Boys Are Back The
|
00:01:08 |
JOE: I don't know whether you've ever |
00:01:13 |
Doctors sometimes draw maps |
00:01:17 |
and your own map can become |
00:01:21 |
but catch them trying to draw |
00:01:25 |
which is not only confused, |
00:01:31 |
There are zigzag lines on it, |
00:01:37 |
and these are probably roads |
00:01:41 |
for the Neverland is always |
00:01:47 |
WOMAN: You idiot! What the hell |
00:01:50 |
No, it's okay. It's fine. |
00:01:52 |
Get off the beach, you stupid moron! |
00:01:54 |
What's your problem? |
00:01:56 |
What do you think you're doing, |
00:01:58 |
(LAUGHING) Take it easy. Relax. |
00:02:01 |
You're insane! Get that child off there! |
00:02:06 |
- Right on! |
00:02:14 |
(ARTIE GIGGLING) |
00:02:17 |
- Do you want to get wet? |
00:02:21 |
JOE: You do. You love it. |
00:02:26 |
(ARTIE YELLING IN DELIGHT) |
00:02:44 |
Get off the windscreen, |
00:02:48 |
(ARTIE MIMICKING GUNFIRE) |
00:03:30 |
(WHOOPING) |
00:03:45 |
JOE: I wouldn't be the first to say |
00:03:47 |
that must be traveled |
00:03:51 |
When Artie's mother was alive, |
00:03:55 |
The house was just |
00:03:59 |
Everywhere you turned, |
00:04:01 |
in the smell of freshly-picked |
00:04:03 |
(ARTIE WHOOPING) |
00:04:05 |
The tomatoes from the garden, |
00:04:08 |
(ARTIE LAUGHING) |
00:04:10 |
We miss that now. We do miss that. |
00:04:14 |
Stop washing your face? |
00:04:17 |
KA TY: (READIN G) "...for Neverland |
00:04:20 |
"with astonishing splashes of color |
00:04:23 |
"and coral reefs |
00:04:27 |
Do you want to try reading |
00:04:28 |
- Where, Mum? |
00:04:31 |
"You could say of them |
00:04:35 |
"that they have each other's noises..." |
00:04:40 |
- Nose. |
00:04:45 |
(CHILDREN YELLING) |
00:04:48 |
- That looks good, Mum. |
00:04:51 |
(CAR HORN HONKING) |
00:04:52 |
- TOM: Katy, he's here. |
00:04:56 |
Daddy! |
00:05:01 |
- Hello, stranger. |
00:05:04 |
- ARTIE: Daddy! |
00:05:08 |
- Welcome home, mate. |
00:05:10 |
- Good copy. |
00:05:12 |
- How was the old country? |
00:05:15 |
Strawberries with lashings |
00:05:18 |
- Hi. |
00:05:21 |
- Hiya, Barbara. |
00:05:22 |
You shouldn't have gone |
00:05:24 |
As if. |
00:05:26 |
- That got my name on it, Tom? |
00:05:29 |
DIGB Y: All right, kids, let's have |
00:05:32 |
ARTIE: On your markies, |
00:05:34 |
- Go! |
00:05:36 |
- when you're done. |
00:05:38 |
JOE: And so we lived |
00:05:40 |
POODLE: Come on, now. |
00:05:43 |
Now, you know that's not true, |
00:05:45 |
Is this okay? |
00:05:48 |
- You look great. |
00:05:51 |
- But what? |
00:05:53 |
- You don't like it? |
00:05:57 |
Just what? |
00:05:58 |
Well, it's a little black number. |
00:06:00 |
What does that mean? |
00:06:02 |
- I like this one. |
00:06:04 |
Are you saying |
00:06:05 |
- No. |
00:06:08 |
All right. I'll tell you I love the dress, |
00:06:11 |
that you know |
00:06:15 |
Just tell me what you think of the dress. |
00:06:16 |
I love that dress. That dress is fantastic. |
00:06:21 |
Thank you. At last. |
00:06:25 |
MAN: It was very good. Very... |
00:06:28 |
Just picture it. |
00:06:29 |
- I just find it does capture it... |
00:06:33 |
But, you know, |
00:06:35 |
Excuse me. Sorry, sorry. Hi. |
00:06:37 |
Hi. How are you? How are you? |
00:06:41 |
Thank you. Nice to meet you. |
00:06:43 |
- What was that? |
00:06:44 |
You just saved me |
00:06:48 |
(KATY CHUCKLES) |
00:06:58 |
My God, you're beautiful. |
00:07:02 |
In a slightly spooky kind of way. |
00:07:04 |
(GASPING) |
00:07:05 |
(GROANS) |
00:07:06 |
Katy? |
00:07:14 |
(FOOTSTEPS APPROACHING) |
00:07:17 |
These will be safer with you. |
00:07:46 |
I'm so sorry. |
00:07:50 |
Don't be silly. |
00:07:57 |
- She'll be fine. I know she'll be fine. |
00:08:01 |
Well, I know |
00:08:02 |
- What, you know she's immortal? |
00:08:05 |
Digby, she's sicker than shit. |
00:08:09 |
The cancer has rooted in her bowel |
00:08:10 |
and grown through her body |
00:08:12 |
She's got two tumors in her intestine, |
00:08:15 |
which means |
00:08:17 |
You don't have a clue |
00:08:23 |
I'm so sorry. |
00:08:26 |
(WATER RUNNING) |
00:08:31 |
(SHALLOW BREATHING) |
00:09:02 |
JOE: (SOFTLY) It's okay, sweetheart. |
00:09:17 |
(ARTIE HUMMING) |
00:09:26 |
Hey. |
00:09:29 |
(HUMMING) |
00:09:32 |
You know how Mummy's been getting |
00:09:35 |
because she's been so ill? |
00:09:40 |
We think that soon, she's going to go |
00:09:47 |
A sleep so deep that we don't think |
00:09:57 |
We think she's going to die. |
00:10:01 |
When? |
00:10:04 |
Soon. |
00:10:07 |
Will Mummy die by dinner time? |
00:10:11 |
I don't know. |
00:10:14 |
Will she die by bedtime? |
00:10:19 |
I don't know, sweetheart. |
00:10:24 |
Okay. |
00:10:39 |
(CABLE WHIRRING) |
00:10:41 |
(ARTIE WHOOPING) |
00:10:48 |
JOE: Katy? |
00:10:57 |
Katy? |
00:10:59 |
I'm making Artie's lunch. |
00:11:05 |
It's the middle of the night. |
00:11:10 |
What? |
00:11:12 |
Artie's in bed, sweetheart. He's asleep. |
00:11:20 |
Oh, no. |
00:11:23 |
It's okay. |
00:11:25 |
(BREATHING DEEPLY) |
00:12:04 |
Did Mummy die last night? |
00:12:13 |
Artie... |
00:12:16 |
See? See? I told you. I told you. |
00:12:19 |
What did you tell me? |
00:12:21 |
I told you Mummy would die last night. |
00:12:24 |
(EX CLAIMS) |
00:12:30 |
Oh, my baby. My baby. |
00:12:36 |
My baby. My baby. |
00:12:41 |
(BARBARA SOBBING) |
00:12:43 |
(MO URNFUL S ON G PLA YIN G) |
00:13:30 |
FLICK: (ON PHONE) If you want to |
00:13:33 |
please speak after the tone. |
00:13:35 |
Flick, it's Joe. |
00:13:38 |
Listen, could you call me |
00:13:40 |
HARRY: Dad? |
00:13:42 |
- Harry? |
00:13:45 |
I thought you'd be away at school. |
00:13:49 |
Are you okay? |
00:13:56 |
Katy passed away |
00:14:04 |
I'm so sorry. |
00:14:09 |
Could you tell your mother for me? |
00:14:11 |
Of course. |
00:14:19 |
Harry, can I call you back? |
00:14:24 |
- Are you going to be okay? |
