|
Candyman 3 Day Of The Dead
|
| 00:02:20 |
CANDYMAN |
| 00:05:08 |
Daniel Robitaille was my great, |
| 00:05:12 |
He was the son of a slave. |
| 00:05:15 |
He fell in love |
| 00:05:17 |
When they were found out a mob |
| 00:05:21 |
sawed off his right hand. |
| 00:05:23 |
They took honeycomb from a beehive |
| 00:05:28 |
A swarm of bees attacked |
| 00:05:31 |
That is one messed-up way to die. |
| 00:05:33 |
They say he came back |
| 00:05:36 |
His hand replaced |
| 00:05:39 |
Call his name 5 times |
| 00:05:42 |
and when he comes, |
| 00:05:46 |
They call him the Candyman. |
| 00:05:48 |
Come on... |
| 00:05:49 |
You called his name five times |
| 00:05:51 |
- Right? |
| 00:05:53 |
No shit? |
| 00:05:55 |
Ok... |
| 00:05:58 |
- Come on. |
| 00:06:00 |
I guess I'll just |
| 00:06:02 |
Five times, right? |
| 00:06:03 |
No, no... |
| 00:06:05 |
No. It's for your own good. |
| 00:06:07 |
All right... |
| 00:06:10 |
Candyman... |
| 00:06:12 |
All right... |
| 00:06:13 |
Candyman... |
| 00:06:14 |
- Ok, I get your point. |
| 00:06:20 |
Candyman... |
| 00:06:25 |
You're right... |
| 00:06:27 |
He doesn't exist. |
| 00:06:28 |
- Right... |
| 00:06:29 |
Yes... that's what I've been |
| 00:06:31 |
Now, get your little ass over to the |
| 00:06:35 |
Gosh, I'm late |
| 00:07:28 |
Señora, señora... |
| 00:07:30 |
I have some sweets. |
| 00:07:32 |
- They're real cheap. |
| 00:07:35 |
Candy, candy, candy, candy... |
| 00:07:37 |
They're for |
| 00:07:40 |
- How much for one, little boy? |
| 00:07:48 |
- Oh, no, thank you. No, I couldn't. |
| 00:07:51 |
A gift from me to you. |
| 00:07:53 |
Okay. Thank you. |
| 00:07:54 |
On the "Day of the Dead", |
| 00:07:59 |
Personally... |
| 00:08:00 |
I like to take a bite |
| 00:08:04 |
"Happy Day of the Dead". |
| 00:08:08 |
"Sweets to the sweet"! |
| 00:08:32 |
Shit. |
| 00:08:35 |
Yeah, yeah, yeah, yeah... |
| 00:08:36 |
the whole urban myth was based on |
| 00:08:41 |
That's right, homes. |
| 00:08:43 |
Hold on one second. Guys, |
| 00:08:46 |
Yeah, yeah, Jeffrey... |
| 00:08:47 |
listen, I'm talking a killer show, |
| 00:08:49 |
Now you're fucking art-critic. |
| 00:08:52 |
Yeah, you'll have an exlusive. |
| 00:08:55 |
- You asshole. |
| 00:08:56 |
You held out on me, Ruca. |
| 00:08:59 |
This is the reason I didn't tell you. |
| 00:09:02 |
Jeffrey, Jeffrey... |
| 00:09:03 |
Can I call you back |
| 00:09:05 |
All right... |
| 00:09:07 |
- Now, baby. |
| 00:09:08 |
Daniel Robitaille was an artist. |
| 00:09:10 |
Not some monster with a hook. |
| 00:09:11 |
- This is unfair. It's bullshit. |
| 00:09:14 |
- please. |
| 00:09:15 |
Daniel Robitaille as a man... |
| 00:09:17 |
not some twisted urban myth. |
| 00:09:18 |
Yeah, I hear you, baby. Guys, |
| 00:09:20 |
- Mickey! |
| 00:09:22 |
You're turning this show |
| 00:09:24 |
It's just an angle, baby. |
| 00:09:26 |
I'll pull the paintings, Mickey. |
| 00:09:28 |
- I own them. |
| 00:09:31 |
Now, I agreed to show the paintings, |
| 00:09:34 |
Now, these pieces, they're good, they're |
| 00:09:37 |
I mean, come on. |
| 00:09:39 |
It's "Synergy". You cannot buy |
| 00:09:43 |
I make a name for the gallery. |
| 00:09:45 |
And you get a lot more people |
| 00:09:49 |
Right...? |
| 00:09:52 |
Relax... |
| 00:09:54 |
I'll honor the dead. |
| 00:09:57 |
Man, that's not straight. |
| 00:10:00 |
Hold on one second. |
| 00:10:05 |
- Like that. |
| 00:10:26 |
- Miguel? |
| 00:10:27 |
There's some guys here |
| 00:10:28 |
Aw, shit. |
| 00:10:30 |
What? Who are they? |
| 00:10:32 |
Cops. |
| 00:10:34 |
Kraft... |
| 00:10:35 |
Sacco... |
| 00:10:43 |
So... |
| 00:10:44 |
looks like you're having |
| 00:10:47 |
Everything up to code? |
| 00:10:50 |
- Got all your licences in place? |
| 00:10:53 |
All the paperwork's in back, |
| 00:10:55 |
some way to bust my balls. |
| 00:10:58 |
Yeah, your kind's always |
| 00:11:03 |
Is that all? |
| 00:11:04 |
'Cause I'm busy. |
| 00:11:05 |
Yeah... |
| 00:11:07 |
