|
Round Midnight
|
| 00:02:04 |
Is it the same room |
| 00:02:11 |
I don't know, Francis. |
| 00:02:13 |
Same raggedy drapes. |
| 00:02:20 |
This crummy wallpaper. |
| 00:02:43 |
All I remember... |
| 00:02:50 |
...it was a Friday... |
| 00:02:52 |
...the last time I saw Hershell. |
| 00:03:06 |
You still playing those weird chords? |
| 00:03:11 |
Yeah, still at it, Lady Hersh. |
| 00:03:15 |
How's you feeling? |
| 00:03:18 |
You drive people wild. |
| 00:03:24 |
Yeah, I know. |
| 00:03:26 |
Then you be out of business. |
| 00:03:30 |
You ought to listen to me more. |
| 00:03:37 |
Well, yeah. They do. |
| 00:03:43 |
I'm going to Paris, Hersh... |
| 00:03:46 |
...tonight. |
| 00:03:48 |
What's that gonna fix? |
| 00:03:50 |
You remember Paris. |
| 00:03:52 |
It won't change the way you play. |
| 00:03:55 |
No cold eyes in Paris. |
| 00:03:59 |
Can't you talk the way other folks |
| 00:04:05 |
You know who's gonna be |
| 00:04:10 |
You. |
| 00:04:19 |
If you had seen Hershell and Dale |
| 00:04:23 |
...it's something that |
| 00:04:25 |
It was so new and so different, |
| 00:04:30 |
Maybe all those memories made Dale |
| 00:04:36 |
Maybe what he saw |
| 00:04:39 |
... was too frightening and familiar. |
| 00:05:13 |
Come on, baby, be careful over there. |
| 00:05:18 |
Goodness gracious. You're almost up |
| 00:05:45 |
Needs a little something, Lady Ace. |
| 00:05:49 |
It needs okra. |
| 00:05:50 |
You can burn, |
| 00:05:54 |
And you know Dale loves Paris. |
| 00:05:59 |
Be the greatest city in the world |
| 00:06:02 |
What do you know about Paris, Ace? |
| 00:06:05 |
You do nothing but stay in your room |
| 00:06:11 |
At least I'm doing it in Paris. |
| 00:06:16 |
I got something for you. |
| 00:06:19 |
So what's new, Lady Ace? |
| 00:06:25 |
This is better than living in Harlem. |
| 00:07:03 |
Hello, Butter. |
| 00:07:05 |
What are you doing in Paris? |
| 00:07:09 |
You feeling real good, ain't you? |
| 00:07:12 |
Fine as wine. |
| 00:07:14 |
You better get yourself some rest, |
| 00:07:39 |
Dale? |
| 00:07:45 |
We're gonna celebrate |
| 00:07:50 |
...a man who has influenced musicians |
| 00:07:54 |
...and a man who has definitely |
| 00:07:58 |
A little ice, a little iceberg. |
| 00:08:01 |
--Mr. Dale Turner. |
| 00:10:02 |
They're doing great. |
| 00:10:05 |
What the hell is this? |
| 00:10:07 |
What? I lost a button. |
| 00:10:09 |
-Really? |
| 00:10:11 |
Get it fixed. |
| 00:10:12 |
-I don't sew. |
| 00:10:14 |
You're telling me. |
| 00:10:19 |
Come on, Charlie. Wake up. |
| 00:10:52 |
He's really great. |
| 00:10:57 |
-On his back, he'd still be great. |
| 00:11:00 |
Just like you? |
| 00:11:01 |
No, I gotta be on my front |
| 00:13:08 |
Yeah. I must be invisible in here. |
| 00:13:13 |
We gotta cut. |
| 00:13:16 |
Yeah. |
| 00:13:18 |
Hey, you half a motherfucker... |
| 00:13:22 |
...can I have another vin rouge? |
| 00:13:30 |
Well, this establishment has never |
| 00:13:37 |
...conviviality. |
| 00:13:39 |
Hey, Ben! |
| 00:13:41 |
Forget it, Dale. |
| 00:13:44 |
-Madame Queen, how are we doing? |
| 00:13:48 |
Clap hands, here comes Butter |
| 00:13:54 |
Here it is. |
| 00:13:55 |
I took out the... |
| 00:13:57 |
...two packages of Pall Malls and |
| 00:16:59 |
Come on, I gotta get you in this taxi |
| 00:17:04 |
See you tomorrow night. All right. |
| 00:17:09 |
-You all right, babe? |
| 00:18:29 |
Oh, you're open all night, huh, Ace? |
| 00:18:32 |
I need the advice of an expert, |
| 00:18:36 |
I want you to try this. |
| 00:18:43 |
-Where'd you get jambalaya herbs? |
| 00:18:47 |
Man, you crazy? Gotta have it. |
| 00:18:49 |
Oh, you're slick. |
| 00:18:51 |
You betcha! |
| 00:18:54 |
So, Lady Ace... |
| 00:18:57 |
...where are you working now? |
| 00:18:59 |
I got three weeks across the river. |
| 00:19:01 |
How long are you gonna be |
| 00:19:05 |
Well, as long as they'll have me. |
| 00:19:08 |
I'll fall by sometime |
| 00:19:11 |
All right? Here. |
| 00:19:13 |