00:14:30 |
I love you. |
00:14:32 |
I love you, too. I miss you, Daddy. |
00:14:42 |
(PEOPLE CHATTERING) |
00:15:13 |
- Daddy? |
00:15:16 |
I want to die. |
00:15:20 |
Do you? |
00:15:23 |
- Why? |
00:15:32 |
Don't worry, Daddy. |
00:15:38 |
Thanks. |
00:15:41 |
- Take care. |
00:15:47 |
(IMITATING PLANE ENGINE) |
00:15:49 |
Come on, Artie, |
00:15:53 |
- Artie... |
00:15:56 |
Let him run around if he wants. |
00:15:59 |
Do you really need that? |
00:16:02 |
Well, at least you should try |
00:16:04 |
I can't do this. |
00:16:40 |
Oh, God. |
00:16:50 |
(SOBBING) |
00:18:19 |
What's that you're drawing? |
00:18:21 |
It's a man taking Mummy away |
00:18:30 |
Dada! Guess what? |
00:18:35 |
Hey. |
00:18:39 |
You want to go |
00:18:40 |
- Why? |
00:18:43 |
- just you and me. |
00:18:45 |
I don't know, a road trip. |
00:18:47 |
- What will we do? |
00:18:49 |
- Go to Splash Planet. |
00:18:58 |
- Is this a good idea? |
00:19:07 |
Thanks for taking him. |
00:19:09 |
- Where will you go? |
00:19:13 |
Running away is never the answer, Joe. |
00:19:16 |
Look, he sees me as someone |
00:19:19 |
bringing presents. |
00:19:22 |
We need to spend some time together. |
00:19:24 |
- And afterwards? |
00:19:26 |
Well, when you need to work, |
00:19:29 |
- Not if you don't want to, no. |
00:19:32 |
Bea, I left my other boy |
00:19:36 |
I need to know how to talk to him. |
00:19:38 |
I need to know how to comfort him |
00:19:40 |
Look, this isn't about a week |
00:19:41 |
I mean, this is not about sweets |
00:19:45 |
This is about structure and routine |
00:19:49 |
I'm his father. It's my decision. |
00:19:51 |
- I think you're making a big mistake. |
00:19:58 |
Give Nana a kiss. |
00:20:02 |
- Bye, Nana. |
00:20:05 |
Bye. |
00:20:07 |
(ALL THE WILD HORSES PLAYING) |
00:20:16 |
(SIN GIN G) All the wild horses |
00:20:25 |
All the wild horses |
00:20:34 |
Tethered with tears in their eyes |
00:20:45 |
May no man's touch ever tame |
00:20:52 |
May no man's reigns ever chain you |
00:21:00 |
And may no man's weight... |
00:21:02 |
ARTIE: Can we get a car like that? |
00:21:04 |
- JOE: A convertible? |
00:21:06 |
JOE: Why? |
00:21:08 |
So Mummy can see me in the car |
00:21:15 |
Can we? |
00:21:31 |
Hey. What are you doing? Stop it. |
00:21:37 |
Artie. Stop it. |
00:21:39 |
(SEAT RATTLING) |
00:21:41 |
Artie. Stop it! |
00:21:48 |
What is it? What's the matter? |
00:21:53 |
Talk to me, sweetheart. What is it? |
00:22:04 |
We'll go to the shop, okay? |
00:22:07 |
We'll go to the shop |
00:22:09 |
Yeah? Does that sound good? |
00:22:14 |
Are you going to come in |
00:22:26 |
I don't want orange juice. |
00:22:29 |
What are you talking about? |
00:22:30 |
(SHOUTING) I said |
00:22:34 |
Artie... Artie, it's all right. |
00:22:39 |
You're hungry. Just eat some crisps. |
00:22:40 |
(YELLING) |
00:22:43 |
Oh, for God's sake. |
00:22:54 |
What can you do? |
00:22:57 |
Pick him up. He's upset. Comfort him. |
00:23:01 |
- Give him a cuddle. |
00:23:03 |
- Rubbish. |
00:23:05 |
You don't cuddle people |
00:23:07 |
- You're vile. |
00:23:12 |
I couldn't leave him like that. |
00:23:15 |
The trouble is, it's not me he wants. |
00:23:36 |
I'm sorry, sweetheart. |
00:23:39 |
That's all right. |
00:23:57 |
(WATER SPLASHING) |
00:23:58 |
What are you up to in there? |
00:24:00 |
(RATTLING) |
00:24:02 |
Artie? |
00:24:04 |
(ARTIE SCREAMS) |
00:24:08 |
(ARTIE GIGGLING) |
00:24:09 |
Can I do it again, Daddy? |
00:24:10 |
- Oh, my God. |
00:24:15 |
Please, can I? Can I? |
00:24:20 |
Yes. |
00:24:23 |
Here goes! |
00:24:26 |
Again! Again! |
00:24:27 |
Hang on. Hang on. |
00:24:30 |
(LAUGHING) |
00:24:32 |
Big splash coming up! |
00:24:47 |
(CHA TTERIN G ON TV) |
00:24:52 |
Artie? |
00:25:03 |
Sweetheart... |
00:25:51 |
I'm the king of the rock! |
00:26:04 |
DIGB Y: Welcome back, travelers. |
00:26:08 |
BO Y: I think it's a chocolate... |
00:26:09 |
- Here you go, mate. |
00:26:12 |
GIRL: What's the second number? |
00:26:14 |
MIRIAM: Eat up, Daniel. Come on. |
00:26:17 |
- He won't eat, Mummy. |
00:26:19 |
- Thanks, Miriam. |
00:26:23 |
- Come on, bubby. Oh! |
00:26:25 |
Excuse, darling. |
00:26:26 |
It's our little feeding ritual. |
00:26:29 |
There's some water in there. |
00:26:32 |
Where's Daddy? Where is he? |
00:26:35 |
Where's Daddy? Look! Open up. |
00:26:41 |
Good boy. Good boy. |
00:26:44 |
Oh! Look, Danny! What's Daddy doing? |
00:26:47 |
(JOE LAUGHING) |
00:26:49 |
POODLE: Good boy. |
00:26:52 |
One more spoonful. Good boy. |
00:26:54 |
GIRL: I've only got two pairs. I'm here. |
00:26:57 |
- BO Y: How many have you got, Jason? |
00:26:59 |
POODLE: (READING) "They didn't live |
00:27:02 |
It looks like he's doing okay, |
00:27:07 |
Yeah, but what chance |
00:27:11 |
- He's got you. |
00:27:15 |
Shouldn't the State intervene |
00:27:17 |
and make sure a woman looks |
00:27:20 |
Well, don't look at me. |
00:27:22 |
I mean, I've got to do tricks on |
00:27:26 |
What do I know? |
00:27:30 |
Artie, come on. I can't be late. |
00:27:35 |
Artie. |
00:27:39 |
- Great. Let's go. |
00:27:42 |
- I know. Why not? |
00:27:46 |
Well, look on the line. |
00:27:49 |
- Can I have a Mars bar? |
00:28:08 |
All we need now is |
00:28:10 |
straight into the washing machine |
00:28:20 |
- Artie, eat your toast. |
00:28:23 |
- What? |
00:28:26 |
It's fine. Just eat it, okay? |
00:28:29 |
You know what happens |
00:28:31 |
(SIGHS) |
00:28:36 |
This is my kangaroo, Nibbles, |
00:28:41 |
and we keep him at home. |
00:28:45 |
Mr. Warr, |
00:28:47 |
Sorry? |
00:28:48 |
In the hall after school |
00:28:51 |
BO Y: And he eats kangaroo pellets, |
00:28:55 |
and we sometimes give him treats. |
00:28:58 |
And Nibbles sleeps in a pouch. |
00:29:00 |
LAURA: We're talking about |
00:29:01 |
- Sit down here. |
00:29:03 |
they don't need a pouch. |
00:29:05 |
