|
Ca tica Ana Chaotic Ana
|
| 00:00:45 |
CHAOTIC ANA |
| 00:01:22 |
The hawk is a hunter unlike |
| 00:01:26 |
When it flies right by you... |
| 00:01:31 |
...you can only hear it. |
| 00:01:34 |
This son of a bitch |
| 00:01:36 |
is designed like a projectile. |
| 00:01:38 |
His head is perfectly round |
| 00:01:41 |
and his nostrils are modified |
| 00:01:44 |
because he reaches speeds so high |
| 00:01:46 |
that a sudden gust of air |
| 00:01:47 |
can burst him from inside. |
| 00:01:51 |
In falconry, |
| 00:01:53 |
a hawk flies 400 meters |
| 00:01:57 |
and from up there, |
| 00:02:00 |
spots his prey, |
| 00:02:02 |
tucks his wings... |
| 00:02:05 |
...at over 200 miles an hour. |
| 00:02:07 |
When he reaches his prey... |
| 00:02:09 |
Look. |
| 00:02:10 |
See these claws here? |
| 00:02:12 |
These hook-shaped claws, |
| 00:02:14 |
when the moment comes... |
| 00:02:18 |
...and she's ready to go. |
| 00:02:20 |
But a hawk's greatest asset |
| 00:02:22 |
are... |
| 00:02:25 |
his eyes. |
| 00:02:26 |
Without incredibly sharp vision, |
| 00:02:28 |
he could never hunt. |
| 00:02:36 |
He got shit on. |
| 00:02:41 |
Fucking bird! |
| 00:02:47 |
What are you waiting for? |
| 00:02:49 |
I'm cleaning his eyes, sir. |
| 00:02:54 |
Let him go. |
| 00:02:58 |
She won't get away, sir. |
| 00:05:02 |
ISLAND OF IBIZA, SPAIN |
| 00:06:05 |
Where can I see |
| 00:06:07 |
more of yourwork? |
| 00:06:08 |
In my home. |
| 00:06:10 |
Can I see where you live? |
| 00:06:18 |
I'm Justine. |
| 00:06:20 |
Ana. |
| 00:06:22 |
That's my father. |
| 00:06:23 |
Hello. |
| 00:06:24 |
- Hello. |
| 00:06:52 |
Mon Dieu, you're natives! |
| 00:07:06 |
May I? |
| 00:07:23 |
Ana, have you studied? |
| 00:07:30 |
Apart from your life... |
| 00:07:33 |
Did you go to school? |
| 00:07:35 |
I've taught her |
| 00:07:37 |
everything I know. |
| 00:07:40 |
And more. |
| 00:07:41 |
Everything I've learned... |
| 00:07:45 |
Not for me. |
| 00:07:48 |
Mathematics, |
| 00:07:49 |
literature, philosophy... |
| 00:07:53 |
History is my weakness. |
| 00:07:55 |
History unites us. |
| 00:07:58 |
Each and every one of us |
| 00:08:00 |
We carry it inside, |
| 00:08:05 |
Yes. |
| 00:08:06 |
I like History, |
| 00:08:08 |
to know it |
| 00:08:10 |
and also |
| 00:08:12 |
to protect myself from it. |
| 00:08:14 |
Human history |
| 00:08:18 |
cruelties and injustices. |
| 00:08:23 |
I am often ashamed |
| 00:08:27 |
Nobody's completely innocent. |
| 00:08:30 |
But out here we feel |
| 00:08:32 |
less guilty. |
| 00:08:34 |
We hurt no one. |
| 00:08:36 |
Yes, this cave protects you. |
| 00:08:40 |
Living like this nowadays |
| 00:08:44 |
We don't care |
| 00:08:48 |
Of course. |
| 00:09:00 |
Ana. |
| 00:09:02 |
I have a proposal foryou. |
| 00:09:08 |
Come live at my residence |
| 00:09:10 |
forthe next |
| 00:09:11 |
two orthree years. |
| 00:09:13 |
You'll live with |
| 00:09:14 |
several other exceptional |
| 00:09:17 |
personally. |
| 00:09:21 |
I'm a patron of the arts. |
| 00:09:28 |
You would be well provided for. |
| 00:09:31 |
My residence covers |
| 00:09:35 |
and materials. |
| 00:10:15 |
I had a dream about this. |
| 00:10:18 |
Very similar. |
| 00:10:22 |
Too similar. |
| 00:10:23 |
Almost the same woman. |
| 00:10:26 |
But in my dream you ended up |
| 00:10:31 |
But on your own, I didn't push you. |
| 00:10:42 |
My fatherthe beast. |
| 00:10:45 |
You're a grizzly beast, |
| 00:10:47 |
a father in a cave. |
| 00:10:51 |
My father |
| 00:10:53 |
the monster. |
| 00:10:58 |
I'll write you. |
| 00:11:22 |
Dear Grizzly Beast, |
| 00:11:25 |
Here in Madrid I look like |
| 00:11:28 |
Yes, I do stand out a bit. |
| 00:11:32 |
I'm laughing that laugh of mine... |
| 00:11:36 |
And I'm not afraid... |
| 00:11:49 |
I'm feeling more at ease, |
| 00:11:52 |
But I can still feel your hand, |
| 00:11:54 |
squeezing me tight, |
| 00:11:56 |
and it feels good. |
| 00:11:58 |
Thanks, Monster. |
| 00:12:35 |
Justine's residence |
| 00:12:38 |
and we're like squatters. |
| 00:12:42 |
But nobody gives orders here, |
| 00:12:44 |
not even Justine. |
| 00:12:46 |
She lives in a house outside Madrid. |
| 00:12:59 |
Art classes every morning, |
| 00:13:01 |
music, video... |
| 00:13:04 |
We pick our classes, |
| 00:13:07 |
If we don't go we get thrown out. |
| 00:13:32 |
Guys are gross. |
| 00:13:34 |
A big dick with feet. |
| 00:13:39 |
They're all |
| 00:13:40 |
sex-hungry rapists at heart. |
| 00:13:42 |
A few hold back, a bit. |
| 00:13:44 |
But the invasive instinct |
| 00:13:45 |
stays with them to the grave. |
| 00:13:48 |
And what are we? |
| 00:13:49 |
What are we? |
| 00:13:53 |
Come here. |
| 00:13:55 |
You see? |
| 00:14:00 |
We're always provoking them. |
| 00:14:08 |
To attract them. |
| 00:14:12 |
Then we choose. |
| 00:14:16 |
We're conniving whores. |
| 00:14:20 |
- We're whores and they're rapists. |
| 00:14:27 |
And what are they? |
| 00:14:30 |
They rape each other... |
| 00:14:32 |
but they're whores like us. |
| 00:14:38 |
- And prostitutes? |
| 00:14:40 |
Whores that work. |
| 00:14:43 |
Are you a dyke? |
| 00:14:45 |
No, but I'd love to be one. |
| 00:14:48 |
- You're the girl from Ibiza? |
| 00:14:51 |
I'm Linda. |
| 00:14:59 |
It's my favorite eye. |
| 00:15:02 |
What I see with my own eyes... |
| 00:15:04 |
All the tyranny in this world |
| 00:15:08 |
But that world is a mystery. |
| 00:15:11 |
Not even God rules it. |
| 00:15:12 |
- Sometimes not even I can. |
| 00:15:16 |
