C era Una Volta Il West Once Upon A Time In The West
|
00:01:25 |
Hey. |
00:01:26 |
Hey, hey, hey, hey. |
00:01:27 |
If you want any tickets, |
00:01:28 |
you'll have to go around, |
00:01:29 |
uh, to, uh, the front of the, |
00:01:31 |
uh... |
00:01:33 |
Oh, well, I suppose |
00:01:36 |
What the hell am I |
00:01:37 |
They walk in here and do |
00:01:45 |
Uh, let's see, uh, |
00:01:48 |
Three? |
00:02:04 |
That'll be seven dollars... |
00:02:11 |
...and 50 cents. |
00:02:47 |
Shh! |
00:12:00 |
Are you Frank? |
00:12:05 |
Frank sent us. |
00:12:11 |
Did you bring a horse for me? |
00:12:18 |
Well... |
00:12:19 |
Looks like we're... |
00:12:22 |
Looks like we're shy one horse. |
00:12:31 |
You brought two too many. |
00:15:07 |
Hey, Pa! Look! |
00:15:33 |
That's enough for now. |
00:15:35 |
It's getting late, |
00:15:46 |
Boo! |
00:15:52 |
Timmy. |
00:16:44 |
Maureen, look. |
00:16:49 |
Mm. |
00:16:52 |
Ah! |
00:17:26 |
Whatcha doin' there? |
00:17:27 |
Go inside, quick, |
00:17:30 |
And don't touch the |
00:17:32 |
Patrick's already |
00:17:35 |
Oh, he's getting ready, Pa. |
00:17:38 |
Damn it, Patrick! |
00:17:39 |
Coming, Pa. |
00:17:40 |
Well... |
00:17:43 |
not bad, I'd say. |
00:17:47 |
Bigger them slices, |
00:17:49 |
We're throwing |
00:17:51 |
But these are the same |
00:17:59 |
Yeah, sure. |
00:18:01 |
As usual. |
00:18:06 |
Maureen... |
00:18:10 |
soon you can cut the bread |
00:18:13 |
in slices as big as a door |
00:18:16 |
You'll have beautiful |
00:18:19 |
and you won't have |
00:18:21 |
We going to get rich, Pa? |
00:18:29 |
Who knows? |
00:18:32 |
Patrick! |
00:18:35 |
Wait a minute. |
00:18:37 |
Look at the filth on your boots. |
00:18:39 |
Clean 'em. |
00:18:46 |
The train'll come in |
00:18:47 |
and there won't be no |
00:18:51 |
Our mother died six years ago. |
00:19:04 |
Go now. |
00:19:10 |
Hey, just a minute. Listen, Pa. |
00:19:12 |
How am I gonna recognize her? |
00:19:14 |
Well, you can't make |
00:19:16 |
She's, uh, she's young |
00:19:17 |
and, uh, she's, uh, pretty, |
00:19:19 |
and, uh, uh... |
00:19:21 |
she's a lady. |
00:19:22 |
Uh, uh... |
00:19:24 |
"For... For-For traveling, |
00:19:27 |
"and the, and the same, uh, |
00:19:31 |
straw hat I was wearing... |
00:19:45 |
Uh, uh... I'm going to get |
00:19:52 |
Oh, Danny boy, the pipes, |
00:20:07 |
And all the roses fall... |
00:21:06 |
Maureen! |
00:23:15 |
What are we gonna do |
00:23:34 |
Now that you've |
00:24:55 |
Howdy, George! |
00:25:03 |
Right on time, huh? |
00:25:10 |
That's beyond them tracks. |
00:25:17 |
I saw some mighty |
00:25:20 |
Is that so? |
00:25:22 |
And the prices are real good. |
00:25:34 |
Are these your valises, ma'am? |
00:25:35 |
Yes. |
00:25:36 |
Come, Sam. |
00:25:37 |
Bring them over to her, Race. |
00:25:39 |
We'll tote 'em for you, ma'am. |
00:25:51 |
What have you got? |
00:26:03 |
That true, |
00:26:05 |
Was yesterday. |
00:26:07 |
Why don't you tell your brother? |
00:26:08 |
Hiya, Gramps. |
00:26:09 |
Hi, Bill. |
00:26:11 |
Come on. Get a move on, |
00:26:12 |
Ha! Ha! |
00:26:15 |
Get the lead out of your asses, |
00:26:18 |
I got a whole train |
00:26:20 |
All right. |
00:26:22 |
Shut down those |
00:26:24 |
Come on. |
00:26:25 |
Come on. |
00:29:14 |
What's your name, and the place |
00:29:17 |
Sweetwater. |
00:29:20 |
Hmm? |
00:29:21 |
Brett McBain's farm. |
00:29:25 |
McBain. |
00:29:26 |
Yeah, sure. |
00:29:27 |
That stubborn, |
00:29:29 |
killing sand for years |
00:29:32 |
in the middle of nowhere. |
00:29:34 |
Sweetwater. |
00:29:36 |
Only a loony like him |
00:29:38 |
piece of desert "Sweetwater." |
00:29:41 |
Sweetwater! |
00:29:47 |
Hiya! |
00:29:48 |
Sweetwater. |
00:30:32 |
That's right... |
00:30:34 |
a little more to the right. |
00:30:36 |
Higher, higher. |
00:30:39 |
Hold it there. |
00:30:50 |
Here they are. |
00:30:52 |
They got here |
00:30:54 |
They caught up with us again, |
00:30:56 |
Let's go! |
00:30:57 |
- Right over. |
