Calamity Jane
|
00:01:23 |
The Deadwood stage! |
00:05:56 |
Make mine sarsaparilla. |
00:06:04 |
It ain't so funny. |
00:06:07 |
Any excitement on this trip, Calam? |
00:06:10 |
Excitement! Why, I got more arrows |
00:06:12 |
...of that coach |
00:06:16 |
Seemed like the whole Sioux nation. |
00:06:18 |
- Hey, where is that sarsaparilla? |
00:06:38 |
No, please. Don't. Don't! |
00:06:45 |
Is there a woman in here? |
00:06:47 |
No, sir. Just Indians. |
00:06:53 |
Where is my actress? |
00:07:00 |
Without warning, down they come out |
00:07:05 |
There must have been 100 of them. |
00:07:11 |
It weren't no laughing matter. |
00:07:13 |
Sure, it wasn't. I'd hate to have |
00:07:17 |
You know, Bill, except for me... |
00:07:18 |
...you're the only other galoot in the world |
00:07:23 |
Of course, |
00:07:26 |
My gun got so hot, |
00:07:29 |
...holding the muzzle of my gun |
00:07:34 |
I must have killed at least 30 of them |
00:07:45 |
I've got to see to the horses. |
00:07:57 |
How many of them Injuns |
00:08:01 |
About 30, I reckon, Calam. |
00:08:02 |
That's better. Next time I tell a story, |
00:08:06 |
...you toothless old buffalo! |
00:08:09 |
Come and get them. |
00:08:12 |
Who wants cigarettes? Just came in |
00:08:19 |
Look at them, snapping at those cigarettes |
00:08:25 |
- Another dying Robert E. Lee. |
00:08:28 |
- Queen Victoria. |
00:08:31 |
I've got her! |
00:08:34 |
I'll give you $5 for it. |
00:08:35 |
I wouldn't take $50, |
00:08:41 |
- What you suppose is getting into them? |
00:08:47 |
What's an Adelaid? |
00:08:49 |
She's a hope. A dream. A vision. |
00:08:52 |
You see her carved on the prow |
00:08:54 |
...in the dying embers of the camp fire. |
00:08:56 |
Circe, Aphrodite, Helen of Troy. |
00:09:03 |
All that in a pack of cigarettes? |
00:09:10 |
Beautiful, ain't she? |
00:09:13 |
She's got nothing on but her underwear! |
00:09:15 |
Them is tights, Calam. |
00:09:18 |
She is a great actress, so they tell me. |
00:09:21 |
She's charming, a lovely figure, |
00:09:27 |
She looks like a fat, |
00:09:31 |
I could look the same. |
00:09:35 |
It ain't one man wouldn't ride 100 miles |
00:09:40 |
You, maybe. |
00:09:43 |
But a gentleman wouldn't look twice |
00:09:45 |
A gentleman like Lt. Gilmartin? |
00:09:49 |
Yes, now that you mention it. |
00:09:52 |
You're kind of stuck on him, ain't you? |
00:09:56 |
Ain't saying until he does. |
00:09:59 |
Where's he been, anyway? |
00:10:03 |
He's on duty at the Fort, I guess. |
00:10:07 |
He came in to buy a pack |
00:10:13 |
Mr. Miller, please. |
00:10:17 |
Why should they? |
00:10:18 |
But, Mr. Miller, you're expecting me. |
00:10:24 |
Where is my actress? |
00:10:25 |
The one who wrote me the letter |
00:10:29 |
I hired her. |
00:10:33 |
I'm advertising her. |
00:10:37 |
Well, that's me. |
00:10:40 |
You're her? |
00:10:41 |
No, I'm not her. You see, I'm... |
00:10:45 |
Look. "'Francis Fryer."' |
00:10:48 |
You're Francis Fryer? |
00:10:53 |
No, you're not fired. |
00:10:57 |
I'm ruined. |
00:10:58 |
I advertised an actress. When that crowd |
00:11:02 |
Go hide in my office. |
00:11:11 |
Tell us all about it. |
00:11:13 |
What happened? Who got you? |
00:11:15 |
Indians. War party. |
00:11:17 |
There were five of us: Two surveyors |
00:11:21 |
They jumped us at Eagle Pass. |
00:11:24 |
They killed the surveyors |
00:11:27 |
- What lieutenant? |
00:11:32 |
- They got Danny Gilmartin? |
00:11:35 |
The rotten savages! |
00:11:39 |
How did they get him? Quick? |
00:11:42 |
- I reckon. Or in the head. |
00:11:45 |
Don't you know? |
00:11:46 |
They got him plenty. |
00:11:49 |
His horse went down. |
00:11:52 |
Didn't you go back and find out for sure? |
00:11:54 |
How could we? They chased us |
00:12:01 |
You left him, didn't you? |
00:12:02 |
You never went back to see if |
00:12:05 |
You slab-sided, white-bellied coyotes. |
00:12:08 |
You left Danny |
00:12:12 |
- Calam, where are you going? |
00:13:00 |
Let's go! |
00:13:16 |