LAURA: Can he borrow your kitty? |
00:29:07 |
And this one's still in a heated pouch. |
00:29:13 |
All right. What about you, Lucy? |
00:29:17 |
Well, I learned to swim, |
00:29:19 |
and she teached me |
00:29:26 |
All right. Your turn, Johnnie. |
00:29:29 |
This is my fish, and I like it |
00:29:32 |
because it's looking at me right now, |
00:29:36 |
and all my other fishes died. |
00:29:39 |
(EX CLAIMS IN CONCERN) |
00:29:42 |
Do you want to say |
00:29:46 |
Cat food looks better than it tastes. |
00:29:49 |
(CHILDREN LAUGHING) |
00:29:56 |
All right, who's next? |
00:30:06 |
- It's all there. |
00:30:08 |
It should be self-explanatory. |
00:30:10 |
TIM: Good morning, |
00:30:12 |
We might as well start with sport. |
00:30:19 |
- No rush. |
00:30:21 |
No, no. Not you. Joe. |
00:30:25 |
Yeah, we're... |
00:30:26 |
We're leading with |
00:30:30 |
the Aussie touring party to India, |
00:30:35 |
who were well |
00:30:38 |
by the Rajasthan Academy XI. |
00:30:41 |
- Good to have you back. |
00:30:43 |
TIM: Okay, what's next? |
00:30:52 |
(PEOPLE CHATTERING) |
00:30:59 |
Hi. Joe Warr. Sorry I'm late. |
00:31:02 |
And thanks for sorting him out |
00:31:04 |
I promise you he doesn't eat cat food. |
00:31:07 |
Well, not at home, anyway. |
00:31:12 |
(SIGHS) |
00:31:14 |
So, how do you think he's doing? |
00:31:17 |
I know it's only his first day back, |
00:31:22 |
- I'm... |
00:31:24 |
I suppose. You know, there are |
00:31:27 |
and charts his mother's progress |
00:31:36 |
At some point every day, |
00:31:39 |
Sinks to the floor and just lies there. |
00:31:42 |
Half an hour later, he gets up |
00:31:47 |
He has some very weird moods, |
00:31:50 |
You do actually know |
00:31:54 |
Hmm? |
00:31:55 |
- I'm Lucy's mum. She's in Artie's class. |
00:32:00 |
I'm actually just waiting |
00:32:02 |
- But this morning, you were... |
00:32:05 |
- Of course you were. |
00:32:08 |
It's been a good term |
00:32:11 |
Is that Miss West? |
00:32:13 |
Mmm-hmm. |
00:32:15 |
She's a different person altogether. |
00:32:17 |
(WHISPERING) I know. Spooky, isn't it? |
00:32:23 |
Right. |
00:32:25 |
Well, I'll just join the queue, then. |
00:32:35 |
Thank you very much. |
00:32:41 |
ARTIE: They're scribbling. |
00:32:46 |
Hey. |
00:32:47 |
- Are you sure you're not a teacher? |
00:32:52 |
So, how did it go? |
00:32:53 |
He seems to be doing |
00:32:59 |
(CHILDREN CHATTERING) |
00:33:01 |
You know, |
00:33:05 |
like, if you ever want me |
00:33:07 |
- Really? |
00:33:10 |
Three mouths are as easy to feed |
00:33:15 |
- I'm in the buzz book. |
00:33:17 |
Here, give me your phone. |
00:33:27 |
(CELL PHONE RINGING) |
00:33:29 |
There we are. |
00:33:40 |
(HORN HONKS) |
00:33:41 |
- Hey! What are you doing? |
00:33:44 |
You must never do that! |
00:33:57 |
Come on, Artie. I said I'm sorry. |
00:34:04 |
- KA TY: He's hungry. |
00:34:08 |
KA TY: It's a bit pathetic, isn't it, |
00:34:13 |
How long are you planning on |
00:34:16 |
- I don't have any plans. |
00:34:22 |
Why don't you ask for help? |
00:34:26 |
We aren't meant to do these things |
00:34:30 |
He's got no one to go to |
00:34:35 |
That's true. That is definitely true. |
00:34:48 |
Hey, cheeky bum, |
00:34:51 |
Come on. |
00:34:55 |
- Now, you see that puddle? |
00:34:59 |
- You drive, okay? |
00:35:01 |
- Are you ready? |
00:35:02 |
- Now, don't miss. |
00:35:04 |
Let's go! |
00:35:05 |
On your markies, |
00:35:10 |
(SCREAMING) |
00:35:16 |
Again! Again! |
00:35:22 |
(JOE LAUGHING) |
00:35:25 |
JOE: Now, you don't need to |
00:35:27 |
about biology or fluid mechanics |
00:35:29 |
to deduce that Michael Fred Phelps III |
00:35:35 |
He just looks so racy. |
00:35:38 |
If you ran your hands |
00:35:41 |
and, let's face it, |
00:35:43 |
his skin would feel |
00:35:47 |
With his flipper feet and paddle hands, |
00:35:52 |
he must surely be the result |
00:35:53 |
of some devilish American experiment |
00:36:12 |
(DOORBELL RINGING) |
00:36:15 |
- Oh, hi. How was Sydney? |
00:36:18 |
- Hey, look who's here. |
00:36:19 |
Give us a cuddle. |
00:36:23 |
He's been great. Haven't you? |
00:36:25 |
He's eaten really well, |
00:36:29 |
Oh! That's where he was. |
00:36:32 |
Look, and he did these pictures |
00:36:38 |
ARTIE: I'll show you a trick. |
00:36:41 |
- Thanks, Laura. I really appreciate it. |
00:36:48 |
(CHILDREN GIGGLING) |
00:36:57 |
- Can I go and live at Laura's? |
00:37:01 |
Can I go and live at Laura's? |
00:37:05 |
I'll come back and visit you |
00:37:07 |
but I'll live at Laura's and Lucy's. |
00:37:15 |
You want to go and live there, do you? |
00:37:22 |
Fine, but if you're going to go, |
00:37:26 |
So pack your bag |
00:37:32 |
Daddy, are you all right? Daddy? |
00:37:47 |
(ARTIE CRYING) |
00:38:05 |
JOE: So, what do you want to do? |
00:38:07 |
ARTIE: (MUFFLED) |
00:38:09 |
- What? |
00:38:15 |
I want you to stay here. |
00:38:27 |
It'll get better. I promise. |
00:38:34 |
(EX CLAIMS MOCKINGLY) |
00:38:36 |
(SQUEALS) |
00:38:37 |
(JOE GROWLING) |
00:38:52 |
(JOE EX CLAIMS) |
00:38:54 |
(BIC YCLE BELL RINGS) |
00:38:57 |
JOE: (READIN G) "Mrs. Darling first |
00:39:00 |
"when she was tidying up |
00:39:04 |
(ARTIE YELLING IN DELIGHT) |
00:39:10 |
"It is the nightly custom |
00:39:12 |
"after her children are asleep |
00:39:16 |
"and put things straight |
00:39:18 |
"repacking into their proper places |
00:39:21 |
"the many articles |
00:39:31 |
- Don't stop. |
00:39:36 |
"If you could keep awake, |
00:39:41 |
FLICK: (ON PHONE) Harry's been |
00:39:43 |
He hasn't seen you |
00:39:45 |
- JOE: I know. |
00:39:47 |
- A boy his age needs his father. |
00:39:52 |
I've spoken to the head. |
00:39:55 |
You pay them enough. |
00:40:00 |
Sorry, of course it's too much to ask. |
00:40:02 |
- I'll tell him you're too busy. |
00:40:04 |
(LINE DISCONNECTS) |
00:40:06 |
Christ. |
