Candyman

en
00:02:27 They will say
00:02:33 What's blood for
00:02:35 if not for shedding?
00:02:39 With my hook for a hand,
00:02:41 I'll split you from your groin
00:03:05 I came for you.
00:03:16 It's the scariest story
00:03:19 It happened a few years ago
00:03:23 Clara was babysitting for the Johnsons.
00:03:26 And Billy pulls up on his motorcycle.
00:03:29 She wasn't going out with Billy
00:03:34 But she always had the hots for Billy
00:03:39 And Michael was just... so nice.
00:03:42 So, anyway,
00:03:45 that she's gonna give Billy
00:03:49 - Have you ever heard of Candyman?
00:03:52 Well, his right hand is sawn off.
00:03:55 He has a hook
00:04:00 And if you look in the mirror
00:04:05 he'll appear behind you
00:04:09 You wanna try it?
00:04:13 So Billy began.
00:04:16 - He looked in the mirror and he said...
00:04:21 Candyman.
00:04:25 Candyman.
00:04:28 Candyman.
00:04:36 No one ever got past four.
00:04:40 Not here.
00:04:43 Go downstairs.
00:04:55 She looked in the mirror and,
00:04:58 but she said his name the last time.
00:05:00 Candyman.
00:05:03 She turned out the lights...
00:05:08 What he saw
00:05:12 Killed her, split her open with his hook
00:05:16 and then killed the baby too.
00:05:18 Billy got away, but
00:05:21 soon after, he went crazy.
00:05:24 My roommate's boyfriend knows him.
00:05:34 So, when did you first hear this story?
00:05:36 My friend heard it on the radio.
00:05:39 The babysitterjust roasted the kid,
00:05:44 So, what's the deal? You guys doing
00:05:48 - Something like that.
00:05:52 - All right.
00:05:54 No problem.
00:05:56 - See ya.
00:06:00 See ya.
00:06:03 They get younger every day.
00:06:08 Does anybody remember
00:06:12 When they got big,
00:06:16 They live in the sewers now.
00:06:20 Where did this happen?
00:06:22 Miami. They went blind
00:06:27 It wasn't Miami, it was New York.
00:06:31 Then it must be true.
00:06:34 Why would Danny and Diane both
00:06:39 in two cities 1,000 miles apart?
00:06:43 Let's face it, folks.
00:06:48 No, it's round the campfire,
00:06:53 These stories are modern, oral folklore.
00:06:58 They are the unselfconscious reflection
00:07:03 That's lunch.
00:07:22 ...primordial reptile.
00:07:24 It's a monster, right? Why?
00:07:29 Ouch. Ooh. Eugh.
00:07:32 - Ah, the dashing professor.
00:07:35 Hello.
00:07:37 Helen, the créme de la créme.
00:07:42 - Hi.
00:07:45 Keep up the good work.
00:07:48 - Thanks. Bye.
00:07:52 Bye.
00:07:58 See ya.
00:08:04 So you wanna tell me about this girl?
00:08:08 She could barely look me in the eyes,
00:08:13 Well, I guess that's because
00:08:16 All those bursting adolescent hormones.
00:08:21 - You don't really think...
00:08:24 Good. I should hope not.
00:08:29 Trevor...
00:08:31 You said you wouldn't do urban legends
00:08:35 You knew Bernadette and I were gathering
00:08:39 Honey, you can't expect me
00:08:43 while the two of you
00:08:46 - I have a curriculum to follow.
00:08:49 Well? So don't be mad at me.
00:08:56 If you look in the
00:09:00 he'll appear behind you
00:09:12 - Can I clean the room?
00:09:15 So Billy began.
00:09:19 "Candyman, Candyman, Candyman... "
00:09:25 Candyman, huh?
00:09:28 - Have you heard of him?
00:09:33 Yes, I am. What have you heard?
00:09:35 Everybody's scared of him
00:09:38 He live over at Cabrini.
00:09:42 - Cabrini-Green?
00:09:44 I don't know too much about it,
00:09:48 Her cousin live at Cabrini.
00:09:51 They say he killed a lady.
00:09:53 - Can I talk to you friend?
00:10:01 - Kitty?
00:10:03 - Lady down here wanna talk to you.
00:10:09 She comin'.
00:10:15 I'm Helen Lyle.