- Are you all right? |
00:13:29 |
Get on that horse. |
00:13:40 |
Why do we have to ride the same horse? |
00:13:44 |
It's cozier this way. |
00:13:53 |
What happened then, Calam? |
00:13:56 |
I give him a bullet |
00:13:59 |
Then me and Danny lit out, |
00:14:02 |
I shot them both. Didn't I, Danny? |
00:14:05 |
- Why... Well... |
00:14:08 |
- That's all there were. |
00:14:20 |
What's the matter with you? |
00:14:23 |
Sure. |
00:14:25 |
Only, with you killing off |
00:14:28 |
...I was wondering why the government |
00:14:34 |
Are you calling me a liar again? |
00:14:40 |
Why don't you ever fix your hair? |
00:14:43 |
Adelaid Adams! I got her! Look! |
00:14:49 |
I didn't save you for no other female. |
00:15:03 |
Gentlemen and... Gentlemen. |
00:15:08 |
In keeping with the policy |
00:15:12 |
...which strives to bring to Deadwood |
00:15:16 |
...regardless of the expense... |
00:15:18 |
...it is my great pleasure |
00:15:21 |
...that lovely star, that toast of New York, |
00:15:51 |
- Come on. Get out there. |
00:15:56 |
If you don't, they'll murder you. |
00:16:16 |
- Do you see what I see? |
00:16:21 |
That ain't all she ain't. |
00:18:21 |
Miller is in for it now. |
00:18:23 |
Please, I can explain. I may have made |
00:18:29 |
...but not his talent. He's a great actor. |
00:18:32 |
He's wonderful. If you'd give us a chance. |
00:18:37 |
You'll have a good time. |
00:18:46 |
Gosh, Bill, they're all walking out of here. |
00:18:49 |
- Do something. |
00:18:59 |
Listen to me! |
00:19:02 |
Listen to me, you mangy groundhogs! |
00:19:05 |
This ain't no way to treat Millie. |
00:19:09 |
Can't a man make a mistake in this town? |
00:19:11 |
We ain't suckers. He promised us |
00:19:19 |
- You got what he got! |
00:19:24 |
Wait a minute! |
00:19:25 |
He knows how disappointed you are. |
00:19:29 |
- Won't you, Millie? |
00:19:32 |
He fooled us once, and he'll fool us again. |
00:19:36 |
Millie won't do nothing for us. |
00:19:39 |
He will. He'll get you an actress prettier |
00:19:43 |
- Why, he's written for her already. |
00:19:49 |
A big one. A plum big one. |
00:19:51 |
Who, Calam? Tell us who! |
00:19:56 |
We'd like to know who she is. |
00:19:58 |
Adelaid Adams, that's who! |
00:20:04 |
It sounds too good to be true, |
00:20:07 |
You've got Calamity Jane's word on it. |
00:20:09 |
Get back to your tables, you coyotes. |
00:20:16 |
I'll make this all up to you. |
00:20:19 |
Adelaid Adams is in Chicago. |
00:20:24 |
I think I'll take a long walk |
00:20:35 |
Look, I figure... |
00:20:41 |
My death warrant, she signed. |
00:20:45 |
If you'd only promised them |
00:20:48 |
- I don't know no other actress. |
00:20:54 |
Listen, you two-bit gambler... |
00:20:56 |
...I didn't see you come up with an idea |
00:21:01 |
At least you've still got a theater. |
00:21:06 |
This joint's the biggest goldmine |
00:21:10 |
- Why don't you send for her? |
00:21:15 |
No good. They want Adelaid. |
00:21:19 |
Look, nothing is impossible for Calamity. |
00:21:22 |
Didn't she save the stage |
00:21:26 |
Didn't she rescue her pretty lieutenant |
00:21:30 |
Besides, she gave the boys her word |
00:21:36 |
Calamity's word is sacred. |
00:21:43 |
Bill. |
00:21:45 |
- You really have that much faith in me? |
00:21:49 |
You think I could go to Chicago |
00:21:53 |
You gave your word, and I trust that. |
00:21:55 |
About as much as I do a blind rattlesnake |
00:22:01 |
Hey, wait a minute. |
00:22:03 |
- You no good four-flushing... |
00:23:58 |
The night Adelaid steps on that stage, |
00:24:03 |
...lugging a papoose. |
00:24:07 |
I'll bring her, Bill Hickok, |
00:24:17 |
Look out, Adelaid Adams. Rattlesnake! |
00:24:20 |
Salary's no object. |
00:24:23 |
I've got the cigarette picture, |
00:24:25 |
- Calam, do me a favor. |
00:24:27 |
When you're in Chicago, notice the women, |
00:24:31 |
Get yourself |
00:24:34 |
You know, dresses, ribbons, |
00:24:38 |
- Lf you don't like how I smell... |
00:24:43 |
If you ever crawled out of that deer hide |