Enjoy that. |
| 00:19:20 |
-Ace. |
| 00:19:29 |
You know what I need? |
| 00:19:33 |
I need a new reed. |
| 00:19:35 |
A Rico number three. |
| 00:19:38 |
Well, can't you blow through |
| 00:19:41 |
No. |
| 00:19:42 |
-Well, even Bean uses a reed-- |
| 00:19:46 |
...or anybody else. |
| 00:19:51 |
Well, I'll get it... |
| 00:19:54 |
... because you been good. |
| 00:19:58 |
Was good tonight. |
| 00:20:01 |
That's what they tell me. |
| 00:20:03 |
Just like before. |
| 00:20:10 |
Well, it's almost light. |
| 00:20:15 |
I guess I'll go for a promenade. |
| 00:20:39 |
I love... |
| 00:20:42 |
...Paris |
| 00:20:45 |
In the... |
| 00:20:47 |
...springtime |
| 00:21:30 |
Oh, the mad scientist! |
| 00:21:33 |
The answer is no. |
| 00:21:37 |
Ben, just one vin rouge. |
| 00:21:39 |
Buttercup says no. |
| 00:21:41 |
Buttercup is really not my mother. |
| 00:21:45 |
Makes you sick, Dale. |
| 00:21:47 |
Not good wine. |
| 00:21:49 |
Just don't serve me that stuff |
| 00:22:00 |
-Great. |
| 00:22:32 |
Hey, man, can you buy me a beer? |
| 00:22:35 |
Yeah. |
| 00:22:38 |
Yes. |
| 00:23:03 |
You know, I know you. |
| 00:23:09 |
I mean, your music, your composition, |
| 00:23:22 |
Yes, that's true. |
| 00:23:30 |
You, Bird, Bud Powell, Lester Young... |
| 00:23:34 |
...you have revolutionized music. |
| 00:23:41 |
Last time you played in Paris... |
| 00:23:43 |
... I'm in the army and going |
| 00:23:47 |
But I want to hear you play so much, |
| 00:23:52 |
And I got 1 0 days of jail for that. |
| 00:24:01 |
Do you have enough dough... |
| 00:24:04 |
...for another beer? |
| 00:24:07 |
Yes. |
| 00:24:11 |
This is my friend. He's with me. |
| 00:24:25 |
Hey, what do you know? |
| 00:24:30 |
-Hi. |
| 00:24:34 |
-Yeah, how you doing, man? |
| 00:24:36 |
Who is that? |
| 00:24:38 |
Well, he's an old jail buddy of mine. |
| 00:24:41 |
-Hey, Wes! |
| 00:24:43 |
-All right. How you doing there? |
| 00:24:47 |
Yeah, but it's not slow over here. |
| 00:24:51 |
How you doing? |
| 00:28:15 |
Say, Eddie. |
| 00:28:18 |
-How long you been living here, man? |
| 00:28:21 |
Matter of fact, I'm married now |
| 00:28:25 |
Oh, hey, how you doing? |
| 00:28:31 |
Trying it, don't have it together yet. |
| 00:28:36 |
-But I bet the lady can burn. |
| 00:28:41 |
She's a great cook. |
| 00:28:42 |
You know the Dale has been married |
| 00:28:46 |
And we all spoke fluent English. |
| 00:28:51 |
But nobody could burn. |
| 00:29:01 |
Say, Lady Ben... |
| 00:29:03 |
... how about a nice soft one |
| 00:29:08 |
Nothing doing. |
| 00:29:11 |
"There's not enough kindness |
| 00:29:13 |
You know, I haven't been doing |
| 00:29:18 |
Not even a bonbon. Never. |
| 00:29:22 |
The deal is no, Dale. |
| 00:29:27 |
But the deal with who? |
| 00:29:41 |
They always paying all |
| 00:30:05 |
S'il vous plait, I would like |
| 00:30:15 |
Hey, man. |
| 00:30:17 |
You want to come upstairs? |
| 00:30:19 |
What do you want him to do? Read |
| 00:30:26 |
I have a kid. She sometimes |
| 00:31:47 |
Yeah, I remember it rained |
| 00:31:53 |
We were an all-Negro unit... |
| 00:31:58 |
... with all-pink officers. |
| 00:32:07 |
One day at inspection... |
| 00:32:10 |
...this captain found a photo |
| 00:32:16 |
...lighter-skinned and |
| 00:32:24 |
So then he made one of those funny |
| 00:32:33 |
...which really wasn't the way white |
| 00:32:41 |
So then I found myself |
| 00:32:50 |
...where they started to do |
| 00:32:58 |
...for some time. |
| 00:33:04 |
Yeah, I got lucky. |
| 00:33:07 |
I found this Jewish doctor |
| 00:33:14 |
Wow. |
| 00:33:17 |
Without him, it would've |
| 00:33:22 |
He got me out of the army. |
| 00:33:29 |
You know, it just occurred to me... |
| 00:33:33 |
...that bebop was invented |
| 00:33:36 |
...who did get out of the army. |
| 00:34:35 |
Who wants more? Eddie? |
| 00:34:38 |
-I got plenty more in the kitchen. |
| 00:34:40 |
-I ain't missing this. |
| 00:34:43 |
-I know. I smelled it a mile away. |
| 00:34:46 |
