Find Movie

Brideshead Revisited en
00:00:56	If you asked me now who I am,
00:01:00	the only answer I could give
00:01:02	would be my name, Charles Ryder.
00:01:06	For the rest, my loves, my hates,
00:01:11	down even to my deepest desires,
00:01:14	I can no longer say whether
00:01:19	or stolen from those
00:01:25	On second thoughts,
00:01:30	alone among the borrowed
00:01:35	as pure as that faith
00:01:41	Guilt.
00:02:07	Been away, sir? Anywhere interesting?
00:02:10	- Jungle.
00:02:15	Explorer, are we?
00:02:16	- Painter.
00:02:19	So, bye-bye beardy, hello smooth.
00:02:34	Famous for his impressive
00:02:37	British artist Charles Ryder
00:02:42	with a series of gripping jungle studies.
00:02:45	To own a Ryder is currently the dream
00:02:47	of every self-respecting
00:02:50	You must be so proud of him.
00:02:52	- Was he away long?
00:02:55	- and it doesn't feel like a day.
00:03:00	I can't paint
00:03:02	Thank you.
00:03:03	I can't even hold a buggering brush!
00:03:05	But I know what I like. Lots of color.
00:03:12	I see the jungle in your work
00:03:15	Not least, the metaphysical semblance
00:03:20	Make an effort, Charles.
00:03:22	You're not in South America now.
00:04:06	- Mr. Ryder, I wonder if I could...
00:04:08	- Excuse me. Thank you very much.
00:05:27	Hello, Charles.
00:06:23	- You're wearing a coat!
00:06:26	Why?
00:06:28	- I'm going up to Oxford.
00:06:35	- Remind me. What are you taking?
00:06:38	- And what allowance have I given you?
00:06:41	How very indulgent of me.
00:06:47	Oh, I suppose this is the time
00:06:53	Your mother was always
00:06:58	Who's meeting you?
00:07:00	Cousin Jasper offered
00:07:02	Cousin Jasper!
00:07:05	Most entertaining.
00:07:48	Out of the way,
00:07:50	There you are, Charles.
00:07:53	This way, please.
00:07:57	Come along. As an only child,
00:08:01	Though I am only your cousin, Charles,
00:08:05	Older, wiser,
00:08:08	Now, it is no secret that our families
00:08:12	Keep off the grass.
00:08:13	But I like to think that we Ryders are,
00:08:19	Now, then... Not that way.
00:08:21	Clothes. Dress as you do
00:08:24	Never wear a tweed coat
00:08:28	And go to a London tailor.
00:08:31	Protocol. First and foremost,
00:08:34	Nine adulteries, 12 liaisons,
00:08:40	and something approaching a rape
00:08:43	rest nightly upon the soul
00:08:48	and yet the man is so
00:08:51	that he passes
00:08:58	Sodomites, all of them. Steer well clear.
00:09:05	Treat all dons
00:09:08	With indifference.
00:09:10	Oh, dear, oh, dear. This won't do at all.
00:09:14	I've seen many a man ruined
00:09:16	through having ground floor rooms
00:09:20	People start dropping in.
00:09:21	They leave their gowns here
00:09:24	You start giving them sherry
00:09:33	Sebastian, come along.
00:09:36	Come on, you're nearly clean.
00:09:46	Oh, no, no, no, sir, stop.
00:09:48	You don't clear up after yourself.
00:09:52	Sorry, Lunt. What's all this?
00:09:55	From the gentleman last night, sir.
00:10:07	"I am very contrite.
00:10:08	"Please come to luncheon today.
00:10:12	The Lord Sebastian Flyte,
00:10:15	I'm sure it's quite a pleasure
00:10:19	I take it
00:10:22	Yes, Lunt. I think I shall be.
00:11:08	I've just counted them.
00:11:10	There's five each and two over,
00:11:16	I'm unaccountably hungry today.
00:11:18	I put myself unreservedly
00:11:21	and feel so drugged
00:11:23	the whole of yesterday evening
00:11:27	Please don't wake me.
00:11:30	- Do try one.
00:11:34	- What are they?
00:11:39	Mummy sends them from Brideshead.
00:11:43	You would, too, if you knew my mother.
00:11:48	Are you terribly angry with me
00:11:51	No, not at all.
00:11:58	Aloysius, you can't go there.
00:12:09	- Tell me about you.
00:12:13	I'm in my first year, reading history,
00:12:18	but really what I most want to be
00:12:21	Would you like to paint me?
00:12:25	Well, yes. Yes, if you like.
00:12:29	It's so clever of you,
00:12:31	I've no idea what I want.
00:12:33	Except to be happy.
00:12:36	If I can.
00:12:38	Let's have some champagne.
00:12:41	A glass each before the rowdies arrive.
00:12:48	You don't want to join the Old Boys.
00:12:51	They're all bloody drugged bogs
00:12:55	Top me up,
00:12:56	- I don't remember you from Eton.
00:13:00	Oh, really. Where then?
00:13:05	Rugby? Oh, not Charterhouse, I hope?
00:13:10	You wouldn't have heard of it.
00:13:12	There are other schools,
00:13:14	Yes, I suppose there must be.
00:13:19	- My dears.
00:13:21	Hello, Blanche.
00:13:23	I couldn't get away before.
00:13:24	I was lunching
00:13:28	I told him I had to change for footer.
00:13:39	Anthony, you remember Charles.
00:13:43	Charles is reading history,
00:13:45	- No!
00:13:48	- Either you are an artist or you are not.
00:13:55	- Then I am.
00:13:58	You have about you
00:14:02	What do you want to be an artist for?
00:14:05	Why don't you just
00:14:07	and take a bloody photograph
00:14:10	- That's what I want to know!
00:14:13	- I don't give myself airs.
00:14:17	And, anyway,
00:14:20	Come on! Answer!
00:14:22	- Answer, answer, answer, answer...
00:14:26	Answer, answer, answer, answer...
00:14:28	Because a camera
00:14:34	which records a moment in time,
00:14:37	but not what that moment means
00:14:43	Whereas a painting,
00:14:49	is an expression of feeling.