00:10:16 Pleased to meet you.
00:10:19 - And this is Kitty Culver.
00:10:21 Tell her about the Candyman.
00:10:24 All I know was there was some lady
00:10:29 - Do you remember her name?
00:10:33 She heard this bangin' like somebody
00:10:37 So Ruthie called 911 and said there's
00:10:42 They didn't believe her.
00:10:44 - They thought she was crazy.
00:10:46 So she called 911 again,
00:10:51 When they finally got there,
00:10:54 - Was she shot?
00:10:58 Um, she was killed with a hook.
00:11:03 It's true.
00:11:05 I read it in the papers.
00:11:10 Yeah, but I don't know
00:12:11 This is sick.
00:12:14 A woman got killed here. Jesus.
00:12:16 That's not the half of it.
00:12:20 That's Cabrini-Green,
00:12:23 No kidding.
00:12:26 - A kid got shot there the other day.
00:12:29 Look carefully at this picture.
00:12:32 And then this one.
00:12:41 You spot it?
00:12:44 No.
00:12:46 That's not Cabrini-Green.
00:12:50 My apartment was built
00:12:54 - No?
00:12:56 Now take a look at this.
00:13:08 The city realised there was no barrier
00:13:13 Unlike the highway and the El train
00:13:17 Exactly.
00:13:19 They covered the cinder block in plaster
00:13:24 - How much did you pay for this place?
00:13:31 Now wait till you see this.
00:13:35 Here's the proof.
00:13:42 The killer, or killers,
00:13:44 they don't know which, smashed through
00:13:48 See, there's no wall there.
00:13:50 Only a medicine chest
00:13:55 There could be somebody on the toilet!
00:13:58 - The apartment's vacant.
00:14:02 There.
00:14:04 OK. Now take a look.
00:14:10 That is amazing.
00:14:13 - What?
00:14:15 There's nobody there.
00:14:17 - Psyche.
00:14:22 - You didn't scare me at all.
00:14:30 You don't believe all
00:14:33 I don't. Do you?
00:14:35 No.
00:14:39 All right.
00:14:40 Candyman, Candyman, Candyman,
00:14:44 Candyman...
00:14:48 Candyman.
00:14:51 Oh, you chicken!
00:14:54 You have to do it five times.
00:15:20 Trevor?
00:15:31 - Oh, Trevor!
00:15:36 - What time is it?
00:15:42 Sorry I scared you.
00:16:16 What's with the arsenal?
00:16:20 - You got us dressed up like cops.
00:16:24 No, we look like cops.
00:16:26 - Why are you trying to scare me?
00:16:29 I just want you to know the gangs
00:16:36 OK, let's just turn around.
00:16:38 We can write a boring thesis
00:16:42 about urban legend.
00:16:48 We've got a real shot here, Bernadette.
00:16:51 A community attributes the daily horrors
00:16:58 If Trevor and Archie were here,
00:17:01 - In a second.
00:17:06 All right.
00:17:49 - You wanna wait here for me?
00:17:53 Well, then let's go.
00:17:59 - Check 'em out.
00:18:05 Hey, now.
00:18:07 Want somethin', baby?
00:18:11 Say, yo, mama.
00:18:14 Yo, baby.
00:18:17 - Which way you goin'?
00:18:20 Yeah?
00:18:22 - You can't come up in here.
00:18:26 - Just going up to see a friend.
00:18:30 Look like Five-O to me.
00:18:32 Ask blondie where she goin'.
00:18:35 - Who you goin' to see?
00:18:40 Where you all goin' there?
00:18:46 Heads up, people.
00:18:51 It's OK. They think we're cops.
00:19:01 Hang on.
00:19:24 - Look at this.
00:19:29 "Sweets to... "
00:19:33 - "The sweet. "
00:19:37 - Hurry up, Helen.
00:19:48 - Sorry.
00:19:54 - Here it is.
00:20:00 Come on.
00:20:04 Jesus, it stinks.
00:20:14 I was right.
00:20:17 Which means that the bathroom
00:20:20 - Helen...
00:20:22 A woman died in there.
00:20:33 It's all right.
00:20:45 - Wait.
00:20:47 Yeah.
00:20:55 - Well, we found it. Let's go.
00:21:03 OK. Hang onto this.
