Caller The
|
00:02:02 |
Any idea why all the traffic? |
00:02:05 |
Construction, probably. |
00:02:57 |
Im sorry Im so late. Traffic. |
00:03:02 |
l hope you don't mind, I took the liberty of ordering |
00:03:04 |
for everyone. You know what they say about sausage... |
00:03:07 |
Why don't we pass everything around and everyone |
00:03:09 |
just help themselves. |
00:03:12 |
-These are great numbers. |
00:03:16 |
You are confident they'll be accepted? |
00:03:18 |
-Absolutely. |
00:03:20 |
Great numbers -15 percent, 24 percent, 32 percent. |
00:03:26 |
Just great, don't you agree? |
00:03:28 |
Absolutely, we were just saying they are great numbers. |
00:03:31 |
And we've got the right people where we need them. |
00:03:33 |
No one is going to want to be a spoil-sport, all the players |
00:03:37 |
even the foreign policy guys, everybody benefits too much |
00:03:40 |
to throw a wrench into this one. |
00:03:42 |
As you may have heard, there has been |
00:03:45 |
Misunderstandings really, but Jack here - |
00:03:49 |
His group wants to make sure that we |
00:03:54 |
We do, right? |
00:03:55 |
-Absolutely. |
00:03:59 |
One last time because Jack hasn't been present in the past |
00:04:02 |
and he needs to hear this. Before we send these out- |
00:04:06 |
Is there anything you want to tell us that is not in the |
00:04:13 |
No. |
00:04:15 |
Im glad to hear that. The level of |
00:04:21 |
would be unacceptable. |
00:04:24 |
Our position on this one is you break |
00:05:05 |
Take me to the office. |
00:07:02 |
Im finished. You can lock up. |
00:07:21 |
Buenas noches. |
00:07:45 |
Wait, hold on. |
00:07:48 |
-l gottta take this. What's up? |
00:07:53 |
IMF, World Bank-everyone somehow |
00:07:56 |
Do they know the source? |
00:07:58 |
No, but we do.. |
00:08:00 |
They were sent out electronically |
00:08:02 |
The one with the unbelievably good numbers. |
00:08:05 |
Oh, and get this - attached to the |
00:08:08 |
was a short video clip. |
00:08:11 |
who were having trouble understanding us. |
00:08:14 |
On this one, the really good numbers |
00:08:21 |
Unless right now you say otherwise |
00:08:27 |
Ill buy some art |
00:08:32 |
So why did you want to see me here? |
00:08:39 |
Is this about my gallery's fee? |
00:08:48 |
Saw your annual cover with my painting on it. |
00:08:52 |
What did you think? |
00:08:55 |
Thought it looked good. |
00:08:58 |
Made it look like you guys weren't |
00:09:06 |
Ive noticed from the society pages |
00:09:09 |
with that expensive girlfriend. |
00:09:15 |
Does she know your career peaked a |
00:09:20 |
Maybe she'd find it romantic if |
00:09:28 |
Which brings us to my original question. |
00:09:31 |
To what do I owe the honor? |
00:09:35 |
We've got another situation where |
00:09:41 |
Someone with roots in the community. |
00:09:55 |
We'll take them all. |
00:10:36 |
- So what does my lawyer say? |
00:10:39 |
-OK |
00:10:41 |
You don't need surround-sound on this, you know |
00:10:43 |
-You'll have to drive. |
00:10:45 |
Yeah, I got a place in Red Hook where we can do it |
00:10:49 |
Does the guy Im driving know what he's doing? |
00:10:50 |
Absolutely |
00:11:02 |
Hey, soldier, get your photo taken |
00:12:22 |
Did you think you'd get away with it? |
00:12:23 |
No, I knew l'd get a call like this one |
00:12:26 |
So leave this world with a little dignity. |