You got any butter? |
| 00:34:47 |
I'm gonna eat with my hands. |
| 00:34:49 |
Hey, Eddie! What you got over here? |
| 00:34:51 |
Hey, what's them little red things? |
| 00:34:54 |
I'll get my own. |
| 00:35:16 |
What's keeping you from coming in? |
| 00:35:26 |
You bringing bad news, Francis? |
| 00:35:29 |
Hershell died last night. |
| 00:35:33 |
Hershell? |
| 00:35:38 |
Lady Hersh? |
| 00:35:49 |
-This is not Lady Hersh. |
| 00:35:54 |
That's Hershell. |
| 00:35:56 |
That's the way he looked the last time |
| 00:36:10 |
You are tired, Dale? |
| 00:36:16 |
Oh, yes, I'm tired... |
| 00:36:21 |
... of everything except the music. |
| 00:36:53 |
I can't get it right. |
| 00:36:57 |
I've forgotten the words. |
| 00:37:05 |
Autumn in New York |
| 00:37:15 |
Is often mingled with pain |
| 00:37:20 |
Dreamers with empty hands |
| 00:37:25 |
All sigh for exotic lands |
| 00:37:29 |
But it's autumn in New York |
| 00:37:31 |
It's good to live it again |
| 00:40:01 |
A rum and coke for Mr. Turner |
| 00:40:06 |
Hey, next one you pay for. |
| 00:40:12 |
Charlie, take a break, man. |
| 00:40:14 |
How's your schedule for next month? |
| 00:40:16 |
I don't even know about tonight. |
| 00:40:18 |
You give me a call. |
| 00:40:20 |
Hey, Dale. I saw you in Chicago. |
| 00:40:24 |
Think we even had a drink afterwards. |
| 00:40:27 |
Oh, yeah. Yeah, I think |
| 00:40:32 |
Listen, you got five bucks? |
| 00:40:36 |
Hey, Ben, can you call me a taxi? |
| 00:40:38 |
I thought the duke went out |
| 00:40:41 |
That Prussian faggot |
| 00:40:44 |
... but he can't find |
| 00:40:48 |
Where's Dale? |
| 00:40:49 |
You seen him? |
| 00:40:50 |
-He was right here, five minutes ago. |
| 00:43:45 |
You're Dale Turner. |
| 00:44:34 |
I got him, I got him. |
| 00:44:40 |
My goodness! What in the world |
| 00:44:43 |
Just like a baby. Got to watch |
| 00:45:24 |
I invite you for dinner |
| 00:45:29 |
Ooh, you're a real Tarzan, |
| 00:45:32 |
Are you his wife? Are you his wife? |
| 00:45:34 |
Are you a fool? |
| 00:45:37 |
Okay. |
| 00:45:39 |
Please tell him.... |
| 00:45:42 |
Here is my phone number |
| 00:45:47 |
Tomorrow night, 8:00. |
| 00:46:04 |
Hey, Buttercup, you want |
| 00:46:08 |
Ace? |
| 00:46:14 |
Did something happen tonight? |
| 00:46:16 |
-To get him like that? |
| 00:46:20 |
When you have to explore |
| 00:46:27 |
...even the most beautiful things |
| 00:46:32 |
You understand what I'm saying? |
| 00:46:37 |
All these young kids sound the same. |
| 00:46:41 |
Just like they had the same teacher. |
| 00:46:43 |
It was you. |
| 00:46:45 |
Yeah, me. |
| 00:46:48 |
And a few others. |
| 00:46:56 |
You act like my little girl. |
| 00:47:20 |
You know, one night in Brooklyn... |
| 00:47:22 |
...this tenor player comes in... |
| 00:47:26 |
...and he sits down, and he listens. |
| 00:47:30 |
And then he comes up to me and says: |
| 00:47:35 |
"I play you better than you." |
| 00:47:41 |
You know... |
| 00:47:42 |
...your music changed my life. |
| 00:47:48 |
I would never have read Rimbaud |
| 00:47:53 |
Because of your music, |
| 00:47:58 |
Francis... |
| 00:48:01 |
...is there water in this wine? |
| 00:48:06 |
Yeah. |
| 00:48:19 |
It doesn't look good, but it is. |
| 00:48:25 |
Who are your favorite tenors? |
| 00:48:31 |
Lester Young and Coleman Hawkins... |
| 00:48:36 |
...and Ben Webster. |
| 00:48:40 |
And I also used to listen |
| 00:48:44 |
Debussy? |
| 00:48:50 |
"Berangere." |
| 00:48:55 |
That's a big name for a little girl. |
| 00:49:18 |
-Francis? |
| 00:49:19 |
Tell me. |
| 00:49:27 |
Does Louis XIV still live here? |
| 00:49:30 |
Oh, no. |
| 00:49:33 |
He died for-- A long time ago. |
| 00:49:38 |
Are you sure? |
| 00:49:39 |
Yeah. |
| 00:49:41 |
I'm sure. |
| 00:50:05 |
Berangere waits for me. |
| 00:50:11 |
But it's a long time |
| 00:51:19 |
Well, Lady Sweets. |
| 00:51:21 |
Are we ready for tonight? |
| 00:54:08 |
You half a motherfucker. |
| 00:56:43 |
Dale, it's me. |
| 00:56:51 |
