|
Captain Newman M
|
| 00:02:05 |
(HORN HONKING) |
| 00:02:07 |
Nurse! |
| 00:02:09 |
Will you call psycho ward |
| 00:02:13 |
his lousy flock's |
| 00:02:16 |
Okay! |
| 00:02:19 |
Let's go. |
| 00:02:32 |
Hendricks will drop |
| 00:02:35 |
Thanks, Captain. |
| 00:02:51 |
Six copies, please. |
| 00:02:53 |
I'm Lieutenant Alderson. |
| 00:02:54 |
I'm Larrabee, Lieutenant. |
| 00:02:56 |
Air Surgeon's Office |
| 00:02:58 |
Come on in. |
| 00:03:01 |
PYSER: Larrabee. |
| 00:03:03 |
Who the devil's in charge |
| 00:03:05 |
You or Dr. Newman? |
| 00:03:06 |
His Ward 7's got |
| 00:03:09 |
in the entire |
| 00:03:11 |
Psychosis, he says. |
| 00:03:15 |
Psychogenic syndrome! |
| 00:03:17 |
Colonel Pyser, |
| 00:03:20 |
And a prize... |
| 00:03:23 |
Why don't you take |
| 00:03:27 |
All right. |
| 00:04:02 |
(KNOCKlNG ON DOOR) |
| 00:04:13 |
Admission's free. |
| 00:04:24 |
What's on your mind, |
| 00:04:27 |
Nothing, sir. |
| 00:04:30 |
That's dandy, |
| 00:04:32 |
Have a chair. |
| 00:04:36 |
Thank you, sir. |
| 00:04:48 |
Well, how do you feel? |
| 00:04:50 |
Quite well, sir. |
| 00:04:54 |
How do you feel? |
| 00:04:58 |
Okay. Okay, let's play games. |
| 00:05:05 |
(EXCLAlMS) |
| 00:05:08 |
Are you under the impression |
| 00:05:11 |
Well, aren't you? |
| 00:05:13 |
Why, certainly not. |
| 00:05:15 |
Air Surgeon's Office, |
| 00:05:18 |
(LAUGHlNG) |
| 00:05:23 |
Well, what do you |
| 00:05:24 |
And here I was, |
| 00:05:28 |
Guarded, a little tense, |
| 00:05:31 |
not quite so secure |
| 00:05:34 |
Statistical Section? |
| 00:05:39 |
We're making a survey |
| 00:05:42 |
to handle the flow of |
| 00:05:44 |
Well, that's quite |
| 00:05:46 |
you could write |
| 00:05:48 |
We're short of beds, |
| 00:05:52 |
Except patients. |
| 00:05:53 |
Particularly |
| 00:05:56 |
Our charts show |
| 00:05:59 |
Far beyond the norm. |
| 00:06:00 |
How do you data demons |
| 00:06:04 |
Well, sir, we have |
| 00:06:08 |
Yes, Gavoni? |
| 00:06:10 |
He's under his bed |
| 00:06:11 |
yelling and screaming |
| 00:06:14 |
Does he have |
| 00:06:15 |
Chocolate malts. |
| 00:06:17 |
Well, then, you get him |
| 00:06:20 |
Put it on the floor |
| 00:06:23 |
Tell him |
| 00:06:24 |
if he isn't back in his bed |
| 00:06:26 |
Roger! |
| 00:06:30 |
We say Roger quite |
| 00:06:33 |
Makes us feel like heroes. |
| 00:06:36 |
Why don't you |
| 00:06:40 |
Sir, our charts show... |
| 00:06:41 |
You can forget |
| 00:06:43 |
My first name is Joe. |
| 00:06:46 |
Belden. |
| 00:06:49 |
What? |
| 00:06:51 |
Belden. |
| 00:06:55 |
Is that what your friends |
| 00:06:57 |
No, my friends |
| 00:06:59 |
Congratulations! |
| 00:07:02 |
Now, about that |
| 00:07:05 |
here's the reason why. |
| 00:07:08 |
Now, during the first |
| 00:07:11 |
the files were almost empty. |
| 00:07:12 |
So was Ward 7. |
| 00:07:15 |
In those days, |
| 00:07:18 |
Some tossed their |
| 00:07:21 |
Some of them |
| 00:07:22 |
Some of them shook |
| 00:07:25 |
But they went up! |
| 00:07:27 |
No mollycoddling |
| 00:07:29 |
No, sirree! |
| 00:07:31 |
You couldn't convince |
| 00:07:35 |
Symptoms! |
| 00:07:37 |
And that a symptom |
| 00:07:39 |
with danger |
| 00:07:41 |
Now you wouldn't think |
| 00:07:42 |
to comprehend that, |
| 00:07:44 |
So acute anxiety cases |
| 00:07:48 |
and sooner or later, |
| 00:07:51 |
Now they're streaming back |
| 00:07:56 |
from the Pacific. |
| 00:08:01 |
And when we do get them, |
| 00:08:05 |
discharge them |
| 00:08:08 |
And every time |
| 00:08:11 |
Excuse me, Captain. |
| 00:08:13 |
What do you say, Blodgett? |
| 00:08:16 |
Well, all right. |
| 00:08:22 |
You ever been inside |
| 00:08:26 |
Well, no... |
| 00:08:31 |
KOPP: Hey, Doc. |
| 00:08:33 |
A new man checked in |
| 00:08:36 |
Violent? |
| 00:08:38 |
He's a hospital orderly. |
| 00:08:40 |
Well, right now |
| 00:08:43 |
He's scheduled for Ward 4. |
| 00:08:46 |
A mere detail. |
| 00:08:48 |
Now look, |
| 00:08:51 |
Wrap him in cotton wool |
| 00:08:54 |
Roger. |
| 00:08:57 |
We had to put |
| 00:08:58 |
That major in 4G |
| 00:09:01 |
And Wilkinson made that |
| 00:09:08 |
If you're a member |
| 00:09:09 |
it means sodium |
| 00:09:11 |
PYSER: Newman! |
| 00:09:18 |
Excuse me. |
| 00:09:24 |
Colonel? |
| 00:09:27 |
Captain Newman. |
| 00:09:29 |
This report of yours |
| 00:09:32 |
that the only basis |
| 00:09:34 |
Yes, sir. |
| 00:09:35 |
Because of a |
| 00:09:40 |
Well, I don't recall |
| 00:09:43 |
(CHUCKLlNG) |
| 00:09:45 |
He chewed out |
| 00:09:47 |
So what? He apologized |
| 00:09:50 |
Yes, sir. |
| 00:09:53 |
and again and again, |
| 00:09:54 |
until the lieutenant, |
| 00:09:59 |
His behavior was |
| 00:10:01 |
I know, I know. |
| 00:10:04 |
Quote, unquote. |
| 00:10:08 |
You're bound and determined |
| 00:10:09 |
into that Sunnybrook Farm |
| 00:10:12 |
Well, you're not. |
| 00:10:14 |
Because he doesn't belong |
| 00:10:17 |
malingerers |
| 00:10:20 |
who get themselves |
| 00:10:22 |
by coming to you with |
| 00:10:24 |
about how they get |
| 00:10:27 |
Colonel, every man |
| 00:10:31 |
I think that |
| 00:10:34 |
You think he may be sick? |
| 00:10:36 |
I'm sorry I can't |
| 00:10:38 |
but the kind of |
| 00:10:39 |
doesn't show up in |
| 00:10:41 |
It shows up in behavior. |
| 00:10:44 |
Colonel Bliss is one |
| 00:10:46 |
fighting the air war |
| 00:10:48 |
And he's needed back |
| 00:10:51 |
Well, if he is unstable, |
| 00:10:54 |
The lives of too many men |
| 00:11:00 |
Larrabee. |
| 00:11:02 |
I'm ordering a special |
| 00:11:04 |
I don't want Captain Newman |
| 00:11:13 |
Just stay close |
| 00:11:15 |
Try to look as if |
| 00:11:20 |
(WHlSTLES) |
| 00:11:25 |
(ALL CHEERlNG) |
| 00:11:28 |
(WHOOPlNG) |
| 00:11:29 |
(SlNGlNG) Captain Flak Juice |
| 00:11:34 |
Stuck a patient |
| 00:11:39 |
Step right up |
| 00:11:43 |
It will hurt an awful lot |
| 00:11:46 |
'Cause we say baloney |
| 00:11:50 |
(ALL LAUGHlNG) |
| 00:11:52 |
You guys seem a bit |
| 00:11:57 |
Let's hear it |
| 00:11:59 |
(ALL BOOlNG) |
| 00:12:04 |
One of these days |
| 00:12:08 |
(ALL CHEERlNG) |
| 00:12:10 |
Gentlemen, prepare |
| 00:12:19 |
Well, Arthur, |
| 00:12:22 |
Patient slept fine. |
| 00:12:26 |
drainage system |
| 00:12:29 |
Arthur Werbel, |
| 00:12:32 |
But he ain't moving |
| 00:12:35 |
because he's got it |
| 00:12:37 |
You can say |
| 00:12:38 |
But you're gonna |
| 00:12:41 |
Now, how can l |
| 00:12:42 |
unless you show me |
| 00:12:44 |
Well, symptoms... |
| 00:12:47 |
I got talent, Doc. Look. |
| 00:12:49 |
Oh, gee. Oh, Doc. |
| 00:12:51 |
Right here in the gut, |
| 00:12:52 |
Oh, I'm dying. |
| 00:12:54 |
Blodgie. Blodgie, |
| 00:12:58 |
Now, that alone proves |
| 00:13:00 |
Wouldn't fool an intern |
| 00:13:04 |
They got me |
| 00:13:06 |
I'm burning up. |
| 00:13:09 |
No, don't touch that. |
| 00:13:11 |
Drop dead, buster! |
| 00:13:13 |
No jerk is getting |
| 00:13:16 |
I'm getting |
| 00:13:17 |
I'm busting out |
| 00:13:19 |
with my brother Frank. |
| 00:13:21 |
Frank is my brother! |
| 00:13:24 |
Who's helping him, huh? |
| 00:13:27 |
Now take it easy, sailor. |
| 00:13:29 |
In a pig's eye. |
| 00:13:35 |
I should be out |
| 00:13:39 |
Doc, I'll... |
| 00:13:42 |
I'll do anything, honest. |
| 00:13:43 |
I'll do anything in the Navy. |
| 00:13:46 |
I'll take top deck ack-ack, |
| 00:13:52 |
You got to fix it. |
| 00:13:55 |
You, please, |
| 00:13:58 |
Please. |
| 00:14:00 |
We need a little more time. |
| 00:14:06 |
Why don't you tell |
| 00:14:07 |
that you didn't really |
| 00:14:10 |
Hmm? |
| 00:14:16 |
I'm sorry, Lieutenant. |
| 00:14:22 |
I don't want you |
| 00:14:25 |
See, I'm apologizing, Doc. |
| 00:14:28 |
Attaboy. |
| 00:14:36 |
Would it help any |
| 00:14:39 |
It might, except he |
| 00:14:43 |
Well, Bobby. |
| 00:14:46 |
So what's the good |
| 00:14:51 |
That's right. |
| 00:14:53 |
Try. |
| 00:14:55 |
Come on, Bobby. |
| 00:14:57 |
Let Captain Newman hear |
| 00:15:00 |
You said "hello" |
| 00:15:02 |