00:12:30 |
- Tell them I need a couple of weeks. |
00:12:33 |
Yes. Tell him I can make it more |
00:12:37 |
when Im gone or more difficult, |
00:12:41 |
for people to find. |
00:12:44 |
Tell him I want to make a deal |
00:12:48 |
as he's requested, |
00:12:51 |
Ill get back to you. |
00:13:32 |
-Hello? |
00:13:35 |
Who's this? |
00:13:38 |
Detective Turlotte, I would like |
00:13:42 |
Will you call me at my office on Monday, |
00:13:45 |
Have a good day. |
00:14:12 |
-Hello? |
00:14:14 |
-your advertised rate starting |
00:14:17 |
That's all, then you're done. |
00:14:19 |
Two weeks? That's all? |
00:14:22 |
And it's not your agency I want to hire, |
00:14:26 |
Do I know you? Is that why you're |
00:14:30 |
Right to the point, good. |
00:14:33 |
Regrettably, I must keep |
00:14:37 |
It's nothing personal. It is a question |
00:14:41 |
What I suggest is that I be called |
00:14:45 |
-Oh boy. |
00:14:47 |
if you knew my situation you'd understand my calculations |
00:14:52 |
l want you to keep an eye on someone. Watch him. |
00:14:56 |
Tell me what you see. |
00:14:58 |
- What, he run off with your wife? |
00:15:01 |
Let's just say he's planning an event |
00:15:05 |
- What's this guy's profession? |
00:15:10 |
with a lot of blood on his hands. |
00:15:15 |
No, no, I must aIso tell you to |
00:15:21 |
Your life could possibly be in |
00:15:26 |
Im just an eye, that's all I am, an eye. |
00:15:30 |
l know a lot of good ears, why don't you let me partnerwith |
00:15:33 |
No. I understand your limitations and I want you, Frank. |
00:15:38 |
Here's the contact information I can provide. |
00:15:41 |
The name of the man is Jimmy Stevens. |
00:15:44 |
32 at 840 West 58th Street. |
00:15:49 |
- Yes. |
00:15:52 |
by phone in the early evenings. |
00:15:59 |
l am waiting for your answer, Frank. |
00:16:05 |
Detective Turlotte? |
00:16:07 |
Detective Turlotte, if there's a problem - if it's the money |
00:16:13 |
A green canary... somebody lost their canary |
00:16:18 |
What? |
00:16:24 |
Ill do it |
00:17:29 |
Just write down the address and Ill tell the messenger. |
00:17:35 |
Okay, we'll take care of it. |
00:17:37 |
Mr. Stevens, there's a taxi outside. |
00:17:41 |
No thank you |
00:17:44 |
Have a good day |
00:22:43 |
Frank, what do you think? |
00:22:45 |
The subject appears to lead a very monotonous, simple |
00:22:49 |
What do you mean? You think his life is boring? |
00:22:53 |
- Did you get the photos? |
00:22:56 |
What do you think? |
00:22:58 |
You're absolutely right. |
00:23:02 |
Personally, I find myself drawn |
00:23:08 |
He lights a cigarette and then |
00:23:12 |
- Maybe he's trying to quit. |
00:23:14 |
Look at the way he does it. |
00:23:19 |
He repeats it down to the smallest detail. It's like a ritual. |
00:23:23 |
So what? |
00:23:25 |
Well it's interesting, |
00:23:30 |
with a guy who otherwise acts so smooth. |
00:23:34 |
Look at the way he tears his cigarettes |
00:23:38 |
That's all you've got for me, |
00:23:42 |
Notice the expression on his face |
00:23:46 |
l don't follow you |
00:23:48 |
Doesn't it seem strange to you |
00:23:51 |
when he's talking to them? |
00:23:52 |
No. So what? |
00:23:54 |
Well, Mr. Doe, it just seems |
00:23:59 |
who dresses with such sophistication |
00:24:03 |
talking to children in the park. |
00:24:05 |