Get back to your business... |
| 00:11:12 |
Catch you later. |
| 00:11:17 |
Miss... |
| 00:11:25 |
L.A.'s finest assholes. |
| 00:11:28 |
Are you serious? |
| 00:11:30 |
Joe... it so nice to see you! |
| 00:11:35 |
...It has been long time... |
| 00:11:40 |
I never took you for an art lover. |
| 00:11:42 |
You ok? |
| 00:11:44 |
You know... I don't know |
| 00:11:46 |
It's not... going the way I wanted. |
| 00:11:48 |
- Ow! |
| 00:11:52 |
- if not for shedding. |
| 00:11:58 |
Excuse me... |
| 00:12:04 |
So... |
| 00:12:06 |
who was Daniel Robitaille? |
| 00:12:09 |
And why did he become the Candyman? |
| 00:12:12 |
It all began... |
| 00:12:13 |
when a confederate army colonel |
| 00:12:17 |
to paint the portrait |
| 00:12:21 |
...Caroline. |
| 00:12:23 |
They fell in love... |
| 00:12:25 |
And it was a love as forbidden |
| 00:13:21 |
When they were discovered... |
| 00:13:23 |
The colonel gathered an angry mob |
| 00:13:27 |
They tied him to a tree, |
| 00:13:37 |
Candyman, candyman, candyman, candyman... |
| 00:13:44 |
By the time mob chanted his name |
| 00:13:49 |
Daniel Robitaille was dead. |
| 00:13:53 |
Stories of the Candyman spread througout |
| 00:13:58 |
They said the hate, that had killed the |
| 00:14:03 |
Hate generates hate! Evil breeds evil. |
| 00:14:08 |
But in death that... that hate, that evil |
| 00:14:12 |
...to reclaim what was taken away. |
| 00:14:21 |
Do any of you dare call his name? |
| 00:14:30 |
Do you? |
| 00:14:32 |
Daniel Robitaille was just a man. |
| 00:14:35 |
Ladies and gentlemen... |
| 00:14:36 |
Daniel Robitaille's |
| 00:14:39 |
Caroline McKeever, |
| 00:14:44 |
I think it's sad that this |
| 00:14:47 |
is overshadowed |
| 00:14:50 |
It's not who |
| 00:14:52 |
The soul of a good man |
| 00:14:56 |
That is what's real. |
| 00:14:58 |
He should be remembered |
| 00:15:01 |
His art... |
| 00:15:03 |
Not the terrible myth that has |
| 00:15:06 |
But... |
| 00:15:08 |
what about the Candyman, huh? |
| 00:15:11 |
How can you deny the stories? |
| 00:15:12 |
- I don't believe in him or the stories. |
| 00:15:15 |
- it's gonna be... |
| 00:15:16 |
Why not? |
| 00:15:18 |
You afraid he might appear? |
| 00:15:23 |
No. |
| 00:15:24 |
But in the back of your mind |
| 00:15:32 |
Well? |
| 00:15:41 |
Candyman... |
| 00:15:43 |
Candyman... |
| 00:15:46 |
Candyman... |
| 00:15:49 |
Candyman... |
| 00:15:53 |
Candyman... |
| 00:16:01 |
See? |
| 00:16:02 |
Nothing. |
| 00:16:04 |
Do not tempt |
| 00:16:06 |
For the hour of dead. |
| 00:16:08 |
- Is at hand! |
| 00:16:10 |
He will come for you... |
| 00:16:12 |
- He will come for you. |
| 00:16:14 |
He will come for you! |
| 00:16:16 |
He will come for you... |
| 00:16:27 |
Hey... |
| 00:16:30 |
I'm sorry. I guess things |
| 00:16:32 |
I... I'll be fine. |
| 00:16:34 |
Cool. |
| 00:16:36 |
Miguel? |
| 00:16:38 |
Yeah, baby, |
| 00:16:40 |
New friend? |
| 00:16:42 |
Lina... something. |
| 00:16:44 |
- You're pathetic. |
| 00:16:47 |
Mira, do me a favor and put this on |
| 00:16:57 |
Oh my God... |
| 00:16:58 |
Mickey! |
| 00:17:00 |
Mickey? |
| 00:17:01 |
Mickey! |
| 00:17:06 |
And the award for the best actor goes to |
| 00:17:12 |
Hey, I'm sorry if I scared you, |
| 00:17:15 |
You're an actor? |
| 00:17:16 |
- A very well-paid actor. |
| 00:17:18 |
I'll take that. |
| 00:17:20 |
Hey, you ok? |
| 00:17:22 |
- You're so fucked. |
| 00:17:24 |
But you have to admit |
| 00:17:25 |
We had that Melrose crowd |
| 00:17:28 |
- I'm out of here! |
| 00:17:30 |
Come on, Caroline, |
| 00:17:33 |
- Don't you need a ride home? |
| 00:17:35 |
Ay... caramba. |
| 00:17:38 |
She's cute, man. |
| 00:17:50 |
You better watch |
| 00:17:52 |
It's dark in here. |
| 00:18:34 |
C A R O L I N E... |
| 00:19:20 |
Caroline... |
| 00:19:24 |
You doubted me... |
| 00:19:27 |
And yet you call my name... |
| 00:19:31 |
Who are you? |
| 00:19:34 |
Your past... |
| 00:19:36 |
Your present... |
| 00:19:38 |
Your future... |
| 00:19:41 |
Your blood... |