He did, Doc. |
| 00:15:04 |
I heard him say "hello" |
| 00:15:11 |
It'll come, Bobby. |
| 00:15:15 |
Morning, Captain. |
| 00:15:19 |
I got a few pains. |
| 00:15:22 |
Captain, you're |
| 00:15:24 |
How'd you sleep? |
| 00:15:26 |
Any bad dreams, Captain? |
| 00:15:28 |
The usual. |
| 00:15:31 |
Dry. That's good. |
| 00:15:34 |
That's the first thing |
| 00:15:36 |
You're handling your |
| 00:15:39 |
Nurse, give this patient |
| 00:15:43 |
He's a good boy. |
| 00:15:44 |
(CHUCKLlNG) |
| 00:15:47 |
Thinks he's a psychiatrist. |
| 00:15:49 |
Well, it's all that stuff |
| 00:15:52 |
It gives me |
| 00:15:55 |
(MlMlCKlNG MACHlNE GUN FlRlNG) |
| 00:15:57 |
Stop it! Stop it! |
| 00:16:00 |
Stop it! |
| 00:16:03 |
Stop it! |
| 00:16:08 |
(ALL SHOUTlNG) |
| 00:16:17 |
It's all right. |
| 00:16:22 |
BLODGETT: Come on, |
| 00:16:27 |
Get that little yellow-belly |
| 00:16:31 |
That "little yellow-belly," |
| 00:16:35 |
racked up 26 missions. |
| 00:16:38 |
Now, what the devil |
| 00:16:40 |
except beat up on |
| 00:16:42 |
It's tough enough |
| 00:16:46 |
All you do is beef, |
| 00:16:50 |
Now when are you |
| 00:16:55 |
The next time this |
| 00:16:58 |
you bring him |
| 00:17:00 |
Can't a guy have |
| 00:17:03 |
Not that kind. |
| 00:17:06 |
Now look, |
| 00:17:10 |
and you're stuck with me. |
| 00:17:12 |
One of us |
| 00:17:17 |
and it's going |
| 00:17:38 |
Okay, Doc. |
| 00:17:43 |
Hey, Doc. |
| 00:17:46 |
We've been playing gin |
| 00:17:48 |
Well, never mind about that. |
| 00:17:51 |
Just send him in. |
| 00:17:53 |
I'd better get |
| 00:17:57 |
Thanks for the tour. |
| 00:17:59 |
Yeah. By all means. |
| 00:18:02 |
Roger. |
| 00:18:12 |
(KNOCKlNG ON DOOR) |
| 00:18:13 |
Come in. |
| 00:18:15 |
Good morning. |
| 00:18:21 |
Well, what's your name? |
| 00:18:24 |
Leibowitz. |
| 00:18:27 |
Jackson. |
| 00:18:31 |
How old are you? |
| 00:18:34 |
I believe that it's |
| 00:18:37 |
to address an officer |
| 00:18:40 |
Sir. |
| 00:18:42 |
Well, what's customary |
| 00:18:45 |
But you're not |
| 00:18:47 |
Congratulations. |
| 00:18:49 |
I assume that |
| 00:18:53 |
Yes. |
| 00:18:55 |
Sir. |
| 00:18:58 |
Go on, Corporal. |
| 00:19:01 |
Go on where? |
| 00:19:03 |
Tell me about |
| 00:19:06 |
What's to tell? |
| 00:19:08 |
Let's see. |
| 00:19:12 |
I don't want to |
| 00:19:14 |
but the animals |
| 00:19:17 |
They had me working in |
| 00:19:22 |
I didn't like it. |
| 00:19:23 |
You mustn't hide |
| 00:19:24 |
That's what I figured. |
| 00:19:29 |
Well, what kinds of wards |
| 00:19:32 |
All kinds. |
| 00:19:35 |
Give me a hint. |
| 00:19:38 |
General, surgery, |
| 00:19:40 |
that's where |
| 00:19:42 |
OB. That was for |
| 00:19:46 |
The rate they're |
| 00:19:48 |
they're not gonna need |
| 00:19:52 |
Have you ever worked |
| 00:19:58 |
A mental ward? |
| 00:20:00 |
Psychiatric cases. |
| 00:20:01 |
Nuts? |
| 00:20:03 |
Gee, Doc, |
| 00:20:04 |
It is not a nut house. |
| 00:20:06 |
Inside of one hour |
| 00:20:08 |
Sit down. |
| 00:20:09 |
Already I'm a patient. |
| 00:20:10 |
Doctor. |
| 00:20:13 |
(LAUGHS) |
| 00:20:14 |
I don't know where |
| 00:20:17 |
The boys in my ward |
| 00:20:20 |
So am l. |
| 00:20:21 |
They're miserable? |
| 00:20:23 |
Doc! |
| 00:20:24 |
Leibowitz, this is |
| 00:20:26 |
There is no danger involved. |
| 00:20:29 |
Patients in my ward |
| 00:20:31 |
matches or razors |
| 00:20:34 |
But teeth they got. |
| 00:20:37 |
We've been here for |
| 00:20:40 |
Don't spoil your record, |
| 00:20:42 |
I'll take my chances. |
| 00:20:44 |
Now, do you have |
| 00:20:46 |
You don't have to |
| 00:20:48 |
I'm as surprised |
| 00:20:50 |
Ask the question. |
| 00:20:53 |
Captain, I appreciate you |
| 00:20:55 |
but let us face facts. |
| 00:20:57 |
It goes against my grain. |
| 00:21:00 |
Leibowitz, what the devil |
| 00:21:03 |
You look like |
| 00:21:05 |
Don't be fooled |
| 00:21:06 |
But you'll get |
| 00:21:07 |
Who's got an appetite? |
| 00:21:09 |
You have my |
| 00:21:11 |
From a plumber |
| 00:21:12 |
From a psychiatrist |
| 00:21:15 |
Corporal Leibowitz |
| 00:21:19 |
But Captain... |
| 00:21:21 |
to show you around now? |
| 00:21:22 |
No, what? |
| 00:21:24 |
Good. Start with |
| 00:21:26 |
But, Captain, I've... |
| 00:21:30 |
Let's go, Leibowitz. |
| 00:21:34 |
Glad to have you |
| 00:21:35 |
(SHEEP BLEATlNG) |
| 00:21:36 |
People always make |
| 00:21:39 |
Hey. Already |
| 00:21:42 |
What's that... |
| 00:21:44 |
You're not hearing |
| 00:21:46 |
We keep sheep |
| 00:21:50 |
How about a nice game |
| 00:21:53 |
Who plans that far ahead? |
| 00:21:56 |
LElBOWlTZ: I'm living |
| 00:21:59 |
He'll make |
| 00:22:01 |
He understands suffering. |
| 00:22:05 |
You're leveling, Doc. |
| 00:22:09 |
You're as normal |
| 00:22:11 |
All that's left is |
| 00:22:13 |
You better get |
| 00:22:15 |
I've got you marked |
| 00:22:17 |
You're going back |
| 00:22:19 |
I am? When? |
| 00:22:21 |
I think I can steal you |
| 00:22:23 |
Ten days at home |
| 00:22:27 |
So, start packing. |
| 00:22:30 |
You've got it, sir. |
| 00:22:32 |
And I got a 4:10 bus |
| 00:22:33 |
LElBOWlTZ: (SlNGlNG) |
| 00:22:40 |
And on that farm |
| 00:22:44 |
Your new orderly is |
| 00:22:47 |
conducting |
| 00:22:49 |
Next, he'll be |
| 00:22:52 |
MEN: (SlNGlNG) |
| 00:22:54 |
Everywhere a chick, chick |
| 00:22:55 |
LElBOWlTZ: Come on, you guys. |
| 00:22:59 |
Come on, you crazy bums. |
| 00:23:03 |
Old MacDonald had a farm, |
| 00:23:12 |
Well, yes, we set up |
| 00:23:14 |
but Colonel Bliss |
| 00:23:16 |
And after all his yelling |
| 00:23:19 |
Did he say why? |
| 00:23:21 |
No. |
| 00:23:22 |
I offered to set up |
| 00:23:24 |
He was to let me know, |
| 00:23:26 |
How is that for a puzzler? |
| 00:23:28 |
It worries me. |
| 00:23:30 |
Whatever was behind |
| 00:23:33 |
Colonel Bliss doesn't |
| 00:23:36 |
(EXCLAlMS) Sorry, sir. |
| 00:23:39 |
Oh, Colonel? |
| 00:23:41 |
I finally solved |
| 00:23:44 |
Corporal Leibowitz |
| 00:23:47 |
He was somehow |
| 00:23:50 |
and he's been |
| 00:23:53 |
Isn't that so, |
| 00:23:57 |
Well, is it? |
| 00:24:00 |
couldn't call |
| 00:24:03 |
Joe, you can't just |
| 00:24:06 |
and put him in your ward |
| 00:24:09 |
As far as the Army |
| 00:24:10 |
Leibowitz has been AWOL |
| 00:24:12 |
You're absolutely |
| 00:24:13 |
Excuse me for |
| 00:24:15 |
BARNEY: Joe! |
| 00:24:18 |
Well, I'll be shoving off. |
| 00:24:20 |
Pleasure having you, Barney. |
| 00:24:22 |
Say hello to |
| 00:24:25 |
(CHUCKLlNG) |
| 00:24:27 |
Well, so long. |
| 00:24:28 |
So long. |
| 00:24:32 |
Lieutenant Corum, |
| 00:24:37 |
I'll check my staff, |
| 00:24:40 |
Try sodium pentothal. |
| 00:24:41 |
It's wonderful stuff |
| 00:24:44 |
If that is what |
| 00:24:48 |
Well, Leibowitz probably |
| 00:24:56 |
Guess we'll have to put |
| 00:25:04 |
All right. |
| 00:25:06 |
You needed him? |
| 00:25:08 |
My ward and all the others |
| 00:25:13 |
Well, I'll tell you what. |
| 00:25:14 |
The very next orderly |
| 00:25:16 |
You'll let us have him. |
| 00:25:17 |
Now what could be |
| 00:25:24 |
The next two. |
| 00:25:29 |
A deal? |
| 00:25:31 |
A deal. |
| 00:25:34 |
I'm due back. |
| 00:25:37 |
Oh, Corum, I wouldn't stew |
| 00:25:42 |
You'll get the next |
| 00:25:45 |
if I have to deliver |
| 00:25:48 |
A pair of them are |
| 00:25:50 |
Mmm-mmm. |
| 00:25:58 |
Thanks. |
| 00:26:00 |
You're welcome. |
| 00:26:16 |
Did you get |
| 00:26:18 |
I sent Arkie for it. |
| 00:26:20 |
You know, |
| 00:26:22 |
I don't know why they make |
| 00:26:23 |
Leibowitz, since when does |
| 00:26:28 |
Don't answer that. |
| 00:26:29 |
Since Leibowitz |
| 00:26:33 |
What do you mean, |
| 00:26:36 |
You went to |
| 00:26:38 |
Well, it helped |
| 00:26:40 |
I was small for my age. |
| 00:26:43 |
You see, Captain, |
| 00:26:46 |
You see, I was always |
| 00:26:48 |
Even in the fifth grade |
| 00:26:51 |
"Jake, what should I do? |
| 00:26:52 |
"l feel lousy, |
| 00:26:56 |
"Jake, what's |
