I'm calling the police. |
| 00:29:45 |
You can't! |
| 00:29:46 |
Right, because then the deal is off. |
| 00:29:47 |
Norma, how the hell's he gonna |
| 00:29:50 |
Does he has the house bugged? |
| 00:29:55 |
It's a gift to each of the |
| 00:29:57 |
they're gonna make a big |
| 00:30:02 |
Dr. Als gonna get up and he's gonna |
| 00:30:06 |
and everyone gonna've a laugh |
| 00:30:08 |
Shoved at our door step. |
| 00:30:32 |
It was something great before and |
| 00:30:35 |
Well, where is she? |
| 00:30:37 |
I ran out thru the front door... |
| 00:30:39 |
They put her in the back |
| 00:30:41 |
OK! |
| 00:30:43 |
Look, lock all the doors. |
| 00:30:45 |
She didn't finish it... |
| 00:30:47 |
I'm on my way home. |
| 00:31:24 |
I ran a test on it, |
| 00:31:27 |
This hundred bill dollar is real. |
| 00:31:30 |
So this's seems all real. |
| 00:31:33 |
We push the button, |
| 00:31:35 |
we get a million dollars. |
| 00:31:38 |
And we could be responsible for |
| 00:31:44 |
Is that something we can live with? |
| 00:31:52 |
Or someone's baby... |
| 00:31:54 |
What if it's a murderer on death row? |
| 00:31:58 |
What if it's our neighbor |
| 00:32:01 |
Do you know them? |
| 00:32:03 |
Doug and Donna. |
| 00:32:08 |
What is it to really know |
| 00:32:13 |
Do you know me? |
| 00:32:16 |
Better than you know yourself. |
| 00:32:20 |
Do you know Walter? |
| 00:32:23 |
Even better than know I you. |
| 00:32:33 |
So you wanna do it Norma? |
| 00:32:46 |
It's just a box. |
| 00:32:55 |
911 emergency, |
| 00:32:59 |
Excuse me, |
| 00:33:00 |
Ma'am, I can't understand |
| 00:33:04 |
So you heard a loud screaming, |
| 00:33:07 |
and a gun shot? |
| 00:33:19 |
I heard a gun shot... |
| 00:33:20 |
then he ran out the front |
| 00:33:23 |
that he's got in his car. |
| 00:33:24 |
Ma'am, get back inside, take the |
| 00:33:32 |
Jimmy! |
| 00:33:34 |
Check her pulse. |
| 00:34:08 |
Alright, get back, I |
| 00:34:11 |
Get away from the door!! |
| 00:34:23 |
Hiss, OK. |
| 00:34:44 |
Hello Mrs. Lewis. |
| 00:34:47 |
Hello. |
| 00:34:49 |
Shall I come in? |
| 00:35:02 |
Hello. |
| 00:35:04 |
You must be Mr. Lewis. |
| 00:35:14 |
Forgive me, |
| 00:35:16 |
Shall we? |
| 00:35:29 |
Do you have the key? |
| 00:35:33 |
Thank you. |
| 00:35:38 |
There we are. |
| 00:35:40 |
1 million dollars. |
| 00:35:47 |
You can count it if you want. |
| 00:35:50 |
Did someone... |
| 00:35:53 |
Died? |
| 00:35:54 |
Yeah! |
| 00:35:56 |
Of course. |
| 00:35:59 |
You said before that the button |
| 00:36:02 |
Yes... |
| 00:36:04 |
So what happens now? Are you gonna |
| 00:36:07 |
Well...yes, Mrs. Lewis |
| 00:36:09 |
And I can't promised you |
| 00:36:11 |
that the offer will be made |
| 00:36:45 |
Hey, hey-- |
| 00:36:50 |
We don't want your money. |
| 00:36:52 |
Take it! |
| 00:36:54 |
I'm sorry Mr. Lewis, |
| 00:36:56 |
the button has been pushed. |
| 00:37:00 |
Good day. |
| 00:37:03 |
Hey-- |
| 00:37:06 |
Open the door! |
| 00:37:09 |
Open the door!! |
| 00:37:19 |
I got his licence plate. |
| 00:37:29 |
What do you think, Norma? |
| 00:37:32 |
Someone we don't know. |
| 00:37:34 |
That's mean we're next? |
| 00:37:38 |
Alright...just-- |
| 00:37:44 |
Walter... |
| 00:37:46 |
Yeah! |
| 00:37:47 |
Put the money in the safe. |
| 00:38:02 |
Oh oh oh, not today. |
| 00:38:05 |
Homework first. |
| 00:38:09 |
Go munch your |
| 00:38:13 |
Come on. |
| 00:38:15 |
We got ourselves another |
| 00:38:18 |
This time it's the wife. |
| 00:38:21 |
Really? |
| 00:38:22 |
The victim's name is Diane Carnes, |
| 00:38:25 |
31 years old, |
| 00:38:27 |
They found a little girl |
| 00:38:30 |