00:14:54	An expression of love.
00:14:57	Not just a copy of something.
00:15:03	And who on earth do you think
00:15:07	I do.
00:15:09	Boy, you're an oaf. Behave yourself.
00:15:12	To art and love.
00:15:17	To art and love!
00:15:24	We'd just arrived in his rooms, then,
00:15:29	the Lord Flyte pokes his head
00:15:34	Ground floor rooms, you see.
00:15:37	- Morning, Jasper.
00:15:49	Two tries out of you today...
00:15:50	Charles. You're to come away at once!
00:15:53	I've got a basket of strawberries
00:15:56	which isn't a wine you've ever tasted,
00:15:59	It's heaven with strawberries.
00:16:21	Just the place to bury a crock of gold.
00:16:28	I should like to bury
00:16:30	in every place where I've been happy.
00:16:34	And, then,
00:16:39	I could come back
00:16:58	Come along, Charles.
00:17:31	- Is this where you live?
00:17:37	Don't worry,
00:17:38	- Oh, but I should like to.
00:18:06	Everything's shut up.
00:18:23	Keep up.
00:18:35	Charles. Charles.
00:18:49	Well, this is a surprise!
00:18:56	Meet my new chum, Charles.
00:18:59	Charles, this is Nanny Hawkins.
00:19:03	- I don't think I know you, do I?
00:19:06	Your friend has charming manners.
00:19:10	- No family. I mean, no one important.
00:19:15	- He's going to paint me.
00:19:20	You've come at just the right time.
00:19:22	Lady Marchmain's
00:19:24	It's the Conservative Women's Tea.
00:19:26	They always turn out for Brideshead.
00:19:28	I'm afraid we may have
00:19:31	Your mother will be disappointed.
00:19:33	I'm sure Her Ladyship
00:19:34	Can't be done, I'm afraid.
00:19:47	I pray for my dear Sebastian every day.
00:19:52	- Charles!
00:20:02	- Come along, Charles.
00:20:04	We've seen who we came for.
00:20:06	Just a little look.
00:20:45	Don't be such a tourist, Charles.
00:20:47	If you're that keen,
00:20:48	you can see it all for a shilling
00:20:53	God, I loathe that painting!
00:20:59	I could show you the chapel, I suppose,
00:21:26	What did you do that for?
00:21:30	- You're not Catholic, are you?
00:21:34	- I was just trying to fit in.
00:21:44	Come on, come on!
00:21:46	Sorry, I'm afraid I don't have the knack.
00:21:47	Charles, what are you doing?
00:21:54	Car. Now.
00:22:29	Who was that in the car
00:22:31	- My sister.
00:22:33	For goodness sake, Charles,
00:22:34	I don't keep asking you questions
00:22:37	But I've never
00:22:39	You're so inquisitive.
00:22:41	Well, you're so mysterious about them.
00:22:44	I hoped I was mysterious
00:22:47	Why don't you want me
00:22:50	Who are you ashamed of, them or me?
00:22:51	Don't be so vulgar, Charles.
00:22:58	I'm not having you mixed up
00:23:04	I don't have a family.
00:23:09	You have me.
00:23:15	Sebastian and Charles,
00:23:23	Contra mundum.
00:23:44	Father?
00:23:48	Father?
00:23:52	- Back already?
00:23:56	So soon?
00:24:17	Thank you.
00:24:19	- Father, I have to leave at once!
00:24:21	A great friend of mine
00:24:22	- I must go to him.
00:24:29	"Gravely injured.
00:24:35	I'm sorry you're upset.
00:24:38	Reading this message,
00:24:40	I would say that the accident was not
00:24:45	or it would not have been signed
00:24:51	Still, of course, he may well be
00:24:56	Remind me.
00:24:59	I told you, he's a great friend.
00:25:02	Well, I shall miss you, my boy,
00:25:26	Take your bag, sir?
00:25:34	Excuse me!
00:25:41	Are you Charles Ryder?
00:25:44	Yes. Sorry. Hello.
00:25:47	I'm Julia, Sebastian's sister.
00:25:50	Hop in, Mr. Ryder.
00:25:56	- Case in the back.
00:26:29	How's Sebastian?
00:26:30	- He's fine.
00:26:33	Did he tell you he was dying?
00:26:34	Well, I thought... His message said...
00:26:37	I expect he thought
00:26:39	He's not badly hurt, then?
00:26:41	He cracked a bone in his foot
00:26:45	- How did it happen?
00:26:52	I must admit,
00:26:55	you traveling all this way
00:26:57	I don't mind.
00:27:00	Is it? Why?
00:27:02	Well, it's such a beautiful house,
00:27:05	I can't stand the place.
00:27:13	Be an angel and light me one.
00:27:53	There you are, at last!
00:27:56	- I thought you were dying.
00:28:00	The pain was excruciating.
00:28:04	Julia, ask Wilcox
00:28:07	- I hate champagne.
00:28:12	Well, take your coat off. You'll boil.
00:28:20	Come along, Charles.
00:28:37	I thought you hated champagne.
00:28:38	I do.
00:28:41	I suppose Sebastian's told you
00:28:44	No. No, nothing at all,
00:28:46	And nor should I.
00:28:49	What?
00:28:51	- I take it you're not one of us?
00:28:54	I don't live like this,
00:28:56	She means you're not a Catholic.
00:28:59	Sorry, no. No, nothing at all.
00:29:01	- You mean you're an atheist?
00:29:05	Strictly speaking, we're C of E,
00:29:06	but Father only ever goes
00:29:12	He likes those.
00:29:14	- What about your mother?
00:29:18	I was very young.
00:29:20	She died working for the Red Cross.
00:29:22	Which, given her devotion to good,
00:29:24	does rather point up
00:29:27	I see. So, you're here arbitrarily?
00:29:31	He's here as my friend.
00:29:35	Given Mr. Ryder's
00:29:38	don't you think he ought to know
00:29:40	Leave Charles out of it.
00:29:42	- Tell me.