| 00:19:46 |
What do you want? |
| 00:19:50 |
I... |
| 00:19:53 |
came... |
| 00:19:55 |
for you... |
| 00:20:02 |
Believe... |
| 00:20:04 |
in me... |
| 00:20:44 |
Mickey? |
| 00:20:46 |
Mickey, it's Caroline. |
| 00:21:09 |
Mickey? |
| 00:21:18 |
Son of a bitch! |
| 00:21:27 |
Miguel? |
| 00:21:31 |
That gross! |
| 00:21:33 |
Yes, sauce. |
| 00:21:36 |
It's Caroline! |
| 00:21:38 |
Mickey, are you here? |
| 00:21:45 |
Get this off... |
| 00:21:57 |
Miguel? |
| 00:22:01 |
Miguel? |
| 00:22:16 |
Get them away! |
| 00:22:21 |
What the fuck's going on? |
| 00:22:23 |
What the fuck's going on? Oh, putamadre! |
| 00:22:27 |
Oh, fuck! |
| 00:22:29 |
Oh, fuck! |
| 00:22:32 |
Help me! |
| 00:22:38 |
Help me!... |
| 00:23:56 |
Miss McKeever... |
| 00:23:57 |
I'm detective Jamal Matthews. |
| 00:24:01 |
Hi. |
| 00:24:04 |
Miss McKeever? |
| 00:24:07 |
I already told them everything. |
| 00:24:13 |
Miss McKeever... |
| 00:24:15 |
Why don't we go out |
| 00:24:17 |
We need to talk. |
| 00:24:19 |
I already told them |
| 00:24:21 |
Look I know, |
| 00:24:24 |
- Maybe we can get a cup of coffee. |
| 00:24:37 |
- Beaner's doing pretty good for himself. |
| 00:24:39 |
- Then he goes and gets himself killed. |
| 00:24:45 |
We got it from here, Jamal, |
| 00:24:47 |
Take a hike. |
| 00:24:49 |
Look, we're taking care of it, |
| 00:24:58 |
We investigated |
| 00:25:00 |
involving the victim. |
| 00:25:02 |
We got primary. |
| 00:25:05 |
Like he said, Jamal... why |
| 00:25:09 |
- What, the hell, did you say to me? |
| 00:25:12 |
That's right, sweetheart. |
| 00:25:27 |
Det Sacco? |
| 00:25:31 |
Caroline McKeever? |
| 00:25:39 |
I'm detective Samuel Kraft. |
| 00:25:44 |
I'm sorry, Caroline. |
| 00:25:47 |
questions regarding, what you told |
| 00:25:52 |
You said that a male hispanic... |
| 00:25:57 |
was the last person, |
| 00:26:00 |
You said that he was carrying |
| 00:26:04 |
It was a prop... |
| 00:26:06 |
A meat hook. |
| 00:26:09 |
He was an actor. |
| 00:26:10 |
I have witnesses that say |
| 00:26:15 |
It was an act. He was an actor. |
| 00:26:20 |
Tell me about... |
| 00:26:22 |
The Candyman... |
| 00:26:27 |
The Candyman? |
| 00:26:28 |
We just came from Miguel's gallery. |
| 00:26:31 |
The place had been broken into. |
| 00:26:36 |
Stolen? |
| 00:26:37 |
We think the robbery |
| 00:26:40 |
Someone obsessed with this killer. |
| 00:26:43 |
This Candyman. |
| 00:26:47 |
There's no such thing as the Candyman. |
| 00:27:10 |
You wanna be alone? |
| 00:27:13 |
My roomate's upstairs. |
| 00:27:15 |
Here's my home number... |
| 00:27:17 |
If you can think of anything else, |
| 00:27:22 |
Day or night. |
| 00:27:24 |
Hey... |
| 00:27:26 |
We used to give Miguel |
| 00:27:28 |
underneath it all, |
| 00:27:32 |
I'm sorry about what happened. |
| 00:27:35 |
Thanks. |
| 00:27:52 |
"Underneath it all... |
| 00:27:53 |
We liked him"? |
| 00:27:55 |
What's that crock of shit? |
| 00:27:57 |
Oh, you trying to get |
| 00:27:59 |
Let's go... |
| 00:28:00 |
Next you'll be showing up |
| 00:28:04 |
- She's a witness. |
| 00:28:47 |
Shit. |
| 00:29:09 |
Caroline... |
| 00:29:13 |
Oh my God. |
| 00:29:14 |
Tamara! |
| 00:29:16 |
Who are you? |
| 00:29:18 |
Get... Get away from me... |
| 00:29:21 |
Oh my God. |
| 00:29:25 |
Oh my God! |
| 00:29:27 |
Oh, no, no. |
| 00:29:28 |
Oh my God! |
| 00:29:32 |
- Don't! Oh, please! |
| 00:29:36 |
Don't kill me! |
| 00:29:46 |
I got the part! |
| 00:29:51 |
It's a horror movie... |
| 00:29:54 |
Are you ok? |
| 00:30:31 |
God... |
| 00:30:33 |
Help me! |
| 00:30:36 |
Help me! |
| 00:30:40 |
Help... |
| 00:30:43 |
Caroline... they're shooting |
| 00:30:46 |
and I left the production |
| 00:30:57 |
They're gonna find out |
| 00:31:12 |
It was him... |
| 00:31:15 |
I called his name and he came... |
| 00:31:24 |
My mother knew it. |
| 00:31:26 |
The night she died... |
| 00:31:28 |
She'd called his name. |
| 00:31:36 |
You must destroy the myth... |
| 00:31:40 |