Never, never leave Dale |
| 01:00:59 |
Yeah, happiness is a nice, wet... |
| 01:01:03 |
... Rico reed. |
| 01:02:44 |
Well, checking out |
| 01:02:50 |
Butter... |
| 01:02:52 |
... I want my passport. |
| 01:02:57 |
I got it hidden in the room. |
| 01:03:01 |
Make sure you keep it in a safe place. |
| 01:03:10 |
Oh, yeah. Francis, you make sure |
| 01:03:17 |
Hey, Mama. |
| 01:03:19 |
Want some of these ribs and rice |
| 01:03:23 |
Sorry, Papa. I only eat kosher food. |
| 01:03:31 |
Listen to that, Francis. |
| 01:03:33 |
The swing bands used to be all... |
| 01:03:38 |
...straight tonics... |
| 01:03:40 |
...seventh chords. |
| 01:03:43 |
And then, with the Basie band... |
| 01:03:46 |
...I heard Lester Young... |
| 01:03:49 |
...and he sounded |
| 01:03:54 |
Because he was playing |
| 01:03:56 |
... the sixths and the ninths... |
| 01:04:00 |
...and major sevenths. |
| 01:04:03 |
You know, like Debussy... |
| 01:04:06 |
...and Ravel. |
| 01:04:08 |
Then Charlie Parker came on... |
| 01:04:13 |
...and he began to expand and... |
| 01:04:17 |
...he went into elevenths... |
| 01:04:20 |
...and thirteenths... |
| 01:04:22 |
... and flat fives. |
| 01:04:26 |
Luckily, I was going... |
| 01:04:30 |
...in the same direction already. |
| 01:04:36 |
You just don't go out... |
| 01:04:38 |
...and pick a style |
| 01:04:42 |
The tree is inside you... |
| 01:04:45 |
...growing naturally. |
| 01:05:00 |
I looked away for just a minute |
| 01:05:06 |
You ain't doing |
| 01:06:35 |
Dale! |
| 01:07:16 |
You are tired, Dale? |
| 01:07:19 |
Yes. |
| 01:07:21 |
I'm tired of everything... |
| 01:07:25 |
...except music. |
| 01:07:29 |
I wish I could rest. |
| 01:07:32 |
You don't sleep? |
| 01:07:36 |
Oh, yes. I sleep... |
| 01:07:39 |
... but... |
| 01:07:47 |
...there's always the dreams. |
| 01:07:51 |
What kind of dreams? |
| 01:07:58 |
Well, it's always about music... |
| 01:08:04 |
...and... |
| 01:08:12 |
... playing the sax. |
| 01:08:21 |
The sound... |
| 01:08:24 |
...and expanding the music. |
| 01:08:28 |
You know, more and more. |
| 01:08:35 |
You know, there's been nights... |
| 01:08:40 |
...when I've been working |
| 01:08:46 |
...and at the end of the night... |
| 01:08:49 |
... I look at my mouthpiece... |
| 01:08:56 |
...and it's all bloody. |
| 01:09:00 |
But I haven't felt a thing, you know. |
| 01:09:06 |
My life is music. |
| 01:09:13 |
My love is music. |
| 01:09:19 |
And it's 24 hours a day. |
| 01:09:25 |
Do you understand? |
| 01:09:30 |
Yeah. |
| 01:09:39 |
Do you have sexual relations? |
| 01:09:42 |
Oh, yes. |
| 01:09:46 |
Whenever I can. |
| 01:09:59 |
Lady Francis! |
| 01:10:21 |
Hey, taxi! |
| 01:10:25 |
-Dale? |
| 01:10:28 |
When you were talking to the doctor... |
| 01:10:31 |
... I was listening. |
| 01:10:34 |
-You were? |
| 01:10:40 |
Was I good? |
| 01:11:38 |
Bonjour, Lady Francis. |
| 01:12:06 |
But never... |
| 01:12:10 |
... never again, man. |
| 01:12:13 |
Don't cry for me. |
| 01:12:16 |
Never again, Francis. |
| 01:12:18 |
What else can I do... |
| 00:00:02 |
What else can I do... |
| 00:00:06 |
...when you are killing yourself? |
| 00:00:08 |
I'll stop. |
| 00:00:12 |
Stop? |
| 00:00:14 |
I promise. |
| 00:00:16 |
How? |
| 00:00:17 |
You never stopped before. |
| 00:00:19 |
I never promised anybody before. |
| 00:00:41 |
Francis... |
| 00:00:44 |
...you think we can find |
| 00:00:48 |
Yeah. |
| 00:00:56 |
So, Eddie... |
| 00:00:59 |
... I think... |
| 00:01:05 |
...you have two bars... |
| 00:01:08 |
...vamp... |
| 00:01:10 |
...to bring us in, right? |
| 00:01:13 |
And then we come right in... |
| 00:01:16 |
...on the melody. |
| 00:01:19 |
Okay. |
| 00:01:27 |
One, two, three, |
| 00:01:44 |
Try it again with eight, right? |
| 00:01:47 |
One, two, three, |
| 00:02:57 |
Hey! This your little girl? |
| 00:04:04 |
Do you like Monet? |
| 00:04:07 |
Oh, yes. |
| 00:04:11 |
All the colors.... |
| 00:04:13 |
He sounds like Ravel or Tad Dameran. |
| 00:04:19 |