00:40:08 |
(PHONE DIALIN G) |
00:40:14 |
- Flick? |
00:40:16 |
Look, I'm sorry. Listen, he can come |
00:40:21 |
- Thank you. |
00:40:23 |
- I'll organize everything. |
00:40:26 |
Okay. |
00:40:31 |
- How much taller will he be than me? |
00:40:37 |
- How much older is he? |
00:40:41 |
- So, about eight inches? |
00:40:45 |
- Will he like me? |
00:40:50 |
- I've got nibbles. |
00:40:54 |
I've got nibbles. |
00:40:56 |
What? Are you worried |
00:40:58 |
I've got nibbles. I've got nibbles. |
00:41:02 |
I've got nibbles, I've got nibbles, |
00:41:05 |
- There he is. |
00:41:08 |
Come on, put your T-shirt on. |
00:41:15 |
- Hey. How are you? |
00:41:20 |
So, this is your little brother. |
00:41:23 |
Hi, Artie. |
00:41:27 |
- How was the flight? |
00:41:33 |
Well, let's get your bag. |
00:41:37 |
- How's your mum? |
00:41:39 |
- School? |
00:41:42 |
Wow! |
00:41:43 |
- It's boiling. |
00:41:46 |
It's not proper summer here until |
00:41:53 |
So, here we are. |
00:42:00 |
(ARTIE YELLING) |
00:42:05 |
It didn't look like this |
00:42:10 |
Your room is down here. |
00:42:12 |
(FLY BUZZING) |
00:42:20 |
ARTIE: Hands up if you like sheep |
00:42:27 |
Hands up if you like dog fart. |
00:42:32 |
One of his own compositions, |
00:42:38 |
- Are you tired? Do you want to rest? |
00:42:43 |
Do you want to get changed, |
00:42:46 |
Later on. |
00:42:49 |
ARTIE: Hands up if you like |
00:42:50 |
I'll make some lunch. |
00:42:52 |
Hands up if you like cow pee. |
00:42:57 |
Hands up if you like me! |
00:43:00 |
(BIRD SQUAWKING) |
00:43:02 |
I run a pretty loose ship. |
00:43:03 |
Basically, I've found |
00:43:05 |
the more crimes are created. |
00:43:07 |
So, fewer rules. Fewer but bigger rules. |
00:43:11 |
- No interrupting adults... |
00:43:15 |
- Very good. No swearing. |
00:43:18 |
- I don't like it. |
00:43:20 |
It's the mark of a limited vocabulary |
00:43:23 |
which is why |
00:43:26 |
If it's a sign of a small vocabulary, |
00:43:28 |
then how come |
00:43:31 |
Bloody, bleeding, buggery, |
00:43:36 |
- mother... |
00:43:37 |
as little lying and stealing as possible, |
00:43:40 |
no fighting, except for fun, |
00:43:44 |
HARRY: Oh! |
00:43:45 |
As far as possible, be polite. |
00:43:47 |
Now, screaming insanely, |
00:43:49 |
running round the house |
00:43:51 |
throwing water bombs at the windows, |
00:43:56 |
Artie! In fact, really, |
00:43:59 |
and that is you've got to do as I tell you. |
00:44:01 |
It's just that I'm not going to tell you |
00:44:04 |
The aim is something we like to call |
00:44:08 |
Okay. |
00:44:11 |
Shit! |
00:44:14 |
It's not funny. |
00:44:20 |
- Hey, are you okay? |
00:44:24 |
It's quite a shock, isn't it? |
00:44:27 |
but it's a great place |
00:44:29 |
Yeah? Well... |
00:44:33 |
"It has more things that will kill you |
00:44:35 |
"Out of the world's 10 most poisonous |
00:44:41 |
You'll be all right. |
00:44:49 |
(BIRDS SQUAWKING LOUDLY) |
00:44:59 |
(SNIFFS) |
00:45:15 |
ARTIE: No! |
00:45:17 |
(JOE GRUNTS) |
00:45:19 |
JOE: No! |
00:45:22 |
(JOE GRUNTS) |
00:45:23 |
(ARTIE SHRIEKS) |
00:45:25 |
ARTIE: No! |
00:45:26 |
(JOE GRUNTING) |
00:45:29 |
- Do you submit? Do you submit? |
00:45:34 |
(BOTH YELLING) |
00:45:36 |
(CHANTING) Geronimo! |
00:45:41 |
- I'm the king of the bed! |
00:45:44 |
- Yeah! Yeah! |
00:45:46 |
Hey, you don't get away that easy, |
00:45:49 |
- Yeah! |
00:46:01 |
(UPBEA T MUSIC PLA YIN G) |
00:46:03 |
(CHILDREN CHATTERING) |
00:46:14 |
Nice one. |
00:46:16 |
Oh, my God. You've got to be kidding. |
00:46:20 |
Good, eh? |
00:46:22 |
(SCREAMS) |
00:46:23 |
- That is so high. |
00:46:25 |
- But if the wire breaks... |
00:46:27 |
The wire's fine. |
00:46:29 |
I'm trying not to think |
00:46:31 |
- But, seriously, if he let go... |
00:46:36 |
- HARRY: Nice one. |
00:46:39 |
I think you rather enjoy |
00:46:42 |
What gives you that idea? |
00:46:48 |
- Only four weeks out of date. |
00:46:50 |
Here, here. Take this. |
00:46:55 |
LAURA: Sweetie, can you go |
00:46:57 |
- LUC Y: Shall I put them here? |
00:46:59 |
- Hi. I'm Laura. Hi. |
00:47:02 |
- Arthur's grandmother. |
00:47:05 |
- Is this one yours? |
00:47:09 |
- She's very pretty. |
00:47:13 |
- Artie. |
00:47:16 |
- Hi, Nana. |
00:47:19 |
Thank you, Nana. |
00:47:21 |
(CHILDREN CHATTERING) |
00:47:23 |
Hey. Glad you could come. |
00:47:26 |
He'll put someone's eye out with that. |
00:47:28 |
The thing is, |
00:47:31 |
for anyone aspiring to be an overlord. |
00:47:34 |
- I would have done this for you. |
00:47:38 |
Well, if they eat this lot, |
00:47:40 |
- Tea? |
00:47:53 |
Where is Harry? |
00:47:59 |
Why has he come here now, |
00:48:01 |
JOE: What do you mean? |
00:48:02 |
Perhaps your ex-wife thinks |
00:48:05 |
Thank you. |
00:48:11 |
I remember |
00:48:15 |
We invited the whole class, |
00:48:18 |
They ran riot. |
00:48:26 |
I still see her, in the street or... |
00:48:32 |
And not like in a dream. |
00:48:36 |
- Actually there. |
00:48:48 |
LAURA: Everyone run around. |
00:48:53 |
CHILD: Three million! |
00:48:55 |
We'll be here for weeks. |
00:48:58 |
Get ready. I'm counting to 100. |
00:49:00 |
One, two, three, four, five... |
00:49:06 |
(S OFT ROCK MUSIC PLA YIN G) |
00:49:09 |
(CHATTERING) |
00:49:25 |
...99, 100! |
00:49:28 |
Coming, ready or not. |
00:49:33 |
Come on, little children. |
00:49:36 |
because I love to play |
00:49:39 |
and give them lots of lovely pressies. |
00:49:41 |
For God's sake. You're going |
00:49:45 |
Aha! |
00:49:46 |
I think I see one of the little darlings. |
00:49:50 |
(JOE GROWLS) |
00:49:51 |
(LUC Y SCREAMS) |
00:49:52 |
(LAURA LAUGHS) |
00:49:53 |
- JOE: Oh, I'm sorry. Sorry. |
00:49:55 |
- You can't catch me. No, no. |
00:49:59 |
(BO Y SHRIEKS) |
00:50:02 |
Boys, boys, look what you made me do. |
00:50:06 |
You made me angry. |
00:50:11 |
(BO YS SCREAMING) |
00:50:12 |