00:21:08 I'm just gonna go through.
00:21:10 - Then we're outta here.
00:21:13 It's a derelict apartment.
00:21:14 What if somebody's
00:21:17 You gonna apologise
00:21:21 All right. Let's listen.
00:21:29 - There's nobody in there.
00:21:32 Hurry up. Be careful.
00:21:44 Give me the camera.
00:21:47 - You got five minutes.
00:22:46 Damn it.
00:23:48 Bernadette! Sorry.
00:23:51 - I ran out of film. I gotta go back.
00:23:53 - You can't...
00:24:05 Hey, what y'all doin' in there?
00:24:08 We're just leaving.
00:24:10 - You here for the sweets?
00:24:15 - We're from the university.
00:24:19 Goin' through people's apartments
00:24:21 My name is Helen Lyle.
00:24:24 We're doing a thesis, and we were
00:24:29 Here. This is my card.
00:24:35 My baby.
00:24:38 Come on. Let's go.
00:24:44 Whites don't ever come here,
00:24:48 Believe me, that's not
00:24:56 Let's go in.
00:25:07 So you're doing a study?
00:25:10 What you gonna say?
00:25:15 We steal? We gang-bang?
00:25:18 We all on drugs, right?
00:25:22 We ain't all like
00:25:25 I just wanna raise my child good.
00:25:28 - He's a beautiful little boy.
00:25:33 - What's his name?
00:25:39 I'm Anne-Marie.
00:25:43 Anne-Marie McCoy.
00:25:45 - Nice to meet you.
00:25:47 - We'll just get out of your way.
00:25:51 I don't mean to be rude. It's...
00:25:53 You know, the white folks
00:25:57 ain't too handshakin' with us.
00:26:00 - Hey, what you doin'?
00:26:05 Making a mess here, huh?
00:26:08 Thank you. Thanks.
00:26:11 - You got kids?
00:26:15 Hey...
00:26:17 Got my eye on this one, big time.
00:26:19 Yeah.
00:26:32 You wanna know about Ruthie Jean?
00:26:36 They all been here, you know?
00:26:40 Case workers. They all wanna know.
00:26:46 I heard her screamin'.
00:26:50 I heard her right through the walls.
00:26:54 I dialled 911.
00:26:58 Nobody came.
00:27:03 He come right through these walls,
00:27:06 I- I'm scared.
00:27:09 Scared for my child.
00:27:14 - They ain't never gonna catch him.
00:27:19 Candyman.
00:27:26 If they saw something they liked,
00:27:29 They thought it was rude to point.
00:27:32 - What did they do?
00:27:36 Spat over people.
00:27:40 - Be nice.
00:27:43 So how are the two most beautiful
00:27:47 Trevor tells me you've been dabbling
00:27:53 I can't wait to review your data.
00:27:56 We're not ready yet.
00:27:59 That's the moment at which
00:28:03 Before you disappear down a path
00:28:07 I think I've been there.
00:28:10 Actually, Purcell,
00:28:13 - Helen...
00:28:17 We'll have something for you soon.
00:28:19 - We only went to Cabrini today, and...
00:28:25 Candyman country.
00:28:29 If you're after the hook man, read the
00:28:34 You do know the story, don't you?
00:28:37 No...
00:28:46 Then how are you going to bury me?
00:28:52 The legend first appeared in 1890.
00:28:57 Candyman was the son of a slave.
00:29:00 His father had amassed a considerable
00:29:05 for the mass-producing of shoes
00:29:09 Candyman had been
00:29:12 and had grown up in polite society.
00:29:16 He had a prodigious talent
00:29:21 and was much sought after when it came
00:29:26 and position in society in a portrait.
00:29:30 It was in this latter capacity
00:29:33 that he was commissioned
00:29:36 to capture
00:29:41 Well, of course,
00:29:44 and she became pregnant.
00:29:47 Hmph.
00:29:49 Poor Candyman.
00:29:55 The father executed
00:29:59 He paid a pack of brutal hooligans
00:30:04 They chased Candyman
00:30:09 where they proceeded to saw off
00:30:15 No one came to his aid.
00:30:19 But this was just the beginning
00:30:22 Nearby there was an apiary. Dozens
00:30:30 They smashed the hives
00:30:34 ...and smeared it
00:30:40 Candyman was stung to death
00:30:45 They burned his body
00:30:48 and then scattered his ashes
00:31:05 Hello.