Just like bebop. |
| 00:04:27 |
Francis... |
| 00:04:30 |
...who is that playing? |
| 00:04:33 |
Who is playing? |
| 00:04:34 |
It's you. |
| 00:04:36 |
You just made the record. |
| 00:04:41 |
Not bad. |
| 00:04:48 |
Well... |
| 00:04:51 |
...it's a nice day out. |
| 00:04:58 |
I think I'll go for a little stroll. |
| 00:05:01 |
Could you... |
| 00:05:03 |
...loan me a few francs? |
| 00:05:08 |
I want to go to the tabac |
| 00:06:23 |
What the hell is all this about? |
| 00:06:25 |
It's about Dale... |
| 00:06:26 |
...and how, from tonight on, |
| 00:06:30 |
Bullshit. |
| 00:06:31 |
Direct... |
| 00:06:33 |
...every night, |
| 00:06:37 |
That ain't my deal with Goodley, Dale. |
| 00:06:39 |
You want to show me the paper? |
| 00:06:42 |
You mean a contract? |
| 00:06:44 |
Yeah, where it says... |
| 00:06:46 |
...she gets paid every night. |
| 00:06:49 |
Shit, you ain't been straight enough |
| 00:06:53 |
...on nobody's contract. |
| 00:06:56 |
Butter... |
| 00:06:57 |
... I've been straight enough |
| 00:07:01 |
...every night, and... |
| 00:07:03 |
..sweetly. |
| 00:07:05 |
If I don't get my dough tonight... |
| 00:07:09 |
... I won't be back tomorrow. |
| 00:07:12 |
I gotta talk to Madame Queen. |
| 00:07:16 |
Do that. |
| 00:07:24 |
You pay him, |
| 00:07:34 |
Hey... |
| 00:07:35 |
...was I good? |
| 00:08:17 |
Francis... |
| 00:08:20 |
...direct! |
| 00:08:24 |
like everybody else. |
| 00:08:27 |
Tomorrow... |
| 00:08:30 |
...a new wallet. |
| 00:08:32 |
A big one. |
| 00:09:03 |
Enjoy! |
| 00:09:15 |
You're a great cook, Dale. |
| 00:09:17 |
Really, it's marvelous. |
| 00:09:19 |
You're a king. |
| 00:09:22 |
like Louis the XIV? |
| 00:09:24 |
Exactly. |
| 00:09:27 |
Well, I don't know about that... |
| 00:09:29 |
... but you always treat me |
| 00:09:59 |
Francis. |
| 00:10:15 |
Oh, shit. |
| 00:10:21 |
Why? |
| 00:10:40 |
Hello, Long Tall. |
| 00:10:46 |
I dreamed you were coming to Paris. |
| 00:10:54 |
Tonight we have with us... |
| 00:10:56 |
... Miss Darcey Leigh. |
| 00:10:58 |
Perhaps if we... |
| 00:10:59 |
...welcome her nicely to the stage, |
| 00:11:03 |
Please? |
| 00:11:11 |
"How Long Has This Been Going On?" |
| 00:11:15 |
You know your cue? |
| 00:11:16 |
Yes, the two. |
| 00:11:30 |
I could cry |
| 00:11:35 |
Salty tears |
| 00:11:39 |
Where have I been |
| 00:11:42 |
All these years |
| 00:11:47 |
Little wow |
| 00:11:50 |
Tell me now |
| 00:11:53 |
How long has this been... |
| 00:11:57 |
...going on |
| 00:12:04 |
There were chills |
| 00:12:08 |
Up my spine |
| 00:12:12 |
And some thrills |
| 00:12:16 |
I can't define |
| 00:12:21 |
Listen sweet |
| 00:12:26 |
I repeat |
| 00:12:28 |
How long has this been... |
| 00:12:31 |
...going on |
| 00:12:38 |
Oh, I feel |
| 00:12:42 |
That I could melt |
| 00:12:47 |
Into heaven I'm hurled |
| 00:12:56 |
I know... |
| 00:13:00 |
...how Columbus felt |
| 00:13:06 |
Finding another world |
| 00:13:14 |
Kiss me once |
| 00:13:18 |
Put on a hell of a show. |
| 00:13:22 |
Yeah, and we cut a few sides too. |
| 00:13:24 |
I heard. |
| 00:13:26 |
I heard you're |
| 00:13:29 |
Yeah, first time in a long time. |
| 00:13:36 |
Why do you seem so on edge? |
| 00:13:41 |
Oh, just because... |
| 00:13:48 |
... I keep wondering |
| 00:13:53 |
Of course you do. |
| 00:13:56 |
You have a Lot to give. |
| 00:14:00 |
It was you who taught me to listen |
| 00:14:06 |
Well, you would've learned that |
| 00:14:15 |
I always thought |
| 00:14:23 |
We have. |
| 00:14:45 |
Dale, do you have any regrets? |
| 00:14:49 |
Only one. |
| 00:14:50 |
Which is? |
| 00:14:53 |
I had big eyes... |
| 00:14:55 |
...to play with Count Basie's band. |
| 00:14:59 |
But he toad me that... |
| 00:15:01 |
...one band leader in the band |
| 00:15:07 |
Maybe it was for the better, huh? |
| 00:15:11 |
Oh, no. |
| 00:15:12 |
Dale's cool. |
| 00:15:30 |
Oh I feel |
| 00:15:35 |
That I could melt |
| 00:15:40 |
Into heaven I'm hurled |
| 00:15:48 |
And I know |
| 00:15:52 |
