Brave One The

en
00:00:57 I'm Erica Bain. And as you know,
00:01:03 I bitch and moan about it.
00:01:08 ... a witness to all
00:01:11 ... that is disappearing
00:01:14 Last week took me to
00:01:17 ... where Dimitri Panchenko
00:01:20 ... like he has every morning
00:01:25 Today I walked by the acres of scaffolding
00:01:30 ... and I thought about Eloise.
00:01:33 Remember Kay Thompson's Eloise?
00:01:36 Eloise who lived in the Plaza Hotel...
00:01:39 ... with her dog Weenie and her parents,
00:01:44 ... and her English nanny who had
00:01:48 That Eloise. The adored brat
00:01:54 Sid Vicious, spewing beer from his teeth
00:01:59 Andy Warhol, his sunglasses...
00:02:02 Edgar Allan Poe, freeing live monkeys
00:02:07 ... on the oily slips of South Street.
00:02:10 Stories of a city...
00:02:12 ... that is disappearing before our eyes.
00:02:17 So, what will be left of those stories?
00:02:20 Are we going to have to construct an
00:02:25 Because when you love something,
00:02:30 ... you lose a piece of yourself.
00:02:33 So where's Eloise going to sleep tonight?
00:02:38 ... wandering around the collapsing
00:02:42 ... trying to find her nanny's room...
00:02:44 ... calling out
00:02:47 ...in a voice that nobody hears:
00:02:50 "Has anyone seen my turtle,
00:02:54 This is Erica Bain, and you've been listening
00:02:59 - And this is 90. 1, WNKW.
00:03:03 - See you next week.
00:03:10 Hey, I'm out of here.
00:03:12 Did Eloise really mean that much to you?
00:03:14 Oh, come on, Carol.
00:03:17 Not the kind of little girl that
00:03:20 Anyway, good show.
00:03:22 Look, Bravo called again
00:03:26 You know what? I'm...
00:03:28 I'm not a face. I'm just a voice.
00:03:30 The shows are on the website.
00:03:33 - Yeah, exactly.
00:03:37 Bye.
00:03:40 - Hello?
00:03:42 - Hello.
00:03:44 Green scrubs, tied at the waist,
00:03:48 - Short-sleeved little number.
00:03:51 - Still got that?
00:03:53 You like it more than the others,
00:03:56 Oh, yeah. I'm at the place...
00:03:57 ...and I wanna make sure you're still okay
00:04:01 Yeah, cream and orange.
00:04:03 Actually, it's not cream.
00:04:05 It's not cream. It's vanilla.
00:04:07 - Who cares? Let's go get married tonight.
00:04:11 Trust me, she wants invitations.
00:04:13 Yeah, these are good. Thanks.
00:04:15 Hey, listen. For tonight, if you meet me
00:04:19 ... you don't have to
00:04:21 - Maybe.
00:04:23 - I've got a game, haven't I?
00:04:26 - Look, I've gotta go.
00:04:28 I do love you.
00:04:30 Yeah. I love you too.
00:04:33 - Hi.
00:04:36 - I'm Erica. I'm Nicole's friend.
00:04:38 These are good.
00:04:41 The Laundromat is in a town in Jersey
00:04:45 - Oh, yeah?
00:04:49 Berenice Abbott shot it in the '30s.
00:04:51 It's really evocative, you know?
00:04:55 Kind of quiet. I like that.
00:04:58 Thanks.
00:04:59 Bring more drinks, less shrimp. More.
00:05:02 Where you going? You're leaving?
00:05:04 - No, no. I'm staying. I'm staying.
00:05:07 I know, but I try.
00:05:08 You have to convince him
00:05:11 He can't avoid us forever. Oh, my God.
00:05:14 - What are you doing here?
00:05:16 I could take her or leave her.
00:05:19 ...this, when it starts, it's disgusting.
00:05:22 - We have to go.
00:05:23 - Say goodbye.
00:05:25 - I hate you.
00:05:26 I really... I hate you so much.
00:05:33 Oh, God. It's so pretty out.
00:05:36 Tell you what. I'll get him.
00:05:39 No, let me get him.
00:05:41 - Okay. Will you get me my jacket too?
00:05:44 Here. Take this.
00:05:46 Thanks.
00:05:55 Hey.
00:05:57 Oh, I can open my own door.
00:06:01 Thank you.
00:06:13 Good boy. Good boy.
00:06:17 - Hi, puppy!
00:06:21 Are you gonna be that crabby
00:06:24 I am older. And I'm way meaner.
00:06:27 Look, she gave me an apple. Here, baby.
00:06:33 - So she is human.
00:06:37 That was too big a bite.
00:06:42 You know what?
00:06:43 I could get about maybe five days and we
00:06:49 ...find good food and lots of sleeping.
00:06:53 Yes, I concur.
00:06:56 Here, boy. Good boy.
00:07:00 Good boy.
00:07:05 Don't give it to him. Throw it.
00:07:13 - I wasn't mucking about, you know.
00:07:17 Why can't we go down
00:07:20 - Because it's closed.
00:07:24 David, you have a family.
00:07:27 - You're not marrying my family.
00:07:31 I mean, I hope I am.
00:07:37 Your mom is so sweet and she just...
00:07:41 She wants the invitations...
00:07:44 ...and the band playing and the minister.
00:07:49 I don't know. Maybe I do too,
00:07:53 ...it's not like I'm gonna do this twice.
00:07:57 You're not?
00:08:00 No, I'm not.
00:08:04 That's the nicest thing
00:08:25 Where's Curtis?
00:08:27 Oi, Curtis!
00:08:29 Come on, boy.
00:08:31 Come on, pup! Did he go up there?
00:08:35 - He's not in there, is he?
00:08:37 Curtis?
00:08:41 Hey!
00:08:43 - There he is.
00:08:50 - Come on, boy.
00:08:55 Hey, Curtis?
00:08:57 - Hey.
00:09:04 Hey.
00:09:07 - What's up, boy?
00:09:10 Hey.
00:09:12 Man, don't you know
00:09:14 Yeah, don't you fucking know better?
00:09:17 Yeah. I'm sorry. Thanks for finding him.
00:09:20 It's... It's all good, bro. It's all good.
00:09:24 But...
00:09:26 ...I get a reward or something?
00:09:33 Our gratitude. Now give him to me.
00:09:35 Come on, man. You know gratitude
00:09:38 - You're hurting him!
00:09:41 No, I don't think so.
00:09:45 I think he's a keeper. A keeper.
00:09:48 Smile, baby.
00:09:57 - You are a cunt.
00:09:59 Come on, motherfucker.
00:10:04 - Look...
00:10:06 I haven't got much money.
00:10:09 Give me your watch, give me your
00:10:12 Hurry the fuck up, princess.
