|
Burn After Reading
|
| 00:01:40 |
Ozzie. Come on in. |
| 00:01:43 |
Palmer. What's up? |
| 00:01:45 |
You know Peck |
| 00:01:47 |
Peck, yes, hiya. |
| 00:01:53 |
I'm Osborne Cox. |
| 00:01:55 |
Yeah, hi. |
| 00:01:57 |
Aren't you with... |
| 00:01:59 |
Yeah, that's right. |
| 00:02:03 |
Look, Oz, look. |
| 00:02:05 |
There's no easy |
| 00:02:08 |
We're taking you off |
| 00:02:11 |
What? Why? |
| 00:02:14 |
In fact, we're moving you |
| 00:02:18 |
Just... No discussion? |
| 00:02:22 |
Well, we're having |
| 00:02:25 |
Look, Oz, |
| 00:02:31 |
Palmer, |
| 00:02:34 |
what the fuck are |
| 00:02:37 |
And why is |
| 00:02:40 |
Ozzie, look... |
| 00:02:41 |
What the fuck |
| 00:02:43 |
I know it's not my work. |
| 00:02:45 |
I'm a great |
| 00:02:46 |
Okay, Ozzie. |
| 00:02:47 |
Ozzie, things have |
| 00:02:52 |
You have |
| 00:03:01 |
I have a drinking problem? |
| 00:03:04 |
This doesn't have |
| 00:03:07 |
We found something |
| 00:03:12 |
Well, it is a lower |
| 00:03:15 |
But it's not... |
| 00:03:20 |
Hmm. |
| 00:03:21 |
This is an assault. |
| 00:03:24 |
I have a drinking problem? |
| 00:03:27 |
Fuck you, Peck. |
| 00:03:29 |
Next to you, we all have |
| 00:03:32 |
What the fuck is this? |
| 00:03:37 |
Let's be honest! |
| 00:03:39 |
I mean, let us |
| 00:03:42 |
This is a crucifixion! |
| 00:03:46 |
And don't tell me it's not! |
| 00:03:50 |
(SCOFFS) I have |
| 00:04:02 |
(DOOR CLOSES) |
| 00:04:05 |
You're home. |
| 00:04:08 |
Honey, |
| 00:04:10 |
Did you pick up |
| 00:04:12 |
Huh? |
| 00:04:13 |
The cheeses? |
| 00:04:14 |
The cheeses? |
| 00:04:16 |
I didn't realize |
| 00:04:18 |
Yeah. |
| 00:04:21 |
The Magruders |
| 00:04:23 |
The Pfarrers... |
| 00:04:27 |
What? |
| 00:04:28 |
When you left |
| 00:04:30 |
That she would |
| 00:04:32 |
Well, I don't know, |
| 00:04:34 |
My day didn't revolve |
| 00:04:36 |
Do you mean that |
| 00:04:38 |
Well, if I didn't |
| 00:04:39 |
then I didn't pick up |
| 00:04:40 |
For fuck's sake, Ozzie. |
| 00:04:42 |
What, now I have to |
| 00:04:44 |
Stay here |
| 00:04:46 |
Honey, |
| 00:04:48 |
Well, not now. I mean, |
| 00:04:54 |
Is that goat cheese? |
| 00:04:55 |
Ché¦re, yes, |
| 00:04:58 |
'Cause I have |
| 00:05:01 |
You're lactose |
| 00:05:03 |
Yeah, but I... |
| 00:05:05 |
They're different things. |
| 00:05:07 |
So you misspoke. |
| 00:05:08 |
Well, thank you |
| 00:05:10 |
You should try |
| 00:05:12 |
Yeah. I can |
| 00:05:14 |
I was just telling |
| 00:05:16 |
where I go into |
| 00:05:19 |
Harry works in |
| 00:05:21 |
Oh! I'm on |
| 00:05:23 |
I work with |
| 00:05:26 |
I was with Treasury, |
| 00:05:28 |
I'm with the Marshals now. |
| 00:05:29 |
If you want, |
| 00:05:32 |
(ALL CHUCKLE) |
| 00:05:33 |
Very funny. |
| 00:05:36 |
Twenty years of |
| 00:05:38 |
That sounds like something |
| 00:05:42 |
I don't have |
| 00:05:45 |
Boy, I guess my job |
| 00:05:48 |
I'm on |
| 00:05:50 |
Mrs. Pfarrer, |
| 00:05:51 |
Do you also |
| 00:05:52 |
(ALL LAUGHING) |
| 00:05:54 |
No, I write children's... |
| 00:05:55 |
She writes |
| 00:05:57 |
Y eah. Oliver, The Cat |
| 00:06:00 |
TI NA: Those are wonderful! |
| 00:06:02 |
My nieces and nephews |
| 00:06:03 |
Oh! Yeah, |
| 00:06:05 |
SANDY: Oh! Thank you. |
| 00:06:06 |
You should see |
| 00:06:09 |
Are you sure |
| 00:06:10 |
Why don't you let |
| 00:06:12 |
Come with me |
| 00:06:14 |
Help with |
| 00:06:19 |
God damn it. |
| 00:06:23 |
Knows what? |
| 00:06:26 |
Little prick. |
| 00:06:27 |
He doesn't know |
| 00:06:31 |
What is that, Forbo? |
| 00:06:39 |
What a horse's ass. |
| 00:06:41 |
I don't know why |
| 00:06:43 |
Well, she's all right. |
| 00:06:44 |
(SCOFFS) |
| 00:06:46 |
She's a cold, |
| 00:06:55 |
You quit? |
| 00:06:56 |
Uh-huh. |
| 00:06:58 |
Well, thank you |
| 00:06:59 |
Well, I tried to |
| 00:07:00 |
You tried? |
| 00:07:02 |
And then what, |
| 00:07:04 |
No. Then our guests |
| 00:07:06 |
Why? For fuck's |
| 00:07:08 |
I just got so tired. |
| 00:07:11 |
You're tired? |
| 00:07:12 |
Yes, of swimming |
| 00:07:14 |
Uh-huh. |
| 00:07:17 |
Independent thought |
| 00:07:19 |
They resist it. |
| 00:07:23 |
So they gave you a pension |
| 00:07:26 |
I didn't retire. I quit. |
| 00:07:30 |
But my benefits, |
| 00:07:32 |
They'll see you through, |
| 00:07:34 |
It's not like |
| 00:07:38 |
Yes? Yes? Well, |
| 00:07:40 |
I'll do some consulting. |
| 00:07:43 |
Consulting. |
| 00:07:45 |
Yes, to help out while... |
| 00:07:52 |
Write. Write what? |
| 00:07:56 |
I've been thinking |
| 00:08:00 |
Or, you know, |
| 00:08:06 |
(LAUGHS NERVOUSLY) |
| 00:08:18 |
OSBORNE: |
| 00:08:30 |
Dad, I left my job |
| 00:08:37 |
I'm sorry, Dad. |
| 00:08:42 |
Government service |
| 00:08:49 |
Things are different now. |
| 00:08:51 |
I don't know, maybe it's |
| 00:08:58 |
Now it seems like |
| 00:09:05 |
I'm writing a memoir. |
| 00:09:08 |
I think it can be |
| 00:09:13 |
But I don't think |
| 00:09:15 |
I don't think you |
| 00:09:18 |
Katie's had trouble |
| 00:09:19 |
But sometimes there's |
| 00:09:35 |
(INDISTINCT CHATTER) |
| 00:09:40 |
I know this kind of man. |
| 00:09:44 |
Mrs. Cox, |
| 00:09:46 |
take advantage of you, |
| 00:09:49 |
He will. |
| 00:09:50 |
Yes. This is my fear. |
| 00:09:52 |
Though he's trying... |
| 00:09:54 |
he's trying to pull |
| 00:09:56 |
Yeah. Look, sure, |
| 00:10:02 |
and you should. |
| 00:10:04 |
that people turn |
| 00:10:07 |
but you haven't |
| 00:10:13 |
No. |
| 00:10:15 |
Because first |
| 00:10:19 |
Because here is a man... |
| 00:10:21 |
Here is a man |
| 00:10:24 |
This was almost, |
| 00:10:27 |
and there is no reason |
| 00:10:30 |
There is no reason |
| 00:10:35 |
Paper files, |
| 00:10:41 |
You can be a spy, |
| 00:10:44 |
(KATIE CHUCKLES) |
| 00:10:45 |
Do this, |
| 00:10:47 |
Before the turtle |
| 00:10:53 |
Feet. |
| 00:10:55 |
And hopefully |
| 00:10:57 |
He will reform. |
| 00:11:00 |
But if not, |
| 00:11:03 |
forewarned is forearmed. |
| 00:11:13 |
We were young and committed |