Huh? |
| 00:38:32 |
Husband? |
| 00:38:33 |
Husband is unaccounted for. |
| 00:38:35 |
Neighbor saw him bolt out the front |
| 00:38:39 |
Has the husband got any priors? |
| 00:38:41 |
No, that's the thing. |
| 00:38:43 |
Husband is Jeffery Carnes, |
| 00:38:45 |
described as a loving |
| 00:38:47 |
and he's a rocket scientist. |
| 00:38:50 |
Work for NASA. |
| 00:38:54 |
Really? |
| 00:40:15 |
It doesn't hurt anymore. |
| 00:40:48 |
Merry Christmas sir. |
| 00:40:49 |
- Thank you. |
| 00:41:04 |
Wow! |
| 00:41:06 |
All of this for a rehearsal dinner? |
| 00:41:09 |
Remember our rehearsal dinner. |
| 00:41:11 |
You mean the cake party in backyard? |
| 00:41:13 |
You know, that! |
| 00:41:22 |
Please smile...little girl. |
| 00:41:26 |
Wow...look at the way |
| 00:41:29 |
You knew back then? |
| 00:41:33 |
Diane came earlier from |
| 00:41:35 |
Behavior issue. |
| 00:41:36 |
- How are you, Dick? |
| 00:41:39 |
It's good to see you. |
| 00:41:40 |
- Hi Lana. |
| 00:41:42 |
Nice... Norma still cut your hair? |
| 00:41:43 |
Hey... who are you? |
| 00:41:47 |
Honey, they're not gonna let you into |
| 00:41:51 |
Mama everybody who |
| 00:41:53 |
Oh honey, I know but-- |
| 00:41:55 |
Forget about that... |
| 00:41:57 |
Right back over here. |
| 00:41:58 |
Alright, you want something? |
| 00:42:00 |
Sure! |
| 00:42:01 |
Alright, excuse me. |
| 00:42:03 |
Folks-- |
| 00:42:04 |
Could...could I have your attention |
| 00:42:07 |
We really like to thank all of you |
| 00:42:09 |
for coming out on such a |
| 00:42:14 |
Now I'm told that I'm supposed |
| 00:42:17 |
because we...we've another |
| 00:42:21 |
Friends of the bride and groom've very |
| 00:42:27 |
and it being the holiday season we |
| 00:42:30 |
to have...well, to have a |
| 00:42:33 |
- Alright Lana. Let's-- |
| 00:42:35 |
- You need to make thing that |
| 00:42:37 |
like you spike in the punch bowl. |
| 00:42:40 |
We know you know how to do that. |
| 00:42:42 |
I don't know, |
| 00:42:43 |
Never done that. |
| 00:42:45 |
Alright, here we go. |
| 00:42:47 |
Oh-uh, my son in law... |
| 00:42:50 |
not you, Arthur. |
| 00:42:52 |
Come on now. |
| 00:42:55 |
Come on up, Arthur, |
| 00:42:58 |
Both sides of you do not |
| 00:43:01 |
I swear I am. |
| 00:43:03 |
Alright get your gift, lucky. |
| 00:43:07 |
Alright, just pick any of this-- |
| 00:43:08 |
- Any gift that you like. |
| 00:43:10 |
Oh-uh...just leave those |
| 00:43:13 |
Now you get in the club, |
| 00:43:34 |
Ah, you know, |
| 00:43:37 |
I might take this |
| 00:43:38 |
Oh...hey, so come on. |
| 00:43:40 |
There's a nice playing gift in |
| 00:43:45 |
Mysterious. |
| 00:43:48 |
Latitia... |
| 00:43:50 |
Well, open it. |
| 00:43:53 |
No, we don't... why don't you |
| 00:43:55 |
we'll open it up when |
| 00:43:57 |
- Hell no. |
| 00:43:58 |
You gotta open it here, you two, |
| 00:44:01 |
Yeah...come on, open it. |
| 00:44:18 |
Arthur, that's him. |
| 00:44:20 |
What is it... a photograph? |
| 00:44:24 |
Yeah. |
| 00:44:25 |
Well, let's see it. |
| 00:44:27 |
No no, it's an inside joke. |
| 00:44:29 |
It seems private. |
| 00:44:32 |
Nice, alright, yeah... |
| 00:44:35 |
We've taken some private |
| 00:44:37 |
Minds run wild with that. |
| 00:44:41 |
Is that one you |
| 00:44:42 |
What about this rehearsal dinner, |
| 00:44:44 |
can you imagine what's the |
| 00:44:52 |
Astounding science fiction. |
| 00:45:00 |
Day of the Moron? |
| 00:45:02 |
Yeah... |
| 00:45:03 |
my dad collects comics. |
| 00:45:15 |
What else does he collect? |
| 00:45:18 |
He has much more of those |
| 00:45:21 |
You want to see? |
| 00:45:23 |