00:30:59 |
What's the matter with you? |
00:31:00 |
Hey, boys, watch out... |
00:31:04 |
Watch out down there! |
00:31:06 |
Slow down! |
00:32:06 |
Ho! |
00:32:12 |
Why are we stopping? |
00:32:14 |
I told you I was in a hurry. |
00:32:16 |
Don't the train stop? |
00:32:50 |
Yeah. |
00:34:04 |
What can I do for you, ma'am? |
00:34:08 |
I would like some water, |
00:34:10 |
if it's no trouble. |
00:34:11 |
Water?! |
00:34:13 |
Well, you see, |
00:34:14 |
around these parts |
00:34:15 |
ever since the days |
00:34:18 |
You mean you never wash? |
00:34:19 |
We sure do. |
00:34:21 |
Well, I'd like |
00:34:23 |
you people do. |
00:34:24 |
You sure can. |
00:34:25 |
Just happen to have |
00:34:28 |
And you're lucky. |
00:34:29 |
Only three people have |
00:34:31 |
Used it one at a time |
00:34:39 |
I can tell you're accustomed |
00:34:42 |
Bet you come |
00:34:44 |
eastern cities. |
00:34:46 |
New Orleans. |
00:34:47 |
New Orleans?! |
00:34:48 |
You've been there? |
00:34:50 |
No. |
00:34:51 |
But I got a cousin down there. |
00:34:52 |
She runs a bar. |
00:34:53 |
You know she... |
00:35:08 |
Oh! |
00:35:12 |
Oh. |
00:36:36 |
Jug. |
00:38:44 |
Do you only know how to play, |
00:38:46 |
or do you know how to shoot? |
00:38:51 |
You know how |
00:39:16 |
Pick it up. |
00:39:43 |
You! |
00:39:51 |
You don't know how to play. |
00:40:17 |
Try this one. |
00:40:35 |
Take it. |
00:40:55 |
Go on. |
00:41:08 |
Here. |
00:41:51 |
Bravo. |
00:42:08 |
Huh. |
00:42:16 |
Cheyenne. |
00:42:18 |
We thought we'd never make it. |
00:42:20 |
It's all right. |
00:42:21 |
You're right on time. |
00:42:25 |
To bury my escort. |
00:42:28 |
If I'd waited for you, |
00:42:49 |
Hey. |
00:42:58 |
The gun. |
00:43:22 |
You, uh, interested |
00:43:32 |
I saw three of these |
00:43:35 |
They were waitin' for a train. |
00:43:42 |
Inside the dusters |
00:43:48 |
So? |
00:43:50 |
Inside the men |
00:44:04 |
That's a crazy story, |
00:44:06 |
Harmonica. |
00:44:11 |
For two reasons. |
00:44:13 |
One... nobody around |
00:44:16 |
got the guts to wear |
00:44:18 |
except Cheyenne's men. |
00:44:19 |
Two... Cheyenne's men |
00:44:28 |
That surprise you? |
00:44:30 |
Yeah. |
00:44:35 |
Well, you know music... |
00:44:38 |
Hmm. |
00:44:39 |
And you can count... |
00:44:41 |
all the way up to two. |
00:44:50 |
All the way up to six |
00:44:55 |
And maybe faster than you. |
00:45:11 |
Yeah, go on. |
00:45:12 |
Play, Harmonica. |
00:45:14 |
Play, so you can't bullshit. |
00:45:17 |
Only watch those false notes. |
00:45:31 |
Like so? |
00:45:46 |
And so this cousin |
00:45:49 |
to come on down to New Orleans. |
00:45:50 |
"Come on down, |
00:45:52 |
Make a pile of money." |
00:45:54 |
You know, I don't think |
00:45:57 |
It's too full of fast men |
00:45:59 |
and loose women... |
00:46:01 |
Oh, no. |
00:46:03 |
Now I'm too used to a quiet, |
00:48:37 |
He's Timmy. |
00:48:41 |
Yes. |
00:48:43 |
Dear God. |
00:48:46 |
On the day... |
00:48:50 |
On the very day |
00:48:54 |
Poor little miss. |
00:48:57 |
Missus. |
00:49:00 |
Mrs. McBain. |
00:49:02 |
But we all... |
00:49:03 |
Oh, but we thought... |
00:49:06 |
I know. |
00:49:07 |
It was to be a surprise today. |
00:49:11 |
Brett McBain and I were married |
00:49:14 |
a month ago... |
00:49:17 |
in New Orleans. |
00:49:35 |
I am the resurrection |
00:49:38 |
He that believeth in me, |
00:49:39 |
though he were dead, |
00:49:41 |
Whosoever liveth |
00:49:44 |
shall never die. |
00:49:45 |
Amen. |
00:50:02 |
Mr. Bennett! |
00:50:03 |
What's he doing here? |
00:50:07 |
I found this collar |
00:50:15 |
You got no way of knowing, |
00:50:18 |
as a signature. |
00:50:19 |
Cheyenne's hand. |
00:50:22 |
But why? |
00:50:24 |
Don't worry, Mrs. McBain. |
00:50:27 |
We'll make him tell us |
00:50:30 |
Let's get movin'. |
00:50:51 |
Come on. |
00:50:53 |
Let's go back to Flagstone. |
00:50:58 |
No, Sam. |
00:51:02 |
You go back. |
00:51:04 |
You don't want to |