| 00:11:20 |
We thought of |
| 00:11:26 |
Um... |
| 00:11:29 |
The principles |
| 00:11:34 |
a personal hero of mine, |
| 00:11:37 |
like the fabled |
| 00:11:43 |
at a time of... |
| 00:11:54 |
(PHONE RINGING) |
| 00:11:56 |
(ANSWERING MACHINE BEEPS) |
| 00:11:58 |
OSBORNE ON ANSWERING MACHINE: |
| 00:12:00 |
We can't answer |
| 00:12:02 |
Hello? |
| 00:12:04 |
MAN: |
| 00:12:06 |
No. She isn't. |
| 00:12:11 |
This is the Cox Group, |
| 00:12:13 |
but you can reach her |
| 00:12:17 |
(BELL DINGS) |
| 00:12:18 |
AUDIENCE: She's married! |
| 00:12:20 |
Number four. |
| 00:12:21 |
(BELL DINGS) |
| 00:12:22 |
AUDIENCE: Has a boyfriend! |
| 00:12:24 |
HOST: And number six. |
| 00:12:25 |
(BELL DINGS) |
| 00:12:27 |
AUDIENCE: She's pregnant! |
| 00:12:29 |
(TAPPING RHYTHMICALLY) |
| 00:12:56 |
(KATIE MOANING) |
| 00:13:03 |
(HARRY GRUNTING) |
| 00:13:10 |
(SIGHS) |
| 00:13:11 |
I should try to |
| 00:13:16 |
Ozzie! |
| 00:14:29 |
(MEN SINGING IN DISTINCTLY) |
| 00:14:37 |
ALL: (SINGING) |
| 00:14:41 |
In praise of Old Nassau |
| 00:14:46 |
In praise of Old Nassau, |
| 00:14:48 |
Hurrah! Hurrah! Hurrah! |
| 00:14:51 |
Her sons will give |
| 00:14:58 |
Three cheers for Old Nassau! |
| 00:15:00 |
(CHEERING) |
| 00:15:05 |
SURGEON: |
| 00:15:08 |
LINDA: Mmm-hmm. |
| 00:15:12 |
And the upper arms. |
| 00:15:16 |
And a little |
| 00:15:19 |
Now, we do |
| 00:15:23 |
with a tiny |
| 00:15:26 |
That marker tickles. |
| 00:15:27 |
...and here. |
| 00:15:28 |
And what about the upper leg, |
| 00:15:31 |
Well, we can do |
| 00:15:33 |
but that area will |
| 00:15:35 |
(LINDA SCOFFS) |
| 00:15:36 |
The buttocks |
| 00:15:39 |
once you get up around 40. |
| 00:15:44 |
but the thighs |
| 00:15:46 |
Yeah, I can work on my arms |
| 00:15:49 |
Well, also, |
| 00:15:52 |
The Litzkes have |
| 00:15:54 |
Well, everyone's got... |
| 00:15:55 |
My mother had an ass |
| 00:15:57 |
Wow! Well, that's a... |
| 00:15:59 |
Father's side, too. |
| 00:16:00 |
I mean, although Dad |
| 00:16:03 |
in the gut area. |
| 00:16:04 |
Okay. |
| 00:16:06 |
And what about the face, |
| 00:16:09 |
Uh-huh. Uh-huh. |
| 00:16:10 |
Very well put. |
| 00:16:12 |
Well, your eyes are one |
| 00:16:17 |
but we can do something about |
| 00:16:21 |
Baby crow's feet. |
| 00:16:23 |
I mean chicks. |
| 00:16:25 |
(CHUCKLES) |
| 00:16:28 |
You have a way |
| 00:16:30 |
We make a small incision |
| 00:16:33 |
like stretching |
| 00:16:35 |
Not too tight, though. |
| 00:16:36 |
We don't want that |
| 00:16:38 |
You need sufficient slack |
| 00:16:41 |
Yeah, I don't wanna |
| 00:16:43 |
(CHUCKLES) |
| 00:16:45 |
(CHUCKLING) |
| 00:16:48 |
So, Linda, |
| 00:16:53 |
The liposuction, |
| 00:16:56 |
the facial tuck, which |
| 00:17:00 |
Yeah, I don't wanna |
| 00:17:02 |
And why should you, |
| 00:17:04 |
And lastly, |
| 00:17:06 |
Now, we can also |
| 00:17:12 |
I don't know if you wear |
| 00:17:15 |
Not with these ham hocks! |
| 00:17:16 |
Yes, well, |
| 00:17:20 |
you may change |
| 00:17:23 |
I wanna talk about |
| 00:17:25 |
I mean, can you |
| 00:17:26 |
I mean, is it |
| 00:17:28 |
I see... I mean, |
| 00:17:30 |
Absolutely! |
| 00:17:34 |
It's personal taste. |
| 00:17:41 |
Chad! |
| 00:17:43 |
CHAD: Big breath. Exhale. |
| 00:17:46 |
Hold it. |
| 00:17:48 |
Hold and release! |
| 00:17:49 |
LINDA: Chad! |
| 00:17:50 |
And release. |
| 00:17:53 |
(BONE CRACKING) |
| 00:17:54 |
Too much? |
| 00:17:55 |
I just felt a straining, |
| 00:17:59 |
Well, you are pretty |
| 00:18:01 |
You have to... |
| 00:18:02 |
Yes, something |
| 00:18:03 |
WOMAN ON SPEAKER: |
| 00:18:05 |
I'm gonna check |
| 00:18:07 |
and we're gonna work |
| 00:18:14 |
I just got a batch |
| 00:18:16 |
Oh, no. Anything good? |
| 00:18:18 |
I don't know. |
| 00:18:20 |
Click on the... |
| 00:18:22 |
Okay. Oh, my God! |
| 00:18:23 |
Okay. Loser. |
| 00:18:26 |
Loser. Loser. |
| 00:18:28 |
(SNORTING) |
| 00:18:29 |
LINDA: They should |
| 00:18:32 |
Did you have to |
| 00:18:33 |
No, only the guys do. |
| 00:18:34 |
I had to fill out |
| 00:18:36 |
what turns me on, |
| 00:18:38 |
I'm really |
| 00:18:41 |
That guy... Wait. |
| 00:18:43 |
No, before. |
| 00:18:45 |
Yeah... He might |
| 00:18:47 |
How can you tell? |
| 00:18:48 |
That's a Brioni suit. |
| 00:18:50 |
Shit, yeah. |
| 00:18:52 |
Does he look |
| 00:18:54 |
Looks like |
| 00:18:56 |
What does he do? |
| 00:18:59 |
State Department. |
| 00:19:00 |
(EXCLAIMS) |
| 00:19:01 |
That's cool. |
| 00:19:03 |
His hair is... |
| 00:19:09 |
Plugs? |
| 00:19:11 |
This is our cardio area, |
| 00:19:14 |
so, believe me, |
| 00:19:16 |
I mean, what you see now |
| 00:19:18 |
and there's like |
| 00:19:20 |
Hey, Chad. |
| 00:19:21 |
Hey, Linda. |
| 00:19:23 |
No, not yet. |
| 00:19:26 |
I've been doing this |
| 00:19:28 |
What service? |
| 00:19:30 |
BeWithMeDC. Com. |
| 00:19:31 |
N ice. |
| 00:19:33 |
No. Two friends did, though, |
| 00:19:36 |
with really |
| 00:19:38 |
That's fantastic. |
| 00:19:40 |
FEMALE VOICE: |
| 00:19:42 |
Yes! |
| 00:19:43 |
I'm sorry. |
| 00:19:45 |
If you're an |
| 00:19:47 |
Would you like to speak to |
| 00:19:49 |
Agent. |
| 00:19:51 |
I'm sorry. |
| 00:19:52 |
Agent! Agent! |
| 00:19:56 |
WOMAN: Hello. |
| 00:19:58 |
Yeah, hi. |
| 00:20:00 |
Shall I give you |
| 00:20:02 |
You keyed it in. |
| 00:20:04 |
I was told that |
| 00:20:07 |
Yes, I'm showing |
| 00:20:10 |
Yes, it was denied. |
| 00:20:11 |
This operation is |
| 00:20:14 |
No, those are four |
| 00:20:18 |
I'm reinventing myself. |
| 00:20:20 |
so it's not just one thing, |
| 00:20:23 |
Your doctor's approval |
| 00:20:25 |
But this is not... Madam. |
| 00:20:27 |
that elective |
| 00:20:29 |
My job involves |
| 00:20:32 |
This is not... |
| 00:20:33 |
Oh! I understand. |
| 00:20:36 |
Put your supervisor |
| 00:20:38 |
Hold the line. |
| 00:20:45 |
(EXHALES) |
| 00:21:25 |
Alan? |
| 00:21:28 |
Linda? |
| 00:21:30 |
Yeah. |
| 00:21:36 |
MAN: We've been over |
| 00:21:39 |