ARTIE: (SINGSONG) Come |
00:50:18 |
I'm right here. |
00:50:20 |
I think I know that little voice. |
00:50:23 |
Gotcha! |
00:50:24 |
(SHRIEKING) |
00:50:30 |
(BOTH GIGGLING) |
00:50:31 |
Happy birthday, birthday boy. |
00:50:36 |
(ALL LAUGHING) |
00:50:49 |
"Just say yes"? |
00:50:51 |
It has the power to change |
00:50:54 |
- Really? |
00:50:58 |
- It's not just an easy way out? |
00:51:04 |
Our kids ask us to do a whole range of |
00:51:08 |
We don't even think about it. |
00:51:12 |
Artie says, |
00:51:15 |
I say, "No. I have to go |
00:51:18 |
And you don't worry |
00:51:20 |
No. It's what he needs. |
00:51:23 |
You're a brave man. |
00:51:26 |
- Thanks for everything. |
00:51:56 |
(GUITAR PLAYING SOFTLY) |
00:52:01 |
(KNOCKING ON DOOR) |
00:52:14 |
Yeah? |
00:52:16 |
What was that you were playing? |
00:52:19 |
Just something I made up. |
00:52:20 |
- It sounded good. |
00:52:27 |
Do you and your mum |
00:52:30 |
Sometimes. |
00:52:34 |
I did love your mother very much, |
00:52:40 |
Then why did you leave? |
00:52:45 |
Married couples of my mother |
00:52:48 |
stayed together |
00:52:50 |
We divorced for the same reason. |
00:52:52 |
Are you saying you divorced |
00:52:56 |
I thought it was because you got |
00:53:00 |
Well, there was that, too. |
00:53:06 |
We had some dreadful fights, |
00:53:11 |
I was no match for your mother |
00:53:18 |
It can't have been all bad. You had me. |
00:53:23 |
No, of course not. |
00:53:29 |
Listen, there's something |
00:53:33 |
Look, if you're imagining that |
00:53:34 |
your mother and I would |
00:53:37 |
Jesus, Dad. |
00:53:39 |
Her boyfriend's just moved in, |
00:53:43 |
- Really? When? |
00:53:47 |
- How's that for you? |
00:53:54 |
What's he like? |
00:53:58 |
He's nice. |
00:54:03 |
Anyway, I just wanted to say thanks |
00:54:08 |
You were great. |
00:54:46 |
(HARRY CHATTERING) |
00:54:47 |
It's a huge goal. It's a wonder-strike. |
00:54:51 |
- ARTIE: Don't want to play soccer. |
00:54:56 |
JOE: Funny thing, isn't it? The minute |
00:55:01 |
is the moment it all starts to fall apart. |
00:55:13 |
HARRY: There it is! |
00:55:17 |
For God's sake. |
00:55:21 |
Guys, guys, can you put your |
00:55:26 |
Jeez! Do I have to do everything |
00:55:29 |
- Daddy, can I have some Coke? |
00:55:32 |
Can I have some Coke now? |
00:55:34 |
Can I teach you some manners, Arthur? |
00:55:36 |
- N-O. Mind your own business. |
00:55:39 |
Put some bloody clothes on, |
00:55:41 |
- Why? |
00:55:43 |
- Laura's bringing Lucy round. |
00:55:45 |
I'm not angry. |
00:55:49 |
- Hey, welcome. |
00:55:52 |
ARTIE: Hey, guess what. |
00:55:54 |
- What? |
00:55:55 |
- And fly. |
00:55:59 |
LUC Y: Can I come and see them? |
00:56:02 |
- Drink? One glass? Family red. |
00:56:05 |
- I should get back. |
00:56:09 |
- Leave those. |
00:56:11 |
Absolutely. I've discovered |
00:56:16 |
which not only stores the dishes, |
00:56:19 |
Really? |
00:56:22 |
The housework has come |
00:56:25 |
even though I watched so much of it |
00:56:28 |
The cooking, the cleaning, |
00:56:32 |
hoovering the carpets |
00:56:33 |
How did you meet Katy? |
00:56:37 |
I interviewed her. |
00:56:40 |
She was an equestrian. |
00:56:45 |
I met her at some horse trials |
00:56:48 |
She was with the Aussie team. |
00:56:51 |
I made her pregnant, |
00:56:55 |
I followed. |
00:56:58 |
What was she like? |
00:57:00 |
Uniquely endowed |
00:57:05 |
sex appeal, energy, |
00:57:12 |
and, as it turned out, cancer. |
00:57:25 |
(INAUDIBLE) |
00:57:35 |
And then one day Lucy asked me, |
00:57:40 |
- And what did you say? |
00:57:42 |
"Dope is a special name |
00:57:44 |
- What is his name? |
00:57:46 |
Brie? Like the runny cheese? |
00:57:48 |
I haven't heard that one before. |
00:57:56 |
So, how are things since the divorce? |
00:57:58 |
Fine. He was a terrible husband |
00:58:01 |
but okay dad, |
00:58:06 |
So, what is it you want? |
00:58:09 |
Something I can't have. |
00:58:14 |
I mean, I've got plenty of people |
00:58:18 |
I've just got no one |
00:58:23 |
(DOOR CREAKING) |
00:58:28 |
Hi. |
00:58:37 |
We'd better be going, I think. |
00:58:46 |
- I never want to see Lucy ever again. |
00:58:50 |
She spoils every game, |
00:58:51 |
and she's always supposed to be |
00:58:54 |
I thought you wanted to go |
00:58:56 |
I don't anymore. |
00:58:58 |
Well, Laura's my friend. I'm not going |
00:59:00 |
We'll see about that. |
00:59:03 |
(DOOR SLAMS) |
00:59:04 |
He's not upset because of Lucy. |
00:59:08 |
He had you all to himself, |
00:59:12 |
- and now Laura. |
00:59:15 |
She's a friend. Can I not have friends? |
00:59:18 |
God, Dad, anyone can see |
00:59:26 |
Don't be so bloody precocious. |
00:59:31 |
(DOOR SHUTS) |
00:59:35 |
(SIGHS) |
00:59:57 |
- You wanted a word? |
00:59:59 |
I see you've assigned coverage |
01:00:02 |
Yeah, yeah, |
01:00:04 |
I want you there. |
01:00:06 |
I've done it for the last four years. |
01:00:08 |
Look, I cut you a lot of slack |
01:00:11 |
you know, |
01:00:14 |
- Three months, Joe. |
01:00:18 |
(BLOWING RASPBERRIES) |
01:00:21 |
Artie. Hey, cut that out. |
01:00:24 |
Sorry, he's a bit under the weather. |
01:00:27 |
I want you there, Joe, |
01:00:29 |
I need my top sports writer covering |
01:00:32 |
Otherwise, you're not |
01:00:39 |
Come on. |
01:01:16 |
I have checked all the airlines. |
01:01:17 |
There's absolutely no seats |
01:01:21 |
Well, maybe I could drive. |
01:01:24 |
Ditto hotels. Everything's booked. |
01:01:29 |
(SPEAKING FOREIGN LANGUAGE) |
01:01:34 |
BARBARA: So, those are done. |
01:01:42 |
FOREMAN: Yeah, sure. |
01:01:47 |
Excuse me. |
01:01:50 |
- Is everything okay? |
01:01:55 |
Busy. We've got the winemakers here. |
01:01:58 |
Listen, I'm in a bit of a jam. |
01:02:00 |
I was wondering if you might be able |
01:02:02 |
- with Harry and Artie. |
01:02:05 |