As long as people believe... |
| 00:31:42 |
As long as they... |
| 00:31:44 |
call his name... |
| 00:31:50 |
He will always come back. |
| 00:31:53 |
It's ok, mom. |
| 00:31:56 |
It's ok. |
| 00:31:59 |
Two hours later she was dead. |
| 00:32:03 |
Caroline, I want you to stop this. |
| 00:32:07 |
Your mother committed suicide... |
| 00:32:10 |
- I don't know any more. |
| 00:32:12 |
I saw him kill Mickey. |
| 00:32:13 |
No, no, you found |
| 00:32:15 |
You couldn't deal with it, |
| 00:32:18 |
Some nut-job... |
| 00:32:19 |
obsessed with the Candyman |
| 00:32:21 |
And the police |
| 00:32:23 |
And it's not gonna be some guy |
| 00:32:28 |
I'm sorry. |
| 00:32:33 |
Do you want me to stay? |
| 00:32:41 |
Well, you page me if you need me. |
| 00:33:10 |
What, the hell, |
| 00:33:15 |
The've been playing "good cop, |
| 00:33:18 |
Turned my shit inside out. |
| 00:33:19 |
I'm sorry, but I just told them the truth. |
| 00:33:23 |
Right... an actor, not a killer. |
| 00:33:26 |
We went to the same school |
| 00:33:28 |
I loved Miguel, I wouldn't kill him. |
| 00:33:31 |
Then you've nothing |
| 00:33:33 |
But Miguel and Lina |
| 00:33:35 |
If it's the same hook I had |
| 00:33:37 |
It's got my fingerprints on it. |
| 00:33:39 |
- I'm screwed. |
| 00:33:42 |
What fucking planet |
| 00:33:45 |
You know what they say |
| 00:33:47 |
He's been investigated 5 times |
| 00:33:51 |
He likes to close the case, |
| 00:33:54 |
And in his mind I'm just another wetback. |
| 00:33:58 |
it's miller time... |
| 00:33:59 |
He's closed the case; |
| 00:34:02 |
and I'm up in chino doing life. |
| 00:34:05 |
Look, I'm innocent... |
| 00:34:07 |
I didn't do this... |
| 00:34:09 |
I know... |
| 00:34:11 |
I'm sorry. |
| 00:34:16 |
Hell, if they done their... |
| 00:34:18 |
fucking job. |
| 00:34:20 |
Word on the street is: A gang... broke |
| 00:34:24 |
They probably killed |
| 00:34:26 |
A gang? |
| 00:34:28 |
What gang? |
| 00:34:29 |
- I don't know yet. |
| 00:34:32 |
The gallery's in Boyle Heighst. |
| 00:34:34 |
you don't go outta your way |
| 00:34:37 |
Well... we have to find them. |
| 00:34:39 |
Find who? |
| 00:34:40 |
We have to find that gang. |
| 00:34:42 |
What, the hell, |
| 00:34:44 |
If we can find them and prove that |
| 00:34:48 |
Not you... |
| 00:34:50 |
Not anybody. |
| 00:35:05 |
Hey Sac, have we found |
| 00:35:07 |
No. Still looking. |
| 00:35:09 |
Hey, you know that |
| 00:35:12 |
Do a backround check. |
| 00:35:14 |
What's wrong, Sam? |
| 00:35:15 |
- She didn't like the roses? |
| 00:35:18 |
Just check her out. |
| 00:35:37 |
We're looking for some cholos that |
| 00:35:40 |
You need to find somebody |
| 00:35:42 |
- Tino? |
| 00:35:43 |
But tell him you're my cousin, 'cause |
| 00:35:46 |
Cool. |
| 00:35:47 |
- Okay, later, primo, take care. |
| 00:35:49 |
- Thanks. |
| 00:35:51 |
Hey, this is a good one, man. |
| 00:36:01 |
What's the matter? |
| 00:36:03 |
It's... him. |
| 00:36:05 |
No, Miguel hired some taggers |
| 00:36:10 |
A few years ago, they found |
| 00:36:14 |
People in the neighborhood- |
| 00:36:16 |
That's why Miguel chose it. |
| 00:36:35 |
Efa... |
| 00:36:36 |
I'm looking for Tino. |
| 00:36:38 |
What do you want, sweetheart? |
| 00:36:41 |
I want to talk to him. |
| 00:36:43 |
One moment, pretty. |
| 00:36:49 |
I think she likes you. |
| 00:36:54 |
I... I've seen that guy before. |
| 00:36:57 |
Everybody in Boyle Heighst knows Tino. |
| 00:37:05 |
Hey boy! |
| 00:37:06 |
Hey, just hang, ok? |
| 00:37:21 |
- Flowers? Flowers for the dead. |
| 00:37:25 |
For the Day of the Dead. |
| 00:37:30 |
Flowers for the dead. |
| 00:37:32 |
Yes. Excuse me. |
| 00:38:11 |
I have shown you death... |
| 00:38:14 |
Yet still, you doubt me... |
| 00:38:17 |
In death... |
| 00:38:19 |
lies your destiny. |
| 00:38:39 |
Mom? |
| 00:38:58 |
Caroline... |
| 00:39:02 |
Our story shall be one... |
| 00:39:05 |
One... destiny... |
| 00:39:07 |
One family... |
| 00:39:10 |
One... blood. |
| 00:39:14 |