First you say you |
| 00:21:42 |
Would you come |
| 00:21:43 |
(ALL LAUGHING) |
| 00:22:01 |
(LINDA GASPS) |
| 00:22:06 |
(ALAN GASPS) |
| 00:22:10 |
(SNORING) |
| 00:23:14 |
(SIGHS) |
| 00:23:28 |
We were married |
| 00:23:32 |
A kid. |
| 00:23:33 |
We were kids, 20s. |
| 00:23:36 |
You think it's forever. |
| 00:23:40 |
You get older, |
| 00:23:43 |
and you say, |
| 00:23:45 |
"for subterfuge." |
| 00:23:49 |
The choices you make... |
| 00:23:51 |
I'm thinking of |
| 00:23:57 |
(LAUGHS) |
| 00:23:58 |
Frankly, I'm thinking... |
| 00:24:04 |
I guess that's what |
| 00:24:07 |
With Sandy. |
| 00:24:09 |
Well, that's what |
| 00:24:11 |
Absolutely, yes. |
| 00:24:14 |
And you're right. |
| 00:24:15 |
No question about it. |
| 00:24:18 |
So if I were divorced... |
| 00:24:20 |
Yes, I should settle |
| 00:24:25 |
because of you and me. |
| 00:24:30 |
It's just, you know... |
| 00:24:33 |
It's hard to inflict |
| 00:24:37 |
Of course, |
| 00:24:41 |
Why's that? |
| 00:24:44 |
Well, because |
| 00:24:46 |
and Sandy is a good lady. |
| 00:24:51 |
She's a cold, |
| 00:24:53 |
That's a little... |
| 00:24:55 |
You and I should |
| 00:24:57 |
I've always told you |
| 00:24:59 |
That's right. |
| 00:25:02 |
And I think I've been |
| 00:25:04 |
Absolutely. |
| 00:25:07 |
Not just fun and games. |
| 00:25:13 |
Absolutely. |
| 00:25:35 |
Agent! |
| 00:25:36 |
I didn't understand |
| 00:25:38 |
Agent! |
| 00:25:43 |
Your call is important to us. |
| 00:25:44 |
(ON SPEAKER) |
| 00:25:47 |
(MUSIC PLAYING) |
| 00:25:58 |
Ted, can I talk to you |
| 00:26:00 |
Uh-huh! Hang on. |
| 00:26:02 |
This is some |
| 00:26:03 |
Is that my date list? |
| 00:26:04 |
No, fuck. |
| 00:26:06 |
You know, I'm trying |
| 00:26:08 |
which are so |
| 00:26:10 |
I can't believe this. |
| 00:26:11 |
This is like |
| 00:26:14 |
I'm not comfortable |
| 00:26:15 |
This is like... |
| 00:26:16 |
I can't believe |
| 00:26:18 |
Manolo found it. |
| 00:26:19 |
Yeah. |
| 00:26:22 |
a locker floor, |
| 00:26:24 |
I'm like, |
| 00:26:26 |
And I come in here, |
| 00:26:28 |
I'm not comfortable |
| 00:26:29 |
Talking about SIGINT |
| 00:26:33 |
"Signals" means "code," |
| 00:26:35 |
It was just lying there. |
| 00:26:36 |
Talking here |
| 00:26:39 |
And then there's |
| 00:26:42 |
Arrayed. N umbers and dates |
| 00:26:48 |
And numbers and... |
| 00:26:52 |
I think that's |
| 00:26:56 |
The raw intelligence. |
| 00:26:58 |
I'm not touching this. |
| 00:26:59 |
I want this out of here. |
| 00:27:01 |
Just throw it out? |
| 00:27:03 |
You should put up a note |
| 00:27:05 |
CHAD: Put up a note? |
| 00:27:06 |
"Highly classified |
| 00:27:09 |
"Signals intelligence shit? |
| 00:27:12 |
"Hello! Did anybody lose |
| 00:27:15 |
I don't know, |
| 00:27:16 |
but I'm not comfortable |
| 00:27:17 |
and I want this |
| 00:27:20 |
We're running |
| 00:27:24 |
Manolo, you didn't find this. |
| 00:27:27 |
I found it on |
| 00:27:30 |
Yeah, I know, but... |
| 00:27:31 |
Right there on |
| 00:27:32 |
Just lying there. |
| 00:28:00 |
SANDY: Harry? |
| 00:28:01 |
Yeah, it's me. |
| 00:28:06 |
(ELECTRICAL BUZZING) |
| 00:28:24 |
(CHATTERING) |
| 00:28:25 |
Absolut Saketini, |
| 00:28:26 |
Just a Tab. |
| 00:28:27 |
But if I could get |
| 00:28:29 |
I could at least get |
| 00:28:31 |
Whoa! There's a payroll |
| 00:28:33 |
They don't just |
| 00:28:35 |
They just don't do that. |
| 00:28:37 |
I mean, sure, I could say, |
| 00:28:39 |
but that's not going to |
| 00:28:42 |
Then why do they have us |
| 00:28:44 |
I need those surgeries, Ted. |
| 00:28:45 |
You're a beautiful woman. |
| 00:28:47 |
I have gone just about as far |
| 00:28:50 |
I think |
| 00:28:52 |
It's not |
| 00:28:54 |
That's right, Ted. |
| 00:28:57 |
I have |
| 00:29:00 |
and I've got this gut |
| 00:29:01 |
in front of me |
| 00:29:05 |
You know, there's a lot |
| 00:29:07 |
Yeah. Losers. |
| 00:29:12 |
I don't know. |
| 00:29:14 |
You know, I wasn't always |
| 00:29:16 |
Let me tell you... |
| 00:29:21 |
Let me show you something. |
| 00:29:29 |
Is that you? |
| 00:29:31 |
Fourteen years, |
| 00:29:36 |
That's a good job! |
| 00:29:40 |
It's a long story. |
| 00:29:45 |
Anyway, |
| 00:29:47 |
in many ways, |
| 00:29:51 |
My point is... |
| 00:29:53 |
My point is, |
| 00:29:54 |
That's my point. |
| 00:29:56 |
I want to find someone |
| 00:29:58 |
Well, you know, sometimes, |
| 00:30:02 |
I know. |
| 00:30:05 |
Uh-huh. |
| 00:30:08 |
Look, Ted, I know |
| 00:30:11 |
but you could put in |
| 00:30:15 |
It's not going to |
| 00:30:17 |
Ted, have you ever |
| 00:30:31 |
Harry? |
| 00:30:34 |
It's Monica. |
| 00:30:36 |
Well, hello. |
| 00:30:38 |
(TOILET FLUSHING) |
| 00:30:46 |
Maybe I can get a run in. |
| 00:30:49 |
(PHONE RINGING) |
| 00:30:57 |
Hello? |
| 00:31:04 |
Oh, my God. |
| 00:31:06 |
(SHUSHING) |
| 00:31:08 |
(WHISPERS) Oh, my God. |
| 00:31:11 |
Oh, my God. |
| 00:31:12 |
Do you know |
| 00:31:13 |
Uh-huh. So, like, |
| 00:31:16 |
on your totally |
| 00:31:17 |
but I know |
| 00:31:20 |
The guy? |
| 00:31:23 |
The guy, the secret guy. |
| 00:31:26 |
So, is he high up? |
| 00:31:28 |
I don't know |
| 00:31:29 |
Probably. I mean, |
| 00:31:32 |
So what's his name? |
| 00:31:34 |
Osborne Cox. |
| 00:31:37 |
Never heard of him. |
| 00:31:39 |
Like you're so plugged into |
| 00:31:41 |
the intelligence community. |
| 00:31:42 |
I'm just saying |
| 00:31:43 |
I think the quality of |
| 00:31:46 |
Okay. |
| 00:31:48 |
I also... |
| 00:31:49 |
Do you have any water? |
| 00:31:52 |
I got tap water. |
| 00:31:54 |
Are you kidding? |
| 00:31:55 |
How do you know |
| 00:31:57 |
Sources. |
| 00:31:58 |
(CHUCKLES) What do |
| 00:32:00 |
You got like Gatorade |
| 00:32:03 |
Do you know how far |
| 00:32:04 |
How do you know |
| 00:32:06 |
I got this geek friend, |
| 00:32:08 |
He does computer stuff, |
| 00:32:10 |
and programs |
| 00:32:12 |
So he examines the files |
| 00:32:16 |
what computer |
| 00:32:18 |
Fucking child's play |