Your name suits you. |
| 00:15:19 |
No, it doesn't. |
| 00:15:22 |
It isn't even mine. |
| 00:15:24 |
It isn't? |
| 00:15:27 |
Whose is it? |
| 00:15:29 |
My daïs boat's. |
| 00:15:31 |
"The Linda." |
| 00:15:32 |
He named you after his boat? |
| 00:15:36 |
He doesn't have it anymore. |
| 00:15:39 |
He was a Ione sailor. |
| 00:15:40 |
He fell for my mom, |
| 00:15:43 |
Sold the boat |
| 00:15:45 |
And when you were born |
| 00:15:49 |
Sounds nice. |
| 00:15:50 |
From the outside. |
| 00:15:51 |
From the inside it fucking sucks. |
| 00:15:53 |
My daïs a selfish man |
| 00:15:55 |
incapable of loving anyone. |
| 00:15:57 |
And my mom's foolish |
| 00:16:02 |
She's getting smaller and smaller. |
| 00:16:05 |
She's about to disappear. |
| 00:16:08 |
Some day she'll blow away |
| 00:16:10 |
My mother left us when I was a girl. |
| 00:16:15 |
What a lousy thing to do. |
| 00:16:18 |
Was the boat a sailboat? |
| 00:16:21 |
Good. |
| 00:16:24 |
I'm a land person. |
| 00:16:25 |
Super-solid. |
| 00:16:27 |
I have to be careful... |
| 00:16:30 |
and hold onto something. |
| 00:16:46 |
You're adorable. |
| 00:16:48 |
Ana, daughter of Klaus, |
| 00:16:52 |
A monster like you've never seen. |
| 00:16:57 |
Dear Monster, |
| 00:16:59 |
I'm open to everything here. |
| 00:17:01 |
I'm starting to like performance |
| 00:17:06 |
Sire, for how long |
| 00:17:11 |
For as long as women |
| 00:17:19 |
Until the two sexes join together |
| 00:17:22 |
and male and female are one. |
| 00:17:24 |
Neither male norfemale. |
| 00:17:26 |
Goïs adversary |
| 00:17:29 |
What about you? |
| 00:17:31 |
Are you not a real man? |
| 00:17:33 |
I have come to destroy |
| 00:17:37 |
To destroy my work? |
| 00:17:39 |
You, female, are lust itself. |
| 00:17:42 |
You retard the hour of perfection. |
| 00:17:47 |
A natural born sexist! |
| 00:17:48 |
Because I am born of a god |
| 00:17:51 |
We Jews turn our goddesses |
| 00:17:54 |
Thus heaven is a patriarchy. |
| 00:17:57 |
- I thought you were a socialist. |
| 00:17:59 |
The rich shall never enter |
| 00:18:03 |
What about women? |
| 00:18:05 |
Will we get in? |
| 00:18:09 |
Tempt me not, |
| 00:18:11 |
- female. |
| 00:18:15 |
You know what, Beast? |
| 00:18:16 |
We're very free here |
| 00:18:18 |
and we owe it all to our |
| 00:18:29 |
He's Saharan. |
| 00:18:32 |
The Berbers, orAmazigh, |
| 00:18:35 |
That means the women transmit |
| 00:18:39 |
They're also monogamous. |
| 00:18:42 |
That's probably why the Arab |
| 00:18:46 |
They've always been ostracized. |
| 00:18:49 |
Amazigh women |
| 00:18:51 |
bring up their children well. |
| 00:18:53 |
They know how to raise good men. |
| 00:19:02 |
I like it. |
| 00:19:04 |
But this video is missing something. |
| 00:19:06 |
It feels unfinished. |
| 00:19:09 |
That's Said, |
| 00:19:11 |
He's a whole otherworld. |
| 00:19:13 |
He paints, like you. |
| 00:19:15 |
And he's majoring in five fields. |
| 00:19:18 |
Said is a natural born genius. |
| 00:19:21 |
An exceptional male. |
| 00:19:26 |
And you like him. |
| 00:19:29 |
Well, no. |
| 00:19:30 |
Nobody gets him. |
| 00:19:53 |
How do you like it here? |
| 00:19:55 |
There's no better place I could be. |
| 00:19:58 |
It feels like it's made for me. |
| 00:20:03 |
Ana, |
| 00:20:05 |
I suggest you paint in oils. |
| 00:20:08 |
The waxes give your paintings |
| 00:20:12 |
You should liberate |
| 00:20:15 |
and paint with more depth. |
| 00:20:18 |
I paint to forget, to escape. |
| 00:20:22 |
I don't want depth. |
| 00:21:43 |
What's wrong? |
| 00:21:45 |
I don't know. |
| 00:22:01 |
Let's get out of here. |
| 00:22:43 |
Do you want to go to sleep together? |
| 00:22:47 |
Together? |
| 00:22:49 |
Yes. |
| 00:22:57 |
I can't sleep alone. |
| 00:22:59 |
I suffer. |
| 00:23:00 |
I sleep great. |
| 00:23:02 |
Really? |
| 00:23:04 |
Well, sometimes I daydream, |
| 00:23:06 |
but never asleep. |
| 00:23:08 |
I must have a door closed. |
| 00:23:09 |
I wish I could do that. |
| 00:23:11 |
Close the door. |
| 00:23:15 |
Then we'll stay inside. |
| 00:23:19 |
I have another door closed. |
| 00:23:21 |
It might be the same one, |
| 00:23:23 |
but I'd like to open it. |
| 00:23:28 |
I've never been in love. |
| 00:23:34 |
Me neither. |
| 00:23:37 |
A home in the sky. |
| 00:23:41 |
A garden in the sea. |
| 00:23:44 |
A lark in your breast. |
| 00:23:48 |
A new beginning. |
| 00:23:52 |
A wish forthe stars. |
| 00:23:56 |
The beat of a sparrow. |
| 00:24:00 |
An island in your bed. |
| 00:24:03 |
The setting sun. |
| 00:24:07 |
Time and silence. |
| 00:24:09 |
Screams and songs. |
| 00:24:13 |
Skies and kisses. |
| 00:24:17 |
Voices and pain. |
| 00:24:23 |
Born to your laughter. |
| 00:24:26 |
Raised in yourtears. |
| 00:24:31 |
Living on your back. |
| 00:24:34 |
Dying in your arms. |
| 00:24:38 |
Time and silence. |
| 00:24:40 |
Screams and songs. |
| 00:24:43 |
Skies and kisses. |
| 00:24:48 |
Voices and pain. |
| 00:25:17 |
What's wrong? |
| 00:25:20 |
I'm sorry. |
| 00:25:22 |
I didn't mean to wake you. |
| 00:25:27 |
I get anxiety attacks |
| 00:25:29 |
at night. |
| 00:25:30 |
We agreed to sleep together |
| 00:25:34 |
You can't. |
| 00:25:35 |
Yes. But right now |
| 00:25:38 |
No, I don't live in darkness. |
| 00:25:40 |
I live in the brightest light. |
| 00:25:44 |
Sometimes |
| 00:25:45 |
I see the end... |
| 00:25:49 |
There's nothing there! |
| 00:25:51 |
Yes, there is. |
| 00:25:53 |
It's useless! |
| 00:25:56 |