| 00:26:57 |
You see, in my group, |
| 00:27:01 |
Captain, I could |
| 00:27:04 |
Will you autograph me |
| 00:27:08 |
Sarcasm is for children. |
| 00:27:09 |
From a psychiatrist |
| 00:27:12 |
"Honesty," Jake, |
| 00:27:14 |
So flunk me in English. |
| 00:27:21 |
Get Lieutenant Corum |
| 00:27:24 |
You want me to phone? |
| 00:27:27 |
Yes, if you're not |
| 00:27:35 |
(SWING MUSIC PLAYING) |
| 00:27:54 |
I hope you're thirsty. |
| 00:27:55 |
Mmm-hmm. |
| 00:28:00 |
Ordered it in advance. |
| 00:28:03 |
Here, I'll do that. |
| 00:28:04 |
Thank you very much. |
| 00:28:06 |
Since when does |
| 00:28:09 |
Since Leibowitz |
| 00:28:12 |
I don't know |
| 00:28:16 |
and I've learned not |
| 00:28:27 |
You want this now? |
| 00:28:32 |
Oh, my goodness. |
| 00:28:38 |
Thank you. |
| 00:28:39 |
It's a little silly, |
| 00:28:41 |
I read somewhere |
| 00:28:43 |
once she'd been |
| 00:28:45 |
It's true. |
| 00:28:47 |
How did you know |
| 00:28:49 |
Well, I heard it |
| 00:28:51 |
The Officers' Club, |
| 00:28:55 |
I thought maybe you |
| 00:29:00 |
That would be |
| 00:29:05 |
It's a compliment, |
| 00:29:09 |
Anyway, it would have |
| 00:29:11 |
my blood type is B. |
| 00:29:14 |
And that I wear a size... |
| 00:29:26 |
Your blood type is A, |
| 00:29:28 |
and you were |
| 00:29:31 |
you have an appendix scar |
| 00:29:34 |
and you did your |
| 00:29:36 |
You read my 201? |
| 00:29:38 |
All of it? |
| 00:29:40 |
You should know |
| 00:29:42 |
"married" or "single." |
| 00:29:44 |
Well, if we're both |
| 00:30:01 |
Francie, |
| 00:30:04 |
you're a good-looking woman. |
| 00:30:09 |
Thank you. |
| 00:30:11 |
It's important to have |
| 00:30:14 |
Big morale factor. |
| 00:30:16 |
It gives a man incentive. |
| 00:30:22 |
Now, you take a man |
| 00:30:29 |
I beg your pardon? |
| 00:30:31 |
You've seen Blodgett. |
| 00:30:33 |
Who'd come out for her? |
| 00:30:36 |
But one look |
| 00:30:37 |
and they'd come |
| 00:30:40 |
Any man in that ward. |
| 00:30:43 |
I think I understand, |
| 00:30:45 |
And you're |
| 00:30:47 |
Two years of |
| 00:30:49 |
a full course |
| 00:30:51 |
Year and a half at |
| 00:30:55 |
Is that the reason |
| 00:30:57 |
You're perfect for it. |
| 00:30:58 |
For Ward 7. |
| 00:31:01 |
You'd like me |
| 00:31:04 |
And that's the reason |
| 00:31:08 |
Come on, let's dance. |
| 00:31:09 |
No. Let's fight. |
| 00:31:11 |
It's not gonna do |
| 00:31:14 |
Just what makes you |
| 00:31:17 |
You're all off in |
| 00:31:19 |
Joining your crowd is |
| 00:31:22 |
I don't regard that |
| 00:31:24 |
That is a reaction, |
| 00:31:26 |
Don't give me |
| 00:31:28 |
And as far as your |
| 00:31:31 |
I have never seen |
| 00:31:34 |
Are you Captain Newman? |
| 00:31:36 |
Yes. |
| 00:31:38 |
You can take it |
| 00:31:42 |
Excuse me, fellows. |
| 00:31:45 |
Newman here. |
| 00:31:46 |
Boy, we got trouble. |
| 00:31:48 |
Who? |
| 00:31:50 |
He got into the ward |
| 00:31:52 |
then he turned the place |
| 00:31:55 |
He's got a knife |
| 00:31:57 |
What are you doing |
| 00:31:59 |
We did. We got him |
| 00:32:01 |
Arkie and Gavoni are |
| 00:32:03 |
Meanwhile, he's on |
| 00:32:05 |
There are three of |
| 00:32:07 |
Get that knife |
| 00:32:08 |
Doc, that could |
| 00:32:10 |
I know it's dangerous, |
| 00:32:12 |
He might kill himself. |
| 00:32:14 |
If I try to take that |
| 00:32:17 |
All right. |
| 00:32:21 |
Jake! Jake! |
| 00:32:24 |
Let me out of here! |
| 00:32:27 |
(SHOUTlNG) |
| 00:32:29 |
Doc said |
| 00:32:31 |
Who? |
| 00:32:35 |
All right, all right! |
| 00:32:37 |
No, I'm not sure, |
| 00:32:41 |
All right! |
| 00:32:44 |
Pigs! |
| 00:32:47 |
(GRUNTlNG) |
| 00:33:16 |
(MEN GROANlNG) |
| 00:33:30 |
Pharmacy key. |
| 00:33:37 |
KOPP: Come on. |
| 00:33:38 |
Back in your beds. |
| 00:33:43 |
Doc, look at this baby. |
| 00:33:46 |
I better go in with you, |
| 00:33:48 |
Bleeding to death, |
| 00:33:49 |
You just wait here. |
| 00:33:57 |
You... You filthy, |
| 00:34:01 |
I'll kill you, |
| 00:34:03 |
You are not gonna |
| 00:34:05 |
Where the devil do |
| 00:34:07 |
In some jungle |
| 00:34:08 |
What do you mean, |
| 00:34:10 |
Who asked you to |
| 00:34:12 |
Who gave you |
| 00:34:15 |
You did. |
| 00:34:17 |
Take a good look |
| 00:34:19 |
and then tell me |
| 00:34:22 |
Is this what |
| 00:34:26 |
Damn your eyes. |
| 00:34:28 |
God shrivel your heart |
| 00:34:34 |
You're vile. |
| 00:34:38 |
Get hold of yourself. |
| 00:34:41 |
Remember who you are. |
| 00:34:42 |
You are Colonel |
| 00:34:45 |
A command officer. |
| 00:34:48 |
Colonel Norval Algate Bliss. |
| 00:34:54 |
Now behave yourself. |
| 00:34:57 |
Put your arms down, Colonel. |
| 00:35:02 |
Put your arms down. |
| 00:35:18 |
You swine. You... |
| 00:35:21 |
You clever, |
| 00:35:29 |
Take it easy, Colonel. |
| 00:35:32 |
You need lots of sleep. |
| 00:35:34 |
Why do you fight me? |
| 00:35:36 |
Let's get to bed. |
| 00:35:38 |
Peppy. |
| 00:35:40 |
All right. Show's over. |
| 00:35:42 |
Everybody back to bed. |
| 00:35:43 |
Okay, Doc. |
| 00:35:46 |
All right. |
| 00:35:48 |
You better have Blodgett |
| 00:35:50 |
I'm on duty, Doc. |
| 00:35:51 |
Well, get Ruskin |
| 00:35:53 |
I'm relieved |
| 00:36:11 |
I suppose you... |
| 00:36:13 |
You had to shout |
| 00:36:16 |
I wasn't shouting at him, |
| 00:36:18 |
I was shouting |
| 00:36:30 |
Good night, Doc. |
| 00:36:31 |
Good night, Ralph. |
| 00:36:38 |
Mama? Mama, please |
| 00:36:40 |
Hello, Dave. |
| 00:36:42 |
Mama. Please, Mama. |
| 00:36:45 |
Did you write to your |
| 00:36:47 |
Please, Mama. |
| 00:36:50 |
Did you write to |
| 00:36:53 |
You said you would. |
| 00:36:59 |
Yeah. |
| 00:37:01 |
Yes, the same |
| 00:37:02 |
(LAUGHlNG) |
| 00:37:04 |
Same old malarkey. |
| 00:37:06 |
Well, why don't you |
| 00:37:08 |
NEWMAN: Give her a break. |
| 00:37:10 |
DAVE: Okay. |
| 00:37:11 |
Good night, Dave. |
| 00:37:12 |
Good night, Doctor. |
| 00:38:16 |
GAVONl: This way, fellows. |
| 00:38:23 |
Can you spare four beds |
| 00:38:25 |
I think so. |
| 00:38:27 |
Come on. Straight ahead, |
| 00:38:29 |
Just follow your buddy |
| 00:38:31 |
Straight ahead. |
| 00:38:34 |
Come on, buddy. |
| 00:38:51 |
Room C, Arkie. |
| 00:39:00 |
Jordan is scheduled |
| 00:39:02 |
Okay. |
| 00:39:08 |
Do you want me to |
| 00:39:10 |
on that kid in Ward 3? |
| 00:39:11 |
Leibowitz, it's not part |
| 00:39:14 |
drumming up new business. |
| 00:39:16 |
From such business, who, |
| 00:39:21 |
His name is Tompkins. |
| 00:39:23 |
He's a corporal, like me. |
| 00:39:24 |
Now, for five nights |
| 00:39:27 |
and got himself plastered. |
| 00:39:29 |
They seem to think |
| 00:39:31 |
but in my opinion, |
| 00:39:36 |
Cocky, but tense. |
| 00:39:39 |
My diagnosis is |
| 00:39:44 |
Well, I hope you |
| 00:39:46 |
Maybe I'm fresh. |
| 00:39:48 |
What I did tell him, |
| 00:39:49 |
and take a load off |
| 00:39:51 |
Boy, did I give you |
| 00:39:53 |
Thanks. Young doctor |
| 00:40:35 |
Say, I thought |
| 00:40:36 |
I beg your pardon, Captain. |
| 00:40:38 |
What you said was, |
| 00:40:40 |
That's not an order. |
| 00:40:41 |
To which you have |
| 00:40:44 |
"lf God had intended |
| 00:40:46 |
"would he have |
| 00:40:51 |
I understand, Doc. |
| 00:40:53 |
You are releasing |
| 00:40:54 |
Very good. |
| 00:40:56 |
because I don't want you |
| 00:40:57 |
I don't want you |
| 00:41:02 |
You'd better get into |
| 00:41:09 |
When did it happen? |
| 00:41:10 |
Must have been in |
| 00:41:16 |
I pulled Blodgett's |
| 00:41:18 |
"Sixteenth day |
| 00:41:19 |
"patient still lethargic, |
| 00:41:22 |
We'll need 15 replacements |
| 00:41:25 |
Recent strikes at Rabal |
| 00:41:28 |
Ground personnel is |
| 00:41:32 |
I granted no appointment |
| 00:41:36 |
(CHUCKLES) |
| 00:41:37 |
I'm dismissed before |
| 00:41:45 |
Oh, the caduceus. |
| 00:41:49 |
You're a doctor. |
| 00:41:51 |
I'm Captain Newman. |
| 00:41:52 |
And from my dreary abode, |
| 00:41:54 |
you're one of |
| 00:41:58 |