What do you mean by that? |
00:24:08 |
I just thought it was worth mentioning. That's all |
00:24:11 |
- That's all? |
00:24:15 |
And like all ruthless contract-killers, your Mr. Stevens |
00:24:20 |
is close to his aged mother. |
00:24:22 |
- How do you know it's his mother? |
00:24:25 |
l called it. She has the same last name. |
00:24:29 |
Do you want me to keep working for you? |
00:24:31 |
Yes, but I need a lot more. |
00:24:34 |
You know, say you're someone eIse |
00:24:38 |
Do you think that's possible? |
00:24:40 |
Well, I said I was only an eye |
00:24:42 |
At these prices, I think I can ask |
00:24:47 |
a little don't you think, Frank? |
00:24:51 |
Yes Sir, Mr. Doe. |
00:25:42 |
Excuse me. Hello? |
00:25:47 |
This is my usual bench. |
00:25:51 |
No. |
00:26:09 |
That is |
00:26:12 |
- What are the chances? |
00:26:16 |
- Enjoying it? |
00:26:18 |
l think it'll be very helpful to me. |
00:26:22 |
- In what way? |
00:26:46 |
Hello? |
00:26:47 |
Frank, I hope you really have |
00:26:51 |
He invited me to dinner. |
00:26:56 |
- What did he talk about? |
00:26:59 |
I made him think I was a birdwatcher, |
00:27:01 |
so he starts talking about birdwatchers. |
00:27:04 |
He says the best ones use their |
00:27:09 |
And you should do the same thing |
00:27:12 |
the art of memory. He said he |
00:27:17 |
not by what got repeated |
00:27:20 |
but by the smell of the smoke. |
00:27:22 |
You seem to have listened carefully |
00:27:24 |
No, no, Im forgetting a lot. |
00:27:27 |
- Did he talk about his work? |
00:27:30 |
Then that's everything you've got for me? |
00:27:32 |
Are you kidding?! |
00:27:35 |
The guy invited me to dinner! |
00:27:38 |
Okay, Frank, but don't take it |
00:27:42 |
Watch out |
00:27:44 |
We have... very little time. |
00:30:05 |
Hi sweetheart. Im at work. |
00:30:10 |
Me too. |
00:30:12 |
What kind of trouble? It's the propeller. |
00:30:19 |
just have Mark take a look at it. |
00:30:23 |
It looks like another week. |
00:30:28 |
this guy's paying me something's |
00:30:31 |
what it is yet. The client is going |
00:30:37 |
The subject just came home. |
00:31:52 |
- Yeah. |
00:31:55 |
What would you say if I told you Im looking at him right |
00:32:00 |
through a window. |
00:32:03 |
You're looking at who...? |
00:32:05 |
At the Pope! Who do you think Im looking at |
00:32:07 |
- You mean to say you're |
00:32:10 |
Ive got my camera planted in a |
00:32:16 |
- As we speak? |
00:32:20 |
Is there anything interesting going on, Frank? |
00:32:25 |
The subject is on his couch |
00:32:31 |
You'd think he was looking right at me |
00:32:35 |
Im not paying you to find out |
00:32:39 |
that's hardly a newsflash! Can you |
00:32:43 |
Give me time. Ill find- |
00:32:44 |
Basically, you don't have |
00:32:47 |
You know Mr. Doe, |
00:32:51 |
- I am? |
00:32:54 |
This is what you get for your dough, Mr. Doe, |
00:32:56 |
that is, until it leads somewhere |
00:32:59 |
Ive no idea where it's leading... |
00:33:02 |
or find yourself someone else, |
00:33:08 |
What strikes me is watching this |
00:33:17 |
It's like Ive taken acid and |
00:33:20 |
on linoleum for days. |
00:33:22 |
You're wrong, Frank. |
00:33:25 |
I happen to know right now, |
00:33:29 |
He's arranging a murder |
00:33:40 |
l met a traveler from an antique land who said: |
00:33:43 |