00:10:14 - Let's go. Hurry up!
00:10:17 - Get the fuck over here.
00:10:20 - David!
00:10:23 Where you going?
00:10:25 - Action!
00:10:28 You just made my day!
00:10:32 Popped your motherfucking cherry!
00:10:35 Let's even shit out.
00:10:38 Ready for your close-up, cunt?!
00:10:40 Heads up!
00:10:41 Hollywood!
00:10:43 Think you're fucking with me?!
00:10:48 You ain't got nothing to say now, fool!
00:10:51 - David.
00:10:55 - A chickenhead and a faggot.
00:12:05 This is the emergency room.
00:12:06 - Did you get any sleep?
00:12:09 We're looking for him.
00:12:11 She was dead on arrival
00:12:15 - Where?
00:12:17 Daughter called 911.
00:12:19 Thanks. I wanna see her.
00:12:30 - So he's laughing again.
00:12:38 Listen, the kid's in a waiting room
00:12:49 We need your signature right here.
00:12:54 Where is she?
00:13:02 - Can I talk to her?
00:13:08 Hey, sweetie.
00:13:10 Can I have a word with you?
00:13:14 We're just gonna be right here.
00:13:19 You like lollipops?
00:13:32 Pick one.
00:13:36 That was the one I was gonna pick.
00:13:43 You know, sweetie...
00:13:46 ...something you should know. Your
00:13:52 And if she could, she would tell you
00:14:04 Did your stepfather hurt your mommy?
00:14:07 Sean? Sean!
00:14:09 Okay. Okay, step back!
00:14:10 - I want my daughter!
00:14:12 All right! All right.
00:14:20 You don't have the right.
00:14:22 - I do...
00:14:25 No, you don't. I do have the right.
00:14:27 - She is my daughter.
00:14:30 And you know
00:14:32 You done been through this a thousand
00:14:35 ...and you do your thing.
00:14:41 - I'm gonna take a walk. You deal with him.
00:14:47 That was Dr. Sterling. Okay, bye-bye.
00:15:11 It's a hell of a thing.
00:15:14 - Yup.
00:16:00 Erica?
00:16:04 Erica, can you hear me?
00:16:08 Erica?
00:16:10 You had the service?
00:16:13 They didn't know when
00:16:15 ...if you were going to wake up.
00:16:19 You were gone for three weeks.
00:16:21 We had to let him go. We had to.
00:16:25 I wanna see him again.
00:16:27 - He's gone.
00:16:29 He's gone, honey.
00:16:35 He would have been happy
00:16:51 Nurse Bench, you have a call on one-four.
00:16:58 I don't know. All the faces
00:17:03 I just can't tell anymore, you know?
00:17:05 You gotta help us here. We need
00:17:10 Let's start over again.
00:17:12 He hit your boyfriend with the pipe.
00:17:18 We know how tough it can be...
00:17:20 ...to go back there...
00:17:24 Look, Miss Bain, we're on your side.
00:17:30 Yeah.
00:17:32 I know that.
00:17:35 You're the good guys.
00:17:38 So how come it doesn't feel like that?
00:22:03 Please leave a message for David and Erica
00:22:08 Hey, it's me. Call me at the gallery.
00:22:11 I'll take you out. Go to dinner, a movie.
00:22:15 Let's go for a walk. Anything, okay?
00:24:16 Ma'am, can I help you?
00:24:19 Detective O'Connor and Detective Pitney,
00:24:22 Pitney and O'Connor are out.
00:24:26 Well...
00:24:28 ...you know,
00:24:31 I've been calling and
00:24:33 ...and I thought that if I came down...
00:24:36 What kind of case did you have?
00:24:41 My boyfriend was beaten to death.
00:24:43 Oh, I'm sorry.
00:24:48 - No, I don't know it.
00:24:51 David Kirmani.
00:24:54 K-l-R-M-A-N-I.
00:24:58 It might be under Erica Bain.
00:25:04 About how long ago did it happen?
00:25:07 June 11 th.
00:25:11 Okay. I realize how difficult
00:25:13 ...but if you'd please be patient
00:25:16 ...an officer will be down shortly
00:25:18 Okay.
00:25:43 I realize how difficult it can be...
00:25:45 ...but if you'd please be patient
00:25:48 ...an officer will be down shortly
00:26:17 - Wanna get something to eat?
00:26:20 - Hey.
00:26:22 Man.
00:26:35 Could I help you?
00:26:40 Yeah. I wanna buy a gun.
00:26:42 License?
00:26:44 Oh, yeah, of course.
00:26:47 Once you get one, fill out this form,
00:26:52 I need to get something now.
00:26:54 Sorry. That's illegal.
00:26:58 Hey!
00:27:00 I won't survive 30 days.
00:27:12 Hey.
00:27:14 - What happened to you?
00:27:17 A thousand dollars.
00:27:20 A thousand dollars?
00:27:22 Okay, but I need to learn how to use it.
00:27:24 No shit. Follow me.
00:27:51 Wait right here.
00:27:56 In here.
00:28:01 It's a Kahr K9.
00:28:04 How do I do that?
00:28:06 The chamber. Pull the slide back.
00:28:09 It's got internal safety so you don't
00:28:14 All right.
00:28:19 You pay me now, it's yours.
00:28:25 I'll throw in the bullets.
00:28:33 Yeah, I'll take it.
00:29:01 Got it, got it, got it.
00:29:28 You shouldn't smoke. It'll kill you.
00:29:33 I don't care.
00:29:35 There's plenty of ways to die.
00:29:40 But you have to figure out a way to live.
00:29:43 Now, that's hard.
00:30:05 Look at you, all sophisticated.
00:30:10 - You shouldn't be working this late.
00:30:15 Hey, can I get a dirty martini
00:30:17 You said this was business, Sean.
00:30:21 It is.
00:30:24 Eighty-six that.
00:30:28 Okay, l...
00:30:32 You...
00:30:35 - You heard about that Murrow thing, right?
00:30:39 Oh, come on. Women don't
00:30:42 At least in my experience.
00:30:45 Where do they shoot themselves,
00:30:53 The heart.
00:31:01 Jackie, I been...
00:31:03 ...chasing after this asshole
00:31:07 And right when his wife was ready
00:31:11 ...instead of blowing the lid off of him,
00:31:16 - Come on.
00:31:24 So what can I do?
00:31:29 Well, she has a daughter.
00:31:33 And...
00:31:35 ...her daughter knows something.
00:31:38 But now he's asked for custody of her
00:31:41 - Is he the father?
00:31:44 - And you want her made a ward of court.
00:31:46 She knows something
00:31:49 Look, all I'm asking you to do
00:31:53 Please.
00:31:58 Sean, I'm your ex-wife.