You see, Doctor, |
| 00:42:01 |
Please, do come in. |
| 00:42:08 |
Well, proceed. |
| 00:42:11 |
This should be refreshing. |
| 00:42:14 |
I am bored with |
| 00:42:16 |
by brainless, |
| 00:42:18 |
And I'm bored with B's. |
| 00:42:19 |
I think I shall |
| 00:42:25 |
How do you feel? |
| 00:42:27 |
(CLlCKlNG TONGUE) |
| 00:42:28 |
Standard opening. |
| 00:42:32 |
Have you no imagination? |
| 00:42:35 |
I'm holding it in reserve. |
| 00:42:36 |
You've got enough |
| 00:42:38 |
Colonel? Colonel? |
| 00:42:41 |
My name is Future, |
| 00:42:47 |
I see. |
| 00:42:49 |
What a pity |
| 00:42:52 |
He'd be |
| 00:42:55 |
Mr. Past. Who's he? |
| 00:42:58 |
He's a friend. |
| 00:43:00 |
A very close, |
| 00:43:03 |
I gave my word, sir, |
| 00:43:06 |
never to reveal |
| 00:43:08 |
Lips sealed. |
| 00:43:11 |
Ergo, in your hospital, |
| 00:43:15 |
about whom |
| 00:43:18 |
while in your files |
| 00:43:20 |
on Mr. Past, |
| 00:43:22 |
One patient with |
| 00:43:24 |
one case history |
| 00:43:26 |
(LAUGHlNG) |
| 00:43:27 |
What a paradox? |
| 00:43:35 |
Well, |
| 00:43:38 |
I can see that |
| 00:43:40 |
Oh, no, now please, |
| 00:43:42 |
I'm enjoying your visit. |
| 00:43:44 |
Well, I don't doubt it, |
| 00:43:46 |
for the purpose |
| 00:43:49 |
a patronizing patient |
| 00:43:53 |
Bravo, bravo, seven P's. |
| 00:44:00 |
Is Mr. Future mad, sir? |
| 00:44:05 |
I repeat. |
| 00:44:08 |
Or is he not mad? |
| 00:44:18 |
Mr. Future is |
| 00:44:21 |
Bless my soul. |
| 00:44:23 |
Oh, penetrating prophet |
| 00:44:30 |
Is he incurable? |
| 00:44:31 |
I can't tell yet. |
| 00:44:35 |
talk to reveal. |
| 00:44:38 |
But to a good psychiatrist, |
| 00:44:39 |
isn't the act of concealment |
| 00:44:44 |
Mr. Future, |
| 00:44:47 |
to spend the rest |
| 00:44:59 |
Is that likely? |
| 00:45:01 |
That's what usually |
| 00:45:21 |
Daylight recon |
| 00:45:23 |
Lieutenants Bergman, |
| 00:45:25 |
Reinhardt will |
| 00:45:28 |
Sector B, |
| 00:45:31 |
Captains Moore and Leary. |
| 00:45:33 |
Oh, Jackson. |
| 00:45:35 |
Can you get a hold of |
| 00:45:37 |
and have him wire |
| 00:45:39 |
I want to know everything |
| 00:45:42 |
Okay. |
| 00:45:55 |
The light seemed |
| 00:45:56 |
He's more comfortable |
| 00:46:14 |
Paul |
| 00:46:18 |
Cabot |
| 00:46:23 |
Winston. |
| 00:46:26 |
Tired. |
| 00:46:38 |
Captain Winston. |
| 00:46:44 |
Paul? Paul. |
| 00:47:24 |
It's happened before. |
| 00:47:26 |
Once at the evac hospital, |
| 00:47:31 |
His case file is on your desk, |
| 00:47:34 |
His plane crash-landed |
| 00:47:36 |
Missing in action 13 months. |
| 00:47:39 |
Liberating forces |
| 00:47:42 |
He identified himself |
| 00:47:57 |
The evac N.P. tried shock, |
| 00:48:00 |
Negative. He can't |
| 00:48:03 |
Anything from |
| 00:48:04 |
Nothing in the report. |
| 00:48:06 |
He was 13 months |
| 00:48:08 |
That's all there is. |
| 00:48:12 |
Oh, Francie, |
| 00:48:16 |
Check on a boy |
| 00:48:18 |
Mmm-hmm. |
| 00:48:22 |
Which one is he? |
| 00:48:24 |
Just take a look |
| 00:48:27 |
He's all yours, |
| 00:48:31 |
Thanks, Katie. |
| 00:48:32 |
Hello, there. |
| 00:48:34 |
Hi, fellas. |
| 00:48:35 |
(MEN WHlSTLlNG) |
| 00:48:38 |
Darling. |
| 00:48:39 |
Darling. Darling. |
| 00:48:54 |
FRANClE: Evening, Corporal. |
| 00:48:58 |
I'm Lieutenant Corum. |
| 00:49:02 |
Well, how are you, |
| 00:49:05 |
Are you gonna |
| 00:49:07 |
No. I'm in Ward 7. |
| 00:49:11 |
Hurray for you. |
| 00:49:14 |
How are you |
| 00:49:15 |
I've been in worse places. |
| 00:49:18 |
Well, is there |
| 00:49:20 |
Yeah. |
| 00:49:21 |
Some cheaper booze |
| 00:49:27 |
In that order? |
| 00:49:33 |
Okay, so you don't |
| 00:49:36 |
Big deal. |
| 00:49:38 |
First it was that |
| 00:49:40 |
Now it's you. |
| 00:49:42 |
Maybe you're prettier |
| 00:49:43 |
but I'm gonna give it to |
| 00:49:45 |
You tell Captain Newman |
| 00:49:49 |
Ain't nobody gonna |
| 00:49:55 |
It's getting |
| 00:49:57 |
I think I'm gonna go |
| 00:50:10 |
BLISS: To include |
| 00:50:13 |
Lieutenants Jacobs |
| 00:50:14 |
(KNOCKlNG ON DOOR) |
| 00:50:19 |
Tompkins' file. |
| 00:50:23 |
"Shove it." |
| 00:50:24 |
Sounds rude. |
| 00:50:26 |
I can't read him. |
| 00:50:28 |
I don't know |
| 00:50:29 |
or if he's trying to |
| 00:50:34 |
Severe |
| 00:50:37 |
Insomnia. |
| 00:50:43 |
Something wrong |
| 00:50:45 |
In that case, |
| 00:50:47 |
I'm sure |
| 00:50:49 |
I can't help him |
| 00:50:51 |
If I go to him, |
| 00:50:52 |
Lost him |
| 00:50:56 |
Now help me with |
| 00:50:58 |
Joe, you don't intend |
| 00:51:03 |
Now I've written to |
| 00:51:05 |
and asked him to talk |
| 00:51:08 |
The key to his split is |
| 00:51:12 |
So, if I can't get it |
| 00:51:15 |
Now, is this third name |
| 00:51:18 |
BLISS: To include |
| 00:51:21 |
Lieutenants Jacobs |
| 00:51:27 |
(ALL CHATTERlNG) |
| 00:51:29 |
Leibowitz. |
| 00:51:30 |
It's Gavoni. |
| 00:51:32 |
He's outside! |
| 00:51:35 |
(SHUSHlNG) |
| 00:51:36 |
We've got a small |
| 00:51:39 |
Everybody go back to |
| 00:51:42 |
When I find my salami, |
| 00:51:46 |
Go. |
| 00:51:48 |
Up the sleeve. |
| 00:51:54 |
Leibowitz! |
| 00:51:55 |
Don't "Hi, Gavoni" me. |
| 00:51:57 |
Somebody stole my salami. |
| 00:52:00 |
Are you accusing |
| 00:52:03 |
I ain't accusing them. |
| 00:52:05 |
These men are |
| 00:52:07 |
I know who took it. |
| 00:52:08 |
One of these men |
| 00:52:11 |
Leibowitz, I want that |
| 00:52:16 |
Now, will you take it easy? |
| 00:52:18 |
are you sure |
| 00:52:20 |
Gavoni had a salami! |
| 00:52:22 |
She sends me one |
| 00:52:25 |
Well, in that case, |
| 00:52:27 |
Have them put |
| 00:52:28 |
I don't need no tracer. |
| 00:52:30 |
That salami's right |
| 00:52:31 |
And what's more, |
| 00:52:33 |
(CLEARS THROAT) |
| 00:52:35 |
It was stolen, huh? |
| 00:52:37 |
Okay. Well, in that case, |
| 00:52:40 |
Now let's start |
| 00:52:41 |
Do you think |
| 00:52:44 |
You know who stole it. |
| 00:52:46 |
Now, just a minute. |
| 00:52:48 |
You already |
| 00:52:50 |
Who blamed |
| 00:52:51 |
Don't try to |
| 00:52:52 |
Did I blame anybody |
| 00:52:55 |
The damage is done. |
| 00:52:57 |
You've already thrown |
| 00:53:01 |
(ALL SHOUTlNG) |
| 00:53:02 |
All right, all right! |
| 00:53:04 |
I've heard it |
| 00:53:05 |
Gavoni, that's |
| 00:53:08 |
You've given everybody |
| 00:53:09 |
The least you could do |
| 00:53:11 |
Now apologize. |
| 00:53:13 |
All right. I'm sorry. |
| 00:53:15 |
Words, words. |
| 00:53:16 |
Gavoni, if you're |
| 00:53:18 |
How? |
| 00:53:19 |
Share your salami |
| 00:53:21 |
How can I share |
| 00:53:23 |
Gavoni, Gavoni. |
| 00:53:27 |
That's beside the point. |
| 00:53:29 |
Would you share it? |
| 00:53:34 |
Yeah. |
| 00:53:36 |
Okay, men, |
| 00:53:37 |
He's gonna share |
| 00:53:39 |
So let's give him |
| 00:53:40 |
Arkie, no one leaves |
| 00:53:43 |
Men, let's look! |
| 00:53:44 |
in the pillowcases, |
| 00:53:46 |
Remember Lost Weekend? |
| 00:53:48 |
Check the fixtures. |
| 00:53:49 |
Everybody, look! |
| 00:53:51 |
Look in the pillowcases. |
| 00:53:54 |
I found it! |
| 00:53:56 |
Now just a minute, Gavoni. |
| 00:53:59 |
Gavoni, are you sure |
| 00:54:01 |
It's a Genoese. |
| 00:54:03 |
(ALL LAUGHlNG) |
| 00:54:05 |
See. All that fuss, |
| 00:54:07 |
No one stole |
| 00:54:08 |
You lost it. |
| 00:54:10 |
How could I lose |
| 00:54:13 |
Gavoni, may I remind you |
| 00:54:18 |
In the words of |
| 00:54:20 |
"Show me a man that |
| 00:54:23 |
"and I'll show you a man |
| 00:54:25 |
(ALL CHEERlNG) |
| 00:54:30 |
Gavoni, come here. |
| 00:54:35 |
Start cutting. |
| 00:54:41 |
Do you mind? |
| 00:54:42 |
Oh, by the way, Gavoni. |
| 00:54:44 |
I promised Bobby |
| 00:54:46 |
GAVONl: Roger. |
| 00:54:48 |
MAN: The one in |
| 00:54:50 |
And give my best |
| 00:54:54 |
They're all yours, |
| 00:54:55 |
Thank you, Doctor. |
| 00:54:59 |
This came this morning. |
| 00:55:04 |
"Big shot, cuckoo squad." |
| 00:55:08 |
That's me, all right. |
| 00:55:11 |