Next week. I have to go away |
01:02:08 |
- This coming week? |
01:02:10 |
Shouldn't you have |
01:02:13 |
Well, I've been trying to take them |
01:02:16 |
Why don't you ask that girl |
01:02:18 |
- What girl? |
01:02:20 |
She looked perfectly at home to me. |
01:02:22 |
One minute, Flick wants me back. |
01:02:25 |
- Well, aren't you? |
01:02:28 |
Look, we're really stretched here, Joe. |
01:02:32 |
Well, is there any chance |
01:02:35 |
Well, I don't know. |
01:02:37 |
You know what? Forget it. |
01:02:39 |
No, I'm not saying I won't take them. |
01:02:40 |
- It's fine. Forget it. |
01:02:44 |
Oh, please. Come on, Joe. |
01:02:51 |
(CELL PHONE RINGING) |
01:03:07 |
Artie, shoes, come on. |
01:03:12 |
- Hey. Listen, I... |
01:03:20 |
(TOILET FLUSHING) |
01:03:32 |
JOE: Artie? |
01:03:38 |
Defrosting. There's a dinosaur |
01:03:47 |
Hog heaven becomes hog hell. |
01:03:49 |
Think of the Seven Dwarfs |
01:03:56 |
Does Harry never do |
01:03:58 |
Not as such. Artie, hurry up. |
01:04:02 |
"Oh, please don't do that," he said, |
01:04:05 |
- You've got them on the wrong feet. |
01:04:08 |
Change them round, eat your breakfast |
01:04:10 |
Oh, God. I have to change my shoes, |
01:04:14 |
I have to go to the loo. |
01:04:16 |
Jesus. I'm turning into my mother. |
01:04:21 |
What did you want to ask me? |
01:04:26 |
What are your plans for next week? |
01:04:28 |
- Why? What have you got in mind? |
01:04:36 |
- Where? |
01:04:39 |
You want me to have your kids for you? |
01:04:41 |
- The thought had crossed my mind. |
01:04:45 |
- Great, so you're free. |
01:04:47 |
What makes you think |
01:04:50 |
What makes you think |
01:04:53 |
having non-stop sex with my lover? |
01:04:56 |
Are you? |
01:04:59 |
We seem to have skipped a couple of |
01:05:03 |
We haven't even been on a date, and |
01:05:08 |
The Seven Dwarfs before |
01:05:11 |
- Just a joke. |
01:05:14 |
All just excuses for laziness |
01:05:19 |
You drink too much |
01:05:23 |
Artie, Lucy, we're leaving now. |
01:05:26 |
Bye, Dad. |
01:05:29 |
See you. |
01:05:33 |
(ROCK MUSIC PLA YIN G) |
01:05:54 |
So, as far as the outside world |
01:05:56 |
I'm in Melbourne, so I don't want |
01:05:59 |
Okay. |
01:06:00 |
And I'm going to need some help |
01:06:03 |
Okay. |
01:06:19 |
(CROWD CHEERIN G ON TV) |
01:06:23 |
JOE: In Melbourne today, |
01:06:25 |
was comprehensively out-yelped |
01:06:28 |
by her sister Serena. |
01:06:29 |
She ramped up the volume |
01:06:33 |
bellows and bleats |
01:06:43 |
For me, sitting in the Rod Laver Arena |
01:06:46 |
with the sun having long since set, |
01:06:48 |
TIM: (ON PHONE) Keep it up, Joe. |
01:06:49 |
I'm glad you saw sense |
01:06:50 |
For a minute, I thought |
01:07:02 |
ARTIE: 30-40. |
01:07:09 |
HARRY: Can you grab the ketchup? |
01:07:18 |
That's so good. |
01:07:36 |
(PHONE RINGING) |
01:07:40 |
Don't answer it. |
01:07:45 |
ARTIE: Hello? |
01:07:47 |
- (WHISPERING) I said don't answer it. |
01:07:52 |
- Hey. |
01:07:53 |
I thought you should know, |
01:07:55 |
has tickets for the men's final. |
01:07:57 |
- You'd better get your arse over there. |
01:08:02 |
(WO MAN ON TV S CREAMIN G) |
01:08:14 |
- Have you taken the rubbish out? |
01:08:20 |
Harry, you rarely get asked to do |
01:08:22 |
but when you do, I want you to do them. |
01:08:23 |
Why can't it wait till morning? |
01:08:26 |
- Forget it. I'll do it myself. |
01:08:30 |
Here, I'll do it, |
01:08:33 |
Just leave it. I've got it. Christ! |
01:08:37 |
- Where do you think you're going? |
01:08:40 |
Could you come back here |
01:08:44 |
And take that stupid bloody hat off. |
01:08:47 |
(CRYING) |
01:08:51 |
Oh, Jesus. Don't start crying. |
01:08:54 |
You're such a bullying shit! |
01:08:56 |
Brilliant. Terrific. Well done. |
01:09:00 |
(CROCKERY SHATTERING) |
01:09:02 |
- You're a bullying shit! |
01:09:30 |
(BROKEN CROCKERY SCRAPING) |
01:09:45 |
I'm really sorry. |
01:09:49 |
Someone said something about chores |
01:09:55 |
I've been a bit stressed about work. |
01:10:02 |
I'm sorry. |
01:10:20 |
You have to go, Dad. |
01:10:25 |
- I'll look after Artie. |
01:10:28 |
It's just a couple of nights. I can do it. |
01:10:31 |
- No. Harry... |
01:10:35 |
I promise. |
01:10:40 |
Remember, don't answer the door |
01:10:42 |
You've got all the relevant numbers. |
01:10:44 |
- all the time. |
01:10:46 |
Yeah, but call me |
01:10:47 |
We'll be fine. |
01:10:50 |
Okay. |
01:10:51 |
(CAR ENGINE STARTS) |
01:10:53 |
- Bye, then. |
01:10:55 |
- Look after him. |
01:10:57 |
Go, Daddy. |
01:11:09 |
- Thanks. |
01:11:26 |
JOE: (ON PHONE) |
01:11:27 |
Everything's great. |
01:11:29 |
We're just having dinner, |
01:11:31 |
- Good. |
01:11:34 |
Make sure you lock up properly. |
01:11:36 |
I will. |
01:11:37 |
- Okay. I'll call you in the morning. |
01:11:42 |
ANNO UNCER: From the United States |
01:11:45 |
(CROWD CHEERING) |
01:11:47 |
Hey, Joe. |
01:11:49 |
Hello, stranger. |
01:11:51 |
I only get wheeled out |
01:11:53 |
- Oh, yeah. |
01:11:55 |
long legs or big breasts. |
01:11:58 |
I suppose you could make a decision |
01:11:59 |
based on the relative strengths |
01:12:03 |
Breasts, isn't it? Got to be. |
01:12:08 |
(CROWD CHEERING) |
01:12:13 |
(PLAYING GUITAR SOFTLY) |
01:12:24 |
(INDISTINCT CHATTERING) |
01:12:28 |
(BOTH LAUGHING) |
01:12:49 |
JOE: (ON PHONE) |
01:12:51 |
HARRY: We're just down the beach |
01:12:53 |
So, let me say goodbye to Artie. |
01:12:57 |
ARTIE: Hello? |
01:12:58 |
See you later, alligator. |
01:13:00 |
Don't forget your toilet paper. |
01:13:01 |
- Don't be too late. Night. |
01:13:03 |
(ROCK MUSIC PLA YIN G) |
01:13:10 |
Shouldn't you be in bed? |
01:13:12 |
My dad's away. |
01:13:25 |
You want to hear my favorite joke? |
01:13:27 |
Why? Do I look like |
01:13:29 |
Maybe. |
01:13:37 |
- You okay? |
01:13:41 |
If you want. |
01:13:48 |
There we go. |