Yeah. |
| 00:45:51 |
What's your dad have |
| 00:45:53 |
He helped design the camera. |
| 00:45:59 |
Scan image 1/9 at a time, |
| 00:46:01 |
it takes about 5 minutes |
| 00:46:05 |
How did the images from |
| 00:46:08 |
Radio transmissions. |
| 00:46:10 |
Figure out a way to interpret the |
| 00:46:15 |
How long did it take |
| 00:46:17 |
About 2 hours. |
| 00:46:19 |
The signal travels 58 million |
| 00:46:25 |
test it out last year in Colorado. |
| 00:46:39 |
Look...I don't think that we should |
| 00:46:43 |
Let's see how that new foot works |
| 00:46:54 |
Any sufficiently advanced technology |
| 00:47:01 |
Arthur C. Clarke (1917-2008) third law. |
| 00:47:04 |
My dad knows him. |
| 00:47:17 |
⪠Bell bottom blues, |
| 00:47:27 |
Arthur, that's was a wonderful |
| 00:47:32 |
I don't know what she |
| 00:47:34 |
I don't know what'd I do |
| 00:47:38 |
Really I don't. |
| 00:47:39 |
- Perfect gift. |
| 00:48:25 |
It's a really a nice party, Dick. |
| 00:48:28 |
Yeah, I'm not bearing the costs. |
| 00:48:30 |
- You are not paying? |
| 00:48:33 |
But I do work fast. |
| 00:48:36 |
Hey listen, do you |
| 00:48:38 |
run a licence plate for me? |
| 00:48:40 |
Black sedan. |
| 00:48:42 |
Do you think you can |
| 00:48:44 |
Yeah...sure, what's going on? |
| 00:48:45 |
Just someone hanging around |
| 00:48:47 |
Probably nothing, |
| 00:48:50 |
Yeah, it's worth a check out. |
| 00:48:54 |
⪠Ain't no party but.... |
| 00:49:10 |
What's the deal with this kid? |
| 00:49:12 |
He just made a peace sign |
| 00:49:15 |
Norma didn't tell you? |
| 00:49:17 |
No, what's up? |
| 00:49:19 |
Oh, he... |
| 00:49:20 |
He humiliated her in |
| 00:49:23 |
Make fun of her foot. |
| 00:49:40 |
You got a bloody nose. |
| 00:49:43 |
Thank you. |
| 00:49:47 |
Is there something |
| 00:49:50 |
Well, you said that I |
| 00:49:55 |
Yes, right here. |
| 00:50:04 |
Hello. |
| 00:50:06 |
Mrs. Lewis, hello. |
| 00:50:08 |
It's Arlington Steward. |
| 00:50:10 |
I see your husband has contacted |
| 00:50:16 |
I have quite a few employees. |
| 00:50:18 |
Listen-- |
| 00:50:19 |
We don't want anyone to get hurt. |
| 00:50:22 |
Well, if you didn't want |
| 00:50:24 |
you shouldn't have |
| 00:50:27 |
We don't want anymore trouble, OK? |
| 00:50:31 |
I'm afraid trouble has found you, |
| 00:50:33 |
Mrs. Lewis. |
| 00:50:34 |
There are always consequences. |
| 00:50:37 |
The tests will continue until the |
| 00:50:41 |
What...what're we suppose to do now? |
| 00:50:45 |
Listen to your conscience. |
| 00:50:48 |
Do what it tells you. |
| 00:50:51 |
Enjoy the party. |
| 00:51:17 |
Arthur... |
| 00:51:25 |
What did you say to my wife? |
| 00:51:27 |
Wanna tell me what |
| 00:51:29 |
Is that funny to you? |
| 00:51:32 |
Making fun of someone's |
| 00:51:35 |
Is that funny to you? |
| 00:51:37 |
No, Mr. Lewis. |
| 00:51:39 |
It's not funny, |
| 00:51:40 |
it's tragic. |
| 00:51:50 |
Oh... Arthur. |
| 00:52:07 |
You okay, son? |
| 00:52:09 |
Huh. |
| 00:52:16 |
Thank you. |
| 00:52:20 |
NO EXIT |
| 00:52:36 |
⪠O'er the land of the free |
| 00:52:42 |
Dana, |
| 00:52:43 |
we're back. |
| 00:52:47 |
Do you have a ride home? |
| 00:52:49 |
No. |
| 00:52:51 |
OK, Arthur can take you. |
| 00:52:52 |
OK, here your go. |
| 00:52:55 |
- Thanks. |
| 00:53:03 |
Where am I taking you? |
| 00:53:05 |
It's a motel up by I-95, |
| 00:53:06 |
Calex and Motor Lodge. |
| 00:53:09 |
You staying in the motel? |
| 00:53:11 |
Yeah, my parents bought a new |
| 00:53:34 |
You got blood on your hands. |
| 00:53:39 |
What do you mean by that? |
| 00:53:40 |
Your hands. |
| 00:53:43 |