00:31:10 Anne-Marie ain't in.
00:31:13 - Are you sure?
00:31:25 What's your name?
00:31:27 Jake.
00:31:30 Well, listen, Jake,
00:31:33 I wanted to find out
00:31:37 Do you know anything about that?
00:31:39 Her name was Ruthie Jean.
00:31:42 I don't know nothin'.
00:31:44 Did anybody else talk about it?
00:31:49 It's OK to talk to me, Jake.
00:31:56 Cos I'm not a cop.
00:31:59 - So nobody's gonna get in trouble.
00:32:03 or Candyman'll get me.
00:32:06 Candyman, huh?
00:32:09 You scared of him?
00:32:11 I ain't scared of nobody.
00:32:14 But you're crazy
00:32:17 - It ain't safe around here.
00:32:23 But I don't scare
00:32:28 You know, you don't have to tell me.
00:32:31 You could just show me.
00:32:35 And if you show me where Candyman is,
00:32:39 It'll be our secret.
00:32:46 Unless you're too scared.
00:32:59 - Somebody building a bonfire?
00:33:21 In there.
00:33:23 - Candyman's in there?
00:33:26 A boy got killed there.
00:33:32 - Who was he?
00:33:34 Charlie tell me he was weird.
00:33:36 - He was crazy?
00:33:40 His mom was in the store.
00:33:44 And the boy
00:33:48 His mom was takin' her time,
00:33:52 So the boy started moanin'.
00:33:55 Sent him across the street.
00:33:57 His mom's at the checkout.
00:34:01 Mommy! Mommy!
00:34:04 There's a big tough guy.
00:34:10 Come out of there shakin'and cryin'.
00:34:13 He only been in there five seconds.
00:34:16 Come out of there
00:34:20 I mean, it turned white, just like that.
00:34:24 Was the boy murdered?
00:34:25 Worse. He's lyin' on the floor
00:34:30 Mommy! Mommy!
00:34:36 They found it floating in a toilet.
00:34:39 Can't fix that. Better off dead.
00:34:43 Did Candyman do this?
00:34:52 - Listen, you wait here for me, OK?
00:35:12 Hello?
00:36:26 Candyman.
00:36:45 Oh, excuse me.
00:36:47 I'm done here.
00:36:55 I don't want to interfere
00:36:58 I'm not a cop.
00:37:04 And...
00:37:07 Hey, come on! Let me go!
00:37:10 You're not being very smart.
00:37:12 My colleagues know where I am
00:37:15 Now let me go!
00:37:19 I hear you're lookin'
00:37:24 Well, you found him.
00:37:42 We hear you're looking
00:37:44 Step back.
00:37:49 Number four,
00:37:52 We hear you're looking
00:37:55 Step back.
00:37:59 Number five,
00:38:02 We hear you're looking
00:38:05 Step back. Take 'em out.
00:38:19 - Number five.
00:38:26 - How'd you catch him?
00:38:29 Start from the top floor, work down.
00:38:31 That way you can flush them all out.
00:38:34 Whole of Cabrini's locked down now.
00:38:36 You're lucky to be alive, Ms Lyle.
00:38:42 - Did he kill Ruthie Jean?
00:38:45 Killed that poor kid as well.
00:38:49 We knew everything about him.
00:38:52 We didn't bring him in before
00:38:56 We can't protect them down
00:39:01 What about the little boy? Jake?
00:39:04 We don't need him. We have you.
00:39:13 Hey, Jake.
00:39:21 I wanted to thank you
00:39:24 - I wanna go home.
00:39:28 - You did good.
00:39:31 - You lied.
00:39:34 You won't have to go to court.
00:39:38 Candyman will get me.
00:39:42 Candyman isn't real.
00:39:44 He's just a story.
00:39:47 You know, like Dracula or Frankenstein.
00:39:51 A bad man took his name
00:39:55 Now he's locked up.
00:39:59 Candyman ain't real?
00:40:02 No.
00:40:10 - Hey!
00:40:12 - You're supposed to be the invalid.
00:40:16 - Yeah, it looks great.
00:40:34 - You haven't eaten already, have you?
00:40:38 OK, good.
00:40:56 Hey, welcome back.