No. |
| 00:39:17 |
No. |
| 00:39:22 |
Easy. |
| 00:39:23 |
You ok? |
| 00:39:27 |
That's everything. |
| 00:39:31 |
I... thought I could convince |
| 00:39:35 |
But he does. |
| 00:39:39 |
He's haunted my family for years. |
| 00:39:43 |
And now he's come for me. |
| 00:39:47 |
Hey... |
| 00:39:53 |
Come on. There is somebody |
| 00:40:15 |
What're you doing, old man? |
| 00:40:16 |
- What're you doing here? |
| 00:40:23 |
Where are we going? |
| 00:40:25 |
You'll see. |
| 00:41:06 |
What's going on? |
| 00:41:25 |
Papi. |
| 00:41:30 |
- You're supposed to be in bed, huh? |
| 00:41:34 |
I told you never to listen in. |
| 00:41:35 |
But it's so much fun. |
| 00:41:39 |
This is my daughter Cristina. |
| 00:41:41 |
Hi. |
| 00:41:43 |
Ok. Let's go to the bed. |
| 00:41:45 |
- Ok. |
| 00:41:55 |
- She's beatiful, David. |
| 00:41:59 |
She's all I have |
| 00:42:08 |
David... |
| 00:42:16 |
Grandmother, how are you? |
| 00:42:21 |
I am waiting |
| 00:42:24 |
This is my grandmother. |
| 00:42:25 |
Grandmother, this is Carolina. |
| 00:42:28 |
Hi. |
| 00:42:35 |
You have brought her here |
| 00:42:39 |
My... my grandmother's |
| 00:42:42 |
She's a healer. |
| 00:42:43 |
You know, people in the |
| 00:42:44 |
when they have problems |
| 00:42:47 |
She can heal you. |
| 00:42:50 |
You know, |
| 00:42:55 |
Is that a good thing? |
| 00:42:56 |
Come on. |
| 00:43:02 |
Come close. |
| 00:43:36 |
Something hunts you. |
| 00:43:45 |
You don't wanna face the evil. |
| 00:43:52 |
But nobody escapes evil. |
| 00:43:59 |
You have to face it. |
| 00:44:09 |
Stand up. |
| 00:44:20 |
Speak the name of this evil. |
| 00:44:27 |
Do as she says. |
| 00:44:30 |
Say... |
| 00:44:31 |
...his name. |
| 00:44:36 |
Candyman. |
| 00:45:00 |
Very strong. |
| 00:45:03 |
VERY STRONG. |
| 00:45:07 |
Evil cannot exist without good... |
| 00:45:14 |
Without one, the other cannot exist. |
| 00:45:23 |
Grandmother... easy. |
| 00:45:26 |
Excuse me, I'll be right back. |
| 00:45:29 |
This way. |
| 00:45:30 |
Easy. |
| 00:46:30 |
Hello? |
| 00:46:31 |
Hey. |
| 00:46:33 |
- Ok. Sure, Tino. Thanks. |
| 00:46:37 |
I heard about him also |
| 00:46:40 |
if you call him 5 times, |
| 00:46:46 |
Hey Cristina, |
| 00:46:49 |
Yeah? Go to bed. |
| 00:46:52 |
I appreciate you bringing me here, |
| 00:46:55 |
I don't know |
| 00:46:56 |
Give her a... |
| 00:46:58 |
What are you doing, vato? |
| 00:46:59 |
- Hey man, get off me... |
| 00:47:01 |
You like hanging out |
| 00:47:02 |
because he's dangerous? |
| 00:47:04 |
- Remember what he did to Miguel. |
| 00:47:07 |
Let him go! |
| 00:47:09 |
You don't know what you're |
| 00:47:11 |
You don't know these people. |
| 00:47:13 |
I've been a cop |
| 00:47:15 |
Hey man, you got something on me? |
| 00:47:17 |
Otherwise get the fuck |
| 00:47:20 |
I'm watching you, vato. |
| 00:47:26 |
You make me sick. |
| 00:47:32 |
What, the fuck, are you looking at? |
| 00:47:34 |
Are you ok? |
| 00:47:36 |
Now you know why we don't get friendly |
| 00:47:41 |
Come on. |
| 00:47:50 |
Surrender to me. |
| 00:47:52 |
Witness my madness. |
| 00:47:54 |
In death you will become a legend. |
| 00:47:58 |
Stories of your death will be used |
| 00:48:03 |
Lovers will hold each other tight... |
| 00:48:08 |
Be my victim. |
| 00:48:14 |
Hey, look, I know |
| 00:48:16 |
But tommorow I'll com |
| 00:48:18 |
and we're gonna find these guys |
| 00:48:21 |
We both will. |
| 00:48:23 |
All right, I'll see you. |
| 00:48:24 |
David? |
| 00:48:25 |
Yeah? |
| 00:48:27 |
Could you stay a while? |
| 00:48:30 |
My roomate is still not in and... |
| 00:48:31 |
I don't wanna be alone. |
| 00:48:36 |
Sure. |
| 00:48:48 |
I see you've done these before. |
| 00:48:50 |
Well, a few more of these and all your |
| 00:48:54 |
Gimme your hand. |
| 00:48:55 |
No, no, no, no... I'm not drinking alone. |
| 00:49:05 |
Your turn. |
| 00:49:22 |
Oh, chihuahua! |
| 00:49:30 |
What exactly is the Day of the Dead? |
| 00:49:35 |
It's a day to honor |