00:51:09 |
Why not? |
00:51:11 |
This is my home. |
00:55:11 |
You know, Wobbles... |
00:55:16 |
...Iâm kind of mad at you. |
00:55:21 |
Frank wasn't there. |
00:55:25 |
- Ow! |
00:55:27 |
I don't know nothin', I swear. |
00:55:30 |
I only arranged |
00:55:33 |
the way you wanted it. |
00:55:35 |
I don't know why |
00:55:38 |
I swear to you that I... |
00:55:40 |
'Cause he was at the McBains'. |
00:55:42 |
That's not true. |
00:55:44 |
Cheyenne did that job... |
00:55:46 |
We got proof. |
00:55:48 |
That was always |
00:55:51 |
Fakin' evidence. |
00:55:54 |
I don't know. I swear. |
00:55:58 |
I-I only arranged the meeting. |
00:56:01 |
I swear I don't know nothin'. |
00:58:05 |
Who's there? |
01:00:39 |
Did you make coffee? |
01:00:45 |
Make it. |
01:00:54 |
Didn't sleep a wink. |
01:00:56 |
Pack of turds dressed in black |
01:00:58 |
rode herd on me |
01:01:03 |
Yeah, but I left 'em |
01:01:07 |
They're lucky, |
01:01:28 |
I'll do it... |
01:01:31 |
and you fix the coffee. |
01:01:38 |
They want to hang me... |
01:01:40 |
the big black crows. |
01:01:44 |
Idiots. |
01:01:46 |
What the hell? |
01:01:48 |
I'll kill anything... |
01:01:50 |
never a kid. |
01:01:52 |
Be like killin' a priest. |
01:01:55 |
A Catholic priest, that is. |
01:01:58 |
Yeah, the world |
01:02:00 |
who hate Cheyenne. |
01:02:17 |
You see, I ain't |
01:02:19 |
people make out. |
01:02:24 |
Of course, uh... |
01:02:27 |
if somebody had in mind |
01:02:31 |
it fires me up... |
01:02:35 |
and a fired-up Cheyenne... |
01:02:40 |
...ain't a nice thing to see, |
01:02:43 |
especially for a lady. |
01:02:57 |
But you're too smart |
01:03:06 |
So this here's where I was |
01:03:07 |
all the killin', hmm? |
01:03:12 |
Hmm. |
01:03:14 |
Don't seem the place |
01:03:23 |
Now... if somebody gets |
01:03:31 |
so they can hang this thing |
01:03:35 |
I don't like it none, |
01:03:38 |
but I can understand it. |
01:03:44 |
Hmm. What I don't understand |
01:03:48 |
is the why. |
01:03:51 |
Neither do I. |
01:03:57 |
But I see you looked a lot |
01:04:07 |
Yeah. |
01:04:12 |
What if there were |
01:04:16 |
round, yellow... |
01:04:20 |
you know the kind. |
01:04:24 |
You rap 'em on a stone, |
01:04:27 |
and they go ding. |
01:04:29 |
Maybe... |
01:04:33 |
but I didn't find them. |
01:04:37 |
Hmm. |
01:04:41 |
By the way, |
01:04:43 |
do you know anything |
01:04:45 |
about a man going around |
01:04:50 |
He's somebody you'd remember. |
01:04:54 |
Instead of talkin', he plays... |
01:04:57 |
and when he'd better play, |
01:05:05 |
You know, ma'am, |
01:05:07 |
it's easy to make it five. |
01:05:12 |
Sure. |
01:05:14 |
You're an expert. |
01:05:20 |
Ma'am, it seems to me |
01:05:28 |
Of course I have. |
01:05:31 |
I'm here alone in the hands |
01:05:35 |
and if you want to, |
01:05:37 |
and amuse yourself, |
01:05:40 |
your men. Well... |
01:05:42 |
no woman ever died from that. |
01:05:44 |
When you're finished, |
01:05:46 |
will be a tub of boiling water, |
01:05:47 |
and I'll be exactly |
01:05:50 |
with just another |
01:06:10 |
You make good coffee, at least? |
01:06:14 |
Not bad. |
01:06:15 |
Congratulations. |
01:06:17 |
Tell me, |
01:06:19 |
was it necessary |
01:06:21 |
I only told you to scare them! |
01:06:24 |
People scare better |
01:06:28 |
Then can you tell me |
01:06:29 |
what good |
01:06:33 |
Now a Mrs. McBain has turned up. |
01:06:38 |
So, I didn't expect that. |
01:06:40 |
It happens in business. |
01:06:41 |
Let's say this is... |
01:06:43 |
something we didn't plan on. |
01:06:45 |
I have no time |
01:06:50 |
You know that. |
01:06:52 |
I got on board |
01:06:57 |
and before my eyes rot, |
01:07:00 |
I want to see the blue |
01:07:03 |
outside that window. |
01:07:06 |
I know where you got on board. |
01:07:08 |
I was there, too, remember? |
01:07:15 |
To, um... |
01:07:18 |
...remove small obstacles |
01:07:22 |
Well, there were a few... |
01:07:29 |
...but we traveled a long way |
01:07:32 |