You and I met each other. |
| 00:25:58 |
Wait. |
| 00:26:00 |
You'll see it's not |
| 00:26:19 |
Did you know Justine |
| 00:26:24 |
What do you think? |
| 00:26:30 |
It doesn't really bother me. |
| 00:26:32 |
After all, she's the one |
| 00:26:36 |
Why are you in such a daze? |
| 00:26:39 |
Something's up. |
| 00:26:41 |
I can smell it. |
| 00:26:49 |
Well, well. |
| 00:26:52 |
That smile is a yes. |
| 00:26:56 |
Go on, tell the eye. |
| 00:27:00 |
The exceptional male. |
| 00:27:01 |
You're kidding. |
| 00:27:03 |
Unbelievable. |
| 00:27:05 |
You're too much. |
| 00:27:07 |
So what's he like? |
| 00:27:10 |
He's not a dick with feet, |
| 00:27:15 |
That's too bad, because in bed |
| 00:27:19 |
He's a lot more. |
| 00:27:21 |
He's a lot more... |
| 00:27:23 |
Is he fair game now, or are you |
| 00:27:27 |
I have a story foryou as well. |
| 00:27:44 |
Did you film that? |
| 00:27:46 |
A freelance job. |
| 00:27:48 |
I don't believe in God. |
| 00:27:53 |
So you're trading being a whore |
| 00:27:56 |
Absolutely. |
| 00:28:00 |
- Lucas really suits you. |
| 00:28:08 |
Where's your sultan? |
| 00:28:10 |
Studying. |
| 00:28:12 |
Studying? |
| 00:28:14 |
Or resting? |
| 00:28:42 |
"Sahrawi Arab Democratic Republic." |
| 00:28:45 |
What's your country like? |
| 00:28:47 |
I've never been. |
| 00:28:48 |
I've only seen it on a map. |
| 00:28:50 |
We Saharans are not allowed |
| 00:28:54 |
Why not? |
| 00:28:57 |
Yes, |
| 00:28:58 |
but 30 years ago Spain |
| 00:29:02 |
which invaded us, |
| 00:29:07 |
and built a mine-infested wall |
| 00:29:09 |
with the help of the United States. |
| 00:29:14 |
So where are you from? |
| 00:29:17 |
I was raised |
| 00:29:19 |
in an Algerian refugee camp, |
| 00:29:23 |
one of the most barren areas |
| 00:29:27 |
Winters are freezing |
| 00:29:29 |
and in summertemperatures |
| 00:29:32 |
In my language, to damn someone |
| 00:29:36 |
"May God send you to the Hamada." |
| 00:29:42 |
- Are these your parents? |
| 00:29:44 |
Look. |
| 00:29:46 |
This is my mother. |
| 00:29:49 |
She died beside my father |
| 00:29:52 |
She was a Berber. |
| 00:29:54 |
My fatherwas a bidan. |
| 00:29:56 |
My motherfought beside him |
| 00:30:00 |
- Is this you? |
| 00:30:02 |
I'm an orphan of war, |
| 00:30:03 |
just like all these others. |
| 00:30:08 |
Never seen your country! |
| 00:30:09 |
No. And it's even recognized |
| 00:30:12 |
Are you political? |
| 00:30:17 |
Everything I do is so that someday |
| 00:30:24 |
I hope with all my heart |
| 00:30:27 |
With... |
| 00:30:29 |
your molecular biology |
| 00:30:31 |
orwhateveryou want. |
| 00:30:36 |
When we run out of biology, |
| 00:30:39 |
we lose everything. |
| 00:30:41 |
Only biology can make sense |
| 00:30:44 |
We must find a way to make |
| 00:30:49 |
You'd better start studying. |
| 00:30:54 |
Do you want you and me |
| 00:30:59 |
Yes. |
| 00:31:01 |
Great! |
| 00:31:04 |
We have so much time left! |
| 00:31:07 |
I finally found you. |
| 00:31:25 |
Dear Cave Monster, |
| 00:31:29 |
I've been taken by a man. |
| 00:31:41 |
I feel like I'd loved him all along, |
| 00:31:44 |
but that I'd lost him. |
| 00:31:51 |
Dearest daughter, |
| 00:31:53 |
This is the greatest news |
| 00:31:57 |
I've been repeating it |
| 00:32:00 |
Congratulations on your discovery |
| 00:32:02 |
that love is an ancient treasure. |
| 00:32:12 |
I have no maternal instinct. |
| 00:32:14 |
Why? How do you know? |
| 00:32:17 |
Because I want Said |
| 00:32:18 |
all to myself, |
| 00:32:21 |
Well, Lucas has me... |
| 00:32:24 |
feeling pretty motherly. |
| 00:32:27 |
It's not your style. |
| 00:32:29 |
Life is full of contradictions. |
| 00:32:32 |
And women even more so. |
| 00:32:42 |
Lobsterforfive. |
| 00:32:43 |
- And the usual white wine. |
| 00:32:47 |
That's Jovoskaya, |
| 00:32:50 |
in hypnosis. |
| 00:32:52 |
She's an authority in the U. S. |
| 00:33:42 |
Grizzly beast, |
| 00:33:47 |
Ana, what's wrong? |
| 00:33:50 |
It's okay, my love. |
| 00:33:54 |
I'm falling. |
| 00:33:56 |
You're getting smaller and smaller. |
| 00:33:58 |
I'm with you! |
| 00:34:01 |
Don't let go of me. |
| 00:34:03 |
Your hand! |
| 00:34:23 |
See? I won't let go of you. |
| 00:34:28 |
Where are we? |
| 00:34:30 |
This is a dream! |
| 00:34:51 |
Linda. |
| 00:34:54 |
- I had a dream. |
| 00:34:58 |
How are you? |
| 00:34:59 |
I'm fine. |
| 00:35:00 |
What are you doing here? |
| 00:35:04 |
You were in bad shape last night. |
| 00:35:06 |
Don't you remember? |
| 00:35:09 |
The lobsters... |
| 00:35:10 |
You got really sick. |
| 00:35:13 |
You were in agony. |
| 00:35:14 |
you were getting killed. |
| 00:35:16 |
Why isn't Said here? |
| 00:35:20 |
He's gone. |
| 00:35:21 |
We looked everywhere last night |
| 00:35:26 |
I'll talk to Justine, she'll know. |
| 00:35:28 |
Justine left for Paris |
| 00:35:29 |
early this morning. |
| 00:35:31 |
I'll check his room for a note. |
| 00:35:33 |
Ana, I already checked. |
| 00:35:36 |
It's bizarre. |
| 00:35:39 |
I stayed to tell you myself. |
| 00:35:42 |
Said was in my dream. |
| 00:35:43 |
In the first dream I've ever had. |
| 00:35:46 |
That's a good sign. |
| 00:35:47 |
Sure. |
| 00:35:49 |
Ana, last night |
| 00:35:50 |
the guy at the next table |
| 00:35:53 |
First Jovoskaya, |
| 00:35:57 |
Then she said her pupil |
| 00:36:00 |
He asked if he could take you aside. |
| 00:36:02 |
He said he put you to sleep |
| 00:36:11 |
Please don't leave me like this. |
| 00:36:14 |