00:32:00 Conflict of interest.
00:32:03 And besides, I don't do pro bono.
00:32:10 You used to.
00:32:12 Yeah, well, I grew up.
00:32:48 When did you get out?!
00:32:50 - You won't let me see my kids?
00:32:52 - I'm calling 911!
00:33:00 Try seeing them now.
00:33:07 It's my money too.
00:33:59 I can hear you breathing.
00:34:28 No.
00:35:51 - Squad central.
00:35:54 - Damn.
00:35:56 10-4. Eighty-five to patrol supervisor
00:35:59 - 10-4.
00:36:34 Any IDs?
00:36:35 Victim's a 30-year-old Vietnamese female.
00:36:40 - Where's the other body?
00:36:44 Got a 39-year-old, Sandy Combs.
00:36:48 Looks like he was a roadie for Aerosmith.
00:36:52 Guy had a rap sheet longer than my dick.
00:36:54 So in other words, no priors.
00:36:58 Easy.
00:37:01 So we got us a Sandy Combs and
00:37:07 They're married.
00:37:10 - Yeah, that's one way of ending it.
00:37:14 Everything.
00:37:16 Divorce sucks.
00:37:20 Okay, so tell me.
00:37:22 Well, she took three in the torso
00:37:24 Then somebody smoked him with a 9 mm
00:37:29 And we found these casings.
00:37:34 Three casings. Looks like there's
00:37:38 Anybody check surveillance?
00:37:39 That monitor's working,
00:37:53 Machine's working.
00:37:55 - But where's the tape?
00:38:03 And why didn't he take the money?
00:38:05 They chickened out, got scared?
00:38:10 We got three casings, only one hit.
00:38:15 Maybe he's farsighted, crappy shooter.
00:38:18 Or he never fired a gun before.
00:38:57 It is...
00:38:59 ... astonishing...
00:39:03 ... numbing, to find...
00:39:06 ... that inside you there is a stranger.
00:39:10 One that has your...
00:39:13 ... arms...
00:39:15 ... your legs...
00:39:17 ... your eyes.
00:39:21 A sleepless, restless stranger...
00:39:27 ... who keeps walking...
00:39:30 ... keeps eating...
00:39:33 ... keeps...
00:39:35 ... living.
00:39:43 New York, like any metropolis...
00:39:48 New York, like any metropolis,
00:39:53 Building sprout-like chromosomes
00:40:11 New York, like any metropolis...
00:40:15 ... is an organism that changes, mutates.
00:40:18 Building sprout-like chromosomes
00:40:39 Look, I've got... I've got two shows
00:40:43 They're already mixed. All they need is an
00:40:48 I've got six shows in various stages.
00:40:49 I've got all these stories in my files.
00:40:55 And I know what I'm doing,
00:40:59 Erica. You've been through so much.
00:41:02 You need more time before
00:41:04 - Don't make me beg.
00:41:07 But we have a public and I'm not sure
00:41:10 You telling me I can't work
00:41:13 I did not say that.
00:41:16 Look...
00:41:20 ...I just need to keep living.
00:41:22 You know, I don't wanna...
00:41:25 I don't wanna disappear.
00:41:36 - station WNKW,
00:41:41 Up next is Street Walk.
00:41:44 Let's now join Erica Bain
00:41:47 Okay, Erica.
00:41:51 This is Erica Bain, and I walk the city.
00:41:55 New York...
00:41:57 ...like any metropolis, is an organism...
00:42:17 Okay. Is there anything we can cut to?
00:42:20 Music, prerecord, anything?
00:42:22 Give me a minute, Carol.
00:42:24 New York...
00:42:27 ...like any metropolis...
00:42:31 ...is...
00:42:44 Oh, shit.
00:42:49 New York...
00:42:53 ...the safest big city in the world.
00:42:58 But it is horrible...
00:43:01 ...to fear the place you once loved.
00:43:06 And to see a street corner
00:43:10 ...and be afraid of its shadow.
00:43:13 To see familiar steps,
00:43:18 I never understood
00:43:23 Women afraid to walk home alone...
00:43:26 ...people afraid of...
00:43:28 ...white powder in their mailbox...
00:43:30 ...darkness and night.
00:43:34 People afraid of people.
00:43:39 I always believed that fear
00:43:44 Weaker people.
00:43:48 It never touched me.
00:43:56 And then it did.
00:44:01 And when it touches you, you know...
00:44:04 ...that it's been there all along...
00:44:07 ...waiting beneath the surfaces
00:44:12 And your skin crawls...
00:44:17 ...and your heart sickens...
00:44:19 ...and you look at the person you once were
00:44:28 ...and you wonder, will you?
00:44:32 Will you ever be her again?
00:45:15 Talk to me.
00:45:47 Look at this motherfucker right here.
00:45:50 Hey, what sounds
00:45:54 This motherfucker
00:45:57 Don't nobody talk in New York no more?
00:46:01 I said, what are you listening to,
00:46:04 - Radiohead, man.
00:46:05 Leave him alone, man!
00:46:08 Man, shut the fuck up!
00:46:09 Little man, you ain't know
00:46:12 He's good at it too. Now, you wanna
00:46:15 That's a nice watch.
00:46:17 - Get your ass out of here.
00:46:20 Yo, little man, holler at me,
00:46:23 Hey, yo, thanks for the iPod, man.
00:46:27 This shit is nice, man.
00:46:30 - I'm keeping this joint.
00:46:33 This is cool.
00:46:39 Oh, shit.
00:46:40 - Yo, yo, yo, I got this, I got this.
00:46:49 This is too easy, man.
00:46:58 So...
00:47:02 ...you gonna give me some Radiohead
00:47:12 You ever been fucked by a knife?
00:48:01 I should have walked out of that train.
00:48:04 I could've just shown them the gun,
00:48:12 Why don't my hands shake?
00:48:15 Why doesn't somebody stop me?
00:48:26 I swear they like Oreos.
00:48:28 Homicide, this is Vitale.
00:48:30 There you go,
00:48:32 Upside down. No, come on up.
00:48:36 Okay, thank you.
00:48:38 We've got two confirmed shot
00:48:41 Church Street, lower Manhattan.
00:48:44 - That makes it ours.
00:49:30 We got two dead bodies inside
00:49:34 Of course not.
00:49:36 Yeah, I got this printout.
00:49:38 - They here yet?
00:49:40 - And I'll get them to you.
00:49:45 Christ on a cracker.
00:49:48 Well, I hope this is their stop.
00:49:54 Got Radiohead, U2, Dixie Chicks.
00:49:57 - No Wu-Tang?
00:50:06 Money in his pocket.
00:50:18 Looks like a 9 mm automatic.
00:50:22 - Like from the other night?