and fast. |
01:07:34 |
Even tuberculosis of the bones |
01:07:36 |
travels fast. |
01:07:40 |
Don't play the sick man |
01:07:44 |
I knew you when you were |
01:07:50 |
I watched that dry rot |
01:07:56 |
Any normal man'd |
01:07:59 |
but you... you just... |
01:08:04 |
Otherwise, |
01:08:06 |
I'd say you've changed, Frank... |
01:08:09 |
a lot. |
01:08:11 |
You used to take care |
01:08:17 |
Now... |
01:08:18 |
you're keeping |
01:08:22 |
You'll end up giving orders. |
01:08:26 |
It's because now I don't want |
01:08:32 |
You're going to need somebody |
01:08:35 |
to stay near you... |
01:08:36 |
- like a friend. |
01:08:39 |
Hmm? |
01:08:49 |
How does it feel sitting behind |
01:08:56 |
It's almost |
01:09:03 |
only much more powerful. |
01:09:21 |
You see, |
01:09:24 |
staying with you, uh... |
01:09:27 |
I'm beginning to think big, too. |
01:09:33 |
This McBain business |
01:09:37 |
is giving me ideas. |
01:09:46 |
I'm sorry for you, |
01:09:47 |
Frank. |
01:09:48 |
You're doing your best. |
01:09:51 |
You'll never succeed |
01:09:57 |
- Why? |
01:10:01 |
there are many things |
01:10:15 |
This is one of them. |
01:10:17 |
You see, Frank, |
01:10:19 |
there are many kinds |
01:10:22 |
and the only one |
01:10:25 |
is this. |
01:11:20 |
Now, shall we get back |
01:11:22 |
to our little problem? |
01:11:26 |
My weapons might look simple |
01:11:30 |
but they can still shoot holes |
01:11:32 |
big enough |
01:11:36 |
Pretty soon, the widow McBain |
01:11:41 |
You wake up one morning and say, |
01:11:44 |
From now on, |
01:11:48 |
and then you happen |
01:11:51 |
who looked like a good man... |
01:11:52 |
clear eyes, strong hands... |
01:11:56 |
and he wants to marry you... |
01:11:57 |
which doesn't happen often, |
01:11:59 |
and he says he's rich, too, |
01:12:01 |
which doesn't hurt. |
01:12:06 |
So you think, |
01:12:10 |
"Now I'll say yes |
01:12:15 |
"I wouldn't mind giving him |
01:12:19 |
take care of a house, |
01:12:35 |
Well, God rest your soul, |
01:12:38 |
even if he's going |
01:12:41 |
pulling you out |
01:12:57 |
Still, I swear he left money |
01:13:01 |
If you can find it, |
01:13:06 |
Mrs. McBain goes |
01:13:09 |
minus a husband, |
01:13:15 |
Hmm. |
01:13:25 |
You deserve better. |
01:13:29 |
The last man who told me that |
01:13:31 |
is buried out there. |
01:13:43 |
You know, Jill, |
01:13:49 |
She was the biggest whore |
01:13:53 |
and the finest woman |
01:13:54 |
that ever lived. |
01:13:56 |
Whoever my father |
01:13:58 |
or for a month... |
01:14:14 |
Hey. Hey! Ha, Ha! |
01:14:18 |
Hey! |
01:15:25 |
What do you want? |
01:15:28 |
Cheyenne's right. |
01:15:29 |
Once you've killed four, |
01:15:47 |
This isn't the time to leave. |
01:16:52 |
Get me some water. |
01:17:03 |
From the well. |
01:17:06 |
I like my water fresh. |
01:18:36 |
When you hear a strange sound, |
01:18:39 |
A sound? |
01:18:41 |
Like what? |
01:18:42 |
Like that. |
01:19:16 |
He not only plays... |
01:19:18 |
he can shoot, too. |
01:19:54 |
Good morning, Mrs. McBain. |
01:19:56 |
- What brings you to town? |
01:19:58 |
Maybe you don't remember, |
01:20:00 |
but yesterday |
01:20:02 |
I remember very well. |
01:20:04 |
Is there something |
01:20:08 |
Yes. |
01:20:12 |
See Frank... |
01:20:15 |
Why is everybody |
01:20:16 |
hounding me |
01:20:18 |
I don't know him. |
01:20:20 |
I never heard of him. |
01:20:21 |
I got my own worries |
01:20:22 |
and all I want is |
01:20:24 |
Tell Frank I want |
01:20:27 |
personally! |
01:21:23 |
You were told |
01:21:25 |
for any reason. |
01:21:27 |
Whatever business you have |
01:21:29 |
keep it far away from here. |
01:21:31 |
Yes, I-I know, Mr. Morton, |
01:21:32 |
but when I heard |
01:21:33 |
that woman say |
01:21:34 |
I thought that |
01:21:36 |
to come over here right away |
01:21:38 |
You never thought |
01:21:40 |
Sure, but you know that |
01:21:43 |
No one could've followed me. |
01:21:45 |
That's the first thing I learned |