I'll never understand it. |
| 00:36:16 |
Look, Ana. |
| 00:36:19 |
The guy who hypnotized you |
| 00:36:22 |
He gave me his phone number |
| 00:36:28 |
Then call him. |
| 00:36:38 |
Hi, this is Linda, Ana's friend... |
| 00:36:41 |
The girl you hypnotized last night. |
| 00:36:44 |
- She just woke up and... |
| 00:36:48 |
It's crucial, especially for her. |
| 00:36:51 |
Ask her on my behalf. |
| 00:36:55 |
She says yes. When? |
| 00:36:57 |
Right now, if possible. |
| 00:36:59 |
The impression is fresh. |
| 00:37:02 |
Know anyone who speaks Arabic? |
| 00:37:04 |
Yes, Said. |
| 00:37:06 |
Ana, |
| 00:37:07 |
don't worry. |
| 00:37:10 |
Understand what? |
| 00:37:13 |
He was there when I hypnotized you. |
| 00:37:18 |
Helped you what? |
| 00:37:19 |
- Until he got scared. |
| 00:37:23 |
Ana, do you have memories |
| 00:37:28 |
Or visions of events |
| 00:37:35 |
Do you feel like you've lived |
| 00:37:41 |
Before I met Said, never. |
| 00:37:44 |
Last night you spoke to Said |
| 00:37:47 |
But he wouldn't translate for me. |
| 00:37:52 |
Hey... |
| 00:38:04 |
I'm hypnotizing you |
| 00:38:08 |
Do not be afraid. |
| 00:38:10 |
You can choose if you want |
| 00:38:12 |
to be conscious during the hypnosis |
| 00:38:17 |
- or be unconscious. |
| 00:38:19 |
Find what you need |
| 00:38:20 |
and tell me about it later. |
| 00:38:24 |
I only care about Said |
| 00:38:26 |
and his disappearance. |
| 00:38:28 |
Ana, |
| 00:38:30 |
last night you and I established |
| 00:38:33 |
a hypnotic relationship. |
| 00:38:38 |
to zero, and only with your consent, |
| 00:38:42 |
you'll enter step by step into |
| 00:38:44 |
a hypnotic sleep. |
| 00:38:45 |
Ten, |
| 00:38:47 |
nine, |
| 00:38:49 |
eight, |
| 00:38:50 |
seven, |
| 00:38:52 |
six, |
| 00:38:54 |
five, |
| 00:38:55 |
four, |
| 00:38:57 |
three... |
| 00:39:16 |
Ana. |
| 00:39:19 |
I can't believe |
| 00:39:22 |
What? |
| 00:39:24 |
You spoke to me in beautiful Arabic. |
| 00:39:28 |
Saiïs language, |
| 00:39:29 |
the Saharan language. |
| 00:39:31 |
We saw you die in the desert. |
| 00:39:33 |
With him? |
| 00:39:34 |
You spoke to him |
| 00:39:37 |
What did I say? |
| 00:39:38 |
We couldn't understand. |
| 00:39:40 |
You were crying. |
| 00:39:41 |
A lot, look at yourself. |
| 00:39:48 |
And how... |
| 00:39:50 |
did I die? |
| 00:39:53 |
Birds. |
| 00:40:31 |
Ana. |
| 00:40:33 |
I'd like to stay close to you |
| 00:40:36 |
To search your subconscious. |
| 00:40:39 |
I can help you, Ana. |
| 00:40:40 |
I think you carry an abyss |
| 00:41:02 |
Dear Cave Dweller, |
| 00:41:04 |
It's taken me longerto write |
| 00:41:13 |
Justine has left the third floor |
| 00:41:17 |
and a new friend |
| 00:41:20 |
because of his accent. |
| 00:41:22 |
He's from Los Angeles. |
| 00:41:27 |
Said disappeared one night |
| 00:41:30 |
without telling me why. |
| 00:41:32 |
He's left a void inside of me. |
| 00:41:35 |
I got his room. |
| 00:41:38 |
Who betterthan me |
| 00:41:49 |
They're knocking |
| 00:41:50 |
but I won't let them in. |
| 00:41:59 |
They're knocking... |
| 00:42:02 |
and Anglo will open for me. |
| 00:42:07 |
I trust him. |
| 00:42:09 |
Did you know about my doors? |
| 00:42:13 |
Dearest Ana, |
| 00:42:14 |
Seeing you like this saddens me, |
| 00:42:17 |
It's part of the risk |
| 00:42:20 |
Keep in mind these small mishaps |
| 00:42:25 |
That's the point, |
| 00:42:26 |
knowing how to live |
| 00:42:29 |
As far as visiting me, |
| 00:42:33 |
I can't help you right now, |
| 00:42:37 |
You have to resolve it alone. |
| 00:42:38 |
He doesn't want me to go! |
| 00:42:41 |
I don't get yourwhole doorthing, |
| 00:42:44 |
explain it better |
| 00:42:58 |
I'd never seen it snow before. |
| 00:43:00 |
I mustn't forget to tell you |
| 00:43:04 |
This is the second tallest mountain |
| 00:43:08 |
- And this is Five-Mile-High Ana. |
| 00:43:11 |
You climbed this mountain |
| 00:43:15 |
and it's more than 6 miles high. |
| 00:43:21 |
Your loverwas a married man who |
| 00:43:26 |
When you stopped believing him |
| 00:43:28 |
you went mountain climbing |
| 00:43:35 |
It's always the same problem |
| 00:43:38 |
You can't trust them. |
| 00:43:40 |
Especially the conscientious ones, |
| 00:43:46 |
He's fucked everyone. |
| 00:43:48 |
I think maybe even Justine. |
| 00:43:50 |
I've caught them gazing. |
| 00:43:52 |
- Not Justine. |
| 00:43:55 |
Always kissing up to us calling us |
| 00:44:01 |
- Back to the rapist theory. |
| 00:44:04 |
But we're not the whores |
| 00:44:09 |
So I'm through with men |
| 00:44:12 |
and we're off to the mountain, |
| 00:44:23 |
You were the first women in history |
| 00:44:26 |
But you didn't come down. |
| 00:44:29 |
I saw you freeze to death. |
| 00:44:31 |
Ana, I have it on tape. |
| 00:44:34 |
But this time it's a sweet death. |
| 00:44:48 |
Ana, |
| 00:44:50 |
I think all those horrible visions |
| 00:44:56 |
- Hello. |
| 00:44:58 |
Bonjour, everyone. |
| 00:45:02 |
How is Ana's hypnosis going? |
| 00:45:04 |
Fine, easier and easier. |
| 00:45:06 |
But she still won't watch herself. |
| 00:45:08 |
Anglo can hypnotize me |
| 00:45:12 |
I'd rather see as little |
| 00:45:16 |
Too many sexist bastard rapists |
| 00:45:19 |
Well, in your lives. |
| 00:45:22 |
Some day you'll want |
| 00:45:25 |
and it will be good foryou. |
| 00:45:27 |
You'll be able to watch it. |
| 00:45:30 |
The videotapes of the hypnosis |
| 00:45:35 |
you know that. |
| 00:45:38 |
Can I see the last one? |
| 00:45:43 |