It's from Tompkins. |
| 00:55:14 |
He wants me to |
| 00:55:17 |
In my opinion, |
| 00:55:20 |
I leave it entirely |
| 00:55:22 |
I have every confidence. |
| 00:55:27 |
At 1 1:00. |
| 00:55:40 |
Hey, douse the light, |
| 00:55:42 |
It's all right. |
| 00:55:45 |
They gig me |
| 00:55:47 |
I'll take care of that. |
| 00:55:52 |
Okay. |
| 00:56:10 |
You know something, Doc? |
| 00:56:12 |
A man should |
| 00:56:15 |
It turns him |
| 00:56:18 |
Have a shot. |
| 00:56:20 |
Oh, no, |
| 00:56:25 |
You're an officer |
| 00:56:29 |
No gentleman should ever |
| 00:56:33 |
But you better drink it fast |
| 00:56:43 |
Tompkins, |
| 00:56:47 |
this stuff won't turn |
| 00:56:49 |
It'll turn you |
| 00:56:51 |
Not me, Doc. |
| 00:56:53 |
Why, me and Big Jim, |
| 00:56:55 |
we used to knock off |
| 00:57:01 |
Turn the light out, Doc. |
| 00:57:09 |
You know something? |
| 00:57:12 |
Big Jim was the only buddy |
| 00:57:16 |
Only guy ever treated |
| 00:57:19 |
Yeah. And you know |
| 00:57:25 |
(SOBBlNG) |
| 00:57:26 |
Don't let me |
| 00:57:29 |
If I talk, |
| 00:57:31 |
I'll just smash the lamps |
| 00:57:35 |
I'm gonna pump my fists |
| 00:57:37 |
Sure, sure. |
| 00:57:40 |
You throw the chairs around, |
| 00:57:44 |
and it won't do you |
| 00:57:48 |
Now, why don't you |
| 00:57:54 |
Come on. What happened? |
| 00:57:57 |
I'm in a sweat, Doc. |
| 00:58:01 |
I don't want |
| 00:58:05 |
Oh, God, I don't... |
| 00:58:08 |
I don't even want |
| 00:58:11 |
I'll bet you are |
| 00:58:14 |
Day and night, |
| 00:58:18 |
You play the guitar |
| 00:58:20 |
You fight off sleep |
| 00:58:22 |
You get swacked to |
| 00:58:26 |
That's a stupid |
| 00:58:29 |
That's a damned |
| 00:58:48 |
Doc, you gimme |
| 00:58:54 |
I'm asking for it. |
| 00:58:58 |
Right now. |
| 00:59:02 |
Okay. You lay off the booze |
| 00:59:07 |
Not a drop, |
| 00:59:09 |
I'll tell them |
| 00:59:11 |
And more pills |
| 00:59:14 |
Then we'll give you |
| 00:59:19 |
You mean you ain't gonna |
| 00:59:23 |
I mean, when I'm |
| 00:59:24 |
Nope. It'll hold. |
| 00:59:35 |
Well, if you ain't |
| 00:59:40 |
well, you can forget it. |
| 00:59:42 |
In fact, you can shove it. |
| 00:59:45 |
Boy, they sure picked |
| 00:59:49 |
Yeah. |
| 01:00:08 |
All right, Jim, |
| 01:00:10 |
I'll do that. |
| 01:00:13 |
Boy, that's a hot one. |
| 01:00:15 |
Two officers |
| 01:00:18 |
Say, is it all right if |
| 01:00:20 |
Sure. |
| 01:00:22 |
I kind of sleep |
| 01:00:28 |
That's all I'm gonna do, |
| 01:00:31 |
That's right. |
| 01:00:40 |
Hey, that's enough, Doc. |
| 01:00:42 |
I don't want to |
| 01:00:52 |
All right, Jim. |
| 01:00:59 |
Now, this'll |
| 01:01:01 |
When I tell you |
| 01:01:03 |
start counting, |
| 01:01:05 |
Have you got that? |
| 01:01:07 |
Backwards from 100. |
| 01:01:14 |
100, 99... |
| 01:01:18 |
100, 99, |
| 01:01:21 |
98. |
| 01:01:23 |
It's hot. |
| 01:01:26 |
100, 99... |
| 01:01:29 |
100, 99, 98, 97, |
| 01:01:39 |
96... |
| 01:01:45 |
It sure is getting hot, Doc. |
| 01:01:49 |
Five. |
| 01:01:54 |
Four. 97. |
| 01:01:59 |
NEWMAN: |
| 01:02:02 |
Let that old |
| 01:02:07 |
Yeah, that's better. |
| 01:02:11 |
I'm getting wind off |
| 01:02:14 |
94, 93, |
| 01:02:23 |
92... |
| 01:02:28 |
All right, Jim. |
| 01:02:32 |
Come on now, Jim. |
| 01:02:35 |
You're gonna take us |
| 01:02:38 |
Come on, boy. |
| 01:02:40 |
Tuesday, November 17, 18:05. |
| 01:02:46 |
Come on, now. |
| 01:02:50 |
Come on. |
| 01:02:54 |
That's a sweat job. |
| 01:02:56 |
Nothing to it. |
| 01:02:58 |
Ride on over there |
| 01:02:59 |
and drop a few |
| 01:03:02 |
Cream 'em, boy. |
| 01:03:05 |
Okay, Big Jim. |
| 01:03:09 |
Me and Buck in the waist, |
| 01:03:11 |
Big Jim up front |
| 01:03:15 |
Up, come on, get up. |
| 01:03:18 |
Come on! |
| 01:03:21 |
Come on, get it up. |
| 01:03:26 |
(EXHALES) |
| 01:03:32 |
Waist to pilot. |
| 01:03:34 |
You mind if I take me |
| 01:03:37 |
Roger. |
| 01:03:44 |
Waist working okay. Over. |
| 01:03:47 |
Hey, Buck. |
| 01:03:49 |
a couple of broads |
| 01:03:52 |
Yeah, with builds on |
| 01:03:55 |
I mean real |
| 01:03:58 |
And they gotta |
| 01:04:00 |
Not like that last time. |
| 01:04:02 |
All them two wanted |
| 01:04:05 |
I don't sure like |
| 01:04:08 |
They just want |
| 01:04:12 |
Hey, what's that, Buck? |
| 01:04:14 |
Down there at 4 o'clock. |
| 01:04:17 |
No, at 2 o'clock. |
| 01:04:21 |
I got him. |
| 01:04:23 |
Hey, he's going down, Buck! |
| 01:04:25 |
Go ahead, now. Fry! |
| 01:04:27 |
Fry! Burn, you Nazi! Fry! |
| 01:04:34 |
Holy Jesus. |
| 01:04:40 |
Hey, we're hit. Hey! |
| 01:04:43 |
Oh, dear Jesus. |
| 01:04:47 |
(SCREAMlNG) |
| 01:04:50 |
Buck! Hey, Buck! |
| 01:04:53 |
Oh, God! Oh, God. |
| 01:04:55 |
Dear Jesus, save me. |
| 01:04:57 |
Oh, God, |
| 01:04:59 |
I'll be good! |
| 01:05:01 |
I promise I'll be good. |
| 01:05:04 |
Big Jim, Big Jim, |
| 01:05:06 |
We're gonna crash! |
| 01:05:09 |
Take it up, you crud! |
| 01:05:14 |
Get this up, dear God! |
| 01:05:18 |
(SCREAMlNG) |
| 01:05:30 |
Come on, Jim. |
| 01:05:34 |
It crashed. |
| 01:05:39 |
Gotta get out here. |
| 01:05:44 |
The escape hatch. |
| 01:05:47 |
Yeah, the escape hatch. |
| 01:05:50 |
Hey, Buck! |
| 01:05:54 |
Oh, no, no, no. |
| 01:05:58 |
He got no head! |
| 01:06:04 |
Oh, God, put back his head, |
| 01:06:07 |
God! Somebody? |
| 01:06:10 |
Please put back his head. |
| 01:06:13 |
He don't look right. |
| 01:06:19 |
Oh, fire. Fire. |
| 01:06:23 |
I gotta get out of here. |
| 01:06:28 |
I'm out. Oh, God, |
| 01:06:32 |
Thank God. I'm out. |
| 01:06:37 |
Who's yelling? |
| 01:06:39 |
Big Jim? Big Jim? |
| 01:06:42 |
Little Jim. |
| 01:06:45 |
Little Jim, save me. |
| 01:06:47 |
Oh, I gotta go back. |
| 01:06:50 |
Go back and get him! |
| 01:06:51 |
Go back and get him, |
| 01:06:54 |
Yeah, run! Look out! |
| 01:06:59 |
Look out. |
| 01:07:02 |
Run! Run! Run! |
| 01:07:10 |
Run! Run! Run! |
| 01:07:21 |
(WAlLlNG) |
| 01:08:46 |
Hey, Doc, |
| 01:08:52 |
I sure feel good. |
| 01:08:54 |
That's the best |
| 01:08:58 |
Hey, Lieutenant. |
| 01:09:01 |
You been here all night? |
| 01:09:10 |
Hey, Doc, did I gab |
| 01:09:14 |
Uh-huh. |
| 01:09:19 |
What did I say? |
| 01:09:20 |
Oh, you guys all think |
| 01:09:23 |
I'm not handing out |
| 01:09:25 |
If I were, |
| 01:09:27 |
I was expecting stuff |
| 01:09:30 |
You're not even |
| 01:09:31 |
I've got guys in this ward |
| 01:09:34 |
I thought that... |
| 01:09:37 |
But it'll hold. |
| 01:09:39 |
same time, my office. |
| 01:09:43 |
Get your tail off of there. |
| 01:09:46 |
Run around the track, |
| 01:10:01 |
So that was |
| 01:10:02 |
Uh-huh. |
| 01:10:04 |
Big deal. |
| 01:10:12 |
Best shot I ever did get |
| 01:10:16 |
Beats booze. |
| 01:10:29 |
NEWMAN: When they wake up, |
| 01:10:32 |
And then your |
| 01:10:35 |
Hell, I'm a doctor. |
| 01:10:38 |
They ask too much of me. |
| 01:10:42 |
No. No, they don't. |
| 01:10:44 |
Not when you think of |
| 01:10:48 |
And they have to go up, |
| 01:10:53 |
You don't get shot down |
| 01:10:55 |
Nobody ever crashed |
| 01:11:02 |
But the boy on the cot. |
| 01:11:05 |
Should we send him back? |
| 01:11:08 |
Should we make him well |
| 01:11:16 |
We protect the sick. |
| 01:11:18 |
We feed them, |
| 01:11:21 |
and we keep them safe. |
| 01:11:23 |
Our job is to |
| 01:11:26 |
Well enough to go out |
| 01:11:35 |
My God, |
| 01:12:16 |
Kind of you |
| 01:12:23 |
All right. |
| 01:12:29 |
I... I thank you. |
| 01:12:35 |
Thank you for |
| 01:12:54 |
FRANClE: Oh, Joe. |
| 01:13:59 |
Joe, we'll be court-martialed. |
| 01:14:00 |
Oh, don't be ridiculous. |
| 01:14:02 |
There's a shortage |
| 01:14:05 |
It's true. |
| 01:14:08 |
Aren't you the fellow |
| 01:14:10 |
Yep. Remarkable, |
| 01:14:14 |
Oh, you've got |
| 01:14:41 |
Good try, old man. |
| 01:15:03 |
Tomorrow, around 2:00. |
| 01:15:09 |
Excuse me, Captain. |
| 01:15:12 |
He's waiting for you. |
| 01:15:15 |
Well, how's it gonna |
| 01:15:16 |