There's bloods stain. |
| 00:53:46 |
Oh ah...yeah, |
| 00:53:49 |
Embarrassed everyone, |
| 00:53:51 |
ruined the whole party. |
| 00:53:55 |
Somebody pushing your buttons? |
| 00:54:00 |
Why would you say that? |
| 00:54:03 |
Just an expression. |
| 00:54:07 |
Don't jump to conclusion, you'll get |
| 00:54:12 |
How? |
| 00:54:14 |
I'm already in a whole |
| 00:54:19 |
What're you gonna do about it? |
| 00:54:22 |
I don't know, |
| 00:54:24 |
Look into the light. |
| 00:54:30 |
- The light? |
| 00:54:33 |
Soon you'll be blinded away. |
| 00:54:38 |
What is the light? |
| 00:54:42 |
I cannot remember. |
| 00:54:47 |
I cannot remember! |
| 00:55:02 |
Dana... |
| 00:55:09 |
Dana... |
| 00:55:11 |
Wake up! |
| 00:55:15 |
Dana!! |
| 00:55:18 |
Jesus Christ!! |
| 00:55:49 |
Sarah Mathews |
| 00:56:01 |
Are you OK? |
| 00:56:03 |
You have to get out of here. |
| 00:56:04 |
It's not safe for you here. |
| 00:56:06 |
Slow down, |
| 00:56:08 |
There's only one person |
| 00:56:11 |
Look in the mirror, you'll see. |
| 00:56:16 |
Dana, Dana! |
| 00:57:01 |
In the history of mankind |
| 00:57:05 |
the existence of life |
| 00:57:11 |
Viking's 1 and 2 do not view |
| 00:57:16 |
they will learn other |
| 00:57:18 |
They will tell us... |
| 00:57:20 |
but many things |
| 00:57:22 |
Opening up new possibilites, |
| 00:57:24 |
for exploration and just |
| 00:57:28 |
will have proof the quality |
| 00:57:32 |
Our achievements in space represent |
| 00:57:34 |
not only the height |
| 00:57:38 |
they also reflect |
| 00:57:40 |
the best in our country. |
| 00:57:43 |
Our character needs capacity |
| 00:57:47 |
and the willingness to |
| 00:57:54 |
Norma. |
| 00:57:58 |
Where did you say you met Dana? |
| 00:58:02 |
On our field trip to |
| 00:58:04 |
Right. |
| 00:58:05 |
And she said she was a Richmond. |
| 00:58:07 |
Yeah, we rode back on the same bus. |
| 00:58:09 |
OK! |
| 00:58:10 |
This is her driver's licence. |
| 00:58:12 |
Her name is Sarah Mathews. |
| 00:58:15 |
She lives in Boston. |
| 00:58:25 |
He called his employees? |
| 00:58:29 |
Yeah. |
| 00:59:57 |
Hello Norma. |
| 01:00:00 |
Hello. |
| 01:00:02 |
Did your husband tell you where |
| 01:00:07 |
No, he didn't. |
| 01:00:09 |
I hope for your sake, he isn't |
| 01:00:13 |
Though I assured you |
| 01:00:14 |
I know where he is. |
| 01:00:16 |
Because of your employees? |
| 01:00:19 |
Is Dana one of your employees? |
| 01:00:22 |
As I've told you, |
| 01:00:27 |
Can I see you, in person? |
| 01:00:32 |
I wanna meet face to face. |
| 01:00:35 |
I'm looking at you right now. |
| 01:00:39 |
Excuse me? |
| 01:00:40 |
I'm in your backyard. |
| 01:01:10 |
Are you still there? |
| 01:01:18 |
Mr. Steward? |
| 01:01:39 |
Alright, hold on. |
| 01:01:42 |
We wanna get this straight, |
| 01:01:44 |
you've the wind tunnel for months. |
| 01:01:46 |
Now you want the little |
| 01:01:49 |
That is correct. |
| 01:01:51 |
- The NSA activity... |
| 01:01:54 |
The activities |
| 01:01:56 |
will occasionally involve NASA employees. |
| 01:01:59 |
But I'm not at liberty to disclose |
| 01:02:01 |
how they will be involved |
| 01:02:04 |
I think this whole thing |
| 01:02:05 |
But we don't really |
| 01:02:09 |
No, you don't. |
| 01:02:12 |
POLICE |
| 01:02:15 |
Did you get a chance to run |
| 01:02:16 |
Yeah, I did. |
| 01:02:18 |
It's a government issued licence plate. |
| 01:02:19 |
This plate a town car licence |
| 01:02:23 |
The NSA? |
| 01:02:27 |
Jesus Christ! |
| 01:02:31 |
We are lost. |
| 01:02:33 |
This guy's wife... |
| 01:02:34 |
she was shot once in the chest. |
| 01:02:36 |
Quite blank range. |