00:24:47 |
...I got a hunch |
00:24:52 |
Save your hunches for females who get |
00:24:56 |
I ain't one of them. |
00:24:57 |
Come on. Get this schooner rolling. |
00:26:13 |
Scalps. |
00:26:16 |
A massacre. |
00:26:23 |
Drop it, you murdering copperhead. |
00:26:32 |
I'll be hornswoggled. |
00:28:24 |
They love you, Miss Adams. |
00:28:25 |
Shouldn't you take another bow? |
00:28:28 |
I'm gratefully aware of that. |
00:28:33 |
See that the trunks are packed, |
00:28:36 |
Get rid of those awful things. |
00:28:39 |
I'll make you a present of them. |
00:28:41 |
I'll buy a whole new wardrobe. |
00:28:46 |
How different from this primitive Chicago. |
00:28:49 |
These past few weeks |
00:28:51 |
How can you say that, Miss Adams? |
00:28:56 |
If I could be on the stage for one minute, |
00:29:02 |
...listening, admiring... |
00:29:05 |
Like looking into the pens at the stockyard. |
00:29:09 |
Hurry up, Katie. |
00:29:12 |
Maybe some day I will be on the stage. |
00:29:15 |
Not a grand, beautiful star like you, |
00:29:18 |
Just to sing a song maybe. |
00:29:23 |
Of course you can. I've heard you. |
00:29:27 |
...I doubt that your voice would |
00:29:31 |
There, now. How do I look? |
00:29:34 |
Beautiful, Miss Adams. Just beautiful. |
00:29:39 |
Even if I never sang alone, |
00:29:43 |
...couldn't you suggest it |
00:29:46 |
You're not serious, Katie. Not really? |
00:29:49 |
My dear, it isn't just your voice. |
00:29:52 |
You other equipment is hardly adequate. |
00:29:56 |
Maybe I'll send for you when I get to Paris. |
00:30:03 |
Good night, darling. |
00:30:06 |
Good night. |
00:31:35 |
What is it, ma'am? Where's the varmint? |
00:31:40 |
Who are you? |
00:31:42 |
My name is Canary, Miss Adams, |
00:31:46 |
I came from Deadwood City to see you |
00:31:51 |
Gosh almighty, |
00:31:57 |
I've never known a woman |
00:32:02 |
- How do you hold that dress up there? |
00:32:05 |
- I have to change clothes. Do you mind? |
00:32:09 |
I've plugged men for less than that. |
00:32:12 |
If you don't get out of here this instant, |
00:32:15 |
...or Mr. Calamity, |
00:32:17 |
Mister? |
00:32:19 |
Why, I ain't no mister. |
00:32:23 |
- You're a woman? |
00:32:27 |
You thought I was a man? |
00:32:35 |
Come to think of it, that ain't so funny. |
00:32:40 |
I'm sorry. But those clothes, |
00:32:44 |
I reckon I do look a mite strange |
00:32:49 |
I guess I ain't much to look at. |
00:32:51 |
But there ain't a woman I can't out-ride |
00:32:58 |
Everybody can't have a figure |
00:33:01 |
That's a matter of opinion. |
00:33:03 |
In the opinion of Deadwood City, |
00:33:06 |
Now, let's get down to business. |
00:33:10 |
I'd like to hire you |
00:33:14 |
Me? |
00:33:16 |
I got a lot of nerve asking you, I know. |
00:33:21 |
...and the Golden Garter |
00:33:26 |
...but they want you mighty bad, |
00:33:30 |
Name your own salary. |
00:33:32 |
Well, the salary isn't important. |
00:33:38 |
Me? |
00:33:40 |
Every prospector in the territory |
00:33:44 |
...just to get a picture of you. |
00:33:47 |
Tell Deadwood, Miss Adams is sorry, |
00:33:53 |
Couldn't you put that off until |
00:33:57 |
Sure, I could, but... |
00:34:00 |
Maybe I could. |
00:34:03 |
It's ridiculous. I couldn't. |
00:34:08 |
Is this the only picture |
00:34:11 |
- The cigarette picture? |
00:34:16 |
Where is Deadwood? |
00:34:17 |
Dakota Territory. Out in the Black Hills. |
00:34:20 |
- Indians? |
00:34:22 |
But you needn't worry about Injuns |
00:34:26 |
Do trains go there? |
00:34:28 |
Not for the last 100 miles. |
00:34:30 |
- But the stage is comfortable. |
00:34:32 |
No. |
00:34:34 |
If you want to send a letter, |
00:34:37 |
If I refused, you'd poke that gun in my back |
00:34:41 |
- Well, now... |
00:34:49 |
I got a strange feeling |
00:35:40 |
Come on, you redskin naked heathens! |
00:35:42 |
Run up here and get your one-way ticket |
00:35:46 |
Come on, catch us! And catch that! |
00:35:53 |
And that! |
00:35:58 |