00:50:27 Check it against Brass Catchers,
00:50:43 Hey, you.
00:50:47 - Just go inside. I came out here for
00:50:51 You're giving me a hard time.
00:51:07 They both had cash, so neither one of them
00:51:12 A shitload of them.
00:51:15 The guy at Sandy's, he had priors.
00:51:17 I know, but that was domestic.
00:51:19 No, but he wasn't robbed.
00:51:23 Or something.
00:51:25 - I mean, what are we missing?
00:51:29 Now, look. You got a small guy sitting.
00:51:32 These two punks come at him with a knife
00:51:35 ...he shoots the first one without
00:51:38 Right. Go on, I'm with you.
00:51:40 It's like maybe Mr. Average Joe just
00:51:44 And I'm gonna take matters
00:51:46 The kind of guy
00:51:49 Well, if that's true, he's getting better.
00:51:52 Yeah. Every bullet hit home.
00:52:06 - Detective!
00:52:07 - Detective!
00:52:12 - Come on, step back!
00:52:15 It's a new... It's a new investigation.
00:52:18 We haven't talked to anybody yet, no.
00:52:21 It's a brand-new investigation.
00:52:23 - Any suspects?
00:52:28 Any leads? How many?
00:52:30 Detective!
00:52:32 Hey.
00:52:34 Excuse me, don't I know you?
00:52:36 - No, I don't think we've met.
00:52:39 - No. You haven't. L...
00:52:41 My name's Erica Bain.
00:52:43 I don't know if you'd be interested in doing
00:52:47 I'm sorry.
00:52:49 I'm not that kind of media.
00:52:52 My life's not that interesting.
00:52:55 - Yeah, but the work you do is.
00:53:12 So...
00:53:14 ... you gonna give me some Radiohead
00:53:23 You ever been fucked by a knife?
00:53:38 How the hell did this get out so quick?
00:53:40 Who knows? Coroner hates you,
00:53:45 "Bloodbath."
00:53:49 You ever listen to NKW?
00:53:51 - What is that, like hip-hop?
00:53:55 Remember a couple of months ago...
00:53:57 ...this girl and her boyfriend,
00:54:00 - No. Which ones?
00:54:04 - Right.
00:54:07 ...and guess who she wants to interview?
00:54:11 What, you? You should totally do it.
00:54:15 Hey, is Carter in?
00:54:16 Reporters calling in the night.
00:54:19 No, well, she's not that kind of reporter.
00:54:23 What is she?
00:54:25 - No, she's just interesting, you know.
00:54:27 Have him call me at my desk.
00:54:30 What's she want with you?
00:54:32 What's her precise street address?
00:54:34 You know what I want?
00:54:36 I want everyone in the market
00:54:38 ...everyone on the subway, outside.
00:54:42 Somebody has to have seen this guy.
00:54:45 I need you to get the registration
00:54:48 - See who it belongs to.
00:54:55 You've been avoiding me.
00:54:57 - No, I haven't.
00:54:59 You've been avoiding
00:55:02 Yeah, well, it was... The show sucked
00:55:07 Well, we don't normally do silence
00:55:10 You almost managed a full minute.
00:55:13 Well, I think I did
00:55:15 You got 11 more steps, do you?
00:55:23 I thought we were better than
00:55:28 ...but people are responding.
00:55:30 I was wrong.
00:00:26 Erica Bain.
00:00:29 I'm Detective Mercer. You...
00:00:34 You remember me from last night?
00:00:38 - Yeah.
00:00:41 ...I saw you in the hospital after...
00:00:45 After what had happened
00:00:50 My friend?
00:00:51 Yeah. I stopped by your room, you know,
00:00:55 My wife, she used to listen to your show
00:01:00 ...that was why I stopped you
00:01:04 I just wanted you to know that.
00:01:08 Thank you.
00:01:13 You know, it was disturbing.
00:01:17 It really was. I mean, you were gone.
00:01:22 And to see somebody...
00:01:25 ...that can't see you, it...
00:01:28 But you're back now.
00:01:31 Yeah, I'm back now.
00:01:34 A lot of people don't make it back.
00:01:37 I know that.
00:01:40 I know you do. You see...
00:01:44 ...I checked into your case.
00:01:46 - You checked into my case?
00:01:49 We got two of the best detectives
00:01:53 ...and we will find them.
00:01:55 We always do.
00:01:59 Are policemen always so confident?
00:02:03 Are you interviewing me now?
00:02:07 - Yeah, I guess I am.
00:02:10 Okay.
00:02:12 How long is this gonna take?
00:02:15 Five minutes, tops.
00:02:21 Yeah.
00:02:25 When you first go to a crime scene...
00:02:29 ...what do you look for?
00:02:32 Okay, such as?
00:02:34 Murder weapon, entry wound...
00:02:37 ...DNA samples, prints,
00:02:40 ...position of the corpse.
00:02:42 It's amazing what a dead body
00:02:46 So the dead do talk?
00:02:48 Oh, yeah. Everybody talks.
00:02:50 Now, most everybody lies.
00:02:55 And then again, the lies
00:02:59 ...people tell them for a reason.
00:03:02 And those bodies at the subway,
00:03:07 You read the paper.
00:03:09 Should I believe what I read?
00:03:17 You ever read about him?
00:03:21 Why do I know him?
00:03:23 That's Mr. Murrow. He owns the parking
00:03:27 But that's not all he does.
00:03:30 What else does he do?
00:03:35 - You really wanna know?
00:03:38 Then this is off the record.
00:03:40 Okay.
00:03:46 He imports drugs, guns, people.
00:03:51 Found three guys that had crossed him...
00:03:53 ...with their hands Superglued to a table
00:03:57 Had his wife ready
00:04:00 ...and then she's found with her brains
00:04:03 Nothing adds up except his lawyers.
00:04:05 Now he's got custody
00:04:07 ...and not for sentimental reasons.
00:04:10 But he knows she knows something...
00:04:12 ...and I hate to think what's
00:04:16 ...maybe you know a nicer side.
00:04:23 And why can't you nail him?
00:04:27 Because I follow the law.
00:04:29 Well, there's nothing you can do?
00:04:31 Nothing that's legal.
00:04:36 I didn't say that.
00:04:38 I didn't hear it.
00:04:45 Thank you.
00:04:47 Nothing that's legal.
00:04:53 So...
00:04:54 ...there's nothing you can do?
00:04:57 No. No matter how bad I feel about it.
00:05:01 I petitioned that she be made
00:05:05 ...but his lawyers killed that one
00:05:11 Ever shot anyone?
00:05:15 Yeah.
00:05:18 Did your hands shake?
00:05:23 No.
00:05:25 But that's one of the benefits
00:05:29 A benefit that that asshole and
00:05:35 And you think they're the same?