It's gonna look as if |
| 01:15:18 |
Like you don't care. |
| 01:15:22 |
Yes, Leibowitz. |
| 01:15:24 |
Thank you. |
| 01:15:27 |
That Captain Winston, |
| 01:15:32 |
You mustn't confuse sadness |
| 01:15:35 |
Is there a difference? |
| 01:15:37 |
Looks, Leibowitz, |
| 01:15:39 |
Can a man look sad |
| 01:15:42 |
Yes. |
| 01:15:43 |
You. |
| 01:15:49 |
Hi, Doc. I feel sharp |
| 01:15:52 |
You talk. |
| 01:15:54 |
I got nothing more |
| 01:15:59 |
Take your feet |
| 01:16:03 |
You heard me. |
| 01:16:07 |
And sit up straight |
| 01:16:14 |
Take that cheap cigar |
| 01:16:16 |
Go on. Put it out. |
| 01:16:23 |
Now don't ever pull |
| 01:16:26 |
When you're in this room, |
| 01:16:29 |
I'm not gonna let you |
| 01:16:32 |
and who wears all those |
| 01:16:41 |
All right. Clam up. |
| 01:16:45 |
I'm gonna help you |
| 01:16:49 |
I can be just as rough on you |
| 01:16:53 |
So every day for |
| 01:16:56 |
we're gonna take off |
| 01:16:58 |
and give little Jim Tompkins |
| 01:17:02 |
I ran out on him, |
| 01:17:04 |
I ran out on him |
| 01:17:06 |
Oh, you were scared |
| 01:17:10 |
You panicked. |
| 01:17:11 |
You ran for your life |
| 01:17:14 |
But not Little Jim. |
| 01:17:16 |
He's not allowed |
| 01:17:18 |
I should have gone back. |
| 01:17:20 |
That was Big Jim |
| 01:17:21 |
and I just should have |
| 01:17:23 |
What makes you |
| 01:17:25 |
The plane would |
| 01:17:27 |
And you'd have been |
| 01:17:30 |
Just like Big Jim. |
| 01:17:32 |
You could've avoided |
| 01:17:34 |
by the simple process |
| 01:17:37 |
Stop it. Stop it! |
| 01:17:39 |
You feel the need |
| 01:17:44 |
But let's be fair |
| 01:17:45 |
Let's work out |
| 01:17:48 |
to pay off the guilt. |
| 01:17:50 |
Now, I have an idea, |
| 01:17:53 |
Why don't you |
| 01:17:57 |
Well, you heard me. |
| 01:17:59 |
Get yourself an ax |
| 01:18:02 |
and come back |
| 01:18:03 |
Doc, you're talking crazy. |
| 01:18:06 |
Why, is a foot too much? |
| 01:18:08 |
How about some toes? |
| 01:18:11 |
How about just one |
| 01:18:17 |
You're nuts. |
| 01:18:19 |
That wouldn't bring |
| 01:18:22 |
Neither will what |
| 01:18:36 |
Look at me, Doc. |
| 01:18:40 |
Me crying just |
| 01:18:45 |
You're just crying |
| 01:18:48 |
You loved him |
| 01:18:51 |
Now you can let |
| 01:19:07 |
Have you got |
| 01:19:10 |
Oh, Francie, will you |
| 01:19:19 |
The answer to that |
| 01:19:42 |
Can we schedule |
| 01:19:44 |
Whenever you say. |
| 01:19:46 |
As soon as possible. |
| 01:19:47 |
Colonel Bliss, |
| 01:19:49 |
your name, rank |
| 01:19:58 |
Colonel, would you identify |
| 01:20:10 |
Mr. Future, |
| 01:20:12 |
Delighted. |
| 01:20:17 |
United States Army, |
| 01:20:20 |
Expert in tactics, |
| 01:20:24 |
Colonel, we'd like you |
| 01:20:26 |
the nature of this |
| 01:20:29 |
I am not interested. |
| 01:20:34 |
He spurns your invitation |
| 01:20:40 |
But enough of this |
| 01:20:43 |
I put an end to this |
| 01:20:46 |
Dismissed. |
| 01:21:05 |
Proceed, Larrabee. |
| 01:21:08 |
"lt is recommended that |
| 01:21:13 |
"to be committed to |
| 01:21:17 |
"under full custodial care." |
| 01:21:19 |
I've asked that he be sent |
| 01:21:23 |
Records, plus additional |
| 01:21:29 |
What information? |
| 01:21:31 |
Pertinent data from |
| 01:21:37 |
Based on this, a slow, |
| 01:21:41 |
The removal... |
| 01:21:49 |
I don't know! He pushed me. |
| 01:21:51 |
This way. |
| 01:22:01 |
Colonel! |
| 01:22:08 |
No, Colonel! Don't! |
| 01:22:17 |
Arkie, get down. |
| 01:22:33 |
Mr. Future. |
| 01:22:36 |
I want to talk to you. |
| 01:22:51 |
Wait. Wait, Mr. Future. |
| 01:23:03 |
Don't. Let's talk. Wait. |
| 01:23:06 |
Please. |
| 01:23:27 |
Please. |
| 01:23:37 |
Please. |
| 01:24:49 |
I'd like to ask you |
| 01:24:52 |
Would this have happened |
| 01:24:54 |
in the Officers' Club |
| 01:24:58 |
Would he be |
| 01:25:02 |
I'll be very interested |
| 01:25:08 |
Colonel Bliss, |
| 01:25:12 |
did what |
| 01:25:15 |
He... |
| 01:25:20 |
He joined his men. |
| 01:25:25 |
That list of names |
| 01:25:28 |
they were all men |
| 01:25:33 |
All dead. |
| 01:25:39 |
Now you tell me |
| 01:25:43 |
Did l... |
| 01:25:46 |
Did I gamble too much? |
| 01:25:47 |
Could I have spotted |
| 01:25:52 |
Could I have pulled |
| 01:25:58 |
Was there a way? |
| 01:26:01 |
I wish to hell I knew. |
| 01:26:30 |
This is a pretty |
| 01:26:32 |
The Air Surgeon GeneraI'll be |
| 01:26:35 |
Where are the rest |
| 01:26:36 |
Still making |
| 01:26:37 |
They'll get here |
| 01:26:39 |
I don't want them |
| 01:26:41 |
This is supposed |
| 01:26:44 |
Let's at least |
| 01:26:46 |
Sir, the |
| 01:26:50 |
It's coming in |
| 01:26:52 |
Good. |
| 01:26:53 |
(SHEEP BLEATlNG) |
| 01:26:59 |
What the devil is that? |
| 01:27:03 |
Do not, repeat not, |
| 01:27:08 |
I'll circle your field. |
| 01:27:11 |
Sheep. Over. |
| 01:27:14 |
Sheep? Over. |
| 01:27:16 |
Roger. |
| 01:27:28 |
Sheep? |
| 01:27:30 |
Sheep? |
| 01:27:31 |
Yes, sir. Sheep. |
| 01:27:36 |
Sheep? My sheep? |
| 01:27:39 |
Well, who the devil |
| 01:27:58 |
All week long we've been |
| 01:28:01 |
So how do you |
| 01:28:03 |
I tell Gavoni to |
| 01:28:04 |
put them on the other side |
| 01:28:06 |
With no fence? |
| 01:28:09 |
Don't you know |
| 01:28:10 |
In Jersey City, |
| 01:28:20 |
Don't scare 'em! |
| 01:28:22 |
They'll stampede! |
| 01:28:38 |
(SOLDlERS LAUGHlNG) |
| 01:28:44 |
Don't worry, Doc. |
| 01:28:51 |
Now would you |
| 01:28:52 |
This is no time |
| 01:28:57 |
One more passenger for you. |
| 01:29:03 |
All you men |
| 01:29:06 |
Surround them. |
| 01:29:08 |
Surround them. |
| 01:29:16 |
Now, this is an order. |
| 01:29:18 |
You're the leader. |
| 01:29:22 |
Do you understand? |
| 01:29:23 |
(BLEATS) |
| 01:29:24 |
Very good. |
| 01:29:27 |
All right, boys. |
| 01:29:32 |
Now lead. |
| 01:30:00 |
Hiya, Barney. |
| 01:30:03 |
I thought you didn't |
| 01:30:05 |
Oh, well, I still |
| 01:30:07 |
Look, I've got to rush. |
| 01:30:08 |
that General Snowden is |
| 01:30:11 |
About a patient of yours, |
| 01:30:16 |
He's VlP, Joe. |
| 01:30:19 |
Now I've got to rush. |
| 01:30:26 |
The key is what |
| 01:30:29 |
Yes, sir, but I can't |
| 01:30:32 |
If I question him, |
| 01:30:35 |
Sodium pentothal |
| 01:30:39 |
Well, it looks |
| 01:30:42 |
Yes, sir. |
| 01:30:46 |
But at least |
| 01:30:50 |
It might help. |
| 01:30:54 |
Newman, Winston's |
| 01:30:57 |
May I have the General's |
| 01:31:00 |
The father flew down from |
| 01:31:04 |
He decided that |
| 01:31:06 |
if no other member |
| 01:31:10 |
Including his wife? |
| 01:31:12 |
Including his wife. |
| 01:31:18 |
Well, it's too bad |
| 01:31:21 |
You're missing |
| 01:31:23 |
The Winstons would |
| 01:31:27 |
They'd want it to be |
| 01:31:30 |
Sir, we're scheduled to |
| 01:31:32 |
Be right with you, Barney. |
| 01:31:36 |
Newman, what are your |
| 01:31:39 |
Well... |
| 01:31:40 |
As of January 1, Colfax |
| 01:31:45 |
It becomes a permanent |
| 01:31:48 |
I'd like you to stay on |
| 01:31:50 |
You're dedicated, |
| 01:31:53 |
Well, no offense, sir. |
| 01:31:56 |
Oh, I like to |
| 01:31:59 |
a qualified civilian. |
| 01:32:04 |
Well, you don't have to |
| 01:32:06 |
You can send word |
| 01:32:08 |
We'll leave it open |
| 01:32:11 |
Please consider |
| 01:32:13 |
Yes, sir. |
| 01:32:22 |
Roger! |
| 01:32:25 |
Hurry it up there! |
| 01:32:30 |
Move it! |
| 01:32:36 |
(CAR HORN HONKlNG) |
| 01:32:48 |
We came to say |
| 01:32:49 |
I sure appreciate |
| 01:32:51 |
And I want to thank you |
| 01:32:54 |
I didn't do anything. |
| 01:32:55 |
Well, yes, you did. |
| 01:32:57 |
You come up |
| 01:32:59 |
and I just wasn't |
| 01:33:01 |
And, Captain? |
| 01:33:03 |
No. You did it, Jim. |
| 01:33:04 |
We just showed you |
| 01:33:07 |
Well, I don't believe |
| 01:33:09 |
In my humble opinion, |
| 01:33:10 |
you were in the hands |
| 01:33:12 |
You came to us |
| 01:33:14 |
Now, you got everything? |
| 01:33:16 |
Toothbrush? |
| 01:33:19 |