00:29:44	Mummy takes her faith
00:29:47	So seriously, in fact,
00:29:51	called her a living saint.
00:29:54	Mind you, he drinks.
00:29:56	Sebastian and I
00:29:59	I'm not a heathen, I'm a sinner.
00:30:03	As for you,
00:30:07	Why do we always end up
00:30:12	It's time for my bath.
00:30:15	Good evening, Mr. Ryder.
00:30:29	I don't think your sister
00:30:31	I don't think
00:30:35	I love her.
00:30:37	She's like me.
00:30:40	Drink in remembrance of me.
00:30:47	Hang on.
00:31:18	In fact, I know that that's checkmate.
00:31:27	Come here.
00:31:32	If only it could be
00:31:36	Always summer.
00:31:39	Always alone.
00:31:42	Fruit always ripe.
00:31:54	Cheers.
00:32:01	Now,
00:32:05	try this.
00:32:15	- No?
00:32:23	- Like a leprechaun.
00:32:28	A flute by still water.
00:32:32	This is a wise old wine.
00:32:43	A prophet in a cave.
00:32:45	And this
00:32:49	is a string of pearls on a white neck.
00:32:57	- A swan.
00:33:53	Who's that?
00:34:02	- Is that your brother?
00:34:06	- He seems all right to me.
00:34:15	Mother.
00:34:30	Hello, there.
00:34:31	Go away,
00:34:33	- Mummy's here.
00:34:36	She's invited Charles to dinner.
00:34:47	It's not
00:34:49	when we talked about this
00:34:52	It's no use crying, darling.
00:34:57	That's not going to help, is it?
00:35:00	You see, darling,
00:35:03	we must all pray for God's forgiveness.
00:35:07	So now, you try and try again now.
00:35:12	Be a good boy.
00:35:21	Now, just put your shirt on now.
00:35:24	Dining room's this way.
00:35:30	Is Sebastian all right?
00:35:34	Oh.
00:35:35	He and Mummy often have these talks.
00:35:39	Flannels for dinner?
00:35:43	- Will your mother mind?
00:35:47	No, don't worry.
00:35:51	- Do you often do that?
00:35:54	- Say one thing, mean another?
00:36:18	Thank you.
00:36:29	Amen.
00:36:33	Welcome to Brideshead, Mr. Ryder.
00:36:37	I do hope you didn't let Sebastian
00:36:42	I'm afraid I didn't quite have time
00:36:44	Sebastian must lend you some clothes
00:36:48	Or perhaps Bridey's a better fit.
00:36:51	Are you a Bridey
00:36:53	He can't borrow Bridey's clothes.
00:36:57	Don't be vulgar, Cordelia.
00:37:03	I hope you've been
00:37:06	Has Sebastian
00:37:09	Yes. Sebastian's been
00:37:13	Delighted to hear it.
00:37:16	- You're fond of wine?
00:37:19	I wish I were.
00:37:24	At Christ Church, I tried to get drunk
00:37:27	What do you enjoy, Bridey?
00:37:31	Hunting, shooting,
00:37:37	fishing.
00:37:41	And what form do your pleasures take,
00:37:45	- Sorry, pleasures?
00:37:47	- What do you do to relax?
00:37:49	Drinking is not a hobby, Sebastian.
00:37:52	- You live in London, is that correct?
00:37:55	- Whereabouts?
00:37:59	You live in a railway station?
00:38:01	No, no. Sorry. No, I live nearby.
00:38:07	I see.
00:38:08	And has this led
00:38:13	No.
00:38:15	So, are you close
00:38:21	Not really.
00:38:23	- With Anthony Blanche?
00:38:29	Charles is a painter, Mummy.
00:38:33	How charming.
00:38:35	We must get you
00:38:36	- Would you do that, Mr. Ryder?
00:38:39	I think Brideshead's the most
00:38:46	- It's utterly magical.
00:38:52	Summer at Brideshead.
00:38:55	Mr. Ryder must stay with us
00:38:58	As a matter of fact,
00:39:02	He wants me to go and see him
00:39:05	I see.
00:39:06	And do you intend
00:39:09	Yes. Why not?
00:39:10	What about you, Julia?
00:39:12	I'd like to.
00:39:13	Wouldn't you rather
00:39:22	Well, yes, if you want me to.
00:39:28	- You must not neglect your duty.
00:39:39	I think we might spend a little time
00:39:44	- Would you join us, Mr. Ryder?
00:39:49	You do know Charles is an atheist?
00:39:53	An agnostic, surely.
00:39:57	Actually, no.
00:39:59	But you'll join us, anyway,
00:40:06	Thank you.
00:40:12	- No Sebastian?
00:40:17	Charles, are you really an atheist?
00:40:21	- Yes, I am.
00:40:25	I'll put you on my prayer list.
00:40:27	I have a long list of people I pray for,
00:40:31	It's a new thing. You send five bob
00:40:34	and they christen a baby after you.
00:40:37	Right.
00:40:38	Thy will be done,
00:40:42	Give us this day our daily bread,
00:40:45	and forgive us our trespasses
00:40:48	as we forgive
00:40:51	And lead us not into temptation,
00:40:56	Amen.
00:41:39	Have you ever
00:41:42	No. No, I haven't.
00:41:44	Every ambitious young man
00:41:48	It makes one sound more complete.
00:41:52	I was thinking, if Sebastian were to go,
00:41:57	it might be a good thing
00:42:02	He needs someone plausible
00:42:06	I gather last time he was there, he was
00:42:11	It's youthful high spirits, I understand,
00:42:15	but in the end,
00:42:22	Atheist, or no.
00:42:29	I know I can rely on you.
00:42:32	You seem to me
00:43:12	- San Giovanni e Paolo.
00:43:15	I can see
00:43:18	By the way, I should warn you.
00:43:22	He lives
00:43:25	- Who's Cara?
00:43:29	Poor Papa's rather shunned by society.
00:43:31	Not the Italians, of course.
00:43:38	- Santa Maria dei Miracoli.
00:44:10	- My dear boy!