| 00:32:19 |
Uh-huh. |
| 00:32:20 |
And... |
| 00:32:22 |
(SINGING) |
| 00:32:25 |
Oh, my God. |
| 00:32:27 |
That was a bit |
| 00:32:29 |
Shall we give him a tinkle? |
| 00:32:30 |
Oh, my God. |
| 00:32:32 |
Why? |
| 00:32:33 |
'Cause he's gonna wanna know |
| 00:32:38 |
He's gonna be relieved. |
| 00:32:40 |
He might even be so relieved |
| 00:32:43 |
I would be very |
| 00:32:46 |
Wow. |
| 00:32:48 |
Like, you know, |
| 00:32:50 |
which is not |
| 00:33:10 |
OSBORNE: Hello? |
| 00:33:14 |
(SLOWLY) Osborne? |
| 00:33:17 |
Yes. |
| 00:33:19 |
Who is this? |
| 00:33:23 |
This... |
| 00:33:27 |
Who is this? |
| 00:33:31 |
Um... |
| 00:33:32 |
I'm a Good Samaritan. |
| 00:33:35 |
I'm sorry I'm calling |
| 00:33:38 |
but I thought you |
| 00:33:42 |
Worried? |
| 00:33:43 |
About the security |
| 00:33:53 |
What on earth are |
| 00:33:56 |
Who am I speaking to? |
| 00:33:59 |
Your files. Your... |
| 00:34:04 |
I know these documents |
| 00:34:08 |
But I am perfectly willing |
| 00:34:14 |
you know, |
| 00:34:17 |
What documents are |
| 00:34:21 |
Osborne Cox? |
| 00:34:22 |
(SHOUTING) Yes! |
| 00:34:24 |
Hello, it's Osborne Cox. |
| 00:34:28 |
What documents are |
| 00:34:30 |
KATIE: Who is that? |
| 00:34:31 |
Okay. |
| 00:34:34 |
"The bureau chief |
| 00:34:38 |
"He had very little |
| 00:34:41 |
(ENUNCIATING) Rapport. |
| 00:34:44 |
"with his staff," |
| 00:34:47 |
How did you get this? |
| 00:34:48 |
Don't blow a gasket, |
| 00:34:50 |
Who the fuck are you? |
| 00:34:52 |
We have... |
| 00:34:54 |
You are in way over |
| 00:34:55 |
I don't know who |
| 00:34:57 |
but you have no idea |
| 00:35:00 |
Oh! Why so uptight, |
| 00:35:03 |
I'm just a Good Samaritan, |
| 00:35:06 |
Tell him we're |
| 00:35:08 |
We just thought |
| 00:35:09 |
and tell him about that |
| 00:35:12 |
Who is that? Hello? |
| 00:35:13 |
You tell him he's |
| 00:35:16 |
Hello! |
| 00:35:17 |
KATIE: Ozzie, |
| 00:35:19 |
You know, |
| 00:35:22 |
and we just |
| 00:35:26 |
OSBORNE: |
| 00:35:28 |
You want money? |
| 00:35:30 |
Well, yeah, why not? |
| 00:35:32 |
Am I out of line here? |
| 00:35:34 |
Listen to me, |
| 00:35:36 |
Listen to me very, |
| 00:35:40 |
You have no idea |
| 00:35:43 |
You warn us? |
| 00:35:44 |
Yes. Yes. I... |
| 00:35:46 |
Let me tell you something, |
| 00:35:49 |
We warn you! |
| 00:35:51 |
We will call you back |
| 00:35:53 |
Hello? Listen to me. |
| 00:35:54 |
Chad! Don't you... |
| 00:35:55 |
No, Chad. |
| 00:35:58 |
how this will work. |
| 00:36:00 |
(SIGHS) |
| 00:36:02 |
Jeez. |
| 00:36:07 |
I am very fucking surprised |
| 00:36:12 |
KATI E: |
| 00:36:13 |
Some clown, or two clowns, |
| 00:36:18 |
Your what? |
| 00:36:21 |
Stolen it, or... |
| 00:36:22 |
Your what? |
| 00:36:23 |
My memoirs, the book |
| 00:36:26 |
Well, why in God's name |
| 00:36:35 |
It doesn't sound like |
| 00:36:37 |
(SCOFFS) |
| 00:36:39 |
We just have to |
| 00:36:40 |
Well, that's... |
| 00:36:42 |
He sounds very senior. |
| 00:36:45 |
I think this is |
| 00:36:46 |
who has screwed |
| 00:36:48 |
Yeah, that's why |
| 00:36:50 |
We caught him |
| 00:36:53 |
Yeah. |
| 00:36:54 |
Uh-huh! |
| 00:36:55 |
This is our opportunity. |
| 00:36:59 |
You slip on the ice |
| 00:37:02 |
or something |
| 00:37:04 |
And right now |
| 00:37:06 |
Yup. |
| 00:37:08 |
It sure has. |
| 00:37:13 |
This could put |
| 00:37:16 |
Uh-huh. |
| 00:37:18 |
Big time. |
| 00:37:20 |
(ELECTRICAL BUZZING) |
| 00:37:22 |
Honey! Honey! |
| 00:37:25 |
Huh? |
| 00:37:27 |
My car is here. |
| 00:37:31 |
What is that thing? |
| 00:37:33 |
It's top secret, baby. |
| 00:37:35 |
How many cities? |
| 00:37:36 |
Seattle, San Francisco, |
| 00:37:39 |
Why do they always |
| 00:37:41 |
It's not a big market. |
| 00:37:42 |
I don't know. Lots of |
| 00:37:44 |
Rains all the time. |
| 00:37:47 |
I can think of |
| 00:37:48 |
(CHUCKLES) |
| 00:37:50 |
Where are they |
| 00:37:51 |
Christ, it better |
| 00:37:52 |
the money I make for them. |
| 00:37:54 |
Are you gonna be okay? |
| 00:37:56 |
I'll be sad, |
| 00:37:58 |
Not too sad. |
| 00:37:59 |
Just the right amount. |
| 00:38:03 |
I am crazy about you, baby. |
| 00:38:22 |
(ENGINE STARTING) |
| 00:38:25 |
(TIRES SCREECHING) |
| 00:38:27 |
Hey! |
| 00:38:41 |
BOG US: |
| 00:38:44 |
Zoe Caldwell. |
| 00:38:48 |
First time |
| 00:38:51 |
Jane Alexander |
| 00:38:52 |
an old friend of Zoe's. |
| 00:38:55 |
Anyway... |
| 00:38:57 |
(BEEPS) |
| 00:38:58 |
Connie. |
| 00:39:00 |
BOG US: |
| 00:39:06 |
Tony sang |
| 00:39:11 |
Tony Bennett. |
| 00:39:16 |
I thought I had it |
| 00:39:17 |
I don't know |
| 00:39:19 |
I'm sorry, |
| 00:39:22 |
All right. Okay. |
| 00:39:23 |
So we've drawn up the papers, |
| 00:39:26 |
and we are prepared to |
| 00:39:31 |
But since we |
| 00:39:34 |
I always urge my clients |
| 00:39:37 |
to give it one more |
| 00:39:43 |
(SCOFFS) |
| 00:40:13 |
Harry? |
| 00:40:16 |
It's Linda. |
| 00:40:19 |
Well, hello. |
| 00:40:22 |
I did the whole |
| 00:40:25 |
My guy was in State, |
| 00:40:28 |
so I did a lot |
| 00:40:30 |
"Ironside |
| 00:40:33 |
Not to his face, |
| 00:40:34 |
Not to his ass, either! |
| 00:40:36 |
(CHUCKING) |
| 00:40:37 |
He was okay. |
| 00:40:38 |
Personal protection's |
| 00:40:39 |
These are really good. |
| 00:40:41 |
Yeah? Does that have |
| 00:40:44 |
Shell food? |
| 00:40:46 |
I go into |
| 00:40:47 |
My larynx swells up |
| 00:40:50 |
Live dangerously, huh? |
| 00:40:53 |
Can't always |
| 00:40:55 |
That's right! Not always! |
| 00:40:58 |
(GUTTURAL) |
| 00:40:59 |
Yeah. My job now is |
| 00:41:01 |
Not so much PP, |
| 00:41:03 |
I do still |
| 00:41:04 |
Oh, my God. |
| 00:41:06 |
No big deal. |
| 00:41:08 |
in 20 years of service. |
| 00:41:10 |
I don't even |
| 00:41:12 |
you're not supposed |
| 00:41:14 |
In a situation where |
| 00:41:16 |
It's muscle memory. |
| 00:41:19 |
Those are outrageous. |
| 00:41:21 |
No way! |
| 00:41:23 |
Go away. Go away. |
| 00:41:25 |
Okay. Saki? |