00:05:38 They both walked away from a murder,
00:05:43 Let me ask you a question.
00:05:45 Just us.
00:05:50 How did you...
00:05:54 ...pull it back together
00:06:00 You don't.
00:06:03 I'm sorry.
00:06:05 - No, no.
00:06:06 It's a fair question. You...
00:06:11 You become someone else.
00:06:18 A stranger.
00:06:28 You must have loved him very much.
00:06:31 Yeah.
00:06:34 Sometimes that just makes it harder,
00:06:41 So, come on, some more cop stuff.
00:06:45 - Or are we done?
00:06:49 Thanks.
00:06:51 And... here.
00:06:54 That's my card. You...
00:06:57 You wanna talk about your case,
00:07:01 I warn you...
00:07:03 ...I don't sleep.
00:07:07 Neither do I.
00:07:35 I walk the streets at night now.
00:07:38 I find places and things
00:07:43 But am I finding them
00:07:51 Ever shot anyone?
00:07:54 Yes.
00:07:56 Did your hands shake?
00:08:00 No, that's one of the benefits
00:08:06 That from a police detective covering
00:08:11 And like all good cops,
00:08:15 ... in right and wrong,
00:08:22 And he's probably wondering,
00:08:26 ... why is somebody
00:08:41 Hey, baby.
00:08:45 - Hello.
00:08:48 Not much.
00:08:50 So, what would 50 dollars do for you?
00:08:56 - Shouldn't she be at home?
00:08:59 Have you, honey?
00:09:04 - Where to?
00:09:10 - You're looking for a show in the back seat?
00:09:20 What's your name, honey?
00:09:24 Chloe.
00:09:26 What's he got in mind, Chloe?
00:09:30 The little whore needs a mommy.
00:09:33 Are you a mommy?
00:09:37 You're a whore, right?
00:09:39 I'm collecting whores.
00:09:41 You know them suicide bombers
00:09:44 When they die they want 72 virgins.
00:09:47 I want them while I'm alive.
00:09:49 You know, Chloe and I
00:09:56 - You ain't going nowhere.
00:10:01 How long have you been in it?
00:10:04 Four...
00:10:07 ...five, six days.
00:10:11 Since...
00:10:14 Since Vegas.
00:10:17 But you wanna go now, don't you?
00:10:21 Yes.
00:10:23 Are you giving me grief again?
00:10:26 Oh, my, got us a supercunt here.
00:10:29 Open the doors.
00:10:32 And if I don't?
00:10:33 Then I'll be the last supercunt
00:10:39 Get out of the car, Chloe. Go on.
00:10:41 Not until he pays me.
00:10:44 All right, pay the girl.
00:10:46 Come on! Easy.
00:10:56 All of it.
00:11:00 All of it!
00:11:16 Come on, walk.
00:11:18 Don't turn around. Just keep going.
00:11:23 You got a family back there, Chloe,
00:11:26 No. I went there from Albuquerque.
00:11:29 Well, you got enough money
00:11:36 Ain't you a sad whore?
00:11:38 Get out of the way!
00:11:53 Hey. Hey!
00:11:54 You're okay. You're okay, come on.
00:11:57 Let me turn you over.
00:12:00 All right. I'm so sorry. Here.
00:12:06 Is this...
00:12:08 ...still America?
00:12:10 Yeah. Your leg is broken.
00:12:14 Who the hell are you?
00:12:17 I'm nobody.
00:12:28 There is no going back...
00:12:30 ... to that other.
00:12:32 She is gone.
00:12:34 This thing, this stranger...
00:12:39 ... it's all you are now.
00:12:47 You walking out the heat?
00:12:49 Yeah.
00:12:52 Are you all right?
00:12:54 Your hands are cold as ice.
00:12:58 Your lipstick is smudged.
00:13:05 Erica. Erica!
00:13:11 You never said my name before.
00:13:13 I heard your show.
00:13:15 Right and wrong?
00:13:21 Ballistic tests have linked
00:13:24 ...with the shooting from the market
00:13:28 Are you saying...? Are you saying the
00:13:32 Well, that seems to be the case.
00:13:34 Detective.
00:13:35 Sources are saying the witness
00:13:38 ...but has refused to talk.
00:13:41 Has the witness refused
00:13:46 No, the witness is awake...
00:13:49 ...and she is coherent, and we will be
00:13:55 Now, thank you, that's everything.
00:13:58 Please, everybody, please.
00:14:00 That's all the information
00:14:03 Thank you very much.
00:14:12 Hey.
00:14:14 - You handled yourself really well back there.
00:14:18 So, what, is this guy
00:14:22 No, my interest is in you.
00:14:25 Why me?
00:14:27 Well, because you seem like a good man,
00:14:34 Yeah, well, ain't nobody
00:14:37 You heard my show.
00:14:39 Yeah.
00:14:41 You gotta think every one of those
00:14:44 ...is gonna sensationalize this.
00:14:47 But not you.
00:14:48 You're better than that.
00:14:52 How can you tell?
00:14:56 Your show.
00:14:57 - My show?
00:15:01 You see, my wife...
00:15:03 ...she didn't listen to it.
00:15:05 I did.
00:15:09 Well, you don't fit our audience profile.
00:15:12 - Yeah, and you don't fit your voice either.
00:15:16 No, you're a whole lot cuter
00:15:24 How's the girl doing?
00:15:27 She's pretty banged up.
00:15:33 Well...
00:15:36 I hope she's all right.
00:15:38 Yeah.
00:15:52 - Hi.
00:15:55 You see those pictures
00:15:57 - Gross.
00:15:59 - Some pervert.
00:16:02 - No, that's incitement.
00:16:05 - Wish he'd take care of my ex.
00:16:08 I suppose you think
00:16:11 - Funny like strange, or funny "ha, ha"?
00:16:14 You're all sick.
00:16:23 I'm thinking about opening up your show.
00:16:27 - On what?
00:16:31 You mean the shootings?
00:16:34 - You really think that that's appropriate?
00:16:37 Well, I thought you said
00:16:41 I don't. But you're good at it.
00:16:44 - How am I good at it?
00:16:48 - I'm not asking you to personalize it.
00:16:51 No more than you already have.
00:16:54 "The essential American soul is hard...
00:16:58 ...isolate, stoic, and a killer.
00:17:02 It has never yet melted."
00:17:05 I quote that from D.H. Lawrence...
00:17:07 ...because someone
00:17:10 ...killing in the name of justice,
00:17:14 ...the safest big city in the world.
00:17:16 And because I've been asked today to do
00:17:21 Take calls from our listeners
00:17:24 This is a new departure for us but
00:17:27 ...so call 212-165-9990.
00:17:33 First caller. Hi, you're on the air.