| 01:02:38 |
Whoever shot her, |
| 01:02:40 |
directly to her chest and fired |
| 01:02:44 |
The husband works at Langley. |
| 01:02:50 |
Is there any sign of a struggle? |
| 01:02:52 |
No. |
| 01:02:53 |
There's no skin under |
| 01:02:58 |
What time did she died? |
| 01:03:00 |
Neighbor said they |
| 01:03:07 |
What's all this deal Arthur? |
| 01:03:12 |
Do you think you could |
| 01:03:19 |
Well your sister feel |
| 01:03:22 |
Arthur just sick about it too. |
| 01:03:24 |
Hey Norma, let me just |
| 01:03:27 |
I have always marvel |
| 01:03:29 |
Right, and have positive |
| 01:03:32 |
even that's your injury |
| 01:03:34 |
maybe sometimes |
| 01:03:36 |
we don't take for granted |
| 01:03:39 |
I'm fine. |
| 01:03:50 |
The NSA is letting him do it. |
| 01:03:52 |
NASA can't stop it.Test subject |
| 01:03:54 |
with a single child. |
| 01:03:55 |
Go to the Richmond public |
| 01:03:58 |
Don't trust anyone, |
| 01:04:01 |
Oh my lord! |
| 01:04:02 |
She's bleeding, |
| 01:04:05 |
Oh my heavens? |
| 01:04:08 |
Who is that woman, Norma? |
| 01:04:10 |
Do you know her? |
| 01:04:13 |
No, I... I don't. |
| 01:04:18 |
Listen, I have a lot of |
| 01:04:21 |
errands to run before |
| 01:04:22 |
Can I drop you off at home? |
| 01:04:39 |
Don't touch. |
| 01:04:40 |
That's him! |
| 01:04:42 |
He's a part of relation |
| 01:04:45 |
What's his name? |
| 01:04:46 |
Arlington Steward. |
| 01:04:49 |
Steward, with the D. |
| 01:04:51 |
- Uhm-huh. |
| 01:04:52 |
Yeah. |
| 01:04:58 |
Human resource exploitation manual. |
| 01:05:03 |
Call numbers? |
| 01:07:11 |
The Lightning Book |
| 01:09:42 |
Excuse me. |
| 01:09:43 |
I'm looking for the nearest exit. |
| 01:09:46 |
You aren't an employee. |
| 01:09:48 |
This library is for employees only. |
| 01:09:53 |
You are his wife. |
| 01:09:55 |
I am Clymene. |
| 01:10:28 |
What does he want from us? |
| 01:10:29 |
He's testing you. |
| 01:10:32 |
He's testing all of us. |
| 01:10:36 |
Please, follow me. |
| 01:10:58 |
There are 3 gateways. |
| 01:11:00 |
But you may choose only one. |
| 01:11:03 |
Be careful which gateway |
| 01:11:07 |
for there's only one |
| 01:12:04 |
Have a seat, Mrs. Lewis. |
| 01:12:31 |
Indistinguishable from magic... |
| 01:12:34 |
Lightning strikes the |
| 01:12:39 |
A single bolt of lightning can |
| 01:12:43 |
28 thousand degrees |
| 01:12:48 |
This is 5 times hotter |
| 01:12:54 |
Is that what happened to you? |
| 01:12:57 |
You were struck by lightning? |
| 01:12:58 |
Yes. |
| 01:13:02 |
And now I am in communication with |
| 01:13:10 |
What lies behind the other two? |
| 01:13:12 |
Eternal damnation. |
| 01:13:17 |
Alright! |
| 01:13:23 |
What's the notion you had |
| 01:13:24 |
when you first laid eyes |
| 01:13:27 |
- I felt... |
| 01:13:30 |
-I felt... - Pity? |
| 01:13:37 |
You felt love for me. |
| 01:13:38 |
Yes. |
| 01:13:40 |
Why? |
| 01:13:43 |
Because of my disfigurement. |
| 01:13:46 |
Because of all the pain |
| 01:13:49 |
in my life. |
| 01:13:52 |
I thought what it would be like |
| 01:13:54 |
to have all that pain |
| 01:13:57 |
magnified and projected onto my face. |
| 01:14:09 |
If I refuse? |
| 01:14:11 |
Eternal damnation. |
| 01:14:16 |
You have chosen |
| 01:14:30 |
I saw that pain on your face |
| 01:14:33 |
and I just, |
| 01:14:39 |
I felt it overwhelming, |
| 01:14:41 |
feeling of love for you |
| 01:14:44 |
because I know that |
| 01:14:47 |
feel sorry for myself ever again. |
| 01:15:01 |
Take my hand. |
| 01:17:03 |
You don't remember |
| 01:17:06 |
You came in your car, you |
| 01:17:09 |
Didn't say anything, just |
| 01:17:14 |