00:44:15	- You look so young!
00:44:17	I've taken to playing tennis
00:44:20	Cara thinks I'm getting far too fat.
00:44:22	Julia, come here.
00:44:24	- Father.
00:44:27	- I wasn't sure if you'd come.
00:44:29	Blessed by your mother.
00:44:32	You know, I used to try everything
00:44:34	Julia, this is your friend, Mr. Ryder?
00:44:36	- Charles is my friend, Papa.
00:44:39	- Delighted.
00:44:42	- Welcome to Venice.
00:44:46	Come along now. This way.
00:45:01	Don't look so greedy. It won't go away.
00:45:05	Sorry.
00:45:11	I wasn't sure you'd come to Venice.
00:45:15	Your father seemed
00:45:17	I'm not sure Father
00:45:20	He'd probably be just as happy
00:45:23	They adore each other.
00:45:29	- Who are you like?
00:45:31	Oh.
00:45:33	Nobody.
00:45:35	I'm the family shadow.
00:45:43	Drinks.
00:45:48	Julia.
00:45:53	Mr. Ryder, Sebastian tells me
00:45:57	- Charles is an artist.
00:46:00	Well, then I will show you all the
00:46:05	He never goes anywhere.
00:46:08	I don't mind the art.
00:46:12	The Italians seem unable
00:46:15	without putting Christ dying in it.
00:46:18	Of course, your mother loved Italy.
00:46:20	- A pietà on every street corner.
00:46:22	On the contrary, she'd be flattered.
00:46:26	- Mummy loves all of us equally.
00:46:29	You were the one who walked away!
00:46:37	What must you think of us, Mr. Ryder?
00:46:41	- A family of monsters, are we not?
00:46:45	I lost my mother when I was young.
00:46:53	Tell me, Mr. Ryder, as an artist,
00:47:00	I thought it was magnificent.
00:47:02	You think that? Really?
00:47:05	And now, here you are in Venice.
00:47:08	What a lot of temptations.
00:47:27	He walks for two hours
00:47:31	But he's quite fragile, you know, inside.
00:47:37	That woman nearly suffocated him.
00:47:41	- She's been very kind to me.
00:47:48	Well, just look at her children.
00:47:50	Even when they were tiny,
00:47:53	they must do
00:47:54	be what she want them to be.
00:47:56	Only then, would she love them.
00:48:00	It's not Lady Marchmain's fault.
00:48:06	But surely you're Catholic, too?
00:48:09	Yes, but a different sort.
00:48:11	It's different in Italy. Not so much guilt.
00:48:16	We do what the heart tell us,
00:48:29	Sebastian loves you very much, I think.
00:48:34	There you are.
00:48:35	They're very good,
00:48:39	if they don't go on too long.
00:48:45	For you, it's just a,
00:48:51	But I think it's more than that
00:49:00	Tread carefully, Mr. Ryder.
00:49:06	Come on.
00:49:09	- Hello.
00:49:18	Come on.
00:49:20	Got you.
00:50:14	Can't sleep.
00:50:24	I enjoyed the beach today.
00:50:28	You were very sweet.
00:50:35	Charles?
00:50:39	There you are.
00:50:50	Sorry.
00:50:53	Lots to drink.
00:50:59	I'm so glad you're here.
00:51:01	- I'm glad you're here.
00:51:04	- Did I say I'm glad you're here?
00:51:21	Let's get plastered.
00:51:24	Oh, yes, I do. I want. I want.
00:51:36	There's a wonderful chapel
00:51:38	You will see a masterpiece, I tell you.
00:52:01	The devil's got his eye on you!
00:52:07	Well, then you must protect me.
00:52:32	Julia!
00:53:22	Julia.
00:53:23	I got lost. All those people.
00:53:59	What are you doing?
00:54:03	What's the matter?
00:54:07	No!
00:55:24	Funny old religion, isn't it?
00:55:30	Sebastian,
00:55:35	what happened just now...
00:55:43	If I'd known it was going to happen,
00:55:48	I'd never have...
00:55:52	I don't know what I'm supposed to...
00:56:55	Checkmate.
00:57:00	I'm boring you.
00:00:07	- I've been in Venice.
00:00:12	The friend you were
00:00:19	- No.
00:00:22	You should have written to tell me.
00:00:42	Watch out, Flyte!
00:00:47	- Sebastian!
00:00:53	- Damn. Where is he? The bastard.
00:00:57	- Mr. Samgrass.
00:00:59	One of Mummy's gang.
00:01:02	Bastard's been set up to follow me.
00:01:04	I wouldn't mind
00:01:06	God, I feel a hundred years old.
00:01:10	Why haven't you called round?
00:01:12	I was beginning to think
00:01:16	- Since Venice.
00:01:23	- Damn! There he is again.
00:01:25	- Mr. Samgrass! There!
00:01:28	Mummy's hired him to watch me.
00:01:30	- What does he want?
00:01:33	Look, if he's bothering you,
00:01:39	Dear Charles, always so certain.
00:01:44	- I'm not certain of anything.
00:01:53	By the way, Mummy's here.
00:01:57	She has to talk to you.
00:02:01	Probably wants you
00:02:03	Don't be like that.
00:02:07	Why don't I come round
00:02:10	I'm not sure I want to see you anymore.
00:02:26	I'm so sorry.
00:02:47	So, Charles,
00:02:52	- how was Venice?
00:02:56	- A strange way to put it.
00:03:00	Speaking as an artist or a man?
00:03:05	I want a word with you
00:03:08	I'm concerned about him.
00:03:11	- Tea?
00:03:14	- Why? Should I be?
00:03:16	You must have noticed.
00:03:21	Yes, I suppose
00:03:23	No, not at all. You drink to get drunk,
00:03:24	Sebastian drinks to escape
00:03:32	I do wish I could understand
00:03:35	Ever since he came back from Venice,
00:03:39	- Did something happen there?
00:03:45	- You all had a good time?
00:03:49	I wonder what it could have been.
00:03:55	I hope you didn't let Julia mislead you.