00:41:00 - Thanks.
00:41:03 I'm so glad you're OK.
00:41:06 You know what bugs me? Two people
00:41:11 A white woman's attacked,
00:41:14 Yeah, I know,
00:41:16 You got him put away.
00:41:20 Oh! I've got a surprise for you.
00:41:23 - What?
00:41:27 - The pictures.
00:41:33 I'd written them off.
00:41:36 And I've been talking
00:41:39 There's a lot of interest
00:41:42 We're gonna be published.
00:41:45 I'll come over tomorrow,
00:41:48 - Yeah.
00:42:27 Helen...
00:42:31 Yes.
00:42:33 Helen...
00:42:42 Who is that?
00:42:47 Who is that?
00:42:51 Helen...
00:42:52 I came for you.
00:43:14 Do I know you?
00:43:16 No...
00:43:18 No, but you doubted me.
00:43:22 - I'm sorry. I have to go.
00:43:31 But I'm late.
00:43:33 You are not content
00:43:36 so I was obliged to come.
00:43:46 Be my victim.
00:43:51 Be my victim.
00:43:57 I am the writing on the wall,
00:44:00 the whisper in the classroom.
00:44:03 Without these things,
00:44:07 So now I must shed innocent blood.
00:44:11 Come with me.
00:44:42 Anthony!
00:44:44 Anthony!
00:44:47 No, no! No...
00:45:02 Anthony! No!
00:45:05 - Anne-Marie?
00:45:09 - Stay back!
00:45:13 My baby!
00:45:20 Please, stop!
00:45:26 Now, stop! Stop!
00:45:29 Police! Open up!
00:45:31 Hold it right there!
00:45:36 Look out, look out!
00:45:54 Remove your sweater.
00:46:03 Drop it and slide it over to me.
00:46:09 Take off your brassiere.
00:46:13 Can I please take a shower?
00:46:19 Oh, God...
00:46:23 Drop it and slide it over to me.
00:46:29 Lift up your arms.
00:46:33 Lift your left breast.
00:46:36 Your right.
00:46:41 Remove your underwear.
00:46:43 Can I please speak
00:46:47 Remove your underwear.
00:46:52 Frank...
00:47:01 Ms Lyle, you're under arrest.
00:47:09 - Please let me explain.
00:47:15 - Yes, but...
00:47:18 Do you understand?
00:47:21 - This is crazy. I was attacked.
00:47:28 I understand.
00:47:30 At approximately 10pm, Anne-Marie McCoy
00:47:36 She discovered her dog
00:47:40 She cried for assistance, at which point
00:47:45 You were still in possession
00:47:48 when the arresting officers
00:47:51 Where's the baby?
00:47:55 - I-I don't know.
00:48:05 Before any further questions,
00:48:11 Yes or no?
00:48:15 I- I-I would like to make a phone call.
00:48:33 We can't take your call.
00:48:38 Trevor, are you there? Pick up.
00:48:43 It's an emergency, Trevor.
00:48:46 I've been arrested.
00:48:51 Can you please come pick me up?
00:48:54 That's it.
00:48:58 Do you know what time it is?
00:49:01 3am.
00:49:46 Oh, God.
00:49:48 There's gotta be another way out.
00:49:51 Cover her face.
00:49:54 OK.
00:49:57 You'll be fine. Stick with me.
00:50:01 - There she is!
00:50:09 - Right here!
00:50:12 Back off. We have no comment.
00:50:15 We have absolutely nothing to say.
00:50:17 My client has not been charged
00:50:19 ...information has indicated
00:50:22 that baby Anthony was abducted
00:50:25 The blood may have come from the dog.
00:50:28 A suspect was released
00:50:30 and I guess we'll just have to
00:50:34 Well, at least they didn't
00:50:42 They haven't charged you because
00:50:46 They're shooting for murder one,
00:50:48 but I don't think
00:50:56 - Do you think I did it?
00:51:01 But it's crossed your mind?
00:51:07 Is there anything,
00:51:11 that you can recall that would help us
00:51:16 I- I blacked out.
00:51:19 I don't know what happened.
00:51:21 I just woke up in that place,
00:51:43 Can I get you anything?
00:51:48 Are you sure?
00:52:00 Honey, I was supposed to go over
00:52:04 I'm concerned about leaving you alone.