Get the steam up in them horses. |
00:36:05 |
Are you comfortable in there, Miss Adams? |
00:36:17 |
Well, it's all over. |
00:36:21 |
I told you, you had nothing to worry about. |
00:36:28 |
Miss Adams, you all right? |
00:36:34 |
Miss Adams. |
00:36:40 |
Calamity's back, |
00:37:01 |
Quiet! Listen to me! |
00:37:03 |
All right, |
00:37:06 |
I promised you Adelaid Adams, |
00:37:14 |
Quiet! Wait a minute! |
00:37:15 |
Everybody stand back. |
00:37:27 |
Throw them bags down, Rattlesnake. |
00:37:30 |
- Your servant, ma'am, Bill Hickok. |
00:37:33 |
If I am, you could tame me, ma'am. |
00:37:36 |
Lieutenant Daniel Gilmartin, Miss Adams. |
00:37:39 |
Thank you. |
00:37:40 |
This way, Miss Adams. |
00:37:49 |
Miss Adams, you are here. |
00:37:54 |
But you're a true artist. You are here. |
00:37:57 |
Yes, I'm here. |
00:38:00 |
Miss Adams, permit me to introduce |
00:38:04 |
Mr. Francis Fryer. |
00:38:06 |
How do you do, Mr. Fryer? |
00:38:09 |
Fryer. Don't I know you from somewhere? |
00:38:12 |
We played St. Louis |
00:38:17 |
At different theaters, of course. |
00:38:21 |
How nice to see you again. |
00:38:23 |
Shall we go inside, Miss Adams? |
00:38:26 |
Calam, you did it! |
00:38:30 |
Maybe I should shoot myself |
00:38:39 |
Miss Adams, I'll show you to your room. |
00:38:41 |
Finest room in the house. |
00:38:44 |
Thank you. |
00:38:50 |
Gentlemen. |
00:38:59 |
- Congratulations, Calamity. |
00:39:03 |
I bet if she went after Sitting Bull |
00:39:06 |
Did you see the show? |
00:39:09 |
What is it like in the big city? |
00:39:11 |
Boys, |
00:39:15 |
Listen. |
00:42:05 |
Hurry up. This isn't just any night. |
00:42:08 |
This is Adelaid Adams' night. |
00:42:12 |
You've got to know. I've got to tell you. |
00:42:16 |
Oh, never mind. |
00:42:18 |
Millie, that Adelaid Adams, she isn't... |
00:42:22 |
What's the use if she is or if she isn't? |
00:42:25 |
Because if she isn't, that crowd... |
00:42:29 |
I'll have two fast horses waiting |
00:42:33 |
Why? I'm not going anywhere. |
00:42:36 |
Actors are crazy people. |
00:42:39 |
Scared, aren't you, Katie Brown? |
00:42:41 |
You thought it was smart |
00:42:44 |
You'd like to run like mad, wouldn't you? |
00:42:49 |
But you can't. You're trapped. |
00:42:54 |
Oh, clever, clever you. |
00:42:59 |
- Five minutes, Miss Adams. |
00:43:03 |
Five minutes, and look at you. |
00:43:14 |
Gentlemen and... Gentlemen. |
00:43:20 |
The great moment has finally arrived. |
00:43:32 |
There are no words to describe the beauty |
00:43:37 |
No melody as sweet as the voice |
00:43:56 |
Gosh almighty, it's Bill Hickok! |
00:44:03 |
Ain't he gorgeous? |
00:44:06 |
Wild Bill Hickok, sweetheart of the Sioux! |
00:44:13 |
Where are the rest of your kids, |
00:44:18 |
Here, take him. |
00:44:21 |
Thanks. Everybody get out of here. |
00:44:27 |
All right. That's enough, do you hear? |
00:44:34 |
Bill Hickok! |
00:44:38 |
Calamity, please! He's mad. |
00:44:45 |
All right, Calam. I paid my debt. |
00:44:48 |
The next man that laughs |
00:45:03 |
Calam, please! Miss Adams is waiting. |
00:45:13 |
The one and only, Miss Adelaid Adams! |
00:45:20 |
Go on out there |
00:45:23 |
Katie? |
00:45:34 |
- She don't look much like her pictures. |
00:45:51 |
What's the matter with her? |
00:46:05 |
Where's your voice, Adelaid? |
00:46:14 |
- That's the great Adelaid Adams? |
00:46:29 |
Sing out, Adelaid, like you did in Chicago! |
00:46:33 |
I can't. I'm not Adelaid Adams! |
00:46:40 |
You're not... |
00:46:46 |
She's joshing. |
00:46:50 |
I brought her myself, didn't I? |
00:46:58 |
Don't joke like that, Adelaid. |
00:47:03 |
It's not a joke. I wish it were. |
00:47:09 |
Please don't be angry with me. |
00:47:13 |
Let's get this straight. |
00:47:17 |
No, ma'am. Sir. |
00:47:20 |
I'm Katie Brown. |
00:47:23 |
Katie Brown? |
00:47:27 |
Calamity! |
00:47:32 |
You were Adelaid Adams in Chicago, |
00:47:34 |
I was her maid. |
00:47:37 |
She was going to Europe, |
00:47:47 |
- Calamity framed it. |