Where does all these |
| 01:17:17 |
Why isn't dad telling us |
| 01:17:18 |
Walter, go down to the basement |
| 01:17:22 |
- But I just want... |
| 01:17:24 |
Fine. |
| 01:17:36 |
Can you tell me what happened? |
| 01:17:40 |
I need a drink. |
| 01:17:57 |
Are we still gonna live? |
| 01:17:59 |
Yeah. |
| 01:18:05 |
There's only so much |
| 01:18:07 |
I understand. |
| 01:18:13 |
In the hours following the |
| 01:18:18 |
your colleague Arlington Steward |
| 01:18:20 |
was struck by lightning while |
| 01:18:22 |
Yes, and we haven't |
| 01:18:26 |
He's... |
| 01:18:28 |
something else now. |
| 01:18:31 |
What do you mean? |
| 01:18:33 |
Arlington Steward died |
| 01:18:35 |
to the burnt unit at Riverside Hospital. |
| 01:18:38 |
Several hours, after his |
| 01:18:41 |
and locked in a freezer storage unit, |
| 01:18:43 |
a nurse heard a voice coming |
| 01:18:45 |
It was a man laughing. |
| 01:18:49 |
Mr. Steward, he came back from the |
| 01:18:55 |
He was then transferred to a |
| 01:18:58 |
Soon after we realized he was |
| 01:19:00 |
demonstrating some |
| 01:19:04 |
What do you mean by capabilities? |
| 01:19:08 |
His body healed rate 10 |
| 01:19:12 |
Cellular degeneration essentially halted. |
| 01:19:23 |
Ladies and gentlemen, |
| 01:20:17 |
Hi! |
| 01:20:21 |
You can't drink with |
| 01:20:22 |
Come on. |
| 01:20:29 |
Sir, |
| 01:20:31 |
If you don't mind my asking? |
| 01:20:34 |
Why a box? |
| 01:20:40 |
Your home is a box. |
| 01:20:43 |
Your car is a box on wheels. |
| 01:20:46 |
You drive to work in it. |
| 01:20:49 |
You drive home in it. |
| 01:20:51 |
You're sitting in your |
| 01:20:55 |
It erodes your soul while the box |
| 01:20:58 |
that is your body |
| 01:21:03 |
We are upon and just |
| 01:21:06 |
to slowly decompose. |
| 01:21:10 |
It's quite depressing |
| 01:21:12 |
when you think of it that way? |
| 01:21:14 |
Don't think pf it that way. |
| 01:21:17 |
Think of it as a |
| 01:21:23 |
What happens, |
| 01:21:26 |
once you completed your test? |
| 01:21:28 |
I submit the data to my employers |
| 01:21:32 |
and then your fate rests in their hands. |
| 01:21:35 |
I can not say they are not |
| 01:21:40 |
Look at me. |
| 01:21:42 |
I wouldn't know sir, |
| 01:21:46 |
your... |
| 01:21:48 |
employers remained a mystery |
| 01:21:51 |
I like mystery. |
| 01:21:55 |
Don't you? |
| 01:21:59 |
How do we pass the test? |
| 01:22:02 |
Isn't it obvious? |
| 01:22:04 |
Simply don't press the button. |
| 01:22:06 |
If enough of you don't, |
| 01:22:10 |
But there will be more test to come. |
| 01:22:13 |
Walk on quickly into the light. |
| 01:22:17 |
Time to advance your 80 circles death. |
| 01:22:20 |
You walk into the light you're gonna feel |
| 01:22:25 |
Try to hold your breath. |
| 01:22:27 |
If you feel drowning sensation, |
| 01:22:29 |
you will pass. |
| 01:22:59 |
Where're you sending them? |
| 01:23:02 |
To prepare for the next |
| 01:23:08 |
You spoke earlier |
| 01:23:10 |
about the altruism coefficient. |
| 01:23:11 |
If human beings are unable or unwilling |
| 01:23:14 |
to sacrifice individual desires, |
| 01:23:16 |
the greater good of your species |
| 01:23:20 |
and my employers will be compelled |
| 01:23:22 |
to expedite your extinction. |
| 01:23:25 |
Clear? |
| 01:23:27 |
Yes sir. |
| 01:23:38 |
⪠When Joanna loved me |
| 01:24:13 |
I was gone, Norma. |
| 01:24:17 |
I was gone far nearly in hell. |
| 01:24:24 |
What did you see? |
| 01:24:27 |
What was there in the light? |
| 01:24:38 |
Words can't describe it, |
| 01:24:43 |
it's a place. |
| 01:24:45 |
Not here nor there. |
| 01:24:49 |