00:52:09 - I'll be about 20 minutes.
00:52:15 Where were you last night?
00:52:18 I was here. Fast asleep.
00:52:20 I thought you were with Bernadette.
00:52:26 Look, honey, I'm gonna stand by you.
00:52:30 We're gonna get through this, OK?
00:52:35 I'll be right back.
00:55:50 Believe in me.
00:55:52 Be my victim.
00:56:05 Please...
00:56:09 Do you believe in me?
00:56:12 - Keep away from me!
00:56:16 Allow me to take you,
00:56:21 No.
00:56:25 Your disbelief destroyed
00:56:29 Without them, I am nothing.
00:56:31 So I was obliged to come.
00:56:34 And now I must kill you.
00:56:38 Your death will be a tale
00:56:41 to make lovers
00:56:47 Come with me and be immortal.
00:57:03 Helen?
00:57:06 Helen, it's Bernie.
00:57:09 Wh...
00:57:10 Bernadette?
00:57:15 Bernadette, go...
00:57:17 Helen.
00:57:20 Helen, honey, it's Bernadette.
00:57:23 He's here...
00:57:34 Bernadette... Go!
00:57:37 Helen!
00:57:39 Helen?
00:57:41 Go on! Get out!
00:57:46 Oh, no...
00:58:14 Trevor...
00:58:16 Trevor, he's here.
00:58:19 He's here. He's... here.
00:58:26 Don't let him kill me.
00:58:33 Trevor?
00:58:42 Trevor!
00:58:47 Trevor!
00:58:50 Trevor!
00:58:53 Trevor. Trevor!
00:58:56 - Hey, hey.
00:59:06 Take her outside.
00:59:10 Trevor...
00:59:12 Hold me, Trevor, please?
00:59:36 Why do you want to live?
00:59:39 If you would learn
00:59:42 you would not beg to live.
00:59:44 I am rumour.
00:59:47 It is a blessed condition,
00:59:50 To be whispered about
00:59:53 To live in other people's dreams
00:59:56 but not to have to be.
01:00:00 Do you understand?
01:00:28 Please, God,
01:00:56 Trevor!
01:01:00 Trevor?
01:01:03 Trevor!
01:01:20 Where are you going?
01:01:23 You can't leave me here.
01:01:47 No...
01:01:51 What do the good know,
01:01:53 except what the bad teach them
01:01:57 Murderer...
01:01:59 Allow me at least a kiss.
01:02:01 Just one exquisite kiss.
01:02:06 Murderer!
01:02:08 Help! He's under the bed!
01:02:13 Bring me 1,000 mills.
01:02:15 He's here. He's under the bed!
01:02:18 No... Don't...
01:03:21 She's coming around.
01:03:25 I'd like to speak to my husband.
01:03:27 So would I.
01:03:29 - There we go.
01:03:32 - Where are we going?
01:03:48 Clyde, open it up.
01:03:50 Whitley, Clyde, open it up.
01:03:54 What were you all doing back there?
01:03:59 Freak.
01:04:04 - Dr Burke?
01:04:10 Ms Lyle, I'm Dr Burke.
01:04:22 - I'd like to speak to my husband.
01:04:26 A visit?
01:04:28 Have I been committed?
01:04:35 Do you really think
01:04:41 Helen, this...
01:04:45 is a writ of detention
01:04:49 - For the past month...
01:04:51 Yes.
01:04:52 We've been stabilising you
01:04:56 You probably remember
01:04:59 - Get me my attorney.
01:05:04 We have to assess your ability
01:05:08 Helen, you've been charged
01:05:21 Why don't you tell me
01:05:53 The night you were admitted,
01:05:58 Murderer! Murderer!
01:06:01 Murderer! Help me!
01:06:07 He's here! He's under the bed!
01:06:12 I don't understand.
01:06:15 Help! Please! He's here!
01:06:17 Help me! Help me! Please!
01:06:21 - That...
01:06:24 That's not possible.
01:06:32 Bernadette.
01:06:44 I'm not capable of that.
01:06:51 No matter what's going wrong,
01:06:55 I know one thing.
01:06:58 no matter how hidden,
01:07:09 - I can prove it.
01:07:15 I can call him.
01:07:27 Candyman, Candyman,
01:07:30 Candyman, Candyman...