| 00:41:26 |
(LAUGHS) |
| 00:41:27 |
There was |
| 00:41:30 |
and petty, petty shit, |
| 00:41:32 |
the old man stepped |
| 00:41:34 |
This is nice. |
| 00:41:37 |
Yeah. I guess so. |
| 00:41:39 |
Yeah. |
| 00:41:40 |
Listen, Linda, |
| 00:41:43 |
Yes, I am not |
| 00:41:46 |
Hmm. |
| 00:41:47 |
I took the ring off |
| 00:41:50 |
we agreed to disagree. |
| 00:41:52 |
That's about |
| 00:41:53 |
(LAUGHS) |
| 00:41:55 |
Well, thanks for |
| 00:41:57 |
You know, |
| 00:42:02 |
That's not gonna |
| 00:42:04 |
Well, let's get |
| 00:42:07 |
(SPANKING) |
| 00:42:09 |
(VOCALISING) |
| 00:42:19 |
That's great. |
| 00:42:21 |
LINDA: Yeah. He's very, |
| 00:42:22 |
Very accessible. |
| 00:42:25 |
and he agrees 100% |
| 00:42:27 |
Well... |
| 00:42:28 |
He agrees my ass |
| 00:42:29 |
I mean, |
| 00:42:31 |
It comes from |
| 00:42:33 |
That's good, but, Linda, |
| 00:42:38 |
I told you, he's in |
| 00:42:40 |
But, no, I mean... |
| 00:42:42 |
You know, |
| 00:42:45 |
Yeah, so am I. |
| 00:42:49 |
CHAD: What's wrong |
| 00:42:51 |
No, you cannot |
| 00:42:53 |
You have to |
| 00:42:54 |
You mean, |
| 00:42:56 |
Yeah! |
| 00:42:59 |
I was gonna |
| 00:43:47 |
(SLOWLY) Osborne Cox. |
| 00:43:52 |
And you, I take it, |
| 00:43:55 |
Yes, I am. |
| 00:43:58 |
You have the money? |
| 00:44:01 |
$50, 000. |
| 00:44:04 |
That's what was agreed |
| 00:44:09 |
All right. Let me explain |
| 00:44:13 |
You know who I am, |
| 00:44:16 |
Perhaps, |
| 00:44:18 |
but appearances |
| 00:44:22 |
Yeah. |
| 00:44:23 |
What you're engaged |
| 00:44:28 |
That's for starters. |
| 00:44:30 |
Appearances |
| 00:44:33 |
I am a mere |
| 00:44:35 |
Secondly, |
| 00:44:39 |
of classified material |
| 00:44:43 |
If you ever carried out |
| 00:44:46 |
you would experience such |
| 00:44:52 |
that your empty little head |
| 00:44:55 |
faster than the wheels |
| 00:44:59 |
(CHUCKLES) You think |
| 00:45:00 |
Now give me |
| 00:45:04 |
or whatever the fuck it is... |
| 00:45:07 |
As soon as you give |
| 00:45:16 |
You fuck! |
| 00:45:17 |
Give it to me, fuck! |
| 00:45:18 |
You fucker. |
| 00:45:22 |
You're the fucker! |
| 00:45:25 |
(HONKS) |
| 00:45:28 |
Where's the money? |
| 00:45:30 |
Where's the money? |
| 00:45:32 |
He didn't give it to me. |
| 00:45:34 |
For... Get in the car. |
| 00:45:45 |
CHAD: What are |
| 00:45:50 |
(SHOUTS) |
| 00:45:51 |
(SCREAMS) |
| 00:45:52 |
Fuck it! |
| 00:45:59 |
You fucking morons! |
| 00:46:00 |
Dick! |
| 00:46:02 |
(LAUGHING) |
| 00:46:03 |
That'll give him |
| 00:46:05 |
I knew this |
| 00:46:06 |
Wait. Wait! |
| 00:46:07 |
My bike! |
| 00:46:09 |
It's on to Plan B. |
| 00:46:10 |
That's just a Kryptonite lock. |
| 00:46:14 |
Some people. |
| 00:46:21 |
What is this? |
| 00:46:22 |
Russian Embassy. |
| 00:46:26 |
I told Mr. Krapotkin |
| 00:46:30 |
Is there a men's room? |
| 00:46:40 |
Madam, |
| 00:46:43 |
I am assistant |
| 00:46:47 |
The organs of state security |
| 00:46:49 |
within the borders |
| 00:46:52 |
Organs? |
| 00:46:54 |
Yes. |
| 00:46:57 |
But what if I had, say, |
| 00:47:02 |
Secrets that |
| 00:47:07 |
Yes? |
| 00:47:14 |
That's just a taste. |
| 00:47:27 |
May I ask the source |
| 00:47:29 |
No, you may not. |
| 00:47:30 |
He's very high up. |
| 00:47:32 |
What? |
| 00:47:40 |
PC or Mac? |
| 00:47:42 |
PC. |
| 00:47:44 |
Could you wait, please? |
| 00:47:46 |
I do have a date. |
| 00:47:52 |
Hey! |
| 00:47:59 |
The fish has bitten. |
| 00:48:02 |
Huh? |
| 00:48:04 |
Yeah, he seems cool. |
| 00:48:08 |
Chad. |
| 00:48:18 |
Could you |
| 00:48:33 |
There is more material? |
| 00:48:34 |
There's a lot more. |
| 00:48:36 |
But we want to |
| 00:48:39 |
You are not ideological? |
| 00:48:44 |
I don't think so. |
| 00:48:46 |
Look, I have |
| 00:48:52 |
Date. |
| 00:48:56 |
LINDA: Uh-oh. |
| 00:48:59 |
A line to check in, |
| 00:49:02 |
And Manolo running |
| 00:49:04 |
What happened to your nose? |
| 00:49:06 |
This is not acceptable |
| 00:49:08 |
You two know |
| 00:49:09 |
Yes, we do, Ted. |
| 00:49:11 |
This is no way... |
| 00:49:12 |
It was unavoidable, Ted. |
| 00:49:15 |
But you won't tell me |
| 00:49:16 |
No, we can't. |
| 00:49:19 |
I know this is |
| 00:49:20 |
but I have to go. |
| 00:49:27 |
You're changing, Linda. |
| 00:49:41 |
Which, to my mind, |
| 00:49:45 |
Mmm-hmm. |
| 00:49:47 |
Is that it? "Mmm-hmm"? |
| 00:49:51 |
I'm wondering if it's |
| 00:49:53 |
Well, of course |
| 00:49:55 |
Why wouldn't it |
| 00:49:57 |
Does this threaten you? |
| 00:49:59 |
You and me, |
| 00:50:01 |
It's just, |
| 00:50:05 |
We can think about Ozzie |
| 00:50:07 |
get himself together |
| 00:50:08 |
before you hammer |
| 00:50:09 |
Is that how you see me? |
| 00:50:12 |
No, but that |
| 00:50:14 |
I don't hammer. |
| 00:50:17 |
I'm no friend of the guy, |
| 00:50:18 |
I think he's an |
| 00:50:20 |
(SCOFFS) |
| 00:50:21 |
But, you know, |
| 00:50:23 |
and he just lost his job. |
| 00:50:25 |
He didn't lose it. |
| 00:50:27 |
Yeah, well, most of |
| 00:50:30 |
I feel sorry for him, |
| 00:50:32 |
and I think he'll be |
| 00:50:40 |
Maybe. Just as long as |
| 00:50:44 |
Of course we're |
| 00:50:47 |
I'll do whatever |
| 00:50:50 |
(CELL PHONE RINGING) |
| 00:50:54 |
You get the check. |
| 00:50:56 |
Yeah. Yes. |
| 00:51:01 |
Later. |
| 00:51:06 |
I love you, baby. |
| 00:51:17 |
Ozzie? |
| 00:51:21 |
God damn it, Ozzie, |
| 00:51:24 |
(SNORING) |
| 00:51:27 |
All right. All right. |
| 00:51:30 |
(CELL PHONE RINGING) |
| 00:51:47 |
Oh, my God, |
| 00:51:49 |
No, no. |
| 00:51:52 |
(EXCLAIMS) |
| 00:51:53 |
You haven't seen |
| 00:51:55 |
This one, no. |
| 00:51:56 |
I hear it's terrific. |
| 00:51:57 |
Great. |
| 00:52:00 |
MAN: We've been over |
| 00:52:02 |
First you say you |
| 00:52:05 |
Would you come |
| 00:52:07 |
(ALL LAUGHING) |
| 00:52:15 |
Pardon our dust, |
| 00:52:20 |
I told her to |
| 00:52:22 |
Yeah. |
| 00:52:23 |
Yeah, you know, |
| 00:52:25 |
Well, |
| 00:52:26 |
Hmm. |
| 00:52:28 |
You wanna |