00:03:58	- I don't understand.
00:04:03	Please understand,
00:04:04	I would not want you
00:04:09	Her future is not a question of choice.
00:04:15	Were it simply
00:04:19	this I might overlook.
00:04:20	But you are a self-proclaimed atheist,
00:04:23	and my daughter
00:04:27	God commands and we obey.
00:04:31	However, we're forgetting ourselves.
00:04:33	We're here to talk
00:04:35	I'm not sure Sebastian
00:04:39	Because of Julia?
00:04:41	But that is all cleared up now.
00:04:44	We're giving a ball for Julia's 21 st.
00:04:46	I'd like you
00:04:49	You came to Brideshead
00:04:51	If you have
00:04:55	it is surely not too much to ask
00:05:00	- To him or to you?
00:05:07	And, of course,
00:05:09	Brideshead does look particularly
00:05:15	Tell me, I'm curious.
00:05:19	Since, as you claim,
00:05:24	what do you imagine
00:05:29	Living my life, the same as you.
00:05:31	But without faith,
00:05:38	I want to look back and say that I was
00:05:42	alive.
00:05:45	That I didn't turn my back. That I tried.
00:05:51	That I was happy.
00:05:52	Happiness in this life is irrelevant.
00:05:55	All that matters,
00:05:58	the only thing of consequence,
00:06:14	Ready for the off.
00:06:17	A beautiful day for it, isn't it? Come on.
00:06:48	Funny, isn't it?
00:06:52	- Rex Mottram. How do you do?
00:06:56	Good to meet you, Charles.
00:07:00	We should compare notes some time.
00:07:03	- Going on the hunt?
00:07:06	Wise man. Load of English
00:07:10	Got to fit in, though!
00:07:25	Who is it?
00:07:31	It's me.
00:07:33	You could have knocked.
00:07:36	I did.
00:07:41	Sit down.
00:08:13	If only it could be like this always.
00:08:17	- Always summer.
00:08:21	Pass me a towel.
00:08:39	Where's that damn shirt?
00:08:43	You're shaking. What is it?
00:08:48	Don't you know, Charles?
00:08:51	"Why this is hell, nor am I out of it."
00:08:54	- Sebastian, if I've ever done anything...
00:08:59	It's me.
00:09:05	For God's sake, do stop mooning at me
00:09:12	I'm fine.
00:09:15	I'm fine so long
00:09:18	I want you to know that
00:09:22	I'm not in your mother's gang,
00:09:27	I'm on your side.
00:09:31	Contra mundum.
00:09:36	Dear Charles,
00:09:42	you're not in anybody's gang.
00:09:46	That's always been your problem.
00:09:58	Why are you going on the hunt?
00:10:03	I do.
00:10:06	I'm going to leave Bridey
00:10:09	hack over to the nearest pub,
00:10:16	If they treat me like a dipsomaniac,
00:10:17	they can bloody well
00:10:20	Well, they can't stop you.
00:10:22	They can, as a matter of fact,
00:10:27	by not giving me any money.
00:10:34	I've pawned my watch
00:10:38	That lasted for a bit,
00:10:42	but that's all gone now.
00:10:45	So, regretfully...
00:10:48	Sebastian, I can't do that.
00:10:52	- I thought you were on my side.
00:10:55	Well, then.
00:10:57	Look, why don't I come with you?
00:11:00	It's miserable drinking alone.
00:11:03	We could get drunk together,
00:11:05	No.
00:11:08	I'm past all that.
00:11:11	Thanks for the offer.
00:11:16	Well?
00:11:19	Are you with me or against me?
00:11:48	Little bit further up
00:11:51	Sarah, look.
00:11:54	Sort of up here.
00:12:50	Ladies and gentlemen,
00:12:54	on top of the birthday festivities,
00:12:57	the engagement of my eldest daughter,
00:13:01	to Mr. Rex Mottram.
00:13:17	Yes,
00:13:25	- Thank you, Charles. I'd love to dance.
00:13:29	- Cordelia, I'm...
00:13:42	- Charles?
00:13:44	I hope you don't mind me asking,
00:13:49	- it is all bosh, isn't it?
00:13:52	Good. I thought so.
00:13:58	Get a grip, Charles!
00:14:01	Rex! Rex, I need a better dancer.
00:14:05	Yours for five minutes and no more.
00:14:08	- Come along.
00:14:12	You're rather tall,
00:14:14	Is that a handicap?
00:14:36	Why didn't you tell me?
00:14:40	It's not Sebastian. I don't believe that.
00:14:43	Charles, I can't do this.
00:14:45	- When we kissed...
00:14:50	Why? It was wonderful.
00:14:54	I know.
00:14:59	I think about it all the time.
00:15:04	I have no choice.
00:15:23	- Oh, Sebastian.
00:15:31	- Oh, Charles.
00:15:37	- Come along, old boy.
00:15:39	You're in tweed, Sebastian.
00:15:41	Bugger off, Bridey.
00:15:48	You see... What it is...
00:15:51	I hate you all so very much!
00:15:54	- Sebastian.
00:15:57	You don't care about me!
00:15:58	All you ever wanted
00:16:00	Okay, Sebastian, that's enough.
00:16:03	All right. I'm going.
00:16:47	Charles,
00:16:52	did you give Sebastian money today?
00:16:56	Yes, I did.
00:17:00	Knowing how he was likely to spend it?
00:17:05	Yes.
00:17:08	I don't understand.
00:17:10	How could you be so nice
00:17:14	and then do something
00:17:18	We all liked you so much.
00:17:25	Do you think it's better
00:17:31	Having him watched
00:17:34	But you deliberately
00:17:39	You're the reason he drinks,
00:17:43	not me.
00:17:46	All I did was
00:17:49	try to give him a little freedom.
00:17:51	No, you just wanted him to like you.
00:17:55	I think you should leave now, Charles.
00:19:21	Hello, there.
00:19:24	Yes, thanks.
00:19:30	I'm Celia Mulcaster, by the way.
00:19:35	Charles Ryder.