01:07:43 Candyman.
01:08:18 You're mine now.
01:08:22 Tonight our congregation
01:08:29 Ah...
01:08:44 Dr Burke?
01:08:50 Dr Burke?
01:08:52 Dr Burke, please answer.
01:08:57 Dr Burke!
01:09:28 Code nine,
01:09:32 Code nine,
01:09:37 Check the west wing!
01:09:40 - All clear!
01:09:43 Go, go, go!
01:09:48 We have
01:10:10 Please be home, Trevor.
01:11:09 Get out of my home.
01:11:13 Trevor!
01:11:15 What's the matter, sweetie pie?
01:11:20 What are you doing here?
01:11:23 I live here. Remember?
01:11:26 Call the hospital.
01:11:30 Don't touch the phone.
01:11:46 What's the matter, Trevor?
01:11:50 Scared of something?
01:12:03 I hate the colour scheme.
01:12:10 Were you going to wait
01:12:13 Helen...
01:12:16 You knew I was never coming out,
01:12:20 I think we should call the hospital.
01:12:26 OK.
01:12:30 Go on.
01:12:33 Go on.
01:12:35 Is that what you wanna do?
01:12:39 Call them.
01:13:05 I'm not a murderer.
01:13:08 I'm not...
01:13:11 Trevor, you were all I had left.
01:13:36 It's over.
01:13:49 If you'd like to make
01:14:13 They will all abandon you.
01:14:26 All you have left
01:18:10 Helen...
01:18:14 You came to me.
01:18:18 The child...
01:18:23 - We had a deal.
01:18:27 ...and he shall be unharmed.
01:18:41 - We have a bargain.
01:18:45 Do you fear the pain,
01:18:48 Both.
01:18:49 The pain, I can assure you,
01:18:53 As for our deaths,
01:18:58 Our names will be written
01:19:01 our crimes told and retold
01:19:07 We shall die together
01:19:11 and give them something
01:19:16 Come with me and be immortal.
01:19:33 No!
01:19:44 No...
01:20:01 Shh.
01:20:06 Shh.
01:20:07 You're mine now.
01:20:10 It's time for a new miracle.
01:21:32 It was always you, Helen.
01:21:35 It was always you.
01:22:51 He's here.
01:23:25 I'm coming.
01:23:33 - It's OK.
01:23:38 Oh... Yes.
01:23:43 What happened?
01:23:45 Candyman's in there.
01:23:49 Candyman's in there!
01:23:53 Shh.
01:23:58 I knew you'd come.
01:24:02 Burn him.
01:24:08 Hush.
01:24:09 Burn him! Burn him! Burn him!
01:24:15 Burn him!
01:24:19 Help!
01:24:21 Burn! Burn! Burn!
01:24:24 Help! Help me!
01:24:30 You lied to me.
01:24:32 We must be on our way now,
01:24:36 Our bones will soon be ashes,
01:24:38 and we shall never be separated again.
01:24:42 Let me go.
01:24:44 I cannot.
01:24:56 Helen!
01:25:31 Come back to me!
01:25:44 Come back!
01:26:53 We commend to Almighty God
01:26:55 and commit her body to the ground.
01:26:58 Earth to earth, ashes to ashes,
01:27:00 dust to dust.
01:27:02 The Lord bless her and keep her
01:27:07 God of holiness and power, accept our
01:27:11 Do not call her deeds against her,
01:27:13 for in her heart
01:27:16 Almighty God, bless you, the Father
01:27:30 My God.
01:27:34 Trevor?
01:28:47 Trevor?
01:28:50 What is it?
01:28:52 - Trevor, are you all right?
01:28:58 Aren't you hungry?
01:29:01 No, I'm OK. I'll eat later.
01:29:04 I was gonna make us a nice dinner.
01:29:07 OK. Whatever.
01:29:50 Hey, why don't you help me
01:29:54 OK. I'll be there in a minute.
01:30:17 Oh, Helen...
01:30:24 Helen...
01:30:31 Helen.
01:30:39 Helen.
01:30:41 Ow!
01:30:47 What's the matter, Trevor?
01:30:50 Scared of something?
01:31:01 Trevor...
01:31:03 My God, Trevor?
01:31:06 Trevor?
01:31:08 Trevor?