It is somewhere in between, |
| 01:25:00 |
it's a warm embrace. |
| 01:25:05 |
A place where |
| 01:25:08 |
the sidewalk ends |
| 01:25:13 |
and despair was no more |
| 01:25:40 |
Dad. |
| 01:25:41 |
What's going on? |
| 01:25:50 |
I maybe sick Walter. |
| 01:26:15 |
You can still save yourself. |
| 01:26:18 |
It's too late for me, but |
| 01:26:23 |
Jeffrey Carnes? |
| 01:26:24 |
Well, I got lots of questions for you. |
| 01:26:26 |
You want to survive this |
| 01:26:29 |
right now. |
| 01:26:31 |
Alright, why don't you put the gun |
| 01:26:35 |
Get in the truck. |
| 01:26:37 |
Alright. |
| 01:27:06 |
Dad? |
| 01:27:07 |
Walter! |
| 01:27:28 |
Hey! |
| 01:27:30 |
Walter! |
| 01:27:32 |
Walter!! |
| 01:27:36 |
Walter, Walter! |
| 01:27:58 |
Those are classified CIA documents. |
| 01:28:02 |
Test subject free will, test subject |
| 01:28:07 |
Frontal lobe herrmoage? |
| 01:28:08 |
Now, that's its weakness. |
| 01:28:09 |
Hey you still haven't figure it out |
| 01:28:10 |
how they get inside their |
| 01:28:12 |
- The nose bleeds. |
| 01:28:14 |
Yeah. |
| 01:28:17 |
And so there's limit to what |
| 01:28:19 |
Living inside a 70 years old man? |
| 01:28:21 |
Yes, and that's why it |
| 01:28:23 |
It's got everything they need. |
| 01:28:24 |
Military, CIA, FBI... |
| 01:28:27 |
NASA. |
| 01:28:31 |
So it can be killed? |
| 01:28:32 |
Yes. |
| 01:29:00 |
Where we are going? |
| 01:29:01 |
Coz it's kidnap your son, |
| 01:29:05 |
What? |
| 01:29:06 |
But I know where they |
| 01:29:07 |
There's a motel of I-95, |
| 01:29:09 |
Steward's employees took your |
| 01:29:12 |
It's a transport harbored site. |
| 01:29:13 |
A swimming pool they |
| 01:29:23 |
Test subject must choose |
| 01:29:25 |
Gateway transit analysis will |
| 01:29:32 |
So did you push the button |
| 01:29:36 |
My wife. |
| 01:29:38 |
Yeah, yeah...mine too. |
| 01:29:43 |
And now she's dead. |
| 01:29:46 |
Did you killed her? |
| 01:29:48 |
I did it for my daughter. |
| 01:29:50 |
What you mean you did |
| 01:29:51 |
I had to make a choice. |
| 01:29:53 |
Between my wife, |
| 01:30:43 |
Do you really want to track with it? |
| 01:30:46 |
Not the result. |
| 01:31:01 |
Let's move. |
| 01:31:04 |
Alpha team, take position. |
| 01:31:52 |
Weapons click. |
| 01:31:58 |
Move move move! |
| 01:32:06 |
Arthur, Arthur listen to me... |
| 01:32:08 |
whatever happens given this point |
| 01:32:11 |
then you can possibly fed them. |
| 01:33:37 |
Please, have a seat. |
| 01:33:42 |
Where's our son? |
| 01:33:45 |
He's in a safe place, we'll |
| 01:33:48 |
Please sit down. |
| 01:33:58 |
I want you to know, |
| 01:34:01 |
that I've the deepest respect |
| 01:34:08 |
You gave me hope. |
| 01:34:13 |
But I am very sorry |
| 01:34:15 |
that you pushed the button. |
| 01:34:20 |
I'm afraid I've to tell |
| 01:34:23 |
functional senses have been impaired. |
| 01:34:27 |
He can no longer see |
| 01:34:28 |
and he can no longer hear. |
| 01:34:36 |
Where is he? |
| 01:34:40 |
What'd you done with him? |
| 01:34:42 |
I have done nothing with him. |
| 01:34:44 |
I'm just the vessel. |
| 01:34:48 |
You are now presented |
| 01:34:49 |
with 2 options. |
| 01:34:52 |
Option 1... |
| 01:34:53 |
you can live the rest |
| 01:34:56 |
enjoy the money that |
| 01:34:58 |
than learnt to live with your |
| 01:35:01 |
It is irreversible. |
| 01:35:04 |
He will never hear your |
| 01:35:22 |
Option 2... |
| 01:35:26 |
There's one bullet, |
| 01:35:28 |
In the chamber of this gun. |
| 01:35:30 |
You can fire with it to your |
| 01:35:35 |
At the exact moment your |
| 01:35:37 |
your son will be return to normal. |