00:47:50 |
She ought to be run out of town. |
00:47:53 |
Fellows, listen. |
00:47:57 |
If this is a double-cross... |
00:48:00 |
...you can double-cross me like this |
00:48:06 |
I didn't know. I thought she was Adelaid. |
00:48:10 |
So help me, Bill, I can't understand. |
00:48:17 |
Please don't blame Calamity. |
00:48:20 |
I fooled her just as I tried to fool you. |
00:48:25 |
I thought I could make you like me. |
00:48:42 |
Don't let her bull-nose you. |
00:48:53 |
There, now. That's better. |
00:48:57 |
Ain't you ashamed of yourselves, |
00:49:00 |
All right, so she ain't Adelaid Adams. |
00:49:03 |
She made off she was |
00:49:06 |
And she thought maybe |
00:49:09 |
What's wrong with that, anyhow? |
00:49:14 |
You all came here to Deadwood |
00:49:16 |
...you couldn't find anywhere else. |
00:49:19 |
You're all looking for that pot of gold, |
00:49:23 |
Well, what have you got to say? |
00:49:26 |
Are you going to grouch about a picture, |
00:49:31 |
...and pretty young lady |
00:49:35 |
It's up to you. |
00:49:37 |
- As long as she's up there, let her sing. |
00:49:41 |
What do we've got to lose? |
00:49:46 |
That's all we want to hear. |
00:49:50 |
Give it all you got. Do it your own way. |
00:49:56 |
Play. |
00:01:20 |
Let me loose! |
00:01:24 |
Let me loose! Quit it, Bill Hickok. |
00:01:30 |
Quit it, I say. Let me loose! |
00:01:33 |
You hear what I say? |
00:01:36 |
Bill Hickok, I'll get you, if it's |
00:01:40 |
You no-good sneaking sidewinder. |
00:01:44 |
Adelaid Adams? And me |
00:01:47 |
You've got the biggest mouth |
00:01:51 |
You flap-eared varmint, let me down! |
00:01:59 |
You dirty, mangy, mole-legged, |
00:02:04 |
Let me down out of here! |
00:02:08 |
Flap your wings, Calam, you can fly! |
00:02:11 |
Let me down! |
00:02:13 |
I'll get you for this. |
00:02:32 |
Here we go. |
00:02:34 |
You're leaving already, Miss |
00:02:37 |
I'm sorry. I was hoping |
00:02:41 |
Getting better acquainted with him |
00:02:45 |
I think that would be |
00:02:47 |
It ain't likely I'll |
00:02:49 |
Chicago? I'm not going to Chicago. |
00:02:52 |
You're not? Where are you going? |
00:02:54 |
It ain't none of your |
00:02:57 |
I'm moving into |
00:03:00 |
- You're what? - I brought her, |
00:03:03 |
- What's the matter with the hotel? |
00:03:06 |
There aren't many women in town... |
00:03:08 |
...and Calamity had the idea |
00:03:11 |
...and sort of chaperone each other. |
00:03:13 |
You chaperone Calam? And she... |
00:03:18 |
This ought to be interesting. |
00:03:21 |
We're mighty glad you approve. |
00:03:24 |
And, Mr. Hickok, please feel |
00:03:27 |
Thank you kindly, ma'am. |
00:03:29 |
Feel it, but don't try it! |
00:03:38 |
- Come on in, Bill, I'll get you a drink. |
00:03:41 |
If I felt any higher, I'd be flying! |
00:03:44 |
Harry, come here. I want |
00:06:20 |
Well, there she sets. |
00:06:45 |
I won that cabin from a |
00:06:48 |
A week before he died |
00:06:50 |
Bill was in that game. |
00:06:53 |
He lost everything but his fillings. |
00:06:57 |
- Let me help you down. |
00:06:59 |
Do you dislike Mr. Hickok |
00:07:02 |
Dislike Bill? Me and Bill are |
00:07:08 |
We're like the seven-year itch to |
00:07:13 |
That Bill Hickok is about |
00:07:17 |
Of course, my sparky taste... |
00:07:19 |
That kind of runs to blue |
00:07:23 |
- Like second lieutenants wear? |
00:07:27 |
...lieutenants wear. |
00:07:40 |
Make yourself right at home. |
00:07:47 |
Be careful. |
00:07:52 |
You and me will batch it here |
00:07:58 |
Excuse me. |
00:07:59 |
I reckon it needs a |
00:08:02 |
Ain't used the place |
00:08:04 |
I like to bunk out in the open |
00:08:08 |
I know one thing we'll have |
00:08:13 |
Just hand me a sack of |
00:08:17 |
Looks like we're out of water. |
00:08:19 |
It's right handy though, I get |
00:08:22 |
That's one good thing |
00:08:30 |
No, I guess there's |
00:08:35 |
I'm sorry, Katie. |
00:08:37 |
- It will be all right, Calam. Fine. |
00:08:42 |