01:21:47 |
To listen unseen, |
01:21:51 |
Hmm, you should learn to live |
01:21:53 |
as if you didn't exist. |
01:21:55 |
You-You've known me |
01:21:58 |
You know you can |
01:21:59 |
Wobbles... |
01:22:05 |
how can you trust a man |
01:22:07 |
that wears both a belt |
01:22:10 |
a man can't even |
01:22:23 |
Let's get out of here. |
01:24:04 |
The end of the line. |
01:24:08 |
Yeah. |
01:24:16 |
Get him on board. |
01:24:32 |
Tie him up. |
01:25:08 |
Wait, Frank... |
01:25:09 |
I... |
01:25:11 |
So nobody followed you. |
01:25:13 |
No... you gotta believe me. |
01:25:16 |
So this is the way |
01:25:18 |
I can trust you. |
01:25:19 |
I can explain. |
01:25:21 |
I didn't know that he... |
01:25:23 |
Get out. |
01:25:24 |
No, no... no, Frank... |
01:25:27 |
Get out! |
01:25:43 |
Shh. |
01:25:48 |
Frank, wait... |
01:26:11 |
I told you to keep quiet. |
01:26:18 |
Where are Logan and Jim, |
01:26:20 |
they take care of the woman? |
01:26:21 |
Someone took care of them. |
01:26:23 |
We found them out |
01:26:26 |
Stone dead. |
01:26:27 |
And the woman was gone. |
01:26:29 |
Your friends have |
01:26:31 |
Frank. |
01:26:44 |
First three, then two. |
01:26:59 |
So you're the one |
01:27:04 |
And you're the one |
01:27:09 |
What do you want? |
01:27:11 |
Who are you? |
01:27:16 |
Dave Jenkins. |
01:27:25 |
Dave Jenkins is dead |
01:27:28 |
Calder Benson. |
01:27:33 |
What's your name? |
01:27:36 |
You ought to know, Frank, |
01:27:40 |
You killed them. |
01:27:42 |
Who are you? |
01:27:43 |
Who are you?! |
01:27:44 |
Frank! |
01:27:47 |
The woman. |
01:27:52 |
We're only losing time. |
01:27:58 |
All right. |
01:28:01 |
This time I'll take care |
01:28:03 |
Yeah, it ought |
01:28:11 |
Keep him warm for me. |
01:28:13 |
If he gives you |
01:28:16 |
Not in the mouth... |
01:28:19 |
and plenty. |
01:28:25 |
Meet me at the Navajo cliff. |
01:28:27 |
By the way, I want you |
01:28:30 |
all the time, understand? |
01:28:31 |
Sure, Frank. |
01:30:05 |
See anyone? |
01:30:06 |
No. |
01:30:28 |
There he is! |
01:33:12 |
You only know how to shoot? |
01:33:16 |
Or do you know how to cut, too? |
01:33:29 |
Hey, you. |
01:33:33 |
Wait a minute. |
01:33:36 |
Let's have a good look at you. |
01:33:49 |
Hey... |
01:33:50 |
Mr. Choo-Choo. |
01:34:11 |
It's easy to find you... |
01:34:14 |
bastard. |
01:34:15 |
I don't have to kill you now. |
01:34:17 |
You leave a slime |
01:34:20 |
two beautiful shiny rails. |
01:34:24 |
There's another bastard, |
01:34:26 |
and he's getting |
01:34:41 |
There it is... |
01:34:43 |
exactly what your |
01:34:45 |
And seeing as how he paid |
01:34:47 |
it all belongs to you. |
01:34:49 |
Oak planks, beach, pine, |
01:34:54 |
And there's beams and foundation |
01:34:58 |
20 barrels of tar |
01:35:02 |
Maybe he wanted to enlarge |
01:35:04 |
Enlarge the farmhouse? |
01:35:07 |
He could've built |
01:35:09 |
By the way, ma'am, |
01:35:11 |
McBain also ordered this. |
01:35:14 |
Said it was important. |
01:35:15 |
Only... only seems he forgot |
01:35:17 |
to tell me what he wanted |
01:35:27 |
Station. |
01:35:29 |
How's that again? |
01:35:31 |
I said print "Station." |
01:36:05 |
Lookin' for this? |
01:36:07 |
I've had enough |
01:36:11 |
I know that woman is here. |
01:36:13 |
I don't want any more |
01:36:16 |
I'm ready to make |
01:36:20 |
to pay what's necessary. |
01:36:22 |
I don't want to waste |
01:36:25 |
You made a big mistake, Morton. |
01:36:31 |
When you're not on that train, |
01:36:33 |
you look like a turtle |
01:36:35 |
Just funny. |
01:36:38 |
Poor cripple... talking big |
01:36:39 |
so nobody will know how scared |
01:36:42 |
I'm here to make a deal, Frank. |
01:36:47 |
I don't have time |
01:36:55 |
Compete? |
01:37:00 |
Why you... |
01:37:03 |
You can't even stand |
01:37:04 |
on your own feet by yourself. |
01:37:16 |
Is that sufficient |
01:37:19 |
I could squash you |
01:37:25 |
Sure... |
01:37:29 |
because it's not to... |