| 00:49:37 |
You go to the cemetary |
| 00:49:41 |
- Get out of here. |
| 00:49:44 |
You go have a picnic |
| 00:49:47 |
to celebrate death as a part of living. |
| 00:49:58 |
I couldn't bring myself |
| 00:50:01 |
It was just too difficult. |
| 00:50:03 |
Reminds me that I'm all alone. |
| 00:50:07 |
And your father? |
| 00:50:08 |
Died before I was born. |
| 00:50:11 |
And you got no brothers, |
| 00:50:14 |
I'm the last one. |
| 00:50:18 |
I'm all alone. |
| 00:50:25 |
No, you're not. |
| 00:51:30 |
You won't know true extasy, |
| 00:51:34 |
until you've tasted death. |
| 00:51:37 |
David... |
| 00:51:40 |
No. |
| 00:51:42 |
Another daughter will be orphaned,... |
| 00:51:45 |
unless you surrender to me. |
| 00:51:48 |
Where is he? |
| 00:51:51 |
If he is... |
| 00:51:52 |
to live. |
| 00:51:54 |
You must come to me... |
| 00:51:57 |
Accept your destiny. |
| 00:52:00 |
Accept your fate. |
| 00:52:03 |
Be... |
| 00:52:05 |
my... |
| 00:52:06 |
victim. |
| 00:52:12 |
Wake up, baby. |
| 00:52:13 |
It's okay, you're just having |
| 00:52:16 |
- David? |
| 00:52:18 |
- No, he was here. He was here with me. |
| 00:52:23 |
- The Candyman has him. |
| 00:52:27 |
No, you don't understand. |
| 00:52:28 |
- The Candyman has him. |
| 00:52:31 |
He told me so. |
| 00:52:33 |
That's it. |
| 00:52:36 |
- I'm not crazy. |
| 00:52:38 |
but you need |
| 00:52:40 |
- You just need some help. |
| 00:52:44 |
The Candyman does not exist. |
| 00:52:47 |
You said so yourself. |
| 00:52:50 |
I was wrong? |
| 00:52:54 |
Here... |
| 00:52:55 |
David couldn't have left. |
| 00:52:58 |
- Tamara! |
| 00:53:32 |
Surrender... |
| 00:53:41 |
There is no reason... |
| 00:53:47 |
to live. |
| 00:54:00 |
God... |
| 00:54:01 |
Oh God! |
| 00:55:06 |
One last chance... |
| 00:55:08 |
Where is de la Paz? |
| 00:55:10 |
I told you. |
| 00:55:13 |
It was the Candyman... |
| 00:55:16 |
Hey! |
| 00:55:19 |
Sam... |
| 00:55:33 |
Head down and move |
| 00:55:46 |
Just relax, Sam. |
| 00:55:58 |
Jesus... |
| 00:56:00 |
Get a sense of humor. |
| 00:56:08 |
Where are you taking me? |
| 00:56:10 |
Los Angeles police station, |
| 00:56:14 |
I didn't kill her. |
| 00:56:17 |
I know. |
| 00:56:18 |
It was your uncle. No, no, no, |
| 00:56:22 |
Or maybe it was, huh... |
| 00:56:24 |
your mother. |
| 00:56:27 |
Annie Tarrant? |
| 00:56:29 |
That's right. We did a little |
| 00:56:32 |
New Orleans P.D. |
| 00:56:34 |
Seems your whole family was |
| 00:56:39 |
They'd be real proud of you. |
| 00:56:42 |
It was him. |
| 00:56:49 |
Ho, oh, oh shit! |
| 00:56:51 |
- What? |
| 00:57:08 |
Are you ok? |
| 00:57:18 |
Help me someone! |
| 00:57:22 |
Help me someone! |
| 00:57:33 |
They won't... |
| 00:57:35 |
believe you. |
| 00:58:12 |
Oh God... |
| 00:58:41 |
- Ain't done nothing. |
| 00:58:51 |
I cannot oblige you... |
| 00:58:54 |
to die. |
| 00:58:55 |
You alone |
| 00:58:59 |
But surrender to me,... |
| 00:59:01 |
and talk of your death... |
| 00:59:05 |
will live on the lips... |
| 00:59:07 |
of the faithful... |
| 00:59:09 |
forever. |
| 00:59:12 |
My congregation will whisper your name... |
| 00:59:15 |
in reverence. |
| 00:59:19 |
Thoughts of you |
| 00:59:25 |
Your memory... |
| 00:59:27 |
shall be... |
| 00:59:29 |
immortal. |
| 00:59:33 |
My altar... |
| 00:59:35 |
awaits your sacrifice. |
| 00:59:39 |
You must... |
| 00:59:41 |
come... |
| 00:59:42 |
to me. |
| 00:59:45 |
I will grant his life... |
| 00:59:49 |
for yours. |
| 01:00:08 |
La migra... |
| 01:00:11 |
No, I'm not immigration. |
| 01:00:13 |
It's Caroline. |
| 01:00:15 |
Open up! |
| 01:00:16 |
Abuela, please. |
| 01:00:18 |
David's in trouble, Abuela. |
| 01:00:22 |
Please. |
| 01:00:38 |
Can I use your bathroom, please? |
| 01:00:42 |
That way. |
| 01:01:16 |
My God... |
| 01:01:18 |
Cristina... |
| 01:01:20 |
come here now. |
| 01:01:24 |
Our Father, who art in heaven... |
| 01:01:42 |
who art in heaven... |
| 01:01:43 |
hallowed by Thy name. |
| 01:01:44 |