It ain't fit for a |
00:08:45 |
I didn't know it |
00:08:49 |
Just like I didn't know how far from |
00:08:52 |
...in that dressing room in Chicago. |
00:08:56 |
What do I know about nice |
00:09:04 |
Come on, I'll drive |
00:09:08 |
I'm staying right here. |
00:09:10 |
In this rat's nest? |
00:09:12 |
We can fix it. Make it real nice. |
00:09:18 |
A woman's touch? |
00:13:21 |
It's up to me? I'll bet $40. |
00:13:28 |
Howdy, Lieutenant. |
00:13:32 |
Not now, thanks. You see... |
00:13:35 |
...l'm looking for... |
00:13:37 |
No, not now. |
00:13:40 |
It's up to you, Bill. Call or fold? |
00:13:44 |
- Where are you going? |
00:13:47 |
Only I'm going to be there first. |
00:13:53 |
All right, all right, |
00:13:56 |
- I'd like to see Miss Brown. |
00:14:00 |
She's not staying here. |
00:14:03 |
Maybe I'd better have a sign painted. |
00:14:07 |
With Calamity? |
00:14:39 |
Where are you going, Calam? |
00:14:40 |
Herb Potter's got tick fever, |
00:14:43 |
He needs some doing for him. |
00:14:45 |
No shoes? |
00:14:46 |
I can't wear shoes across the creek. |
00:15:03 |
Bill. |
00:15:04 |
- Hello, Katie. |
00:15:06 |
Say, that's a right smart |
00:15:09 |
You just keep on |
00:15:14 |
- Here. - They're very nice. |
00:15:21 |
- The Lieutenant never calls |
00:15:24 |
I brought them for... |
00:15:25 |
Where is Calamity? |
00:15:27 |
Up the hill visiting a sick |
00:15:30 |
That's Calam, just can't |
00:15:41 |
- This ain't Calam's cabin. |
00:15:45 |
We fixed it up a little. Sit |
00:15:48 |
It won't take me long. |
00:15:54 |
Say, Lieutenant, don't they |
00:15:57 |
They'll manage. |
00:16:01 |
I thought you had a poker game going. |
00:16:03 |
There's always a poker game going. |
00:16:06 |
With the Cheyennes on the war path, |
00:16:09 |
...if you soldiers didn't gallivant |
00:16:13 |
Nice of you to think of the taxpayers, |
00:16:33 |
Oh, dear. |
00:16:36 |
I'm all out of wood. I'll |
00:16:39 |
- I'll do it. |
00:16:42 |
- I hate to trouble you, Bill. |
00:16:52 |
Katie. |
00:16:54 |
It was very thoughtful of you |
00:16:59 |
Deadwood is that kind of a nice town. |
00:17:08 |
After the fool I made of |
00:17:11 |
...the way they forgave |
00:17:14 |
Anyone could forgive |
00:17:17 |
Not anything, Lieutenant. |
00:17:21 |
I don't know what idea you have |
00:17:24 |
It's not my idea, it's hers. |
00:17:27 |
She's in love with you. |
00:17:29 |
But that's ridiculous. |
00:17:31 |
We're friends, good friends. |
00:17:34 |
- But you can't believe that I and she... |
00:17:38 |
She's been very good to me. |
00:17:40 |
I would no more think of coming |
00:17:44 |
The man she loves? Katie, I swear... |
00:17:53 |
Fancy that, it was there all the time. |
00:17:55 |
Danny, believe me... |
00:17:58 |
- Here we are. It didn't take |
00:18:13 |
The shawl, it fell... |
00:18:17 |
Let's have tea. |
00:18:25 |
They've got a new commander at the Fort, |
00:18:29 |
Yes, I served under him |
00:18:32 |
They're having a ball in his honor |
00:18:35 |
I've been invited myself. I kind |
00:18:39 |
She is going with me. |
00:18:41 |
It's customary, Lieutenant, to |
00:18:45 |
- Couldn't the four of us go together? |
00:18:49 |
Well, you, Bill, me, and Calamity. |
00:18:53 |
Calamity? |
00:18:57 |
She's been invited, too, and if |
00:19:01 |
She's been expecting you |
00:19:04 |
Me? Why me? I told you how I... |
00:19:05 |
That's a right smart |
00:19:08 |
Calam goes with the |
00:19:11 |
Over my dead body. |
00:19:13 |
Get a little respect in your |
00:19:16 |
...or it might just be that way. |
00:19:19 |
- She's a mighty fine girl. |
00:19:21 |
- You should be proud to take her. |
00:19:24 |
I sure would. |
00:19:26 |
Wait! I ain't gonna be |
00:19:29 |
I know what you're |
00:19:31 |
Calamity's fine on top a |
00:19:34 |
...but not lady enough for social |
00:19:38 |
Well, she ain't beautiful. |
00:19:49 |
Calamity's not beautiful? You boys |
00:19:54 |
There's only one way to settle |
00:19:59 |
The long straw gets Katie, |