01:37:36 |
Hmm. |
01:37:39 |
Who knows how far you'd have |
01:37:50 |
Help him back to the train. |
01:37:52 |
Keep your eye on him. |
01:37:55 |
Oh, Morton, don't worry |
01:38:00 |
If you feel like paying for it, |
01:38:03 |
Won't make any difference |
01:38:04 |
dealing with a new owner. |
01:38:33 |
Cheyenne. |
01:38:34 |
Hey, Cheyenne, there's |
01:38:38 |
It says "Water Tank." |
01:38:39 |
Over here, too. |
01:38:41 |
Only it says "Post Office." |
01:38:43 |
And this one says "Corral." |
01:38:46 |
And this here "Church." |
01:38:48 |
What the hell is this? |
01:38:51 |
Can't you see? |
01:38:52 |
It's a station... |
01:38:55 |
and all around it, a town. |
01:39:01 |
It's Brett McBain's town. |
01:39:06 |
Was he crazy. |
01:39:08 |
Yeah, in a very special way. |
01:39:12 |
An Irishman. |
01:39:16 |
He knew sooner or later, |
01:39:17 |
that railroad coming |
01:39:19 |
would continue on West. |
01:39:21 |
So he looked over all |
01:39:24 |
until he found this |
01:39:27 |
Nobody wanted it. |
01:39:33 |
But he bought it. |
01:39:37 |
Then he tightened his belt, |
01:39:40 |
and for years he waited. |
01:39:44 |
Waited for what? |
01:39:46 |
For the railroad |
01:39:50 |
Aw, but how in the hell |
01:39:52 |
the railroad would pass |
01:39:56 |
Them steam engines can't |
01:40:00 |
and the only water |
01:40:02 |
west of Flagstone is right here, |
01:40:04 |
under this land. |
01:40:06 |
Aha. |
01:40:08 |
He was no fool, |
01:40:11 |
He was going to sell |
01:40:14 |
for its weight in gold, |
01:40:16 |
You don't sell |
01:40:17 |
the dream of a lifetime. |
01:40:21 |
Brett McBain wanted |
01:40:25 |
He got the rights |
01:40:30 |
How do you know all this? |
01:40:32 |
I saw a document. |
01:40:34 |
It was all in order... |
01:40:35 |
seals, signatures, everything. |
01:40:37 |
One thing though... |
01:40:40 |
there is a short clause |
01:40:44 |
which says that McBain |
01:40:48 |
if by the time the railroad |
01:40:52 |
the station ain't built yet. |
01:40:55 |
Aha. |
01:41:02 |
Speaking of railroads, |
01:41:03 |
I notice the rail gang's |
01:41:05 |
Hey. |
01:41:10 |
I noticed the rail gang's |
01:41:13 |
and before you know it, |
01:41:15 |
they're gonna be here. |
01:41:18 |
Yeah. |
01:41:19 |
Yeah. |
01:41:22 |
Listen... |
01:41:24 |
Harmonica, a town built |
01:41:32 |
You could make a fortune, huh? |
01:41:35 |
Hundreds of thousands |
01:41:39 |
Hey, more than that. |
01:41:42 |
Thousands of thousands. |
01:41:44 |
They call them millions. |
01:41:48 |
Millions. |
01:41:53 |
Yeah, millions. |
01:41:56 |
I always thought it'd |
01:41:59 |
with a smart lady. |
01:42:02 |
All you gotta do is... |
01:42:05 |
Hey, what in the hell |
01:42:09 |
But, Chief, what are |
01:42:12 |
What are you supposed to do? |
01:42:14 |
Build a station, idiots! |
01:42:19 |
Figure it ain't gonna |
01:42:26 |
but it'll be the first thing |
01:42:28 |
when she gets back. |
01:42:30 |
If she gets back. |
01:43:52 |
I think... |
01:44:03 |
Yeah. |
01:44:05 |
I'm beginning to think |
01:44:08 |
a little sorry killing you. |
01:44:12 |
You like being alive... |
01:44:14 |
hmm? |
01:44:27 |
And you also like to feel |
01:44:32 |
You like it. |
01:44:37 |
Even if they're the hands |
01:44:39 |
who killed your husband. |
01:45:02 |
What a... |
01:45:07 |
What a little tramp. |
01:45:12 |
Is there anything in the world |
01:45:14 |
to save your skin? |
01:45:19 |
Nothing, Frank. |
01:45:43 |
Mmm... now I understand |
01:45:48 |
down there in... |
01:45:56 |
Great invention... |
01:45:58 |
Dit-dit, dit-dah, |
01:46:00 |
dit-dit-dit, dit-dah, dit-dit... |
01:46:03 |
Jill... the brunette? |
01:46:06 |
My God, all the customers |
01:46:08 |
of the most elegant whorehouse |
01:46:10 |
have been weeping |
01:46:15 |
Say, tell me... |
01:46:19 |
did old McBain know? |
01:46:22 |
Yeah. |
01:46:23 |
Yeah, I bet he did. |
01:46:26 |
He's just the type |
01:46:32 |
Hey... |
01:46:35 |