| 01:35:46 |
As for the million dollars it'll be placed |
| 01:35:50 |
given to your son on his 18th birthday. |
| 01:35:54 |
Let me kill myself. |
| 01:35:56 |
Arthur has nothing to do with this. |
| 01:36:00 |
I'm sorry. |
| 01:36:01 |
The offer is not negotiable. |
| 01:36:05 |
Arthur, you must fire the gun. |
| 01:36:07 |
Norma, you must die. |
| 01:36:10 |
Or Walter will be forever |
| 01:36:37 |
Kill me if you like, Mr. Lewis. It'll |
| 01:36:42 |
You will be in prison for the |
| 01:36:44 |
which I'm their employee. |
| 01:36:46 |
And they will simply |
| 01:36:53 |
Who? |
| 01:36:55 |
Who will send another? |
| 01:36:57 |
Arthur, please don't. |
| 01:36:58 |
- Who? |
| 01:37:02 |
Good day to you. |
| 01:37:27 |
Mr. Steward, |
| 01:37:34 |
can I be forgiven? |
| 01:37:38 |
I don't know. |
| 01:37:42 |
I understand you admired the |
| 01:37:46 |
Perhaps... |
| 01:37:47 |
these words will comfort. |
| 01:37:51 |
There are two ways to |
| 01:37:55 |
free or not free. |
| 01:37:58 |
The choice is ours. |
| 01:38:13 |
You gave me a glimpse of |
| 01:38:18 |
Because this is purgatory? |
| 01:38:22 |
And you're here to shut us down. |
| 01:38:46 |
Your son is locked in the |
| 01:38:55 |
- Walter. |
| 01:38:56 |
Walter!! |
| 01:38:57 |
Sweetheart! |
| 01:38:59 |
Sweetie, can you hear us? |
| 01:39:02 |
Someone out there? |
| 01:39:03 |
Walter. |
| 01:39:05 |
Someone out there? |
| 01:39:07 |
How the fuck you get inside? |
| 01:39:08 |
I can't see, please. |
| 01:39:11 |
Help me! |
| 01:39:12 |
Walter... |
| 01:39:14 |
Walter! |
| 01:39:20 |
I can't hear. |
| 01:39:22 |
Please help me. |
| 01:39:27 |
Wal..Walter. |
| 01:39:30 |
Just back away from the |
| 01:39:34 |
Somebody help. |
| 01:39:36 |
Walter. |
| 01:39:37 |
He can't hear us. |
| 01:39:40 |
He can't. |
| 01:39:42 |
Stop it, Arthur. Arthur stop! |
| 01:39:45 |
Please-- |
| 01:39:50 |
Arthur Arthur Arthur! |
| 01:39:53 |
Mom! |
| 01:39:55 |
Dad! |
| 01:39:56 |
Please-- |
| 01:40:01 |
I can't. |
| 01:40:03 |
I can't see him like that. |
| 01:40:06 |
I can't! |
| 01:40:24 |
Oh god! |
| 01:41:45 |
I can't do this. |
| 01:41:47 |
No, we can't leave him like this. |
| 01:41:50 |
It's the only way. |
| 01:41:52 |
There's no other way. |
| 01:41:58 |
He smile at us. |
| 01:42:01 |
What? |
| 01:42:02 |
When you ask me about the |
| 01:42:10 |
- He did? |
| 01:42:16 |
Arthur. |
| 01:42:18 |
I love you, |
| 01:42:20 |
I'm so sorry for what I did to us. |
| 01:42:23 |
Sshh... |
| 01:42:25 |
You didn't do anything, we did it. |
| 01:42:28 |
So, don't appologize. |
| 01:42:33 |
I love you! |
| 01:42:35 |
And I regret nothing, in this |
| 01:42:44 |
And I... |
| 01:42:46 |
will count the days |
| 01:42:48 |
until my Arthur to see me again. |
| 01:43:01 |
I'm gonna push it. |
| 01:43:18 |
Until we meet again. |
| 01:43:20 |
Yeah. |
| 01:43:26 |
Let's go home with it. |
| 01:44:06 |
911 emergency. |
| 01:44:11 |
You said you heard a gun shot? |
| 01:44:13 |
What is the address? |
| 01:44:17 |
Park |
| 01:44:19 |
In Entour. |
| 01:44:25 |
Hello Mrs. Weller. |
| 01:44:27 |
Shall I come in? |
| 01:44:40 |
Walter. |
| 01:44:48 |
It's your dad, I'm right here. |
| 01:44:51 |
Can you hear me? |
| 01:45:00 |
Walter! |
| 01:45:04 |
Wal...Walter! |
| 01:45:07 |
Walter, can...if you can hear me, |
| 01:45:10 |
Put your hands on your head |
| 01:45:14 |
Dad! |
| 01:45:16 |
Wow!! |
| 01:45:17 |
I'm right here, honey. Everything |
| 01:45:20 |
You just stay tight. |
| 01:45:23 |
I said put your hands on your head |
| 01:46:37 |
Walter is upstairs, |
| 01:46:40 |
They assured me, you and |