Two vast and trunkless legs of stone... |
00:34:10 |
Here it is |
00:34:12 |
That's fine. Thank you. |
00:34:17 |
Certainly |
00:34:42 |
- It's good to see you. |
00:34:48 |
We're going to have a little fun |
00:34:52 |
You don't have anything against |
00:34:54 |
- Not at all, in fact- |
00:34:57 |
- Will you join me? |
00:35:00 |
Good for you. Keep me company, would you? |
00:35:13 |
Im sorry, sir, I 'm afraid I can't |
00:35:17 |
Of course... |
00:35:35 |
Would you believe it? They have |
00:35:39 |
being poisoned by my cigarettes outdoors! |
00:35:43 |
Fear sells. |
00:35:46 |
It's so damn depressing... |
00:35:52 |
And the thing that's particularly |
00:35:56 |
to be an optimist, but recently |
00:36:00 |
to show... |
00:36:07 |
You know you've got a very |
00:36:10 |
What do you mean you've been |
00:36:15 |
Well first tell me what it is you |
00:36:18 |
me like that. |
00:36:19 |
Alright, I was just wondering |
00:36:24 |
put it out and start all over. |
00:36:28 |
-I don't know. |
00:36:36 |
Let's go back inside |
00:36:49 |
- Is it all birds that interest you? |
00:36:53 |
But I tend to concentrate on a |
00:36:56 |
for a period of time, and then on another. |
00:36:59 |
What are you interested in now? |
00:37:01 |
-Now? |
00:37:03 |
-Peregrine falcons. |
00:37:06 |
l don't know. Maybe because they're predators. |
00:37:10 |
Predators are the fastest birds, |
00:37:13 |
Do you think that's true among humans, |
00:37:16 |
that predators are the most majestic? |
00:37:19 |
No, not from what Ive seen. |
00:37:25 |
In New York City they were |
00:37:29 |
because they digested so much DDT. |
00:37:34 |
so fragile they'd break when the |
00:37:38 |
Now the Peregrine falcons are coming back. |
00:37:41 |
Survivors. |
00:37:43 |
Care to taste the wine now, sir? |
00:37:52 |
You can leave it here. |
00:38:03 |
l think we'll just let this breathe for a while. |
00:38:07 |
So how does optimism pay? |
00:38:10 |
My impression is that optimism pays quite well. |
00:38:13 |
My job has consisted of predicting |
00:38:17 |
for what are euphemistically known as |
00:38:22 |
And based on those predictions, |
00:38:26 |
then fund construction projects |
00:38:31 |
The greater the anticipated |
00:38:34 |
of construction. A wall is supposed |
00:38:39 |
and the companies that would |
00:38:45 |
but in practice that wall does not exist. |
00:38:56 |
Beautiful legs... |
00:38:58 |
As a result, the countries are never |
00:39:03 |
and instead they become even more at |
00:39:08 |
Try the wine. |
00:39:15 |
-What do you think? |
00:39:18 |
-The wine. |
00:39:21 |
They wanted me to make it all up... |
00:39:27 |
but they didn't want to know |
00:39:31 |
They didn't want to know what they knew. |
00:39:36 |
what I know. |
00:39:38 |
What changed? Was it your memories |
00:39:40 |
What hasn't changed is fear, |
00:39:48 |
to that fear. |
00:39:52 |
And your bout of melancholia? |
00:39:55 |
It disturbed their sleep.... perhaps that's all it did |
00:39:59 |
Then why bother? |
00:40:15 |
l have to make a phone call. |
00:40:20 |
l won't be too long. |
00:40:34 |
The gentleman left a note for you, sir |
00:40:47 |
Sorry, I don't have time to explain. |
00:40:51 |
Meet me tomorrow evening at the bench. |
00:41:26 |
- Im sorry about last night. |
00:41:30 |
It was just instinct. I felt I was in danger |