Thy kingdom come, Thy will be done. |
| 01:01:47 |
Abuela... |
| 01:01:48 |
Excuse me. |
| 01:01:51 |
Go to the next room. |
| 01:01:53 |
Hurry, later. |
| 01:02:04 |
Drink. |
| 01:02:09 |
Evil.. |
| 01:02:11 |
cannot exist... |
| 01:02:13 |
without good. |
| 01:02:16 |
Without one there is no other. |
| 01:02:20 |
Nothing left. |
| 01:02:22 |
You must destroy... |
| 01:02:26 |
the good. |
| 01:02:28 |
Without the good... |
| 01:02:30 |
the evil will die. |
| 01:02:34 |
There will be nothing... |
| 01:02:37 |
left. |
| 01:02:40 |
"The good"? |
| 01:02:41 |
I don't understand, Abuela. |
| 01:02:45 |
You... |
| 01:02:46 |
must find the good. |
| 01:02:51 |
What is his... good? |
| 01:03:18 |
The paintings. |
| 01:03:32 |
You guys... |
| 01:03:34 |
Check De la Paz' apartment. |
| 01:03:35 |
Let's go. Let's move it! |
| 01:03:43 |
It's Tino... |
| 01:03:47 |
Who is this? |
| 01:03:49 |
It's Caroline. |
| 01:03:52 |
Well, look... |
| 01:03:53 |
You know that gang you were looking for? |
| 01:03:55 |
It's not what you think. |
| 01:03:57 |
I got one of them here. |
| 01:03:58 |
You want him? |
| 01:04:00 |
Yeah. |
| 01:04:01 |
Tino, don't let him go anywhere. |
| 01:04:05 |
He ain't going nowhere. |
| 01:04:08 |
He wants to talk to you. |
| 01:04:14 |
Where is my papi? |
| 01:04:22 |
Don't let the Candyman take him away... |
| 01:04:26 |
Oh Cristina, I won't. |
| 01:04:28 |
Don't worry. |
| 01:04:46 |
Open up... Police. |
| 01:04:47 |
Cristina, I need another way out of here. |
| 01:04:49 |
I know. The back door. |
| 01:04:53 |
Come on. Open up... |
| 01:04:55 |
Or I'll break the door down. |
| 01:05:11 |
I just saw the Coroner's pictures |
| 01:05:15 |
Somehow, this chick |
| 01:05:17 |
and rips the guy twice her size to shreds. |
| 01:05:21 |
Gives a whole new meaning to P.M.S. |
| 01:05:41 |
That's it. Go and do your own damn job. |
| 01:05:44 |
Spread out and find her! |
| 01:05:47 |
Shit! |
| 01:06:33 |
Caroline... |
| 01:06:36 |
Give yourself to me! |
| 01:06:50 |
Just like your mother did. |
| 01:06:58 |
It's ok, honey. |
| 01:07:01 |
I'm here. |
| 01:07:33 |
Move! Get out of my way! |
| 01:07:34 |
Move it! |
| 01:07:36 |
Come on! Move it out. |
| 01:07:38 |
Move it out. |
| 01:07:39 |
Get out of my way! |
| 01:07:40 |
Move it! |
| 01:07:42 |
Move! |
| 01:07:44 |
Turn around! |
| 01:07:48 |
Put your hands on your head! |
| 01:07:52 |
Where is she? |
| 01:07:54 |
Where, the fuck, is she? |
| 01:07:57 |
Tell me where she is! |
| 01:07:58 |
Back off, Kraft! |
| 01:08:01 |
Get away from me, boy. |
| 01:08:05 |
Shit. |
| 01:08:08 |
Nice shot. |
| 01:08:10 |
Get his drunk, racist ass, |
| 01:08:12 |
Get him outta here. |
| 01:08:14 |
All right, spread out. |
| 01:08:36 |
Tino... |
| 01:08:37 |
the skinny huera again. |
| 01:08:40 |
Is this the chick? |
| 01:08:41 |
Yes. |
| 01:08:44 |
Where are paintings? |
| 01:08:45 |
I'll take you to them. |
| 01:08:46 |
Don't you, fucking, worry. |
| 01:08:50 |
Some sick shit's |
| 01:08:52 |
Take you there right now. |
| 01:09:00 |
Hey huerita! |
| 01:09:03 |
You be careful. |
| 01:09:07 |
Chingado crazy. |
| 01:09:21 |
Right here. |
| 01:09:23 |
They're all there |
| 01:10:16 |
I'm glad you can make it. |
| 01:10:33 |
Look, there's papi. |
| 01:10:36 |
You said you wouldn't |
| 01:10:41 |
No... |
| 01:10:52 |
Somebody is awake... |
| 01:10:58 |
I got you. |
| 01:11:00 |
Fooled you, didn't I? |
| 01:11:02 |
You and that fat mexican fuck. |
| 01:11:06 |
You didn't know, did you? |
| 01:11:08 |
None of you did. |
| 01:11:09 |
I brought you here... |
| 01:11:13 |
to him! |
| 01:11:15 |
Him! |
| 01:11:16 |
Tonight we HONOR him. |
| 01:11:18 |
It's the Day of the Dead. |
| 01:11:22 |
We had an epiphany... |
| 01:11:24 |
at the gallery. |
| 01:11:26 |
His myth... |
| 01:11:27 |
called to us. |
| 01:11:30 |
A reflection of the evil... |
| 01:11:34 |
He came back... |
| 01:11:35 |
- to shed innocent blood. |
| 01:11:39 |
if not for shedding... |
| 01:11:42 |