00:17:35 As far as I'm concerned,
00:17:38 And why is that?
00:17:40 Because no matter what
00:17:42 ... crimes are being committed,
00:17:44 And you think
00:17:47 - Well, yeah.
00:17:49 You're talking about murder.
00:17:51 The death penalty without a trial.
00:17:53 The vigilante is just like the people
00:17:57 Well, maybe he will. Next caller.
00:18:00 It's less about what he's doing
00:18:03 There's not a person I know...
00:18:04 ... doesn't get a jolt of
00:18:07 - Pleasure?
00:18:09 That's why we have war,
00:18:12 - Next caller, you're on the air.
00:18:15 I mean, this city
00:18:17 - We're getting our street cred back.
00:18:21 What is wrong with our society, that this
00:18:25 Revenge, murder, vigilante killings?
00:18:28 Hasn't the whole Iraqi debacle
00:18:31 "Waste the bad guys, bring them on."
00:18:33 I've been a fan of yours.
00:18:36 Neither can I. You're on the air.
00:18:38 I wonder if the vigilante has a girlfriend
00:18:42 - Sexy?
00:18:44 And if he's listening, my number is 2...
00:18:46 - You're on the line.
00:18:49 I'm the man that takes care of business.
00:19:02 - I need to talk to someone.
00:19:06 Yeah.
00:19:09 I need to talk to someone
00:19:11 Names?
00:19:14 Erica Bain.
00:19:16 She was the victim?
00:19:20 No. She wasn't the victim.
00:19:25 She was the...
00:19:27 - She's...
00:19:32 - Well, maybe there should be. You know?
00:19:39 Nothing.
00:19:43 You gonna give me
00:19:45 Fucking woman!
00:19:47 Are you a mommy?
00:19:54 Erica?
00:19:58 Is that you?
00:20:02 - Because I could not stop for Death...
00:20:05 ... he kindly stopped for me.
00:20:07 Erica?
00:20:09 The carriage held but just ourselves.
00:20:12 Erica?
00:20:30 Mercer.
00:20:32 Hey, it's me, Erica.
00:20:35 I know.
00:20:37 - Is everything okay?
00:20:42 I just wanted to talk and l...
00:20:48 Okay.
00:20:51 What's going on?
00:20:53 What do you do when you can't sleep?
00:20:59 - Nothing.
00:21:01 To do nothing?
00:21:04 Well, you sort of get used to it.
00:21:16 Erica?
00:21:18 Well, come on, what's happening?
00:21:21 Did you sleep better
00:21:25 I know I did.
00:21:27 I couldn't feel my body unless his arms
00:21:33 Yeah, well, my wife, she used to...
00:21:37 ... flip through the night.
00:21:39 So I called her a mackerel.
00:21:44 I guess that's not the worst thing
00:21:49 Hey, you want me to stay on the phone
00:21:53 No.
00:21:55 You've been good to me.
00:21:59 Sleep tight.
00:22:15 Yeah.
00:22:17 How late?
00:22:18 Look, I'm not busting your balls. You
00:22:59 Why do you think you can hurt people?
00:23:01 - What?
00:23:05 Don't you know what you leave behind?
00:23:07 - Do I know you?
00:23:11 Does it keep you up at night?
00:23:14 - Does it haunt you?
00:23:16 Because it haunts me.
00:23:18 Are you one of them
00:23:20 You got a fucking camera there?
00:23:23 You can't take my fucking picture.
00:23:25 You're gonna come to my fucking place
00:23:31 You fuck!
00:23:33 - You a fucking cop?
00:23:36 Well, it looks like he fell from up there.
00:23:40 Cause of death could be the fall.
00:23:44 I'd say 50-50 either way.
00:23:46 Shit.
00:23:48 Maybe 70-30.
00:23:51 I mean, come on, man. How many people
00:23:55 Too many.
00:23:59 He wouldn't let anybody
00:24:02 You think someone did us a favor?
00:24:05 What, like someone think
00:24:08 Saying, "Hey, New York's finest,
00:24:12 This is how it's done."
00:24:14 - Get a shot right there.
00:24:15 Here we go. All right, I'll be back.
00:24:18 Erica, are you okay? Oh, my God.
00:24:21 - Get out.
00:24:23 - Get away!
00:24:27 Don't touch me. I'm sick!
00:24:30 I can see that.
00:24:37 - We have to get you to a hospital.
00:24:40 No.
00:24:41 - Why not?
00:24:44 Oh, God. I can't.
00:24:49 What kind of trouble are you in?
00:24:53 You don't wanna know.
00:25:48 Were you a nurse?
00:25:50 When I had to be.
00:25:54 This is going to leave a scar.
00:26:01 I killed a man tonight.
00:26:05 Because he did this to you?
00:26:09 No.
00:26:12 I would've killed him anyway.
00:26:19 Back home...
00:26:21 ...they gave young boys guns.
00:26:26 Made them kill their parents.
00:26:29 Just to show us...
00:26:33 ...anyone...
00:26:35 ...can cross that line.
00:26:39 Anyone can be a killer.
00:26:44 Each death leaves a hole...
00:26:47 ...waiting to be filled.
00:26:57 Did the ME come back
00:27:01 Yeah, he's about... Dead about two hours
00:27:05 - So that puts us at what time?
00:27:11 Damn.
00:27:13 Okay, I want everyone from the subway
00:27:18 ...I want them all brought in again.
00:27:21 We need to do it again.
00:27:24 But he hit him with a crowbar,
00:27:27 We're talking about a different guy
00:27:31 Maybe.
00:27:34 What about the iPod?
00:27:37 I thought I told you.
00:27:40 - He wants a subpoena, but I'm on it.
00:27:42 - Whatever you gotta do...
00:27:53 Hey, Erica.
00:27:56 No, I just wanna know how you slept.
00:27:59 Hey, you wanna see what I do?
00:28:02 Well, meet me over at Wynnward Hospital
00:28:07 You'll get an idea.
00:28:10 East 14 and Broadway, East 14 and
00:28:21 Why doesn't he march here?
00:28:23 - March down the street.
00:28:26 Now sit your hippie ass down.
00:28:29 You smoking pot?
00:28:31 - I need to talk to you.
00:28:34 Oh, yeah? Does your dad know
00:28:37 That's a lot more than
00:28:40 - Listen, I didn't see anything.
00:28:43 - Look at me. Hey, you selling this shit?
00:28:47 Well, I believe you.
00:28:48 Maybe a judge won't. Come on, Skippy.
00:28:59 - Hey. Thanks for coming.
00:29:02 Sure.
00:29:03 - Nice jacket.
00:29:06 So, what time
00:29:09 I don't know, pretty soon
00:29:11 - About 1, 1:30?