00:41:35 |
-In danger? |
00:41:38 |
Come on! |
00:41:40 |
Listen Frank, I get the feeling |
00:41:44 |
my every move. |
00:41:45 |
What are you talking about? |
00:41:48 |
There are one or more persons |
00:41:52 |
to everything I do.. |
00:41:53 |
You know what they want from you? |
00:41:56 |
-Yes, I think so. |
00:42:00 |
It's too late for that. Listen, |
00:42:08 |
Ill see you soon. |
00:42:10 |
-Wait. Tell me what's happening. |
00:42:15 |
l promise I will when I can |
00:42:37 |
What do you have for me, Frank? |
00:42:38 |
The subject thinks he's being watched. |
00:42:40 |
-He is. |
00:42:43 |
Not by you, Frank, by others. |
00:42:47 |
That means time has ran out, |
00:42:54 |
l had hoped you would have been |
00:42:56 |
and tell me who this person really is. |
00:43:00 |
It's too risky. Im sorry about this. |
00:43:03 |
There is one last thing you can do |
00:43:06 |
A meeting will take place this coming Thursday |
00:43:09 |
at midnight in Red Hook. |
00:43:11 |
The murder will take place down near T Street. |
00:43:14 |
- Do you know Red Hook? |
00:43:15 |
Yeah, I know the hook. Thursday? |
00:43:18 |
l can find out more about this guy, Mr. Doe |
00:43:20 |
No. Stand down, Frank. I'd like you to stay away now. |
00:43:24 |
Did he tell you anything about his work? |
00:43:27 |
- No. |
00:43:29 |
Mr. Doe, |
00:43:32 |
He is, Frank, I tell you he's guilty! |
00:43:35 |
Mr. Doe, the guy is guilty of a lot of things, Im sure, |
00:43:38 |
but being a killer isn't one of them. |
00:43:41 |
-He's guilty! |
00:43:44 |
You're the one hiding your identity. |
00:43:45 |
Is it the same thing Jimmy's guilty of? |
00:43:47 |
Anyway, it doesn't matter what you think anymore |
00:43:51 |
Just be at the meeting. That's where |
00:43:54 |
a difference. Until then, |
00:43:57 |
Ive wired to you. Enjoy yourself. |
00:44:00 |
A final payment with a bonus will |
00:44:03 |
after the meeting. Good-bye, Frank. |
00:45:42 |
l won't be coming back again, Mom |
00:45:49 |
They only serve Rattatouille here |
00:45:54 |
-It's overcooked everywhere. |
00:45:59 |
And you, you're like a cow's cud, |
00:46:04 |
-Very used, yes. |
00:46:08 |
- Why do you call her Molly? |
00:46:10 |
She sends you a kiss. She'll |
00:46:14 |
You never came to see me. |
00:46:18 |
-It's not me? |
00:46:21 |
Who's not there? |
00:46:23 |
The big ugly duckling, he's not |
00:46:30 |
- Yre you out, don't they? |
00:46:33 |
Little ducklings are so tiring. |
00:46:40 |
She's not going to get me, is she going to get you, ugly |
00:46:43 |
-no |
00:46:45 |
Take your carotene! |
00:46:49 |
Take your carotene and your life won't waste away. |
00:46:53 |
You will be infinite. |
00:47:00 |
l hear you're in a bind, son. |
00:47:04 |
l hear it all, you're going to be |
00:47:14 |
They're going to finish you, aren't they? |
00:47:24 |
Yes |
00:47:26 |
Really? Then you will have a |
00:47:37 |
Have some noodle soup. |
00:47:43 |
You always were a wet noodle, |
00:47:47 |
And what is a noodle, Mom? |
00:47:49 |
A noodle? It's the mind of a man |
00:47:57 |
Totally, and he doesn't |
00:48:14 |
What's that? |
00:48:18 |
My little finger just told me the big |
00:48:27 |
is that true? |
00:48:29 |
It's true, Mom. I am no longer all alone |
00:50:31 |
My love, as they watch without understanding, |
00:50:37 |