00:19:38	I saw your paintings in the brochure
00:19:45	No need to look so gloomy.
00:19:48	If I had half your talent, I'd be delirious.
00:19:53	You can thank me, if you want.
00:19:58	Thank you.
00:20:02	Would you like me
00:20:23	Silent and grave,
00:20:28	- Charles.
00:20:33	Thank you, Father.
00:20:36	I'm so glad your son
00:20:53	Please, sit down.
00:20:56	I'm fine, thank you.
00:21:00	How did you know where I lived?
00:21:02	My driver found you.
00:21:04	The Ryders of Paddington
00:21:07	I hear you have your first exhibition
00:21:10	Congratulations.
00:21:12	I'm sure you're not here
00:21:14	No. The last time we saw each other,
00:21:19	I'm not here to apologize.
00:21:23	I took you into my confidence,
00:21:27	I do hope you're not asking me
00:21:30	- I act only as God directs.
00:21:33	God's your best invention.
00:21:36	- I am not here to argue with you.
00:21:41	The reason I called
00:21:47	A favor?
00:21:51	Sebastian's gone missing.
00:21:54	I'm worried about him.
00:21:59	You banish me from your house,
00:22:02	you poison my friendship
00:22:05	and now you expect me
00:22:08	There's no one else I can ask.
00:22:11	Even if I were to agree,
00:22:12	what makes you think Sebastian
00:22:15	Because he cared for you more
00:22:26	All I ever wanted was to see them safe.
00:22:30	And all they do is hate me.
00:22:49	I'll be at Brideshead.
00:22:52	You may send word to me there.
00:22:55	Driver!
00:22:59	Driver!
00:24:54	I'm looking for Sebastian Flyte.
00:25:01	This is his house.
00:25:04	- Who are you?
00:25:08	In the local hospital.
00:25:12	When you see him,
00:25:15	tell him I'm still here.
00:25:24	Your friend
00:25:28	One of his lungs is full of fluid.
00:25:31	He will recover. But travel with you?
00:25:35	He's very weak. No resistance.
00:25:39	What do you expect?
00:26:13	Here is your friend.
00:26:31	What the hell are you doing here?
00:26:34	Your mother asked me to come.
00:26:36	She wants me to bring you back home,
00:26:39	but the doctor said
00:26:44	I wouldn't, even if I could.
00:26:47	I think...
00:26:51	I think she's dying.
00:27:01	Walk with me. I'm meant to exercise.
00:27:24	Did you go to my house?
00:27:27	Did you meet Kurt?
00:27:30	Yes.
00:27:33	He wanted you to know
00:27:37	It's rather a pleasant change,
00:27:41	when all your life
00:27:45	to have someone to look after, yourself.
00:28:02	I thought you'd want to go back
00:28:04	Brideshead?
00:28:06	Are you mad?
00:28:10	The place would still be full of her.
00:28:14	I wouldn't go within
00:28:22	I need to sit.
00:28:38	I'm sorry.
00:28:40	Whatever for?
00:28:52	Everything.
00:28:55	It's all right.
00:28:58	Truly.
00:29:02	I asked too much of you.
00:29:07	I knew it all along, really.
00:29:11	Only God can give you that sort of love.
00:29:21	Come home, Sebastian.
00:29:26	When you're well enough.
00:29:29	Don't finish it like this.
00:29:35	This is my life now.
00:29:39	I'm happy here.
00:29:45	I miss you.
00:29:49	How sweet of you to say that.
00:29:54	Dear Charles,
00:29:59	it was my fault for
00:30:08	Run away.
00:30:11	Run far away and don't ever look back.
00:31:08	I'm sorry.
00:31:37	You must be so proud of him.
00:31:40	- Was he away long?
00:31:42	and it doesn't feel like a day.
00:32:34	Hello, Charles.
00:32:43	Did you know I was on the boat?
00:32:47	If I said no, you wouldn't believe me.
00:32:56	You're married now.
00:32:59	Yes.
00:33:05	- You haven't changed at all.
00:33:14	- How ridiculous.
00:33:20	Tell me this is fate.
00:34:47	- What?
00:34:50	Tell me.
00:34:52	I was thinking about Sebastian.
00:34:55	Mummy died without
00:35:02	I know.
00:35:08	Let's go up on deck.
00:35:11	- Are you sure?
00:35:18	Come on!
00:35:30	Sorry.
00:35:36	- So where's Rex?
00:35:39	Forgive me, Rex!
00:35:55	Lady Julia, fancy meeting you here.
00:35:57	- Mr. Ryder.
00:36:00	Dry martini, please.
00:36:01	One dry Martini,
00:36:03	Please, allow me.
00:36:15	So, why did you marry Rex?
00:36:17	I don't know. Because he wasn't you.
00:36:20	- Because he was rich.
00:36:24	Because Mummy approved,
00:36:29	I thought he was my painted savage.
00:36:33	It turns out he was
00:36:38	Thank you.
00:36:39	Now, no more talk about Rex.
00:36:51	- Do you have children?
00:36:55	No.
00:37:00	- What will you tell your wife?
00:37:05	I have a viewing to arrange.
00:37:09	- Where shall we go?
00:37:13	- What about Italy? Capri?
00:37:15	- Seville.
00:37:17	- Paris.
00:37:18	- No!
00:37:21	- It's the loveliest place on earth.
00:37:25	- Not after this.
00:37:26	- We've nothing to apologize for.
00:37:31	Besides, Rex is there.
00:37:33	Leave it to me.
00:37:37	I'll settle everything.
00:37:43	Trust me.
00:37:45	I do.
00:37:47	- And stop worrying!
00:38:05	Good afternoon, ma'am.
00:38:11	Mr. and Mrs. Ryder.
00:38:14	Look, that's the Duke
00:38:18	- They want to buy one!
00:38:24	Make an effort, Charles.
00:38:32	Mrs. Ryder, good day.
00:38:34	Charles, how charming you look.
00:38:40	Anthony.
00:38:42	I heard, quite by chance, at a luncheon,
00:38:45	So, of course, I dashed impetuously
00:38:50	Where are the pictures?