| 00:52:31 |
Well, I'm always open |
| 00:52:33 |
I gotta tell you, |
| 00:52:36 |
1,200 bucks. 1,200 bucks. |
| 00:52:40 |
"Jesus, you gotta |
| 00:52:44 |
"This thing's basically |
| 00:52:46 |
I figure I'd go down |
| 00:52:48 |
and whip this up myself |
| 00:52:51 |
What is it? |
| 00:52:55 |
You sit down there, |
| 00:52:59 |
put your feet in |
| 00:53:06 |
(GASPS) |
| 00:53:07 |
Oh, my God! |
| 00:53:14 |
That's fantastic! |
| 00:53:16 |
Something, isn't it? |
| 00:53:17 |
Not counting my labor |
| 00:53:20 |
Those things aren't cheap. |
| 00:53:22 |
See, I lack that. |
| 00:53:27 |
The Russians? |
| 00:53:31 |
Mmm-hmm. |
| 00:53:32 |
The Russian Embassy, yeah. |
| 00:53:35 |
Are you sure? |
| 00:53:36 |
Hey, the guy was |
| 00:53:39 |
Why the fuck would |
| 00:53:47 |
I'm sorry. |
| 00:53:50 |
Hey. No problemo. |
| 00:53:55 |
Look, Ozzie, I hate to be |
| 00:53:58 |
but those two guys seem |
| 00:54:04 |
You haven't gone |
| 00:54:10 |
Can I help you? |
| 00:54:12 |
I'm sorry |
| 00:54:13 |
but your face |
| 00:54:15 |
It's Princeton? '73? |
| 00:54:17 |
Yeah. |
| 00:54:19 |
I can't remember |
| 00:54:20 |
Osborne Cox. |
| 00:54:21 |
I thought so. |
| 00:54:23 |
Served and witnessed. |
| 00:54:26 |
You have a real |
| 00:54:30 |
Ouch. |
| 00:54:44 |
What the fuck? |
| 00:54:53 |
Fuck! What the fuck? |
| 00:55:09 |
Fuck! Fucking... |
| 00:55:16 |
Why did you tell him |
| 00:55:18 |
Well, maybe we can. |
| 00:55:20 |
That's all Manolo found. |
| 00:55:23 |
What, are we |
| 00:55:25 |
to scoop some more |
| 00:55:27 |
Hey! |
| 00:55:28 |
I don't like |
| 00:55:32 |
I'm sorry. |
| 00:55:34 |
If I'm gonna |
| 00:55:36 |
and these surgeries |
| 00:55:37 |
And this is not |
| 00:55:39 |
So let's figure |
| 00:55:41 |
WOMAN ON PA: Chad, |
| 00:55:43 |
We know who he is. |
| 00:55:45 |
Right, Osborne Cox. |
| 00:55:47 |
So we can find out |
| 00:55:49 |
I guess. |
| 00:55:51 |
You should change |
| 00:55:53 |
So you don't stand out |
| 00:55:55 |
There are certain |
| 00:55:56 |
His neighborhood? |
| 00:55:57 |
Yes. We should |
| 00:56:00 |
Laundry marks? |
| 00:56:02 |
Deniability. |
| 00:56:06 |
CHAD: (SINGING) |
| 00:56:12 |
Shakes right |
| 00:56:13 |
(HUMMING) |
| 00:57:02 |
(SLURPING) |
| 00:58:34 |
What's the odometer say? |
| 00:58:37 |
Five. |
| 00:58:38 |
About five or |
| 00:58:40 |
For fuck's sake, Harry, |
| 00:58:43 |
5.2. |
| 00:58:44 |
Okay. I gotta do |
| 00:58:46 |
Five and a deuce is okay. |
| 00:58:48 |
I'm amazed you |
| 00:58:50 |
You kidding? |
| 00:58:52 |
You're so coarse. |
| 00:58:54 |
No. Back of the car, |
| 00:58:57 |
Fuck! I'm late. |
| 00:59:58 |
(CRACKING) |
| 01:00:44 |
(DOOR SHUTS) |
| 01:00:48 |
(FOOTSTEPS APPROACHING) |
| 01:01:00 |
(HARRY WHISTLING) |
| 01:01:06 |
(SINGING) |
| 01:01:23 |
(HARRY HUMMING) |
| 01:01:27 |
(HARRY SINGING) |
| 01:01:41 |
(TAP CREAKS) |
| 01:01:56 |
(CONTINUES WHISTLING) |
| 01:02:04 |
(CONTINUES SINGING) |
| 01:02:20 |
(CHAD GASPS) |
| 01:02:29 |
(HUMMING) |
| 01:02:31 |
(WHISTLING) |
| 01:02:34 |
(SCREAMING) |
| 01:02:36 |
(EXCLAIMING) |
| 01:03:14 |
Hello? |
| 01:03:55 |
(SHOUTS) |
| 01:03:56 |
(GASPI NG) |
| 01:04:06 |
Oh, my God. |
| 01:04:34 |
Oh, my God. |
| 01:04:43 |
What the fuck? |
| 01:04:53 |
What the fuck? Nothing? |
| 01:04:57 |
Oh! |
| 01:04:59 |
Oh, my fuck. |
| 01:05:06 |
What the fuck |
| 01:05:29 |
Olson, what's up? |
| 01:05:44 |
Palmer, what's up? |
| 01:05:46 |
Not quite certain, |
| 01:05:52 |
Kolyma Two tells us |
| 01:05:54 |
from an ex-analyst |
| 01:05:58 |
Kolyma Two? |
| 01:05:59 |
Our man in |
| 01:06:00 |
Hmm. |
| 01:06:01 |
They were brought in |
| 01:06:04 |
The Russians? |
| 01:06:05 |
Yeah. It was brought in by |
| 01:06:10 |
an associate of a guy |
| 01:06:12 |
Picture's in the file, |
| 01:06:15 |
The Russians? |
| 01:06:19 |
And who's Pfarrer? |
| 01:06:21 |
Treasury guy who has |
| 01:06:26 |
That must be how |
| 01:06:28 |
Or maybe Ozzie |
| 01:06:31 |
They all seem to be |
| 01:06:32 |
All right. Spare me. |
| 01:06:34 |
Yes, sir, |
| 01:06:37 |
it's become complicated. |
| 01:06:43 |
He just shot somebody |
| 01:06:48 |
Shot your analyst? |
| 01:06:51 |
No, Ozzie wasn't there. |
| 01:06:53 |
Our man surveilling |
| 01:06:56 |
sees the guy |
| 01:06:58 |
into his car. Follows him. |
| 01:07:00 |
He dumps a body in |
| 01:07:03 |
Well, what'd he do that for? |
| 01:07:05 |
Don't know, sir. |
| 01:07:06 |
For Christ sake, |
| 01:07:08 |
Mmm-hmm. |
| 01:07:09 |
And Russian? American? |
| 01:07:10 |
Don't know. |
| 01:07:13 |
(EXHALES) |
| 01:07:14 |
And this Linda... |
| 01:07:15 |
Linda Litzke. |
| 01:07:17 |
Yeah, she's Treasury? |
| 01:07:19 |
No. |
| 01:07:20 |
We're fuzzy on her. |
| 01:07:25 |
So we don't really know |
| 01:07:29 |
Not really, sir. |
| 01:07:31 |
And this analyst, |
| 01:07:34 |
Cox. |
| 01:07:36 |
Yeah. What's his |
| 01:07:38 |
Three. |
| 01:07:41 |
Okay, no biggie. |
| 01:07:43 |
Just, for now, just |
| 01:07:46 |
Yes, sir. And we'll |
| 01:07:51 |
No! No. God, no. |
| 01:07:54 |
Burn the body. |
| 01:07:56 |
And keep an eye |
| 01:08:01 |
Report back to me when... |
| 01:08:05 |
I don't know, |
| 01:08:12 |
MAN: Go! |
| 01:08:13 |
And tap. Up, up and tap! |
| 01:08:16 |
Up, up and tap. |
| 01:08:17 |
OSBORNE: I'm bigger. |
| 01:08:19 |
Now let's add the arms, |
| 01:08:20 |
I'm bigger than ever. |
| 01:08:22 |
Up, up, again. |
| 01:08:24 |
I'm bigger. I'm back. |
| 01:08:26 |
Than ever. I'm back. |
| 01:08:28 |
You fuckers, I'm back. |
| 01:08:29 |
Up, up, down, down. |
| 01:08:30 |
You fuckers, I'm back. |
| 01:08:31 |
Up, up, down, down, up! |
| 01:08:33 |
And last time... |
| 01:08:44 |
Linda. You okay? |
| 01:08:47 |
(CRYING) |
| 01:08:49 |
You don't look fine. |
| 01:08:50 |
No, no, I'm... |
| 01:08:53 |
But you won't |
| 01:08:55 |
You never let me in, Linda. |
| 01:08:57 |
I know |
| 01:09:00 |
I don't want to |
| 01:09:02 |
This is the path |
| 01:09:06 |
You have to isolate, |
| 01:09:10 |