00:29:15 Yeah. I ended up working all night.
00:29:20 You know you're not gonna be able
00:29:23 Sure, if I knew what this was.
00:29:26 We're gonna interview
00:29:30 - Isn't that against procedure?
00:29:33 But I've tried to talk to her twice...
00:29:35 ...and she seemed real nervous
00:29:38 I figure maybe if you were there,
00:29:40 Why me?
00:29:42 Because you got me to talk.
00:29:54 Hi, Chloe.
00:29:59 How are we feeling today?
00:30:02 All right.
00:30:08 I brought a friend.
00:30:14 Hi, Chloe.
00:30:21 Hi.
00:30:37 So you feel like telling me what happened
00:30:57 That's a pretty necklace.
00:31:09 You should tell them what you saw.
00:31:12 Whatever it was, tell them the truth.
00:31:20 It's okay.
00:31:26 I saw...
00:31:35 I saw nobody.
00:31:39 Come on, Chloe.
00:31:45 And nobody saw me.
00:31:55 Okay.
00:31:58 Sorry if that upset you.
00:32:01 Well, I'm sorry that
00:32:04 Well, you definitely seemed to help her.
00:32:08 She sure liked your...
00:32:10 ...necklace.
00:32:12 It meant a lot to me.
00:32:23 Erica?
00:32:25 - Yeah.
00:32:30 I told you, I couldn't sleep.
00:32:34 And you were in bed?
00:32:36 No. I couldn't sleep.
00:32:50 You wanna tell us again
00:32:52 - For what? To get back my iPod?
00:32:56 I don't know. I had mixed feelings.
00:32:59 I mean, I was kind of glad
00:33:02 - You were glad?
00:33:05 - While we're young, give us a statement.
00:33:10 Those guys smacked me around
00:33:12 Then they hassled some black dude
00:33:15 ...so we all got off,
00:33:19 A woman.
00:33:21 Yeah, just a woman.
00:33:25 Maybe the vigi guy got on
00:33:27 Can you describe this woman well enough
00:33:32 I can try.
00:33:34 Where are you going
00:33:36 I'm not sure yet.
00:33:39 Women kill their kids, their husbands,
00:33:44 They don't do this.
00:33:46 - How you doing?
00:33:48 - Good.
00:33:49 - Nope.
00:33:51 Just think about the first moment
00:33:54 Where you were, where she was.
00:33:57 Tell me anything that comes to mind.
00:34:00 She had light hair, I think.
00:34:04 And okay lips. And she was skinny.
00:34:09 But she had some ass.
00:34:15 - But you're not doing the ass, right?
00:34:18 Okay.
00:34:21 She had good skin.
00:34:24 It was smooth.
00:34:26 And nice breasts.
00:34:29 Yeah. Like, they were little,
00:34:33 - But they looked good with...
00:34:36 Oh, I'm sorry.
00:34:39 - Hey, you know what I do remember?
00:34:42 She was, like, on lockdown.
00:34:45 I mean, shut off. Kind of scary.
00:35:41 "It's not cream.
00:35:45 It's vanilla."
00:35:55 You left a hole in me.
00:36:01 But I'm done now.
00:36:04 You hear me?
00:36:09 I'm done now.
00:36:15 Great. It's Jennifer Aniston.
00:36:19 No, not really. This is a phenomenon
00:36:22 The mind gets so saturated
00:36:24 ...it's often difficult, especially for people
00:36:29 That's Mr. Murrow.
00:36:30 He owns the parking out on
00:36:36 What else does he do?
00:36:37 - You really wanna know?
00:36:40 - Then this is off the record.
00:36:44 Who is it?
00:36:46 It's Detective Mercer.
00:36:51 Yeah. Yeah, just a second.
00:37:05 - Hey.
00:37:07 I tried to call, but there was no answer.
00:37:10 The ringer must be off.
00:37:13 - Can I come in?
00:37:25 - It's pretty dark in here.
00:37:33 Got something...
00:37:37 Is this yours?
00:37:42 - Where'd you find it?
00:37:46 A uniform pinched the suspect's girlfriend
00:37:52 He fit the description that you gave.
00:37:57 Oh, my God.
00:37:59 I need a favor from you.
00:38:01 I'd like for you to come downtown
00:38:10 No. I can't.
00:38:12 I understand you're nervous,
00:38:17 I promise.
00:38:24 I'll get my stuff.
00:38:30 Thanks.
00:38:56 Okay, let's go.
00:38:59 You're going to view five subjects,
00:39:03 Do you recognize anyone? Where do you
00:39:08 Lights and blinds.
00:39:13 Number one, approach the mirror.
00:39:20 No.
00:39:22 Sit down.
00:39:28 No.
00:39:29 Sit down.
00:39:44 No.
00:39:46 Sit down.
00:39:53 I can see them all. It's none of them.
00:39:56 Sit down. You're sure?
00:39:59 Yeah. I'm sorry.
00:40:03 I really am.
00:40:06 I'm so sorry.
00:40:13 Damn, I thought we had him.
00:40:17 Doesn't really seem like the type,
00:40:20 I don't know.
00:40:25 - You okay?
00:40:28 That looked like
00:40:31 It was. I was kind of hoping
00:40:35 Yeah, well, I'm off now.
00:40:38 - No, I'm not hungry. That's okay.
00:40:45 I can barely remember his hands.
00:40:48 Perhaps you need to forget.
00:40:51 I can't.
00:40:54 I miss who I was with him.
00:40:58 You know that feeling?
00:41:04 You know...
00:41:06 ...this is Mughal. It was a gift
00:41:16 Speaking of gifts...
00:41:20 You know, someone gave me
00:41:24 Yeah?
00:41:28 You recall that guy we saw on TV
00:41:34 The one I've been trying to put away
00:41:40 Apparently somebody else
00:41:42 ...because we're not talking
00:41:47 It got real personal.
00:41:51 Yeah, I read about it.
00:42:02 We got some more information
00:42:09 Turns out there was a woman on the car.
00:42:12 Now, all this time, we've been looking
00:42:17 It was a woman with a grudge.
00:42:22 Well, I guess there's a lot of us
00:42:33 You know, Erica, when I was a rookie...
00:42:38 ...I used to give myself this test.
00:42:41 I would ask myself, if there was someone
00:42:47 ...would I have the fortitude
00:42:53 What kind of someone?
00:42:55 Someone close to me.
00:43:02 I could ever hope to have.
00:43:08 And?
00:43:11 I always hoped that I would have
00:43:18 And do you?
00:43:21 I do.
00:43:24 And it's important that you know that.
00:43:29 I know that.
00:43:32 It's what I admire about you.
00:43:45 One more piece of evidence,
00:43:51 And I'm sure you'll find it.
00:43:54 You're a good detective.