l struggle to reach the death at their hands that I have |
00:50:43 |
Before then I must see you. |
00:50:45 |
l will contact you again through |
00:51:09 |
Excuse me. Do you know this man? |
00:51:13 |
Yes, it's Jimmy. Jimmy lives with |
00:51:17 |
but he's away. She's his |
00:51:43 |
-Hello? |
00:51:45 |
Yes? |
00:51:47 |
-Where is he? |
00:52:05 |
Ive got trouble, trouble, trouble. |
00:52:11 |
Holding this man of mine. |
00:52:19 |
Say it seems there's trouble |
00:52:34 |
Thank you. |
00:52:45 |
You must be a new friend of Jimmy's. |
00:52:47 |
- Why new? |
00:52:51 |
We've known each other a short time. |
00:52:56 |
Everybody eIse here is a regular |
00:52:58 |
l don't know why he's worried about you |
00:53:01 |
Really? I know why I worry about him. Do you worry about |
00:53:08 |
- Sure. |
00:53:12 |
Something like that |
00:53:15 |
Let's be straight with each other, |
00:53:18 |
You're wasting your time talking to |
00:53:21 |
l don't know where he is. |
00:53:23 |
That's okay |
00:53:35 |
First time I met Jimmy was at the club |
00:53:38 |
He was with some associates. |
00:53:45 |
That evening, Jimmy didn't miss a song. |
00:53:48 |
He kept coming back to hear me sing. |
00:53:52 |
You really are a masochist |
00:53:54 |
Maybe so, but that's not why I keep coming back. |
00:53:59 |
There's a story about the painter |
00:54:03 |
Chopin, the composer, |
00:54:06 |
l heard the blue note. |
00:54:15 |
The blue note? That's nice |
00:54:20 |
It's more than nice, it's sophisticated |
00:54:27 |
That's how I became his |
00:54:31 |
You know besides me there's a much younger woman |
00:54:33 |
in your friend's life. |
00:54:35 |
The little girl |
00:54:36 |
Yes, her mother works |
00:54:39 |
Her daughter and I became friends and then when Lila met |
00:54:42 |
it was like they were lost souls. |
00:54:46 |
It's very sweet how important |
00:54:52 |
Here it is. |
00:55:03 |
Will you come see me again sometime, Frank? |
00:55:05 |
Sure |
00:55:11 |
Did Jimmy ever mention his work to you? |
00:55:16 |
No, never. Good night, Frank |
00:55:42 |
l brought you a sandwich |
00:55:45 |
And how did you know that's what I wanted? |
00:55:47 |
You're easy to read. I gave her your |
00:55:53 |
- You read it? |
00:55:56 |
- That's your excuse? |
00:55:58 |
Did you talk to your Mother? |
00:56:01 |
Are you kidding? It would |
00:56:04 |
What exactly? |
00:56:05 |
That some guys were looking for you. |
00:56:09 |
to people like you. |
00:56:10 |
Like me? |
00:56:12 |
She thinks you're nice. |
00:56:14 |
It's because of you that l |
00:56:17 |
but she says there's something wrong with you. |
00:56:20 |
lf she found out guys were |
00:56:23 |
''That guy has it coming to him.'' |
00:56:26 |
What do these guys want to do to you? |
00:56:27 |
Do they want to teach you a lesson? |
00:56:32 |
Yes |
00:56:36 |
Would you mind looking after her for a moment? |
00:56:38 |
Sometimes she really gets to me. |
00:56:56 |
How's business? |
00:56:59 |
l retire in six months. You think |
00:57:01 |
Call me when you get your gold watch |
00:57:04 |
You've changed, Frank. |
00:57:07 |
l did that little favor you asked me |
00:57:13 |
His information is classified above |
00:57:18 |
It tells me you should drop it. You're |
00:57:22 |
You might get it chopped off like |
00:57:33 |
-Did the guys show up? |