Candy bar, soap and nylon. |
| 01:33:28 |
Jake, you're a wonder! |
| 01:33:29 |
Remind me to recommend you |
| 01:33:31 |
I accept. |
| 01:33:33 |
You better |
| 01:33:36 |
Yeah. Jake, so long. |
| 01:33:39 |
Lieutenant. |
| 01:33:50 |
Thank you, Captain. |
| 01:34:30 |
Oh, Jackson, |
| 01:34:32 |
Think I could use a walk. |
| 01:34:44 |
Poor Jake. |
| 01:34:47 |
The word is you've been |
| 01:34:50 |
That'll just ruin |
| 01:34:53 |
Operation Penthouse? |
| 01:34:55 |
His post-war plan. |
| 01:34:57 |
A huge psychiatric |
| 01:35:01 |
He'll be glad to |
| 01:35:03 |
Now, don't tell me. |
| 01:35:04 |
He'll be |
| 01:35:06 |
A neurosis tout. |
| 01:35:07 |
He's already got you |
| 01:35:10 |
with a branch office |
| 01:35:12 |
Well, that's nice. |
| 01:35:16 |
Well, I don't know |
| 01:35:20 |
What about you, Francie? |
| 01:35:22 |
They'll want you |
| 01:35:24 |
I'll have to be |
| 01:35:27 |
If it stays in the air, |
| 01:35:31 |
I'm serious. |
| 01:35:33 |
So am l. |
| 01:35:35 |
When this is over, |
| 01:35:41 |
I suppose you might be |
| 01:35:44 |
If not, it's the kind |
| 01:35:48 |
Do you think it's |
| 01:35:50 |
To want to close |
| 01:35:55 |
KOPP: Hey, Captain. |
| 01:35:58 |
What is it, Arkie? |
| 01:35:59 |
Blodgett asked me |
| 01:36:01 |
You're wanted |
| 01:36:02 |
She's probably |
| 01:36:03 |
It's 10 minutes |
| 01:36:14 |
Mrs. Winston is here. |
| 01:36:19 |
Oh, Francie, |
| 01:36:22 |
perhaps you'd better bring |
| 01:36:29 |
Good evening. |
| 01:36:31 |
I'm Captain Newman. |
| 01:36:33 |
But we weren't |
| 01:36:36 |
You called. |
| 01:36:39 |
There's no virtue |
| 01:36:42 |
Well, no. |
| 01:36:44 |
You found |
| 01:36:45 |
A tourist court. |
| 01:36:48 |
May I see my husband now, |
| 01:36:52 |
Mrs. Winston, before |
| 01:36:57 |
mention that you'll |
| 01:37:01 |
Iistless, remote. |
| 01:37:05 |
He may not even answer |
| 01:37:09 |
I'm afraid you just |
| 01:37:11 |
Paul was always given |
| 01:37:13 |
This is only temporary, |
| 01:37:15 |
He's basically |
| 01:37:18 |
In his mind, I mean. |
| 01:37:24 |
Mrs. Winston, |
| 01:37:26 |
this is a psychiatric ward. |
| 01:37:28 |
Oh, I know, Captain. |
| 01:37:30 |
I'm sure many men's |
| 01:37:34 |
medical attention, |
| 01:37:39 |
no. |
| 01:37:41 |
We are not people |
| 01:37:44 |
We're proud that |
| 01:37:47 |
Mrs. Winston... |
| 01:37:49 |
I should like to see |
| 01:38:01 |
Oh, Mrs. Winston, |
| 01:38:03 |
Good evening. |
| 01:38:05 |
The ward itself is |
| 01:38:07 |
but we thought |
| 01:38:38 |
It's Helene, dear. |
| 01:38:48 |
Aren't you going to |
| 01:38:59 |
You sent for her? |
| 01:39:02 |
But didn't |
| 01:39:03 |
I sent for her |
| 01:39:06 |
I had reason to believe |
| 01:39:10 |
She strolls in |
| 01:39:14 |
She hasn't seen |
| 01:39:18 |
It's her husband. |
| 01:39:20 |
It's her lover, |
| 01:39:23 |
Well, it's strange for her. |
| 01:39:24 |
What did you |
| 01:39:27 |
To behave like a wife. |
| 01:39:28 |
Instead, she acts |
| 01:39:41 |
He says he's tired. |
| 01:39:43 |
I really shouldn't have |
| 01:39:45 |
I'll take him |
| 01:39:47 |
He'll feel better in |
| 01:39:49 |
Can I give you a lift? |
| 01:39:52 |
Thank you. |
| 01:40:03 |
Hup! Hup! |
| 01:40:07 |
Hup! Hup! |
| 01:40:11 |
Hup! Hup! |
| 01:40:16 |
Hup! Hup! |
| 01:40:21 |
Hup! Hup! |
| 01:40:25 |
Hup! Hup! |
| 01:40:30 |
Hup! Hup! |
| 01:40:36 |
Detail, halt! |
| 01:40:48 |
Package of goodies |
| 01:40:50 |
Compliments of the C.O. |
| 01:40:59 |
Sign here, please. |
| 01:41:01 |
Fourteen ltalian |
| 01:41:03 |
And what the devil |
| 01:41:05 |
doing in the middle |
| 01:41:08 |
Well, you see, according |
| 01:41:10 |
prisoners should be |
| 01:41:12 |
similar to the one |
| 01:41:14 |
We picked up 300 |
| 01:41:18 |
and those 14 out there |
| 01:41:21 |
Are they mental cases? |
| 01:41:23 |
No. |
| 01:41:26 |
Leibowitz, get me |
| 01:41:29 |
Ask and you shall receive. |
| 01:41:35 |
Captain Newman speaking. |
| 01:41:38 |
Yes, they're here. |
| 01:41:40 |
Isn't it a violation |
| 01:41:43 |
to put prisoners of war |
| 01:41:46 |
I'm sure it is. |
| 01:41:47 |
But you have the only ward |
| 01:41:50 |
Does that make |
| 01:41:53 |
Some, sir. |
| 01:41:55 |
Good. |
| 01:41:56 |
Oh, and by the way, Newman, |
| 01:41:59 |
so they're enemy, |
| 01:42:02 |
And don't go probing |
| 01:42:05 |
If they hate their fathers, |
| 01:42:08 |
They're enemy. Period. |
| 01:42:22 |
Leibowitz. |
| 01:42:23 |
LElBOWlTZ: Yeah, Doc. |
| 01:42:24 |
Take this bunch |
| 01:42:26 |
Have Blodgett check them in |
| 01:42:28 |
Sure, Doc. |
| 01:42:29 |
(LElBOWlTZ SPEAKlNG lTALlAN) |
| 01:42:36 |
(SPEAKlNG lTALlAN) |
| 01:42:39 |
(SPEAKlNG lTALlAN) |
| 01:42:46 |
You see, |
| 01:42:47 |
you had to know at least |
| 01:42:49 |
in order to do business. |
| 01:42:50 |
(SPEAKlNG lTALlAN) |
| 01:43:02 |
(SPEAKlNG lTALlAN) |
| 01:43:26 |
NEWMAN: Mrs. Winston, |
| 01:43:29 |
A breakthrough, |
| 01:43:33 |
And as long as |
| 01:43:34 |
Nothing from him |
| 01:43:37 |
I'm a patient woman, Captain. |
| 01:43:40 |
Maybe too patient. |
| 01:43:42 |
I beg your pardon? |
| 01:43:44 |
Mrs. Winston, |
| 01:43:46 |
I hope that you're |
| 01:43:48 |
and I don't want |
| 01:43:51 |
but if your answers |
| 01:43:55 |
then, of course, |
| 01:43:58 |
Of course. |
| 01:44:02 |
What is it that |
| 01:44:07 |
The room where you |
| 01:44:14 |
and it also has a lock. |
| 01:44:18 |
Mrs. Winston, |
| 01:44:23 |
I was not aware, |
| 01:44:25 |
who reads sex |
| 01:44:27 |
Well, you're his wife. |
| 01:44:28 |
Not just now, is he? |
| 01:44:29 |
Well, that's |
| 01:44:30 |
What have you done |
| 01:44:31 |
This is most embarrassing! |
| 01:44:34 |
Oh, I think that there is, |
| 01:44:37 |
if you really want |
| 01:44:39 |
There is nothing |
| 01:44:42 |
Then act like a woman to him |
| 01:44:46 |
Buy some perfume. |
| 01:44:49 |
Something feminine, |
| 01:44:51 |
You mean erotic, |
| 01:44:54 |
Why not? |
| 01:44:55 |
I am hardly the kind of woman |
| 01:45:00 |
Good night, Captain! |
| 01:45:08 |
A verbal and then |
| 01:45:11 |
You're not to contact her, |
| 01:45:13 |
and you're to stay |
| 01:45:15 |
Joe, you can't treat |
| 01:45:17 |
It makes |
| 01:45:19 |
It makes the service |
| 01:45:22 |
Aren't you all |
| 01:45:25 |
No one is worrying |
| 01:45:29 |
He's not a poor, |
| 01:45:34 |
He's Paragraph Two |
| 01:45:40 |
It's only until |
| 01:45:44 |
What do we do |
| 01:45:49 |
Feed him some aspirin? |
| 01:45:53 |
LElBOWlTZ: |
| 01:45:56 |
I'll be the one in charge. |
| 01:46:01 |
Both fine, Doctor. |
| 01:46:17 |
You know, it's gonna |
| 01:46:24 |
(SPEAKlNG lTALlAN) |
| 01:46:25 |
Popcorn. Popcorn. |
| 01:46:32 |
Leibowitz! |
| 01:46:34 |
He is busy |
| 01:46:35 |
He is also wanted |
| 01:46:39 |
He is coming. |
| 01:46:45 |
Leibowitz, I gave you |
| 01:46:47 |
and you also got a dollar |
| 01:46:50 |
so that Ward 7 |
| 01:46:53 |
that Colonel Pyser |
| 01:46:56 |
Correct. |
| 01:46:58 |
Is that the best tree |
| 01:47:01 |
Who said I bought it? |
| 01:47:03 |
Well, where did you get it? |
| 01:47:10 |
From another tree. |
| 01:47:11 |
From another... |
| 01:47:13 |
What... What tree? |
| 01:47:18 |
Leibowitz, |
| 01:47:20 |
is there some connection |
| 01:47:22 |
and Colonel Pyser's |
| 01:47:25 |
You better sit down. |
| 01:47:26 |
I stay mad better |
| 01:47:27 |
You look like |
| 01:47:29 |
Now, just tell me |
| 01:47:34 |
The tree in the rec hall |
| 01:47:37 |
A guy lying on his back |
| 01:47:40 |
It's really not a very |
| 01:47:43 |
Oh, I find it |
| 01:47:45 |
How did you do it? |
| 01:47:48 |
I got a ladder and a saw. |
| 01:47:49 |
I climbed up |
| 01:47:51 |
Saw? What kind... |
| 01:47:54 |
How many types |
| 01:47:56 |
Where... |
| 01:47:58 |
The ladder or the saw? |
| 01:48:00 |
The saw. |
| 01:48:02 |
I got it out of surgery. |
| 01:48:07 |
You stole |
| 01:48:09 |
Well, l... |
| 01:48:10 |
It's already been returned. |