00:44:02 I have to go.
00:44:06 - I got it.
00:44:09 Hang on.
00:44:11 Hey.
00:44:22 - I wonder what David would think of...
00:44:30 This woman with a grudge.
00:44:37 I don't know.
00:44:41 The dead don't talk.
00:44:45 At least not to me.
00:45:09 All right, thanks.
00:45:36 Hey, can I get Joey Mortell?
00:45:42 Crackheads.
00:45:44 I got you stuck in traffic,
00:45:48 Pull over at the corner, Roma's Pizza.
00:45:52 - No, I'm not gonna be here that long.
00:45:56 ...because I got traffic backed up on 3rd
00:45:59 - Make yourself comfortable.
00:46:03 Can you run a trace on a call?
00:46:08 But you'll get one, right?
00:46:11 Yeah, if I have to.
00:46:14 All right.
00:46:16 Give me the date and the time.
00:46:19 Two days ago, July 20th...
00:46:22 ...between 12 and 1:30 a.m.
00:46:24 All right. Okay, I need the number.
00:46:27 Hold on.
00:46:32 - It's 917...
00:46:35 - ... 157- 1431.
00:46:40 Look, it's private, like I said.
00:46:43 Okay, it's that kind of private. I see.
00:46:45 All right. Okay, yeah, I got you covered.
00:46:48 - Okay, just call me, all right?
00:46:59 You seen this ring before?
00:47:02 It looks familiar.
00:47:14 I got a name. Shauna Nelson.
00:47:17 An address, a cell phone.
00:47:19 What'd she look like?
00:47:21 She had two eyes, a mouth and a nose,
00:47:26 Please get the fuck out of here.
00:47:44 Yeah.
00:47:51 Shut up. Shut up. That is...
00:47:56 It's true.
00:47:59 Hello?
00:48:01 Hello?
00:48:03 - Do you know this number?
00:48:05 Are you sure? 917.
00:48:07 Hey, you guys, are 917... Fuck you guys.
00:48:10 - Bye.
00:48:32 Hey!
00:48:36 - Are you Shauna?
00:48:38 Yeah, l... I got your number from
00:48:44 Yeah. Motherfucker fucks some slut...
00:48:47 ...gives me the ring
00:48:49 - Turns out he stole the shit.
00:48:52 Can you tell me where he is?
00:48:56 - L...
00:48:58 - I need an address. Phone number, anything.
00:49:00 - Tell me where he is!
00:49:04 I saw what they did to you.
00:49:08 That shit can't happen to me.
00:49:12 The call lasted
00:49:16 From 12:26 to 12:30...
00:49:18 ...from 917-157-1431 to your cell phone.
00:49:24 Vicinity of Roosevelt Island.
00:49:27 Did she tell you she was someplace else?
00:49:30 - Yes, she did.
00:49:33 But fuck her, right?
00:49:35 - Fuck her.
00:49:38 Fuck her.
00:49:40 Hey, do me a favor.
00:49:43 Keep this to yourself until...
00:49:45 ...I can get that subpoena.
00:50:12 Action!
00:50:16 Think you're fucking with me?!
00:50:29 Popped your motherfucking cherry!
00:50:38 Heads up!
00:50:39 Hollywood!
00:50:44 How cute. Lovebirds.
00:51:27 Action!
00:51:31 Think you're fucking with me?!
00:52:47 - You guys wanna make money or not?
00:52:51 You know what to do. Stand on that corner
00:52:55 Show me you can do this.
00:52:57 Stand next to the four guys,
00:53:01 Cops come, what do you do?
00:53:02 - Run!
00:53:43 Good. Listen, motherfuckers,
00:53:47 - How hard can that shit be? Right?
00:53:49 Good. So get going. Get on
00:54:04 You want something?
00:54:06 I want my dog back.
00:54:11 The fuck?
00:54:12 Hi. Hi, boy. It's me.
00:54:15 Hey. Hey, buddy. Hey.
00:54:18 Do you remember me? Huh, boy?
00:54:21 Come on, man.
00:54:24 Go, go!
00:54:26 No, you got me fucking waiting,
00:54:30 For Reed Bryant. He came in yesterday.
00:55:00 Get away, bitch!
00:55:01 Who's the bitch now?
00:55:09 - 90 Clayton Avenue.
00:55:43 Get the fuck out of the road!
00:56:21 - Hey, puppy.
00:56:26 For a bitch like you!
00:56:30 It's just you and me
00:56:33 I made your boyfriend smile.
00:56:36 - You think you can come after me, huh?
00:56:39 Get on the fucking ground! Police!
00:56:43 - Drop the gun, Erica!
00:56:46 - No.
00:56:48 - You do not have the right.
00:56:50 No. I have the right
00:56:53 Then shoot him, then!
00:56:54 I don't do that shit, I investigate it.
00:56:57 - And what are you gonna do, Mercer?
00:57:01 - You gonna arrest him?
00:57:03 - Arrest me, officer!
00:57:04 - Give me the gun!
00:57:06 - Shut up!
00:57:10 Come on. Good girl.
00:57:13 That's it. Good girl.
00:57:17 No.
00:57:26 Now, if you're gonna use a gun,
00:57:31 What the fuck are you doing, man?
00:57:33 - Ain't nobody talking to you.
00:57:35 - I saw that shit you did!
00:57:38 - Not tonight.
00:57:39 - Put me in cuffs! Get me out of here!
00:58:03 You can take me now.
00:58:07 Problem is, if you go down,
00:58:11 No. I can't let you do that for me.
00:58:26 So you've got one person left to shoot.
00:58:31 What?
00:58:33 You see, there was never any vigilante.
00:58:36 It was just three punks
00:58:42 They got a taste for it up in Central Park.
00:58:47 And they bought themselves a gun.
00:58:51 And they turned on each other,
00:58:56 And somehow...
00:58:58 ...I got winged and...
00:59:01 ...I did what I had to do.
00:59:05 Right here.
00:59:11 - I can't.
00:59:14 I've joined that club. Now you nick me,
00:59:23 From about 3 feet.
00:59:33 - My hands are shaking.
00:59:45 Damn! Motherfuck, that shit hurts!
00:59:48 I'm sorry.
00:59:50 I'm sorry.
00:59:53 So am I.
00:59:54 Now you get out of here
01:00:51 Baby, look at you.
01:00:55 That's okay. I got you now.
01:00:59 Come here. Wait, wait, wait!
01:01:14 10-13, 10-13. Officer hit.
01:01:18 Three perps down at 90 Clayton.
01:01:24 Send a bus.
01:02:10 There is no going back
01:02:15 ... that other place.
01:02:18 This thing, this stranger...
01:02:23 ... she is all you are now.
01:06:37 [ENGLISH]