00:57:40 |
It's because of her! These guys |
00:57:43 |
What if they wanted to punch you? |
00:57:44 |
Well, what about it? |
00:57:46 |
It's not the same if nobody knows |
00:57:50 |
That's true |
00:57:52 |
l got this book for my birthday |
00:58:42 |
Why are fairy tales always for children? |
00:58:44 |
Fairy tales don't interest you grown-ups? |
00:58:47 |
Perhaps fairies don't want to live with us |
00:58:50 |
But they do live with us. |
00:58:56 |
You know, I was wondering about her |
00:59:03 |
You want to tell me a story? |
00:59:07 |
Is Lulu real? |
00:59:09 |
Yes |
00:59:10 |
You said you found him again |
00:59:13 |
-Yes. I did in a news paper article. |
00:59:17 |
Yes. |
00:59:19 |
Well, why doesn't he recognize you? |
00:59:22 |
Well |
00:59:23 |
We were about your age. Look at me now. |
00:59:26 |
You know when you see somebody |
00:59:28 |
you don't always recognize them. |
00:59:31 |
It was his family name that |
00:59:35 |
Why doesn't he recognize your name? |
00:59:37 |
Because my mother changed |
00:59:42 |
It's all he has left of his family. |
00:59:45 |
What happened to them? |
00:59:47 |
Well, that's a story I don't want to tell you |
00:59:51 |
Tell me the story you want to tell me |
00:59:54 |
It's a sad story and it's a happy story, too |
01:00:00 |
Tell it to me |
01:00:02 |
It was along time ago, |
01:00:07 |
What were they doing? |
01:00:08 |
With their planes, |
01:03:43 |
Did you go there? |
01:03:46 |
Yes, we walked |
01:04:09 |
You and Lulu, |
01:04:13 |
Yes |
01:04:16 |
-So, it was thanks to Lulu? |
01:04:21 |
Did Lulu do anything else? |
01:04:26 |
-Yes. |
01:04:28 |
Not today, Ill tell you tomorrow |
01:04:31 |
Okay, see you tomorrow, Mr. Jimmy. |
01:04:35 |
Mr. Salsparello! |
01:04:44 |
Lila, would you tell Eileen to |
01:04:48 |
at closing time, okay? Thank you. |
01:05:30 |
You look happy sitting there. |
01:05:32 |
It's because you're here |
01:05:35 |
Why did we stop enjoying the city one day? |
01:05:38 |
-Why? |
01:05:41 |
Because they are stronger than us? |
01:05:44 |
Not stronger. Almost stronger |
01:05:47 |
Almost? |
01:05:49 |
Why don't we get away to Diego's place? |
01:05:52 |
They would find me. Even there they |
01:05:57 |
I don't want to run. |
01:05:58 |
So you're going to wait for them? |
01:06:02 |
-Have you thought about me? |
01:06:06 |
You know that. Ive arranged everything |
01:06:11 |
Aren't you afraid of what they'll do to you? |
01:06:14 |
l was afraid for a very long time. |
01:06:18 |
the most was that I would be |
01:06:24 |
But Im not afraid anymore. |
01:06:28 |
You said they were almost stronger. Why ''almost''? |
01:06:33 |
Do you remember what I told you when we were at Diego's? |
01:06:36 |
Every word. |
01:06:38 |
You said that your love for me made |
01:06:43 |
stronger than everything else. |
01:08:11 |
You promised me the rest of the story about Lulu |
01:09:16 |
Lulu. |
01:11:03 |
Without your friend that man |
01:11:03 |
Without your friend that man |
01:11:09 |
That's right. In no special way |
01:11:13 |
You're very lucky to have a friend like that |
01:11:17 |
Yes, I am. |
01:11:28 |
You know Im not going to be here tomorrow. |
01:11:31 |
Where will you be? |
01:11:34 |
Im going to be with the men who are looking for me |
01:11:37 |
Who are they? Are they friends of yours? |
01:11:40 |