| 01:48:12 |
It's a little bent. |
| 01:48:13 |
Oh, that's nice. |
| 01:48:15 |
Nothing better for |
| 01:48:21 |
For crooked patients. |
| 01:48:23 |
He can saw his way |
| 01:48:25 |
Are you so blasted stupid |
| 01:48:27 |
Colonel Pyser won't see |
| 01:48:31 |
But, Captain, |
| 01:48:33 |
I've improved the appearance |
| 01:48:36 |
How did you get it |
| 01:48:37 |
Oh, it was terrific! |
| 01:48:39 |
I took it out |
| 01:48:41 |
through the sheep pen, |
| 01:48:43 |
No one got a peep |
| 01:48:45 |
No? Not one of |
| 01:48:47 |
saw you carrying |
| 01:48:50 |
We didn't carry it. |
| 01:48:54 |
What did you do? |
| 01:48:56 |
I put it in an ambulance. |
| 01:48:58 |
An ambulance? |
| 01:48:59 |
Mmm-hmm. |
| 01:49:02 |
Who was the driver? |
| 01:49:04 |
Cooshy. |
| 01:49:09 |
Cooshy Flinn? |
| 01:49:10 |
He's a wonderful driver. |
| 01:49:11 |
Cooshy Flinn is |
| 01:49:14 |
But that's the reason |
| 01:49:15 |
I could always claim |
| 01:49:18 |
Then Gavoni told me |
| 01:49:20 |
Gavoni? |
| 01:49:21 |
He was in charge |
| 01:49:22 |
The what? |
| 01:49:24 |
We put the tree |
| 01:49:25 |
You would never |
| 01:49:27 |
Why not? |
| 01:49:30 |
Oh, no, no. |
| 01:49:32 |
You would be the first one |
| 01:49:38 |
You may go. |
| 01:49:39 |
Thank you. |
| 01:49:40 |
No, wait. |
| 01:49:42 |
Excuse me for asking |
| 01:49:45 |
but since you didn't |
| 01:49:48 |
which you wrapped |
| 01:49:52 |
what did you do |
| 01:49:56 |
The money I saved |
| 01:50:00 |
went for presents |
| 01:50:19 |
(KNOCKlNG ON DOOR) |
| 01:50:21 |
Here you are, Doc. |
| 01:50:23 |
Thanks, Arkie. |
| 01:50:25 |
(THUDDlNG) |
| 01:50:28 |
It's Winston. |
| 01:50:30 |
Stop him! Stop him! |
| 01:50:33 |
For God's sake, |
| 01:50:37 |
I revolted him! |
| 01:50:40 |
I revolted him! |
| 01:51:28 |
Have a smoke, Paul. |
| 01:51:33 |
Go on, take it. |
| 01:51:42 |
Now, you've raised |
| 01:51:47 |
Now, suppose you tell me |
| 01:51:51 |
What? |
| 01:51:57 |
Want her to go away. |
| 01:52:01 |
Why, Paul? Why? |
| 01:52:06 |
Go back to room now. |
| 01:52:08 |
No. |
| 01:52:09 |
You've turned |
| 01:52:12 |
You're out of |
| 01:52:14 |
What cellar? |
| 01:52:17 |
What happened in |
| 01:52:20 |
Don't remember. |
| 01:52:22 |
You will. |
| 01:52:23 |
Thirsty! |
| 01:52:25 |
What happened |
| 01:52:27 |
You were in there |
| 01:52:29 |
and nothing happened? |
| 01:52:32 |
You were never |
| 01:52:35 |
You were always safe |
| 01:52:37 |
Go to hell! |
| 01:52:41 |
Is that what's |
| 01:52:45 |
That you were safe |
| 01:52:48 |
That is it, isn't it? |
| 01:52:51 |
No more war. |
| 01:52:52 |
No more flights, |
| 01:52:55 |
Yes, yes, yes! |
| 01:53:08 |
Could you have |
| 01:53:13 |
The town was |
| 01:53:18 |
Could you have escaped? |
| 01:53:24 |
I never tried. |
| 01:53:27 |
I should have. |
| 01:53:32 |
But don't tell God. |
| 01:53:40 |
Damn them for finding me. |
| 01:53:48 |
I don't want to hurt her. |
| 01:53:54 |
She mustn't know. |
| 01:53:56 |
Don't you understand? |
| 01:54:03 |
I was a coward. |
| 01:54:18 |
I told you |
| 01:54:21 |
I knew it was wrong. |
| 01:54:24 |
Wrong! |
| 01:54:25 |
Mrs. Winston, |
| 01:54:28 |
I want you to go in |
| 01:54:31 |
Now. |
| 01:54:33 |
Another experiment? |
| 01:54:36 |
Hasn't he suffered |
| 01:54:37 |
No, not by his standards. |
| 01:54:39 |
You see, he's a Winston. |
| 01:54:41 |
And? |
| 01:54:43 |
Fear is a normal thing |
| 01:54:46 |
It's something else |
| 01:54:49 |
It's cowardice. |
| 01:54:51 |
Paul couldn't be |
| 01:54:54 |
He's never done |
| 01:54:57 |
No. |
| 01:54:58 |
But he thinks that he has. |
| 01:55:02 |
That's why you have |
| 01:55:06 |
You saw the anguish |
| 01:55:11 |
The hatred. |
| 01:55:15 |
That was shame. |
| 01:55:19 |
Mrs. Winston, |
| 01:55:21 |
that man became |
| 01:55:24 |
rather than have you know. |
| 01:55:29 |
He loves you so much, |
| 01:55:32 |
he was willing to stay |
| 01:56:04 |
How is it possible? |
| 01:56:07 |
They didn't know |
| 01:56:09 |
Yeah, maybe we could all use |
| 01:56:21 |
(SlNGlNG) |
| 01:56:27 |
Bearing gifts |
| 01:56:33 |
Fields and fountain |
| 01:56:36 |
Moor and mountain |
| 01:56:40 |
Following yonder star |
| 01:56:46 |
Guide us to |
| 01:57:01 |
Attention! |
| 01:57:21 |
Edgar, that's |
| 01:57:23 |
Oh, thank you. |
| 01:57:26 |
I must say it took |
| 01:57:36 |
Uh-oh! |
| 01:57:53 |
(SlNGlNG) |
| 01:57:57 |
Joyful and triumphant |
| 01:57:59 |
Howard, how tall do you |
| 01:58:01 |
Come ye, O come ye |
| 01:58:04 |
15, 16 feet, tops. |
| 01:58:07 |
They told me |
| 01:58:10 |
What happened to |
| 01:58:13 |
Born the King of angels |
| 01:58:16 |
Do you think it could |
| 01:58:18 |
Don't be an idiot, |
| 01:58:20 |
O come let us adore him |
| 01:58:22 |
Somebody chopped |
| 01:58:25 |
Darling, if you don't shut up, |
| 01:58:29 |
Christ the Lord |
| 01:58:40 |
Now, we bring you a number |
| 01:58:44 |
Ied by Major Alfredo Fortuno, |
| 01:58:46 |
and produced under |
| 01:59:10 |
(SPEAKlNG lTALlAN) |
| 01:59:13 |
Officers, medici, |
| 01:59:16 |
and the beautiful signore. |
| 01:59:21 |
We prisoners, |
| 01:59:25 |
We lose, |
| 01:59:27 |
but no punish. |
| 01:59:29 |
We very happy in Ward 7. |
| 01:59:34 |
We have our own |
| 01:59:37 |
Is not big, is a little one, |
| 01:59:42 |
Very nice. |
| 01:59:44 |
We are italiani, |
| 01:59:47 |
but hurray America! |
| 01:59:54 |
Newman. How little is |
| 01:59:58 |
Five feet, sir. |
| 02:00:02 |
Well, consider it |
| 02:00:08 |
And a Merry Christmas |
| 02:00:13 |
We like to sing |
| 02:00:17 |
very old American |
| 02:00:21 |
that which |
| 02:00:35 |
(SlNGlNG HAVA NAGILA) |
| 02:00:57 |
That's Hebrew, isn't it? |
| 02:00:59 |
To Geronimo Leibowitz, |
| 02:01:30 |
(MEN SHOUT) |
| 02:01:40 |
(AUDlENCE CHEERlNG) |
| 02:01:46 |
Bravo! Come on! |
| 02:02:01 |
Excuse me. |
| 02:02:34 |
Joe? |
| 02:02:36 |
It's Little Jim. |
| 02:02:39 |
Oh, no! |
| 02:02:44 |
Remember the letter |
| 02:02:47 |
Well, he named me |
| 02:02:50 |
Didn't have anyone else. |
| 02:02:54 |
Dear God! |
| 02:03:09 |
It's all so hopeless, Joe. |
| 02:03:13 |
You said it yourself. |
| 02:03:16 |
We cure them, |
| 02:03:18 |
make them strong, |
| 02:03:23 |
so they can go out |
| 02:03:28 |
And you've been through |
| 02:03:34 |
Knowing it's all |
| 02:03:42 |
Little Jim |
| 02:03:49 |
In the letter, he... |
| 02:03:51 |
He thanked us |
| 02:03:56 |
"Back on the ball again," |
| 02:04:00 |
"I'm not a nobody |
| 02:04:07 |
No, he... He found |
| 02:04:13 |
Man's need |
| 02:04:15 |
to matter, and have it |
| 02:04:21 |
(AlRPLANE WHlRRlNG) |
| 02:04:53 |
Leibowitz, you're not |
| 02:05:01 |
All right! |
| 02:05:03 |
Gavoni! |
| 02:05:05 |
Doc, take care of him. |
| 02:05:07 |
Gavoni! Gavoni! |
| 02:05:09 |
Not only my |
| 02:05:10 |
but all the presents |
| 02:05:13 |
I... I gotta kill him! |
| 02:05:15 |
Gavoni, it's Christmas! |
| 02:05:16 |
Well, then, |
| 02:05:17 |
Hello, everybody! |
| 02:05:20 |
(ALL CHEERlNG) |
| 02:05:24 |
Let's sing! |
| 02:05:25 |
(SlNGlNG) |
| 02:05:28 |
Jingle all the way |
| 02:05:30 |
Very good. |
| 02:05:31 |
Oh, what fun it is to ride |
| 02:05:33 |
In a one horse open sleigh, |
| 02:05:36 |
Jingle bells, jingle bells |
| 02:05:38 |
Jingle all the way |
| 02:05:40 |
Oh, what fun it is to ride |
| 02:05:42 |
In a one horse open sleigh |
| 02:05:45 |
Dashing through the snow |
| 02:05:47 |
In a one horse open sleigh |
| 02:05:49 |
O'er the fields we go |
| 02:05:51 |
Laughing all the way |
| 02:05:53 |
Bells on bobtails ring |
| 02:05:56 |
Making spirits bright |
| 02:05:58 |
What fun it is |
| 02:06:00 |
A sleighing song tonight |
| 02:06:02 |
Oh, jingle bells, |
| 02:06:04 |
Jingle all the way |
| 02:06:06 |
Oh, what fun it is to ride |
| 02:06:08 |
In a one horse open sleigh |
| 02:06:10 |
Jingle bells, jingle bells |
| 02:06:12 |
Jingle all the way |
| 02:06:14 |
Oh, what fun it is to ride |
| 02:06:16 |
In a one horse open sleigh |