How Columbus felt |
| 00:15:57 |
Finding another world |
| 00:16:06 |
Kiss me twice |
| 00:16:11 |
And then once more |
| 00:16:16 |
What a dunce |
| 00:16:19 |
I was before |
| 00:16:25 |
Listen sweet |
| 00:16:28 |
I repeat |
| 00:16:32 |
How long has this been... |
| 00:16:36 |
...going on |
| 00:16:41 |
How long has this been... |
| 00:16:48 |
...going... |
| 00:16:55 |
... on |
| 00:17:44 |
Well, look at this. Miss Buttercup! |
| 00:17:48 |
How you doing? |
| 00:17:52 |
Hey, big D! |
| 00:17:54 |
How you doing, man? |
| 00:17:57 |
Let me tell you something. |
| 00:17:59 |
-How are you? |
| 00:18:01 |
Man, it's good to see you. |
| 00:18:03 |
Number one stole the cookie |
| 00:18:06 |
-Who, me? |
| 00:18:07 |
-Couldn't be. |
| 00:18:09 |
Number two had his finger |
| 00:18:11 |
-Who, me? |
| 00:18:12 |
-Couldn't be. |
| 00:18:14 |
Number three stole the cookies |
| 00:18:17 |
-Who him? |
| 00:18:19 |
That's him. |
| 00:18:20 |
Number three is in the cookie jar. |
| 00:18:24 |
The leg, the classic Leg. |
| 00:18:26 |
Oh, no, honey. Thank you. |
| 00:18:42 |
She got you. |
| 00:18:43 |
This is why my tie's flying around |
| 00:18:56 |
I gotta pull my shoes off |
| 00:19:00 |
Here we go. |
| 00:19:01 |
I've had that man |
| 00:19:05 |
Paid all his room and board |
| 00:19:08 |
Once he was like a Cadillac |
| 00:19:11 |
Now he's like an old worn-out Ford |
| 00:19:15 |
He never gave me |
| 00:19:19 |
And put it in my hand |
| 00:19:21 |
Well, there's gonna be some changes |
| 00:19:26 |
Accordin' to my plan |
| 00:19:28 |
He's got to get it, |
| 00:19:33 |
Or else he's gonna |
| 00:19:35 |
If he must beg it, borrow it |
| 00:19:39 |
As long as he gets it, honey |
| 00:19:42 |
Well, I'm tired of buyin' pork chops |
| 00:19:45 |
To grease his fat lips |
| 00:19:46 |
And he's got find another place |
| 00:19:50 |
He's got to get it, bring it, |
| 00:19:53 |
Else he's gonna keep it out there |
| 00:19:57 |
Bees get the honey |
| 00:19:59 |
Brings it to the comb |
| 00:20:00 |
Else he's kicked out |
| 00:20:04 |
To show you that he brings it |
| 00:20:07 |
Everything keeps bringing it |
| 00:20:11 |
He's got to get it, and bring it, |
| 00:20:15 |
Else he's gotta keep it out there |
| 00:20:18 |
I tell you like a Chinaman |
| 00:20:22 |
Him don't get no mm-mm |
| 00:20:25 |
He's got to get, bring it, |
| 00:20:29 |
Else he's gonna keep-- |
| 00:20:32 |
Else he's gonna keep-- |
| 00:20:35 |
Or else he's gonna keep it out there |
| 00:20:44 |
You're all right! |
| 00:21:09 |
It's funny how the world |
| 00:21:15 |
I mean, you have your heart... |
| 00:21:17 |
...and your soul... |
| 00:21:19 |
...inside of you. |
| 00:21:24 |
Babies are inside of their mothers. |
| 00:21:29 |
Fish are out there in the water. |
| 00:21:36 |
But the world... |
| 00:21:41 |
...is inside nothing. |
| 00:21:48 |
I don't know if I like this or not... |
| 00:21:51 |
... but you better write it down. |
| 00:22:12 |
It's for you. There's a call for you. |
| 00:22:16 |
You're kidding. |
| 00:22:22 |
Hello? |
| 00:22:24 |
Long distance? |
| 00:22:27 |
Yeah. |
| 00:22:29 |
Yeah. |
| 00:22:31 |
No, I can't come, |
| 00:22:40 |
-That was Birdland. |
| 00:22:42 |
They wanted me to come back. |
| 00:22:44 |
Did he tell you the one about |
| 00:22:48 |
The Red Shoes, |
| 00:22:51 |
I like the scene where |
| 00:22:53 |
...is eating breakfast, |
| 00:22:56 |
A young composer is disturbed |
| 00:23:00 |
...to complain about a piece of music |
| 00:23:04 |
He says, "I'd like to complain... |
| 00:23:06 |
...about a piece of music I wrote, |
| 00:23:10 |
Mr. Lementoff didn't respond... |
| 00:23:12 |
...so Krasner said, "Sorry I spoiled |
| 00:23:15 |
Mr. Lementoff said, |
| 00:23:20 |
"Sometimes it is |
| 00:23:22 |
...to steal than to be stolen from. |
| 00:23:27 |
Wes, we gotta get cracking here. |
| 00:23:30 |
Then you go your C again. |
| 00:23:33 |
It's the quarter note. |
| 00:23:38 |
Down to your F. |
| 00:23:54 |