00:38:53	Let me explain them to you.
00:39:06	This is simply charm.
00:39:08	Simple, creamy, English charm,
00:39:15	But enough of art.
00:39:17	They tell me you are happy in love
00:39:21	Or nearly everything.
00:39:25	Everyone's talking about it.
00:39:27	So, it's Julia now.
00:39:32	Do you think I should warn her?
00:39:34	Warn her about what?
00:39:37	How apropos that you'd have
00:39:44	I always thought you
00:39:47	when all along it is they
00:39:51	There really is no end to your hunger,
00:40:14	Why do I feel so nervous?
00:40:23	- Who are all these people?
00:40:28	Rex thinks there's a war
00:40:30	He wants to do well out of it.
00:40:31	- It's all he talks about.
00:40:34	- Hello, Rex.
00:40:36	Mr. Ryder,
00:40:39	I hear you're making
00:40:42	- Could I have a word with you?
00:40:52	It's cold.
00:41:00	Not here!
00:41:05	- Sorry.
00:41:07	- Let me settle everything with Rex.
00:41:12	- Yes? Charles?
00:41:16	If that's what you want.
00:41:30	Hello, Bridey.
00:41:32	- Hello, Julia. Just up from London?
00:41:36	Welcome back to Brideshead, Charles.
00:41:38	- How's your family?
00:41:42	- Rex still entertaining?
00:41:50	I'm sorry he's not here.
00:41:53	Well, come on. Out with it.
00:41:55	- I'm engaged to be married.
00:41:58	Well, who is she?
00:42:01	- No one you know.
00:42:04	I don't think you could
00:42:07	"Comely" is the word
00:42:10	She is a big woman.
00:42:12	- Fat?
00:42:15	She's called Mrs. Muspratt.
00:42:18	But, Bridey, where did you find her?
00:42:20	Her late husband, Admiral Muspratt,
00:42:24	You're not marrying her
00:42:28	No, no.
00:42:29	Matchboxes were left
00:42:31	I'm just holding them for collection.
00:42:36	- I hope you'll be very happy.
00:42:39	- I think I'm very fortunate.
00:42:43	When are we going to meet her?
00:42:45	- I couldn't do that.
00:42:47	Well, you must understand,
00:42:48	Beryl is a woman
00:42:51	fortified by the prejudices
00:42:54	I couldn't possibly bring her here.
00:42:57	I don't understand.
00:42:59	It may be a matter of indifference
00:43:00	whether or not you choose
00:43:03	but on no account would Beryl
00:43:07	How dare you talk to her
00:43:12	Bloody offensive thing to say!
00:43:15	Really, there was nothing
00:43:16	I was merely stating
00:43:40	Take no notice of him, my darling.
00:43:46	So,
00:43:48	got you. Sorry about the delay.
00:43:52	I'll be outside.
00:44:06	The door? Door's made
00:44:10	I had it installed especially. Want one?
00:44:14	No, thank you.
00:44:20	I know what you're thinking.
00:44:27	How vulgar can it get?
00:44:35	I do it on purpose.
00:44:37	It amuses me to offend
00:44:42	So, you wanna take my wife off me?
00:44:44	You know she can't marry
00:44:48	- Against the rules.
00:44:51	She'll never be free.
00:44:53	Don't pretend
00:44:54	Who said anything about faith?
00:44:56	I bet you'd love to get your hands
00:45:00	All those pretty paintings.
00:45:04	Let her go, Rex. You never loved her.
00:45:07	The only thing you ever had
00:45:09	Wrong. When I decided to marry Julia,
00:45:12	I converted before the wedding.
00:45:16	Bet she didn't tell you that.
00:45:19	- I guessed.
00:45:23	You're the type.
00:45:30	You people,
00:45:33	you never learn.
00:45:37	You could have had it all
00:45:40	I did what I had to do.
00:45:42	They want a Catholic,
00:45:44	It's a great religion.
00:45:45	You sin all you want, then you confess.
00:45:49	You gotta woo these people.
00:45:52	This family don't live in the real world.
00:45:53	- They're mortgaged up to the hilt.
00:46:04	You want my wife? Make me an offer.
00:46:08	- I'm not just giving her away.
00:46:14	Try a little harder.
00:46:18	You're a rich man, Rex,
00:46:20	You can never have enough
00:46:27	No, you're right.
00:46:29	You're taking her off my hands.
00:46:32	I'll tell you what I'll do.
00:46:36	You give me a couple of your jungle
00:46:42	I hear you're worth collecting.
00:46:49	Come on, Charlie boy, say yes.
00:46:56	You don't have to speak.
00:47:01	Just nod.
00:47:21	I'll have my driver take me to London.
00:47:22	He can pick up the paintings
00:47:34	You know she's mad.
00:47:40	Lost the only one we had.
00:48:02	Julia?
00:48:23	I'm so sorry. I didn't know.
00:48:28	- It's just a shock.
00:48:30	Shh. Don't.
00:48:35	I've always known, ever since nursery.
00:48:39	I tried to be good, I really did.
00:48:44	All through the backgammon
00:48:47	But it's not enough. It's never enough.
00:48:52	God had to punish me.
00:48:55	So he took my little stillborn...
00:48:58	My child. My girl.
00:49:02	With you, I thought I could
00:49:05	But coming back here, it's like a thread,
00:49:08	an invisible thread drawing you back,
00:49:13	until all of a sudden,
00:49:16	And that voice inside your head,
00:49:18	the one that Mummy planted
00:49:21	every night in the nursery,
00:49:24	And the voice is telling you,
00:49:27	"Wicked little Julia,
00:49:30	And here I am again with you,
00:49:36	It's over. It's over now.
00:49:59	- Everything set?
00:50:01	- Thank you, Wilcox.
00:50:29	Who's that?
00:50:35	Go back. Turn around.
00:50:41	Staff, immediately!
00:50:45	Come on, quickly now!
00:50:50	I'll help with that.
00:50:53	Come on, hurry!