01:13:50 |
What you got there? |
01:13:52 |
(UPBEA T MUSIC PLA YIN G) |
01:13:54 |
(PEOPLE CHATTERING) |
01:13:56 |
MAN: So, what are you saying? |
01:13:59 |
Hey, beautiful. Excuse me. |
01:14:04 |
Do you know why you should |
01:14:10 |
Because they're mine. |
01:14:11 |
(MEN LAUGHING) |
01:14:14 |
And they say |
01:14:18 |
- What's your problem? |
01:14:21 |
- Who asked you anyway? |
01:14:24 |
(ALL GASP) |
01:14:28 |
It's all right. I'm sorry. |
01:14:30 |
"The boys on the island vary, |
01:14:33 |
"according as they get killed |
01:14:36 |
(THUD) |
01:14:39 |
Don't stop. |
01:14:43 |
(THUD) |
01:14:50 |
- What is it? |
01:14:54 |
(KIDS CHATTERING) |
01:15:00 |
BO Y: Hey, let us in! Harry! |
01:15:03 |
Oh, God. I think |
01:15:07 |
- Does it hurt? |
01:15:09 |
Aw. |
01:15:11 |
- I don't even know your name. |
01:15:14 |
- (MUFFLED) Hey, Mia. I'm Joe. |
01:15:22 |
(LO UD ROCK MUSIC PLA YIN G) |
01:15:25 |
BO Y: Beer in the fridge. |
01:15:29 |
(ALL SHOUTING) |
01:15:31 |
Hey, guys, I've found the booze. |
01:15:37 |
I don't like them being here. |
01:15:40 |
I'm going to try and do that. |
01:15:41 |
- Call Daddy. Call the police. |
01:15:44 |
Go down to my room and shut the door. |
01:15:47 |
Hey, don't want you calling Daddy. |
01:15:49 |
Hey, I need... |
01:15:58 |
Did you look on the floor |
01:16:01 |
Okay. Thanks. No, there's no sign of it. |
01:16:03 |
Shit. My whole bloody life's |
01:16:11 |
(GLASS SHATTERING) |
01:16:17 |
(PHONE RIN GIN G) |
01:16:24 |
JOE: Come on. |
01:16:32 |
MAN: (ON PHONE) Reception. |
01:16:33 |
Yeah, are there any messages for me? |
01:16:36 |
No, nothing, sir. |
01:16:38 |
No. Thank you. |
01:16:40 |
I'll just get you to sign that one for me. |
01:16:42 |
- Thank you. |
01:16:44 |
So, are you here for the men's final, |
01:16:48 |
Joe? Joe! |
01:16:53 |
Airport, please. |
01:16:56 |
Oh, my God. |
01:17:02 |
Artie? Harry? |
01:17:05 |
(ANSWERING MACHINE BEEPING) |
01:17:12 |
(ON ANSWERIN G MACHINE) Joe, |
01:17:14 |
JOE: Barbara, what's going on? |
01:17:16 |
- Where have you been? |
01:17:18 |
- What have you done to your face? |
01:17:19 |
Are they all right? |
01:17:21 |
I don't think |
01:17:22 |
I mean, where were you last night? |
01:17:24 |
- Where's Harry? I need to speak to him. |
01:17:26 |
- Where is he? |
01:17:28 |
- What are you talking about? |
01:17:30 |
He wanted to go back to England. |
01:17:31 |
What do you mean, |
01:17:32 |
Well, he had a return ticket |
01:17:34 |
I had a long talk with his mother, |
01:17:37 |
I mean, what the hell were you doing |
01:17:40 |
Whatever possessed you? |
01:17:41 |
Goodness knows what would have |
01:17:43 |
Those kids from the beach |
01:17:46 |
I had to turn them out, |
01:17:51 |
Can you fetch Artie for me, please? |
01:17:52 |
No. I think |
01:17:54 |
- Fetch him, please. |
01:17:57 |
- and I could have called child welfare. |
01:17:59 |
- Do you think they'd let you keep him... |
01:18:01 |
- No! Get out of that house! |
01:18:03 |
No, not in front of the boy! No! |
01:18:05 |
- Come on, we're going. We're going. |
01:18:08 |
- You're not fit to be his father... |
01:18:11 |
You can't replace your daughter |
01:18:24 |
- Did you hurt yourself? |
01:18:33 |
- You all right? |
01:18:38 |
Pretty big one by the looks of it. |
01:18:42 |
Your boy got off all right. |
01:18:45 |
- How was he? |
01:18:47 |
He said to tell you |
01:18:53 |
Thanks for sorting things out |
01:18:55 |
It was Tigerwoman. |
01:19:04 |
- Nana was very upset. |
01:19:10 |
We all do. |
01:19:24 |
Oh, no. |
01:19:28 |
ARTIE: Harry left his bear. |
01:19:32 |
- Is this bothering you, Daddy? |
01:19:36 |
Is this bothering you, Daddy? |
01:19:39 |
(PHONE RIN GIN G) |
01:19:40 |
- FLICK: Hello? |
01:19:44 |
- You are unbelievable. |
01:19:47 |
- He doesn't want to talk to you, Joe. |
01:19:50 |
(LINE DIS CONNEC TS) |
01:19:56 |
Artie, bedtime. Artie? |
01:20:12 |
Artie? |
01:20:24 |
I miss him, too. |
01:20:29 |
(CHILDREN CHATTERING) |
01:20:32 |
LAURA: Yeah, sure. |
01:20:35 |
Okay. Look after her, |
01:20:37 |
- just make sure it's in the week, okay? |
01:20:41 |
Come on, Lucy. Let's go. |
01:20:43 |
- Bye, Lucy. |
01:20:46 |
- BREE: How was your day, sweetie? |
01:20:47 |
That's good. |
01:20:49 |
Hey. |
01:20:50 |
Ouch. |
01:20:52 |
- Is that the boyfriend? |
01:20:57 |
- Artie tells me he's going to England. |
01:21:01 |
- Maybe. |
01:21:06 |
Personally, I find nothing is often best. |
01:21:09 |
Oh, and, by the way, |
01:21:12 |
- Sorry? |
01:21:57 |
(BILLIARD BALLS CLACKING) |
01:22:10 |
Artie. Can you see which one's me? |
01:22:17 |
- The one with the football, that's me. |
01:22:21 |
- Yes, it is. |
01:22:24 |
Mr. Warr? I've spoken to Harry. |
01:22:29 |
I'm really sorry. |
01:22:32 |
This is really rather awkward. |
01:22:38 |
- I see. |
01:22:42 |
- Right. |
01:22:44 |
- I have a few minutes. |
01:22:49 |
Sweetheart? |
01:23:02 |
(WHISTLE BLOWS) |
01:23:06 |
Where are you going? Artie. |
01:23:08 |
Harry! Harry! |
01:23:11 |
- Artie, come back. |
01:23:15 |
Harry! Harry! Harry! |
01:23:24 |
- HARRY: What are you doing here? |
01:23:26 |
We want you to be with us again. |
01:23:28 |
- Look, I'm really sorry. |
01:23:30 |
Harry. |
01:23:38 |
(TEAM CHANTING) |
01:23:48 |
Come on. |
01:23:58 |
(DOOR OPENING) |
01:24:04 |
BARMAID: Hi, lads. |
01:24:05 |
BO Y 1: Coke and a squash, please. |
01:24:06 |
BO Y 2: Did you boys see Jones' tackle, |
01:24:08 |
BO Y 3: Yeah. He didn't get up |
01:24:09 |
BO Y 2: What do you expect? |
01:24:12 |
I wasn't going to take on the fullback. |
01:24:15 |
You can't tell the difference |
01:24:18 |
I'll get these. |
01:24:22 |
We used to come in here |
01:24:24 |
BARMAID: That's 5.50, please. |
01:24:28 |
- Can we talk? |
01:24:30 |
I'll see you in a sec. |
01:24:36 |
- Where's Artie? |
01:24:45 |