Poetry... |
| 01:11:46 |
We... |
| 01:11:49 |
are his new congregation. |
| 01:11:51 |
Believers... of his myth. |
| 01:11:55 |
We will keep the myth alive... |
| 01:11:58 |
...so others will believe. |
| 01:12:03 |
We are the faithful. |
| 01:12:04 |
You're responsible |
| 01:12:07 |
If there wasn't for his art, |
| 01:12:11 |
Called his name. |
| 01:12:19 |
Do you dare... |
| 01:12:21 |
call his name? |
| 01:12:33 |
Candyman. |
| 01:12:35 |
Candyman. |
| 01:12:38 |
Candyman. |
| 01:12:42 |
Candyman. |
| 01:12:48 |
Candyman. |
| 01:13:03 |
He's here. |
| 01:13:14 |
Candyman. |
| 01:13:18 |
Believe... |
| 01:13:52 |
Come to me... |
| 01:13:59 |
His life... |
| 01:14:01 |
for yours. |
| 01:14:09 |
Be... |
| 01:14:11 |
my victim. |
| 01:15:24 |
You took them. |
| 01:15:27 |
You took them! |
| 01:15:30 |
You took everything from me! |
| 01:15:33 |
My family! |
| 01:15:34 |
My mother! |
| 01:15:48 |
I hope you burn in hell! |
| 01:16:17 |
Take my shield... |
| 01:16:18 |
for one |
| 01:16:19 |
little fuckup. |
| 01:16:24 |
One little fuckup! |
| 01:16:32 |
You know... |
| 01:16:34 |
I'll fucking show 'em. |
| 01:16:36 |
I'll show those fucking assholes. |
| 01:19:08 |
David? |
| 01:19:17 |
David! |
| 01:19:45 |
God. |
| 01:19:58 |
I'm here. |
| 01:20:00 |
What has he done to you? |
| 01:20:02 |
David... |
| 01:20:03 |
I'm going to get you help. |
| 01:20:08 |
Caroline... |
| 01:20:11 |
Your life... |
| 01:20:13 |
for his. |
| 01:20:17 |
You cannot fight it, Caroline. |
| 01:20:31 |
Caroline... |
| 01:20:37 |
see... |
| 01:20:38 |
what the've taken from me. |
| 01:20:45 |
Feel... |
| 01:20:46 |
my pain. |
| 01:21:05 |
Be... |
| 01:21:06 |
my... |
| 01:21:08 |
victim. |
| 01:21:37 |
Come to me... |
| 01:21:41 |
Do not fear the pain. |
| 01:21:44 |
It will be but momentary. |
| 01:21:47 |
In death there will be release... |
| 01:21:51 |
peace. |
| 01:21:53 |
Our legends will be |
| 01:21:57 |
Written on the walls. |
| 01:22:03 |
Immortality... |
| 01:22:05 |
shall be yours. |
| 01:22:09 |
The last of my descendants... |
| 01:22:14 |
will finally be with me. |
| 01:22:17 |
At last... |
| 01:22:19 |
I will have... |
| 01:22:20 |
what was taken from me so many... |
| 01:22:23 |
many years ago. |
| 01:22:27 |
My dignity... |
| 01:22:30 |
my destiny... |
| 01:22:33 |
my blood. |
| 01:23:22 |
Behold... |
| 01:23:25 |
your end. |
| 01:23:47 |
Noo! |
| 01:23:49 |
Caroline. |
| 01:23:55 |
Caroline. |
| 01:23:59 |
Do not forsake me... |
| 01:24:03 |
Caroline. |
| 01:24:11 |
Caroline! |
| 01:24:17 |
Do not betray me! |
| 01:24:23 |
Caroline! |
| 01:25:21 |
Don't move. |
| 01:25:23 |
I'm gonna get some help. |
| 01:25:24 |
Where am I? |
| 01:25:27 |
You're going to be ok. |
| 01:25:28 |
Everythings gonna be ok. |
| 01:25:53 |
Look at you... |
| 01:25:56 |
You disgust me. |
| 01:25:59 |
Making nice to the wetback. |
| 01:26:02 |
After you cut him up. |
| 01:26:04 |
You don't understand. |
| 01:26:06 |
Oh, I understand. |
| 01:26:09 |
I understand |
| 01:26:14 |
You don't understand. |
| 01:26:15 |
I'm gonna split you open |
| 01:26:20 |
Don't do this; |
| 01:26:21 |
it was the Candyman. |
| 01:26:26 |
I'm the Candyman. |
| 01:26:36 |
Miss McKeever? |
| 01:26:37 |
Miss McKeever, you ok? |
| 01:26:43 |
All right. |
| 01:26:44 |
Just relax. |
| 01:26:51 |
Candyman. |
| 01:27:08 |
You must destroy the myth. |
| 01:27:13 |
Kraft was the Candyman. |
| 01:27:18 |
It was him. |
| 01:27:21 |
After an exhaustive year-long |
| 01:27:24 |
the department has come |
| 01:27:26 |
that lieutenant detective |
| 01:27:29 |
an officer |
| 01:27:30 |
of psychiatric |
| 01:27:32 |
was solely responsible |
| 01:27:35 |
now dubbed |
| 01:27:39 |
They all blame someone else |
| 01:27:42 |
I destroyed you. |
| 01:27:43 |
Your good and your evil. |
| 01:27:45 |
There's nothing left. |
| 01:27:47 |
There's no proof |
| 01:27:49 |
I destroyed the myth. |
| 01:27:51 |
No one will ever |
| 01:27:55 |
There's no such thing |