00:50:55	Shall I help, Tompkins?
00:50:56	The sedan chair.
00:51:02	Hurry.
00:51:04	Come along, come along.
00:51:06	Somebody got the rug?
00:51:11	Up. Gently.
00:51:13	Clear the stairs, please.
00:51:19	- Father!
00:51:22	Come on, please. Come on!
00:51:32	I'm sorry, I was to call,
00:51:34	but we have been traveling
00:51:37	It was Cordelia,
00:51:39	What happened?
00:51:41	as soon as possible.
00:51:42	His heart. Some long word at the heart.
00:51:47	Hurry up.
00:51:49	He's dying.
00:51:51	He has come home to die.
00:51:58	Come on, everybody, that's it.
00:51:59	Come along.
00:52:01	We must get Lord Marchmain
00:52:12	Thank you.
00:52:21	He's sleeping.
00:52:24	Do you think we should
00:52:27	You could, but I doubt he'd come.
00:52:29	The last I heard of him,
00:52:33	The monks have him as a porter
00:52:36	He seems to like it.
00:52:38	I think they've rather taken him
00:52:42	Still, salvation of a sort.
00:52:48	Bridey, you need to call for a priest.
00:52:51	I'll have a word with Father Mackay
00:52:54	Julia, your father doesn't want a priest.
00:52:57	All he wants is to die in his old home.
00:53:00	Our father's soul, all sinners' souls,
00:53:06	It is our duty as Catholics
00:53:09	to save those we love from themselves.
00:53:55	Hateful woman.
00:53:57	She wants me dead.
00:54:02	What about you?
00:54:05	- Do you want me dead?
00:54:17	You know the family
00:54:20	They seem determined
00:54:24	Why should you care?
00:54:27	You don't believe in God.
00:54:30	You said so yourself.
00:54:34	Have you suddenly
00:54:39	I've already seen Sebastian
00:54:42	I don't see why I should watch it
00:54:49	How very caring of you.
00:54:52	You forget, I was there.
00:54:55	I watched that woman crucify my son,
00:54:59	little by little, and I was silent.
00:55:05	What does that say about me?
00:55:07	You're not responsible
00:55:10	But are we not also
00:55:15	You, Charles, and me?
00:55:21	I let Sebastian down.
00:55:26	I let everyone down.
00:55:33	This way, sir.
00:55:44	Dear, no, that's too many!
00:55:46	- Papa...
00:55:48	- Get him away.
00:55:50	- Get him away! Get him away!
00:55:55	Everybody out! Out! Out!
00:55:58	- I'm so sorry, Father.
00:56:03	I've known worse cases
00:56:10	What were you talking
00:56:17	He doesn't want a priest.
00:56:21	Please, Charles.
00:56:23	Please don't interfere with matters
00:56:27	Julia...
00:56:32	Let's get out of here.
00:56:34	We'll go to Italy.
00:56:37	- Capri.
00:56:42	When this is over,
00:57:00	- Why should I believe you?
00:57:04	You just bought me from Rex.
00:57:11	What are you talking about?
00:57:13	According to you,
00:57:19	I thought I'd fetch at least three.
00:57:23	Don't be ridiculous.
00:57:28	- That was Rex.
00:57:31	- I had no choice!
00:57:34	I thought I was doing the right thing.
00:57:35	I thought I was doing what you wanted.
00:57:36	No, you thought you were getting me
00:57:40	- Is that really what you think?
00:57:44	What does Charles Ryder really want?
00:58:07	Can you imagine what it was like
00:58:14	Me,
00:58:17	Charles Ryder,
00:58:20	"the painter from Paddington,"
00:58:25	There was no humiliation
00:58:28	just to be part of that dream.
00:58:31	And your mother, that woman is more
00:58:36	She's in every brick,
00:58:46	Sebastian was right.
00:58:56	We should run away.
00:59:01	- Why did you bring me here?
00:59:51	- Bridey...
01:00:21	Now, try and remember your sins
01:00:26	I'm going to give you absolution now.
01:00:29	And while I'm giving it,
01:00:30	I want you to tell God you're sorry
01:00:34	and then I want you
01:00:48	- Amen.
01:01:20	Amen.
01:01:37	Please, God,
01:01:42	Forgive me. Oh, God, forgive me.
01:03:29	Sebastian used to loathe this painting.
01:03:34	Daddy gave it to Mummy
01:03:40	Tell me.
01:03:47	I wanted too much.
01:03:53	It's nobody's fault.
01:03:55	But you're not coming with me.
01:04:04	I can't shut myself off from His mercy.
01:04:09	Can you understand that?
01:04:15	I don't want to make it easier for you.
01:04:25	I hope your heart
01:04:30	breaks.
01:04:39	But I do understand.
01:04:46	I have to let you go.
01:06:08	Whether by fate or the
01:06:13	I find myself returned once more
01:06:17	Let it go.
01:06:30	Did I want too much?
01:06:36	Get him out of my sight!
01:06:38	Did my own hunger blind me to
01:06:45	Am I only now, shadowed by war,
01:06:52	alone enough to see the light?
01:07:03	Worst place we've struck yet.
01:07:04	No facilities, no amenities,
01:07:06	and the nearest village
01:07:09	Mind you, there's a rumor
01:07:11	They'll be shipping
01:07:14	Yes, very soon.
01:07:17	Where are the family now?
01:07:19	Some Lady Flyte lives
01:07:22	She's overseas
01:07:25	Her elder brother died in the Blitz.
01:07:29	- I take it you're not religious, Hooper.
01:07:34	You're born, you live, then you die.
01:07:39	Do you have any hopes
01:07:41	Hopes? Oh, aye, plenty.
01:07:44	It's our time now. You watch.
01:07:48	Future belongs to us,
01:07:53	How about you, sir?
01:07:54	You got someone
01:07:56	Me? No.
01:07:59	I've loved and lost
01:08:04	Would you like me
01:08:06	No, not yet. Carry on, Hooper.
01:08:10	Very good, sir.
01:08:21	Sergeant!

Brideshead Revisited