I'm really sorry about what happened. |
01:24:47 |
I should never have left you guys alone. |
01:24:52 |
And I'm sorry |
01:24:55 |
I loved Australia. |
01:24:58 |
Well, that it wasn't everything |
01:25:04 |
I need to ask you something |
01:25:07 |
- and I want you to listen to me. |
01:25:11 |
I mean, really listen to me. |
01:25:13 |
- I do. |
01:25:17 |
Okay, well, I'm listening now. |
01:25:21 |
Why did you leave me? |
01:25:25 |
- When you went with Katy. |
01:25:32 |
I fell in love with someone else. |
01:25:34 |
No. Why did you leave me? |
01:25:38 |
I mean, |
01:25:42 |
I wanted you to take me with you. |
01:25:47 |
I can honestly say |
01:25:52 |
You were so young, I thought |
01:25:58 |
- Didn't you miss me? |
01:26:03 |
But, you know, |
01:26:04 |
- I was trying to get it right. |
01:26:07 |
- With your mother. |
01:26:10 |
Don't be ridiculous. |
01:26:12 |
See? You don't listen. |
01:26:14 |
I try and tell you how I feel |
01:26:20 |
I'm sorry. |
01:26:27 |
- I had no idea. |
01:26:30 |
You were playing happy families |
01:26:37 |
- You never wanted me. |
01:26:46 |
- I'm sorry you feel like this. |
01:27:05 |
- ARTIE: Harry's bear. |
01:27:09 |
No, he's with his friends. |
01:27:11 |
But I want to give it to him! |
01:27:50 |
Daddy, there's a car here |
01:27:57 |
A convertible, like the one we need. |
01:28:01 |
I must have been |
01:28:04 |
Daddy, I'm trying to read, |
01:28:10 |
Katy? Don't abandon us now. |
01:28:15 |
Daddy, I'm begging you. |
01:28:20 |
Coming, sweetheart. |
01:28:26 |
Where's that car? |
01:28:29 |
(VIOLIN PLAYING CLASSICAL MUSIC) |
01:28:41 |
Hi. |
01:28:46 |
What are you doing here? |
01:28:47 |
- We've been to see Harry. |
01:28:52 |
- Not too good. |
01:28:56 |
- Why do you do things like this? |
01:28:58 |
Well, who just turns up at the door? |
01:29:00 |
- Have you got a baby in your tummy? |
01:29:05 |
- My mummy's dead. |
01:29:10 |
- Congratulations. |
01:29:14 |
Not a word. |
01:29:15 |
(VIOLIN CONTINUES PLAYING) |
01:29:18 |
Would you like |
01:29:20 |
What have you got? |
01:29:21 |
Why don't you come in |
01:29:23 |
- Don't you have a lesson? |
01:29:26 |
- Is Jason home? |
01:29:42 |
(DOOR OPENS) |
01:29:46 |
Thanks for seeing me. |
01:29:49 |
You want some tea? |
01:29:56 |
- God, I hated this school. |
01:30:02 |
- Your name's on every board. |
01:30:06 |
- It's pretty awful here now. |
01:30:13 |
So, your mum's pregnant? |
01:30:18 |
- It's going to be a girl. |
01:30:21 |
It'll be cool to have a sister, won't it? |
01:30:30 |
So, where do you fit in, do you think? |
01:30:35 |
I'm not sure I do. |
01:30:40 |
Okay, look, I'm going to take |
01:30:48 |
but what we want, both of us, |
01:30:57 |
Come and live with us. |
01:31:01 |
I saw your mum yesterday. |
01:31:04 |
and she wants what's best for you. |
01:31:06 |
So, if you did want to come, |
01:31:12 |
Artie and I have talked about it a lot, |
01:31:17 |
He just adores you. |
01:31:22 |
Obviously, it's a huge decision, so |
01:31:27 |
I didn't feel safe there. |
01:31:31 |
- What, the 10 most poisonous snakes? |
01:31:37 |
You scared me. |
01:31:41 |
That won't happen again. |
01:31:46 |
Whatever you decide, I promise, I'll be |
01:31:56 |
I can't, Dad... |
01:31:59 |
I can't. |
01:32:03 |
All my friends are here. |
01:32:09 |
It's not fair on Mum. |
01:32:17 |
I'm sorry. |
01:32:30 |
ARTIE: So, when are we going? |
01:32:34 |
When is Harry coming? Daddy? |
01:32:38 |
He's not coming with us, sweetheart. |
01:32:43 |
He'll come for holidays and stuff. |
01:32:48 |
(ARTIE GRUNTING) |
01:32:50 |
It's your fault! |
01:33:07 |
(INDIS TINC T ANNO UNCEMEN T |
01:33:35 |
ANNO UNCER: Please do not leave |
01:33:38 |
Luggage left unattended |
01:33:42 |
or destroyed or damaged |
01:33:45 |
Artie. |
01:33:56 |
Artie? |
01:34:03 |
- Artie? |
01:34:19 |
Don't you ever check your messages? |
01:34:23 |
We don't have much time. |
01:34:43 |
You won't lose him. I promise. |
01:34:45 |
The saving on school fees alone is |
01:34:49 |
Thank you for saying that. |
01:34:51 |
Good luck with the baby. |
01:34:54 |
(WHISTLE BLOWS) |
01:35:28 |
JOE: So, here we are, |
01:35:31 |
surviving in a household |
01:35:36 |
Like a year-long experiment |
01:35:39 |
free from earthly influences. |
01:35:41 |
(CHUCKLES) |
01:35:46 |
Harry, did you just wipe your face |
01:35:50 |
Hey, wipe your face with your own dog! |
01:35:53 |
(JOE CHUCKLING) |
01:35:54 |
(YO U BELON G TO ME PLAYING) |
01:35:56 |
(SIN GIN G) |
01:36:01 |
Watch the sunrise on a tropic isle |
01:36:03 |
JOE: Given its inadequacies |
01:36:08 |
I like it. |
01:36:11 |
It's Home Alone, |
01:36:22 |
BARBARA: Gosh! |
01:36:24 |
- JOE: I'm off. |
01:36:25 |
- I'll be back by 6:00. |
01:36:27 |
- No, it was in. It was in. |
01:36:28 |
- Referee? |
01:36:30 |
- Yes! Yes! Yes! Yes! |
01:36:35 |
ARTIE: Bye, Daddy. |
01:36:36 |
You belong to me |
01:36:40 |
I'd be so alone without you |
01:36:46 |
Maybe you'll be lonesome too... |
01:36:51 |
(GRUNTING) |
01:36:52 |
Come on. |
01:37:00 |
KA TY: I don't think |
01:37:03 |
I agree with you about that. |
01:37:06 |
Can't you get him to do it twice a day? |
01:37:09 |
Once a week would be an advance. |
01:37:11 |
I can't understand |
01:37:16 |
Is he brushing them in secret, |
01:37:21 |
What about his hair? |
01:37:25 |
Well, they wash it when he gets it cut. |
01:37:29 |
He gets it cut twice a year, |
01:37:34 |
(ARTIE AND HARRY LAUGHING) |
01:37:39 |
- KATY: He seems happy. |
01:37:46 |
God, he misses you. |
01:37:51 |
- He still remembers me? |
01:37:55 |
Don't ever think that we'll forget you. |
01:38:00 |
You'll always be his mother. |
01:38:05 |
- One more thing. |
01:38:08 |
Will you do |
01:38:10 |
Anything. |
01:38:12 |
Buy that convertible. |
01:38:19 |
I will. |
01:38:22 |
And if anyone asks, I'll tell them why. |