that's an idea. |
01:46:39 |
I could marry you, |
01:46:41 |
and the land'd become mine. |
01:46:45 |
And maybe... |
01:46:48 |
you'd make a perfect wife. |
01:46:56 |
It'd be me wouldn't be |
01:47:00 |
Too bad. |
01:47:03 |
We'll have to think |
01:47:06 |
Simpler. |
01:47:12 |
Quicker. |
01:47:36 |
As sheriff of this county |
01:47:39 |
I've been asked to preside |
01:47:42 |
of all property belonging |
01:47:44 |
to Mrs. Jill McBain, |
01:47:47 |
This parcel of land |
01:47:50 |
It's free of all encumbrances, |
01:47:55 |
This property |
01:47:58 |
lock, stock and barrel... |
01:48:00 |
will be turned over |
01:48:03 |
at the time of sale. |
01:48:04 |
All the contents therein |
01:48:06 |
are listed by number |
01:48:09 |
distributed among you. |
01:48:10 |
The entire property will be sold |
01:48:14 |
All right, |
01:48:16 |
I declare the auction open. |
01:48:19 |
Now who's going |
01:48:32 |
All right, now who's |
01:48:39 |
Two hundred dollars! |
01:48:42 |
Well, I have an opening |
01:48:45 |
Two hundred dollars. |
01:48:47 |
Do I hear more? |
01:48:49 |
That stinkin' piece of land |
01:48:53 |
Well, come on, |
01:48:56 |
The livestock alone |
01:48:59 |
Well... |
01:49:02 |
Who's going to bid $300? |
01:49:10 |
Now look, friends, |
01:49:11 |
I realize we're not |
01:49:15 |
but $200 is damn little |
01:49:18 |
Ladies and gentlemen, |
01:49:19 |
I wouldn't even take |
01:49:25 |
Well, nobody's going to bid |
01:49:35 |
You sure you wouldn't want |
01:49:42 |
I wish I were wrong, |
01:49:44 |
but you're liable |
01:49:46 |
selling the place |
01:49:55 |
All I want is to sell. |
01:51:04 |
He looks sad, huh? |
01:51:05 |
If you say so. |
01:51:08 |
How many? |
01:51:09 |
One card. |
01:51:12 |
And one for me. |
01:51:16 |
Dealer takes three. |
01:51:29 |
Can I... can I take a hand? |
01:51:37 |
Fifteen. |
01:51:52 |
Yeah, sit down. |
01:52:18 |
I'll deal. |
01:54:04 |
How do you, uh... |
01:54:07 |
how do you play this game, |
01:54:12 |
It's very simple. |
01:54:15 |
As long as you use your head, |
01:54:19 |
you never lose. |
01:54:21 |
Five hundred dollars. |
01:54:27 |
Hmm. |
01:54:29 |
Five hundred dollars. |
01:54:30 |
Mm-hmm. |
01:54:32 |
Do I hear any other bids? |
01:54:36 |
I don't think so. |
01:54:47 |
I'm sorry, Mrs. McBain, but... |
01:54:50 |
I think I'm gonna have to knock |
01:55:05 |
Five hundred, once... |
01:55:10 |
Five hundred dollars, twice... |
01:55:14 |
Five hundred dollars... |
01:55:16 |
Five thousand dollars. |
01:55:41 |
You said $5,000? |
01:55:44 |
It's on its way. |
01:55:59 |
- That's Cheyenne. |
01:56:10 |
The reward for this man |
01:56:14 |
Judas was content |
01:56:18 |
There were no dollars |
01:56:22 |
Mm. But sons of bitches, yeah. |
01:56:39 |
Hey, wait a minute. |
01:56:44 |
The jail's that way. |
01:56:45 |
Yeah, I know. |
01:56:47 |
Yeah, but, uh, you're going |
01:56:51 |
I'm sending you |
01:56:54 |
They got a modern jail there. |
01:56:56 |
It's got more walls, |
01:56:59 |
more guards. |
01:57:01 |
Oh, you'll like it... |
01:57:04 |
You'll see. |
01:57:29 |
Whoa! Hey-hey! |
01:58:07 |
Two tickets, amigo, |
01:58:09 |
to the next station. |
01:58:10 |
One-way only. |
01:58:13 |
Mm. |
01:58:14 |
Here's to you, |
01:58:22 |
You've got yourself |
01:58:26 |
Oh, the auction. |
01:58:28 |
Forget it. |
01:58:30 |
I don't invest in land. |
01:58:34 |
You don't look at all |
01:58:36 |
of poor, defenseless widows. |
01:58:41 |
But then again... |
01:58:45 |
I don't look like |
01:58:55 |
Cheyenne's right... |
01:58:59 |
And you're a remarkable man... |
01:59:02 |
but you have something |
01:59:11 |
And you've got something |
01:59:16 |
Hot water. |
01:59:19 |
A bathtub full of hot water. |
01:59:39 |
I think it's time |
02:00:13 |
Who are you? |
02:00:36 |
Jim Cooper. |
02:00:38 |
Chuck Youngblood. |
02:00:41 |
More dead men. |
02:00:46 |
They were all alive until |
02:00:55 |
You paid $5,000 for |
02:01:03 |