I came to the mountain |
| 00:45:50 |
No, |
| 00:45:51 |
I came to the mountain |
| 00:45:54 |
To meet you up here, |
| 00:45:56 |
but you haven't come. |
| 00:45:58 |
I've abandoned my life. |
| 00:46:00 |
I came here to see |
| 00:46:02 |
if you'd abandoned yours as well. |
| 00:46:05 |
Yourwife, |
| 00:46:06 |
your children... |
| 00:46:08 |
I'm freezing... |
| 00:46:09 |
I'm alone now. |
| 00:46:11 |
I saw my friends die. |
| 00:46:27 |
It's okay, Ana. It's me. |
| 00:46:30 |
I'm here to rescue you. |
| 00:46:33 |
I'm slipping away... |
| 00:46:35 |
but I see you. |
| 00:46:37 |
You smile... |
| 00:46:40 |
It's so sad! |
| 00:46:43 |
Thanks for coming. |
| 00:46:46 |
I can't take it. |
| 00:46:48 |
You're so sweet... |
| 00:47:16 |
What are you doing? |
| 00:47:17 |
Come on! |
| 00:47:19 |
Go, blondie! |
| 00:47:34 |
No wonderyou're horny, |
| 00:47:39 |
who took off without saying a word. |
| 00:47:51 |
Have I ever been a man? |
| 00:47:53 |
So faryou've only been women, |
| 00:47:56 |
and young women at that. |
| 00:48:03 |
That means I've always died |
| 00:48:07 |
and never a natural death. |
| 00:48:10 |
So the less I know, the better. |
| 00:48:15 |
Anglo... |
| 00:48:16 |
Have you evertaken |
| 00:48:18 |
During hypnosis. |
| 00:48:20 |
I mean sexually. |
| 00:48:23 |
No, never. |
| 00:48:27 |
I believe you. |
| 00:49:15 |
Actually, I wouldn't mind |
| 00:49:19 |
since I wouldn't remember anyway. |
| 00:49:22 |
Go right ahead if you like, |
| 00:49:28 |
I'd rather do it with you awake. |
| 00:49:32 |
That's what I'd really like. |
| 00:49:40 |
Only if I'm hypnotized. |
| 00:49:52 |
Dear Cave Father, |
| 00:49:54 |
You're right. |
| 00:49:55 |
I'd better not come home |
| 00:49:59 |
Don't worry about the doors. |
| 00:51:00 |
Ana, this has been |
| 00:51:04 |
Your lives are leading us |
| 00:51:07 |
Not my lives. My deaths. |
| 00:51:09 |
How long was I under? |
| 00:51:12 |
One day. |
| 00:51:15 |
Not much, but... |
| 00:51:18 |
I'm nude. |
| 00:51:20 |
I bathed you last night. |
| 00:51:21 |
You were soaked in sweat. |
| 00:51:34 |
Two important people saw you. |
| 00:51:36 |
Giants in the field of hypnosis. |
| 00:51:39 |
One came from Russia |
| 00:51:43 |
They showed me new paths. |
| 00:51:50 |
Ana, your case is unique. |
| 00:51:53 |
We've found lives inside you |
| 00:51:56 |
a thousand years. |
| 00:51:57 |
Some of them you hardly |
| 00:51:59 |
speak of, but others |
| 00:52:02 |
are fascinating stories. |
| 00:52:04 |
And there's more to uncover. |
| 00:52:11 |
I think we should go all the way. |
| 00:52:15 |
Back to the beginning. |
| 00:52:18 |
Why is all this happening to me? |
| 00:52:20 |
I don't know if you were |
| 00:52:23 |
or if you somehow, |
| 00:52:27 |
establish contact with them, |
| 00:52:30 |
orwith their memories... |
| 00:52:32 |
sometimes even only images... |
| 00:52:35 |
But one thing is clear, |
| 00:52:36 |
they're a part of you. |
| 00:52:40 |
That's your chaos, Ana. |
| 00:52:42 |
Then who am I? |
| 00:52:44 |
If my dreams aren't even my own? |
| 00:52:46 |
Why don't I dream asleep |
| 00:52:48 |
Because you're afraid of yourself... |
| 00:52:50 |
secretly. |
| 00:52:56 |
Since you can establish contact |
| 00:52:59 |
lost in time... |
| 00:53:02 |
turn around and look at them. |
| 00:53:05 |
I have a request. |
| 00:53:08 |
Something different. |
| 00:53:12 |
I want to be hypnotized |
| 00:53:14 |
That's a good step. |
| 00:53:16 |
But for now only back to the Sahara, |
| 00:53:19 |
when I lived there with Said. |
| 00:53:21 |
And I want to remember. |
| 00:53:24 |
but my happy moments with him. |
| 00:53:26 |
I'll film it. |
| 00:53:27 |
No, don't. |
| 00:53:31 |
I'll record it right here. |
| 00:53:34 |
This is intimate stuff. |
| 00:53:36 |
Now, as I count from ten |
| 00:53:38 |
to seven, |
| 00:53:40 |
with each number |
| 00:53:43 |
and heavier. |
| 00:53:44 |
Ten, nine, |
| 00:53:47 |
eight, seven... |
| 00:53:49 |
Yourwhole body is stiff, |
| 00:53:53 |
But only your body is like this. |
| 00:53:56 |
Your spirit is weightless. |
| 00:53:58 |
You can separate the two |
| 00:54:01 |
Leave your body here in bed. |
| 00:54:04 |
Now I'll count from six to four |
| 00:54:07 |
and you won't feel |
| 00:54:11 |
Six, five, four... |
| 00:54:15 |
Your eyes will be open |
| 00:54:19 |
The more you see, |
| 00:54:20 |
the more hypnotized you will be. |
| 00:54:24 |
Now I want you to imagine |
| 00:54:26 |
you're walking on a mountainside. |
| 00:54:33 |
The sea is on one side... |
| 00:54:36 |
You're looking forthe entrance |
| 00:54:39 |
One cave in particular. |
| 00:54:42 |
You feel the breeze on yourface |
| 00:54:45 |
and you hearthe sound of the waves. |
| 00:54:48 |
Suddenly there it is. |
| 00:54:51 |
It's your cave, Ana. |
| 00:54:54 |
You go inside. |
| 00:54:58 |
There's nobody else there. |
| 00:55:04 |
You see the walls |
| 00:55:07 |
closed doors. |
| 00:55:09 |
Your subconscious |
| 00:55:11 |
will choose a door. |
| 00:55:14 |
Stand before the dooryou chose. |
| 00:55:17 |
Now open it carefully. |
| 00:55:22 |
You're going in. |
| 00:55:23 |
And when I count from three |
| 00:55:25 |
to zero |
| 00:55:27 |
you'll appear in another space |
| 00:55:29 |
and time of your choice. |
| 00:55:32 |
Three, two, |
| 00:55:34 |
one, zero. |
| 00:55:51 |
Is it the life you chose? |
| 00:55:54 |
Yes, it's the Republic of Sahara. |
| 00:55:58 |
- My country. |
| 00:56:04 |
I don't know. |