(SIGHS) |
| 01:09:11 |
Well, I don't know |
| 01:09:14 |
You both go AWOL on Friday. |
| 01:09:15 |
And today Chad |
| 01:09:17 |
I know, Ted. |
| 01:09:19 |
I know, Ted. |
| 01:09:21 |
No, no, no. |
| 01:09:22 |
What? |
| 01:09:24 |
Give me 24 hours! |
| 01:09:26 |
To what? |
| 01:09:29 |
Linda... |
| 01:09:35 |
Linda, I have to tell you. |
| 01:09:37 |
A man was in here earlier, |
| 01:09:39 |
Are you in some |
| 01:09:42 |
Is Chad running away |
| 01:09:43 |
We know what |
| 01:09:46 |
did he know my name? |
| 01:09:48 |
Well, yes, |
| 01:09:50 |
Employment history, |
| 01:09:52 |
I told him to get lost. |
| 01:09:54 |
Thank you, Ted. |
| 01:09:57 |
Well, we just don't give |
| 01:10:01 |
MAN ON SPEAKER: |
| 01:10:03 |
Oh, my God. |
| 01:10:08 |
Mr. Krapotkin? |
| 01:10:09 |
KRAPOTKIN: This Linda? |
| 01:10:10 |
Yes? |
| 01:10:11 |
Yes, this is llan Krapotkin, |
| 01:10:15 |
Yes, yes! Hang on. |
| 01:10:25 |
Mr. Krapotkin? |
| 01:10:29 |
(KRAPOTKIN CHUCKLING) |
| 01:10:31 |
Mr. Krapotkin? |
| 01:10:32 |
Are you joking? |
| 01:10:33 |
No! I'm very worried |
| 01:10:40 |
Do you have him? |
| 01:10:41 |
(KNOCKING) |
| 01:10:43 |
Is he... Was he... |
| 01:10:44 |
Did he go over? |
| 01:10:46 |
I don't understand. |
| 01:10:50 |
No. Look, |
| 01:10:56 |
(KRAPOTKIN HESITATING) |
| 01:10:58 |
I'm very busy |
| 01:11:00 |
I'm coming anyway. |
| 01:11:18 |
You seem distracted. |
| 01:11:21 |
Do I? |
| 01:11:23 |
Very distracted. |
| 01:11:27 |
Work. |
| 01:11:31 |
You think that might |
| 01:11:36 |
What? |
| 01:11:37 |
For the salad. |
| 01:11:43 |
You know, you really |
| 01:11:47 |
What? |
| 01:11:48 |
I've tried to ignore it, |
| 01:11:50 |
to remain upbeat. |
| 01:11:52 |
Harry, |
| 01:11:54 |
Stop the foolishness? |
| 01:11:56 |
You are not speaking |
| 01:12:11 |
(FOOTSTEPS THUDDING) |
| 01:12:17 |
(DOOR OPENS) |
| 01:12:19 |
(DOOR CLOSES) |
| 01:12:21 |
(FOOTSTEPS CONTINUE THUDDING) |
| 01:12:31 |
(DOOR SLAMS) |
| 01:12:52 |
(PHONE LINE RINGING) |
| 01:12:55 |
SAN DY: Hello? |
| 01:12:57 |
Honey, it's so good |
| 01:13:00 |
Is something wrong, |
| 01:13:01 |
No. Yeah. |
| 01:13:08 |
Can you please come home? |
| 01:13:09 |
Harry, you know |
| 01:13:13 |
I can show you |
| 01:13:15 |
Harry, |
| 01:13:18 |
There's still Seattle. |
| 01:13:22 |
Yeah. |
| 01:13:24 |
I love you, Harry. |
| 01:13:26 |
Yeah. I love you, too. |
| 01:13:38 |
Hey! Fucker! |
| 01:13:40 |
(ENGINE STARTING) |
| 01:13:44 |
Fucker! |
| 01:13:55 |
MAN: Fucker! |
| 01:13:57 |
HARRY: Who do you |
| 01:13:59 |
Who do you work for? |
| 01:14:01 |
(GRUNTING) |
| 01:14:05 |
Who are you? |
| 01:14:08 |
Who do you work for? |
| 01:14:10 |
Tuchman Marsh! |
| 01:14:12 |
Tuchman Marsh. |
| 01:14:14 |
Yes. |
| 01:14:15 |
Your name is Tuchman Marsh? |
| 01:14:16 |
Tuchman Marsh |
| 01:14:19 |
I work for them! |
| 01:14:20 |
Yes! |
| 01:14:22 |
Is that a law firm? |
| 01:14:23 |
No, a rock band. |
| 01:14:26 |
Well, why are you |
| 01:14:28 |
Divorce action, |
| 01:14:33 |
My wife hired you? |
| 01:14:34 |
No. Your wife hired |
| 01:14:37 |
I work for Tuchman Marsh. |
| 01:14:48 |
(HARRY SOBBING) |
| 01:14:51 |
HARRY: Sandy. |
| 01:14:52 |
Jesus. Grow up, man. |
| 01:15:01 |
"And at midnight |
| 01:15:03 |
"even the sergeant |
| 01:15:08 |
"And it was just then, |
| 01:15:15 |
(CHUCKLES) |
| 01:15:17 |
You have to let |
| 01:15:19 |
Can we just get |
| 01:15:21 |
There, there it is. |
| 01:15:22 |
It's Oliver interrupting |
| 01:15:24 |
(LAUGHS) |
| 01:15:26 |
That's wonderful. |
| 01:15:28 |
The book is Point |
| 01:15:30 |
And the talented author |
| 01:15:33 |
She'll stay with us |
| 01:15:35 |
when we meet |
| 01:15:37 |
And then it's part two |
| 01:15:41 |
So keep it where it is. |
| 01:15:44 |
That was way out of line. |
| 01:15:47 |
"It's just |
| 01:15:49 |
Del and Connie |
| 01:15:50 |
That's fine. |
| 01:15:51 |
Well, okay, great. |
| 01:15:53 |
(SIGHS) |
| 01:15:56 |
Me, too. |
| 01:16:01 |
SAN DY: Let me get |
| 01:16:24 |
What the fuck? |
| 01:16:34 |
Yes, madam. |
| 01:16:37 |
What kind of |
| 01:16:39 |
I've been waiting |
| 01:16:41 |
I'm so sorry, ma'am. |
| 01:16:43 |
Well, maybe this |
| 01:16:45 |
since, you know, |
| 01:16:48 |
I do not know |
| 01:16:52 |
He was gathering |
| 01:16:56 |
We're not interested |
| 01:17:02 |
Dribble? |
| 01:17:04 |
Would you like |
| 01:17:06 |
Dribble? |
| 01:17:08 |
I will give you dribble. |
| 01:17:10 |
I am a US citizen, |
| 01:17:12 |
and I will not take |
| 01:17:20 |
My check was returned |
| 01:17:24 |
No. No, no, ma'am. No. |
| 01:17:26 |
There're over $40, 000 |
| 01:17:29 |
The account |
| 01:17:33 |
When? |
| 01:17:35 |
But how could she |
| 01:17:39 |
What about our savings... |
| 01:17:41 |
What about my |
| 01:17:44 |
Mmm-hmm. |
| 01:17:45 |
No. No, I'm sorry. |
| 01:17:51 |
because believe it or not, |
| 01:17:54 |
sitting around |
| 01:17:57 |
to my fucking bank |
| 01:18:02 |
(CLANKING) |
| 01:18:05 |
(GRUNTING) |
| 01:18:13 |
No way. No, no way. Whoa! |
| 01:18:18 |
Well, I can't do it, Ted. |
| 01:18:20 |
I don't know anything |
| 01:18:21 |
Linda, this whole |
| 01:18:22 |
It was crazy the first time, |
| 01:18:25 |
Break into the man's house? |
| 01:18:28 |
You said the Russians |
| 01:18:30 |
My world is bigger |
| 01:18:32 |
There are other people. |
| 01:18:33 |
There are the Chinese. |
| 01:18:34 |
Linda, |
| 01:18:36 |
No. It's not about |
| 01:18:37 |
We can use this |
| 01:18:39 |
What do you mean |
| 01:18:40 |
Information is power, Ted. |
| 01:18:42 |
What do you mean |
| 01:18:43 |
You don't know where he is? |
| 01:18:44 |
(GASPS) |
| 01:18:46 |
Somebody has him, Ted. |
| 01:18:48 |
You call the police |
| 01:18:50 |
I can't take it! |
| 01:18:52 |
You know I can't do that. |
| 01:18:53 |
We're operating off |
| 01:18:55 |
This is higher |
| 01:18:57 |
Linda, I... |
| 01:18:59 |
I hate your negativity! |
| 01:19:02 |
I hate you! I hate you! |
| 01:19:11 |
(INHALES) |