00:20:02 |
Is that all right with you, Katie? |
00:20:05 |
Draw, Lieutenant. |
00:20:09 |
I won! |
00:20:11 |
- I'll have the prettiest girl |
00:20:15 |
Bill, keep your eyes on that door. |
00:20:22 |
Calamity! |
00:20:26 |
I fell in that dangblasted creek! |
00:20:34 |
Gosh almighty, look who's here. |
00:20:37 |
What brought you to |
00:20:40 |
Injun trouble? |
00:20:41 |
They came to ask you |
00:20:45 |
Both of you? |
00:20:48 |
That's plum flattering. |
00:20:50 |
- Only I can't go with both of you. |
00:20:55 |
You did? Who won? |
00:20:58 |
I did, Calam. |
00:21:02 |
You did? Well, that's fine, |
00:21:07 |
Ain't no one I'd |
00:21:09 |
Try to get yourself cleaned up by |
00:21:14 |
I heard tell it'll be |
00:21:16 |
Soldiers in dress uniforms, |
00:21:20 |
I've never been to a |
00:21:22 |
I reckon I'll burst my corset strings |
00:21:26 |
I'll fix you some tea. |
00:21:29 |
Danny. |
00:21:32 |
Ask Katie to go, Danny. I know |
00:21:38 |
Do it for me, Danny, please. |
00:21:42 |
You're quite a lady, Calamity. |
00:22:00 |
- Did you have to wear that old army coat? |
00:22:05 |
It was Custer's, Bill. |
00:22:07 |
If it's good enough for Custer, it |
00:22:11 |
This ain't no scalping expedition against |
00:22:16 |
I know it. We sure got a |
00:22:20 |
Don't it thrill you just |
00:22:23 |
It sure does. |
00:22:25 |
No wonder the Injuns fight so |
00:27:01 |
That can't be Calamity. |
00:27:04 |
Why, she's beautiful! |
00:27:07 |
What happened to her? |
00:27:21 |
Save one for me, Miss Calamity. |
00:27:23 |
Wait a minute, fellows. |
00:27:25 |
I can't get all your |
00:27:28 |
I can't even spell most of them. |
00:27:30 |
That's all I got room for. |
00:27:32 |
What you need is a bigger card! |
00:27:35 |
Calamity has been holding out on |
00:27:41 |
How come all these galoots |
00:27:43 |
At that shindig at Hogan's |
00:27:46 |
- I didn't know. - I spent the night |
00:27:49 |
That's what I've been telling you, |
00:27:55 |
Do I, Danny? |
00:27:57 |
You're an absolute vision, Calamity. |
00:27:59 |
Calamity, is this dance open? |
00:28:02 |
Well, I'm kind of saving this one. |
00:28:10 |
Come on, Calam. |
00:28:17 |
Danny hasn't even |
00:28:20 |
I know. Katie and him |
00:28:26 |
Bill, look there. |
00:28:33 |
He's taking her out in the garden. |
00:28:47 |
Katie, darling. |
00:28:50 |
Danny, we shouldn't. |
00:28:53 |
I love you, Katie. |
00:28:55 |
I... |
00:29:00 |
What about Calamity? |
00:29:05 |
Calamity can be your bridesmaid. |
00:29:29 |
Calam, wait. |
00:29:31 |
- Where are you going? |
00:29:33 |
I brought her here. Me. |
00:29:35 |
All the way from Chicago. |
00:29:39 |
This town ain't big enough for me |
00:29:45 |
It ain't that serious. People |
00:29:49 |
You saw them out in that |
00:30:05 |
- Give me that gun. |
00:30:09 |
I don't see her anywhere, Danny. |
00:30:12 |
You're the only person in the |
00:30:35 |
Bridesmaid? |
00:30:38 |
- Are you all right? |
00:30:44 |
She's nothing but a miserable, |
00:30:50 |
Help me get out of |
00:30:53 |
Well, stand still. |
00:30:55 |
I even took her in my own cabin |
00:31:00 |
Like a weasel in a hencoop, |
00:31:13 |
Throw that in with the |
00:31:16 |
And that! And that! |
00:31:20 |
I bet it wasn't the |
00:31:23 |
I bet it's been going on all |
00:31:27 |
Gosh almighty, I'm dumb! |
00:31:30 |
If you have to blame somebody, blame |
00:31:34 |
It seems to me he was on |
00:31:38 |
She charmed him hog-eyed. |
00:31:41 |
Look at these. Pure silk! |
00:31:49 |
Take them to her! Tell her |
00:31:52 |
So help me, Bill, if |
00:31:55 |
...l'll put a bullet smack in |
00:31:58 |
In both of them! |
00:32:55 |
- Sarsaparilla. |
00:32:59 |
Katie said to tell you if you |
00:33:03 |
She's going to see me. Right now. |
00:33:09 |
There's going to be trouble. |
00:33:27 |
What do you want, Calamity? |
00:33:29 |
There's a stage leaving |
00:33:36 |
Are you threatening me? |
00:33:38 |
I'm warning you. |
00:33:46 |