Five thousand... |
02:01:10 |
plus one. |
02:01:17 |
You got a right |
02:01:46 |
I wouldn't take too long |
02:01:48 |
thinking about it |
02:01:55 |
You've got yourself into |
02:01:57 |
You got a chance to get out |
02:02:00 |
You sound like a real |
02:02:04 |
Being with Mr. Morton |
02:02:15 |
And you've learned |
02:02:19 |
Yeah, Mr. Morton is showing you |
02:02:26 |
Even though you haven't |
02:02:29 |
Pick any method you like, |
02:02:36 |
Which deal, Frank? |
02:02:41 |
We have more than one, |
02:02:46 |
Well, we can... |
02:02:49 |
lump 'em together |
02:02:51 |
settle all of them |
02:02:52 |
here and now. |
02:02:57 |
Easy, Frank. |
02:02:58 |
Easy. |
02:03:01 |
You gotta learn |
02:03:03 |
Taking it easy is the first |
02:03:10 |
I got an idea Mr. Morton |
02:03:18 |
How much? |
02:03:20 |
One dollar. |
02:04:27 |
Giddy-up. |
02:06:03 |
Giddy-up. |
02:07:08 |
I could swear we're going |
02:07:11 |
Right now. |
02:09:05 |
Time sure flies. |
02:09:09 |
It's already past 12:00. |
02:10:10 |
But... but they were his men. |
02:10:12 |
Yeah. |
02:10:13 |
And they tried to kill him. |
02:10:15 |
They must've found somebody |
02:10:17 |
And you... |
02:10:18 |
you saved his life. |
02:10:23 |
I didn't let them kill him |
02:10:39 |
Sure. |
02:10:42 |
It's not the same thing. |
02:10:51 |
You get dressed. |
02:10:53 |
It's time to go home. |
02:16:13 |
Did you make coffee? |
02:16:17 |
This time I did. |
02:16:59 |
Good. |
02:17:03 |
My mother used to make |
02:17:07 |
hot, strong... |
02:17:11 |
and good. |
02:17:21 |
- Cheyenne. |
02:17:25 |
What's he waiting for out there? |
02:17:30 |
What's he doing? |
02:17:37 |
He's whittlin' |
02:17:42 |
I got a feeling, |
02:17:46 |
something's gonna happen. |
02:18:58 |
Surprised to see me here? |
02:19:01 |
I knew you'd come. |
02:19:27 |
Morton once told me |
02:19:31 |
Now I understand why. |
02:19:34 |
Wouldn't have bothered him |
02:19:36 |
knowing you were around |
02:19:41 |
So you found out |
02:19:42 |
after all. |
02:19:44 |
Just a man. |
02:19:48 |
An ancient race. |
02:19:56 |
Other Mortons will be along, |
02:19:58 |
and they'll kill it off. |
02:20:01 |
The future |
02:20:03 |
Nothing matters now... |
02:20:06 |
not the money, not the woman. |
02:20:09 |
I came here to see you. |
02:20:13 |
'Cause I know |
02:20:14 |
that now you'll tell me |
02:20:32 |
Only at the point of dying. |
02:20:37 |
I know. |
02:21:23 |
I heated some water for you. |
02:21:25 |
I also found a razor. |
02:21:28 |
Put it there, please... |
02:21:32 |
so I can watch |
02:21:35 |
while I shave. |
02:21:42 |
You know what? |
02:21:45 |
If I was you, |
02:21:46 |
I'd go down there |
02:21:58 |
Can't imagine |
02:22:00 |
how happy it makes a man |
02:22:07 |
Just to look at her. |
02:22:12 |
And if one of them |
02:22:18 |
just make believe it's nothing. |
02:22:23 |
They earned it. |
02:26:59 |
Keep your lovin' brother happy. |
02:30:20 |
Who-who are you? |
02:31:31 |
Hey... |
02:31:33 |
you're sort of a handsome man. |
02:31:38 |
But I'm not the right man. |
02:31:52 |
And neither is he. |
02:31:57 |
Maybe not... |
02:32:05 |
You don't understand, Jill. |
02:32:08 |
People like that |
02:32:14 |
something to do with death. |
02:32:20 |
That fella lives, |
02:32:21 |
he'll come in |
02:32:23 |
pick up his gear and say adios. |
02:32:33 |
It would be nice |
02:34:07 |
Now I gotta go. |
02:34:55 |
It's gonna be a beautiful town... |
02:34:57 |
Sweetwater. |
02:35:03 |
I hope you'll come back someday. |
02:35:23 |
Someday. |
02:35:37 |
Yeah... |
02:35:39 |
I gotta go, too. |
02:36:06 |
Make believe it's nothing. |
02:38:14 |
Sorry, Harmonica, |
02:38:56 |
Who? |
02:39:02 |
I ran into Mr. Choo-Choo. |
02:39:05 |
I didn't count |
02:39:09 |
He got scared. |
02:39:29 |
Hey, Harmonica, |
02:39:35 |
pray it's somebody who knows |
02:39:53 |
Go away. |
02:39:57 |
Go away. |
02:39:59 |
Go away. I don't want you |
02:45:18 |
Sunch/Dvdrip/-HDxT |