| 00:56:05 |
What's your name? |
| 00:56:07 |
Saida. |
| 00:56:11 |
A man on a camel... |
| 00:56:13 |
It's my father. |
| 00:56:15 |
I'm lost |
| 00:56:16 |
and he's come for me. |
| 00:56:21 |
Okay, we're going to move forward |
| 00:56:25 |
through Saida's life. |
| 00:56:26 |
I'll count again from three to zero |
| 00:56:30 |
and you let your unconscious mind |
| 00:56:32 |
choose an important memory. |
| 00:56:36 |
Three, two, |
| 00:56:38 |
one, zero. |
| 00:56:46 |
Where are you now, Saida? |
| 00:56:50 |
Something's happening to me. |
| 00:56:55 |
We're at war. |
| 00:56:58 |
I don't know what's wrong with me. |
| 00:57:00 |
People are taking care of me. |
| 00:57:03 |
Are you injured? |
| 00:57:05 |
I know. |
| 00:57:09 |
Is your husband there? |
| 00:57:13 |
No. |
| 00:57:14 |
I don't see him. |
| 00:57:24 |
Yasir! |
| 00:57:29 |
It hurts! |
| 00:57:49 |
I had his child. |
| 00:57:51 |
Congratulations, Saida. |
| 00:57:53 |
Now I'm going to count |
| 00:57:56 |
Let your subconscious take us |
| 00:58:00 |
of your choice. |
| 00:58:02 |
Wait, please. |
| 00:58:06 |
A mother is also born. |
| 00:58:08 |
I'm the luckiest man. |
| 00:58:10 |
Thank you, Saida. |
| 00:58:12 |
Thank you. |
| 00:58:14 |
Yasir! |
| 00:58:16 |
This is the happiest day of my life! |
| 00:58:23 |
Three, two, |
| 00:58:25 |
one, zero. |
| 00:58:33 |
Where are you now, Saida? |
| 00:58:37 |
I'm in a prisoner camp. |
| 00:58:41 |
Moroccan soldiers are watching us. |
| 00:58:44 |
Why isn't my son with me? |
| 00:58:47 |
I remember now. |
| 00:58:48 |
A soldiertook my son away. |
| 00:58:52 |
It's Yasir. |
| 00:58:53 |
He's here to rescue me. |
| 00:59:09 |
No! |
| 00:59:17 |
Get me out of here, please. |
| 00:59:23 |
It's okay. |
| 00:59:24 |
You're almost out. |
| 00:59:25 |
Three, find the doorto the cave... |
| 00:59:29 |
Two, leave the cave... |
| 00:59:32 |
One, everything goes black. |
| 00:59:36 |
Zero. |
| 00:59:38 |
You're back. |
| 00:59:59 |
Fucking hell. |
| 01:00:02 |
That bastard father of mine |
| 01:00:06 |
He had an individuality attack. |
| 01:00:08 |
He sold our place in Cadiz |
| 01:00:11 |
I really can't stand men. |
| 01:00:14 |
I can't take anymore. |
| 01:00:16 |
I've nothing left to give to a man. |
| 01:00:19 |
Not a drop. |
| 01:00:32 |
Ana, to hell with this macho world |
| 01:00:36 |
that has us rotting inside. |
| 01:00:39 |
Women are on their own when |
| 01:00:42 |
And forget about Said already. |
| 01:00:45 |
Think of yourself, damn it. |
| 01:00:47 |
Take what's inside you seriously. |
| 01:00:49 |
What you don't want to see |
| 01:00:54 |
I'm using it for a montage. |
| 01:00:56 |
Try to understand. |
| 01:00:59 |
ANA'S LIVES |
| 01:01:00 |
Know what gets me most |
| 01:01:02 |
The bastard bought his boat back. |
| 01:01:06 |
The Linda. |
| 01:01:08 |
He's getting it ready |
| 00:00:58 |
I have news about yourfather. |
| 00:01:00 |
- He's getting evicted. |
| 00:01:03 |
Yes. |
| 00:01:07 |
Who told you? |
| 00:01:09 |
Friends of yours. Valencians. |
| 00:01:12 |
The San Juans. |
| 00:01:13 |
Yourfather is living with them. |
| 00:01:15 |
I'm going. My dad can't live |
| 00:01:18 |
He'll get used to it, you'll see. |
| 00:01:22 |
That's why he didn't want me |
| 00:01:25 |
He's fighting with some politician |
| 00:01:28 |
Ana, there's no time to lose. |
| 00:01:32 |
Yourfather needs you |
| 00:02:01 |
I know, he'll never get in a car, |
| 00:02:05 |
Let's go. |
| 00:02:19 |
Ana... |
| 00:02:21 |
Yourfather is ill. |
| 00:02:30 |
Isn't your local festival |
| 00:02:33 |
He didn't want you to see him |
| 00:02:36 |
until he felt better. |
| 00:02:42 |
But he has cancer, Ana. |
| 00:02:45 |
And now he knows he's dying. |
| 00:02:50 |
Because I left. |
| 00:02:52 |
- Don't say that. |
| 00:02:56 |
But I'll always think it. |
| 00:03:05 |
He wants to dance with you, |
| 00:03:16 |
Hold me tight, Maria. |
| 00:03:20 |
Hold me tight. |
| 00:03:24 |
Tonight's the coldest night, |
| 00:03:28 |
and I can't sleep. |
| 00:03:32 |
Hold me tight, Maria. |
| 00:03:36 |
Hold me tight. |
| 00:03:41 |
I'm scared |
| 00:03:42 |
and I have nowhere to go. |
| 00:03:49 |
Tomorrow when you wake |
| 00:03:53 |
I'll be far away. |
| 00:03:57 |
It's nothing to worry about, |
| 00:04:01 |
I've been through worse. |
| 00:04:06 |
In case I never see you again, |
| 00:04:10 |
forget I made you suffer. |
| 00:04:14 |
If I disappear I don't want |
| 00:04:18 |
anyone to rememberwho I was. |
| 00:04:22 |
Hold me tight, Maria. |
| 00:04:27 |
Hold me tight. |
| 00:04:31 |
Tonight's the coldest night |
| 00:04:35 |
and I can't sleep. |
| 00:04:39 |
Hold me tight, Anita. |
| 00:04:44 |
Hold me tight. |
| 00:04:47 |
I'm scared |
| 00:04:50 |
and I have nowhere to go. |
| 00:05:09 |
You've made me the happiest man |
| 00:05:15 |
in the whole world. |
| 00:05:17 |
Hold me tight. |
| 00:05:21 |
I'll be back foryou some day, |
| 00:05:25 |
we'll run away together. |
| 00:05:29 |
Hold me tight, Maria. |
| 00:05:34 |
Hold me tight. |
| 00:05:38 |
I'm scared |
| 00:05:40 |
and I have nowhere to go. |
| 00:05:54 |
I'm scared |
| 00:05:56 |
and I have nowhere to go. |
| 00:06:38 |
I'm alone and I'm happy, damn it! |
| 00:06:42 |
Free! |
| 00:06:44 |
I'm free! |
| 00:06:53 |
Linda! |
| 00:07:01 |
Linda, is that you? |
| 00:07:08 |
Trying to punish me? |
| 00:07:13 |
Well, you've succeeded. |
| 00:07:21 |
Ismael, you don't know me. |
| 00:07:28 |
I'm Ana. |
| 00:07:30 |