What is it? What's going on? |
00:33:48 |
Calamity just warned |
00:33:55 |
Buck, lend me a gun. |
00:34:03 |
Calamity. |
00:34:06 |
Hold up your glass. |
00:34:18 |
What's the matter? Are you afraid? |
00:34:42 |
Katie's done it! |
00:35:15 |
Imagine Katie making a shot like that! |
00:35:28 |
- Where are you going, Calam? Come here. |
00:35:34 |
- Get in that buggy. |
00:35:37 |
Get in there or I'll knock you |
00:35:55 |
I've seen you do lots |
00:35:58 |
...but this is the first time I've |
00:36:01 |
Sit down and listen. |
00:36:03 |
You're a fake, Calam. |
00:36:05 |
You dress, talk, write and shoot like |
00:36:09 |
Like a green-eyed, |
00:36:12 |
Katie beat you twice, out of your man and |
00:36:16 |
And you helped her! |
00:36:18 |
I did, too. |
00:36:21 |
She didn't shoot the glass out of |
00:36:26 |
Who are you to tell |
00:36:28 |
Suppose you did scare her out of town, |
00:36:32 |
Would that stop Katie from |
00:36:36 |
That's female thinking. |
00:36:38 |
He'd bring her back, and |
00:36:44 |
You had to lose tonight, |
00:36:56 |
Go on, bawl. Admit you're a female. |
00:36:59 |
Have your hysterics, get them |
00:37:05 |
I was so plumb crazy about him. |
00:37:10 |
I know. I felt the same way about her. |
00:37:15 |
You mean, you're in love with Katie? |
00:37:18 |
It's funny, ain't it? |
00:37:20 |
Bill, I'm sorry. I didn't know. |
00:37:23 |
That's all right. |
00:37:25 |
It'll take some time, but I'll |
00:37:30 |
- No, I won't. Not Danny. |
00:37:34 |
All I've done for months |
00:37:40 |
About getting married, |
00:37:45 |
...and having young'uns. |
00:37:49 |
I know it sounds |
00:37:53 |
...Bill, I really |
00:37:56 |
I was kind of hankering |
00:38:02 |
There'll never be another man |
00:38:09 |
It ain't going to be easy getting |
00:38:15 |
She was so beautiful and... |
00:38:39 |
What ever happened to that |
00:38:44 |
I never heard of him. |
00:42:53 |
Howdy, Flanagan. |
00:43:00 |
How's the claim panning out? |
00:43:07 |
The way she acted, no wonder |
00:43:10 |
I hope she don't speak to |
00:43:28 |
Howdy, fellows. 'Morning, Billy. |
00:43:38 |
- Howdy, Francis. |
00:43:43 |
Have you seen Bill around? |
00:43:45 |
He and Colorado are |
00:43:49 |
How come they are |
00:43:52 |
Katie's not here anymore. |
00:43:54 |
Where is she? |
00:43:56 |
Has she been hurt? Is she sick? |
00:44:01 |
On her way back to Chicago. |
00:44:04 |
Chicago? |
00:44:09 |
You warned her to get out of |
00:44:12 |
But I didn't mean it! I was loco. |
00:44:15 |
I didn't want her to go. |
00:44:18 |
You're late. The stage |
00:44:20 |
The town is going to miss that kid. |
00:44:24 |
I didn't think she'd go, I swear it. |
00:44:28 |
She wasn't scared. She shot back |
00:44:33 |
Because she's a lady, Calamity. |
00:44:35 |
She's not mean and selfish, and never |
00:44:40 |
Like me. Say it! |
00:44:42 |
I don't have to say it. She left |
00:44:49 |
"'Dear Danny: Calamity |
00:44:52 |
- But, I don't! |
00:44:55 |
"'Calamity loves you and |
00:44:58 |
"'I had no right to come between you. I |
00:45:03 |
"'Pretend it was Adelaid |
00:45:06 |
"'Katie Brown never existed. She |
00:45:12 |
Never existed? |
00:45:14 |
She was the most real |
00:45:19 |
Put them signs back up. I'm |
00:45:43 |
Calam, where are you going? |
00:45:50 |
Come on! |
00:45:52 |
I don't know what kind of life you'll |
00:45:56 |
...but it ain't gonna be dull. |
00:45:58 |
That's for dang sure. |
00:46:52 |
Rattlesnake! |
00:46:58 |
Rattlesnake, stop! |
00:47:07 |
Why don't you stop when I yell? |
00:47:10 |
I thought you was Injuns. |
00:47:17 |
Katie, I'm going to get married! |
00:47:20 |
Congratulations. |
00:47:22 |
Rattlesnake, stop this coach! |
00:47:27 |
But I'm going to be Mrs. Hickok. |
00:47:31 |
Bill? But I thought you loved Danny. |
00:47:34 |
That's female thinking. Nothing |
00:47:40 |
Well, where are we heading, |
00:47:44 |
Deadwood, Calam. Home! |
00:47:51 |
Females! Pure females! |
00:49:29 |
What's this for? |