They're the people I have to leave with |
01:11:44 |
Is Eileen going to be with you? |
01:11:45 |
Yes, in the same way that you're going to be with me. |
01:11:50 |
You know, Lila, I am very happy to have met you |
01:11:56 |
and very proud to have gotten to know you |
01:12:30 |
Good afternoon. |
01:12:32 |
What do you want? Are you the new doctor? |
01:12:35 |
-l am a friend of your son. |
01:12:39 |
Jimmy |
01:12:40 |
-I'm going to stuff that empty shell. |
01:12:43 |
That shell, that empty shell, |
01:12:47 |
Eileen? |
01:12:49 |
Of course you lean, you're not standing upright, |
01:12:53 |
you are leaning on a cane that's |
01:12:58 |
She never gave him vitamins, |
01:13:01 |
You're worried about him? |
01:13:04 |
lf you were a mother you'd know. |
01:13:09 |
l sign all the papers. Like that. |
01:13:15 |
No... not me |
01:13:17 |
Im not worried about anything. |
01:13:23 |
but that guy - he's finished. |
01:13:26 |
Finished? |
01:13:28 |
Beginning, middle and father. His goose is cooked |
01:13:32 |
Really? |
01:13:34 |
Don't pretend to be an idiot. |
01:13:40 |
-No, I just meant- |
01:13:43 |
It's me who speaks and I say he |
01:13:49 |
Yes, he is no longer alone |
01:13:51 |
Ugly cooked goose, but not alone |
01:13:54 |
He has Eileen |
01:13:56 |
Not some her, some ''one.'' You get it? |
01:14:05 |
No you don't get it! Leave! Out! Out! |
01:14:10 |
You won't get him. Now that he |
01:14:14 |
You won't get him! |
01:15:47 |
Are you looking for something? |
01:15:50 |
This was in the newspaper a couple of months ago |
01:15:53 |
l know. I saw it the day it appeared |
01:15:57 |
So you've been following me since you saw it? |
01:16:00 |
That's right |
01:16:04 |
And you're John Doe. |
01:16:10 |
You've been playing with me this |
01:16:15 |
What do you want from me? |
01:16:19 |
Why are you doing this? |
01:16:24 |
It's dirty, isn't it? You're setting |
01:16:28 |
-No, that's not it. |
01:16:30 |
Why did you get me involved with this? |
01:16:32 |
The meeting will take place tonight |
01:16:36 |
Not a chance. You're on your own. |
01:19:31 |
Hey soldier boy |
01:19:33 |
Just drive |
01:20:05 |
Isn't it late for you to be up? |
01:20:07 |
My Mom is working at a cocktail |
01:20:12 |
You have your doll |
01:20:13 |
He doesn't need her anymore. |
01:20:15 |
He has his friend, Lulu, who's |
01:20:18 |
Lulu? |
01:20:20 |
Some people are bothering |
01:20:26 |
Who is Lulu? |
01:20:28 |
Lulu is afraid of nothing. |
01:20:32 |
Can you believe it? |
01:20:36 |
What did you say? |
01:20:37 |
Are you deaf? |
01:20:40 |
Completely. |
01:20:53 |
What are you doing, Frank? |
01:20:55 |
Tell Joe I had to borrow his boat |
01:20:58 |
Joe ain't going to like this |
01:22:39 |
Go get him, champ |
01:23:12 |
It's time my friend. |
01:23:19 |
Let's take a walk over there. |
01:24:02 |
l knew you'd be here. |
01:24:06 |
Stay still |
01:24:12 |
This is 911. What is your emergency? |
01:24:14 |
A man's been shot here in Red Hook |
01:24:18 |
A man's been shot! Did you get that?! |
01:24:21 |
South of T Street. Send an ambulance! |
01:24:27 |
Will you stop!? |
01:24:30 |
Where are you trying to go?! |
01:24:51 |
Salsparello |
01:26:53 |
Right there, there, here |
01:26:56 |
Look through there |
01:26:59 |
It's a whole family |
01:27:04 |
Can you see them? |
01:27:10 |
It's Beautiful. |