What else are you? |
| 00:07:31 |
Well, I'm your stowaway. |
| 00:07:35 |
We'll have to make do. |
| 00:07:36 |
But I can help you. |
| 00:07:38 |
I don't want a fucking stowaway! |
| 00:07:41 |
Sorry, it was me. |
| 00:07:44 |
I grabbed the rope when I came out. |
| 00:07:46 |
This is my boat. |
| 00:07:48 |
- You snuck inside me. |
| 00:07:52 |
I heard you were going |
| 00:08:04 |
Linda! |
| 00:08:06 |
I'm a friend of Linda's! |
| 00:08:33 |
Dear Cave Monster, |
| 00:08:36 |
Here I am, in the Atlantic. |
| 00:08:40 |
The souls of the dead |
| 00:08:43 |
All they can do is fly away |
| 00:08:48 |
I don't want to fly away. |
| 00:08:50 |
My only wish is to stay with you. |
| 00:09:55 |
You're a friend of Linda's? |
| 00:09:57 |
You said that in the water. |
| 00:10:02 |
Is that why you came back for me? |
| 00:10:06 |
No. |
| 00:10:14 |
Want to know what your daughter |
| 00:10:20 |
Don't believe all you hear about me. |
| 00:10:26 |
I was living with her. |
| 00:10:29 |
What time is it there? |
| 00:10:31 |
I'm only interested in here and now. |
| 00:10:38 |
Me, too. |
| 00:10:41 |
From now on. |
| 00:11:25 |
Hold on! |
| 00:11:27 |
Don't let go! |
| 00:11:47 |
I'd never spent so much time |
| 00:11:52 |
A man who isn't my father. |
| 00:12:02 |
Tomorrow we arrive at |
| 00:12:05 |
I want to dock in New York |
| 00:12:09 |
New York, new life. |
| 00:12:13 |
Then I'll follow the coast south. |
| 00:12:17 |
Take my time. To Brazil. |
| 00:12:18 |
I'll rent out the boat for money. |
| 00:12:22 |
Stay with me |
| 00:12:31 |
I have no idea what I want to do. |
| 00:12:34 |
Play it by ear. |
| 00:15:07 |
Sorry I'm not your Prince Charming. |
| 00:15:09 |
Well, almost. |
| 00:15:11 |
You're always close. |
| 00:15:20 |
How did you find me? |
| 00:15:21 |
Linda's father. |
| 00:15:23 |
I was just with him on his boat. |
| 00:15:26 |
Will you continue the voyage? |
| 00:15:32 |
- Why are you here? |
| 00:15:34 |
I absolutely had to see you. |
| 00:15:37 |
We've done a lot of research. |
| 00:15:39 |
You have? |
| 00:15:40 |
Forthe last session, |
| 00:15:41 |
- to reach the origin. |
| 00:15:46 |
Look where I am now. |
| 00:15:47 |
This is New York. |
| 00:15:49 |
The most open city in the world. |
| 00:15:51 |
Far away from your life, |
| 00:15:53 |
right? But the funny thing is, |
| 00:15:55 |
you've never been closerto yourself |
| 00:15:59 |
Running away brought you back |
| 00:16:04 |
How will I die this time? |
| 00:16:09 |
Ana, look at me. |
| 00:16:12 |
I couldn't wait to see you. |
| 00:16:16 |
You're so dearto me. |
| 00:16:19 |
I'll see him again, won't I? |
| 00:16:49 |
We've entered the Indian |
| 00:17:18 |
Look, Beast. |
| 00:17:20 |
It's a cave. |
| 00:19:04 |
I was anxious to see you again, Ana. |
| 00:19:08 |
You broke my heart when you left |
| 00:19:13 |
I understood, |
| 00:19:14 |
but I also felt guilty. |
| 00:19:17 |
Why are you here now? |
| 00:19:19 |
To help you understand, |
| 00:19:27 |
- I have to go back even further? |
| 00:19:30 |
2000 years. |
| 00:19:47 |
What's wrong? |
| 00:19:49 |
It hurts. |
| 00:19:51 |
Then we'll go outside. |
| 00:19:53 |
comfortable above all else. |
| 00:19:56 |
Something happened to you here |
| 00:20:01 |
She realized as well. |
| 00:20:19 |
What happened? |
| 00:20:21 |
We're not exactly sure. |
| 00:20:23 |
That's why I've brought you here. |
| 00:20:48 |
Mother, Mother, Mother... |
| 00:20:53 |
of Good Men! |
| 00:20:56 |
Of Good Men! |
| 00:20:59 |
She wants you to pick it up. |
| 00:21:01 |
Trust her, Ana. |
| 00:21:03 |
There's nothing mystical about me. |
| 00:21:08 |
Come on, Ana. |
| 00:21:19 |
Ana, do not be afraid. |
| 00:21:22 |
We're together again. |
| 00:21:25 |
Now say my name, you know me. |
| 00:21:28 |
Osdad Ciaca. |
| 00:21:30 |
That was your name. |
| 00:21:31 |
I got it right the first time. |
| 00:21:32 |
To your people, |
| 00:21:37 |
How old was I |
| 00:21:39 |
22. |
| 00:21:40 |
How scary. |
| 00:21:42 |
I'm still 21. |
| 00:21:49 |
I am alive, inside of you. |
| 00:22:05 |
Ten, |
| 00:22:08 |
nine, |
| 00:22:10 |
eight, |
| 00:22:11 |
seven, |
| 00:22:12 |
six, |
| 00:22:13 |
five... |
| 00:23:11 |
We're preparing a surprise foryou |
| 00:23:13 |
from Madrid. |
| 00:23:22 |
Hi, Ana. |
| 00:23:26 |
Well, first of all, |
| 00:23:28 |
I miss you a lot, |
| 00:23:31 |
What else? |
| 00:23:33 |
Things have changed around here. |
| 00:23:36 |
in your bed now. |
| 00:23:37 |
She said to thank you. |
| 00:23:40 |
She knows you're with my dad, |
| 00:23:42 |
on his boat, |
| 00:23:43 |
the Linda. |
| 00:23:46 |
But anyway, |
| 00:23:49 |
she says she's much better off |
| 00:23:52 |
which she didn't know, |
| 00:23:55 |
As for me, |
| 00:23:57 |
you'll laugh but... |
| 00:24:01 |
I'm back with Lucas, |
| 00:24:03 |
so... |
| 00:24:04 |
it's back to being a goddess. |
| 00:24:06 |
Shared, of course, |
| 00:24:07 |
but I'm used to the idea. |
| 00:24:10 |
follow the wind. |
| 00:24:11 |
- They say "a following wind." |
| 00:24:15 |
That's it. |
| 00:24:18 |
Ride it. |
| 00:24:20 |
Ride the wind, |
| 00:24:22 |
my dearfriend. |
| 00:24:23 |
My dearest friend... |
| 00:24:25 |
My bird friend. |
| 00:24:43 |
Osdad Ciaca. |
| 00:24:46 |
Stop it, please. |
| 00:24:49 |
Ana, |
| 00:24:49 |
it was the man you loved |
| 00:24:53 |
He killed the goddess |
| 00:24:56 |
among brothers. |
| 00:24:57 |
Show herthe ending. |
| 00:25:14 |
He's dressed up as a bird. |
| 00:25:17 |