Okay, you got the beginning intro. |
| 00:23:59 |
And Palle... |
| 00:24:02 |
...you're next. |
| 00:24:07 |
One, two, three.... |
| 00:28:15 |
Ready? |
| 00:28:19 |
I hope your family likes surprises. |
| 00:31:17 |
She wants you to make a wish. |
| 00:31:20 |
She wants you to make a wish. |
| 00:31:22 |
-A wish? |
| 00:31:24 |
Blow it out. |
| 00:31:26 |
The candle. |
| 00:31:27 |
Yeah. |
| 00:31:48 |
They're nice people, your family. |
| 00:31:53 |
They don't really like jazz. |
| 00:31:57 |
Well.... |
| 00:31:59 |
That's all right. |
| 00:32:01 |
But I felt... |
| 00:32:05 |
...that they like to live in harmony. |
| 00:32:15 |
Did I ever tell you about... |
| 00:32:17 |
...the Alvin Hotel? |
| 00:32:23 |
A Lot of great musicians... |
| 00:32:28 |
...live there. |
| 00:32:46 |
Yeah, Lady Francis.... |
| 00:32:51 |
I think it's about time |
| 00:33:15 |
Well, I hope some good friends |
| 00:33:24 |
Welcome home, Dale. |
| 00:33:27 |
R.W. Goodley. |
| 00:33:30 |
You took good care of Dale. |
| 00:33:33 |
I haven't seen him look |
| 00:33:37 |
How's Buttercup? What's she up to? |
| 00:33:39 |
She's trying to run |
| 00:33:42 |
-...in Paris. |
| 00:33:45 |
She's great. |
| 00:33:47 |
A great cook. A great cook. |
| 00:33:52 |
Wow. |
| 00:33:54 |
I don't remember all these people |
| 00:33:59 |
Oh, they were here. |
| 00:34:00 |
They were here. |
| 00:34:08 |
It's your first time in New York? |
| 00:34:10 |
Yeah. |
| 00:34:11 |
Oh, you're in for a real treat. Yeah. |
| 00:34:13 |
When you get back to Paris, you'll |
| 00:34:18 |
-When would that be? |
| 00:34:20 |
How long will you be here? |
| 00:34:23 |
I don't know. Not long. |
| 00:34:25 |
Not long? |
| 00:34:28 |
I've been to Paris. |
| 00:34:32 |
I let De Gaulle walk the Champs Élysées |
| 00:34:37 |
Paris, to me, Paris |
| 00:34:40 |
It's got fancy bridges and it looks-- |
| 00:34:42 |
They're steam cleaning |
| 00:34:45 |
Making them nice and white and clean. |
| 00:34:47 |
But I prefer New York. |
| 00:34:50 |
New York, for me, the music is better. |
| 00:34:54 |
There's tougher things going on here. |
| 00:34:57 |
There's tougher people here. |
| 00:35:00 |
It's not for everybody, New York. |
| 00:35:03 |
Now we get over the Williamsburg |
| 00:35:08 |
Traffic today at rush hour |
| 00:35:11 |
The worse traffic I ever saw |
| 00:35:14 |
What's that arch in Paris? |
| 00:35:18 |
The car's going in a circle. |
| 00:35:22 |
But when you're inside one of the |
| 00:35:27 |
In Coney Island we have a little ride |
| 00:35:31 |
I never saw drivers like these. |
| 00:35:33 |
I never saw it. |
| 00:35:42 |
Francis, Francis, let's go, come on. |
| 00:35:44 |
Francis. |
| 00:35:46 |
You can look at New York tomorrow. |
| 00:36:12 |
All right, Dale, this is it. |
| 00:36:16 |
I managed to work out |
| 00:36:19 |
...so you two are connected. |
| 00:36:21 |
I got instant coffee for you, Dale. |
| 00:36:23 |
I got peanut butter, |
| 00:36:25 |
I got some things to go over |
| 00:36:28 |
Your 802, your union dues. |
| 00:36:31 |
I paid your union dues, I took care |
| 00:36:36 |
Whatever comes to you, you don't |
| 00:36:39 |
At the end of the week, |
| 00:36:42 |
Other thing is, I'll give you |
| 00:36:45 |
Here we are. Who wants it? |
| 00:36:47 |
Francis, here we are. |
| 00:36:50 |
I know you'll probably want |
| 00:36:54 |
...there's the Armenian joint |
| 00:36:59 |
You could also eat at the club, |
| 00:37:02 |
I know you'll wind up |
| 00:37:05 |
...but the Armenian joint, you sign |
| 00:37:09 |
The same thing goes for the Star |
| 00:37:14 |
Sign for it, I put it on your tab. |
| 00:37:17 |
Now, the band that we have |
| 00:37:20 |
I know you've heard this |
| 00:37:23 |
When I say they're good, |
| 00:37:27 |
Most important: The cabaret card. |
| 00:37:30 |
The cabaret card. |
| 00:37:31 |
Cabaret card we took care of. |
| 00:37:34 |
We took care of it. It cost us. |
| 00:37:36 |
I mean, it wasn't easy, |
| 00:37:40 |