| 01:19:15 |
WAITER: |
| 01:19:18 |
Seven and Seven. |
| 01:19:23 |
(PHONE RINGING) |
| 01:19:26 |
Hello? |
| 01:19:28 |
You think |
| 01:19:33 |
(MIMICS EXPLOSION) |
| 01:19:36 |
But this has all been |
| 01:19:40 |
Was it? Well, yeah, right. |
| 01:19:44 |
I'm just depressed. |
| 01:19:48 |
I gotta exercise. |
| 01:19:51 |
Butt crunches, |
| 01:19:55 |
You think maybe |
| 01:19:56 |
Oh, my God. |
| 01:19:58 |
It can't always |
| 01:20:00 |
I'm not that strong! |
| 01:20:02 |
You are not here |
| 01:20:04 |
I need a can-do person! |
| 01:20:08 |
Chad is the only |
| 01:20:10 |
and now he's gone. |
| 01:20:12 |
I'll be good. |
| 01:20:15 |
I just gotta exercise. |
| 01:20:16 |
Do you have a pedestrian |
| 01:20:19 |
He's my friend from work. |
| 01:20:21 |
You can help me find him. |
| 01:20:22 |
You know law |
| 01:20:23 |
You could make a call. |
| 01:20:24 |
Unofficially. |
| 01:20:26 |
What happened? |
| 01:20:27 |
Chad Feldheimer. |
| 01:20:28 |
And he just disappeared. |
| 01:20:31 |
Okay. You know his |
| 01:20:33 |
No! I... |
| 01:20:35 |
Where was the last |
| 01:20:36 |
No, I don't know. |
| 01:20:38 |
The Jamba Juice on K Street. |
| 01:20:40 |
And now he's gone. |
| 01:20:42 |
No. Okay. |
| 01:20:44 |
We're gonna find |
| 01:20:47 |
LINDA: Okay. |
| 01:20:48 |
Piece of cake. |
| 01:20:53 |
Open your mouth, open it. |
| 01:20:57 |
Come on. Open your mouth. |
| 01:21:00 |
You do as I say, |
| 01:21:04 |
and you and I are gonna |
| 01:21:06 |
(PHONE RINGING) |
| 01:21:11 |
Hello? |
| 01:21:16 |
And it's the same |
| 01:21:20 |
You tell Dr. Cox |
| 01:21:40 |
Hey, there, sunshine. |
| 01:21:43 |
You seem better. |
| 01:21:44 |
Yeah, well, |
| 01:21:47 |
And our exercise |
| 01:21:48 |
Why, Harry. |
| 01:21:50 |
Boy, I tell you. |
| 01:21:53 |
I'm gonna start doing |
| 01:21:55 |
I believe that, also. |
| 01:21:57 |
Yeah. Hell, yeah. |
| 01:21:59 |
and I realized that |
| 01:22:02 |
I think that it's very |
| 01:22:05 |
Always up, |
| 01:22:06 |
Don't sweat |
| 01:22:08 |
And it's all small stuff. |
| 01:22:10 |
(BOTH LAUGHING) |
| 01:22:29 |
Just for starters. |
| 01:22:33 |
Boy. |
| 01:22:35 |
(EXHALES) |
| 01:22:36 |
Why, this is |
| 01:22:39 |
Of course I do. |
| 01:22:42 |
And it's hard to know |
| 01:22:47 |
Now, I told myself |
| 01:22:50 |
but is that guy |
| 01:22:54 |
No. Uh-uh. |
| 01:22:57 |
Have you found out |
| 01:22:58 |
No, nothing yet. |
| 01:22:59 |
I put in a couple of calls. |
| 01:23:01 |
Really? |
| 01:23:03 |
Yeah. There are so |
| 01:23:06 |
Back when I was in PP, |
| 01:23:09 |
to finding people. |
| 01:23:10 |
Now with cell phones? |
| 01:23:14 |
where you are at |
| 01:23:16 |
Mmm-hmm. |
| 01:23:18 |
All right. |
| 01:23:20 |
When you left Jamba Juice, |
| 01:23:22 |
did Chad give you any idea |
| 01:23:25 |
I know where |
| 01:23:27 |
Georgetown. |
| 01:23:33 |
It's the residence |
| 01:23:45 |
Who are you? |
| 01:23:49 |
What? |
| 01:23:51 |
Who are you? |
| 01:23:56 |
Who do you work for? |
| 01:24:02 |
Who are you? |
| 01:24:05 |
I'm just Linda Litzke. |
| 01:24:10 |
(GASPI NG) |
| 01:24:21 |
(STUTTERING) |
| 01:24:25 |
Harry! |
| 01:24:36 |
(CREAKING) |
| 01:25:59 |
(HELICOPTER HOVERING) |
| 01:26:13 |
For Pete's sake. |
| 01:26:48 |
And you are my wife's lover? |
| 01:26:53 |
No. |
| 01:26:54 |
Then what are |
| 01:26:58 |
I know you. |
| 01:27:03 |
I'm not here |
| 01:27:05 |
Yes. I know very well |
| 01:27:09 |
You represent |
| 01:27:14 |
I don't represent |
| 01:27:16 |
Yeah. |
| 01:27:17 |
when I asked about |
| 01:27:20 |
She's not a moron. |
| 01:27:22 |
You're in league |
| 01:27:24 |
You're part of |
| 01:27:27 |
No. No. |
| 01:27:28 |
Yes. You see, |
| 01:27:31 |
I've been fighting |
| 01:27:34 |
my whole fucking life. |
| 01:27:40 |
Today, I win. |
| 01:27:42 |
(GRUNTS) |
| 01:27:52 |
Stop! |
| 01:27:55 |
OSBORNE: Intruder! |
| 01:27:57 |
Stop! Intruder! Stop! |
| 01:28:01 |
(SCREAMING) |
| 01:28:04 |
Wait. Wait a minute. |
| 01:28:10 |
Where is the Treasury guy? |
| 01:28:12 |
Right now? |
| 01:28:15 |
He is in a detention room |
| 01:28:18 |
Why? |
| 01:28:19 |
He was trying to board |
| 01:28:21 |
We had his name |
| 01:28:27 |
Don't know why |
| 01:28:30 |
You don't know. |
| 01:28:31 |
No, sir. |
| 01:28:33 |
We have no extradition |
| 01:28:36 |
Oh! |
| 01:28:38 |
So what should |
| 01:28:40 |
For fuck's sake, |
| 01:28:42 |
Yes, sir. Okay. |
| 01:28:45 |
Okay. So the gym |
| 01:28:48 |
The body is... |
| 01:28:49 |
That's gone, sir. |
| 01:28:52 |
Okay. |
| 01:28:54 |
But there was a snag. |
| 01:28:58 |
What? |
| 01:29:00 |
Well, |
| 01:29:02 |
this analyst, Cox, |
| 01:29:07 |
It was in broad daylight, |
| 01:29:09 |
Our man did not |
| 01:29:12 |
Felt he had to step in. |
| 01:29:14 |
Yes? |
| 01:29:16 |
He... |
| 01:29:19 |
He shot the analyst. |
| 01:29:24 |
Good. Great. |
| 01:29:27 |
No, sir. He's in a coma. |
| 01:29:30 |
They don't think |
| 01:29:33 |
They're pretty sure |
| 01:29:37 |
(SIGHS) |
| 01:29:38 |
Okay. Okay. If he wakes up, |
| 01:29:43 |
So, that's it then? |
| 01:29:45 |
No one else really |
| 01:29:48 |
Um... |
| 01:29:50 |
Well, sir, there is... |
| 01:29:52 |
What? |
| 01:29:56 |
There is the woman, |
| 01:29:59 |
Linda Litzke. |
| 01:30:00 |
Oh! Fuck, yeah. |
| 01:30:03 |
We picked her up. |
| 01:30:06 |
We have her? |
| 01:30:08 |
She says she'll play ball |
| 01:30:14 |
I know this sounds odd, |
| 01:30:18 |
that she wants, |
| 01:30:22 |
She says she'll sit |
| 01:30:25 |
How much? |
| 01:30:26 |
There were |
| 01:30:27 |
Altogether they... |
| 01:30:28 |
Yes, sir. Okay. Yeah. |
| 01:30:31 |
(GARDNER SIGHS) |
| 01:30:34 |
Jesus fucking Christ! |
| 01:30:35 |
Yeah. |
| 01:30:38 |
What do we learn, Palmer? |
| 01:30:40 |
I don't know, sir. |
| 01:30:43 |
I don't fucking know, either. |
| 01:30:46 |
I guess we learn |
| 01:30:48 |
I'm fucked if |
| 01:30:50 |
Yes, sir, |
| 01:30:54 |
Jesus fucking Christ. |
| 01:32:05 |
(ROCK MUSIC PLAYING) |