His brothers will be angry. |
| 00:25:22 |
Dressed like that, |
| 00:25:25 |
Your pride sickens me. |
| 00:25:29 |
Put down that hatchet right now! |
| 00:25:34 |
Don't be a savage! |
| 00:25:42 |
Strike me again... |
| 00:25:45 |
and you'll lose me forever. |
| 00:25:51 |
Ana, |
| 00:25:52 |
now, dying, is when she glows, |
| 00:25:55 |
when she achieves wisdom. |
| 00:25:56 |
And she speaks to you. |
| 00:25:58 |
You have to listen to her. |
| 00:26:00 |
I'm scared. |
| 00:26:02 |
Then be brave. |
| 00:26:05 |
But I'm not. |
| 00:26:07 |
Ana, |
| 00:26:08 |
down deep you are brave, |
| 00:26:13 |
Your consciousness of humanity is |
| 00:26:17 |
which is the life instinct, |
| 00:26:19 |
not the death instinct. |
| 00:26:21 |
You have to open yourself up |
| 00:26:23 |
I don't have to do anything. |
| 00:26:25 |
Whateveryou say, princess. |
| 00:26:28 |
I'm free. |
| 00:26:30 |
And I never liked mothers. |
| 00:26:35 |
The tape is yours. |
| 00:26:37 |
You must have a purpose in life. |
| 00:26:39 |
You have to find it. |
| 00:26:41 |
I have no purpose, period. |
| 00:26:44 |
Anglo, hypnotize me forthe rest |
| 00:26:53 |
Ten, |
| 00:26:54 |
nine, eight, |
| 00:26:56 |
seven, six, |
| 00:26:58 |
five, |
| 00:27:00 |
four, three, |
| 00:27:02 |
two, one, zero. |
| 00:27:05 |
You're going to relax |
| 00:27:07 |
because you've had a very rough day. |
| 00:27:10 |
Empty your mind. |
| 00:27:16 |
I understand you, my love. |
| 00:27:21 |
I understand you. |
| 00:28:37 |
I open in two hours. |
| 00:28:39 |
And you're way too late. |
| 00:28:44 |
But I can make you a crepe. |
| 00:28:49 |
What flavor? |
| 00:28:55 |
Sugar. |
| 00:29:00 |
How did you get here? |
| 00:29:02 |
Justine. |
| 00:29:03 |
She found me and told me |
| 00:29:07 |
- Is this yours? |
| 00:29:09 |
It's a frienïs. |
| 00:29:11 |
How are things? |
| 00:29:12 |
Fine, I'm trying to live my life. |
| 00:29:16 |
If they let me live this one. |
| 00:29:18 |
This is the present. |
| 00:29:23 |
No. Stay where you were. |
| 00:29:27 |
Please. |
| 00:29:33 |
This place is ideal for me. |
| 00:29:35 |
Yes. |
| 00:29:37 |
It seems made for me. |
| 00:29:39 |
What about you? |
| 00:29:42 |
Guantanamo? |
| 00:29:43 |
For all I knew, since you left |
| 00:29:47 |
Ana, |
| 00:29:50 |
I've come to ask yourforgiveness. |
| 00:30:05 |
Ana, |
| 00:30:07 |
afteryour attack, |
| 00:30:09 |
which we all saw, |
| 00:30:11 |
I had another, |
| 00:30:15 |
And I saw why I couldn't help you, |
| 00:30:20 |
You spoke to me in Arabic. |
| 00:30:22 |
How did I answer? |
| 00:30:27 |
That night you realized |
| 00:30:30 |
when biology runs out. |
| 00:30:31 |
Our souls have another |
| 00:30:33 |
You said that there's nothing |
| 00:30:35 |
in the end. |
| 00:30:38 |
We accumulate. |
| 00:30:39 |
Death fills, not empties. |
| 00:31:08 |
Let's go for a walk. |
| 00:31:13 |
So how did it end up? |
| 00:31:14 |
Did you make biology last longer? |
| 00:31:17 |
No. |
| 00:31:18 |
Do you think if we didn't die we'd |
| 00:31:24 |
I don't want to live forever. |
| 00:31:26 |
I just want to live with you. |
| 00:31:28 |
That's my wish. |
| 00:31:34 |
And that's my window. |
| 00:31:46 |
Don't worry, it's all right. |
| 00:31:49 |
I'm sorry. |
| 00:31:51 |
Is there anotherwoman? |
| 00:31:56 |
Forgive me, |
| 00:31:57 |
I shouldn't ask that. |
| 00:32:00 |
What matters is we found each other. |
| 00:32:05 |
Let's start a life together |
| 00:32:08 |
Where should we go? |
| 00:32:12 |
To your desert? |
| 00:32:14 |
Okay. "May God send us |
| 00:32:17 |
Hamada. |
| 00:32:18 |
Anyway, |
| 00:32:19 |
even if we die again together, |
| 00:32:22 |
devoured by birds... |
| 00:32:25 |
You know what happened, |
| 00:32:34 |
What I'm saying is, |
| 00:32:38 |
Anywhere you want. |
| 00:32:41 |
Come on, say yes. |
| 00:32:44 |
It'll be the happiest day |
| 00:32:47 |
Ana, |
| 00:32:49 |
I wasn't Yasir, |
| 00:32:52 |
the Saharan you were in love with. |
| 00:32:56 |
Why not? |
| 00:32:59 |
I'm Said, his son. |
| 00:33:06 |
And also the son of Saida. |
| 00:33:08 |
My parents were prisoners |
| 00:33:13 |
A soldiertook your son away. |
| 00:33:16 |
My motherwas a well-known Berber. |
| 00:33:20 |
She came from way back |
| 00:33:23 |
and possessed energy |
| 00:33:27 |
Amazigh women |
| 00:33:31 |
that came before her. |
| 00:33:51 |
That's why the Moroccans |
| 00:33:56 |
They thought her soul |
| 00:34:01 |
into the air. |
| 00:34:03 |
The only thing of hers |
| 00:34:06 |
was this ring. |
| 00:34:19 |
So I was your mother. |
| 00:34:22 |
Your grizzly beast of a mother. |
| 00:34:29 |
Just as well you weren't with us. |
| 00:36:27 |
I saw him. |
| 00:36:28 |
It's him, I know it is. |
| 00:36:30 |
Who? |
| 00:36:32 |
The big shot eating |
| 00:36:35 |
It's one of those fuckers |
| 00:36:37 |
the fucking war in Iraq |
| 00:36:40 |
that killed our little Paco. |
| 00:36:54 |
We're here, Ana. |
| 00:36:59 |
We'll go together, all together. |
| 00:37:04 |
We're all behind you. |
| 00:37:25 |
Italian? |
| 00:37:58 |
Italian-American. |
| 00:39:53 |
Spain. |
| 00:39:56 |
Yeah, sweetie. |
| 00:40:51 |
I'll be right back. |
| 00:44:45 |
Even if you kill me 2000 times... |
| 00:44:47 |
I shall be born again. |
| 00:44:56 |
I will engender |
| 00:44:59 |
who will become... Good Men. |
| 00:47:56 |
TO MY SISTER ANA |
| 00:48:04 |
TO MY DAUGHTER ANA |
| 00:48:15 |
Ana's paintings were painted by |
| 00:48:19 |
The adaptations are by Sofia Medem. |