So you're set. Okay? |
| 00:37:42 |
Do you understand everything? |
| 00:37:46 |
-Any questions? |
| 00:37:48 |
You should be all right. Okay? |
| 00:37:52 |
-Goodley. |
| 00:37:54 |
When do we start? |
| 00:37:55 |
You start tomorrow night. |
| 00:37:59 |
Okay, nice and cozy here, huh? |
| 00:38:03 |
See you guys later. |
| 00:38:10 |
S.O.S. |
| 00:38:14 |
"Same old shit." |
| 00:38:22 |
But maybe you should go by the club |
| 00:38:27 |
Will you come? |
| 00:38:30 |
No. |
| 00:38:32 |
Dale's a little tired. |
| 00:39:56 |
Those two tables over there. |
| 00:39:58 |
Those people have been waiting for |
| 00:40:11 |
Francis, that's Dale's kid, right? |
| 00:40:13 |
Yeah, I called her. |
| 00:40:16 |
You're Chan? Hi, Goodley. |
| 00:40:19 |
Hi, I'm Francis. |
| 00:40:21 |
Nice to meet you. |
| 00:40:41 |
My daughter. |
| 00:40:45 |
Ladies and gentlemen... |
| 00:40:48 |
...our next selection... |
| 00:40:51 |
...is a composition... |
| 00:40:56 |
...that I wrote |
| 00:41:00 |
...who just turned fifteen. |
| 00:41:05 |
Fourteen. |
| 00:41:06 |
"Chan's Song." |
| 00:43:08 |
I liked my song. |
| 00:43:09 |
Oh, wonderful. |
| 00:43:12 |
Does it have words to it? |
| 00:43:13 |
No. |
| 00:43:15 |
But not everything |
| 00:43:24 |
I meant to... |
| 00:43:27 |
... bring you something |
| 00:43:31 |
You know, like perfume... |
| 00:43:34 |
... but I wasn't sure |
| 00:43:39 |
I didn't expect anything. |
| 00:43:41 |
I know someone who's been in Paris. |
| 00:43:44 |
He brought this back for me. |
| 00:43:49 |
Oh, I know. |
| 00:43:53 |
From Montemarte. |
| 00:43:55 |
I know. |
| 00:43:59 |
Hey, Dale! |
| 00:44:02 |
When did you get back? |
| 00:44:04 |
-How you doing, Booker? |
| 00:44:07 |
This your child? |
| 00:44:09 |
Daddy lets you stay up late, huh? |
| 00:44:13 |
Heard you the other night, Dale, |
| 00:44:16 |
Thanks, man. |
| 00:44:18 |
Feeling well? |
| 00:44:19 |
Not bad. |
| 00:44:27 |
So how's school? |
| 00:44:29 |
Fine. |
| 00:45:41 |
Hey, what do you want? |
| 00:45:43 |
I want to see Dale. |
| 00:45:45 |
He's not here. |
| 00:45:46 |
I'll wait. |
| 00:45:57 |
Tell Dale Booker was here. |
| 00:46:02 |
If he wants something, he'll find me. |
| 00:46:09 |
How is Chan? |
| 00:46:15 |
like a stranger... |
| 00:46:18 |
...and it's too Late to fix it. |
| 00:46:28 |
Don't let that happen to you |
| 00:46:39 |
Dale? |
| 00:46:40 |
Yeah. |
| 00:46:41 |
You were happy in Paris? |
| 00:46:52 |
Very pretty town. |
| 00:47:02 |
Is it the same room |
| 00:47:08 |
I don't know. |
| 00:47:12 |
They all look the same. |
| 00:47:36 |
Things work different here. |
| 00:47:39 |
Yeah, I see. |
| 00:47:51 |
Feels like far, Francis. |
| 00:47:54 |
What? |
| 00:47:56 |
Paris. |
| 00:48:01 |
I'm going back, Dale. |
| 00:48:03 |
I made two reservations. |
| 00:48:12 |
For when? |
| 00:48:14 |
Tomorrow evening. |
| 00:48:16 |
Is it too soon? |
| 00:48:22 |
There are two flights, |
| 00:48:34 |
If we're going... |
| 00:48:36 |
...let's go early. |
| 00:48:43 |
You know... |
| 00:48:48 |
... Lady Francis... |
| 00:48:52 |
...there's not enough kindness... |
| 00:48:56 |
...in the world. |
| 00:49:14 |
This is the last call |
| 00:49:19 |
All passengers, please proceed |
| 00:51:11 |
"Dale died Friday |
| 00:51:52 |
We would like to open |
| 00:51:55 |
...to a great jazz musician... |
| 00:51:57 |
...a man who died a few years ago. |
| 00:52:02 |
He passed away ahead of us... |
| 00:52:04 |
... but he was always doing things... |
| 00:52:07 |
...ahead of us. |
| 00:52:08 |
He wrote a song... |
| 00:52:10 |
...just before he died that we'd |
| 00:52:15 |
His name is Dale Turner. |
| 00:55:07 |
I hope... |
| 00:55:10 |
...Lady Francis... |
| 00:55:12 |
... that we live long enough... |
| 00:55:14 |
... to see an avenue... |
| 00:55:17 |
... named after Charlie Parker. |
| 00:55:22 |
A Lester Young Park. |
| 00:55:26 |
Duke Ellington Square. |
| 00:55:31 |
And even... |
| 00:55:34 |
...a street named Dale Turner. |
